Recent from talks
Nothing was collected or created yet.
Simhadriya Simha
View on Wikipedia
| Simhadriya Simha | |
|---|---|
Film poster | |
| Directed by | S. Narayan |
| Screenplay by | S. Narayan |
| Story by | Erode Sounder |
| Based on | Nattamai (Tamil) |
| Produced by | Smt. Prabhavathi Vijaykumar |
| Starring | Vishnuvardhan Meena Bhanupriya Abhijeeth Umashri Mukhyamantri Chandru Ruchita Prasad Shobaraj |
| Cinematography | Ramesh Babu |
| Edited by | P. R. Soundarraj |
| Music by | Deva |
Release date |
|
| Country | India |
| Language | Kannada |
Simhadriya Simha (transl. The Lion of Simhadri) is a 2002 Indian Kannada-language action drama film directed by S. Narayan. The film stars Vishnuvardhan, Meena and Bhanupriya. Vishnuvardhan played a triple role in this movie. The music of the film was composed by Deva. It is a remake of the 1994 Tamil film Nattamai.[1][2]
Plot
[edit]The story revolves around Narasimhe Gowda (Vishnuvardhan), who is the chieftain for a group of 48 villages. He is the man with the strength of an elephant and who rules the Simhadri village as a lion rules his kingdom. The sincerity and the wisdom in the judgment make the people go to Narasimha for justice and not the police. one of the relative of Narasimha Gowda Shobraj's, rapes a girl and is banished from the village for 18 years. He also has to marry the girl according to the judgment by the Gowda. Such a harsh judgment makes Shobraj's father kill Narasimhe Gowda. The throne is ascended by the elder son of Narasimha Gowda, who is also portrayed by Vishnuvardhan as a just and powerful ruler. Things take a turn after 18 years when the Simhadriya Simha family has to undergo a similar situation. Due to a twist of fate, Gowda has to decide his brother Chikka's (again played by Vishnuvardhan) fate. The judgment - Chikka is ordered to leave the village for 10 years. Truth is unveiled when Shobraj's mother reveals the involvement of her son in falsely implicating Chikka. Gowda then realizes his mistake and falls unconscious. However, the doctors revive him and the newborn baby acknowledges him as doddappa.
Cast
[edit]- Vishnuvardhan in a triple role as
- Jr.Gowda
- Chikkanna
- Narasimha Gowda
- Meena as Deepa, Chikkanna's wife (voice dubbed by Sudharani)
- Bhanupriya as Lakshmi, Jr.Gowda's wife
- Shivaram
- M. S. Umesh
- Shobhraj
- Abhijeeth
- Umashri
- Mukhyamantri Chandru
- Sundar Raj
- Keertiraj
- Ruchita Prasad
- Rekha Das
- Vijay Kumar as Lakshmi's Brother
- Sirija
Production
[edit]The film finished production work in April 2002.[3]
Soundtrack
[edit]The film's soundtrack was composed by Deva[4] with lyrics penned by the director S. Narayan himself. The song "Kotha Paakum" from the original Tamil film Nattamai was retained here as "Malnad Adike". The song "Priya Priya" was from the Tamil film Kattabomman. Deva later reused "Kalladare Naanu" as "Poove Mudhal" in Tamil film Kadhal Kirukkan.
| Track# | Song | Singer(s) |
|---|---|---|
| 1 | "Barthanavva" | S.P. Balasubrahmanyam, K. S. Chitra, Rajesh Krishnan, Sangeeta Gururaj |
| 2 | "Kallaadare Naanu" | S.P. Balasubrahmanyam |
| 3 | "Malnad Adike" | Rajesh Krishnan, S. P. Balasubrahmanyam, Sangeeta Gururaj |
| 4 | "Priya Priya" | S. P. Balasubrahmanyam, Chandrika Gururaj |
| 5 | "Simhadriya" | S. P. Balasubrahmanyam |
| 6 | "Yajamaana" | S. P. Balasubrahmanyam, K. S. Chithra |
Reception
[edit]The film received positive reviews. Vishnuvardhan's acting was said to be the highlight of the film.
The film became a hit in Karnataka and completed 25 successful weeks in the theaters. It created a craze among the audience and songs like Malnad Adike, Priya Priya and Simhaadriya Simha, all sung by S. P. Balasubrahmanyam were huge hits and were regularly played at functions, shows etc.
References
[edit]- ^ "Simhadriya Simha Movie Review". chitraloka.com. 8 June 2002. Retrieved 23 August 2022.
- ^ "Simhadriyasimha - Review".
- ^ "Saahasa Simha". Archived from the original on 16 June 2002.
- ^ "Simhadriya Simha".
External links
[edit]Simhadriya Simha
View on GrokipediaBackground and development
Premise and influences
Simhadriya Simha is a Kannada-language action drama film that serves as a remake of the 1994 Tamil film Nattamai, directed by K. S. Ravikumar and produced by R. B. Choudary.[9] The original Nattamai exemplifies the rural family drama traditions in South Indian cinema, focusing on themes of village authority, moral justice, and familial obligations within a close-knit community setting.[10] These elements, drawing from longstanding narrative tropes in Tamil and Kannada cinema, portray the challenges faced by rural leaders in upholding tradition and resolving conflicts. Directed and adapted by S. Narayan, the film relocates the story to the Malnad region of Karnataka, where the protagonist, portrayed by Vishnuvardhan in a triple role, acts as the revered head of 48 villages known for his wisdom and impartial judgments.[1] This adaptation incorporates Kannada cultural nuances, such as the lush, hilly landscapes of Malnad evoked in the song "Malnad Adike," to emphasize local identity while preserving the core premise of intergenerational family dynamics and village governance.[11] The narrative foundation highlights Vishnuvardhan's established "Sahasa Simha" persona, inspired by his earlier roles in Kannada films that celebrated heroic figures embodying bravery, loyalty, and rural justice.[4] The influences extend from Nattamai's success as a trendsetter in the rural drama genre, which influenced subsequent South Indian films by blending action, emotion, and social commentary on family honor and community leadership.[10] In Simhadriya Simha, these themes are tailored to resonate with Kannada audiences through Vishnuvardhan's multifaceted performance, briefly referencing his triple role concept to underscore the patriarch's legacy across generations.[1]Pre-production
The pre-production phase of Simhadriya Simha centered on adapting the story from the 1994 Tamil film Nattamai, with director S. Narayan crafting the screenplay and dialogue to suit Kannada audiences while preserving the core narrative of rural leadership and moral justice.[6][3] The original story credit went to Erode Sounder Rajan, whose plot focused on a village chieftain upholding justice across multiple hamlets, a theme Narayan emphasized through dialogues highlighting ethical dilemmas in Karnataka's countryside.[3] Production responsibilities were assigned to Smt. Prabhavathi Vijaykumar, operating under the Yajamana Films banner, which assembled the initial creative team including cinematographer Ramesh Babu to develop a visual style suited to the film's rustic environments and dramatic confrontations.[3][12] Narayan's multifaceted involvement ensured alignment between the script's justice-oriented themes—such as fair judgments and familial duty—and the planned aesthetics, setting the stage for principal photography in rural locales.[3][12]Cast and crew
Casting process
Vishnuvardhan was selected for a triple role in Simhadriya Simha as Narasimhe Gowda 'Simha', Simha Jr., and Chikkanna, drawing on his longstanding reputation for embodying rural hero archetypes in Kannada cinema.[13][14] This casting choice was publicly confirmed at the film's muhurat ceremony held on October 29, 2001, at Sri Venkataramana Swamy Temple in Bangalore.[13] Meena was chosen as Deepa, opposite Vishnuvardhan's younger brother Chikkanna character, a decision informed by the on-screen chemistry they had previously exhibited in collaborations like Narasimha (1991); her voice was dubbed by Sudharani.[3] Bhanupriya joined as Lakshmi, opposite the elder son character, completing the principal casting alongside Vishnuvardhan.[13] Supporting roles were finalized by mid-2002, with Abhijeeth cast as the antagonist Vishwa, and Umashri, Mukhyamantri Chandru, Ruchita Prasad, and Shobaraj filling key secondary positions.[3][12] The process accommodated Vishnuvardhan's demanding schedule across multiple projects by prioritizing a focused commitment period for his scenes.[13]Production team
The production of Simhadriya Simha was led by director S. Narayan, who oversaw all creative aspects of the film, including writing credits for adapting the screenplay from the 1994 Tamil film Nattamai.[15][3] Cinematographer Ramesh Babu was responsible for the visual style, focusing on capturing the rural aesthetics of the story through 35mm film stock.[3][12] Editor P. R. Soundarraj managed the post-production assembly, resulting in a runtime of approximately 150 minutes.[3][16] The art direction and additional crew, including choreographers who handled the action sequences, contributed to the film's technical execution, with no major conflicts reported during team formation.[15]Synopsis
Plot summary
Narasimhe Gowda serves as the esteemed chieftain of 48 villages, renowned for his fair and wise judgments that earn him widespread respect among the villagers.[1] Unexpectedly, he passes away, leaving a void in leadership.[1] His elder son, Gowda—portrayed by Vishnuvardhan in one of his triple roles—ascends to the throne as the new chieftain.[1] During a critical dispute, Gowda delivers an erroneous judgment against his younger brother Chikka, also played by Vishnuvardhan, resulting in Chikka's banishment from the village and sparking a profound family rift.[1] The narrative progresses through escalating conflicts, including village disputes and false accusations that challenge Gowda's authority and decisions.[1] A pivotal twist exposes the mistake in Gowda's initial ruling, paving the way for revelations, reconciliation among the brothers, and the ultimate triumph of justice in the community.[1] Key events highlight the tension, such as the dramatic banishment scene, a heated confrontation during a village festival, and the emotional family reunion that resolves the longstanding divide.[1]Characters and themes
In Simhadriya Simha, Vishnuvardhan delivers a multifaceted performance in three key family roles, embodying the film's exploration of justice and legacy. As the elder Narasimhe Gowda, he portrays a wise patriarch revered for his unwavering sincerity and elephant-like strength, serving as the moral anchor who commands respect from 48 villages in the rural Malnad region.[1][12] In contrast, his role as the successor Gowda depicts a flawed leader grappling with the burdens of inheritance, whose erroneous judgment highlights the pitfalls of authority when clouded by haste.[1] The third role, Chikka, represents the archetype of the wronged sibling, whose arc underscores the personal toll of familial discord and the quest for vindication.[1] Female characters provide emotional depth, reinforcing the narrative's focus on relational dynamics. Bhanupriya's portrayal of Lakshmi, Gowda's wife, emphasizes family unity, often mediating tensions with a blend of resilience and compassion that stabilizes the household amid escalating conflicts.[17] Meena's portrayal of Deepa, Chikka's wife, amplifies emotional conflicts, introducing layers of rivalry and revelation that propel interpersonal drama and challenge the male-dominated power structures.[18] The film weaves core themes of rural justice systems, where traditional village arbitration supersedes formal law, portraying leaders like Narasimhe Gowda as preferred arbiters for their perceived fairness in the Malnad cultural context.[12] Central to this is the tension between family loyalty and duty, as characters navigate betrayals that test bonds across generations, culminating in redemption through the revelation of truth.[7] Stylistic elements, such as folk-inspired action sequences featuring symbolic confrontations like the lion versus dogs, enhance these motifs by evoking unyielding leadership inherent to the "Simha" (lion) title, symbolizing protective ferocity in rural hierarchies.[7][19]Filming and post-production
Principal photography
Principal photography for Simhadriya Simha was completed by early April 2002, ahead of its June release.[20] The shoot involved Vishnuvardhan in a demanding triple role, requiring distinct physical appearances and mannerisms for each character, which the actor described as challenging but ultimately rewarding in performance.[20] Cinematographer Ramesh Babu handled the visual capture during production.[12]Technical crew and post-production
The editing of Simhadriya Simha was handled by P. R. Sounder Rajan, who crafted the final cut to a runtime of 157 minutes, emphasizing tight pacing for the film's action sequences and dramatic emotional arcs.[12] Post-production wrapped up in early 2002 ahead of the film's June release. Sound mixing addressed clear dialogues and effects integration, with re-recording overseen by Mahendra and effects editing by V. Rajan.[12] Director S. Narayan provided final approvals on the cut, aligning it closely with the emotional rhythms of the original Tamil remake Nattamai.[1]Soundtrack
Composition and recording
Deva was selected as the composer for Simhadriya Simha, tasked with creating a soundtrack that blended traditional folk rhythms from Kannada culture with influences drawn from the film's Tamil original, Nattamai, resulting in five songs tailored to the narrative's rural and dramatic tone.[12][3] Recording sessions for the songs took place over two weeks in studios in Chennai, involving prominent singers such as S. P. Balasubrahmanyam, K. S. Chithra, and Rajesh Krishnan, with sound engineering handled by Murali to capture the energetic folk elements and melodic structures.[12] Key tracks drew inspiration from the story's themes; for instance, "Malnad Adike" evoked the joy of rural celebrations in the Malnad region, while "Priya Priya" served as a romantic number underscoring the film's emotional bonds, with both songs' picturization integrated into plot points involving village festivals.[21] The background score, also composed by Deva, emphasized the tension in scenes of dramatic judgments and family conflicts, and was recorded after principal photography to align precisely with the edited footage.[3]Track listing and songs
The soundtrack of Simhadriya Simha consists of five main songs composed by Deva, with lyrics penned by director S. Narayan in a rural Kannada dialect that captures the film's village setting.[22] Released on audio cassette and CD on May 18, 2001, by Jhankar Music, the album features predominantly vocals by S. P. Balasubrahmanyam, emphasizing Deva's energetic and melodic style suited to mass-appeal Kannada cinema.[21][23] The songs are picturized on lead actors Dr. Vishnuvardhan, Bhanupriya, and Meena, highlighting dance sequences and emotional moments.[22]| No. | Title | Singers | Duration | Description |
|---|---|---|---|---|
| 1 | "Barthanavva Bhoopa" | S. P. Balasubrahmanyam, K. S. Chithra (feat. Dr. Vishnuvardhan, Bhanupriya, Meena) | 6:20 | A celebratory duet evoking festive village gatherings with upbeat rhythms.[24] |
| 2 | "Kalladare Naanu" | S. P. Balasubrahmanyam (feat. Dr. Vishnuvardhan) | 5:26 | An emotional solo expressing longing and heartbreak in a melancholic melody.[24][25] |
| 3 | "Malnad Adike" | S. P. Balasubrahmanyam, Rajesh Krishnan | 5:36 | A lively folk dance number infused with regional Malnad influences and rhythmic beats.[24][26] |
| 4 | "Priya Priya O Priya" | S. P. Balasubrahmanyam | 5:20 | A romantic track with tender lyrics and soft orchestration, focusing on love and admiration.[24][27] |
| 5 | "Simhadriya Simha" | S. P. Balasubrahmanyam, Uma Neha, S. Narayan (feat. Dr. Vishnuvardhan, Bhanupriya, Meena) | 4:33 | The energetic title track serving as a heroic anthem and finale, blending chorus elements for dramatic impact.[24][21] |
