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Tangk
A cloud of smoke with a bright orange light shining from behind it against a black background; the title is shown in white text above
Studio album by
Idles
Released16 February 2024 (2024-02-16)
Genre
Length40:06
LabelPartisan
Producer
Idles chronology
Crawler
(2021) 		Tangk
(2024)
Singles from Tangk
  1. "Dancer"
    Released: 19 October 2023
  2. "Grace"
    Released: 7 December 2023
  3. "Gift Horse"
    Released: 15 January 2024

Tangk is the fifth studio album by the British rock band Idles, released on 16 February 2024 through Partisan Records. It was produced by Nigel Godrich, Kenny Beats and the Idles member Mark Bowen.[1] It was promoted with the singles "Dancer", "Grace" and "Gift Horse". It received positive reviews and is nominated at the 67th Annual Grammy Awards for Best Rock Album.[2]

Background and recording

[edit]

The vocalist, Joe Talbot, said that he "needed love" so he "made it. [He] gave love out to the world and it feels like magic. This is our album of gratitude and power. All love songs. All is love."[1] Talbot said that he wanted to "make people dance" and "feel the love that [he] need[s] in life", as well as wanting to make the music "infectious in a way that makes people feel, not think" and be "part of something electric again".[3]

Tangk was Idles' first work with a major producer, Nigel Godrich, who is known for his work with Radiohead. The band members saw Godrich as among "the upper echelon" and had assumed they would never be able to create something of his calibre. However, Bowen said: "What we learned is that it's not that difficult to attain if you put work into it. We learned that there are no geniuses."[4] Bowen said Godrich taught him how to use tape loops, distortion and delay in new ways to create textures.[4] James Murphy and Nancy Whang of LCD Soundsystem contributed additional vocals on "Dancer".[5]

Release

[edit]

The album was announced following the band's surprise show at the Village Underground in London on 17 October 2023.[6] It was promoted with the singles "Dancer",[3] "Grace"[7] and "Gift Horse".[8] The Tangk world tour started on 29 February 2024 in Porto, and ended on 7 December 2024 at the O2 Apollo Manchester, England.[9]

Critical reception

[edit]
Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.6/10[10]
Metacritic78/100[11]
Review scores
SourceRating
AllMusicStarStarStar[12]
Classic RockStarStarStarStar[13]
Kerrang!4/5[14]
The Line of Best Fit8/10[15]
MojoStarStarStarStar[16]
Pitchfork6.7/10[17]
Record CollectorStarStarStarStar[18]
The SkinnyStarStarStarStar[19]
Slant MagazineStarStarStarHalf star[20]
Uncut8/10[21]

Tangk has a score of 78 out of 100 on the review aggregator Metacritic, based on 25 critics' reviews, indicating "generally favorable" reception.[11] Uncut stated that "Tangk is more about diverse, swooning sonic details that support troubled singer Joe Talbot's redemption",[21] while Classic Rock felt that "despite its subject matter, the Bristol tykes are still sonically and vocally as visceral as ever".[13] Mojo's Andrew Perry concluded that the album is "still hardly for the faint-hearted pop-picker, but it categorically repositions its makers as contenders in the biggest arena, as tuneful, approachable geezers capable of love, and sharing it with the world".[16]

Jamie Wilde of The Skinny summarised the album as "a raucous expression of love" as well as "raw, vulnerable and inimitably Idles".[19] Record Collector's Elizabeth Aubrey wrote that Tangk "may bring us a more compassionate, empathetic version of the band who seem to be trying to find something that resembles peace after years of tumult" but that "they still haven't quite lost their punk spirit".[18]

Nick Seip of Slant Magazine stated that "those familiar with Idles's past work may be surprised to find much of their characteristic righteous anger missing here" and their "slower songs struggle to command such attention" but "on a technical level, Tangk underpins its more personal and emotional lyrics with rich, layered arrangements".[20] Pitchfork's Arielle Gordon wrote that "Idles seem poised to let down their ironclad armor and reveal a far more interesting and nuanced band, just as soon as Talbot is ready to relinquish his stubborn and self-defeating grasp".[17]

Year-end lists

[edit]
Select year-end rankings for Tangk
Publication/critic Accolade Rank Ref.
MOJO 75 Best Albums of 2024 51 [22]
Rough Trade UK Albums of the Year 2024 6 [23]
Uncut 80 Best Albums of 2024 61 [24]

Track listing

[edit]

All lyrics are written by Joseph Talbot; all music is composed by Jonathan Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan, and Joseph Talbot.

Tangk track listing
No.TitleLength
1."Idea 01"3:38
2."Gift Horse"4:09
3."Pop Pop Pop"4:16
4."Roy"4:09
5."A Gospel"3:45
6."Dancer" (featuring LCD Soundsystem)3:09
7."Grace"3:53
8."Hall & Oates"2:23
9."Jungle"4:11
10."Gratitude"3:41
11."Monolith"2:52
Total length:40:06

Personnel

[edit]

Idles

  • Jon Beavis – drums, backing vocals
  • Mark Bowen – lead guitar, electronics, keyboards, programming, design, backing vocals, production
  • Adam Devonshire – bass guitar, backing vocals
  • Lee Kiernan – rhythm guitar, backing vocals
  • Joe Talbot – lead vocals, artwork, design

Additional musicians

  • Colin Webster – saxophone
  • Aaron Paris – strings, string arrangement
  • James Murphy – additional vocals ("Dancer")
  • Nancy Whang – additional vocals ("Dancer")

Technical

Visuals

  • Joshua Hughes-Games – artwork, design
  • Aris Chatman – centerfold photography
  • Tom Ham – lyric + photo book, 'Dancer' and 'Hall & Oates' Photography
  • Cassidy Rose Hill – costume design

Charts

[edit]
Chart performance for Tangk
Chart (2024) Peak
position
Australian Albums (ARIA)[25] 18
Belgian Albums (Ultratop Flanders)[26] 2
Belgian Albums (Ultratop Wallonia)[27] 11
Dutch Albums (Album Top 100)[28] 13
German Albums (Offizielle Top 100)[29] 2
Hungarian Physical Albums (MAHASZ)[30] 36
Irish Albums (OCC)[31] 7
Italian Albums (FIMI)[32] 20
New Zealand Albums (RMNZ)[33] 10
Polish Albums (ZPAV)[34] 57
Portuguese Albums (AFP)[35] 20
Scottish Albums (OCC)[36] 1
Spanish Albums (PROMUSICAE)[37] 23
Swiss Albums (Schweizer Hitparade)[38] 8
UK Albums (OCC)[39] 1
UK Independent Albums (OCC)[40] 1
US Billboard 200[41] 132

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Tangk

View on Grokipedia
from Grokipedia
Tangk is the fifth studio album by the British band , released on 16 February 2024 through . Co-produced by IDLES guitarist Mark Bowen alongside and , the album comprises 11 tracks that blend the band's signature aggressive guitar riffs with experimental and dance-oriented elements. The title Tangk—pronounced like "tank" with a hint of the "g"—serves as an onomatopoeic representation of both the resonant sound of an electric guitar and the essence of love, reflecting the album's core themes. Described by the band as a "love album," Tangk emphasizes joy, hope, gratitude, and defiant empowerment, marking a departure from IDLES' earlier works that grappled with trauma, anger, and societal critique. Tracks such as "Dancer," featuring vocals from LCD Soundsystem's James Murphy and Nancy Whang, and "Grace" highlight this shift toward communal anthems and positivity. Critically acclaimed for its vibrant energy and emotional depth, Tangk topped the and received three nominations at the 67th in 2025. It has been praised as IDLES' most open-hearted and transformative release to date, solidifying their evolution within the and genres.

Background and recording

Conception

Following the introspective and experimental turn of their 2021 album Crawler, IDLES conceived Tangk as a deliberate pivot toward an album centered on love, positivity, and vulnerability, aiming to counterbalance the raw aggression and societal critique that defined earlier works like 2020's Ultra Mono. Frontman Joe Talbot described the project as a "declaration of love," emerging from a period of personal self-exploration and gratitude that sought to move beyond the band's previous reliance on confrontational energy. This shift reflected the group's broader discography evolution from punk-rooted fury to more nuanced emotional expression. Talbot's personal life profoundly shaped the album's emotional core, with themes drawn from his experiences as a father, partner, and individual navigating recovery and relationships, infusing the songs with a sense of tenderness and empowerment. Fatherhood, in particular, influenced Talbot's emphasis on love as a transformative force, allowing him to explore vulnerability without the armor of anger that characterized prior releases. These inspirations were cultivated during a transitional phase for the band, fostering a creative environment focused on healing and connection rather than provocation. To realize this sonic evolution, decided to collaborate with producers and — the latter having worked on Crawler—alongside guitarist Mark Bowen, aiming for a smoother, more melodic production style that highlighted the album's themes of and intimacy. This partnership was envisioned to refine the band's sound, blending electronic and rock elements for a less abrasive texture while preserving their energetic foundation. Initial ideas for Tangk began forming in late , with the first recording session captured in of that year, building momentum through 2023 as the group refined their vision before the album's announcement. The album's title, Tangk (pronounced like "tank" with a hint of the "g"), originated as an onomatopoeic term coined in the studio to evoke the raw, lashing impact of the guitars, symbolizing the unfiltered energy and immediacy at the heart of the project. This choice encapsulated the band's intent to channel visceral power into expressions of love and presence, evolving from a simple sound descriptor into a broader emblem for living in the moment.

Production process

The recording sessions for IDLES' album Tangk took place primarily across multiple studios in 2023, including La Fabrique Studios in Saint-Rémy-de-Provence, France, Nigel Godrich's studio in Brixton, London, Mikko Gordon's studio in Hackney, London, and Kenny Beats' Wack Formula studio in Los Angeles. These locations facilitated a collaborative process that spanned continents, allowing the band to capture initial demos and refine tracks in varied acoustic environments. The sessions began with pre-production writing involving Godrich and Gordon, with Beats joining for intensive periods, and much of the core recording wrapped by late 2023 ahead of the album's February 2024 release. Co-production was handled by —renowned for his work with —Kenny Beats, whose hip-hop production background brought rhythmic experimentation, and IDLES guitarist Mark Bowen, who contributed to guitar arrangements and overall sonic direction. Godrich emphasized analog techniques like tape loops for drums on tracks such as "POP POP POP," while Beats focused on vocal processing and electronic enhancements, including manipulations and synth integrations to layer feedback and synthetic textures. Bowen's involvement ensured the retention of the band's raw, live performance ethos, with sessions prioritizing spontaneous takes to preserve demo energy, such as Joe Talbot's unpolished vocal deliveries that mirrored stage intensity. The production incorporated guest features to expand the soundscape, notably LCD Soundsystem's James Murphy and Nancy Whang on "Dancer," recorded at DFA Studios in New York, adding pulsating electronic grooves that complemented the band's rock foundation. Additional elements like Aaron Paris's strings on "A Gospel" were tracked remotely and integrated during mixing. To achieve a cohesive "softer rock" vibe—balancing punk aggression with vulnerability—the team navigated challenges like stylistic clashes, such as differing visions between and Bowen on "Roy," by simplifying overcomplicated demos and reverting to raw stems for authenticity. This integration of live band dynamics with electronic flourishes resulted in a unified album that emphasized emotional tenderness without losing urgency. Post-production involved detailed mixing at Godrich's setup, where he manually automated effects like on guitars and refined vocal compressions using vintage gear such as 47 microphones and 1176 compressors. Mastering was handled at Gateway Mastering Studios in , finalizing the record by late 2023 to polish the and ensure the blend of organic and synthetic elements translated across formats.

Music and lyrics

Musical style

Tangk represents a fusion of , , and , incorporating softer, more melodic elements that mark a departure from ' earlier raw punk aggression. The spans 40:11 across 11 tracks, emphasizing mid-tempo grooves and layered instrumentation to create a "vibrant and righteous" sound. This evolution draws from indie influences, allowing the band to explore broader sonic palettes while retaining their core. The incorporation of electronic beats, synthesizers, and groovy rhythms is prominently shaped by producers and , whose contributions introduce taut programmed drums and an emphasis on through analog tape loops. These elements blend seamlessly with the band's rock foundation, fostering a shift toward more accessible, dance-oriented pulses without abandoning their energetic edge. Production techniques, such as subtle layering of synths and percussion, enable this refined yet dynamic style. Track-specific highlights underscore the album's varied structures, from anthemic choruses to experimental intros. "Dancer" embodies vibes through its collaboration with LCD Soundsystem's James Murphy and Nancy Whang, featuring propulsive rhythms and electronic flourishes. "Gift Horse" stands out with its groovy basslines that drive a muscular, mid-tempo pace, evolving into soaring choruses. The opener "IDEA 01" serves as an experimental intro, built around repeating kick drums, scattering notes, and subtle synthesizers for an unconventionally structured ambient build. Overall, these compositions highlight ' progression to a more layered, groove-centric approach.

Themes and songwriting

The album Tangk centers on love as its unifying theme, explored through romantic, personal, and self-reflective lenses to serve as anthems countering despair and fostering communal resilience. In tracks like "Grace," Joe Talbot articulates romantic love through simple, euphoric declarations that emphasize uncomplicated affection and joy, while "A Gospel" explores personal relationships, such as with an ex-partner, drawing from experiences of connection and reflection amid hardship. Similarly, "Gratitude" embodies , confronting self-pity with affirmations of appreciation and emotional recovery, all presented as defiant calls to embrace positivity over cynicism. Talbot led the songwriting process, often composing spontaneously at the in collaboration with bandmates like Mark Bowen, who contributed structural elements and thematic depth, prioritizing vulnerability and anti-cynicism as antidotes to . This approach reflects a broader of personal growth following the , where Talbot channels experiences of fatherhood, new relationships, and healing into lyrics that promote joy and empowerment through shouting against existential "voids," marking a deliberate shift from the raw anger of prior albums like Ultra Mono. Key songs illustrate this evolution: "Roy" pays tribute to relational resilience with patient, giddy expressions of devotion; "Jungle" employs vivid storytelling of personal turmoil, such as experiences of arrest and addiction; and "Hall & Oates" injects humor by nodding to pop influences, celebrating the euphoria of love through a personal joke. Poetic devices such as repetition and direct address enhance the ' emotional impact, creating a sense of communal by inviting listeners into shared vulnerability and triumph. For instance, repetitive choruses in tracks like "" and "" build anthemic urgency, while Talbot's second-person appeals foster intimacy and collective empowerment, underscoring the album's rejection of despair in favor of joyful defiance.

Release and promotion

Singles

The lead single from Tangk, "Dancer", was released on October 19, 2023, featuring contributions from members James Murphy and Nancy Whang on vocals and keyboards, respectively. The track's upbeat, energy was accompanied by an official directed by Anquetil, which features diverse groups of people dancing together in a warehouse setting to symbolize unity and communal joy. "Dancer" helped generate early buzz for Tangk by previewing the album's emphasis on love as a connective force. On December 7, 2023, followed with the second single "Grace", a soulful, mid-tempo track produced by that explores emotional vulnerability. Initially released with an audio premiere, it later received a on February 14, 2024, reimagining Coldplay's "" using AI technology to overlay ' performance on the original footage, with Chris Martin's involvement. The single further built anticipation through its introspective tone aligning with the album's themes of intimacy and affection. The third and final pre-album single, "Gift Horse", arrived on January 15, , delivering a raucous, guitar-driven with abstract on . Its music video, directed by M. Helman, captures the band performing energetically amid surreal, colorful visuals that evoke motion and release. "Gift Horse" amplified hype by showcasing ' evolving sound while tying into Tangk's overarching narrative of love as transformative. These singles were promoted through live debuts during IDLES' late 2023 shows, where "Dancer" and "Grace" were performed to enthusiastic crowds, and social media teasers that highlighted snippets emphasizing the album's love-centric motifs to engage fans ahead of the February 16, 2024, release.

Marketing and tour

The rollout for IDLES' fifth studio album Tangk began with its announcement on October 18, 2023, shared via the band's social media channels alongside a teaser video for the lead single "Dancer" and the complete tracklist. This initial reveal built anticipation by highlighting the album's production credits and thematic focus on empowerment and catharsis. TANGK was made available in diverse formats to cater to collectors and casual listeners, including a standard CD in a four-panel , multiple limited-edition vinyl variants such as translucent , smoke, and deluxe yellow pressings, a grey cassette exclusive to Spotify's Fans First program limited to 500 copies, and digital download options. The physical editions emphasized high-quality , with vinyl housed in single-sleeve jackets and some initial copies bundled with signed prints. In partnership with their label Partisan Records, the marketing strategy centered on deepening engagement with core fans while expanding reach through targeted campaigns, including out-of-home advertising like billboards and London Underground posters. Merchandise tie-ins played a prominent role, with "Tangk"-branded items such as tops, posters, and accessories sold via the official store to reinforce the album's vibrant, defiant aesthetic. Promotional messaging framed Tangk as a "love album" offering listeners "something to shout out loud in order to fend off any encroaching sense of the void," aligning with the band's ethos of radical empowerment. Singles like "Dancer" and "Grace" functioned as pivotal promotional tools, each accompanied by videos that previewed the album's energetic sound. Pre-release buzz was amplified through intimate events, including a secret show at 's Village Underground in October 2023 and widespread in-store listening parties at independent record shops in the and , where fans experienced the full album days before its February 16, 2024, street date. The album's supporting tour launched as a 2024 world outing, commencing in on February 29 at Porto's and featuring early highlights like the release-day performance at Electric Brixton in . The itinerary expanded to North America starting May 3 in , encompassing dozens of dates across arenas and theaters with setlists blending Tangk tracks like "Gift Horse" and "A Gospel" alongside fan favorites. Numerous shows, including key European and stops, sold out rapidly, heightening the tour's momentum and underscoring the album's live appeal.

Reception

Critical reviews

Upon its release on February 16, 2024, Tangk garnered generally favorable reviews from music critics, who highlighted its shift toward themes of love and vulnerability while integrating the preceding singles seamlessly into a cohesive whole. The album earned a Metacritic score of 78 out of 100, based on 26 reviews, with 23 positive and 3 mixed ratings indicating broad acclaim for its evolution. Critics frequently praised the album's emotional depth and polished production, crediting collaborations with producers and for a smoother, more melodic sound that refined the band's roots. described it as IDLES' "warmest and most melodic record to date," noting how tracks like "A Gospel" employ featherlight and strings to underscore Talbot's softer vocals exploring love's facets. lauded the "ambitious and mature" effort as the band's most open-hearted, emphasizing a positivity shift with lines like "Anger is an energy, but love is the answer," and highlighting Talbot's vulnerability in songs such as "Roy" where he admits, "I’m a smart man, but I’m dumb for you." This contrast to IDLES' aggressive past was celebrated as a bold evolution, with observing less seething rage and more singing, evolving musically and emotionally through adventurous elements like drones and synths. Some reviewers pointed to occasional repetitiveness and a perceived dilution of the band's punk edge as minor drawbacks. Beats Per Minute critiqued the album for coming on "a little too strong too often," suggesting the bold experimentation sometimes overwhelmed the material's subtlety. Similarly, Spectrum Culture argued that while Tangk breaks new ground for IDLES, it "doesn't break much actual new ground," resulting in a sound that feels like a partial sellout to broader accessibility. Despite these notes, the consensus viewed Talbot's vulnerability as a core strength, transforming the band's prior intensity into a more empathetic and danceable expression.

Accolades and commercial performance

Tangk earned three nominations at the 67th Annual in 2025: Best Rock Album for the album itself, as well as Best Rock Performance and Best Rock Song for "Gift Horse"; the band did not win any awards. The album debuted at number one on the , securing ' second consecutive chart-topping release after Ultra Mono in 2020. It also reached number one on the Scottish Albums Chart and Irish Albums Chart. Internationally, Tangk peaked at number three on the Albums Chart in , number two on the German Albums Chart, and number six on the Alternative Albums chart, charting in a total of 18 regions. In the UK, it achieved first-week sales of over 20,000 units, with 85% from physical formats fueled by strong vinyl demand that propelled it to number one on the Vinyl Albums Chart. Streaming contributed to its success, exemplified by the single "Dancer" surpassing 27 million plays on . The album appeared on prominent year-end lists, ranking number 22 on NME's Top 50 Albums of , number 15 on Rough Trade's Top 100 Albums of , and number 28 on Mojo's Best Albums of .

Credits

Track listing

All tracks are written by Joe Talbot, Adam Devonshire, Lee Kiernan, Jon Beavis, and Mark Bowen, and published by . The album opens with the instrumental track "IDEA 01" to establish an atmospheric mood, progressing through energetic rock numbers to anthemic closers in "" and "."
No.TitleLength
1."IDEA 01"3:38
2."Gift Horse"4:09
3."POP POP POP"4:16
4.""4:09
5."A Gospel"3:45
6."Dancer" (featuring )3:09
7."Grace"3:53
8.""2:23
9."Jungle"4:11
10.""3:41
11.""2:52
Total length: 40:11

Personnel

The album Tangk features the core lineup of , consisting of Joe Talbot on vocals and lyrics, Adam Devonshire on bass, Lee Kiernan on guitar, Jon Beavis on drums, and Mark Bowen on guitar and production. Additional musicians include James Murphy and Nancy Whang of providing backing vocals on the track "Dancer," along with string arrangements by Aaron Paris. Additional contributors include by Colin Webster. Production was led by as producer and mixer, with co-production from and Mark Bowen; engineering duties were handled by Godrich, with additional engineering by Mikko Gordon and Maurice Talbot, and assistant engineering by Daniel Cayotte. The album's visuals credit artwork and design to Joe Talbot and Joshua Hughes-Games, and photography to Aris Chatman. Mastering was performed by .

References

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