The Turtles
View on Wikipedia
The Turtles were an American rock band formed in Los Angeles, California in 1965. The band achieved several Top 40 hits throughout the latter half of the 1960s, including "It Ain't Me Babe" (1965), "You Baby" (1966), "Happy Together" (1967), "She'd Rather Be with Me" (1967), "Elenore" (1968), and "You Showed Me" (1969),[5] with "Happy Together" reaching number one on the Billboard Hot 100.
Key Information
The group originally consisted of lead vocalist Howard Kaylan, backing vocalist Mark Volman, lead guitarist Al Nichol, rhythm guitarist Jim Tucker, bassist Chuck Portz, and drummer Don Murray, with subsequent members being bassists Chip Douglas and Jim Pons, and drummers Joel Larson, Johnny Barbata, and John Seiter.
As the Turtles' commercial success waned by the end of the 1960s, they became plagued with management problems, lawsuits and conflicts with their label, White Whale Records, leading the group to break up in 1970. Kaylan and Volman (alongside Pons) then joined Frank Zappa's band, the Mothers of Invention, where, for contractual reasons, they performed under the name Flo & Eddie (Volman as "Flo", Kaylan as "Eddie"). After leaving Zappa at the end of 1971, Kaylan and Volman continued to perform under the Flo & Eddie name, becoming popular as a comedy rock act, and also went on to long-lasting success as session musicians for artists including John Lennon, Bruce Springsteen, and Alice Cooper. In 1983, Kaylan and Volman began touring as The Turtles featuring Flo & Eddie. Kaylan ceased touring in 2018, while Volman continued to tour with the Turtles until his death in September 2025, with Ron Dante (previously of The Archies) replacing Kaylan.
History
[edit]1963–1966: Formation, initial success and first personnel changes
[edit]The Nightriders, the Crossfires and the Tyrtles
[edit]In early 1963, New Yorker Howard Kaylan and Californian Mark Volman attended the same school, Westchester High in Los Angeles (Kaylan had moved from New York City as a child). The two sang in the school's a cappella choir, where Volman soon heard about Kaylan's instrumental surf music band, the Nightriders, which included Kaylan on saxophone and choir members Al Nichol on lead guitar, Don Murray on drums and Chuck Portz on bass. Volman joined the group as a saxophonist, just before the group changed its name to the Crossfires in the same year. After high school graduation, the band continued on while its members attended area colleges, picking up rhythm guitarist Jim Tucker as a sixth member along the way.[6]
They released a single, "Dr. Jekyll & Mr. Hyde" b/w "Fiberglass Jungle", on the local "Capco Records" label, eventually signing with newly formed White Whale Records. Adhering to the prevailing musical trend, the group rebranded itself in 1963: with the help of KRLA and KFWB DJ and club owner Reb Foster, the Crossfires signed as a folk rock band under the name The Tyrtles, an intentionally stylized misspelling inspired by the Byrds and the Beatles. However, the trendy spelling did not survive long, and they had to name themselves The Turtles.[7]
Because of the stylistic change from "Surf music" to "Folk rock", Kaylan and Volman dropped the saxophones to become the band's vocalists. Kaylan became the group's lead singer and keyboardist (although he would give up most of the keyboard parts to Nichol in their hits). Volman began to harmonize with Kaylan's lead singing, becoming a third guitarist as well as a percussionist for the band.
"It Ain't Me Babe" and "You Baby"
[edit]As with the Byrds, the Turtles achieved breakthrough success with a cover of a Bob Dylan song. "It Ain't Me Babe" reached the Billboard Top 10 in the late summer of 1965, and was the title track of the band's first album.[7] "Let Me Be", their second single, reached the Top 30, and "You Baby" charted in the Top 20 in early 1966. "You Baby", with its intricate vocal harmonies and upbeat tempo, was influential in the band's sound as it departed from the political, Byrds-type folk rock;[7][8] the band's new sound ranged from chamber pop to straightforward pop music.[2]
You Baby, the band's second album, failed to reach Billboard's Top LPs chart, and of several singles released in 1966, "Grim Reaper of Love" and "Can I Get to Know You Better" barely entered the Billboard Hot 100. One single, the tough "Outside Chance", written by Warren Zevon, did not chart. In 1966, the Turtles made an appearance in Universal's film Out of Sight, singing "She'll Come Back" on screen.
In early 1966, drummer Don Murray and bassist Chuck Portz quit the group. Murray was replaced by Joel Larson for a few months, before John Barbata became the band's new drummer in late 1966. Portz was replaced by Chip Douglas on bass.[7]
1966–1968: Peak years
[edit]"Happy Together"
[edit]"Happy Together", the first of several key Turtles singles co-written by Garry Bonner and Alan Gordon, had been rejected by countless performers. "Happy Together", both their biggest hit and their signature song, signaled a turning point for both the Turtles and for Chip Douglas, who provided the arrangement.[7] The single replaced the Beatles' "Penny Lane" at number one on the Billboard Hot 100 in the spring of 1967. The Turtles' only No. 1 remained there for three weeks. An album of the same name followed and peaked at No. 25. "Happy Together" reached No. 12 on the UK Singles Chart.[9] This same year saw the Turtles performing the title song (composed by John Williams with lyrics by Leslie Bricusse) for the Twentieth Century-Fox bedroom farce A Guide for the Married Man.
Impressed by Chip Douglas's studio arrangements, Michael Nesmith approached him after a Turtles show at the Whisky a Go Go and invited him to become the Monkees' producer as that band wanted to break out of their "manufactured" studio mold. Douglas accepted and left the Turtles, producing the Monkees' next three albums: Headquarters; Pisces, Aquarius, Capricorn & Jones Ltd. (both 1967); and The Birds, the Bees & the Monkees (1968), the last of which he co-produced with the band. Meanwhile, the Turtles continued with new bassist Jim Pons replacing Douglas.
"She'd Rather Be with Me", "You Know What I Mean" and "She's My Girl"
[edit]Other hits, all written by Gordon/Bonner, followed "Happy Together", making 1967 a lucrative year for the Turtles. A follow-up, the brassy "She'd Rather Be with Me", reached No. 3 on the US charts in late spring and actually out-charted "Happy Together" overseas, reaching No. 4 in the UK.[9] Two successive Top 15 songs followed: "You Know What I Mean" and "She's My Girl". Both 45s showed a psychedelic side in the band's style. During that year, the band released two albums, Happy Together and Golden Hits, the former reaching the Top 30 and the latter reaching the Top 10. The similar album covers for Golden Hits and its 1970 companion More Golden Hits were designed by Dean Torrence of Jan & Dean.
By the end of 1967 the band were reduced to a five-piece, when rhythm guitarist Jim Tucker departed, citing the pressure of touring and recording new material. He moved to Grass Valley, California where he became an electrical contractor. He has denied that he left the band because John Lennon was rude to him, as Kaylan later suggested in his 2003 film My Dinner with Jimi.[10]
The Turtles Present the Battle of the Bands
[edit]
"Sound Asleep" and "The Story of Rock and Roll", the first two singles in 1968, stalled somewhere in the middle of the Top 100. The band's fortunes changed when former member Chip Douglas returned to work with them as a producer. Late in 1968 the band released a concept album called The Turtles Present the Battle of the Bands, in which the group pretended to be 11 different bands (with fanciful names including the Bigg Brothers, Nature's Children, the US Teens featuring Raoul, and the Fabulous Dawgs), each with a song in a different genre. The album yielded two singles: "Elenore" and "You Showed Me", both peaking at No. 6. "Elenore" also reached No. 7 in the UK chart.[9] Although both singles were successful, they did not help to boost the album's sales, which peaked at No. 128 on the Billboard Pop Albums. The 1969 hit "You Showed Me" had been written by the Byrds' Gene Clark and Roger (then Jim) McGuinn in 1964. It was their last Top 10 single. Television appearances included a February 1968 spot on The Mike Douglas Show, to which they returned in April 1969. 1969 saw the band undergo another personnel change, with drummer John Barbata being replaced by John Seiter.
1969–1970: Commercial waning and break-up
[edit]Turtle Soup
[edit]Towards the end of 1969, the group released its next album, Turtle Soup, a critically well-received LP produced by Ray Davies of the Kinks. Inspired by the 1968 concept album The Kinks Are the Village Green Preservation Society, this was Davies's only released production work for another band (but Davies had previously produced demo recordings for the Iveys). Notable tracks include "Somewhere Friday Nite" and "Love in the City". In spite of Turtle Soup's positive reception from the music press, its commercial success was marginal, and the band began to disintegrate.
Conflicts with White Whale and disintegration
[edit] |
Long disillusioned with their record label and its growing financial problems by this time, Kaylan and Volman resisted White Whale's efforts to turn the Turtles into something approaching an assembly-line pop act, like the early Monkees. The label apparently encouraged Kaylan and Volman to fire the rest of the band, tour with hired musicians and make records by adding their vocals to backing tracks recorded by Memphis session players. Such pressure convinced the band to record a single called "Who Would Ever Think That I Would Marry Margaret?", which they disowned after its release.
The Turtles wound down their career in 1970 with More Golden Hits, a second compilation album, and Wooden Head, a B-sides and rarities album. With the demise of the Turtles, White Whale Records lost its biggest moneymaker, had few commercially viable bands, and soon ceased operations.
Post-Turtles
[edit]1970s
[edit]In mid-1970, Kaylan and Volman joined Frank Zappa's band the Mothers of Invention, with Pons also joining in early 1971.[7] As well as the Turtles' name, Kaylan and Volman were unable to use their real names in billings due to them being prohibited by their contract with their label White Whale Records. Because of this, Volman and Kaylan began performing under the nicknames the Phlorescent Leech & Eddie or Flo & Eddie for short. Kaylan, Volman, and Pons worked with Zappa until December 1971, when the infamous attack on Zappa at the Rainbow Theatre in London left him no choice but to cease touring for a while. During their time together the former Turtles appeared on several Zappa albums, as well as starring in his 1971 film 200 Motels. Volman and Kaylan then went on to make several duo albums, still using the Flo & Eddie name.[7]
Volman and Kaylan sang backing vocals on several recordings by the band T. Rex, including their worldwide 1971 hit "Get It On (Bang a Gong)" and the albums Electric Warrior and The Slider. When White Whale's master recordings were sold at auction in 1974, the duo won the Turtles' masters, making them the owners of their own recorded work. They promptly licensed the tracks to Sire Records, which issued them as a compilation album titled Happy Together Again. In the mid-1970s, Volman and Kaylan started their syndicated radio show titled Flo & Eddie by the Fireside, which originated from KMET in Los Angeles.[11]
1980s
[edit]In the 1980s, the duo began hosting their radio show on KROQ-FM in Los Angeles and WXRK in New York City and recorded soundtrack music for children's shows like the Care Bears and Strawberry Shortcake. In 1980, Flo and Eddie performed backing vocals on Alice Cooper's Flush the Fashion and sang backup on Bruce Springsteen's "Hungry Heart" from his album The River. 1982 saw the re-release of the Turtles' original albums through Rhino Records.
In 1983, they also contributed backing vocals to the self-titled debut album of British New wave band Espionage, produced by Roy Thomas Baker and released by A&M Records. Also in 1983, Howard Kaylan appeared in the comedy film Get Crazy, starring Malcolm McDowell and Daniel Stern: Kaylan played the part of Captain Cloud, a spiritual guru, leader of a caravan of time-lost hippies. In the same year, Kaylan and Volman legally regained the use of "the Turtles" name and began touring as the Turtles Featuring Flo and Eddie; instead of trying to reunite with their earlier bandmates, they began featuring sidemen who had played with different groups. In 1984, the Turtles embarked on a U.S. Happy Together tour with Gary Puckett & the Union Gap, Spanky & Our Gang and the Association.[12]
In 1987, Kaylan and Volman appeared in a music video of their 1967 song "Happy Together" to promote the romantic comedy Making Mr. Right. That year also saw the debut of the previously unreleased Shell Shock album, as well as a new retrospective CD 20 Greatest Hits, both released by Rhino. The latter compilation was followed in 1988 with Turtle Wax: The Best of the Turtles, Vol. 2, which featured the best of their "album tracks" and previously neglected single B-sides.
The 1989 debut album by hip-hop combo De La Soul, 3 Feet High and Rising, featured a tape loop repeating the first 11–12 seconds of the Turtles song "You Showed Me" in the short album-filler skit "Transmitting Live from Mars", with some percussion and a sampled French language lesson added by De La Soul's producer Prince Paul. Kaylan and Volman sued for copyright damages in 1989, demanding $2.5 million but settling out of court in 1991 for $1.7 million. This established a legal precedent, causing the music industry to begin carefully crediting (and paying royalties for) sampled works on future rap music and other recordings in general.[13][14]
1990s
[edit]In 1991 Music Club Records released a Turtles' anthology in the United Kingdom: Happy Together: The Best of the Turtles. In 1993, Rhino Records presented Captured Live, a live album of their 1992 tour. In 1994 Sundazed Music re-released all of the Turtles' original albums, and in 1999 Varèse Sarabande released Happy Together: The Best of White Whale Records, which included many of the Turtles' singles.
Original drummer Don Murray died on March 22, 1996, at the age of 50.
2000s
[edit]In 2002, the film Adaptation used their song "Happy Together" extensively as a device to portray the closeness of the two brothers Kaufman, both played by Nicolas Cage; this film closes with the Turtles' version over the final credit scroll and time lapse photography.
Also the 2005 film Imagine Me & You, the title of which was taken from the first line of the song "Happy Together", used this song in its end credits. In 2009, a Turtles compilation CD titled Save the Turtles: The Turtles Greatest Hits was issued on their FloEdCo Record label and distributed by Manifesto Records.[15]
2010s
[edit]Starting in the summer of 2010, the Turtles Featuring Flo & Eddie toured throughout the United States as part of the Happy Together: 25th Anniversary Tour, an oldies concert series that retained the "Happy Together" moniker in subsequent years. They performed alongside other 1960s and 1970s pop stars, including Gary Puckett, Mitch Ryder, Mark Lindsay, Mark Farner, Gary Lewis, and Micky Dolenz.[16] The 2015 tour featured the Buckinghams, the Cowsills, the Grass Roots, and the Association. In 2016, the complete output of the Turtles was reissued as two box sets, titled The Complete Original Album Collection and All the Singles. The expanded editions of the six albums contained in the former were issued separately in 2017.
In 2018, since Kaylan required heart and back surgery, he was told by his doctors to cease touring, so Ron Dante (a prolific session musician of the Archies, the Cuff Links and the Detergents fame) replaced him.[17][18]
2020s
[edit]Original rhythm guitarist Jim Tucker died on November 12, 2020, at the age of 74.[19][20]
Drummer John Barbata died on May 8, 2024, at the age of 79.[21]
Volman died after a short illness on September 5, 2025, at the age of 78.[22][23]
Personnel
[edit]Former members
[edit]- Howard Kaylan – lead vocals, keyboards (1965–1970, 1983–2018)
- Mark Volman – harmony and backing vocals, guitar, percussion (1965–1970, 1983–2025; his death)
- Al Nichol – lead guitar, keyboards, backing vocals (1965–1970)
- Jim Tucker – acoustic and electric rhythm guitars, backing vocals (1965–1967; died 2020)
- Chuck Portz – bass guitar (1965–1966)
- Don Murray – drums (1965–1966; died 1996)
- Chip Douglas – bass guitar, backing vocals (1966–1967)
- Joel Larson – drums (1966)
- John Barbata – drums, percussion (1966–1969; died 2024)
- Jim Pons – bass guitar, backing vocals (1967–1970)
- John Seiter – drums (1969–1970)
- Ron Dante – lead vocals, guitar (2018–2025)
Timeline (Original incarnation of the band, 1965–1970)
[edit]
Discography
[edit]- It Ain't Me Babe (1965)
- You Baby (1966)
- Happy Together (1967)
- The Turtles Present the Battle of the Bands (1968)
- Turtle Soup (1969)
See also
[edit]
References
[edit]- ^ Daw, Stephen (September 5, 2025). "Mark Volman, Co-Founder of Pop-Rock Hitmakers The Turtles, Dies at 78". Billboard. Retrieved September 9, 2025.
- ^ a b Bush, John. "The Turtles". Allmusic. Retrieved September 20, 2021.
- ^ Rosenwald, Michael S. (September 6, 2025). "Mark Volman, Singer of 'Happy Together' and Other Hits, Dies at 78". The New York Times. Retrieved September 9, 2025.
- ^ Simmonds, Jeremy (2012). The Encyclopedia of Dead Rock Stars. Chicago Review Press. p. 347. ISBN 978-1613744789.
- ^ "The Turtles Biography". Rolling Stone. 2004. Archived from the original on September 15, 2008. Retrieved December 24, 2008.
- ^ Bush, John. "The Turtles | Biography, Albums, Streaming Links". AllMusic. Retrieved March 4, 2021.
- ^ a b c d e f g Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 1196. ISBN 1-85227-745-9.
- ^ Greenwald, Matthew, You Baby - The Turtles | Song Info | AllMusic, retrieved March 4, 2021
- ^ a b c Betts, Graham (2004). Complete UK Hit Singles 1952–2004 (1st ed.). London: Collins. p. 802. ISBN 0-00-717931-6.
- ^ "eTerritorial Dispatch: Interview With A Turtle". Eterritorialdispatch.blogspot.co.uk. Retrieved March 17, 2017.
- ^ "Flo and Eddie by the Fireside op Myspace Music – Gratis Gestreamde MP3s, Fotos, en Videoclips". Myspace.com. Retrieved January 25, 2011.
- ^ "HAPPY TOGETHER TOUR". Kingcenter.com. Retrieved August 27, 2019.
- ^ Dwyer, Michael (April 27, 2023). "Murder, fame and a legal minefield: the agony behind a hip-hop victory". Sydney Morning Herald. Archived from the original on April 27, 2023. Retrieved April 5, 2025.
- ^ Owen, Frank (November 1989). "Bite This: Our 1989 Feature on Sampling". Spin. Retrieved April 5, 2025. Reprinted in May 2021.
- ^ "Save The Turtles: The Turtles Greatest Hits: Turtles: Music". Amazon. Retrieved January 25, 2011.
- ^ McQuistion, James (April 30, 2011). "Happy Together Tour Returns In Summer 2011". Retrieved May 12, 2011.
- ^ "Happy Together Tour 2018: 'The Show Must Go On'". Bestclassicbands.com. June 13, 2015. Retrieved December 21, 2018.
- ^ "A pioneering Jewish rock band got its start in 1965; they're still slowly and steadily turtling along". Forward.com. April 19, 2024.
- ^ "James Roy Tucker". Hooperandweavermortuary.com. November 18, 2020. Retrieved March 23, 2021.
- ^ "Jim Tucker, rhythm guitarist for The Turtles and Grass Valley resident, dies at 74", The Union, November 16, 2020. Retrieved November 17, 2020
- ^ Kreps, Daniel (May 14, 2024). "John Barbata, Drummer for the Turtles and Jefferson Starship, Dead at 79". Rolling Stone. Retrieved May 15, 2024.
- ^ McGowan, Andrew (September 5, 2025). "Mark Volman, Turtles and Flo & Eddie Co-Founder and Singer on 'Happy Together,' Dies at 78". Variety. Retrieved September 5, 2025.
- ^ Avila, Daniela (September 5, 2025). "The Turtles Co-Founder Mark Volman Dies at 78 After a 'Brief, Unexpected Illness'". People. Retrieved September 5, 2025.
External links
[edit]- Official website
- The Turtles discography at Discogs
- The Turtles at IMDb
| |
| Studio albums | |
| Compilations | |
| Singles | |
| Related articles | |
The Turtles
View on GrokipediaHistory
Origins and formation (1963–1965)
The Turtles began as a surf rock ensemble formed in 1963 by high school students at Westchester High School in Los Angeles. Howard Kaylan (vocals) and Don Murray (drums) founded the group initially as The Nightriders, recruiting Al Nichol (guitar) and Chuck Portz (bass) to round out the lineup. Mark Volman (guitar, vocals) joined shortly thereafter, having met Kaylan in the school's a cappella choir.[11][12] By late 1963, the band had transitioned to The Crossfires, shifting focus to instrumental surf rock tracks inspired by acts like The Ventures and Johnny and the Hurricanes. They performed regularly at local venues in Southern California, building a regional following through high-energy sets that emphasized guitar-driven surf sounds.[11][13] The success of folk-rock pioneers The Byrds in early 1965 prompted a stylistic evolution and name change for the group. Manager Reb Foster suggested "The Tyrtles" to capture the era's trendy misspelling convention, but it was quickly simplified to The Turtles after executives at the newly established White Whale Records insisted on a more straightforward name upon signing the band that year. This rebranding marked their pivot toward vocal harmonies and broader rock influences.[12][11] The core early lineup consisted of Howard Kaylan on vocals and keyboards, Mark Volman on guitar and vocals, Al Nichol on guitar, Jim Tucker on rhythm guitar (replacing initial member Dale Walton), Chuck Portz on bass, and Don Murray on drums. In 1965, following their signing, the band entered the studio for their debut recording session as The Turtles, producing the single "It Ain't Me Babe," a cover of Bob Dylan's folk tune that became their first release on White Whale.[11][14]Early recordings and breakthrough (1965–1966)
The Turtles achieved a significant breakthrough with their debut single, a cover of Bob Dylan's "It Ain't Me Babe", issued in July 1965. The single climbed to No. 8 on the Billboard Hot 100, spending 11 weeks on the chart and solidifying the Turtles' shift toward a folk rock sound with jangly guitars and layered vocals reminiscent of the Byrds.[15][1] Capitalizing on the momentum, the Turtles issued their self-titled debut album It Ain't Me Babe in October 1965 on White Whale Records. The LP primarily consisted of covers, including tracks like "Let Me Be" and "Eve of Destruction", alongside a few originals, and it reached No. 97 on the Billboard 200, reflecting the band's early reliance on interpreted material to build an audience. In early 1966, the band experienced a key personnel shift as original drummer Don Murray departed due to the rigors of touring, with bassist Chuck Portz also leaving shortly after. Murray was temporarily replaced by Joel Larson on drums, but John Barbata soon joined as the permanent drummer, while Chip Douglas took over on bass, bringing fresh energy to the group's live performances and recordings.[16] The Turtles followed up with their second single, "You Baby", co-written by P.F. Sloan and Steve Barri, released in January 1966. This upbeat pop track, featuring prominent harmonies and a catchy hook, peaked at No. 20 on the Billboard Hot 100, marking the band's growing songwriting collaborations with the Grass Roots' producers.[17] Their second album, You Baby, arrived in April 1966 and incorporated more original compositions, such as Al Nichol's "Flyin' High" with its emerging psychedelic elements through swirling organ and experimental arrangements, alongside covers like the Beau Brummels' "Let Me Be". The release represented a transitional effort toward greater creative control, though it did not chart on the Billboard 200.[18]Peak commercial success (1966–1968)
The Turtles achieved their greatest commercial breakthrough with the release of "Happy Together" in early 1967, a song written by Garry Bonner and Alan Gordon that topped the Billboard Hot 100 for three weeks starting March 25.[19] The single, backed by "Like the Seasons," sold over one million copies and earned a gold certification from the RIAA, marking the band's first and only number-one hit in the United States.[20] Building on the momentum from earlier successes like "You Baby," the track's upbeat melody and harmonious vocals propelled the band to national stardom, with its baroque pop style featuring prominent horn and woodwind arrangements crafted by new bassist Chip Douglas.[21] The accompanying album, Happy Together, released in April 1967 on White Whale Records, peaked at number four on the Billboard 200 and showcased the band's evolving sound through orchestral elements that blended rock with sophisticated production. Follow-up singles sustained their popularity, including "She'd Rather Be with Me," which reached number three on the Billboard Hot 100 in June 1967, followed by "You Know What I Mean" at number 12 in September 1967 and "She's My Girl" at number 23 in February 1968.[22] These tracks, also penned by Bonner and Gordon, maintained the group's signature sunshine pop vibe while demonstrating their ability to deliver consistent chart performers. In 1968, the band released The Turtles Present the Battle of the Bands, a innovative concept album that peaked at number nine on the Billboard 200, where each song simulated a different fictional band in styles ranging from doo-wop to country to psychedelia.[23] This creative endeavor highlighted the Turtles' versatility amid their peak fame. During this period, personnel shifts shaped their dynamic: Chip Douglas joined on bass in October 1966, contributing to the "Happy Together" recordings before departing in 1967 to produce for the Monkees, while drummer John Barbata came aboard in spring 1966, providing the rhythmic foundation for their hits.[24] Rhythm guitarist Jim Tucker left the group in 1967, reportedly disillusioned after a lackluster promotional tour in England.[25] The band's visibility surged through television, including a notable appearance on The Ed Sullivan Show on May 14, 1967, where they performed "Happy Together" and "She'd Rather Be with Me" to a national audience.[26]Decline and disbandment (1969–1970)
Following the peak success of their earlier hits like "Happy Together," The Turtles experienced a gradual decline in commercial performance by late 1968, marked by their final major singles "Elenore," which reached No. 6 on the Billboard Hot 100, and "You Showed Me," peaking at No. 6 in early 1969.[27] These tracks, while still charting in the top 10, signaled the end of the band's dominant run on the charts as musical tastes shifted toward harder rock and psychedelia, reducing their pop appeal. Internal tensions also began to surface, including the firing of original bassist Chuck Portz in 1966 amid management disputes, which later led to lawsuits over royalties and band credits. The band's fifth studio album, Turtle Soup, released in October 1969 and produced by Ray Davies of The Kinks—his first production effort for another artist—featured more experimental and introspective tracks influenced by Davies' style, such as "Love in the City" and "The House We Used to Live In." Despite critical praise for its maturity and departure from their bubblegum sound, the album only peaked at No. 117 on the Billboard 200, reflecting waning label support and audience interest. Drummer John Barbata's departure in early 1970 to join Crosby, Stills, Nash & Young further destabilized the lineup, exacerbating creative and logistical challenges during recording sessions.[28] Ongoing disputes with White Whale Records over creative control, inadequate royalties, and the label's insistence on formulaic hits culminated in the band's breakup. White Whale's financial mismanagement and resistance to the group's evolving artistic direction left members feeling exploited, with vocalists Howard Kaylan and Mark Volman particularly vocal about the inequities. The final single, "Lady-O," released in late 1969 but charting into 1970 at No. 78 on the Billboard Hot 100, failed to revive their fortunes and was released without full band approval amid the turmoil. The Turtles officially announced their dissolution in June 1970, ending the original lineup's run after five years of hits and conflicts.[10][29]Post-breakup career
Flo & Eddie collaborations (1970s–1980s)
Following the Turtles' disbandment in 1970, vocalists Howard Kaylan and Mark Volman joined Frank Zappa's Mothers of Invention later that year, where they adopted the stage names Flo and Eddie due to ongoing litigation with their former label, White Whale Records, which barred them from using their real names or the band's name on recordings and performances.[10][30] As Flo & Eddie, they contributed prominent backing vocals and harmonies to Zappa's live and studio work, including the album Fillmore East – June 1971, which captured their energetic, humorous style during the band's 1970-1971 tours.[30] Their tenure with the Mothers lasted until Zappa's onstage injury in late 1971, after which they pursued independent projects while maintaining a collaborative relationship with Zappa, including occasional guest appearances in later years.[30] In the early 1970s, Flo & Eddie established themselves as a duo with a mix of rock, comedy, and satire, releasing their debut album The Phlorescent Leech and Eddie in 1972 on Reprise Records, followed by the self-titled Flo & Eddie in 1973.[30] Their second Reprise effort featured original songs and covers with a playful edge, such as reimaginings of pop standards. By 1975, they had moved to Columbia Records for Illegal, Immoral and Fattening, an album emphasizing their comedic songwriting and vocal interplay on tracks like the title song and "Rebecca," which highlighted their shift toward satirical rock.[31] These releases, though not major commercial hits, showcased their versatility beyond the Turtles' pop sound, blending humor with rock elements.[30] Throughout the 1970s and into the 1980s, Flo & Eddie became sought-after session vocalists, providing backing harmonies for prominent artists. They contributed to T. Rex's 1971 album Electric Warrior, adding their distinctive layered vocals to tracks like "Bang a Gong (Get It On)," which helped define the glam rock era's sound.[30] In 1980, they sang backing vocals on Bruce Springsteen's "Hungry Heart" from The River, enhancing the song's anthemic chorus and contributing to its status as his first top-10 hit.[32] Their work extended to other projects, including Alice Cooper's Flush the Fashion (1980), where they supported tracks amid Cooper's new wave pivot.[30] Additionally, in the late 1970s and early 1980s, Flo & Eddie hosted the syndicated radio program Flo & Eddie By the Fireside (also known as Flo & Eddie’s Record Reviews), a humorous show featuring music commentary, celebrity guests, and comedy sketches broadcast on stations like WLIR in 1981.[30] In the early 1980s, Kaylan and Volman made initial efforts to revive Turtles material through live performances, including a brief 1980 tour billed under variations of the band's name without the full original lineup, relying on session musicians to accompany their vocals. By 1983, they formalized this as The Turtles featuring Flo & Eddie, performing Turtles hits alongside their duo material.[30] This led to the launch of the Happy Together Tour in 1984, a multi-act package headlined by The Turtles featuring Flo & Eddie and joined by other 1960s groups like The Association and The Grass Roots, which revived interest in their catalog through nostalgic rock sets and became a staple of oldies circuits.[33]Reunion tours and modern era (1990s–2025)
In the 1990s, The Turtles, led by Howard Kaylan and Mark Volman as Flo & Eddie, expanded their live performances through the ongoing Happy Together Tour, which originated in the 1980s but grew to include prominent 1960s acts such as The Association and, in later iterations, The Mamas & the Papas, fostering a nostalgic package show format that sustained their visibility.[34] This period also saw limited recorded output, including the live album Captured Live, recorded during their 1992 performances and released by Rhino Records in 1992, capturing their stage energy with tracks like "Happy Together" and "Elenore."[35] The band's focus shifted toward touring, with annual engagements that emphasized their classic hits amid a lineup featuring core members alongside supporting musicians. Entering the 2000s and 2010s, The Turtles maintained a rigorous schedule of annual tours, primarily under the Happy Together Tour banner, performing across North America and occasionally internationally, often sharing bills with contemporaries like Gary Puckett & The Union Gap and The Grass Roots to draw multigenerational audiences.[36] Howard Kaylan retired from live performances in 2018 following heart surgery and ongoing back issues, marking the end of his road appearances after decades of touring.[37] Ron Dante, known for his work with The Archies and as a session vocalist on parodies like "Leader of the Laundromat," a spoof of the Shangri-Las' "Leader of the Pack," joined as lead vocalist that year, seamlessly integrating into the setlist and contributing to the band's continued momentum.[38] The 2020s brought significant challenges and transitions for the band. Original rhythm guitarist Jim Tucker passed away on November 12, 2020, at age 74 from heart-related issues, having largely stepped away from the spotlight decades earlier.[39] Drummer John Barbata, a key member during the band's late-1960s peak, died on May 8, 2024, at age 79 due to heart complications.[40] The COVID-19 pandemic disrupted 2020 tours, but the group adapted by resuming virtual appearances and scaled-back live shows post-restrictions, with the Happy Together Tour returning in 2021 and continuing annually. Mark Volman, the last original performing member, led the band through 2024 but passed away on September 5, 2025, at age 78 from a brief illness.[9][10] Following Volman's death, the Happy Together Tour announced its 2026 lineup featuring The Turtles, with Ron Dante continuing as lead vocalist.[41]Band members
Original and core members
The Turtles' original lineup formed in 1965 in Los Angeles, evolving from the surf instrumental group the Crossfires, and consisted of vocalists Howard Kaylan and Mark Volman at the forefront, supported by guitarist Al Nichol, rhythm guitarist Jim Tucker, bassist Chuck Portz, and drummer Don Murray.[12] This core ensemble drove the band's transition to vocal pop rock and achieved its early hits through tight harmonies and instrumental arrangements during the mid-to-late 1960s.[24] Howard Kaylan (born Howard Lawrence Kaplan; June 22, 1947) served as the band's lead vocalist and occasional keyboardist, emerging as a primary creative influence in songwriting and vocal arrangements that defined The Turtles' sound.[42] His expressive baritone anchored tracks like "Happy Together," contributing to the group's chart success.[43] Mark Volman (born April 19, 1947; died September 5, 2025) complemented Kaylan as a backing and occasional lead vocalist and guitarist, renowned for his soaring high harmonies that added a distinctive falsetto layer to the band's recordings.[44] Volman's energetic stage presence and vocal interplay with Kaylan became hallmarks of their live performances in the 1960s.[10] Al Nichol (born March 31, 1946), the lead guitarist and multi-instrumentalist, handled much of the band's keyboard work and orchestral arrangements, shaping their polished pop rock style from the group's inception through its peak years.[45] His contributions included intricate guitar riffs and production elements that elevated songs beyond standard rock fare.[46] Jim Tucker (born October 17, 1946; died November 12, 2020), the rhythm guitarist, provided the foundational guitar backbone for The Turtles' early albums and singles, supporting the dual vocalists with solid chord progressions during their 1965–1967 recordings.[39] Chuck Portz (born March 28, 1945), the bassist, laid down the rhythmic pulse for the original lineup's debut efforts, including their initial White Whale Records singles in 1965.[24] Don Murray (born November 8, 1945; died March 22, 1996), the drummer, drove the band's energetic backbeat on their breakthrough tracks before departing in 1966, having played a key role in transitioning from surf instrumentals to full vocal productions.[47]Additional and touring members
Chip Douglas joined The Turtles as bassist in 1966, replacing Chuck Portz, and remained with the band through 1967. He contributed significantly to the group's sound by arranging the horn section and backing vocals for their number-one hit "Happy Together," which helped propel the song to the top of the charts. Following his departure, Douglas transitioned into production, notably working with The Monkees on hits like "Daydream Believer."[48] John Barbata became the band's drummer in 1966, succeeding Don Murray, and stayed until 1970. His energetic and inventive drumming provided the rhythmic foundation for several of the Turtles' enduring tracks, including "Happy Together" and the album The Turtles Present the Battle of the Bands. After leaving, Barbata collaborated extensively with Crosby, Stills, Nash & Young, appearing on their live album 4 Way Street and various solo projects by its members; he passed away on May 8, 2024, at age 79.[5][40] Jim Pons took over as bassist and backing vocalist in 1967 after Douglas's exit, serving until the band's 1970 disbandment. Drawing from his experience founding the garage rock band The Leaves, Pons added stability to the lineup during their late-1960s recordings and tours, contributing to tracks like "She'd Rather Be With Me" and "Elenore." He later joined Frank Zappa's Mothers of Invention as a performer and roadie.[49] John Seiter replaced Barbata on drums in 1969 and remained through the group's final year in 1970. Previously with Spanky and Our Gang, Seiter played on the Turtles' last studio album, Turtle Soup, bringing a solid pop-rock groove to songs such as "You Don't Have to Walk in the Rain."[50] Ron Dante has performed as lead vocalist with The Turtles since 2018, stepping in during their annual Happy Together Tour alongside co-founder Mark Volman. Best known for providing the voice behind The Archies' "Sugar, Sugar," Dante has helped maintain the band's live presence in the modern era.[38]Personnel timeline (1965–2025)
The personnel of The Turtles underwent several changes from their formation through their active touring years, reflecting the band's evolution from a surf rock group to a pop rock act and later reunion configurations.[51]| Year | Key Changes | Core Lineup Notes |
|---|---|---|
| 1965 | Formation as a six-piece band. | Howard Kaylan (lead vocals), Mark Volman (backing vocals, saxophone), Al Nichol (lead guitar, vocals), Jim Tucker (rhythm guitar), Chuck Portz (bass), Don Murray (drums).[52][53] |
| 1966 | Don Murray departs; Johnny Barbata joins on drums. Later, Chuck Portz leaves and is replaced by Chip Douglas on bass. | Kaylan, Volman, Nichol, Tucker, Douglas (bass), Barbata (drums).[54][55] |
| 1967 | Jim Pons joins on bass and vocals early in the year, replacing Chip Douglas; Jim Tucker exits late in the year. | Kaylan, Volman, Nichol, Pons (bass, vocals), Barbata (drums).[56][1] |
| 1969–1970 | Johnny Barbata leaves in 1969 to join Crosby, Stills, Nash & Young; John Seiter joins on drums; band disbands in 1970. | Kaylan, Volman, Nichol, Pons, Seiter (drums).[57][51] |
| 1980s | Partial reunions occur, including appearances with Al Nichol and John Seiter alongside Kaylan and Volman during tours like the 1984 Happy Together Tour. | Variable configurations featuring Kaylan, Volman, Nichol, Seiter, and additional musicians.[24][58] |
| 2018 | Howard Kaylan retires due to health issues; Ron Dante joins as lead vocalist for the Happy Together Tour. | Mark Volman (vocals), Al Nichol (guitar), Ron Dante (lead vocals), with touring members including John Seiter (drums) and others.[2][59] |
| 2025 | Mark Volman dies on September 5, marking the end of the core original touring era. | Surviving configurations continue with Dante, Nichol, Seiter, and supporting players, but without Volman.[60][44] |
Musical style and influences
Evolution from surf to pop rock
The Turtles originated as the instrumental surf rock band the Crossfires, formed in 1963 by high school students in Westchester, Los Angeles, featuring reverb-heavy guitar tones characteristic of the genre's twangy, echo-laden sound.[61][62] As the surf craze waned by mid-decade, the group rebranded as the Turtles in 1965, pivoting to vocal-driven folk rock amid the Byrds-inspired trend sweeping the West Coast.[1] This shift was marked by their debut single, a cover of Bob Dylan's "It Ain't Me Babe," which infused the acoustic folk original with jangly electric guitars and close harmonies, reaching number eight on the Billboard Hot 100 and establishing their new direction.[63][64] By 1967, the Turtles had refined their sound into sophisticated pop rock, embracing baroque pop elements with orchestral strings, harpsichord flourishes, and layered vocal harmonies on their breakthrough album Happy Together.[1][65] The title track, released that year, exemplified this evolution, blending buoyant melodies with chamber-like arrangements that propelled it to number one on the charts and defined their commercial peak.[66] This period solidified their transition from raw garage influences to polished, radio-friendly sophistication, drawing on British Invasion aesthetics while incorporating American sunshine pop's optimism.[1] In 1969, the band's final studio album, Turtle Soup, ventured into late-era psychedelia, featuring experimental production techniques like tape loops, backward guitars, and surreal soundscapes under the guidance of producer Ray Davies of the Kinks.[1][67] Tracks such as "House on the Hill" showcased swirling psychedelic textures and introspective lyrics, reflecting the era's countercultural experimentation while retaining the Turtles' harmonic core.[68] Following their 1970 disbandment, the Turtles reunited in 1984 for nostalgic tours, primarily through the ongoing Happy Together Tour, where they preserve their 1960s catalog with faithful renditions of hits like "Happy Together," emphasizing the era's pop rock essence in live performances.[69][70][71] This approach has sustained their legacy into the 2020s, focusing on high-energy sets that recapture the harmonic and melodic innovations of their formative years without significant stylistic deviation.[72]Key songwriting and production elements
The Turtles' songwriting often relied on external collaborators to craft their pop hits, with the duo of Garry Bonner and Alan Gordon providing several key tracks, including the band's signature No. 1 single "Happy Together" from 1967, as well as the follow-up hit "She'd Rather Be With Me."[21] Similarly, the songwriting team of P.F. Sloan and Steve Barri contributed "You Baby," a top-20 single from 1965 that helped establish the band's early chart presence with its upbeat, harmony-driven arrangement.[17] Internally, the band members played significant roles in shaping their sound, particularly through lead guitarist Al Nichol's detailed arrangements, which added baroque pop flourishes to tracks like "Rugs of Woods and Flowers" on the 1966 album You Baby, blending orchestral elements with rock instrumentation.[29] Vocalists Howard Kaylan and Mark Volman further defined the group's internal contributions with their signature harmonies, where Kaylan's steady lead vocals intertwined with Volman's soaring falsetto to create layered, ethereal textures.[73] Production choices evolved across the band's discography, starting with Joe Wissert's work on early albums like Happy Together (1967), where his clean, radio-friendly approach emphasized the group's vocal strengths and polished instrumentation to maximize commercial appeal.[74] For their 1969 swan-song album Turtle Soup, Ray Davies of the Kinks took over production—the only full album he helmed outside his own band—infusing a rawer, more introspective edge reminiscent of the Kinks' Village Green Preservation Society, with tracks like "House on the Hill" showcasing rustic guitar tones and narrative depth.[75] The band's harmonic style, characterized by falsetto leads from Volman and dual vocals between him and Kaylan, contributed to their "sunshine pop" texture, evoking buoyant, optimistic layers that contrasted the era's heavier rock trends, as heard in the isolated vocal tracks of "Happy Together."[73] This approach created a sense of joyful immediacy, with overlapping voices building emotional warmth without overpowering the melody.[60] Studio innovations were prominent on The Turtles Present the Battle of the Bands (1968), where multi-tracking techniques allowed the core lineup to simulate 12 fictional bands across diverse genres, from doo-wop to psychedelia, using overdubs and persona shifts to parody the competitive music scene of the time.[63] This conceptual experimentation highlighted the band's versatility and playful use of recording technology to expand beyond their standard sound.Legacy and impact
Cultural and commercial significance
The Turtles' signature hit "Happy Together," released in 1967, stands as an iconic anthem of the sunshine pop genre, capturing the optimistic spirit of mid-1960s American youth culture with its buoyant melody and harmonious vocals. The song topped the Billboard Hot 100 for three weeks and has since become a staple in popular media, appearing in episodes of The Simpsons, including romantic and comedic scenes that parody 1960s innocence.[76] Its enduring appeal lies in its simple, feel-good lyrics and arrangement, which evoke the era's countercultural innocence while achieving crossover success beyond rock audiences.[77] Commercially, the band amassed significant sales through their string of Top 40 singles, with "Happy Together" alone certified gold by the RIAA for over one million units sold in the U.S. Their catalog, including hits like "Elenore" and "You Showed Me," contributed to millions of records sold worldwide, cementing their role in the pop rock landscape and influencing the power pop genre's emphasis on catchy hooks and vocal interplay. Groups in the power pop revival drew from the Turtles' blend of melody and energy, as seen in later acts prioritizing tight harmonies and upbeat rhythms reminiscent of the band's 1960s output.[78][79] The band's cultural footprint extends through tributes and reinterpretations, including a cappella covers by The Nylons on their 1987 album Happy Together, which highlighted the song's vocal-centric appeal. In hip-hop, The Turtles' "You Showed Me" was sampled by De La Soul on their 1989 debut 3 Feet High and Rising, integrating the original's psychedelic riff into innovative production and bridging 1960s pop with 1980s rap. Nostalgia-driven tours, such as the long-running Happy Together Tour launched in 1984, continue to attract original 1960s audiences, featuring the band alongside peers like The Association and Mamas and the Papas. Despite this lasting popularity, The Turtles have not been inducted into the Rock & Roll Hall of Fame, remaining among the notable 1960s acts overlooked by the institution.[80][81][82][83] Their media presence further underscores their whimsical legacy, with the 1991 documentary The Turtles: Happy Together chronicles the band's rise, offering insights into their formation and hits through interviews and archival footage, reinforcing their status as pop culture touchstones.[84]Industry influence and tributes
The Turtles, through founding members Howard Kaylan and Mark Volman (later known as Flo & Eddie), played a pivotal role in shaping music industry practices around sampling and artist rights. In 1991, Kaylan and Volman filed a lawsuit against the hip-hop group De La Soul and their label Tommy Boy Records for unauthorized use of a sample from the Turtles' 1968 song "You Showed Me" in the track "Transmitting Live From Mars" on De La Soul's debut album 3 Feet High and Rising. The case, settled out of court in 1991 for a reported $1.7 million, resulted in the sample's removal from subsequent pressings of the album and established an early legal precedent for mandatory sample clearances in hip-hop and rap music, influencing stricter copyright enforcement in the sampling era. Following disputes with their original label White Whale Records over royalties and creative control during the late 1960s, Kaylan and Volman became vocal advocates for improved artist contracts and protections in the music business.[85] Their experiences with exploitative deals informed broader efforts, including high-profile lawsuits as Flo & Eddie against digital platforms for pre-1972 sound recordings, which lacked federal copyright protection at the time. In 2016, they secured a settlement with SiriusXM worth up to $99 million on behalf of affected artists, advancing royalty rights for classic recordings and prompting legislative changes like California's 2019 law extending protections.[86] The band's influence extended to posthumous tributes and industry models. The Turtles' signature hit "Happy Together" (1967) was inducted into the Grammy Hall of Fame in 2007, recognizing its enduring cultural impact.[87] Similarly, the Happy Together Tour, launched in 1984 and headlined by Flo & Eddie featuring other 1960s acts like The Association and The Grass Roots, has become a blueprint for successful package tours of legacy artists, running annually and grossing millions while revitalizing live performance economics for veteran musicians, with dates continuing through 2025 following Mark Volman's death on September 5, 2025.[70][3] Kaylan and Volman's vocal harmonies, a hallmark of the Turtles' sound blending folk-rock and pop, inspired subsequent harmony-focused groups in the Beach Boys tradition, such as The Association and later acts like America, emphasizing layered, upbeat vocal arrangements in 1970s soft rock.[24]Discography
Studio albums
The Turtles released five studio albums during their active period from 1965 to 1969, all on White Whale Records, marking their evolution from folk rock roots to polished pop and experimental sounds. These LPs captured the band's commercial peak amid the 1960s music scene, with increasing emphasis on original material and thematic innovation.[29] Their debut, It Ain't Me Babe, arrived in October 1965 and featured 12 tracks dominated by covers of folk and rock standards, including Bob Dylan's title song and Sonny & Cher's "Let the Good Times Roll," reflecting the band's early surf-to-folk transition. The album peaked at No. 98 on the Billboard 200, buoyed by the title single's Top 10 success but limited by its cover-heavy approach.[29][88] You Baby, issued in April 1966, signaled a shift toward original compositions penned largely by producers P.F. Sloan and Steve Barri, blending pop, R&B, and emerging counterculture vibes across 12 tracks like the title hit and "Outside Chance." Despite the single reaching No. 20 on the Billboard Hot 100, the LP failed to chart on the Billboard 200, underscoring the band's growing songwriting confidence amid modest sales.[29] The breakthrough Happy Together followed in April 1967 with 12 tracks, driven by the No. 1 title single and orchestral arrangements that infused sunshine pop with baroque flourishes, including follow-up hits like "She'd Rather Be with Me." This hit-centric album climbed to No. 25 on the Billboard 200, earning gold certification and solidifying the band's pop stardom.[29][89] In November 1968, The Turtles Present the Battle of the Bands introduced a playful parody concept, with the group posing as 11 fictional bands across 14 tracks in diverse styles, from doo-wop to psychedelia, highlighted by "Elenore." The innovative theme propelled it to No. 9 on the Billboard 200, the band's highest charting LP.[29] The final studio effort, Turtle Soup, emerged in October 1969 under Kinks producer Ray Davies, exploring psychedelic experimentation through 11 original tracks blending folk protest, sunshine pop, and sophisticated arrangements like "You Showed Me." It reached No. 117 on the Billboard 200 but marked the end of new material, as internal disputes halted further releases under the Turtles name post-1970.[29][28]Notable singles and compilations
The Turtles released more than 20 singles between 1965 and 1970, with several achieving top-10 status on the Billboard Hot 100 chart, establishing their commercial success in the pop rock genre.[90] Their debut hit, a cover of Bob Dylan's "It Ain't Me Babe," peaked at No. 8 in 1965, marking their transition from surf music to folk rock influences.[90] The band's signature song, "Happy Together," written by Garry Bonner and Alan Gordon, reached No. 1 in 1967 and became a defining sunshine pop anthem.[90] Other notable top-10 entries included "She'd Rather Be With Me" at No. 3 in 1967, "Elenore" at No. 6 in 1968, and "You Showed Me," a Byrds cover, at No. 6 in 1969.[90] The group's final single, "Lady-O" in 1970, failed to chart significantly amid their dissolution.[91] Post-breakup compilations played a key role in sustaining the band's legacy, repackaging their hits for new audiences through remixes and expanded track selections. The earliest major retrospective, Golden Hits (1967), compiled their initial successes and peaked at No. 7 on the Billboard 200, featuring remixed versions of early tracks like "It Ain't Me Babe" and "You Baby." More Golden Hits (1970) followed shortly after the band's split, reaching No. 146 on the Billboard 200 and including later material such as "Elenore" and "You Showed Me." Wooden Head (1970) collected unreleased tracks and B-sides, peaking at No. 191 on the Billboard 200. In the 1990s, The Turtles' Greatest Hits: Happy Together Again (1994) offered a collection tied to the band's reformation tours, emphasizing their enduring appeal.[92] Later compilations in the 2000s focused on definitive hits packages with digital reissues. The Very Best of the Turtles (2006), released by Rhino Records, curated 20 tracks including all major singles and charted modestly on digital sales lists, while subsequent streaming-era reissues on platforms like Spotify amplified accessibility to over 10 such retrospectives. These collections, totaling more than 10 releases, underscore the band's catalog value, with "Happy Together" alone appearing on nearly every one.[92]| Single | Release Year | Billboard Hot 100 Peak |
|---|---|---|
| It Ain't Me Babe | 1965 | 8[90] |
| Happy Together | 1967 | 1[90] |
| She'd Rather Be With Me | 1967 | 3[90] |
| Elenore | 1968 | 6[90] |
| You Showed Me | 1969 | 6[90] |