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The Changeover: a Supernatural Romance is a low fantasy novel for young adults by Margaret Mahy, published in 1984 by J. M. Dent in the U.K. It is set in Christchurch in the author's native New Zealand.

Key Information

Mahy and The Changeover won the annual Carnegie Medal from the Library Association, recognising the year's best children's book by a British subject.[3] Thus she became the fourth writer with two such honours (of seven through 2012), having won the 1982 Medal for The Haunting.[4]

Atheneum Books published a U.S. edition within the year.[1][2]

WorldCat reports that The Changeover is Mahy's novel most widely held in participating libraries, second among all her works behind a picture book collaboration, The Seven Chinese Brothers (1989).[5]

Plot introduction

[edit]

The Changeover is set in a fairly new suburb of Christchurch called Gardendale; Mahy had renamed the suburb of Bishopdale for her book.[6] It has a fairy-tale plot, with a devoted sister risking her life to save her bewitched brother. In some respects a coming-of-age story, it is also an unconventional romance between an aloof and difficult boy who happens to be a male witch and a strong-willed, psychically sensitive schoolgirl.

Plot summary

[edit]

Laura Chant has one of her "warnings", a premonition that something is about to happen, but is forced to ignore it and go to school as usual. On the way home, she and her younger brother Jacko encounter the sinister Carmody Braque, who 'playfully' stamps Jacko's hand, the stamp appearing as an image of his face.

As Jacko becomes increasingly ill, Laura believes he has been possessed. She seeks the help of Sorensen "Sorry" Carlisle, recognized by her as a witch in hiding though to others he seems just a painfully well-behaved school prefect who photographs birds as a hobby. She learns that Braque is an ancient being who consumes the life force of others to keep himself alive. Sorry's grandmother Winter, one of a long line of witches, recommends that Laura should "changeover" from her normal life, to become a witch or "woman of the moon" herself. She would then be in a position to trick an unwary Braque into putting himself in her power. Although warned that the changeover can be dangerous, Laura is determined to save her brother, now very near death.

Laura experiences the changeover as a spirit journey through a dark forest, which is also at the same time Gardendale. The Carlisle witches help her through it, for their own reasons, and she emerges from the perilous passage with the power of nature and imagination awakened in her.

Taking Sorensen along to mask her new power, Laura confronts Braque and succeeds in gaining power over him and breaking his hold on Jacko. At first intending to make the evil entity suffer, she rejects the dark temptation and instead ends his unnatural existence.

Characters

[edit]
  • Laura Chant, a 14-year-old schoolgirl who lives in Gardendale, a suburb of Christchurch, and is sensitive to the supernatural
  • Jacko Chant, Laura's 3-year-old brother
  • Kate Chant, Laura's mother, manager of a bookshop in the Gardendale Mall
  • Stephen Chant, Laura and Jacko's father, who lives in the north
  • Julia Chant, Stephen's new wife, pregnant with their first child
  • Mrs Fangboner, Jacko's babysitter
  • Chris Holly, Kate's new boyfriend, first seen as a customer at the bookshop, a Canadian librarian working at the Christchurch Central Library
  • Sorensen Carlisle, known as Sorry, an 18-year-old prefect at Laura's school, a male witch. Fostered as a baby, he returned to the Carlisle home aged 16
  • Miryam Carlisle, Sorenson's mother, a witch
  • Winter Carlisle, Miryam's mother, a witch
  • Carmody Braque, a vampiric lemur masquerading as an antique dealer

Literary significance and reception

[edit]

The novel was awarded the Carnegie Medal for 1984 and was also the ALA Best Book for Young Adults, the School Library Journal Best Book of the Year, the Booklist Editor's Choice[7] and a Boston Globe-Horn Honour Book.[8]

It was described by The Guardian as "a seamless combination of supernatural thriller and entirely authentic teenage story",[9] and by the School Library Journal as "an extraordinarily rich and sensitive novel" with a beautiful but ornate style.[10] In the re-release of the novel in 2007, the author notes the book's significance as having been both her first young adult novel and the first in which she effectively evoked the New Zealand setting. She also observes its lack of adolescent idiom, which gives it a timeless quality.[11] It is recommended by several reading books, particularly for teenage girls.[7]

The Changeover has been the subject of scholarly essays, especially dealing with its fairy tale elements.[12]

Film adaptation

[edit]
Main article: The Changeover (film)

A feature film based on the novel, starring Timothy Spall, Melanie Lynskey, Lucy Lawless, Nicholas Galitzine, Erana James and Kate Harcourt, was released in New Zealand on 28 September 2017.[13]

References

[edit]
[edit]
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The Changeover

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from Grokipedia
The Changeover: A Supernatural Romance is a young adult fantasy novel by New Zealand author Margaret Mahy, first published in 1984 by J. M. Dent in the United Kingdom and Margaret K. McElderry Books in the United States.[1] Set in Christchurch, a contemporary New Zealand city, the story centers on fourteen-year-old Laura Chant, who discovers supernatural forces at play when her younger brother Jacko falls under the influence of a malevolent antique dealer, Carmody Braque, prompting her to seek aid from the enigmatic older boy Sorensen Carlisle and undergo a transformative "changeover" into a witch to save him.[1] The novel blends elements of coming-of-age drama, romance, horror, and low fantasy, exploring themes of power, identity, and the supernatural through a female protagonist's perspective.[1] Mahy, a prolific writer of over 200 children's and young adult books, drew on her background as a librarian and storyteller to craft The Changeover, which reimagines Arthurian myths in a modern context and has been praised for its psychological depth and innovative genre fusion.[1] The book received the prestigious Carnegie Medal for children's literature in 1984, marking Mahy as the first non-British winner and highlighting its international impact.[1] The Changeover has endured as a cornerstone of young adult fiction, influencing the "romantasy" subgenre and remaining in print with new editions, including a 2025 release featuring a foreword by contemporary author Caroline O'Donoghue.[1][2] It was adapted into a 2017 New Zealand film directed by Miranda Harcourt and Stuart McKenzie, starring Erana James as Laura and Timothy Spall as Carmody Braque, which premiered at the New Zealand International Film Festival and was released internationally on streaming platforms.[3]

Background and publication

Author

Margaret Mahy was born on 21 March 1936 in Whakatāne, New Zealand, and died on 23 July 2012 in Christchurch following a brief illness from cancer.[4][5] She grew up in a family that encouraged reading and storytelling, with her father, a builder, and her mother, a schoolteacher, fostering her early love of literature. Mahy trained as a librarian at Canterbury University College (now the University of Canterbury) and worked in various roles, including at the Petone Public Library, Christchurch Public Library, and the School Library Service, before transitioning to full-time writing in 1980.[4][6] Throughout her prolific career, Mahy authored more than 120 books for children and young adults, spanning picture books, novels, poetry, and short stories, many of which were translated into more than 15 languages and adapted for film and television.[4] Her work earned international acclaim, including two Carnegie Medals—the prestigious British award for outstanding children's literature—making her the only author to win consecutively: first in 1982 for The Haunting and again in 1984 for The Changeover: A Supernatural Romance.[4][7] As a pioneer in New Zealand children's literature, she was appointed to the Order of New Zealand in 1993 and received numerous other honors, such as the Esther Glen Award multiple times.[4] Mahy's writing frequently incorporated fantasy elements, psychological depth, and authentic New Zealand settings, reflecting her background as a librarian immersed in diverse genres.[4] Her narratives often explored the inner lives of young protagonists navigating complex emotions and supernatural encounters, drawing from her broad recreational reading in folklore, mythology, fairy tales, and science fiction.[4][8] In particular, The Changeover embodies her fascination with folklore and the psychological transitions of adolescence, influenced by traditional tales that blend the mundane with the magical. Mahy's own vivid imagination and sensitivity to the supernatural, shaped by childhood experiences and lifelong curiosity, infused her stories with a sense of wonder and emotional authenticity.[4][9]

Publication history

The Changeover was first published in hardcover on 1 May 1984 by J. M. Dent & Sons in the United Kingdom, comprising 214 pages with ISBN 0-460-06153-4.[10] A near-contemporary United States edition appeared the same year from Margaret K. McElderry Books, also in hardcover format with ISBN 0-689-50303-2.[11] Subsequent editions followed, including a mass-market paperback from Scholastic in August 1985 (ISBN 0-590-33798-X). Paperback reissues by Puffin Books emerged in later years, such as the 1994 edition (ISBN 0-14-036599-0).[12] International translations appeared promptly, with the German edition titled Der Wechsel released in 1985.[13] In the 2000s and 2010s, the novel saw further reissues, including a 2007 edition from HarperCollins Children's Books (ISBN 0-00-724352-9) and a 2018 paperback from Hachette Children's Group (ISBN 1-5101-0505-0), alongside e-book formats becoming available through major digital platforms.[14][15] Cover art evolved from the original's 1980s fantasy illustrations to more contemporary young adult designs in later printings, reflecting shifts in genre aesthetics.[16] This 1984 publication earned The Changeover the Carnegie Medal, recognizing its immediate impact in children's literature.[1] A new edition was published on November 4, 2025, by Walker Books US (ISBN 9781536247862).[17]

Narrative elements

Plot

The novel is set in the 1980s in the fictional suburb of Gardendale (a stand-in for Bishopdale), Christchurch, New Zealand, where 14-year-old Laura Chant lives with her mother Kate, a single parent struggling after her separation from Laura's father William, and her four-year-old brother Jacko.[18] Laura, who possesses a supernatural sensitivity that allows her to experience premonitions, navigates her family's chaotic daily life amid her own emotional turmoil as a teenager.[18] The inciting incident occurs when Laura has a vivid premonition of danger, depicted as a clammy hand in a mirror, foreshadowing a threat to her family.[15] Shortly after, while bringing Jacko home from his babysitter, the siblings visit the antique shop of Carmody Braque, an ancient, vampire-like sorcerer who preys on children by draining their life force.[1][19] Braque stamps a magical mark on Jacko's hand, initiating a possession that causes the young boy to rapidly weaken, his skin paling and his vitality fading as the curse spreads.[18] In the rising action, as Jacko's condition deteriorates despite medical interventions, Laura desperately seeks help from her classmate Sorensen Carlisle, nicknamed "Sorry," an aloof older boy she instinctively recognizes as having magical abilities due to her sensitivity.[20] Sorry reveals his family's witch heritage—they operate a hidden magic shop called Carlisle's Antiquarian Books and Curios—and explains that Braque is an immortal being who sustains himself through such possessions.[18] Guided by Sorry and his formidable grandmother, the witch Winter Carlisle, Laura learns that the only way to combat Braque and save Jacko is for her to undergo the "changeover," a perilous ritual that would awaken her latent witchcraft and force her to commit to the supernatural world.[18] The climax unfolds as Laura performs the changeover ritual alone in a symbolically charged inner landscape, enduring intense psychological and hallucinatory trials that test her resolve and maturity, emerging transformed with full access to her powers.[18] Empowered, she confronts Braque in his dimly lit antique shop, engaging in a fierce supernatural duel where she uses her newfound abilities to sever the connection to Jacko, resisting the temptation to absorb Braque's dark energy and instead allowing him to wither and die.[18] In the resolution, Jacko is freed from the possession and slowly recovers his health, restoring a semblance of normalcy to the Chant family despite the lingering awareness of the magical realm.[1] Laura, now a witch, begins a tentative romance with Sorry, marking her personal growth amid the supernatural elements that continue to subtly influence her life.[18]

Characters

Laura Chant is the 14-year-old protagonist, a sensitive young woman attuned to supernatural omens and portents, who grapples with insecurities about her plain appearance and the instability of her divorced family.[21][22] Living in Christchurch, New Zealand, with her mother and younger brother, Laura initially positions herself as a passive observer in her chaotic home life, but her arc transforms her into an empowered witch who actively confronts threats to her loved ones.[23] Her intuitive nature and resourcefulness drive her personal growth, particularly through her evolving relationship with Sorensen Carlisle, marked by romantic tension that challenges her emotional guardedness.[21] Carmody Braque serves as the primary antagonist, an immortal and seductive soul-eater who masquerades as a charming antique dealer in an old shop.[21] Known as a "lemur"—a parasitic dead soul that feeds on the vitality of the living—Braque is motivated by an insatiable hunger for the pure energy of young children, targeting vulnerable innocents to sustain his existence.[21] His manipulative and sinister demeanor contrasts sharply with the novel's domestic settings, embodying external oppressive forces that invade Laura's world and force her to awaken her latent powers.[23] Sorensen "Sorry" Carlisle, an 18-year-old school prefect and fellow witch, hails from a lineage steeped in magical traditions, providing crucial support to Laura amid her crisis.[21] Arrogant and emotionally guarded due to a history of abuse and foster care, Sorry balances a charismatic exterior with underlying sensitivity, blending masculine confidence with feminine intuitive magic that subverts traditional gender roles.[23][21] His relationship with Laura evolves from initial aloofness to deep alliance and romantic interest, helping her navigate her transformation while he reconnects with his own suppressed feelings.[21] Jacko Chant, Laura's four-year-old brother, embodies innocence and playfulness, serving as the unwitting victim whose plight catalyzes the central conflict.[21] Despite his young age, Jacko's complex vulnerability highlights the familial bonds that bind the Chant household, with his deteriorating condition straining Laura's protective instincts and underscoring their occasionally tense sibling dynamic rooted in her resentment of his demands on their mother's attention.[23] Kate Chant, Laura's divorced mother, is a practical and attractive woman who manages a local bookstore, prioritizing family stability amid romantic entanglements with her partner Chris Holly.[22] Her nurturing yet frantic demeanor grounds the family in everyday routines, though her domestic focus sometimes limits her awareness of the supernatural threats encroaching on their lives, fostering a supportive but constrained maternal relationship with Laura.[23] The Carlisle family provides a counterpoint of magical heritage and scholarly insight. Winter Carlisle, Sorry's scholarly grandmother and guardian of ancient witch lore connected to the mystical site Janua Caeli, offers wise guidance rooted in natural magic and familial interdependence.[23] Sorry's mother, a practicing witch, serves as a maternal mentor figure, linking everyday life to supernatural elements through her enabling and insightful presence that bolsters Laura's journey.[21][23] Supporting dynamics enrich the narrative, including Laura's flirtatious rivalry with Claudia, Sorry's ex-girlfriend, which heightens the romantic undercurrents and tests Laura's emerging confidence.[21] These interpersonal tensions, from Laura's fraught bond with Jacko to her alliances within the Carlisle circle, propel the characters' arcs while emphasizing themes of care and subversion within gendered family structures.[23]

Themes and style

Themes

In The Changeover, the central motif of the "changeover" serves as a profound metaphor for puberty and coming-of-age, representing Laura Chant's transition from childhood vulnerability to empowered maturity amid emotional and bodily upheavals. This transformation is depicted as an irreversible rite of passage, where Laura must confront her fragmented identity—"complete and continuous… but now she had come entirely to bits"—to harness latent powers, symbolizing the identity crisis inherent in adolescent development.[24] Scholars interpret this as Mahy's exploration of female empowerment through supernatural means, where puberty's "growing pains" and emerging sexuality are reframed as sources of strength rather than mere disruption.[25] The novel thus underscores the psychological toll of this shift, with Laura's journey highlighting the empowerment gained from embracing one's evolving self.[26] The narrative deftly blends the supernatural with the ordinary world of New Zealand suburbia, portraying Gardendale as a liminal space where everyday routines mask ancient magical undercurrents, thereby examining the protagonist's heightened sensitivity to the unseen. This duality explores the "threshold of our condition," where Laura's ordinary life—marked by school, family tensions, and subtle portents—intersects with witchcraft, revealing the hidden costs of wielding otherworldly powers in a mundane setting.[24] Mahy's "fantastic realism" uses this fusion to delve into the psychological realism of adolescence, where the supernatural erupts from "ordinary-seeming people," making the extraordinary accessible and relatable while questioning the boundaries between perception and reality.[25][2] Family dynamics and the theme of sacrifice permeate the story, as Laura's protective instincts toward her brother Jacko drive her to risk personal transformation and endangerment, reflecting the impact of parental divorce on sibling bonds and the push toward independence from a dysfunctional home. This motif illustrates the emotional burdens of caregiving in a fractured family, where Laura must "leave behind her human identity" to save Jacko, emphasizing self-sacrifice as a pathway to familial resilience and personal agency.[26] The novel portrays these sacrifices not as heroic tropes but as grounded responses to relational "circles" that overlap to combat external threats, underscoring the ties that bind despite domestic instability.[27] Romance in the novel challenges traditional young adult gender roles through the subtle, mutual dynamic between Laura and Sorry Carlisle, marked by shared otherness and respect rather than dominance, with their non-normative connection rooted in supernatural equivalence. Their relationship navigates power imbalances—Sorry "offering to save her and ruin her simultaneously"—while prioritizing consent and desire, subverting patriarchal expectations by allowing Laura agency in her romantic awakening.[24] This portrayal redefines femininity through magical equivalence, where both characters balance vulnerability and strength, fostering a bond rooted in empathy over possession.[23][2] Folklore elements, including vampire lore, witch traditions, and fairy-tale structures, are woven into the psychological fabric of the narrative, adapting mythic quests and mentor archetypes to modern adolescent realism. The ceremonial "remaking" of the self draws on witchcraft folklore, positioning Laura as a hero on a transformative journey akin to fairy-tale trials, while the Carlisle house evokes enchanted realms like the "forest at the heart of fairy tales."[24][26] Critics note how these influences, including mythic motifs of possession and redemption, ground the supernatural in universal patterns, enhancing the novel's exploration of hidden powers without overt didacticism.[28]

Literary techniques

Margaret Mahy's The Changeover employs a first-person perspective from the protagonist Laura Chant, granting readers intimate access to her premonitions, insecurities, and emotional turmoil, which builds suspense through an unreliable internal narration that blurs the boundaries between perception and reality.[29] This narrative choice allows Mahy to externalize Laura's psychological challenges, such as her sensitivity to supernatural omens, making the protagonist's growth from vulnerability to empowerment feel deeply personal and immediate.[30] The novel masterfully blends genres, fusing psychological realism with elements of fantasy and gothic horror, while incorporating fairy-tale allusions like enchanted objects and shape-shifting threats to heighten the supernatural intrigue.[30] This generic ambiguity reflects Mahy's exploration of the paradox between fiction and truth, as everyday domestic scenes in Christchurch interweave with otherworldly perils, creating a hybrid form that challenges conventional young adult boundaries.[31] Such fusion enhances the story's impact by grounding fantastical elements in relatable adolescent experiences, evident in Laura's encounters with the villainous Carmody Braque, who embodies both psychological projection and mythical menace.[30] Mahy utilizes vivid sensory imagery to evoke the Christchurch landscapes and supernatural auras, with tactile descriptions like chilling omens and physical reactions to danger conveying Laura's emotional states through heightened sensory detail.[23] For instance, scenes of Laura's bath and the blood drop during her transformation ritual employ touch and visual motifs to immerse readers in her internal conflict, while urban settings contrast with mystical forests around Janua Caeli, amplifying the gothic atmosphere.[23] This imagery not only paints the New Zealand environment but also mirrors the protagonist's psychic sensitivity, blending sight, sound, and touch to heighten tension. The pacing and structure alternate between mundane school and family life and bursts of magical intensity, fostering escalating tension that culminates in a ritualistic climax, with foreshadowing through Laura's visions providing subtle hints of impending threats.[29] A chronologically layered approach defers full revelation of trauma, building suspense via slow disclosures, such as Jacko's gradual possession, before accelerating into confrontational scenes.[29] This rhythmic structure sustains narrative momentum, using Laura's premonitions as recurring motifs to propel the plot toward empowerment. Humor and irony infuse the narrative through witty dialogue and Laura's self-deprecating tone, balancing the horror with levity characteristic of Mahy's young adult style.[32] Playful banter, such as ironic references to everyday absurdities amid supernatural dread, underscores the novel's tender yet ironic exploration of adolescence, preventing the gothic elements from overwhelming the emotional core.[23] This wit, evident in Laura's wry observations of her own awkwardness, reflects Mahy's broader technique of employing humor to humanize fantastical threats in YA literature.

Reception and legacy

Critical reception

Upon its publication in 1984, The Changeover received widespread acclaim for its sophisticated prose and emotional resonance. The Guardian described it as "original and unforgettable," highlighting Mahy's ability to weave supernatural elements into a compelling narrative of personal growth.[33] Similarly, School Library Journal awarded it a starred review, praising its thrilling supernatural aspects tailored for teenage readers and the novel's blend of horror and psychological insight.[34] Kirkus Reviews commended the work for its "intelligence, humor, and fearful intensity," noting how it avoids pretentiousness while delivering an all-out supernatural story with deep emotional layers.[22] Academic scholarship in the 1990s and beyond has delved into the novel's feminist undertones and psychological dimensions. Critics have analyzed Mahy's portrayal of female embodiment and agency, with The Changeover exemplifying her exploration of consciousness tied to the body through fantasy, where the protagonist Laura's transformation challenges traditional gender roles.[35] Elliott Gose's 1991 essay links the narrative to Jungian archetypes of transformation, interpreting the story as a modern revision of fairy tales and myths, where supernatural elements symbolize the integration of the shadow self and rites of passage.[36] In the post-2000 era, the 2017 film adaptation spurred renewed interest and rereads of the original novel, prompting contemporary discussions of its enduring appeal. A 2024 article in The Spinoff proclaimed The Changeover "the greatest young adult novel ever," lauding its timeless metaphors for puberty and sexual awakening, particularly Laura's "changeover" as a profound symbol of entering conscious desire amid ordinary New Zealand settings.[2] A 2019 NPR review of the film adaptation critiqued its reliance on genre clichés, such as the eerie stranger and supernatural threats, noting that the post-quake Christchurch setting overwhelms the otherwise compelling source material.[37] Academic analyses highlight The Changeover's authentic representation of New Zealand adolescence and urban landscapes, while exploring its portrayal of a female protagonist's navigation of independence and supernatural power within broader power dynamics.[38]

Awards and recognition

The Changeover received the Carnegie Medal in 1984 from the Chartered Institute of Library and Information Professionals (formerly the Library Association), recognizing it as the most outstanding book for children published in the United Kingdom by a British subject during the preceding year.[39] As a New Zealand author, Margaret Mahy qualified for the award under its eligibility rules for Commonwealth citizens.[4] This marked Mahy's second Carnegie win, following The Haunting in 1982, underscoring her prominence in writing fantasy literature for young readers and establishing her as one of only a handful of authors to achieve this distinction.[39] The novel was also selected for the International Board on Books for Young People (IBBY) Honour List in 1986, which honors excellence in children's literature from around the world and promotes international understanding through books.[40] The awards significantly bolstered Mahy's reputation as a global figure in young adult fiction, highlighting her innovative blend of supernatural elements and psychological depth in works accessible to youth audiences. This recognition contributed to her enduring influence, with The Changeover remaining a staple in discussions of fantasy and coming-of-age narratives. In 2024, marking the 40th anniversary of its publication and Carnegie win, the book saw a new edition release accompanied by cultural retrospectives celebrating its lasting impact.[2] No significant controversies arose from the awards, allowing the focus to remain on the novel's literary merits.

Adaptations

Film adaptation

The 2017 film adaptation of The Changeover was co-directed by Miranda Harcourt and Stuart McKenzie, with a screenplay by Stuart McKenzie based on Margaret Mahy's novel.[41] It premiered in New Zealand on 28 September 2017 and was distributed domestically by Vendetta Films, with an international release handled by Radiant Films International and a limited U.S. rollout by Vertical Entertainment in February 2019.[42] The runtime is 95 minutes, and the production was filmed over five weeks in late 2016 primarily in post-earthquake Christchurch.[43] The cast features Erana James as Laura Chant, aged up from 14 in the book to 16 for a more contemporary young adult appeal; Nicholas Galitzine as Sorensen "Sorry" Carlisle; Timothy Spall as the antagonist Carmody Braque; and Melanie Lynskey as Laura's mother, Kate Chant.[44] Supporting roles include Lucy Lawless as Miryam Carlisle and Benji Purchase as Jacko.[41] The adaptation relocates the story to a modern, earthquake-ravaged Christchurch, using the city's scarred landscape as a visual metaphor for Laura's emotional turmoil, while condensing the novel's plot and amplifying supernatural elements through visual effects to heighten the horror-thriller tone over the book's psychological introspection.[45] Produced entirely in New Zealand by Firefly Films with a focus on grounded supernatural realism, the film shifts emphasis to external action sequences and a more explicit romantic subplot between Laura and Sorry, while streamlining family dynamics to prioritize Laura's empowerment journey.[41] Cinematographer Andrew Stroud's work, capturing the muted, eerie atmosphere of the setting, earned him the New Zealand Cinematographers Society's Cinematographer of the Year award in 2018.[46] Reception was mixed, with a 71% approval rating from 31 critics on Rotten Tomatoes, who praised the film's atmospheric tension, strong performances—particularly James's assured lead debut—and its blend of coming-of-age drama with subtle horror, though some critiqued the pacing and inability to fully capture the novel's internal monologue.[47] Audience scores stood at 68% from over 250 verified ratings, appreciating the emotional depth and New Zealand authenticity but noting occasional genre clichés.[47] The film screened at festivals including the Rome Film Festival and Sydney International Film Festival in 2017, but no major sequels or further adaptations have been produced.[41]

References

  1. The Changeover by Margaret Mahy | Research Starters - EBSCO
  2. The Changeover - Candlewick Press
  3. The Changeover by Margaret Mahy - Books - Hachette Australia
  4. The Changeover by Margaret Mahy is still the greatest young adult ...
  5. Mahy, Margaret May | Dictionary of New Zealand Biography | Te Ara
  6. Children's author Margaret Mahy dies aged 76 - The Guardian
  7. Mahy, Margaret 1936– | Encyclopedia.com
  8. Obituary: Margaret Mahy - Publishers Weekly
  9. Margaret Mahy Interview 2004 - Misrule
  10. Margaret Mahy's Fairy Tale Universe - Books For Keeps
  11. The Changeover: A Supernatural Romance - Hardcover - AbeBooks
  12. CHANGEOVER, THE - Margaret Mahy: 9780689503030 - AbeBooks
  13. https://www.biblio.com/book/changeover-supernatural-romance-mahy-margaret/d/1354981012
  14. Der Wechsel: Eine Übernatürliche Roman Paperback Margaret Mahy
  15. Vintage 1987 Teens « The Changeover » Livre de poche par ... - Etsy
  16. The Changeover : Mahy, Margaret - Books - Amazon.com.be
  17. The Changeover: Mahy, Margaret: 9781510105058 - Amazon.com
  18. Editions of The Changeover by Margaret Mahy - Goodreads
  19. The Changeover by Margaret Mahy: 9781536247862
  20. The Changeover Summary | SuperSummary
  21. The Changeover by Margaret Mahy - TheBookbag.co.uk book review
  22. THE CHANGEOVER - Kirkus Reviews
  23. [PDF] Gendered Spaces in the Works of Margaret Mahy, Cynthia Voigt ...
  24. [PDF] Margaret Mahy's Liminal Spaces - Children's Literature Association
  25. Margaret Mahy's Ordinary Witches
  26. [PDF] DOCUMENT RESUME ED 326 868 CS 212 580 AUTHOR ... - ERIC
  27. Thoughts On Margaret Mahy's “The Changeover” — A Tale of “Layers”
  28. Works Cited - Project MUSE - Johns Hopkins University
  29. [PDF] Trauma in Margaret Mahy's Young Adult Fiction
  30. The Generic Ambiguity of Margaret Mahy's The Changeover
  31. The Generic Ambiguity of Margaret Mahy's <i>The Changeover</i>
  32. The Tricksters, The Changeover, and the Fluidity of Adolescent ...
  33. [PDF] Download BfK 46 September 1987 - Books For Keeps
  34. The Changeover: A Supernatural Romance - Margaret Mahy
  35. Margaret Mahy: Embodying Feminism - ResearchGate
  36. Authors and Illustrators - Project MUSE
  37. Page Not Found : NPR
  38. [PDF] the representation of adolescence in twentieth-century New Zealand ...
  39. Adventure-centric YA fantasy novels with cool female leads?
  40. Medal for Writing Winners - The Carnegies
  41. [PDF] Margaret Mahy | Storylines
  42. The Changeover - New Zealand Film Commission
  43. First Look at 'the Changeover' Revealed | Scoop News
  44. The Changeover (2017) - Box Office and Financial Information
  45. The Changeover movie review & film summary (2019) | Roger Ebert
  46. Book to film: The Changeover - Christchurch City Libraries
  47. 3rd NZCS Awards (2018) winner list
  48. The Changeover | Rotten Tomatoes
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