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Stuart Turton
Stuart Turton
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Stuart Turton (born 1980)[1] is an English author and journalist. His first novel, The Seven Deaths of Evelyn Hardcastle (2018) was a bestseller internationally and won a number of awards including the 2018 Costa Book Award for First Novel.[2] His most recent novel, The Last Murder at the End of the World, went to number one on the Sunday Times Bestseller list. His books have sold over one million copies in the US and UK.[3]

Key Information

Early life

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Turton was born and raised in Widnes, England and educated at University of Liverpool, where he received a BA (Hons) in English and Philosophy.[4] After graduating, he spent a year working as a teacher in Shanghai,[5] before becoming a technology journalist in London. He moved to Dubai to become a travel journalist, living there for three years until he returned to London to write his first novel.

Career

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The Seven Deaths of Evelyn Hardcastle

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Turton's debut novel, The Seven Deaths of Evelyn Hardcastle (released in the US as The 7 1/2 Deaths of Evelyn Hardcastle[6]) won the 2018 Costa Book Award for First Novel[7] and has sold in 28 languages.[8] Since publication, it has sold over 200,000 copies[9] in the UK. In an interview given to The Guardian, he described writing the book as "just awful".[1]

The Seven Deaths of Evelyn Hardcastle received a number of other accolades. It won Best Novel in the 2018 Books Are My Bag Readers' Awards.[10] That same year, it was shortlisted for Debut Book of the Year at the Specsavers National Book Awards[11] and longlisted for a New Blood Dagger and Gold Dagger at the Crime Writers' Association Awards.[12]

Val McDermid selected Turton to appear on her New Blood panel at the Theakstons Old Peculier Crime Writing Festival.[13] In 2019, it was shortlisted for Best Debut Novel at the Strand Magazine Critics Awards[14] and longlisted for the Glass Bell Award.[15] The Japanese edition of the novel, translated by Kazuyo Misumi and published in 2019, was shortlisted for the Best Translated Honkaku Mystery of the Decade (2010-2019).[16]

The Devil and the Dark Water

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Turton's second novel, The Devil and the Dark Water, was published in October 2020.[17] It won the 2020 Books Are My Bag Fiction Award,[18] and was shortlisted for the Ian Fleming Dagger at the Crime Writers' Association Awards.[19] It was Waterstones Thriller of the Month,[20] and selected for Between the Covers, a seven-part book TV programme on BBC Two hosted by Sara Cox.[21] It has sold in 20 countries.[22] The Japanese edition of the novel, translated by Kazuyo Misumi and published in 2022, was nominated for the 2023 Mystery Writers of Japan Award for Mystery Fiction in Translation.[23][24]

Optioned for series

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In December 2020 it was announced that Netflix had bought the rights to a seven-part series adaptation of The Seven Deaths of Evelyn Hardcastle, produced by BBC Studios-owned House Productions, and to be created and written by Sophie Petzal. But in January 2023 Netflix canceled its planned adaptation.[25]

In April 2021, The Devil and the Dark Water was optioned for television by Urban Myth. It will be written by Howard Overman, with Turton serving as an executive producer on the project.[26]

The Last Murder at the End of the World

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In November 2020, Turton signed a contract to write two more "high-concept" mystery novels for Bloomsbury. The first of these, released in 2024, is called The Last Murder at the End of the World.[3] He has described them as "nuts".[27]

Bibliography

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Stuart Turton is an English and former freelance known for his genre-blending mystery novels. His debut novel, The Seven Deaths of Evelyn Hardcastle (2018), became an international bestseller and won the Costa First Novel Award as well as the Books Are My Bag Readers' Award for Best Novel. Turton, who lives in with his wife and two daughters, transitioned from to full-time writing after the success of his first book. His subsequent works include The Devil and the Dark Water (2020), a set on a 17th-century ship that won the Books Are My Bag Fiction Award and was shortlisted for the , and The Last Murder at the End of the World (2024), a post-apocalyptic thriller praised for its innovative structure. He also contributed the "The Master of the House" to the The Winter Spirits: Ghostly Tales for Frosty Nights (2023), edited by Bridget Collins. Turton's novels are noted for their complex plots, unreliable narrators, and fusion of with elements of and , earning him acclaim as one of the most original voices in contemporary mystery writing.

Early life and education

Upbringing

Stuart Turton was born in 1980 in , , . He was raised in this working-class industrial town, characterized by chemical factories and manufacturing plants that dominated the landscape and contributed to a pervasive environmental notoriety, including a strong chemical odor that "punched you in the nose on bad days." The area suffered from deprivation, neglect, and social challenges, such as littered streets, prevalent violence, and a high incidence of cancer deaths—ranking fourth highest in the UK according to data at the time. Turton has described his childhood there as gloomy and oppressive, marked by experiences like being regularly chased and abused by a local teenager wielding a nail-studded stick, having his bus money stolen, and witnessing racial slurs such as "Paki." At age eight, he attempted to run away to the neighboring town of , believing it offered better prospects, only for his mother to intervene and take him there herself the next day. These formative years instilled in Turton a deep , fostering suspicion toward inherited wealth and the diminished expectations often imposed on working-class communities. Amid the hardships, he found solace in reading, particularly Agatha Christie's mystery novels, which a kind neighbor named Doris supplied from car boot sales; this early passion for clever whodunits provided an escape and foreshadowed his later career as a author.

Academic background

Stuart Turton, raised in the nearby town of , attended the , where he pursued a with Honours in English and . His coursework emphasized literary analysis and philosophical inquiry, developing his aptitude for argumentation, as he later reflected on the degree making him "excellent at arguing." He graduated with the , though specific academic distinctions beyond the qualification are not publicly detailed.

Professional background

Journalism

After graduating from the with a degree in English and , Stuart Turton taught English in , , for a year. He then launched his professional career in by working for a magazine in , where he reported on emerging innovations and industry trends, building foundational skills in concise, fact-driven writing. In the mid-2000s, Turton moved to , , where he spent three years specializing in travel articles for various outlets, covering regional destinations, life, and adventure reporting. These assignments required on-the-ground , interviews with locals and experts, and vivid narrative construction to captivate readers, sharpening his ability to weave investigative details into compelling stories under deadlines. Through his stint in , Turton refined his research methodologies—such as verifying sources and synthesizing information rapidly—which proved invaluable for maintaining accuracy and pace in his reporting. Returning to , he continued as a freelance , producing pieces that emphasized experiential and global perspectives, further solidifying his expertise in narrative structure and audience engagement.

Transition to authorship

After years of nurturing an ambition to write fiction inspired by Agatha Christie's locked-room mysteries, which he first encountered as a child, Stuart Turton decided to pivot from journalism to novel writing in his mid-thirties. His early attempt at a novel at age 21 had faltered due to an underdeveloped concept, leading him to pursue journalism as a practical outlet for his storytelling skills while he refined his ideas over the next decade. This career choice allowed him to hone narrative techniques through non-fiction, though he viewed it as a temporary bridge to his true passion. The breakthrough for Turton's debut came during a long-haul flight, where he conceived a complex mystery plot after years of subconscious incubation, drawing on his journalistic experience abroad in and to infuse global perspectives into his fiction. He began developing the idea immediately upon returning home, embarking on an intensive planning phase that involved creating a to map character actions in two-minute increments across an entire day, supplemented by walls of Post-it notes for tracking plot intricacies. Balancing freelance travel journalism with this ambitious proved challenging, as Turton juggled assignments to fund his writing while dedicating evenings and weekends to the , which ultimately spanned three years of drafting and revisions. A significant setback occurred when he scrapped 40,000 words—three months of work—after an unplanned plot deviation exposed structural flaws, forcing a return to his rigid outline. Three months before completion, he researched the publishing industry and queried five literary agents, receiving two offers of representation; he selected Harry Illingworth at DHH Literary Agency, who quickly sold the to in a competitive , marking Turton's successful entry into authorship.

Literary works

The Seven Deaths of Evelyn Hardcastle

The Seven Deaths of Evelyn Hardcastle is Stuart Turton's debut novel, published in the United Kingdom on 8 February 2018 by Raven Books, an imprint of Bloomsbury Publishing, and in the United States on 18 September 2018 by Sourcebooks Landmark under the title The 7½ Deaths of Evelyn Hardcastle. The book blends elements of the country house mystery with science fiction, set in the isolated Blackheath manor in 1920s England, where guests gather for a party hosted by the Hardcastle family. Turton's background as a journalist, with experience in crafting detailed narratives under deadlines, contributed to the novel's intricate plotting. The plot centers on Aiden Bishop, an amnesiac who awakens in the manor with no memory of his identity, tasked with solving the murder of Evelyn Hardcastle, the host's daughter, which occurs during the festivities. Trapped in a , Aiden relives the same day repeatedly, inhabiting the bodies of different male guests each morning—such as a doctor, a policeman, or a —to gather clues and identify the killer before Evelyn's death resets the cycle. As he navigates alliances and betrayals among the suspects, Aiden uncovers layers of secrets tied to the manor's history, including a force enforcing the loop and a rival investigator competing to solve the crime first. Key themes include the fluidity of identity, as Aiden's shifts between hosts, forcing him to confront how and memories shape the , and questions of and redemption, exemplified by the loop's design as a rehabilitative mechanism for past sins. The novel's non-linear narrative structure, with fragmented perspectives mirroring Aiden's disorientation, underscores the unreliability of perception in truth-seeking. Critics praised its genre-blending, likening it to a fusion of Agatha Christie's locked-room puzzles, the time-loop mechanics of , and the body-swapping of Quantum Leap, while noting its ambitious twists that reward patient readers. Upon release, the novel received strong critical acclaim for its originality and intellectual depth, with The Guardian describing it as a "dazzling" reimagining of the murder mystery. It quickly established Turton as a prominent voice in literary , selling over 200,000 copies in the UK within its first year and contributing to his transition from to full-time authorship. By 2024, global sales exceeded one million copies, cementing its impact on the genre and paving the way for Turton's subsequent works.

The Devil and the Dark Water

The Devil and the Dark Water is Stuart Turton's second novel, published in October by Raven Books (an imprint of ) in the and Sourcebooks Landmark in the United States. Set in 1634 aboard the ship Saardam during an eight-month voyage from Batavia in the to , the story centers on Pipps, the era's most renowned , who is shackled below decks awaiting trial for an unspecified crime. Accompanied by his and steadfast ally Arent Hayes, Pipps enlists him to unravel a mounting series of eerie occurrences—including livestock slaughter, crew disappearances, and cryptic symbols etched into the hull—that suggest the presence of a known as Old Tom. As grips the passengers and crew, comprising a , his family, and a mysterious leper who delivers a dire before the ship sets sail, the narrative unfolds as a blending historical intrigue with dread. The novel explores themes of superstition and the clash between rational inquiry and irrational fear, as the characters grapple with whether the onboard horrors stem from a malevolent entity or human malice amid the perils of colonial trade. Central to the plot is the pursuit of justice, with Hayes driven to exonerate Pipps while navigating accusations and betrayals that test loyalties on the isolated vessel. Unreliable narration heightens the tension, employing self-aware twists and shifting perspectives that mirror the fog of doubt enveloping the ship, evolving from Turton's debut's time-bending structure to a more grounded historical framework. Critics have praised its atmospheric tension, evoking the humid, claustrophobic gloom of 17th-century sea travel, and its historical accuracy in depicting the Dutch East India Company's operations, from shipboard hierarchies to the era's colonial ambitions fueled by greed and exploitation. Upon release, The Devil and the Dark Water achieved instant Sunday Times bestseller status in the , reflecting strong initial sales and reader interest in its genre-blending appeal. Reviews highlighted its compulsive readability and ingenious plotting, with The Guardian describing it as an "irresistible maritime mystery" full of narrative pleasure and gothic mayhem. The New York Times noted its page-turning quality, positioning it alongside Turton's acclaimed debut while commending the seafaring setting's immersive horrors. Publishers Weekly selected it as one of the best mysteries of 2020, underscoring its clever fusion of , horror, and historical elements that sustained high reader engagement through intricate puzzles and atmospheric suspense.

The Last Murder at the End of the World

The Last Murder at the End of the World is Stuart Turton's third novel, published on 28 March 2024 in the by Raven Books, an imprint of , and on 21 May 2024 in the United States by Sourcebooks Landmark and in by Publishers. The book marks Turton's evolution into , building on the mystery traditions of his previous works while introducing an apocalyptic setting. Set in a post-apocalyptic world devastated by a mysterious toxic fog that has wiped out nearly all human life, the novel unfolds on a remote island community protected by an energy barrier maintained by a powerful AI known as Omega. This isolated society, comprising around 200 residents including scientists excavating a nearby dig site, has enjoyed 92 years of peace with no crime, enforced by strict laws and the AI's oversight. The plot centers on the sudden murder of a prominent scientist, which disrupts the harmony and causes the barrier to begin failing, granting the inhabitants just 77 hours to identify the killer before the fog engulfs the island and dooms them all. The investigation is led by unlikely detectives: a middle-aged woman named Emory, who suffers from memory loss due to prior fog exposure, and a robotic companion, as they navigate the community's secrets in a high-stakes whodunit. The novel explores profound themes of technology's role in society, the fragility of human memory, and the imperatives of in , questioning what defines humanity when AI governs daily life and personal histories are unreliable. Turton blends the thriller with elements, incorporating wry humor amid the tension to create a narrative that probes ethical dilemmas around and collective . Upon release, the book debuted at #1 on the bestseller list in the and received acclaim for its inventive plotting and genre fusion, with reviewers praising its "wildly inventive" twists and "thrillingly fast-paced" execution. Its success contributed to Turton's overall book sales surpassing one million copies across his oeuvre in the UK and markets.

Adaptations and recognition

Media adaptations

Turton's debut novel, The Seven Deaths of Evelyn Hardcastle, was optioned by for a television series adaptation, with the project announced in December 2020 and developed by screenwriter Sophie Petzal. However, canceled the adaptation in January 2023 after two years in development, citing production challenges. In April 2021, Turton's second novel, The Devil and the Dark Water, was optioned for television by UK production company Urban Myth Films, known for adaptations like Vigil and The Bay. As of November 2025, the project remains in development with no further public updates on casting, scripting, or production timeline. No media adaptations have been confirmed for Turton's third novel, The Last Murder at the End of the World, as of November 2025. The media options for Turton's works have significantly boosted his visibility in the publishing industry, contributing to over one million copies sold across his books in the UK and markets.

Awards and sales milestones

Stuart Turton's debut novel, The Seven Deaths of Evelyn Hardcastle, received the 2018 Costa Book Award for First Novel, recognizing its innovative blend of mystery and time-loop narrative. This accolade, which included a £5,000 prize, highlighted Turton's emergence as a distinctive voice in contemporary . His second novel, The Devil and the Dark Water, earned the 2020 Books Are My Bag Readers' Award for Fiction, voted by readers to celebrate standout works in the genre. The award underscored the book's atmospheric elements and its appeal to a broad audience. Turton's third novel, The Last Murder at the End of the World, achieved #1 Sunday Times bestseller status upon its 2024 release, marking a commercial peak in his career. This success reflected the growing popularity of his speculative thriller style. Across his works, Turton has amassed cumulative sales exceeding 1 million copies in the and markets as of 2024, demonstrating sustained commercial impact. This milestone encompasses translations into over 30 languages and contributions from each title to his overall readership.

Bibliography

Novels

Stuart Turton has published three novels, all issued in both and editions with some title variations for the debut. The Seven Deaths of Evelyn Hardcastle (published in the United States as The 7½ Deaths of Evelyn Hardcastle) is Turton's . The edition was published by Raven Books on 8 February 2018, in with 528 pages ( 978-1-4088-8956-5). The edition was published by Sourcebooks Landmark on 18 September 2018, in with 448 pages ( 978-1-4926-5796-5). The Devil and the Dark Water was published by Raven Books in the UK on 1 October 2020, in with 480 pages ( 978-1-4088-8964-0). The edition was published by Sourcebooks Landmark on 6 October 2020, in with 480 pages ( 978-1-7282-0602-8). The Last Murder at the End of the World was published by Raven Books in the UK on 28 2024, in with 352 pages ( 978-1-5266-3495-5). The edition was published by Sourcebooks Landmark on 21 May 2024, in with 368 pages ( 978-1-7282-5465-4).

References

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