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The Phantom Creeps
Theatrical release poster
Directed byFord Beebe
Saul A. Goodkind
Screenplay byGeorge Plympton
Basil Dickey
Story byWyllis Cooper
Produced byHenry MacRae
StarringBéla Lugosi
Dorothy Arnold
Robert Kent
CinematographyJerry Ash
William A. Sickner
Edited byIrving Birnbaum
Joseph Gluck
Alvin Todd
Production
company
Universal Pictures
Distributed byUniversal Pictures
Release date
  • January 7, 1939 (1939-01-07)
Running time
265 minutes (12 chapters)
CountryUnited States
LanguageEnglish

The Phantom Creeps is a 1939 12-chapter science fiction horror serial starring Bela Lugosi as mad scientist Doctor Zorka, who attempts to rule the world by creating various elaborate inventions. In dramatic fashion, foreign agents and G-Men try to seize the inventions for themselves.[1]

It is the 112th serial released by Universal Pictures and the 44th to have sound. It was adapted in DC's Movie Comics #6 with cover date September–October 1939, the final issue of that title.[2]

In 1949, the 265-minute serial was edited for television as a 78-minute feature film:[3]

The Phantom Creeps (full film)

Plot

[edit]

Dr. Zorka is a rogue scientist and the inventor of various weapons, including a "devisualizer" belt that can render him invisible, an eight-foot slave robot (Ed Wolff), and robot spiders that can either paralyze or outright destroy their prey. He also has a deadly meteorite fragment from which he extracts an element that can induce suspended animation in an entire army. Foreign spies, operating under the guise of a foreign language school, are trying to acquire the meteorite element by any means necessary while Zorka's former partner, Dr. Fred Mallory, irritated that Zorka will not turn his inventions over to the United States government, alerts Capt. Bob West of the Military Intelligence Department. Tired of answering the door and saying no to the spies and the government, Zorka relocates his laboratory. When his beloved wife is killed, Zorka (who'd been puttering around the lab for his own amusement) is crushed and swears eternal vengeance against anyone trying to use his creations. Dr. Zorka also has aspirations of world domination, and he would have it, too, if not for his assistant Monk, an escaped convict whom Zorka has virtually enslaved. Monk is cowardly, treacherous, and totally incompetent, but his accidental or deliberate interference repeatedly frustrates Dr. Zorka's plans...[4]

Cast

[edit]
  • Bela Lugosi as Dr. Alex Zorka (his final serial appearance, Lugosi received top billing)[5]
  • Robert Kent as Capt. Bob West
  • Dorothy Arnold as Jean Drew
  • Edwin Stanley as Dr. Fred Mallory
  • Regis Toomey as Jim Daley
  • Jack C. Smith as Monk
  • Edward Van Sloan as Jarvis (Ch. 2-12)
  • Dora Clement as Ann Zorka (Ch. 1-2)
  • Anthony Averill as the henchman Rankin (Ch. 2-12)
  • Hugh Huntley as Perkins, Dr. Mallory's lab assistant (Ch. 2-12)
  • Monte Vandergrift as the guard Al (Ch. 5)
  • Frank Mayo as train engineer (Ch. 6)
  • Jim Farley as skipper (Ch. 9; credited as James Farley)
  • Eddie Acuff as AMI agent Mac (Ch. 2-12)
  • Reed Howes as signalman (Ch. 10)
  • Ed Wolff as the robot

Production

[edit]

The serial contains some similarities with the earlier serial The Vanishing Shadow, such as an invisibility belt and a remote-control robot. Stock footage was used from The Invisible Ray, including scenes of Dr. Zorka finding the meteorite in Africa. As with several Universal serials, some of the stock music came from Bride of Frankenstein. The Phantom Creeps' car chase was itself used as stock footage in later serials.[6] Newsreel shots of the Hindenburg disaster were used as part of Dr. Zorka's final spree of destruction after his robot, which is supposed to destroy the human race, is stopped due to sabotage by Monk after being unleashed.[5]

Universal tried to improve their serials by eliminating the written foreword at the start of each chapter. This led to The Phantom Creeps being the first serial in which the studio used vertically scrolling text as the foreword.[7]

Influence

[edit]

The Rob Zombie song "Meet the Creeper" is based on the film. Zombie has used robots and props based on the design of Dr. Zorka's robot in several music videos and live shows. The character "Murray the Robot" in Zombie's animated movie The Haunted World of El Superbeasto is also based on this robot. Dr. Zorka's robot also appears on the album cover and music video for the single "Dragula".

A comic book adaptation was published by DC Comics in Movie Comics #6.[8]

The first three chapters of The Phantom Creeps were featured as shorts in season two of Mystery Science Theater 3000. They preceded the episodes Jungle Goddess (#203), Rocket Attack U.S.A. (#205), and Ring of Terror (#206).

Footage from the serial was used in the 1982 video for Automaton by the Canadian band United State.

Chapter titles

[edit]

The chapters of The Phantom Creeps are:[9]

  1. The Menacing Power
  2. Death Stalks the Highways
  3. Crashing Timbers
  4. Invisible Terror
  5. Thundering Rails
  6. The Iron Monster
  7. The Menacing Mist
  8. Trapped in the Flames
  9. Speeding Doom
  10. Phantom Footprints
  11. The Blast
  12. To Destroy the World

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

The Phantom Creeps

View on Grokipedia
from Grokipedia
The Phantom Creeps is a American horror serial produced by , consisting of 12 chapters that follow Dr. Alex Zorka, who uses inventions derived from a fragment—including a , an device, and mechanical spiders—to attempt world domination following the death of his wife. Directed by and Saul A. Goodkind, the serial was released in theaters starting January 7, , and totals approximately four hours in runtime, with each chapter designed as a aimed at Saturday matinee audiences of the era. It marked Bela Lugosi's final appearance in a film serial, showcasing his signature portrayal of a sinister genius in a role that blended elements of horror and futuristic gadgetry. The principal cast includes Robert Kent as Capt. Bob West of , Dorothy Arnold as reporter Jean Drew, Regis Toomey as Lt. Jim Daly, and as the spy Jarvis, all working to thwart Zorka's schemes and secure his dangerous meteorite-powered devices. Production utilized for action sequences, such as plane crashes and pursuits, alongside practical effects for the serial's signature inventions, which were typical of Universal's low-budget chapterplays during the late . Notable for its blend of , mad , and pre-World War II themes of technological menace, The Phantom Creeps has endured as a favorite among fans of classic serials, praised for Lugosi's charismatic villainy despite its dated and formulaic plotting. Restored versions, including high-definition transfers from original negatives, have preserved its legacy, making it accessible through modern releases.

Plot and structure

Overall plot

Dr. Alex Zorka, a reclusive , has developed a series of advanced inventions aimed at achieving . These devices include the devisualizer belt, which grants the wearer ; a giant robot henchman known as Iron Head; fragments capable of disintegrating on contact; and mechanical spiders designed to sabotage targets remotely. The of his wife in a plane crash caused by one of his devices drives him to seek revenge and . Zorka is relentlessly pursued by U.S. government agents, led by Captain of , alongside intrepid reporter Jean Drew, who aids in the investigation. Complicating the chase are foreign spies from an international ring, eager to seize Zorka's technologies for their own purposes and engaging in ruthless tactics to obtain them. Assisting Zorka in his schemes is his loyal yet opportunistic aide, , who often disguises himself to carry out covert operations, such as sabotaging vehicle pursuits, deploying the rampaging against pursuers, and facilitating Zorka's dramatic invisibility-based getaways. Throughout the narrative, Zorka's arsenal repeatedly endangers the heroes in scenarios, heightening the tension across the serial's episodic structure. The story builds to a climactic confrontation at Zorka's hidden laboratory, where a fierce battle ensues amid the activation of his most destructive devices; Zorka perishes in the ensuing destruction along with his , while the heroes secure the and thwart the plot. Spanning 12 chapters with a total runtime of 265 minutes, The Phantom Creeps exemplifies the classic serial format, relying on recurring threats from Zorka's inventive weaponry to propel the high-stakes action.

Chapter titles

The Phantom Creeps is structured as a 12-chapter serial, with each installment approximately 17-20 minutes long, designed for weekly theatrical release and featuring endings to retain audiences. The format innovated by using vertically scrolling text for forewords that recapped previous events, aiding viewers who might miss installments and marking a departure from static title cards in prior Universal serials. Across the chapters, threats escalate from Dr. Zorka's targeted retrieval of stolen inventions amid spy intrigues to his ambitious schemes for worldwide domination using advanced weaponry. Chapter 1: The Menacing Power
This opening chapter introduces Dr. Alex Zorka and his key inventions, including a meteorite-derived element for powerful weapons, an invisibility belt, and a , as he clashes with foreign spies attempting to seize them, culminating in a cliffhanger where a plane carrying his wife is destroyed by one of his devices, leading to her death. Chapter 2: Death Stalks the Highways
Zorka deploys his mechanical spider and invisibility belt to pursue escaped spies , leading to a high-speed chase that ends in a perilous involving an impending attack on protagonists Captain Bob West and reporter Jean Drew. Chapter 3: Crashing Towers
As investigations into Zorka's "death" intensify, his robot activates to protect a vital fragment, resulting in the destruction of electrical towers and a crash that traps pursuers in wreckage. Chapter 4: Invisible Terror
Zorka utilizes his devisualizer (invisibility belt) to evade capture and terrorize agents unseen, building tension through mysterious assaults that conclude with a escape amid a chaotic confrontation. Chapter 5: Thundering Rails
The pursuit shifts to a train heist involving the , where Zorka's sabotage causes a , ending in a dramatic as characters dangle from the wreckage. Chapter 6: The Iron Monster
Zorka's towering makes its full assault on intruders at his hidden lab, crushing obstacles in its path and creating a where heroes are menaced by its mechanical might. Chapter 7: The Menacing Mist
Zorka unleashes a deadly paralyzing to counter advancing government forces, trapping foes in its haze and leading to a suffocation threat resolved in the next installment. Chapter 8: Trapped in the Flames
A fierce fire engulfs Zorka's mountain retreat during a raid, forcing characters into desperate evasion as the chapter closes on a of imminent . Chapter 9: Speeding Doom
High-octane vehicle pursuits dominate as Zorka races to reclaim a device, culminating in a collision that leaves vehicles plummeting off a cliff. Chapter 10: Phantom Footprints
Invisible traces from Zorka's belt guide investigators to his lair, escalating intrigue with ghostly pursuits that end in a ambush by unseen forces. Chapter 11: The Blast
Zorka detonates explosives to cover his escape with the , producing a massive blast that buries pursuers in rubble for the chapter's perilous . Chapter 12: To Destroy the World
In the finale, Zorka activates his ultimate powered by the meteorite, but heroes thwart him in a climactic showdown, resolving the serial without a traditional through Zorka's explosive demise using .

Production

Development

greenlit The Phantom Creeps as its 112th serial in late 1938, capitalizing on the surging popularity of cliffhangers such as Universal's own (1936) and Flash Gordon's Trip to Mars (1938), which had established a lucrative market for episodic adventures blending mad science and heroism. The project emerged from Universal's tradition of low-budget serials aimed at Saturday matinee audiences, with production emphasizing quick turnaround to compete against ' more lavish entries in the genre. The screenplay was crafted by George H. Plympton, Basil Dickey, and Mildred Barish, adapting a story by Wyllis Cooper, a radio dramatist known for suspense tales like Lights Out. Drawing heavily from pulp tropes, the script centered on a reclusive inventor's arsenal of world-threatening devices amid espionage intrigue, incorporating elements of , robotic minions, and aerial pursuits to sustain tension across installments. Central to the serial's conceptualization was casting Béla Lugosi as Dr. Alex Zorka, a role designed as a multifaceted rather than a , allowing the actor—then navigating career setbacks post- ()—to demonstrate dramatic range in a sci-fi context through commanding monologues and inventive villainy. Planners structured the serial in a standard 12-chapter format, each roughly 20 minutes long, to optimize theater bookings with weekly releases and recurring perils that encouraged repeat viewings. To maintain cost efficiency, the development prioritized reusable gadget concepts, such as modular inventions and integration from prior Universal productions like The Invisible Ray (), minimizing new asset creation while amplifying spectacle.

Filming and effects

Principal photography for The Phantom Creeps was directed by and Saul A. Goodkind and took place primarily on the Universal Studios lots in . To reduce production costs, the serial incorporated a significant amount of from earlier Universal films, including laboratory scenes from The Invisible Ray (1936), as well as explosion sequences from newsreels. Practical effects were central to the serial's visual style, with the prop department constructing an eight-foot-tall robot suit worn by the 7-foot-4-inch performer Ed Wolff to portray Dr. Zorka's mechanical servant. The devitalizing mechanical spiders were operated using marionette-style controls for their attack sequences, while the devisualizer belt's invisibility was achieved through double-exposure techniques, necessitated in part by Bela Lugosi's limited availability due to his concurrent commitments. The production introduced chapter recap scrolls—a scrolling text summary at the start of each installment—to help audiences recall prior events during weekly screenings, a narrative innovation for serials at the time.

Cast and crew

Cast

The principal antagonist is portrayed by Bela Lugosi as Dr. Alex Zorka, a charismatic mad scientist who invents the serial's key gadgets, including a devisualizer belt, a robot, and a meteorite-based element for suspended animation, in pursuit of world domination following his wife's death. Lugosi also appears in a dual role as the disguised Dr. Zane, allowing Zorka to infiltrate enemy operations. Robert Kent stars as Captain Bob West, the heroic who leads the government's efforts to thwart Zorka's schemes as a officer. Dorothy Arnold plays Jean Drew, a resourceful reporter who assists West in his investigations and introduces romantic tension to the narrative. In supporting roles, appears as Lt. Jim Daly, West's reliable partner in the intelligence operations. portrays Jarvis, the leader of the foreign spy ring seeking to exploit Zorka's inventions. Jack C. Smith is cast as Monk, Zorka's loyal yet diminutive and often incompetent assistant, an escaped convict under the scientist's control.

Crew

The serial was co-directed by , who oversaw the primary action sequences, and Saul A. Goodkind, originally the supervising editor who took on co-directorial duties to ensure tight pacing across the 12 chapters. Beebe's experience with Universal's fast-paced serials contributed to the dynamic chase scenes and stunts, while Goodkind's editorial background helped integrate cliffhangers seamlessly. The screenplay was penned by George H. Plympton, Basil Dickey, and Mildred Barish, who adapted an original story by Wyllis Cooper, focusing on the mad scientist's inventions and plot to fit the serial format. Cooper's concept provided the core narrative of global domination through advanced technology, which the writers expanded into episodic adventures emphasizing peril and resolution. Cinematography was handled by Jerome Ash and William Sickner, capturing the serial's mix of laboratory interiors, outdoor pursuits, and special gadget sequences. Ash's work particularly emphasized the for Dr. Zorka's mechanical devices, enhancing the elements. Production fell under ' serial unit, with Henry MacRae serving as associate producer to coordinate the low-budget shoot. MacRae's oversight ensured efficient for the chapterplay's ambitious scope. Saul A. Goodkind also edited the serial, tailoring the cuts for suspenseful pacing that kept audiences returning weekly.

Release

Theatrical release

The Phantom Creeps premiered on January 7, 1939, in the , with its twelve chapters released weekly through Universal theaters over the following months, concluding in late March. distributed the serial widely to theaters across the and internationally, primarily targeting Saturday matinee audiences as part of double bills that included other short subjects and features to attract young viewers. Promotional materials heavily emphasized Bela Lugosi's star power as the Dr. Zorka, alongside the serial's elements such as the menacing and invisibility device, with posters and lobby cards prominently featuring these gadgets and Lugosi's intense portrayal to draw crowds. Each chapter ran approximately 20 to 25 minutes, contributing to a total runtime of 265 minutes for the complete serial.

Feature version

In , the 12-chapter serial The Phantom Creeps was condensed into a 78-minute by , retitled simply The Phantom Creeps and released on June 6. The editing process eliminated recaps, select subplots, and sequences to create a more linear narrative, streamlining action sequences such as chases while sacrificing the serial's episodic tension; the version was assembled from the original serial with minimal additional footage. This abridgment reduced the runtime by approximately 71% from the original 265 minutes, resulting in a faster pace but some narrative incoherence due to omitted exposition. The feature was produced to exploit the post-World War II surge in television popularity and Bela Lugosi's residual stardom as a horror icon, targeting distribution to smaller theaters and emerging TV stations as affordable programming or double-bill filler. Key elements like Dr. Zorka's inventions—such as the invisibility belt, mechanical , and meteorite-based —were preserved, though the role of the foreign spy was significantly diminished to focus on the core conflict between Zorka and federal agents. Contemporary reception positioned the film as a modest B-movie success, valued for its low-budget spectacle and Lugosi's charismatic villainy but criticized for its rushed editing and dated effects; it later entered the in the United States on January 1, 1967, owing to lapsed copyright renewals.

Reception

Contemporary reviews

Upon its release in , The Phantom Creeps received mixed reviews from trade publications, with praise centered on Bela Lugosi's performance as the Dr. Zorka while critiquing the serial's formulaic structure and production shortcuts. Variety commended Lugosi's menacing presence and the inventive gadgetry, including the and invisibility device, but noted the repetitive chases and heavy reliance on as weakening the pacing across the 12 chapters. highlighted its strong appeal to juvenile audiences through fast-paced action sequences, rating the as adequate for the serial format but describing the plot as a standard formula lacking fresh twists. Audience response was enthusiastic among young viewers, evidenced by high repeat attendance at Saturday matinees and fan letters sent to Universal Studios specifically praising the scenes and Lugosi's villainy; the serial received no major awards but contributed to the popularity of the sci-fi serial genre during the late . The 1949 feature version, edited down from the original serial for re-release, drew tempered reactions. In the broader context of the era, The Phantom Creeps was regarded as typical Universal serial fare—entertaining but less innovative than competitors like the Flash Gordon series—yet it proved commercially viable, sustaining the studio's output of chapterplays aimed at family matinees.

Modern assessments

In modern evaluations, The Phantom Creeps is frequently regarded as a quintessential example of the 1930s B-movie serial, valued for its pulp adventure elements despite technical and narrative shortcomings. Film historian Raymond William Stedman, in his seminal 1971 study The Serials: Suspense and Drama by Installment, positions the serial within the tradition of low-budget science fiction chapterplays, praising its inventive props and gadgets—such as the mechanical robot and invisibility belt—as innovative for the era and influential on subsequent economical genre productions. This assessment underscores the serial's role in blending mad-scientist tropes with action-oriented storytelling typical of Universal's output. Audience reception on platforms like reflects a mixed but affectionate view, with the serial earning an average rating of 4.7 out of 10 from 1,200 users as of November 2025. Reviewers commonly laud its campy fun and Bela Lugosi's exaggerated villainy as Dr. Zorka, describing the as "hammy" and engaging, which elevates the otherwise formulaic narrative into entertaining pulp fare. However, it is often critiqued for dated , including reused , and a plot exacerbated by the episodic chapter structure. Fan communities and classic film enthusiasts echo this appreciation for the serial's pre-CGI practical effects, such as the clunky yet memorable robot henchman, while acknowledging narrative weaknesses like infrequent action and underdeveloped characters. Sites dedicated to vintage horror and serials highlight these elements as charming artifacts of ingenuity, though the story's incoherence from resolutions is a frequent point of deduction. The serial's visibility surged in the 1990s through its inclusion in , where the first three chapters were riffed in Season 2 episodes aired in 1990, poking fun at the robot's absurdity and Lugosi's dramatic flair to comedic effect. This exposure introduced The Phantom Creeps to younger audiences, cementing its status as a cult favorite for ironic viewing and reinforcing its reputation for over-the-top B-serial antics. Scholarly analyses view The Phantom Creeps as a bridge between silent-era serials and sound-period , exemplifying evolving narrational techniques in cliffhangers through strategies like sequential resolutions and visual augmentation to heighten suspense. In a 2023 article in the Journal of Cinema and Media Studies, the serial is cited as a in how such installments manipulated viewer expectations of , transitioning from purely visual perils to integrated and dialogue-driven threats. The Encyclopedia further describes it as a "lacklustre" but moderately enjoyable entry, with Lugosi's strong performance offsetting dull resolutions and excessive recycling of prior footage.

Legacy

Cultural influence

The Phantom Creeps was adapted into a comic book format by DC Comics in Movie Comics #6 (September–October 1939), the final issue of the series, which retold the serial's story across illustrated chapters featuring Professor Zorka and his inventions. The serial gained renewed attention through its inclusion as shorts in season 2 of Mystery Science Theater 3000 (1993–1994), with chapters 1–3 riffed in episodes such as "Jungle Goddess," "Rocket Attack USA," and "Ring of Terror," contributing to its enduring cult following among fans of B-movies and serials. Filmmaker and musician drew inspiration from the serial for his song "Meet the Creeper" on the 1998 album , directly referencing the plot and Bela Lugosi's Dr. Zorka; also incorporated props modeled after the Iron Head robot design into music videos and films like (2003) and (2005). The serial's robot, a hulking mechanical minion controlled by the villain, influenced subsequent sci-fi serials, notably the similar in ' The Mysterious Dr. Satan (1940), which echoed its destructive capabilities and visual style in service of a mad scientist's world-domination scheme.

Home media and restorations

The Phantom Creeps entered the in 1967 owing to the failure to renew its , which facilitated widespread unauthorized distribution and releases thereafter. This status prompted numerous low-budget DVD editions during the 2000s and 2010s from distributors like Alpha Video, which issued multi-volume sets covering the 12-chapter serial, and Creepy Classics, which offered complete collections; these releases typically derived from degraded, low-resolution prints, resulting in visible artifacts and inconsistent audio quality. VCI Entertainment issued the first official high-definition home media edition in 2019, a Blu-ray (and accompanying DVD) restored from surviving 35mm film elements, marking the initial HD presentation of the serial and including both the full 12-chapter version and the condensed feature edit alongside tracks by film historians. A 4K restoration project was announced by VCI Entertainment around 2021 but has faced significant delays due to rights negotiations with Universal's successor entities and remains unreleased as of November 2025. The serial's availability has enabled free streaming on ad-supported platforms such as and user-uploaded content on since the early 2010s, with full episodes or complete runs accessible without cost. Complementing official endeavors, enthusiast-driven restorations—often involving frame-by-frame cleanup and audio enhancement from archival sources—circulate on sites like the .

References

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  2. https://serialsquadron.com/serials/mystery/phantomcreeps/index.html
  3. https://sf-encyclopedia.com/entry/phantom_creeps_the
  4. https://www.imdb.com/title/tt0031796/plotsummary/
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  6. https://shebloggedbynight.com/2013/phantom-creeps-12-now-let-the-world-beware-my-vengeance/
  7. https://thehorrortimes.com/2024/04/05/the-phantom-creeps-1939-by-baron-craze/
  8. https://universalmonsters.fandom.com/wiki/The_Phantom_Creeps
  9. https://medleyana.com/2019/08/19/fates-worse-than-death-the-phantom-creeps/
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  12. https://www.imdb.com/title/tt0031796/fullcredits/
  13. https://www.bfi.org.uk/lists/bela-lugosi-10-essential-films
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  15. https://catalog.afi.com/Catalog/moviedetails/6226
  16. https://filesofjerryblake.com/2014/05/16/the-phantom-creeps/
  17. https://www.youtube.com/watch?v=Z-72mcb-MvQ
  18. https://www.hometheaterforum.com/community/threads/the-phantom-creeps-serial-from-vci-in-2k-now-and-maybe-4k-soon.374062/page-2
  19. https://www.tcm.com/tcmdb/title/21518/the-phantom-creeps
  20. https://www.rottentomatoes.com/m/the-phantom-creeps-1939/cast-and-crew
  21. https://www.themoviedb.org/person/33368-saul-a-goodkind
  22. https://www.imdb.com/title/tt0031796/releaseinfo/
  23. https://www.alamy.com/stock-photo/the-phantom-creeps-poster-for-1939-universal-film-serial-with-bela-51467662.html
  24. https://beladraculalugosi.wordpress.com/1939-the-phantom-creeps-serial/
  25. https://www.imdb.com/title/tt0127728/
  26. https://beladraculalugosi.wordpress.com/wp-content/uploads/2013/08/variety-april-5-1939.png
  27. https://filesofjerryblake.com/serial-villains/bela-lugosi/
  28. https://muse.jhu.edu/pub/349/article/907194
  29. https://www.comics.org/issue/593/
  30. https://www.imdb.com/title/tt0031796/movieconnections/
  31. https://whatculture.com/film/10-white-zombie-rob-zombie-songs-inspired-by-horror-films?page=3
  32. https://filesofjerryblake.com/2013/09/19/mysterious-doctor-satan/
  33. https://publicdomainmovie.net/movie/the-phantom-creeps
  34. https://www.amazon.com/Phantom-Creeps-Vol-1/dp/B00006II5E
  35. https://creepyclassics.com/phantom-creeps-1939-complete-serial-alpha-dvd-set/
  36. https://dvdcompare.net/comparisons/film.php?fid=12633
  37. https://dvdandblu-rayreleasereport.blogspot.com/2019/08/vci-entertainment-restores-bela-lugosis.html
  38. https://www.vcientertainment.com/the-phantom-creeps-4k-restoration-project/
  39. https://tubitv.com/movies/100013753/the-phantom-creeps
  40. https://www.youtube.com/watch?v=xfg-lDF3-0w
  41. https://archive.org/details/phantom-creeps
  42. https://archive.org/details/ThePhantomCreeps
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