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Some Velvet Morning
Some Velvet Morning
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"Some Velvet Morning"
West German picture sleeve
Single by Nancy Sinatra & Lee Hazlewood
from the album Movin' With Nancy
B-side"Oh, Lonesome Me"
ReleasedDecember 1967 (1967-12)
RecordedLate 1967
StudioCapitol, Los Angeles
Genre
Length3:39
LabelReprise
SongwriterLee Hazlewood
ProducerLee Hazlewood
Nancy Sinatra singles chronology
"Tony Rome"
(1967) 		"Some Velvet Morning"
(1967) 		"Things"
(1968)
Audio sample
"Some Velvet Morning"

"Some Velvet Morning" is a song written by Lee Hazlewood and originally recorded by Hazlewood and Nancy Sinatra in late 1967. It first appeared on Sinatra's album Movin' with Nancy, the soundtrack to her 1967 television special of the same name, which also featured a performance of the song. It was subsequently released as a single before appearing on the 1968 album Nancy & Lee.[2]

Composition

[edit]

The male part of the song is in 4
4 time signature whereas the female part is in 3
4. Hazlewood's voice is recorded with more reverberation than is Sinatra's, making it sound bidimensional.

The recording session

[edit]

Sinatra's singing career received a boost in 1967 with the help of songwriter/producer/arranger Hazlewood, who had been making records for ten years, including with Duane Eddy. Hazlewood's collaboration with Sinatra began when her father Frank Sinatra asked Hazlewood to help boost his daughter's career.[2]

In the fall of 1967, Nancy Sinatra joined Hazlewood at Capitol Studios in Los Angeles for a three-hour session. The recording was produced by Hazlewood and arranged by Billy Strange. According to one review, overdubbing was not used. Instead, the duo "recorded the entire song live with the band, the full orchestra and Lee Hazlewood and Nancy Sinatra singing all at the same time."[3]

Interpretation of the lyrics

[edit]

Reviewers have offered a variety of interpretations of the song's lyrics. A British journalist said that "the puzzle of its lyrics and otherworldly beauty of its sound offering seemingly endless interpretations."[2]

Hazlewood's explanation was less definitive than those of some others, saying: "It’s not meant to mean so much. I'm not a druggie, so it was never to do with that." He also confirmed that he was inspired by Greek mythology: "I thought they were a lot better than all those fairy tales that came from Germany that had killings and knifings. There was only about seven lines about Phaedra. She had a sad middle, a sad end, and by the time she was 17 she was gone. She was a sad-assed broad, the saddest of all Greek goddesses. So bless her heart, she deserves some notoriety, so I’ll put her in a song."[3]

In 2003, London's The Daily Telegraph called the song "[O]ne of the strangest, druggiest, most darkly sexual songs ever written — ambitious, beautiful and unforgettable."[4] As with many psychedelic songs, its overall meaning is somewhat obscure. The lyrics consist of the male part describing a mysterious, powerful woman named Phaedra, who "gave [him] life ... and ... made it end." The male part alternates with the female part, who identifies herself as Phaedra and speaks over ethereal, twinkling music about beautiful nature imagery and about the secrets held by an unknown collective "us”, the chorus lyrics saying “…flowers growing on a hill; dragonflies and daffodils … learn from us, very much; look at us, but do not touch. Phaedra is my name”.

The rhythm noticeably alternates between Hazlewood’s verses and Sinatra’s chorus lines, with the former all in 4/4 (common time) and Sinatra’s parts briefly changing to 3/4 (waltz time), and back again. The end of the song involves a “back-and-forth” between the two singers, highlighting the change in rhythm — every other line switches from 4/4 to 3/4, as Hazlewood and Sinatra each sing a line (in order) from their respective parts, in a pattern. For example:

Hazlewood (4/4): “Some velvet morning when I’m straight…”
Sinatra (3/4): “flowers growing on a hill…”
H: “I’m gonna open up your gate…”
S: “…dragonflies and daffodils…”

Chart performance

[edit]

Although "Some Velvet Morning" is among the more famous duets that Hazlewood and Sinatra recorded, it is considered a departure from their usual fare, as it is decidedly less influenced by country and western music. The single peaked at #26 on the Billboard Hot 100 in January 1968,[1] and #36 in Canada.[5]

Legacy

[edit]
  • In November 2003, music critics for the British newspaper The Daily Telegraph placed the single at the #1 spot on their 50 Best Duets Ever list.[4] According to Nathan Rabin: "These two weirdly complementary sides of Hazlewood's persona unite on 'Some Velvet Morning,' a standout track from Nancy & Lee. On that track, Hazlewood and Sinatra sound like they don’t inhabit the same universe, let alone the same song. Over loping spaghetti-Western guitar, Hazlewood sings of Greek mythology and 'some velvet morning when I’m straight,' while Sinatra coos about flowers and daffodils in a stoned haze against a backdrop of bubblegum psychedelia. 'Some Velvet Morning' sounds like two songs spliced together by a madman, or an avant-garde short film in song form."[6]
  • In August 2006, music critic Rob Mitchum placed the song at #49 spot on Pitchfork's list of the 200 greatest songs of the 1960s, saying "Even after thousands of listens, I still don’t know quite what to make of this bizarre, creepy song. A country-outlaw singer drowning in a pool of reverb, constantly interrupted by dazed-hippie interludes, and haunted by a storm cloud orchestra."[7]
  • In December 2015, Rolling Stone ranked the song at #9 in its 20 Greatest Duos of All Time retrospective.[8]
  • In 2017, Britain's Financial Times recalled the recording as "part rugged country, part fey folk, cloaked in psychedelia by Billy Strange’s haunting orchestration, will echo down the years." The article also mentioned that Hazlewood had recorded the song again shortly before his death: "On his 2005 swansong LP Cake or Death, he duets it with his grand-daughter ... Phaedra is her name."[2]

Selective list of cover versions

[edit]

The song has been covered many times, usually as a duet. Among other recordings:

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Some Velvet Morning

View on Grokipedia
from Grokipedia
"Some Velvet Morning" is a written by and originally recorded as a by Hazlewood and in late 1967. Released as a single by in December 1967, it peaked at number 26 on the chart in early 1968. The track features alternating verses between Hazlewood's baritone and Sinatra's ethereal vocals, set against an orchestral arrangement that shifts between 4/4 and 3/4 time signatures, evoking a dreamlike and mysterious atmosphere. The song was composed by Hazlewood specifically for Nancy Sinatra's television special Movin' with Nancy, airing in December 1967, and was recorded in a single three-hour session at Capitol Studios in with live performances by session musicians and members of the , arranged and conducted by . Its lyrics draw inspiration from , particularly the figure of Phaedra, blending themes of desire, taboo, and hippie-era idealism in an enigmatic narrative that has sparked various interpretations, from drug references to psychological depth. Emerging in the cultural wake of the 1967 , the duet captured the era's experimental spirit and marked the last Top 40 hit for both artists on the . "Some Velvet Morning" later appeared on the duo's collaborative album , released in March 1968 by , which became a critical and commercial success, peaking at number 13 on the . The song has been widely covered, including notable versions by (1969), with (2002), and , and has been featured in films such as (2002) and Not Fade Away (2012), as well as television series like Mr. Robot and Runaways. In 2003, it was ranked number one on 's list of the 50 best duets ever, cementing its status as a landmark in history for its innovative production and enduring intrigue.

Background and Creation

Origins

Lee Hazlewood, a prolific , and known for his work in country, pop, and psychedelic genres, began collaborating with in 1965 after her early recording career had struggled to gain traction. Hazlewood produced her first charting single "So Long Babe" that year and followed it with the iconic "These Boots Are Made for Walkin'," which he wrote and produced, propelling Sinatra to stardom and marking the start of their creative partnership. Their collaboration extended to Sinatra's 1966 debut album Boots, where Hazlewood shaped her sound with bold, unconventional arrangements that blended twangy country influences with emerging rock elements. "Some Velvet Morning" originated as a bespoke composition by Hazlewood for Nancy Sinatra's 1967 NBC television special Movin' with Nancy, intended specifically for a segment in the program. Hazlewood penned the song during the production of the special, drawing from his desire to create something antithetical to the era's dance-oriented hits, resulting in a non-danceable, ethereal track. Initially, Hazlewood had no plans to release it as a standalone single, envisioning it solely as part of the soundtrack album accompanying the TV broadcast. Written in late 1967, the song's lyrical and thematic foundation was inspired by the Greek mythological figure Phaedra, the tragic princess whose story of forbidden love and despair Hazlewood described as embodying profound sadness. This classical reference intertwined with the countercultural optimism of 1960s idealism, capturing the Summer of Love's blend of psychedelic freedom, nature imagery, and existential reflection amid societal upheaval.

Composition

"Some Velvet Morning" received sole songwriting credit to . The song employs a bipartite structure consisting of two distinct parts, with Hazlewood's verses in 4/4 time transitioning to 3/4 time in Sinatra's sections, engendering a disorienting yet psychedelic flow that underscores the duet's dynamic contrast.
The original recording clocks in at approximately 3:37. Hazlewood drew from a fusion of roots, psychedelic experimentation, and orchestral grandeur, leveraging the interplay of his deep against Sinatra's lighter vocals to heighten the composition's tension and release. Conceived initially as a non-commercial piece for Nancy Sinatra's television Movin' with Nancy, the track derives its ethereal, dreamlike essence from Hazlewood's incorporation of mythological motifs during the writing process.

Recording and Production

The Recording Session

The recording session for "Some Velvet Morning" took place at Capitol Studios in Hollywood, , during a three-hour period in late 1967. This intensive session was driven by the deadline for Nancy Sinatra's Movin' with Nancy, which aired in December 1967 and featured the song as a key segment. served as producer and provided his distinctive baritone vocals, while Nancy Sinatra delivered the contrasting ethereal, angelic lines; the was captured live with a full to achieve a seamless blend without overdubs. Key personnel included longtime collaborator , who arranged and conducted the lush orchestral elements, drawing from members of the for the strings and other instrumentation. Hazlewood directed the session with a focus on capturing the song's unusual structure, alternating between 4/4 time for his verses and 3/4 for Sinatra's sections, insisting on a live performance to preserve its organic flow despite the complexity. Technically, Hazlewood employed subtle multi-tracking techniques on the strings, instructing the to perform standing and recording two passes slightly offset to create an ethereal, layered texture that enhanced the song's dreamlike atmosphere. Multiple takes were required to nail the vocal transitions and orchestral precision, but the core and were completed within the single session, reflecting Hazlewood's efficient yet visionary approach to production.

Musical Elements

"Some Velvet Morning" features a distinctive centered on lush strings that swell to create a haunting, ethereal atmosphere. The arrangement avoids heavy drums, relying instead on light percussion—such as soft brushes and minimal rhythmic elements—to preserve the song's dreamlike, floating quality without disrupting its hypnotic flow. The vocal arrangement highlights the 's contrasting styles, with delivering deep, spoken-sung verses in a that evokes a sense of and menace. then responds with high, melodic choruses sung in a lighter, more angelic register, emphasizing the dynamic interplay between the two voices that never overlap directly. This structure underscores the song's innovative format, where the performers alternate to build tension and release. Stylistically, the track fuses with subtle undertones, evident in Hazlewood's twang-inflected phrasing and the sparse, narrative-driven delivery reminiscent of Western ballads. Unusual shifts—from 4/4 in Hazlewood's sections to 3/4 time in Sinatra's—contribute to its disorienting, hypnotic effect, accelerating slightly as the song progresses to heighten the surreal quality. In production, Hazlewood employed reverb extensively on vocals and instruments to craft a hazy, immersive that evokes the titular "velvet morning," layering elements to blur boundaries and simulate a distant, echoing transmission. These techniques, recorded at Capitol Studios in late 1967, marked a key innovation in experimental pop, influencing subsequent atmospheric recordings through their emphasis on spatial depth over conventional density.

Lyrics and Themes

Lyrics Overview

"Some Velvet Morning" features lyrics written by , structured as a with alternating sections sung by Hazlewood and . The song consists of one verse by Hazlewood, three chorus sections (two full choruses and an extended outro) by Sinatra, and two repetitive bridge sections by Hazlewood, creating a call-and-response pattern that emphasizes contrast between the parts. The full lyrics are as follows: Verse 1 ():
Some velvet morning when I'm straight
I'm gonna open up your gate
And maybe tell you 'bout Phaedra
And how she gave me life
And how she made it end Chorus ():
Some velvet morning when I'm straight
Flowers growing on a hill
Dragonflies and mermaids
Sipping up the morning dew
And you
Phaedra is my name Bridge 1 (Lee Hazlewood):
What'll I tell Mama?
What'll I tell Mama?
What'll I tell Mama?
What'll I tell Mama? Chorus (Nancy Sinatra):
Some velvet morning when I'm straight
Flowers growing on a hill
Dragonflies and mermaids
Sipping up the
And you
Phaedra is my name Bridge 2 (Lee Hazlewood):
What'll I tell Mama?
What'll I tell Mama?
What'll I tell Mama?
What'll I tell Mama? Outro (Nancy Sinatra):
Some velvet morning when I'm straight
Flowers growing on a hill
Dragonflies and mermaids
Sipping up the
And you
Phaedra is my name
What'll I tell Mama?
What'll I tell Mama?
What'll I tell Mama?
What'll I tell Mama?
And you Key phrases in the lyrics include "some velvet morning," repeated across sections to frame the narrative; "Phaedra," a reference to the mythological figure from ; and the insistent repetition of "What'll I tell Mama?" in the bridges. The verses employ a loose with pairings like "straight/gate" and slant rhymes such as "Phaedra/end," while the choruses feature imagery-driven lines with rhymes like "hill/dew/you." No documented variations appear in the original 1967 television performance from Nancy Sinatra's special Movin' with Nancy, where the lyrics match the recorded version.

Interpretations

The primary interpretation of "Some Velvet Morning" draws from the Greek myth of Phaedra, the daughter of King and wife of , whose forbidden love for her stepson Hippolytus leads to accusations of assault, her , and his death, symbolizing themes of destructive desire and inevitable . explicitly referenced this myth in the lyrics, with Nancy Sinatra's recurring line "Phaedra is my name" positioning her character as both a fragile siren and a figure of doomed passion, evoking the myth's blend of beauty and peril. This reading frames the song as an for illicit romance, where the velvet morning represents a fleeting moment of clarity or intimacy amid chaos. Hazlewood described the song's intent as a deliberate fusion of realism and , capturing a transient, dreamlike romance that dissolves into illusion, written partly out of spite to create an undanceable track defying commercial expectations. He noted its layered meanings, including allusions to through phrases like "when I'm straight," interpreted as a nod to or recovery, aligning with the hippie-era escapism of 1967's , where the song's ethereal orchestration contrasts optimistic countercultural ideals with underlying disillusionment. This ties into broader symbolism of and longing, with some analyses viewing it as a " to drug rehab," where Hazlewood's verses express yearning for a clear-headed reminiscence of highs, interrupted by Sinatra's hypnotic pull back into haze. Critical debates surround the song's portrayal of gender dynamics, with feminist readings highlighting Sinatra's as a seductive yet victimized figure—embodying Phaedra's dual nature as predator and prey—reflecting power imbalances in male-female collaborations, where Hazlewood's dominant production shapes her ethereal vulnerability. Others see it as a psychedelic , its shifting time signatures and surreal imagery mirroring and countercultural fragmentation, rather than straightforward commentary. Interpretations have evolved from 1960s contemporary views of the song as a surreal, otherworldly artifact amid the era's social upheavals—evoking Joan Didion's observations of creeping apprehension in —to modern analyses emphasizing themes, such as the tension between reason and madness in Phaedra's story, and the emotional toll of unfulfilled promises in relationships. Sinatra herself has remarked that the song's meaning remains elusive, even to its creators, underscoring its enduring interpretive ambiguity.

Release and Commercial Performance

Initial Release

"Some Velvet Morning" debuted as the sixth track on Nancy Sinatra's album Movin' with Nancy, the soundtrack to her television special of the same name, released by in 1967. The album featured collaborations with artists including , with whom Sinatra performed the version of the song. The television special, which included a of the track, aired on December 11, 1967, showcasing Sinatra's rising popularity following hits like "These Boots Are Made for Walkin'" and her role in the 1967 film You Only Live Twice. The song was released as a vinyl single by Reprise Records in December 1967, with "Oh, Lonesome Me" as the B-side, capitalizing on the exposure from the TV special and Sinatra's growing fame as a pop and country crossover artist. Marketing efforts emphasized the duet's unique psychedelic style and the special's innovative format, which blended musical performances with imaginative, dreamlike visuals, including surreal imagery during the "Some Velvet Morning" segment filmed on location. The performance clip from the special, directed by Jack Haley Jr., highlighted the song's haunting atmosphere through psychedelic staging and process photography typical of late-1960s television production. In 1968, "Some Velvet Morning" was reissued on the duet album , further promoting the collaboration between Sinatra and Hazlewood amid their joint rise in the scene. This inclusion on the album, released by in March 1968, served as a post-production decision to leverage the track's initial television and single buzz.

Chart Performance

"Some Velvet Morning" experienced moderate commercial success as a single, reflecting the duo's growing following earlier hits like "" and "Jackson." In the United States, the song debuted on the in January 1968 and peaked at number 26, maintaining a position on the chart for eight weeks. The track also charted in the , reaching number 19 on the Official Singles Chart later that year. Its performance benefited from prominent television exposure in Nancy Sinatra's 1967 NBC special Movin' with Nancy, where the duet was premiered alongside innovative visuals, helping to introduce the song to a wide audience and underscoring the novelty of Hazlewood's contrasting Sinatra's vocals.

Critical Reception and Legacy

Contemporary Reviews

Upon its release in late 1967, "Some Velvet Morning" received attention in the music press for its distinctive style and atmospheric production. The song's performance in Nancy Sinatra's television special Movin' with Nancy, aired on December 11, 1967, drew positive notice for its integration with the program's visuals, enhancing the track's dreamlike quality. These elements reflected the experimental spirit of late-1960s pop, though some observers noted its unconventional nature may have limited broader commercial appeal despite reaching No. 26 on the Hot 100.

Long-term Influence

"Some Velvet Morning" has garnered significant recognition in retrospective rankings, underscoring its status as a landmark . In 2003, it topped The Daily Telegraph's list of the 50 Best Duets Ever, praised for its innovative blend of psychedelic elements and vocal interplay. The song was also included in the 2015 update of 1001 Songs You Must Hear Before You Die, highlighting its enduring artistic value among essential recordings. The track's experimental structure, featuring shifting time signatures and ethereal , has influenced subsequent artists exploring similar territory. Primal Scream's 2002 cover on their album Evil Heat, featuring , reinterpreted the song with and psychedelic production, demonstrating its adaptability to modern genres. In broader retrospectives, it symbolizes the "cool" nonconformity of music, often cited for its haunting weirdness and departure from mainstream pop conventions. Reissues have sustained the song's availability and introduced it to new audiences. It appeared on the 2002 expanded edition of Nancy & Lee, which included remastered tracks and bonus material from the original sessions. In 2022, released a deluxe reissue of Nancy & Lee with newly remastered audio and the first official for "Some Velvet Morning," drawn from archival footage of Nancy Sinatra's 1967 TV special Movin' with Nancy; the video was released online in 2023. Culturally, "Some Velvet Morning" evokes the of the late through its fusion of idealism, references, and psychedelic ambiguity, capturing the era's blend of and . Its legacy extends into , with samples and references appearing in indie and electronic works, such as Primal Scream's electro-infused version and shoegaze reinterpretations by , illustrating its ongoing resonance in alternative scenes.

Covers and Media Usage

Notable Cover Versions

One of the earliest notable covers of "Some Velvet Morning" was an instrumental jazz rendition by Hungarian guitarist , featured on his album Bacchanal, which incorporated psychedelic and influences to create a dreamy, atmospheric interpretation. In 1969, American rock band delivered a heavy, version on their album Near the Beginning, transforming the original's ethereal duet into a brooding, organ-driven track that peaked at number 69 on the Canadian RPM chart. A stark reinterpretation came in 1982 from and , whose dark and intense duet—released as a 12-inch single on Records—emphasized raw vocals and minimal instrumentation to heighten the song's haunting undertones. In 2002, , featuring model on vocals, produced an electronic remix for their Evil, blending trip-hop beats and reverb-heavy production to give the track a modern, club-oriented edge. That same year, The Webb Brothers offered an acoustic cover on the tribute album Total Lee! The Songs of Lee Hazlewood, stripping the song to intimate folk arrangements that highlighted its lyrical vulnerability. Other significant covers include Firewater's 2004 version on Songs We Should Have Written, which infused with ironic, lounge-like flair, and My Dying Bride's take from their 2001 compilation Meisterwerk 2, featuring doom-laden guitars and mournful vocals. These covers often amplify the song's psychedelic or alternative elements through experimentation, achieving status among fans without producing major commercial hits.

Appearances in Media

The song "Some Velvet Morning" by and first appeared in media through a featured in the 1967 NBC Movin' with Nancy, for which it served as the title track on the accompanying . In film, the original recording was included on the soundtrack of the 2002 British drama Morvern Callar, directed by , where it accompanies a pivotal scene of the protagonist Morvern (Samantha Morton) navigating a in a moment of detached reverie, underscoring the film's themes of escape and emotional dissociation. It also appears on the soundtrack of the 2012 American film Not Fade Away, directed by , contributing to the movie's 1960s rock 'n' roll atmosphere. On radio, the track became a staple as bumper music during the 1990s and 2000s on , the late-night syndicated show hosted by , often used to transition between segments and evoking the program's blend of mystery and the supernatural. The song later featured in the 2015 USA Network series , appearing in season 1, episode 6 ("eps1.5_br4ve-trave1er.asf"), where it plays during a diner scene involving protagonists Elliot Alderson and Shayla Nico, heightening the episode's introspective and tense atmosphere. It was also used in the 2017 Hulu series , in season 2, episode 1 (""), enhancing a scene with its dreamlike quality. In 2022, an official for the track was released on by Nancy Sinatra's official channel, featuring restored footage from the 1967 Movin' with Nancy special intercut with new visuals to highlight the duet's psychedelic essence. These media placements often leverage the song's ethereal, dreamlike quality to enhance surreal or introspective moments, frequently invoking 1960s nostalgia in contemporary contexts.

References

  1. https://www.songfacts.com/facts/nancy-sinatra-lee-hazlewood/some-velvet-morning
  2. https://www.billboard.com/charts/hot-100/1968-02-10/
  3. https://americansongwriter.com/greek-mythology-and-hippie-idealism-the-story-behind-some-velvet-morning-by-lee-hazlewood-and-nancy-sinatra/
  4. https://chart-history.net/cc/cc-nancy-sinatra.pdf
  5. https://www.latimes.com/archives/la-xpm-2007-jan-21-ca-hazlewood21-story.html
  6. https://www.rollingstone.com/music/music-lists/20-greatest-duos-of-all-time-16272/
  7. https://www.nytimes.com/2004/09/26/arts/music/nancy-sinatra-rock-goddess.html
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  9. https://www.discogs.com/release/14172622-Nancy-Sinatra-Movin-With-Nancy
  10. https://www.thebeliever.net/logger/some-velvet-morning/
  11. https://www.uaudio.com/blogs/ua/reverb-roundtable
  12. https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-1960s/
  13. https://www.facebook.com/groups/johneinarsonremembers/posts/2259185441082931/
  14. https://www.reddit.com/r/musictheory/comments/fl87jg/transitions_from_44_to_34_in_a_song_is_one_of_my/
  15. https://genius.com/Nancy-sinatra-and-lee-hazlewood-some-velvet-morning-lyrics
  16. https://pitchfork.com/features/lists-and-guides/6405-the-200-greatest-songs-of-the-1960s/
  17. https://www.discogs.com/master/38878-Nancy-Sinatra-Movin-With-Nancy
  18. https://www.discogs.com/release/1697530-Nancy-Sinatra-Movin-With-Nancy
  19. https://www.themoviedb.org/tv/21085-movin-with-nancy
  20. https://www.discogs.com/release/2819609-Nancy-Sinatra-Lee-Hazlewood-Some-Velvet-Morning
  21. https://www.imdb.com/title/tt0183531/
  22. https://www.officialcharts.com/songs/nancy-sinatra-some-velvet-morning/
  23. https://musicaficionado.blog/2016/05/09/some-velvet-morning-by-lee-hazlewood-and-nancy-sinatra/
  24. https://acclaimedmusic.net/song/S1698.htm
  25. https://www.billboard.com/music/music-news/primal-scream-unleashes-controversial-evil-heat-73247/
  26. https://pitchfork.com/features/lists-and-guides/6405-the-200-greatest-songs-of-the-1960s/?page=2
  27. https://www.discogs.com/release/3188932-Nancy-Sinatra-Lee-Hazlewood-Nancy-Lee-3
  28. https://lightintheattic.net/products/nancy-lee
  29. https://www.youtube.com/watch?v=oJ_b9FIjgKI
  30. https://www.whosampled.com/Nancy-Sinatra/Some-Velvet-Morning/
  31. https://secondhandsongs.com/performance/166518/all
  32. https://musiclegends.ca/vanilla-fudge-singles/
  33. https://www.discogs.com/master/450001-Rowland-S-Howard-Lydia-Lunch-Some-Velvet-Morning
  34. https://www.discogs.com/master/28313-Primal-Scream-Kate-Moss-Some-Velvet-Morning
  35. https://secondhandsongs.com/performance/10195/all
  36. https://www.discogs.com/release/6803450-Various-Total-Lee-The-Songs-Of-Lee-Hazlewood
  37. https://www.discogs.com/release/1038583-Firewater-Songs-We-Should-Have-Written
  38. https://secondhandsongs.com/performance/88260/all
  39. https://secondhandsongs.com/work/464/all
  40. https://thequietus.com/culture/film/film-morvern-callar-20-anniversary/
  41. https://www.imdb.com/title/tt1230215/soundtrack/
  42. https://www.artandpopularculture.com/Some_Velvet_Morning
  43. https://www.what-song.com/Tvshow/39/Mr-Robot/s/98
  44. https://www.what-song.com/Tvshow/39/Runaways/s/98
  45. https://www.youtube.com/watch?v=CxwYUCO-VRg
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