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Special Things
Studio album by
the Pointer Sisters
ReleasedAugust 1, 1980
StudioStudio 55, Los Angeles, California
GenreR&B, pop, soul
LabelPlanet
ProducerRichard Perry
The Pointer Sisters chronology
Priority
(1979) 		Special Things
(1980) 		Black & White
(1981)
Singles from Special Things
  1. "He's So Shy"
    Released: July 23, 1980
  2. "Could I Be Dreaming"
    Released: 1980
  3. "We've Got the Power"
    Released: 1980
  4. "Where Did the Time Go?"
    Released: 1980
Professional ratings
Review scores
SourceRating
AllMusicStarStarStarStar[1]
The Rolling Stone Album GuideStarStarStarHalf star[2]

Special Things is the seventh studio album by the Pointer Sisters, released in 1980 on Planet Records.[2]

History

[edit]

The album marked their third venture with producer Richard Perry and featured a more stylized R&B/pop production, launching the group into its most successful period. The album spawned their second top three gold-certified single, "He's So Shy". The album also contains minor hit "Could I Be Dreamin’" and two songs written by Burt Bacharach, "The Love Too Good to Last" and "Where Did the Time Go".

Track listing

[edit]
Side one
No.TitleWriter(s)Length
1."Could I Be Dreaming"Anita Pointer, Trevor Lawrence, Marlo Henderson3:31
2."He's So Shy"Tom Snow, Cynthia Weil3:37
3."The Love Too Good to Last"Burt Bacharach, Carole Bayer Sager, Peter Allen3:32
4."Evil"Geoffrey Leib, Larry Lingle3:19
5."Save This Night for Love"Ellison Chase, Bill Haberman, Art Jacobson3:25
Side two
No.TitleWriter(s)Length
6."We've Got the Power"Michael Brooks, Bob Esty4:53
7."Where Did the Time Go"Bacharach, Sager3:08
8."Special Things"Anita Pointer3:08
9."Here Is Where Your Love Belongs"Bill Champlin4:40
2010 remastered bonus track
No.TitleWriter(s)Length
10."Movin' On"Anita Pointer, Ruth Pointer, June Pointer, Lawrence, Henderson3:19

Personnel

[edit]

The Pointer Sisters

  • Anita Pointer – lead vocals (1, 3, 5, 8), backing vocals, vocal arrangements
  • June Pointer – lead vocals (2, 4, 6, 7), backing vocals, vocal arrangements
  • Ruth Pointer – lead vocals (9), backing vocals, vocal arrangements

Musicians

Production

[edit]
  • Richard Perry – producer
  • Trevor Lawrence – associate producer
  • Gabe Veltri – recording
  • Tim Dennen – assistant engineer
  • Jim Küenzi – assistant engineer
  • Stephen Marcussen – assistant engineer
  • Raven Royce-Jordan – assistant engineer
  • James Guthrie – remixing
  • Mike Reese – mastering
  • Doug Sax – mastering
  • The Mastering Lab (Los Angeles, CA) – mastering location
  • Daniel Kushnick – production coordinator
  • Michael Solomon – production coordinator
  • John Kosh – art direction, design
  • Aaron Rapoport – photography

Chart positions

[edit]
Chart performance for Special Things
Chart (1980) Peak
position
Australian Albums (Kent Music Report)[3] 67
US Billboard 200[4] 34
US Top R&B/Hip-Hop Albums (Billboard)[5] 19

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Special Things

View on Grokipedia
from Grokipedia
Special Things is the seventh studio album by the American R&B and pop vocal group , released on August 1, 1980, by Planet Records. Produced by , it represents the trio's third consecutive collaboration with the hitmaker following the departure of founding member in 1977. The album's polished blend of R&B grooves and emerging pop sensibilities propelled the lead single "He's So Shy" to number three on the *, marking one of the group's early mainstream breakthroughs. Following Bonnie's exit to pursue a solo career, sisters Anita, Ruth, and refined their act under Perry's direction, shifting from their eclectic origins toward more accessible, radio-friendly material on Special Things. Recorded at Studio 55 in , the nine-track effort features standout contributions from songwriters like and Tom Snow on "He's So Shy", as well as Anita Pointer's lead on the title track and Anita's emotive delivery on "Could I Be Dreamin'", which later peaked at number 52 on the Hot 100. The production emphasizes lush arrangements, tight harmonies, and upbeat rhythms, capturing ' dynamic stage energy in a studio format. Commercially, Special Things reached number 34 on the Billboard 200 and number 19 on the Top R&B Albums chart, and was certified gold by the RIAA for 500,000 units shipped, underscoring the group's growing appeal amid the disco-to-pop transition of the era. Tracks like "Evil" and "The Love Too Good to Last" highlight the album's versatility, blending soulful ballads with danceable numbers that foreshadowed the Pointer Sisters' blockbuster success in the mid-1980s. Critics commended Perry's sophisticated oversight and the sisters' vocal interplay, viewing the record as a pivotal step in their evolution from cult favorites to pop icons.

Background

Album development

Following the departure of Bonnie Pointer in 1977 to pursue a solo career, the remaining trio of Anita, Ruth, and sought to reestablish their commercial momentum after the underwhelming performance of their 1979 covers album Priority, which peaked at number 72 on the chart. The group, now operating as a streamlined unit, collaborated once more with longtime producer for what would be their third project together, aiming to shift toward a more accessible blend of pop and R&B with an emphasis on original compositions to recapture their earlier energy and appeal. Development of Special Things was influenced by personal loss, as the sisters' father, Elton Pointer, passed away in 1979, prompting the inclusion of the and Carole Bayer Sager-penned track "Where Did The Time Go?" as a poignant . Anita Pointer took a more active role in songwriting, contributing the album's title track "Special Things" and co-writing "Could I Be Dreaming" alongside and Marlo Henderson, marking a deliberate move away from the cover-heavy approach of Priority toward self-authored material that reflected the group's evolving identity. These originals, combined with outside contributions like the lead single "" by Tom Snow and , were selected to balance emotional depth with upbeat, radio-friendly hooks under Perry's guidance. The album's creation unfolded at studios in Los Angeles during early 1980, with Perry emphasizing lush arrangements featuring strings and percussion to evoke a sophisticated yet soulful sound, distinct from the heavier rock elements of Priority. This rebound strategy proved effective, as Special Things returned the Pointer Sisters to the R&B Top 20 upon its August 1980 release via Planet Records, setting the stage for their mid-1980s commercial peak.

Song selection

The song selection for Special Things was directed by producer , who sought to reinvent ' sound following the departure of , emphasizing polished pop-R&B tracks sourced from prominent songwriters to appeal to mainstream audiences. Perry curated material from collaborators including , , Tom Snow, , and , prioritizing songs that showcased the group's vocal harmonies and versatility while moving away from their earlier eclectic style. This approach resulted in an album blending upbeat love songs, ballads, and empowering anthems, with providing input on vocal arrangements and occasional lyrical contributions. A key example was "," written by Tom Snow and , which the group immediately embraced for its catchy melody and ease of performance. The track was assigned to lead vocalist , despite 's interest in singing it, reflecting internal discussions on lead assignments to balance the sisters' strengths. Similarly, "Could I Be Dreaming" featured lyrics penned by over music by and Marlo Henderson, marking one of the few instances of direct group songwriting involvement and demonstrating their collaborative role in adapting demos to fit their style. Other selections highlighted Perry's strategy of enlisting high-profile tunesmiths, such as the wistful "Where Did the Time Go?" by and Bayer Sager, chosen for its emotional depth and suitability for June Pointer's lead. "The Love Too Good to Last," co-written by Peter Allen, , and Bayer Sager, was selected to add dramatic flair with its sophisticated lyrics, while "We've Got the Power" by Bob Esty and Michael Brooks provided an uplifting closer emphasizing empowerment. Tracks like "" (Geoffrey Leib and Larry Lingle) and "Save This Night for Love" (Arthur Jacobson) rounded out the set with funky, danceable elements, ensuring a cohesive yet varied collection that propelled the album's commercial success. ' vocal input helped refine these choices, fostering a sense of ownership in the final tracklist.

Musical content

Style and themes

Special Things represents a pivotal shift in the ' sound, blending elements of , pop, R&B, and funk as they transitioned toward a more mainstream pop-oriented style under producer . This , their third with Perry, features upbeat, danceable tracks with bright, warm production, incorporating early electronic keyboards, funky brass sections, and Latin percussion influences. The overall style emphasizes catchy mid-tempo grooves and energetic movers, showcasing the group's vocal harmonies and adaptability across genres. Lyrically, the album explores themes of romance, , and the nuances of relationships, often with an optimistic and empowering tone that highlights female perspectives on love. For instance, the title track "Special Things," co-written and led by , delves into cherishing intimate, personal connections in love, accompanied by Latin-infused rhythms that add a sensual layer to its emotional depth. Similarly, the hit single "," featuring on lead vocals, captures the excitement of budding romance with a shy partner, blending simple disco-pop hooks with themes of playful attraction and vulnerability. Other songs like "We've Got the Power" emphasize relational empowerment and unity, serving as dance-floor anthems that reinforce the album's blend of fun and strength. The album also incorporates ballads that provide contrast, focusing on reflective themes of 's impermanence and longing, such as and Carole Bayer Sager's "The Love Too Good to Last," a tender beat- highlighting the group's lush harmonies. Tracks like "" introduce a menacing edge with solos, exploring darker relational dynamics, while "Where Did Time Go?" offers a sweeping on and lost time in . Overall, Special Things balances high-energy dance tracks with introspective moments, solidifying the ' reputation for versatile, theme-driven pop-soul that appealed to diverse audiences in the early .

Track listing

The album Special Things by the Pointer Sisters, released in 1980, contains nine tracks on its original LP edition. The track listing, as per the vinyl release on Planet Records, is presented below with durations.
No.TitleLength
1Could I Be Dreaming3:31
23:37
3The Love Too Good to Last3:32
4Evil3:19
5Save This Night for Love3:25
6We've Got the Power4:53
7Where Did Time Go3:08
8Special Things3:08
9Here Is Where Your Love Belongs4:40
Total length: 33:13 Later reissues, such as the 2010 remastered edition, include the bonus track "Movin' On" (3:16).

Production

Recording sessions

The recording sessions for Special Things were held at Studio 55 in , , where both recording and mixing took place. Richard Perry served as the primary producer, continuing his collaboration with the Pointer Sisters for the third consecutive album after the departure of Bonnie Pointer, which prompted a shift toward a more pop-oriented R&B style. Trevor Lawrence acted as associate producer on the project. Gabe Veltri managed the recording engineering, while James Guthrie oversaw the remixing. The assistant engineering team consisted of Stephen Marcussen, Tim Dennen, Jim Küenzi, and Raven Royce-Jordan. These sessions resulted in a polished production that highlighted the group's vocal harmonies and contributed to hits like "He's So Shy."

Personnel

The Pointer Sisters' album Special Things featured the core vocal trio of Anita Pointer, June Pointer, and Ruth Pointer, who provided lead and backing vocals across all tracks, with specific leads assigned to individual members for various songs. Anita Pointer handled lead vocals on tracks such as "Could I Be Dreamin'" and "The Love Too Good to Last," while June Pointer led on "He's So Shy" and "Evil," and Ruth contributed prominently to the group's harmonious arrangements. The sisters also participated in vocal arrangements, enhancing the album's polished R&B sound. Production was overseen by Richard Perry, a renowned producer known for his work with artists like Barbra Streisand and Carly Simon, who coordinated the sessions to blend pop and R&B elements. Perry's team included production coordinators Daniel Kushnick and Michael Solomon, ensuring seamless integration of the album's diverse musical contributions. Musical arrangements were handled by Trevor Lawrence on strings and horns for multiple tracks, Burt Bacharach on strings and horns for specific tracks, and Tom Snow for "He's So Shy". Instrumentation featured a roster of top session players: keyboards by Greg Phillinganes and John Barnes; guitars by Paul Jackson Jr. and Tim May; bass by Nate Watts and John Pierce; drums by Ollie Brown, James Gadson, Raymond Pounds, and Ricky Lawson; percussion by Paulinho da Costa; and horns including contributions from Chuck Findley and Don Myrick. Engineering duties were managed by Gabe Veltri for recording and James Guthrie for remixing at Studio 55 in . Mastering was completed at The Mastering Lab.

Release and promotion

Singles

The lead single from Special Things, "", was released on July 23, 1980. Written by Tom Snow and , the song features lead vocals by and blends rhythms with R&B harmonies, marking a commercial pivot for the group toward pop accessibility. It debuted at number 83 on the on July 26, 1980, eventually peaking at number 3 for three weeks between October 25 and November 8, 1980, and spending 26 weeks on the chart. On the Billboard Hot Soul Singles chart, it reached number 10. The single was certified gold by the RIAA in November 1980 for sales exceeding 500,000 units in the United States. Its success helped propel the album to wider recognition, showcasing the Pointer Sisters' ability to fuse danceable grooves with emotional storytelling about budding romance. The follow-up single, "Could I Be Dreaming", followed later in 1980, with lead vocals by and songwriting credits to Pointer, , and Marlo Henderson. This mid-tempo R&B track explores themes of romantic uncertainty, featuring smooth instrumentation and layered harmonies typical of the album's influences. It entered the at number 81 and peaked at number 52, charting for 11 weeks. On the R&B chart, it performed better, reaching number 22. Though it did not match the chart dominance of "He's So Shy", the single underscored the album's depth and contributed to its moderate radio play. Additional singles included "We've Got the Power", released in select markets in 1980 as a double A-side with the Spanish-language version of "He's So Shy" ("Es Tan Tímido"). Co-written by Trevor Lawrence and featuring June Pointer on lead, the upbeat funk track emphasizes empowerment and unity but did not enter the Billboard Hot 100, though it received promotional airplay. A promotional single, "Where Did the Time Go?" / "Special Things", was also issued in 1980, highlighting the title track's ballad style, but it saw limited commercial release and no major chart impact. These releases collectively supported the album's promotion, with "He's So Shy" remaining the standout hit that defined the era for the Pointer Sisters.

Marketing efforts

The release of Special Things on Planet Records, the imprint founded by producer , involved a strategic reorientation of the Pointer Sisters' image toward contemporary pop and to broaden their appeal beyond their earlier and R&B roots. Perry, who produced the album, enlisted prominent songwriters such as , with , and Tom Snow with to craft material that aligned with this new direction, facilitating targeted radio promotion aimed at pop audiences. Promotion centered on the lead single "He's So Shy," which received a dedicated music video directed by Denis de Vallance, representing the group's initial foray into visual media to complement radio airplay and enhance visual branding on emerging outlets like early cable networks. The campaign extended to live performances and television, including a high-profile concert at the Kennedy Center in Washington, D.C., on October 31, 1980, where the sisters showcased tracks from the album alongside their established hits to build momentum. Further visibility came through national TV exposure, such as their appearance on NBC's Tomorrow with host in 1980, where they performed "" live to capitalize on the single's rising chart trajectory and introduce the album to late-night viewers. These efforts, combined with Planet Records' distribution through RCA, helped position Special Things as a pivotal release in the group's evolution toward mainstream pop success.

Commercial performance

Album charts

Special Things achieved moderate commercial success upon its release, primarily in the United States. The album debuted on the at number 100 in late August 1980 and climbed to its peak position of number 34, spending a total of 24 weeks on the chart. On the R&B charts, it performed stronger, reaching number 19 on the Top R&B/Hip-Hop Albums chart. This positioning was bolstered by the success of "He's So Shy," which crossed over from R&B to pop audiences. The album did not chart significantly in international markets, such as the , where it failed to enter the top 100.
Chart (1980)Peak position
Australian Albums (Kent Music Report)67
US Billboard 20034
US Top R&B/Hip-Hop Albums19

Certifications

The album's lead single, "He's So Shy," also received RIAA gold certification on November 25, 1980, for sales exceeding 500,000 units. This track, which peaked at number three on the , was the Pointer Sisters' second gold-certified single. No additional certifications were awarded for the album or its other singles in other regions.

Reception and legacy

Critical reviews

Special Things received generally positive reviews, with critics commending the album's sophisticated production and ' versatile vocal performances across pop, R&B, and styles. Producer , who helmed the project for the third consecutive time following Bonnie Pointer's departure, was highlighted for his selection of strong material that revitalized the group's sound after their earlier and explorations. The lead single "," featuring on vocals, was a standout, peaking at number three on the and earning gold certification, while critics noted its catchy disco-pop appeal and keyboard-driven arrangement. Other praised tracks included the horn-infused opener "Could I Be Dreaming," the upbeat "We’ve Got the Power," and the Burt Bacharach-Carole Bayer Sager compositions "The Love Too Good to Last" and "Where Did the Time Go?," which showcased the sisters' harmonious blend and emotional depth. Anita Pointer's self-penned title track was also recognized for adding a personal touch to the collection. Retrospective assessments have reinforced the album's enduring appeal, emphasizing its role in the Pointer Sisters' transition to mainstream pop success. A 2007 PopMatters review described the material as a "wealth of " songs, though it critiqued the reissue's packaging, rating it 6 out of 10 overall. In 2010, Soul Express awarded the expanded CD reissue 7 out of 10, lauding the Bacharach-Sager ballads and Ruth Pointer's sultry lead on the closing cover "Here Is Where Your Love Belongs," while noting the album's chart performance at number 34 on the and number 19 on the Top R&B/Hip-Hop Albums chart. A 2021 analysis on Pop Rescue echoed this positivity, calling the record "fun, bright, and upbeat with flawless vocals" and assigning it 4 out of 5 stars, with particular acclaim for the funky "" and the anthemic "We’ve Got the Power."

Cultural impact

The album Special Things marked a pivotal moment in the Pointer Sisters' career, propelling them into mainstream pop success through its lead single "He's So Shy," which peaked at number three on the and number ten on the chart in 1980. This hit not only achieved gold certification but also exemplified the group's ability to craft infectious, harmony-driven pop-R&B tracks that resonated across audiences, solidifying their transition from eclectic roots to polished commercial appeal. The single's enduring popularity, often cited as a cultural milestone for its sultry vocals and upbeat energy, helped establish the Pointer Sisters as trailblazers in blending genres, influencing subsequent female vocal groups in the and beyond. Beyond commercial achievements, Special Things contributed to the group's sociocultural legacy by promoting themes of personal freedom and joy amid broader social challenges, aligning with their history of genre-busting innovation as Black women in a predominantly white music industry. The album's fusion of R&B, pop, and soul elements broke barriers for Black artists in country and pop spaces, echoing their earlier Grammy win for country music in 1975 and paving the way for diverse representations in mainstream media. Tracks like the title song emphasized empowerment through small, meaningful connections, reflecting the Pointer Sisters' role in advancing Black feminist narratives and joyful resistance in music. The Pointer Sisters' work on Special Things also extended their influence into visual and performative culture, with performances and music videos amplifying their vibrant stage presence and contributing to the early MTV era's inclusivity for Black artists. Their success during this period inspired later acts like Destiny's Child, highlighting a polyphonic American legacy that challenged racial and gender norms in entertainment. Overall, the album reinforced the group's status as cultural icons, whose music fostered unity and liberation for marginalized communities.

References

  1. https://albumism.com/features/the-pointer-sisters-special-things-album-anniversary
  2. https://www.popmatters.com/the-pointer-sisters-special-things-2496192797.html
  3. https://www.billboard.com/artist/the-pointer-sisters/
  4. https://www.discogs.com/release/2270525-Pointer-Sisters-Special-Things
  5. https://www.sessiondays.com/2017/10/1980-pointer-sisters-special-things/
  6. https://www.cherryred.co.uk/special-things
  7. https://thepointersisters.com/timeline.html
  8. http://thetoybox1138.blogspot.com/2025/03/retro-spins-pointer-sisters-special.html
  9. https://poprescue.com/2021/01/15/review-special-things-by-pointer-sisters-vinyl-1980/
  10. https://www.sessiondays.com/2017/10/1980-pointer-sisters-dreaming-us52/
  11. https://www.popmatters.com/69226-still-so-excited-an-interview-with-ruth-pointer-2496072858.html
  12. https://www.iheart.com/podcast/1119-questlove-supreme-53194211/episode/black-music-month-qls-classic-the-63860233/
  13. https://www.soulexpress.net/pointersisters_specialthings.htm
  14. https://www.discogs.com/master/119343-Pointer-Sisters-Special-Things
  15. https://www.discogs.com/release/34080814-Pointer-Sisters-Special-Things
  16. https://musicbrainz.org/release/f939fe26-8e53-4678-b8d1-e468bd75908d
  17. https://www.discogs.com/release/3730722-Pointer-Sisters-Special-Things
  18. https://www.imdb.com/title/tt5933584/
  19. https://www.washingtonpost.com/archive/lifestyle/1980/10/31/the-pointer-sisters-at-play/c36236b4-3cd5-4a3b-a898-9a0ea4e8008e/
  20. https://lightscamerabackbeat.com/search.php?artist=The%20Pointer%20Sisters
  21. http://musicchartsarchive.com/artists/pointer-sisters
  22. https://strathdee.wordpress.com/2021/04/27/the-pointer-sisters/
  23. https://musicgoldmine.com/products/pointer-sisters-hes-so-shy-riaa-gold-single-award
  24. https://wers.org/the-vault-of-soul-the-pointer-sisters/
  25. https://www.npr.org/2021/02/10/962840768/the-hidden-legacy-of-the-pointer-sisters-genre-busting-pioneers-of-message-music
  26. https://www.blackpast.org/african-american-history/the-pointer-sisters-1971/
  27. https://goddesscouturenews.com/features/ruth-pointer-the-timeless-voice-behind-the-pointer-sisters-legacy/
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