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State Rowdy
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| State Rowdy | |
|---|---|
![]() Movie poster | |
| Directed by | B. Gopal |
| Written by | Paruchuri Brothers (story & dialogues) |
| Produced by | T. Subbarami Reddy & P. Sasibhushan |
| Starring | Chiranjeevi Radha Bhanupriya Rao Gopal Rao Sharada Thiagarajan |
| Cinematography | S. Gopal Reddy |
| Edited by | K.A. Marthand |
| Music by | Bappi Lahiri |
Release date |
|
| Country | India |
| Language | Telugu |
State Rowdy is a 1989 Indian Telugu-language action drama film directed by B. Gopal and produced by T. Subbarami Reddy and P. Sasi Bhushan. The film stars Chiranjeevi in the lead role, with Radha and Bhanupriya as the female leads. The film also features Sarada, Rao Gopal Rao, Kaikala Satyanarayana, Thiagarajan and Nutan Prasad in key roles. The music was composed by Bappi Lahiri.[1]
Released on March 23, 1989, State Rowdy became a commercial success, particularly in the Nizam region, where it grossed ₹1 crore, setting a box office record at the time.[2]
Plot
[edit]Kalicharan is a rowdy who kidnaps all the leading rowdies from different parts of the state working under two rivals, and provides them with good jobs. Asha has an interest in him and assists with his good deeds. To get rid of this "state rowdy," the villains learn that he has a mother and a cousin, Radha, and inform them of his whereabouts.
It is known that Kali is actually Prudhvi who was aspiring to become a police officer but could not get the job due to Naagamani, even though he performed well at the interview and tests. He becomes an outlaw due to this and turns as state rowdy to eliminate all the other rowdies by taking law into his own hands.
When his mother and Radha see him, he is forced to reveal the secret that he is actually a police informer working for Naagamani to bring criminals to justice. Naagamani has lost her husband and daughter in fighting the villains.
Later, it is learnt that Asha is Naagamani's daughter, and she is accused of murdering Rao Gopal Rao's younger brother. The rest of the story forms on how she is acquitted with Kali's help, and how Kali and Naagamani get rid of their enemies by bringing them to justice.
In the end Prudhvi hands over Asha to Nagamani and he marries Radha.
Cast
[edit]- Chiranjeevi as Kalicharan/Prudhvi
- Bhanupriya as Asha
- Radha as Radha
- Rao Gopal Rao as Narendra Bhupathi
- Jagayya as Vice-Chancellor Mukunda Rao
- Sharada as SP Naagamani M. Rao
- Thiagarajan as Phanindra Bhupathi
- Nutan Prasad as Bankamatti Bhaskar Rao
- Sudhakar as Manthri
- Jayamalini as Urvasi
- Jyothi Lakshmi as Rambha
- Kaikala Satyanarayana as Kamendra Bhupathi
- Ranganath
- Gummadi
- Annapurna as Prudhvi's mother
- Allu Rama Lingaiah as Quotation Chakravarthy
- Vijayachander as Judge
- Varalakshmi as Lalitha Rani
- Nirmalamma
- Narra Venkateswara Rao
- Chalapathi Rao
Production
[edit]State Rowdy was produced by T. Subbarami Reddy, marking his only collaboration with Chiranjeevi.[2] The film starred with Revathi and Bhanupriya as the female leads marking Reavthi's first movie as a lead heroine with Chiranjeevi. Later due to date issues Revathi's role was taken by Radha. Initially, the project was set to be directed by Kodandarami Reddy, known for his successful collaborations with Chiranjeevi. However, due to Kodandarami Reddy's commitments to other projects with the actor, B. Gopal was brought in to direct, marking his first collaboration with Chiranjeevi.[2] This partnership would later result in the highly successful Indra (2002).
Music
[edit]The music for State Rowdy was composed by Bappi Lahiri, in his first collaboration with Chiranjeevi. The audio launch event was attended by Kamal Haasan.[2]
The soundtrack, featuring songs like "Radha Radha Madilona," "Chukkala Pallakilo," "One Two Three Four," "Tadhigana Thom," and "Are Mooti Meeda Meesamunna," was a hit, particularly among mass audiences.[3] The song "One Two Three Four" helped popularize breakdancing.[4]
| No. | Title | Lyrics | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Are Moothi Meeda Meesamunna" | Veturi | S. P. Balasubrahmanyam | |
| 2. | "Tadhigana Thom" | Veturi | S. P. Balasubrahmanyam, P. Suseela | |
| 3. | "Radha Radha Madilona" | Veturi | S. P. Balasubrahmanyam, P. Suseela | |
| 4. | "Chukkala Pallakilo" | C. Narayana Reddy | S. P. Balasubrahmanyam, P. Suseela | |
| 5. | "One Two Three" | Jonnavittula | S. P. Balasubrahmanyam, S. Janaki |
Reception
[edit]State Rowdy was released on March 23, 1989, following the blockbuster success of Chiranjeevi’s Attaku Yamudu Ammayiki Mogudu earlier that year. The strong box office performance of Attaku Yamudu Ammayiki Mogudu heightened expectations for State Rowdy. Distributors in the Nizam region showed significant interest in acquiring the film's rights, with some reportedly offering blank cheques.[2]
Although the film initially received mixed word-of-mouth, it quickly gained traction and became a major commercial success. State Rowdy was praised for its mass appeal and energetic songs, which played a crucial role in its popularity. In its first week, the film grossed ₹1.14 crore, with a distributor share of ₹75 lakh.[5] The film set a record in the Nizam region by grossing over ₹1 crore, a remarkable feat for a Telugu film at the time. The film’s success garnered nationwide attention. The Bombay-based trade magazine Trade Guide published an article titled Where Is Amitabh?, comparing the collections of State Rowdy to those of Amitabh Bachchan's films, surprising many in the Hindi film industry.[2]
The 100-day celebration of State Rowdy was attended by Rajinikanth as the chief guest. The success of State Rowdy further solidified Chiranjeevi’s status as the reigning superstar of Telugu cinema'.[2]
References
[edit]- ^ "State Rowdy (1989)". Indiancine.ma. Retrieved 2 December 2024.
- ^ a b c d e f g "చిరు సినిమా కలెక్షన్లతో.. 'వేర్ ఈజ్ అమితాబ్?' అనే ప్రశ్న!". Chitra Jyothy (in Telugu). Andhra Jyothy. 5 March 2022. Retrieved 2 December 2024.
- ^ "A glimpse of Bappi Lahiri's Top Telugu songs". Telugu Cinema. 16 February 2022.
- ^ Gabbeta Ranjith Kumar (16 February 2022). "Six superhit Telugu songs of Bappi Lahiri". The Indian Express.
- ^ "Chiranjeevi 1st week collections". Idlebrain.com. Retrieved 19 October 2024.
External links
[edit]- State Rowdy at IMDb
State Rowdy
View on GrokipediaDevelopment
Conception
State Rowdy was conceived as an action drama centered on vigilante justice against corruption, drawing from the story of an aspiring police officer thwarted by systemic politics who resorts to outlaw methods to combat crime.[5] The script, emphasizing themes of personal redemption and institutional failure, was penned by the Paruchuri Brothers, a prolific screenwriting duo renowned for their contributions to Telugu cinema.[6] Producers T. Subbarami Reddy and P. Sasibhushan secured funding to launch production under their banner Amrutha Vijayabhaskar Productions.[7] Directed by B. Gopal early in his career, the film marked his inaugural collaboration with Chiranjeevi.[8] This partnership capitalized on Chiranjeevi's surging popularity after 1987 successes like Pasivadi Pranam. It prioritized elaborate action sequences and musical elements.[9]Casting
Chiranjeevi was cast in the lead role as the protagonist Prudhvi, also known as Kalicharan, selected for his prominent action-hero persona following the success of his 1988 Telugu films such as Trinetrudu and Chantabbai.[10] His dual portrayal emphasized the character's transformation from an aspiring police officer to a rowdy, aligning with director B. Gopal's vision for dynamic character arcs.[4] Bhanupriya was cast as Asha, the cousin of the lead female character, bringing a fresh presence to the ensemble after her established work in Tamil and Malayalam films.[10] Radha was chosen for the role of the love interest and village teacher, ensuring timely production progress.[11] The supporting cast included veteran actor Rao Gopal Rao as the antagonist Narendra Bhupathi, delivering a commanding performance in opposition to the protagonist.[10] Sharada portrayed the protagonist's mother, providing emotional depth, while Thiagarajan played the rival rowdy, adding intensity to the conflict.[4] Sharada also played Nagamani, contributing to the familial dynamics.[10] This process prioritized performers who could balance toughness with underlying ethics, reflecting the film's thematic exploration of justice outside the law.Production
Filming
Principal photography for State Rowdy took place primarily in Hyderabad, Andhra Pradesh, India.[12] The film was shot on 35mm film, with cinematography handled by S. Gopal Reddy, who employed dynamic camera techniques to capture the intense action sequences, including chase scenes and confrontations.[11][4] Chiranjeevi prepared extensively for his triple role as the rowdy Kalicharan, Prudhvi, and Prithviraj, contributing to the demanding stunt work coordinated by fight masters.Post-production
Following principal photography, the post-production of State Rowdy focused on refining the raw footage into a cohesive action drama. The editing was handled by B. Sathyam, who crafted a final runtime of 147 minutes to balance the intense action sequences, dramatic confrontations, and musical interludes.[4][2] Visual effects were minimal and practical, relying on on-location stunts and matte techniques typical of late-1980s Telugu cinema, as digital tools like CGI were not yet prevalent in Indian filmmaking. Dubbing efforts emphasized clarity and emotional depth, with principal cast members, including Chiranjeevi, re-recording dialogues to heighten the film's confrontational tone. The overall process adhered to industry standards of the time, conducted in Hyderabad facilities.[2] Color grading enhanced the visual palette to underscore the story's gritty urban setting and high-stakes themes, while sound mixing integrated Bappi Lahiri's energetic score with ambient effects for immersive playback. The completed film received a U certification from the Central Board of Film Certification and was approved for theatrical release on March 23, 1989.[13][14]Plot
Synopsis
Prithviraj, an aspiring police officer from a modest background, resides with his widowed mother in a small village and harbors deep affection for his neighbor Radha, a dedicated village teacher.[5] His brother Prudhvi, also played by Chiranjeevi, aspired to join the police but was rejected due to interference by Nagamani (Sharada), the police commissioner.[11] Disillusioned, Prudhvi assumes the alias Kalicharan and transforms into a vigilante rowdy, systematically kidnapping prominent criminals from various regions across the state working under two rival crime lords, Dharma Rao (Rao Gopal Rao) and another leader (Thiagarajan).[11] Under this guise, he reforms those deemed redeemable by offering them legitimate employment opportunities, while decisively eliminating those he considers beyond salvation.[2] Parallel to his vigilante activities, a subplot unfolds involving Asha (Bhanupriya), the daughter of Nagamani, who witnesses a murder and faces pursuit by criminals and police. Kalicharan intervenes to protect her and secure her safety from these threats.[15] As events progress, Prudhvi discloses his true identity to his mother and brother, confronts the rival crime lords, and marries Asha, while Prithviraj solidifies his relationship with Radha.[11] The narrative culminates in a high-stakes showdown where Kalicharan unmasks widespread corruption involving the rivals and Nagamani's circle, precipitating their ultimate downfall and allowing the brothers to achieve personal redemption.[11] Chiranjeevi portrays the triple roles of Prithviraj, Prudhvi, and Kalicharan, embodying the protagonists' transformations.[16]Themes
The film State Rowdy delves into vigilante justice as a direct response to institutional corruption, particularly critiquing the manipulative politics in 1980s Indian police recruitment processes that thwart honest aspirations. The protagonists' evolution into an outlaw figure underscores the perceived inadequacies of the legal system, positioning individual moral action as a necessary counter to systemic graft and favoritism. This motif reflects broader anxieties in Telugu cinema of the era, where heroes often embody populist resistance against entrenched power structures.[17] Central to the narrative is the theme of redemption and reform for criminals, emphasizing transformation through access to legitimate opportunities rather than punitive measures alone. By contrasting the instability of a rowdy existence with the dignity of honest labor—such as providing reformed individuals with stable employment—the film advocates for rehabilitation as a pathway to societal reintegration. This approach highlights a belief in inherent redeemability, aligning with 1980s Telugu mass films' focus on heroic intervention to foster moral renewal.[18][19] Family loyalty and personal sacrifice form another key motif, exemplified by the brothers' concealed identities, which serve to shield their widowed mother and romantic partners—Asha for Kalicharan/Prudhvi and Radha for Prithviraj—from the dangers of their double lives. This narrative choice illustrates the profound emotional bonds that drive individual actions, prioritizing familial protection over personal revelation or safety. Such elements reinforce traditional values of devotion amid conflict, a staple in Chiranjeevi's portrayals of resilient masculinity.[18] The portrayal of gender roles emerges through the female leads: Radha represents empowerment via education as a village school teacher, while Asha, as a witness in peril, highlights vulnerability and reliance on heroic intervention, challenging and reinforcing patriarchal norms in a conservative setting. Their professional independence and supportive roles in the protagonists' journeys subtly critique gender constraints while affirming women's agency within familial and communal structures. This depiction aligns with evolving representations in 1980s Telugu cinema, where female leads often balance tradition with subtle progressiveness.[20][18]Cast
Lead roles
Chiranjeevi takes on a triple role as Kalicharan, Prudhvi, and Prithviraj, depicting an aspiring police officer who transforms into a vigilante to combat injustice, blending high-octane action sequences with profound emotional layers in his performance.[10][5] Radha portrays Radha, the central character's romantic partner and a dedicated village school teacher, offering steadfast moral guidance and anchoring the film's romantic elements. She is depicted as the protagonist's cousin.[20][4] Bhanupriya appears as Asha, the daughter of police officer Naagamani and secondary female lead, contributing to the exploration of familial ties and a key redemption storyline involving false accusations.[10][4] Rao Gopal Rao embodies Narendra Bhupathi, one of the main rival rowdy leaders whose antagonistic actions propel the primary conflict, representing the criminal underworld.[4][21]Supporting roles
Sharada portrays the protagonist's mother, serving as a pivotal emotional anchor that underscores themes of familial sacrifice and resilience in the face of adversity. Her character provides the moral grounding for Chiranjeevi's lead role, emphasizing the personal costs of his transformation from aspiring officer to vigilante, and her performance draws on her established reputation for maternal figures in Telugu cinema.[4] Thiagarajan enacts the role of a rival rowdy leader, functioning as a key action foil that intensifies subplot tensions and rivalry dynamics within the criminal underworld. His portrayal heightens the stakes of confrontations, contributing to the film's exploration of power hierarchies and retribution, while leveraging his experience in antagonistic parts across South Indian films.[10] The role of Naagamani, Asha's mother and a police official integral to the innocence subplot centered on false accusations, amplifies the dramatic and ethical layers surrounding the female lead's plight. Through this role, it highlights the ripple effects of societal and criminal pressures on ordinary families, adding emotional depth without overshadowing the central narrative. Among other notable supporting performers, Kaikala Satyanarayana appears as a police ally, facilitating alliances that bridge the law enforcement and vigilante elements, and his authoritative presence reinforces the story's themes of justice and institutional support. Additional cast includes Nutan Prasad and Allu Ramalingaiah in supporting roles.[4]Music
Soundtrack
The soundtrack of State Rowdy was composed by Bappi Lahiri, marking his first collaboration with Chiranjeevi in Telugu cinema.[22] The album features five songs that blend disco rhythms with folk elements, characteristic of Lahiri's style, with lyrics penned primarily by Veturi Sundararama Murthy and C. Narayana Reddy for the track "Chukkala Pallakilo".[23] The songs were recorded emphasizing this fusion to suit the film's action-drama tone and Chiranjeevi's energetic persona. The audio cassette was released in 1989, with the launch event attended by Kamal Haasan.[24]| No. | Title | Lyrics | Singer(s) | Description |
|---|---|---|---|---|
| 1 | "Are Moothi Meeda Meesamunna" | Veturi Sundararama Murthy | S. P. Balasubrahmanyam | An energetic song highlighting the protagonist's persona.[25] |
| 2 | "Tadhigana Thom" | Veturi Sundararama Murthy | S. P. Balasubrahmanyam, P. Susheela | An action-oriented theme highlighting brotherhood and confrontation.[25] |
| 3 | "Radha Radha Madilona" | Veturi Sundararama Murthy | S. P. Balasubrahmanyam, P. Susheela | A romantic duet capturing the film's central love story.[25] |
| 4 | "Chukkala Pallakilo" | C. Narayana Reddy | S. P. Balasubrahmanyam, P. Susheela | A folk-style song evoking rural romance and celebration.[25] |
| 5 | "One Two Three" | Jonnavittula | S. P. Balasubrahmanyam, S. Janaki | An upbeat dance number that popularized breakdancing in Telugu cinema and became a chart-topper, influencing youth dance trends in 1989.[26][25] |

