Hubbry Logo
The Barchester ChroniclesThe Barchester ChroniclesMain
Open search
The Barchester Chronicles
Community hub
The Barchester Chronicles
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
The Barchester Chronicles
The Barchester Chronicles
The Barchester Chronicles
View on Wikipedia
from Wikipedia

The Barchester Chronicles
DVD cover
GenreDrama
Based onThe Warden and Barchester Towers
by Anthony Trollope
Written byAlan Plater
Directed byDavid Giles
Starring
ComposerDerek Bourgeois
Country of originUnited Kingdom
Original languageEnglish
No. of series1
No. of episodes7
Production
ProducerJonathan Powell
Running time55 minutes
Original release
NetworkBBC2
Release10 November (1982-11-10) –
22 December 1982 (1982-12-22)

The Barchester Chronicles is a 1982 British television serial produced by Jonathan Powell for the BBC.[1] It is an adaptation by Alan Plater of Anthony Trollope's first two Chronicles of Barsetshire, The Warden (1855) and Barchester Towers (1857).[2] The series was directed by David Giles.[3] Location work was videotaped in and around Peterborough Cathedral, using locations such as the Deanery and Laurel Court.[4]

Plot overview

[edit]

The clerical community around Barchester's cathedral is rocked by a press investigation into the finances of Hiram's Hospital almshouse. Following the death of the bishop in the midst of the controversy, the chaplain and wife of the new bishop lead a reforming crusade, which arouses strong opposition within the diocese. These public events have a significant effect on the private lives of many of those involved.

Cast

[edit]

Filming locations

[edit]
Peterborough Cathedral
Chavenage House
Laurel Court, Vineyard Road, Peterborough

Awards

[edit]

The series won a BAFTA award for Design (Chris Pemsel) in 1982, also being nominated for Drama Series/Serial (Jonathan Powell, David Giles), Costume Design (Juanita Waterson), Graphics (Stewart Austin), Make Up (Elizabeth Rowell), Sound Supervisor (Chick Anthony), Video Cameraman (Geoff Feld), and Video Lighting (Howard King).[6]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

The Barchester Chronicles

View on Grokipedia
from Grokipedia

The Barchester Chronicles is a seven-part British television serial produced and broadcast by the in 1982, adapting the first two novels of Anthony Trollope's series, (1855) and (1857).
Directed by David Giles and scripted by under producer Jonathan Powell, the series dramatizes ecclesiastical power struggles, moral dilemmas, and social maneuvering within the fictional 19th-century town of Barchester and its surrounding .
Central to the narrative is the scandal over the alleged misuse of funds at Hiram's Hospital almshouse by its warden, the mild-mannered Septimus Harding, prompting interventions from reformers, ambitious clergy, and family loyalties that expose tensions between tradition and reform in the .
Featuring standout performances by as Mr. Harding, as the protective Archdeacon Grantly, and an early television role for as the manipulative Obadiah Slope, the production is noted for its faithful rendering of Trollope's satirical examination of clerical ambition and provincial life.

Source Material

Anthony Trollope's Barsetshire Series

The Chronicles of Barsetshire is a series of six novels by , set in the fictional English county of Barsetshire and revolving around the clerical and social hierarchies of the cathedral town of Barchester. The series began with , published in July 1855 by Longman, Brown, Green, and Longmans as Trollope's fourth novel, drawing from contemporary scrutiny of ecclesiastical charities and their administration. This was followed by , serialized in from May 1855 to July 1857 before appearing as a three-volume book in 1857, expanding the narrative to encompass broader power struggles within the Church establishment. These initial installments, which directly underpin The Barchester Chronicles adaptation, establish the series' focus on interpersonal dynamics among , landowners, and families amid institutional inertia. Trollope's works emerged against a backdrop of Victorian ecclesiastical reforms addressing longstanding financial abuses in the , such as —benefices providing income without pastoral duties—and pluralities, where individuals held multiple livings. The , established by in 1836, aimed to rationalize Church estates, suppress redundant positions, and redistribute revenues from wealthier sees to poorer ones, with ongoing parliamentary debates in the highlighting persistent of charitable trusts and funds. specifically echoes real-world controversies over hospital charities, modeled loosely on cases like the Hospital of St Cross in , where wardens received stipends disproportionate to oversight of bedesmen, prompting public inquiries into misuse of endowments intended for the indigent. Trollope maintained a conservative fidelity to the Church of England's hierarchical structure and societal function, portraying its flaws through fallible individuals rather than indicting the itself, as evidenced by his genial yet pointed cynicism toward clerical without advocating systemic overthrow. His narratives prioritize causal realism in character motivations—ambition, complacency, and minor hypocrisies—over idealized radical critiques, reflecting his broader of evangelical excesses and preference for moderate, established . This approach underscores the novels' empirical grounding in observed within a preserved order, eschewing romanticized calls for upheaval.

Key Themes in the Adapted Novels

Trollope's Barsetshire novels depict ambition within hierarchies as a primary driver of conflict, where individual self-interest and personal flaws exacerbate institutional tensions rather than abstract doctrinal disputes. In (1857), characters such as Obadiah Slope maneuver through alliances and manipulations to secure positions of influence, illustrating how hierarchical incentives reward cunning over merit, leading to pervasive intrigue in the . This causal dynamic underscores that systemic issues in the stem from human behaviors incentivized by patronage and status, not inherent ideological corruption, as evidenced by the novel's resolution favoring pragmatic traditionalism over zealous reform. A central tension arises in the critique of clerical self-interest, exemplified by the mismanagement of charitable funds in (1855), where Warden Septimus Harding grapples with the moral legitimacy of his from the Hiram's Hospital endowment, originally intended for impoverished bedesmen but accrued through historical grants favoring incumbents. Trollope balances this by portraying such privileges as entrenched outcomes of legal and customary evolution, critiquing excess without condemning the institution wholesale, while highlighting how reformers like John Bold prioritize legalistic disruption over equitable resolution, often amplifying grievances for personal or ideological gain. The novels emphasize moral complexity, rejecting binary narratives of corrupt establishment versus virtuous outsiders by attributing characters' virtues and vices to tangible pressures like financial dependency and social expectations. Harding's , driven by amid public scrutiny from The Jupiter—a fictional stand-in for sensationalist —reveals how external agitators exacerbate personal dilemmas without offering viable alternatives, fostering toward those who favor upheaval over incremental adjustment. Across the series, this realism portrays ambition and as intertwined products of Victorian societal structures, where class dynamics and shape behavior, debunking simplified tales of institutional villainy.

Production History

Development and Adaptation Process

The Barchester Chronicles was developed as a Classic Serial under the production oversight of Jonathan Powell, who served as head of drama series from and commissioned the project in the late to align with the strand's focus on literary adaptations. The serial marked the centenary of Anthony Trollope's death in 1882, prompting the selection of his Barsetshire novels for television. Alan Plater's script, completed in preparation for the 1982 broadcast, adapted Trollope's (1855) and (1857) by condensing their narratives into seven episodes, prioritizing the retention of the author's detailed character psychology and institutional dynamics over expansive subplots. This approach preserved Trollope's balanced satirical lens, depicting flaws in both entrenched clerical and intrusive reformist pressures without editorial amplification that might align with prevailing cultural critiques of authority. Plater's dialogue-heavy structure emphasized verbal interplay and moral ambiguities inherent in the source material, eschewing anachronistic reinterpretations that could impose modern partisan framings on Victorian ecclesiastical life. Produced on the restrained scale characteristic of mid-1980s period dramas, the serial allocated resources toward script fidelity and ensemble performance rather than visual extravagance, reflecting the network's strategy for cost-effective literary prestige programming amid fiscal constraints. The episodes aired weekly from late to December 1982, totaling approximately 350 minutes of runtime to encapsulate the dual-novel arc while adhering closely to Trollope's textual intent.

Casting Decisions

The principal role of Reverend Septimus Harding was assigned to , who stepped in at short notice following the death of , originally cast in the part, just prior to production in 1982. Pleasence, with a background in varied character roles including sympathetic yet tormented figures in films like The Great Escape (1963), embodied Harding's mild-mannered integrity and internal struggle over ethical dilemmas without resorting to overt dramatic flourishes. His selection aligned with the character's depiction as a conscientious but unassertive cleric navigating institutional pressures, drawing on Pleasence's proven range in understated portrayals of moral complexity. Alan Rickman was chosen for the role of the opportunistic chaplain Obadiah Slope, marking his first significant television appearance and an early showcase of his distinctive vocal and physical mannerisms suited to ambitious, duplicitous schemers. At age 36, with prior experience primarily in theater including the Royal Shakespeare Company, Rickman's casting emphasized a restrained intensity that captured Slope's blend of and self-interest, reflecting Trollope's preference for psychologically layered antagonists over caricatured villains. Nigel Hawthorne portrayed Archdeacon Theodore Grantly, leveraging his established work to convey the character's vigorous advocacy for tradition and familial loyalty. The ensemble featured as the imperious Mrs. Proudie, whose authoritative presence suited the bishop's domineering spouse, and Donald Pickering in supporting roles that reinforced the series' focus on relatable human frailties within clerical hierarchies. Overall, the choices favored seasoned British performers adept at subtle emotional nuance, mirroring Trollope's grounded characterizations of ambition, conscience, and institutional maneuvering.

Filming Locations and Techniques

The Barchester Chronicles was filmed primarily on location in and around Peterborough Cathedral in Cambridgeshire, England, which represented the fictional Barchester Cathedral central to the story's ecclesiastical setting. Additional exteriors and interiors utilized Chavenage House in Tetbury, Gloucestershire, for period-appropriate architecture evoking Victorian clerical residences. Specific sites within the Peterborough area, including the Deanery and Laurel Court, provided authentic backdrops for scenes depicting the town's clerical and social life. Production employed standard 1980s BBC videotaping techniques for , capturing natural lighting and environments to maintain realism aligned with Anthony Trollope's grounded narrative style. Interiors and detailed sets were constructed to reflect Victorian-era authenticity, with period costumes and props sourced to accurately portray class distinctions and institutional life without modern alterations. The approach prioritized minimal and an unhurried pace, focusing on dialogue and subtle performances to convey the novels' satirical depth. Challenges included ensuring historical accuracy in wardrobe and set design amidst the constraints of , which offered cost efficiency but limited sharpness compared to later standards. This method enhanced the series' fidelity to the source material by emphasizing tangible locations over stylized embellishments.

Plot Summary

Overall Narrative Arc

The serial opens with a scandal engulfing Hiram's Hospital, a Barchester almshouse founded in the fifteenth century by wool merchant John Hiram to support twelve impoverished bedesmen with endowments yielding around £800 annually by the 1850s, of which the warden claimed the bulk while residents received a mere £1 weekly each. A reform-minded surgeon, John Bold, exposes this disparity through the press, igniting public outrage and a lawsuit that forces the mild-mannered warden, Mr. Septimus Harding, into a profound moral crisis over the legitimacy of his sinecure. Harding's ensuing resignation underscores personal integrity amid institutional inertia, setting the stage for broader ecclesiastical upheaval. This crisis dovetails with the death of Barchester's bishop, prompting Prime Minister-appointed successors: the ineffectual Bishop Proudie, his assertive wife, and evangelical chaplain Mr. Slope, whose ambitions clash with the entrenched traditionalists led by Archdeacon Theophilus Grantly, Harding's son-in-law. Power maneuvers intensify over key positions, including the vacant wardenship of Hiram's Hospital and the deanship, as Slope schemes alliances through flirtations and patronage while Mrs. Proudie asserts domestic dominance over diocesan affairs. Romantic entanglements, notably pursuits involving Harding's daughter Eleanor, weave through the intrigue, heightening tensions between reformist zeal and clerical conservatism. The narrative progresses to resolutions favoring : Slope's duplicity unravels, sidelining his influence; the Grantly faction secures influence without total victory; and a scholarly newcomer assumes the deanship, restoring a pragmatic balance that tempers ideological excesses with enduring institutional stability. This arc, faithfully adapting Trollope's fusion of personal and factional , critiques unchecked ambition while affirming the resilience of established hierarchies against disruptive fervor.

Major Characters and Conflicts

The Reverend Septimus Harding, portrayed as a gentle and conscientious clergyman in his sixties, serves as the warden of Hiram's Hospital, an in Barchester endowed with funds that provide him an annual income of £800 while allotting only minimal stipends to the twelve resident bedesmen. Harding embodies ethical restraint, resigning his position amid public scrutiny to preserve institutional integrity rather than personal gain, reflecting Trollope's depiction of quiet moral fortitude amid clerical pressures. His son-in-law, John Bold, a principled and local er, initiates the central financial conflict by investigating the hospital's endowments, arguing that the warden's salary unjustly deprives the bedesmen of rightful shares, leading to a that exposes tensions between utilitarian and longstanding church customs. Bold's campaign, fueled by idealistic zeal, clashes with familial loyalties after he courts and marries Harding's daughter , ultimately forcing him to withdraw the suit upon recognizing its disruptive consequences on personal and ecclesiastical harmony. Archdeacon Theophilus Grantly, Harding's son-in-law and a staunch advocate, defends ecclesiastical autonomy and tradition against external interferences, viewing reformist intrusions as threats to the Church of England's hierarchical order. Grantly's alliances, particularly with Harding, underscore conflicts rooted in familial and institutional loyalty, as seen in his opposition to evangelical influences seeking to reshape diocesan appointments. In the ensuing following the old bishop's , Reverend Obadiah Slope emerges as an ambitious chaplain aligned initially with the new Bishop Proudie, maneuvering for influence through sycophancy and calculated alliances, including an unsuccessful courtship of Eleanor Harding that reveals his opportunistic character. Slope's rivalry with Grantly intensifies during the deanery election, where competing factions vie for the vacant post, pitting Slope's low-church against Grantly's defense of established . Mrs. Proudie, the bishop's domineering evangelical wife, exerts control over diocesan affairs, clashing with Slope after perceiving his overreach, which culminates in her orchestration of his dismissal and highlights interpersonal ambitions overriding doctrinal consistency. These dynamics drive causal chains of and , such as Eleanor's to the moderate Mr. Arabin, resolving romantic subplots amid broader struggles between reformist disruption and institutional stability, with characters displaying realistic flaws like ambition and timidity rather than heroic ideals.

Themes and Analysis

Satire on Ecclesiastical Politics

The Barchester Chronicles adaptation faithfully captures Anthony Trollope's satire of 19th-century politics by depicting the warden's position at Hiram's Hospital as an entrenched , where revenues from a 15th-century endowment—originally intended for twelve elderly bedesmen's care—had ballooned to £800 annually plus housing by the 1850s, far exceeding the modest stipends of £40 per bedesman, prompting reformist scrutiny. This portrayal draws from Trollope's own observations of real scandals, such as those at the Hospital of St Cross in and Rochester Cathedral's institutions, where similar disparities fueled public agitation and legal challenges against clerical privileges. Trollope's critique, mirrored in the series, balances condemnation of such privileges—held by figures like the mild-mannered Septimus Harding—against the self-interested zeal of reformers, illustrating how personal ambitions distort institutional reform; for instance, the evangelical Slope's opportunistic maneuvering for influence under Bishop Proudie exemplifies careerism that exploits doctrinal divides between traditionalists and innovators, rather than genuine spiritual advancement. This causal dynamic reflects Trollope's grounding in historical precedents, including the Ecclesiastical Commission's 1836 efforts to rationalize diocesan incomes and abolish pluralities, which he referenced to highlight how incentives for perpetuated inefficiencies without resolving underlying issues. The adaptation retains Trollope's humorous emphasis on petty rivalries among the Barchester —such as the Grantley faction's resistance to Proudie's incursion—portraying these as microcosms of broader power struggles driven by human frailties, without imposing contemporary ideological lenses that might caricature as mere obstructionism or as unalloyed . This approach underscores the series' fidelity to Trollope's even-handed exposure of incentives, where both conservatives clinging to sinecures and ambitious interlopers pursue self-advancement under pious guises, exacerbating factionalism amid genuine but mismanaged calls for efficiency post-1830s reforms.

Portrayals of Human Ambition and Morality

In Anthony Trollope's , the chaplain Obadiah Slope exemplifies the perils of unchecked ambition, as his manipulative schemes to secure power—courting the bishop's wife and proposing to Bold—ultimately lead to his and expulsion from Barchester, illustrating how ego-driven pursuits erode personal integrity and social standing. In contrast, Septimus Harding in The Warden embodies principled restraint, resigning his warden position despite financial security to avoid perceived moral compromise amid public scrutiny over hospital funds, prioritizing conscience over institutional ambition. Trollope portrays through a lens of pragmatic realism, where characters' ethical choices arise from intertwined family obligations and societal expectations rather than abstract ideals; for instance, Harding's decisions are shaped by to his daughter and the Hiram's Hospital bedesmen, reflecting how personal relationships constrain absolute virtue. This nuanced psychology avoids binary judgments, as even ambitious figures like display fleeting sincerity in sermons, while virtuous ones like Harding grapple with self-doubt, underscoring human fallibility amid real-world pressures. Unlike prevalent Victorian sentimentalism, which often idealized clerical figures through emotional or heroic , Trollope grounds his depictions in observable clerical dynamics—such as intra-church rivalries and networks—drawing from his own and clerical observations to depict ambition as a mundane, calculable force rather than a melodramatic vice. This approach yields characters whose moral compromises mirror documented 19th-century behaviors, including the debates over church reform, emphasizing causal links between individual drives and institutional inertia over romanticized redemption.

Critique of Reformist Zeal versus Institutional Stability

In The Barchester Chronicles, the character of John Bold exemplifies reformist zeal, as his into Hiram's Hospital exposes potential inequities but unleashes public scandal that undermines the institution's quiet benevolence without addressing viable governance alternatives. This portrayal critiques interventions that prioritize abstract over the practical of charitable administration, echoing Trollope's in Barchester Towers that "new men are carrying out new measures and are carting away the useless rubbish of past centuries," a process depicted as disruptive and dismissive of accumulated traditions. The Grantly family, particularly Archdeacon Grantly, counters with advocacy for institutional continuity, representing hierarchies that, though flawed by self-interest, furnished social cohesion in mid-19th-century through church-managed charities predating centralized reforms like the 1834 Poor Law Amendment Act. Trollope affirms this stabilizing function, noting Grantly as "a man doing more good than harm—a man to be furthered and supported, though perhaps also to be controlled," thereby valuing tested structures for their role in averting the revolutionary upheavals plaguing during the era. The adaptation eschews clear triumph for either faction, underscoring causal realism wherein reform's gains are tempered by disruption and stability's virtues by inertia, as Hiram's Hospital—modeled on real precedents like Winchester's St Cross Hospital, where brethren challenges highlighted similar tensions without wholesale collapse—endures through compromise rather than ideological overhaul. This balanced outcome reflects Trollope's era, when the Church of England's parochial systems contributed to national equilibrium amid broader infrastructural shifts toward state oversight.

Reception and Critical Response

Initial Broadcast and Viewer Reaction

The Barchester Chronicles premiered on in the with its first episode airing on 10 November 1982 at 21:25, followed by weekly broadcasts for the remaining six episodes, concluding on 22 December 1982. The series, as a on a secondary channel, garnered audience interest evidenced by subsequent documentation of 41 appreciations for its repeat transmission, indicating approval among viewers for its portrayal of clerical dynamics. In the United States, the production debuted on PBS's Masterpiece Theatre on 28 October 1984, with episodes airing weekly thereafter, attracting audiences through slots dedicated to British imports. This rollout broadened exposure beyond the , aligning with Masterpiece Theatre's pattern of importing period dramas to American viewers.

Critical Assessments of Fidelity to Source

Critics generally praised Alan Plater's adaptation for faithfully capturing Anthony Trollope's satirical depiction of ecclesiastical intrigue and moral ambiguities in The Warden (1855) and Barchester Towers (1857), emphasizing the balance between institutional reform debates and personal ambitions without imposing modern ideological overlays. The script retained key narrative hinge-points, including Trollope's absurdist dialogues on church bills and character-driven conflicts, allowing the serial to mirror the novels' nuanced exploration of ambition versus ethics. Viewer assessments reflect this fidelity, with the series holding an 8.1/10 rating on based on over 1,000 user reviews that highlight its success in preserving Trollope's character depth and ironic tone, distinguishing it from more interpretive adaptations. Performances, particularly Alan Rickman's portrayal of the scheming Obadiah Slope, were lauded for embodying Trollope's vision of a pious yet ruthlessly ambitious cleric, avoiding while underscoring the character's manipulative essence. Some reviewers noted minor compressions in pacing to fit two novels into seven 50-minute episodes, which occasionally streamlined subplots involving secondary figures like the Proudie family's alliances, potentially diluting Trollope's expansive social panorama. However, these adjustments were deemed necessary for television format and did not undermine the core , with acclaim centering on the avoidance of reductive simplifications that might have softened Trollope's critique of reformist overreach against entrenched church stability. 1980s production constraints, such as videotaped interiors and limited location authenticity, drew occasional remarks but were secondary to the script's textual loyalty.

Awards and Recognitions

The Barchester Chronicles earned one win and several nominations at the 1983 BAFTA Television Awards, including a win for Best Design awarded to Ken Sharp and for their work on set and graphics. The series was nominated for Best Drama Series or Serial, recognizing producers Jonathan Powell and director David Giles. Additional nominations included Best for Juanita Waterson and acting categories, with recognized for his portrayal of Mr. Harding. These accolades highlighted the production's technical and performative strengths in adapting Trollope's novels, though it did not secure wins in the competitive drama or fields. No major awards followed in subsequent years, with retrospective recognition limited to industry lists of notable period dramas rather than formal honors.

Legacy and Influence

Impact on Period Drama Adaptations

The Barchester Chronicles exemplified a commitment to faithful , preserving substantial portions of Anthony Trollope's dialogue from (1855) and (1857) while delivering sophisticated, humorous explorations of and without resorting to . Adapted by for the in 1982 to commemorate Trollope's centenary, the serial was lauded as one of the finest television interpretations of classic novels, establishing a benchmark for period dramas through its emphasis on character-driven narratives and institutional realism. This approach influenced subsequent BBC productions of Trollope's oeuvre, notably (2001) and (2004), which mirrored its restrained handling of Victorian-era ambitions, moral ambiguities, and societal critiques via ensemble performances and textual fidelity. Within the 1980s surge of British literary television adaptations, the serial contributed to a shift toward prioritizing mature, dialogue-centric storytelling and accomplished repertory casts—featuring actors like and —over melodramatic excesses, as evidenced by its integration into the era's cohort of high-caliber costume dramas. In the niche of ecclesiastical-themed dramas, The Barchester Chronicles provided a template for depicting church politics as arenas of human frailty—, ambition, and —grounded in historical rather than , influencing production standards for portrayals of institutional stability versus reformist pressures. Its acclaim among critics and audiences underscored the viability of non-sensationalized adaptations, reinforcing the genre's focus on intellectual engagement with source material.

Modern Availability and Reappraisals

The 1982 serial The Barchester Chronicles remains accessible primarily through and audio adaptations rather than widespread streaming platforms. DVD editions, including a remastered collection featuring all seven episodes, were released in 2006 by and continue to be available for purchase on sites like Amazon. No major theatrical remakes have been produced, though unofficial uploads may appear on platforms like . BBC Radio 4 produced full-cast dramatisations of the Barchester novels, including The Warden and Barchester Towers, broadcast between 2014 and 2015 as part of The Barchester Chronicles series. These audio versions, narrated by actors such as Hattie Morahan and Blake Ritson, are available digitally via services like Audible and Google Play Books, preserving the serial's satirical exploration of clerical intrigue for contemporary listeners. In reappraisals among literary enthusiasts, the adaptation retains high regard for its faithful rendering of Trollope's ecclesiastical satire, with the Trollope Society describing it as featuring a "magnificent cast" and ranking among the finest classic television dramas. Fan discussions in online forums, such as those on ' community in , continue to recommend it alongside other period dramas for its depiction of institutional politics and moral ambition, underscoring its enduring appeal in conservative critiques of reformist overreach without modern visual updates. Mainstream critical reassessments in the are limited, reflecting the serial's niche status amid evolving production standards, though its emphasis on provincial realism aligns with ongoing debates on institutional stability.

References

  1. https://trollopesociety.org/archive/tv-radio/television/the-barchester-chronicles/
  2. http://www.screenonline.org.uk/tv/id/1192206/index.html
  3. https://trollopesociety.org/archive/tv-radio/television/the-barchester-chronicles/the-cast/
  4. https://www.bookseriesinorder.com/chronicles-of-barsetshire/
  5. https://www.epubbooks.com/series/43-barchester-chronicles
  6. https://www.abebooks.com/servlet/SearchResults?an=Anthony%20Trollope&cond=an%20fine%20nf%20vg%20good%20fair%20poor%20uns&ds=10&rollup=off&sortby=1
  7. https://api.parliament.uk/historic-hansard/commons/1838/may/04/pluralities
  8. https://api.parliament.uk/historic-hansard/commons/1850/feb/05/the-ecclesiastical-commission
  9. https://www.cidergirli.com/the-warden-by-anthony-trollope/
  10. https://digital.library.txst.edu/bitstreams/4330bb83-a098-430c-b7ba-e0de5e70573b/download
  11. https://victorianweb.org/authors/trollope/niles1.html
  12. https://www.ebsco.com/research-starters/literature-and-writing/barchester-towers-anthony-trollope
  13. https://www.ebsco.com/research-starters/literature-and-writing/barsetshire-novels-anthony-trollope
  14. https://literariness.org/2025/05/21/analysis-of-anthony-trollopes-the-warden/
  15. https://ro.ecu.edu.au/context/theses_hons/article/1802/viewcontent/Moral_Dilemmas_and_Cases_of_Conscience_Trollope_s_Morality_in_The_Warden_and_The_Last_Chronicle_of_Barset.pdf
  16. https://www.modernreformation.org/resources/articles/barchester-towers-by-anthony-trollope
  17. https://academic.oup.com/book/59523/chapter/502227718
  18. https://pure.royalholloway.ac.uk/files/27787478/1_Powell_AAM.pdf
  19. https://genome.ch.bbc.co.uk/c7e8a4b869b1470a9d03c13ab524b6aa
  20. https://trollopesociety.org/archive/tv-radio/television/the-barchester-chronicles/the-production/
  21. http://www.jimandellen.org/trollopeblog/804.html
  22. https://www.imdb.com/title/tt0086667/
  23. http://www.pleasence.com/television/barchester/barchester.html
  24. https://www.theguardian.com/books/2015/mar/31/baddies-in-books-obadiah-slope-anthony-trollope
  25. https://www.imdb.com/title/tt0086667/locations/
  26. https://peterborough-cathedral.org.uk/venues/filming-locations/
  27. https://bradleybasement.wordpress.com/drama/the-barchester-chronicles-tv/
  28. https://brtmh.livejournal.com/118603.html
  29. https://fiddlrts.blogspot.com/2012/07/the-barchester-chronicles-bbc-series.html
  30. http://elegance-of-fashion.blogspot.com/2010/11/review-barchester-chronicles.html
  31. https://trollopesociety.org/bulletin/2023/the-warden-london-reading-group-introduction/
  32. https://trollopesociety.org/book/barchester-towers/
  33. https://www.gutenberg.org/files/3409/3409-h/3409-h.htm
  34. https://study.com/academy/lesson/barchester-towers-by-anthony-trollope-summary-characters.html
  35. https://www.supersummary.com/the-warden/summary/
  36. https://www.audible.com/blog/summary-the-warden-by-anthony-trollope
  37. https://www.ebsco.com/research-starters/literature-and-writing/barchester-towers-analysis-major-characters
  38. https://trollopesociety.org/book/warden/
  39. https://slate.com/culture/2016/07/trollopes-barchester-towers-is-set-among-church-reform-movements-but-its-really-about-characters.html
  40. https://www.prosperosisle.org/spip.php?article1248
  41. https://televisionheaven.co.uk/reviews/the-barchester-chronicles
  42. https://www.online-literature.com/anthony-trollope/barchester-towers/4/
  43. https://swiftlytiltingplanet.wordpress.com/2021/05/02/barchester-towers-anthony-trollope/
  44. https://lonesomereader.com/blog/2020/11/9/the-warden-by-anthony-trollope
  45. https://www.stuckinabook.com/the-warden-anthony-trollope/
  46. https://literariness.org/2019/05/31/analysis-of-anthony-trollopes-novels/
  47. http://briansbabblingbooks.blogspot.com/2015/06/anthony-trollopes-chronicles-of.html
  48. https://victorianweb.org/authors/trollope/kincaid/2.html
  49. https://www.academia.edu/48836504/Trollopes_Realism_in_Barchester_Towers
  50. https://19.bbk.ac.uk/article/id/10152/
  51. https://link.springer.com/content/pdf/10.1057/9780230599666.pdf
  52. https://hampshirearchivesandlocalstudies.wordpress.com/2020/06/13/anthony-trollope-hampshire-connections/
  53. https://genome.ch.bbc.co.uk/search/0/20?order=first&filt=bbc_two%252Cis_tv&q=%2540title%2B%2522The%2BBarchester%2BChronicles%2522
  54. https://genome.ch.bbc.co.uk/8a7897a2308b4db3b835be574c9ce00b
  55. https://www.worldradiohistory.com/UK/BBC/BBC-Annual/BBC-Year-Book-1986.pdf
  56. https://www.imdb.com/title/tt4212666/
  57. https://epguides.com/MasterpieceTheatre/
  58. https://www.willowandthatch.com/masterpiece-theatre-season-14/
  59. https://www.nytimes.com/1984/10/26/arts/tv-weekend-barchester-chronicles-from-trollpe-s-novels.html
  60. https://rpowell.livejournal.com/83821.html
  61. https://theworldthroughlee.wordpress.com/tag/anthony-trollope/
  62. https://www.imdb.com/title/tt0086667/awards/
  63. https://www.filmaffinity.com/us/movie-awards.php?movie-id=481234
  64. https://medium.com/britbox/revisiting-the-barchester-chronicles-25a59e39b1d7
  65. https://ctrent29.livejournal.com/455725.html
  66. https://www.tvguide.com/tvshows/the-barchester-chronicles/1000161256/
  67. https://felaries65.livejournal.com/151042.html
  68. https://www.amazon.com/Barchester-Chronicles-Alan-Rickman/dp/B00065GX96
  69. https://www.youtube.com/watch?v=KXApG82AHco
  70. https://trollopesociety.org/archive/tv-radio/radio/the-barchester-chronicles/
  71. https://www.audible.com/pd/The-Complete-Barchester-Chronicles-Dramatisation-Audiobook/B002V9ZG2U
  72. https://play.google.com/store/audiobooks/details/The_Barchester_Chronicles_Six_BBC_Radio_4_full_cas?id=AQAAAED8ejw60M
  73. https://community.ricksteves.com/travel-forum/england/time-for-another-round-of-name-your-favorite-british-tv-show
Add your contribution
Related Hubs
User Avatar
No comments yet.