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WINS-FM (92.3 MHz) is a radio station licensed to New York, New York, and owned by Audacy, Inc. WINS-FM simulcasts all-news radio station WINS (AM) (1010 kHz),[3] with the station referred to on air as "1010 WINS at 92.3 FM". The station's studios are located in the Hudson Square neighborhood in Manhattan.

Key Information

WINS-FM is a class B station with an effective radiated power (ERP) of 6,000 watts. Its transmitter is located at the Empire State Building. WINS-FM also broadcasts in HD Radio.

Originally co-owned with WMCA, this station has featured a series of contemporary music, soft rock, classic rock, mellow rock, alternative rock and hot talk formats from 1975 to 2022. As the home of "Disco 92 WKTU", this station overtook WABC as New York's top-rated hit music station in the late 1970s.

In 1985, the station became "K-Rock". Howard Stern was hired, giving WXRK a ratings boost. "The Howard Stern Show" was later nationally syndicated from WXRK via owner Infinity Broadcasting Corporation. WXRK's format varied between different iterations of rock, including classic and alternative, until Stern's highly publicized departure for Sirius Satellite Radio forced a relaunch. In 2006, it became WFNY, the flagship station of CBS Radio's Free FM hot talk format. WFNY's failure resulted in the station reverting to rock in 2007 as WXRK with holdover morning hosts Opie and Anthony. In 2009, it again flipped to Top 40, first as "92.3 NOW", and then as "92.3 AMP Radio" WBMP in 2014. The day that CBS Radio's Reverse Morris Trust merger into Entercom closed in November 2017, WBMP was relaunched as alternative WNYL.

On October 27, 2022, the station switched to a full-time simulcast of WINS (1010 AM), and changed its call sign to WINS-FM.

History

[edit]

WMCA-FM and WHOM-FM (1948–1975)

[edit]

The station launched as WMCA-FM at 2:30 p.m. on December 25, 1948, transmitting from atop the Chanin Building. It operated daily between 3 and 9 pm, duplicating programming that originally aired on its AM counterpart, WMCA; both stations were co-owned by former New York state senator Nathan Straus Jr.[4] The FM station was not a profitable success, and in December 1949 officials announced the outlet would cease for economic reasons after sign-off on December 30. General manager Norman Boggs compared running the station to "having a champagne taste with a beer pocketbook."[5][6] The announcement attracted interest from a syndicate of buyers headed by Stanley Joseloff, president of Storecast Corporation of America, acquired the station for $7,500 in February 1950.[7][8][9]

In late 1950, the owners of WHOM acquired the station and WHOM-FM went on the air on February 26, 1951,[10] featuring a variety of formats, including ethnic, background music, classical, Spanish, and easy listening. By the early 1970s, WHOM-FM aired a Spanish-language easy listening format.

WKTU (1975–1985)

[edit]

Mellow 92/Disco 92

[edit]

In the early 1970s, WHOM and WHOM-FM were sold to SJR Communications.[11] On June 5, 1975, WHOM-FM became WKTU, taking on an adult contemporary format and was positioned as "soft rock". On air, they were known as "Mellow 92". They played current adult contemporary songs that crossed over to top 40 as well as a mix of music from 1964 forward. Core artists included Eagles, Stevie Wonder, Elton John, James Taylor, Paul Simon, Stylistics, Linda Ronstadt, Four Tops, Carly Simon, Barry Manilow, and some more contemporary cuts by Barbra Streisand. For 1960s music, the station played softer songs from the Beatles, Mamas & Papas, Spanky and Our Gang, the Association, the 5th Dimension, among others. The station steered clear of adult contemporary-only songs and standards vocalists as well as hard rock or uptempo R&B. Eventually, the station evolved, re-positioned itself as mellow rock, dropped artists like the Carpenters and most R&B product and added some softer songs from AOR artists. Unlike today's adult contemporary music formats, WKTU, by early 1978, was only playing artists heard on album-oriented rock stations, using the softer songs from their popular albums. Artists found primarily on top 40 stations were no longer included. WKTU was still called "Mellow 92" at that point. Ratings were relatively low.

Meanwhile, station executive David Rapaport (father of actor Michael Rapaport) visited New York's Studio 54 nightclub on half a dozen occasions, and was very impressed with the crowds there. He got the idea that a disco-based station was needed, as several FM-based top 40 stations were leaning disco in other markets, although no one was airing all disco music around the clock. As a result, Rapaport purchased 200 disco records and brought them into the station. WKTU abruptly flipped to a disco-based rhythmic top 40 format with the tagline "Disco 92" at 6 pm on July 24, 1978. The same disc jockeys from the mellow format were at first kept on, with Paco (full name Paco Navarro) from Spanish language sister station 1480 WJIT added for evenings. That fall, the station rose from "Worst to First", unseating long-time leader WABC in the 18−30 age demographic. Air personalities of this era included Kenn Hayes, Randy Place, Paul Robinson, Trip Reeb, Mary Thomas, Dave Mallow and Joe Guarisco. During the height of the disco craze, WKTU was the station to follow in New York.

Initially, WKTU played mostly dance/disco and a few rhythm-friendly pop and rock songs (such as "Miss You" by The Rolling Stones for example), but by 1979, the station began to add more R&B music (though they played some at the launch in 1978 as well) as well as rhythm friendly new wave rock. By then, WKTU was still regarded as a disco station, but could be more accurately described as rhythmic contemporary. Since that term was not yet used, the station had been classified as urban contemporary. During this period, the disc jockeys included Paco, G. Keith Alexander, Rosko (William Mercer), J.D. Holiday (Paul Zarcone), Dale Reeves, Bob Bottone, Jim Harlan, Carlos DeJesus, Joe Causi, Guy Broady, Jay Thomas, Freddie Colon, Don Geronimo, Al Bandiero and Diane Pryor. Paco later went to jail for drug dealing.[12]

92KTU (1981–1985)

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In 1981, SJR Communications sold WKTU to Infinity Broadcasting (which merged with CBS Radio in 1997). Also that year, WKTU added more dance-based new wave to the format. WKTU remained among the top ten New York City radio stations through 1983. Shortly thereafter, WKTU received new competition from WHTZ and WPLJ, both of which adapted a contemporary hit radio (CHR) format. The station maintained respectable but declining ratings, due to the new competition.

By mid-1984, WKTU moved to a mainstream CHR format as well, giving up its disco past, but the ratings continued to decline.[13] That fall, the station added legendary WABC host Dan Ingram to afternoons, and Jo "The Madame" Maeder, from Miami's Y-100, joined Jay Thomas in the morning and did her own midday show, but the station continued to struggle in the ratings. To make matters worse, then-named WAPP also went CHR that fall.

So strong was the memory of the late-1970s WKTU that despite all the subsequent on-air changes, the general public still regarded it as a disco station. Even though WAPP moved back to playing mostly rock music in the form of a rock-based CHR in June 1985, giving WKTU one less competitor, the station management thought a more drastic change was needed. Since New York City only had one full-time rock station with WNEW-FM, there was an opportunity.

WXRK (1985–2005)

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92.3 K-Rock

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On July 13, 1985, at midnight, on the same day WKTU aired the historic Live Aid concert, the station switched to an album-oriented rock format, adopted the moniker "K-Rock", and changed their call letters to WXRK.[14] (The WKTU call letters later reappeared on New York City's 103.5 FM with a dance pop format in 1996.)

Initially, the format at WXRK was similar to the pre-1983 WPLJ, as the air personalities left the station gradually in the next several months (exceptions were Maria Malito and Jo Maeder, who became known as "The Rock and Roll Madame"). Jimmy Fink from WPLJ was one of the first new radio personalities to be hired. After being fired from WNBC in October 1985, Howard Stern signed on to do afternoons, and initially combined music with talk, but on February 18, 1986, Stern took over the morning slot. His morning show became the highest-rated in the market, dethroning Don Imus, who previously had the highest-rated morning show for several years on WNBC. Later that year, Stern's show became syndicated, with WXRK as its flagship station.

By 1987, Stern stopped playing music on his show altogether, while the station changed to a classic rock format at 6 p.m. on June 5 of that same year.[15] The airstaff, which included Flo & Eddie from classic rock band The Turtles, became full of veterans from other New York rock stations, including Dave Herman, Pete Fornatale, Meg Griffin, Vin Scelsa, and Alison Steele from WNEW-FM, along with Jimmy Fink, Tony Pigg, Marc Coppola, and John Zacherle from WPLJ. In 1993, The Greaseman's syndicated show was put in the nighttime slot, bookending Stern with an act that was often quite controversial.

By the mid-1990s, modern rock had become popular. In mid-1993, in New York City radio, WHTZ began to play a lot of modern rock despite primarily being a CHR station. Late in 1993, classical music station WNCN switched formats and became WAXQ ("Q 104.3"), with a mix of hard and modern rock. Moreover, WNEW-FM switched to a modern rock format in the summer of 1995, and later evolved to first an adult-based modern rock format by the end of that year, and then to a more eclectic adult rock mix by 1996. Nevertheless, by the beginning of 1996, there was no full-time modern rock station in New York City.

To fill the void, WXRK switched to an alternative-leaning active rock format on January 5, 1996, right after Stern's show. To kick off the new format, which he enthusiastically endorsed as a better fit for his audience, Stern stayed on the air until 1:06 p.m. that day playing music. The first song Stern played was Marilyn Manson's cover of "Sweet Dreams (Are Made of This)".[16][17] Most of the classic rock DJs, including Jimmy Fink, Tony Pigg and Marc Coppola, disappeared from the station with this change, as did The Greaseman. By August 1997, the station added more music that suited an active rock station and removed pop-leaning alternative product (which they played very little of anyway), and it continued this format of a hybrid active rock/alternative for several years.

By 2003, with a new program director, the station dropped the active rock variant of music. No matter what the format, the longtime problem for the station was that while Stern always had very high ratings, the rest of the station did not fare as well. Moreover, it was hard to classify "K-Rock" an alternative station (considering classic rock acts like Led Zeppelin were being played), while it was hard to label it as active rock due to the inclusion of some, but not all, alternative artists.

Concerned about Stern's move to Sirius Satellite Radio at the beginning of 2006, and acknowledging that its target audience was looking elsewhere for modern rock music, WXRK made another format adjustment on April 4, 2005, to a mainstream rock format, which relied heavily on classic rock from artists such as Guns N' Roses, Metallica, The Smashing Pumpkins, and Nirvana, while playing new music from such established artists as System of a Down, Nine Inch Nails, Green Day and Weezer. At this time, New York City was one of the few large cities in the United States without an alternative rock station. To prevent any backlash from fans of modern rock, an Internet-only radio station called "K-Rock2" was launched at the same time as the format adjustment.[18] The strategy did not work, as ratings did not improve much.

On October 25, 2005, as a result of the imminent departure of Howard Stern to Sirius Satellite Radio, Infinity announced that WXRK would adopt a Hot talk format on January 3, 2006.[19]

At 10 a.m. on Friday, December 16, after the last terrestrial Howard Stern show, "K-Rock" began a 20-minute stunt with a melange of audio sound bites, music and program line-up announcements. At 10:20, K-Rock DJ Julie Slater announced "Welcome to Free FM", and went into music.

WFNY-FM (2006–2007)

[edit]

92.3 Free-FM

[edit]

The WXRK call letters were replaced by WFNY-FM (standing for "Free New York") on January 1, 2006, with the official "Free FM" launch two days later at 6 am.[20] The station, which was one of several CBS Radio stations around the nation branded as "Free FM", featured rock singer David Lee Roth as its morning show host. Other talk shows from hosts such as The Dog House with JV & Elvis, Penn Jillette, Leslie Gold, Chris Booker, and Jake Fogelnest & Jackie Clarke aired weekdays, while an active rock music format continued to be played on weekends, called "Free Rock Weekends."

Simultaneously, the WXRK call sign moved to the former WXTM in Cleveland, also owned by Infinity/CBS Radio, and coincidentally at the same 92.3 frequency, and was rebranded as "92.3 K-Rock."

WFNY's ratings plummeted with the change to an all-talk format. As the replacement for Howard Stern, Roth lost nearly three-quarters of Stern's previous audience, dropping a 7.9 share to a 1.8. Among the core audience—18- to 34-year-old men—the numbers fell from 13.8 to 1.3. Overall station ratings went from 3.2 in Summer/Fall of 2005 to 2.7 in Winter of 2006, and later to a 2.0, leaving it in 20th place in the New York market.

After moving from afternoon drive to evenings, on April 25, 2006, Chris Booker, host of The Booker Show, announced that he was broadcasting his last show on Free FM. He soon moved over the morning show at WIOQ in Philadelphia. The abrupt end of his show, which had evolved to afternoon drive before the format switch, led the station to revert to "Free Rock" music at nights.

The following day, on April 26, 2006, Opie and Anthony replaced David Lee Roth in morning drive on Free FM, while simulcasting on XM Satellite Radio. The show aired from 6–9 a.m. on both terrestrial and satellite radio, then continued on XM exclusively to 11 am. CBS would syndicate the show to several stations around the U.S., with WFNY/WXRK as its flagship.

By spring 2007, Opie and Anthony managed to slightly improve WFNY-FM's ratings to a 1.4. However, this performance left the radio station ranked No. 22 of 25 in the New York City market.[21]

Weekends continued to use the "Free Rock Weekend" format, which included hour-long "Freecasts" in which a single listener chose the (approximately 15) songs played during the hour. The listener also acted as guest DJ over the phone during that time.

The station was also used as a secondary broadcaster of sister station WFAN, serving as a secondary outlet for NFL football games, New Jersey Devils hockey games and New Jersey Nets basketball games when there was a conflict with another game on WFAN.

After Jim Cramer's Real Money went off the air in December 2006, WFNY-FM was left with just four talk shows (one from syndication). As a result, the station attempted to revamp its lineup with the addition of several new talk shows, the first of which occurred on December 20, 2006. Ron and Fez, who also had a show on XM, signed an agreement to broadcast a Free FM-exclusive radio show from 6 p.m. to 9 pm. Ron and Fez had previously been employed by CBS at WNEW-FM shortly after that station switched to Hot talk in 1999.

Additional new shows soon followed. On December 28, 2006, John and Jeff started being broadcast from syndication out of sister station KLSX in Los Angeles, broadcasting live from 2 a.m. to 6 am. On January 2, 2007, Larry Wachs, who was half of The Regular Guys morning show on WKLS-FM in Atlanta, began hosting the 10 p.m. to Midnight slot on the station for two weeks. That same day, Nick DiPaolo became host of the 12 p.m. to 3 p.m. time slot. He had done some preview shows the previous week. Beginning January 3, Loveline with Dr. Drew Pinsky & Stryker aired in late nights, tape delayed, from Midnight to 2 a.m.

Danni was Free FM's music director and was still a Free Rock disc jockey. She has been heard doing DJ shifts on co-owned Fresh 102.7 as well. "Free Rock Weekends" aired from 6 am. Saturday – Midnight Sunday, and 6 am. Sunday – 2 a.m. Monday. Game Show Radio ran Midnight–2 a.m. on Sundays, while infomercials ran from 2 a.m.–6 a.m. Sunday.

Free FM was using guest hosts for the 10 p.m. to midnight time slot. March 2, 2007, was the last day for the Penn Jillette show on "Free FM" and CBS Radio stations. The following Monday, WFNY-FM expanded the guest host time slot by an hour, making it 9 p.m. to midnight.

In April 2007, during an interview with a local band, A Brief Smile, on The Dog House, hosts JV and Elvis directed numerous homophobic insults at the band's bassist. The hosts referred to the bassist as "Fag Number 1" and asked, "How many badges of honor do you have in your colon?" and kicked him out of the studio. After playing a song by the band the hosts also called the bass part "a little faggy." The bass player returned to the studio, stated he was bisexual and that he found their use of the word "faggot" offensive. Gay rights groups such as GLAAD criticized the show as being homophobic for their remarks.[22]

JV and Elvis were later suspended on April 30, over a six-minute prank phone call peppered with ethnic and sexual slurs to a Chinese restaurant, after numerous Chinese American advocacy groups complained to CBS demanding the hosts be fired.[23]

Beginning May 7, Free FM started using guest hosts 9 a.m. to noon to replace The Dog House. On May 12, 2007, AP News reported that CBS Radio spokeswoman Karen Mateo said, "The Dog House with JV and Elvis will no longer be broadcast [on Free-FM]." CBS fired JV and Elvis as well as the producer of The Dog House, after numerous complaints were received from various civil rights groups.

On May 15, 2007, XM Satellite Radio suspended the Opie and Anthony Show for 30 days because of comments made by a homeless man about raping Secretary of State Condoleezza Rice and First Lady Laura Bush made on an uncensored May 9 broadcast. Their suspension was effective immediately. During this time, CBS Radio kept the show on from 6 a.m. to 9 am. However, it was not simulcast on XM.

Re-launch for WXRK (2007–2009)

[edit]

K-Rock returns

[edit]

At 9 a.m. on May 24, 2007, after Opie and Anthony, an eight-hour countdown clock began on the former Free FM website, while WFNY-FM began stunting with a sound collage. The stunting came to an end at 4:57 p.m. with a statement from general manager Tom Chiusano, who apologized to listeners for taking K-Rock away. Minutes later, at 5 pm, K-Rock was relaunched on 92.3 FM, playing an alternative rock format with a playlist focused on rock from the 1990s and 2000s, along with heavy classic rock.[24] The first song on the resurrected K-Rock was "All Apologies" by Nirvana, while the first host on air was Gregg "Opie" Hughes of Opie and Anthony, who confirmed that the show would still be on the station under its new format.[25]

The station reverted to its previous call letters, WXRK, on May 31, 2007. The previous WXRK (92.3 K-Rock in Cleveland, also owned by CBS Radio) received the callsign WKRI. The Cleveland station is now WKRK-FM.

Initially, WXRK had no on-air staff, although on Mondays it featured a Hostile Takeover show where guest(s) sat in as the DJ. The station also had contests which begun after Opie and Anthony.

On February 8, 2008, it was announced that program director Tracy Cloherty was among the many non-programming staffers let go by CBS Radio, in an attempt to "more effectively monetize the aggregate number of listeners who hear us on the radio and the Internet."[26] The advent of WRXP caused[according to whom?] WXRK to morph to active rock at that time.

In December 2008, as a result of another change in the station's management, WXRK made an adjustment to a mainstream rock format focusing more on classic rock and playing even less current rock songs. With the format adjustment, Paul Turner, who was the voice of the Howard Stern Show and K-Rock when it was a classic rock station in the 1990s, returned as voice of the station's promos.

As a result of the format shift, on December 16, 2008, FMQB announced that afternoon jock Ian Camfield had left K-Rock to go back to XFM in London. K-Rock vet Chris Booker took his place, airing in afternoon drive from 2 to 7 p.m.

Due to low ratings, the final terrestrial airing of the Opie and Anthony show aired on March 9, 2009.

92.3 Now (2009–2014)

[edit]

At 4:45 p.m. on March 11, 2009, after playing a block of goodbye-themed or departure themed songs, ending with Nirvana's "All Apologies" (a near-bookend to the format's 2007 relaunch) and "Right Now" by Van Halen, WXRK began stunting with the sound of a ticking clock. At 4:55 pm, the station announced that K-Rock was moving to 92.3 HD2, and after an introductory package, officially flipped to a rhythmic-leaning CHR format, branded as 92.3 Now.[27] The first song on Now was "Boom Boom Pow" by The Black Eyed Peas.[28][29][30] Nick Cannon was morning host on the station from January 2010 to February 2012.[31][32]

By July 2012, major directional changes were made with a shift to a more mainstream Top 40 format. The station also added Ty Bentli for mornings. This would eventually become known as "Ty Loves NY."

On November 8, 2012, a full 3+1⁄2 years after the launch of the Top 40/CHR format, the station changed call letters to WNOW-FM to match the Now moniker.[33] This was made possible by a format and call-letter change at the former WNOW-FM in Gaffney, South Carolina.

Howard Stern returns

[edit]

On January 17, 2012, Howard Stern made a live appearance on WXRK for the first time in over six years. Stern was a guest on the Nick Cannon morning show, via telephone, at the same time as Cannon was guesting on Stern's SiriusXM Satellite Radio show.[34]

Hurricane Sandy

[edit]

As a result of damage suffered to WINS's transmitter during Hurricane Sandy, WINS made its first appearance on 92.3 broadcasting on the frequency for two days. Although its transmitters were restored, WINS's transmitters were on low power for at least a day. The simulcast ended at 10 a.m. on October 31, 2012, when WINS's transmitter went back to full power.[35][36]

92.3 AMP Radio (2014–2017)

[edit]
Logo of 92.3 AMP Radio
Logo of 92.3 AMP Radio

Following the station's flip in 2009, WXRK/WNOW would typically hold only a 2 share of the New York market as compared to WHTZ, which usually has a 7 share of the market. In addition, WXRK/WNOW had a constant turnover of program directors and airstaff, including the sudden releasing of all the then-current airstaff (with the exception of midday host Niko and evening host Toro) on May 21, 2014, as rumors of a complete rehauling of WNOW's format abounded. The following day at 2 pm, after stunting by giving away $1,000 to callers every 9 minutes for 2 hours, WNOW-FM relaunched as 92.3 AMP Radio under veteran PD Rick Thomas, launching with commercial-free weekends until Labor Day weekend. The final song on "Now" was "Lose Yourself" by Eminem, while the first song on "AMP" was "Summer" by Calvin Harris.[37][38] On June 23, 2014, WNOW-FM changed its call letters to WBMP to match the "AMP" branding (unlike Los Angeles sister station KAMP-FM, the WAMP call letters are held by an American Family Radio religious talk radio station in Jackson, Tennessee, and the network's conservative foundational owner was unlikely to give them to a commercial operation). Concurrently, the WNOW-FM call letters were transferred to WNOU in Indianapolis. After the rebrand, the station's ratings improved significantly. On January 22, 2015, WBMP launched a new morning show titled Shoboy in the Morning with Edgar "Shoboy" Sotelo, Micho Rizzo (both of whom were once part of sister station KMVK in Dallas) and Nina Hajian from then-sister station KZZO in Sacramento.[39]

Alt 92.3 (2017–2022)

[edit]
Logo as "Alt 92.3" (2017–2022), now available on the HD2 subchannel.

On February 2, 2017, CBS Radio announced it would merge with Entercom (now Audacy).[40] The merger was approved on November 9, 2017, and was completed on November 17.[41][42] On November 17, at 10 am, after playing "Too Good at Goodbyes" by Sam Smith and "Encore" by Brooklyn native Jay-Z, WBMP flipped back to alternative as Alt 92.3, launching with "My Hero" by the Foo Fighters. The switch marked the return of the format to the market for the first time since 2012, when WRXP switched to a simulcast of WFAN as WFAN-FM after its sale to CBS. A sister "AMP" station in Dallas, KVIL, also flipped to alternative with a similar brand the same day.[43][44][45] On June 12, 2018, the call letters were changed to WNYL to match their format.[1][46]

On September 13, 2020, WNYL became the primary station of Entercom's alternative stations across the United States, with its programming airing on most of those stations and local staffs being let go.[47][48][49]

The station's morning team of "Cane and Corey" (which also aired nationwide through several stations) was terminated in mid-December 2021 for dishonesty involving profanity going out over the airwaves, non-compliance with COVID-19 vaccine rules, and launching a Patreon and Spotify podcast without notifying Audacy (which has its own podcast platform and holds contractual exclusivity for any podcasts from its employees); the hosts also told that unauthorized podcast audience that a flip to an FM simulcast of WINS was being considered by local management if ratings did not improve (Audacy had done so for most of its all-news stations, the previous being KNOU in Los Angeles becoming KNX-FM days before).[50] On April 11, 2022, WNYL became the New York City affiliate for the Washington, D.C.–based Elliot in the Morning.[51]

WINS simulcast (since 2022)

[edit]

On October 10, 2022, Audacy officially announced it would flip WNYL to a simulcast of WINS beginning on October 27 at 9 a.m. (while concurrently reaching an agreement with the SAG-AFTRA union to begin combining the staffs of WINS and WCBS). The "Alt" format would continue through the station's HD2 subchannel and Audacy stream.[52][53]

Beginning on October 20, WNYL paid tribute to the run of "Alt", as well as the history of the rock format on the frequency, running music with a specific focus of one hourly-changed year of the format (ironically focusing on music that, while playing under the run of the "Alt" format, may not have played on the 92.3 frequency itself in that span, as the rock format was focused on progressive and album rock for most of its run; nevertheless, the DJs would still refer to the station as "K-Rock" besides the regular brand as a further nod). The station signed off the "Alt" format with a special 3-hour goodbye show with many former station staffers visiting or calling in to the station and paying tribute to the format. The "Alt" format officially signed off with "New York, I Love You But You're Bringing Me Down" by the Brooklyn-based band LCD Soundsystem. Following a 10-minute transition period, the simulcast formally launched at 9 am.[54] Concurrently, Audacy applied for the WINS-FM call letters for the station; the call sign change took effect on October 27.[55][56][57][58]

"K-Rock2" and HD radio operations

[edit]

As part of the K-Rock format change on April 4, 2005, from alternative rock to mainstream rock, "K-Rock2", a new Internet-only radio station, was created. Throughout the Free FM period and during the resurrection of K-Rock, "K-Rock2" continued to stream on krock2.com. Following the main channel's format change to "Now" on March 11, 2009, the HD2 channel became known as simply "K-Rock", but retained the alternative rock format. "K-Rock HD2", at one point had a full-time air staff, including a local music show, but later ran completely automated.

Starting shortly after 2 a.m. on October 6, 2008, the "K-Rock2" audio stream was added to WXRK-HD2. A few minutes earlier, a simulcast of sister station WFAN was added to WXRK-HD3. 92.3-HD3 was initially using the delayed audio feed from wfan.com complete with internet only commercials and not the over the air broadcast feed used by WFAN on 660 AM. After a day or so, WXRK-HD3 switched to the over the air feed of WFAN, but still had a time delay of over a minute. The HD3 was dropped altogether when WFAN began simulcasting on 101.9 FM on November 2, 2012.[59] In December 2015, WBMP added Radio Disney to their HD3 channel under a time brokerage agreement,[60] marking the return of the radio network to New York since Radio Disney's owned-and-operated WQEW (now WFME) was sold to Family Radio in February of that year. The Radio Disney feed would be discontinued in June 2018 after the agreement between Disney and Entercom, which inherited the agreement from CBS, expired.[61][62] After the analog/HD1 channel's flip back to alternative in November 2017, the HD2 channel changed to a simulcast of sister station WNEW-FM. In October 2018, the HD2 channel flipped to new alternative as "New Arrivals". In October 2022, the HD2 channel adopted the alternative format and the "Alt 92.3" moniker from the former analog/HD1 signal.

In February 2019, Audacy's Channel Q, an LGBTQ-centric talk/dance network, was launched on its third subchannel.[63]

On March 1, 2024, it was announced that WINS-FM-HD2 would be the new home for Spanish language broadcasts of the New York Mets.[64]

On September 16, 2024, WINS-HD3 began carrying Scott Shannon's True Oldies Channel without any local variation. [65] The subchannel had previously carried Audacy's LGBTQ music service, "Channel Q." That service is now heard on co-owned 102.7 WNEW-FM-HD2.

See also

[edit]
  • WKTU: the "new" WKTU started in 1996 on 103.5 MHz.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

WINS-FM

View on Grokipedia
from Grokipedia
WINS-FM (92.3 MHz) is a radio station licensed to New York City and owned by Audacy, Inc., that broadcasts an all-news format as a simulcast of its sister station WINS (1010 AM). The station adopted its current call letters and programming on October 27, 2022, replacing the prior alternative rock format branded as Alt 92.3. This change extended the reach of WINS's pioneering 24-hour news service, which originated on the AM band in April 1965 as the world's first all-news radio station. Prior to the simulcast, WINS-FM had cycled through various music formats over decades, including as in the late 1970s and as K-Rock in the 1980s, but its adoption of the all-news relay solidified its role in serving the with continuous coverage of local, national, and international news, , , and . Following the discontinuation of the all-news format on WCBS-AM in August , WINS-FM emerged as the market's primary all-news outlet on the FM dial.

History

1948–1975: Origins as WMCA-FM and WHOM-FM

The 92.3 MHz frequency in signed on as WMCA-FM on December 27, 1948, operating as a to WMCA ( AM). Initially, it broadcast limited hours daily, typically from 3 to 9 p.m., simulcasting programming from the AM counterpart to promote FM adoption amid low listener interest and advertising revenue. This duplication reflected the era's FM challenges, where stations often served as extensions of established AM signals rather than independent outlets. FM's unprofitability prompted WMCA to sell the station in late 1950 to Progress Broadcasting Corporation, owners of WHOM (1480 AM), a station known for ethnic and foreign-language programming. Progress Broadcasting, linked to the Italian-language newspaper Il Progresso Italo-Americano, had acquired WHOM in 1946 for $450,000 to expand its reach in New York's immigrant communities. The transaction aligned with FCC approvals for FM ownership transfers, enabling Progress to consolidate operations. WHOM-FM launched on February 26, 1951, shifting from simulcasting to more autonomous programming, including and middle-of-the-road formats suited to FM's growing but niche audience. The station maintained ties to WHOM-AM's diverse ethnic focus, incorporating Italian and other language content alongside standard broadcasts, though specific records from the period are scarce. By the mid-1960s, as FM gained traction for and high-fidelity music, WHOM-FM emphasized selections, operating full-time with power increases to 17 kW to cover the metropolitan area. This era marked the station's transition from experimental FM adjunct to a viable standalone entity, culminating in its sale in 1975 amid format shifts in competitive New York radio.

1975–1985: WKTU – Disco Dominance and Transition to Adult Contemporary

In June 1975, the station adopted the call letters and launched an adult contemporary format branded as "Mellow 92," featuring and tracks aimed at a mellow audience. This shift followed its acquisition by SJR Communications in the early 1970s, repositioning it from prior programming to compete in New York's FM market. On July 24, 1978, at 6:00 p.m., WKTU abruptly transitioned to an all-disco format under the "Disco 92" branding, capitalizing on the genre's peak popularity with continuous play of uptempo dance tracks, extended mixes, and club-oriented hits from artists like the Bee Gees, Donna Summer, and Chic. The change, driven by consultant Mike Joseph, propelled the station to unprecedented success, capturing an 11+ Arbitron share by late 1978 and surpassing AM Top 40 powerhouse WABC as New York's leading hit music outlet, with peak 12+ ratings exceeding 10 in subsequent books. Key on-air talent included morning host Jay Thomas, afternoon driver Paco, and overnight mixer Hollywood Hamilton, who emphasized high-energy mixing and event tie-ins like studio parties and club promotions to build a fervent dance music listener base. Disco's national backlash, epitomized by the 1979 in , eroded the format's viability by the early , prompting to gradually incorporate rhythmic pop and early dance crossovers while retaining core elements to stem ratings erosion from highs of 9-11 shares to the mid-single digits. Ownership changes, including a 1982 sale to , influenced programming tweaks toward broader appeal, but the station clung to its dance identity amid genre fatigue. Facing persistent declines, experimented with a brief mainstream Top 40 pivot in early 1985 under program director Sunny Joe White, blending current hits with residual tracks in an attempt to evolve toward a more contemporary, adult-oriented sound amid the format's waning dominance. This transitional phase ended abruptly on July 13, 1985, at midnight—immediately following the broadcast—when the station flipped to as WXRK, marking the definitive close of its era after seven years of format leadership.

1985–2005: WXRK – The K-Rock Era

On July 13, 1985, following the conclusion of WKTU's programming, the station relaunched as WXRK with an (AOR) format under the "K-Rock" branding, aiming to compete with established rock outlets like . The initial lineup drew talent from competitors, including disc jockeys such as Jo Maeder (known on-air as the "Rock and Roll Madame"), who hosted from launch through November 1991. In November 1985, debuted in afternoon drive, marking a pivotal shift that boosted ratings and established WXRK as a hub for provocative integrated with . Stern's program, which evolved to exclude music entirely by 1987, became nationally syndicated starting in 1986, reaching up to 60 markets and drawing an estimated 20 million weekly listeners by the late 1990s. By mid-1987, the station refined its playlist toward a emphasis, focusing on established artists from the and while retaining AOR elements, a move that aligned with Stern's growing influence and the broader trend of formats gaining traction. The format held steady through the early 1990s, featuring personalities recruited from WNEW-FM such as Dave Herman, Alison Steele, and Pete Fornatale, who contributed to weekend and specialty programming. However, by January 5, 1996, WXRK pivoted to a modern rock and alternative-leaning active rock hybrid to attract younger listeners, replacing much of the classic rock library with contemporary acts and hiring a new on-air staff post-Stern's morning slot. This adjustment positioned K-Rock as New York's primary outlet for emerging alternative music amid a national surge in the genre, though it faced criticism for diluting its heritage. Throughout the era, WXRK's success hinged on Stern's dominance in mornings, which often overshadowed music programming and drew FCC fines for content deemed indecent, totaling millions by the early 2000s. The station maintained competitive Arbitron ratings in the New York market, particularly among males 18-34, but internal format tweaks in the late 1990s and early —further emphasizing —reflected ongoing efforts to balance Stern's talk-heavy appeal with musical relevance. Stern's December 2005 departure to signaled the end of the K-Rock identity, paving the way for a post-2005 overhaul.

2006–2007: WFNY-FM – The Free FM Experiment

On January 3, 2006, at 6:00 a.m., CBS Radio changed the call letters of WXRK (92.3 FM) to WFNY-FM and launched the "92.3 Free FM" hot talk format as part of a broader network experiment to capture the young male demographic vacated by Howard Stern's departure to . The initiative, branded "Free FM," aimed to deliver edgy, uncensored talk programming without commercial interruptions during shows, positioning it as a cost-effective alternative to Stern's high-syndication fees. WFNY served as a flagship for the format, which rolled out on multiple stations nationwide, emphasizing syndicated and local personalities to drive revenue through male-targeted advertising. The initial morning drive lineup featured the syndicated David Lee Roth Show, which debuted nationally on WFNY and other Free FM outlets but ended after 16 weeks on April 21, 2006, due to poor listener engagement and Roth's admission of discomfort with the format's demands. Opie & Anthony, a controversial duo previously affiliated with CBS, returned to the network on April 26, 2006, originating from WFNY's New York studios and simulcast on XM Satellite Radio for uncensored content. Mid-mornings were held by the local Doghouse with JV & Elvis, known for provocative stunts that occasionally led to suspensions, such as a May 2007 incident involving on-air antics. The remainder of the schedule included syndicated programs like Rover's Morning Glory (relocated from other markets) and attempts at local fills, but the lineup struggled with consistency amid high turnover. Despite the aggressive programming, WFNY-FM underperformed in Arbitron ratings throughout 2006 and into 2007, failing to convert rock listeners or attract former audience amid competition from established AM talk outlets and emerging options. Advertiser hesitancy toward the format's shock-value content limited revenue, exacerbating financial pressures on , which cited unprofitability as the primary driver for abandonment. On May 24, 2007, the station announced the format's end, stunting with audio clips until 5:00 p.m. the next day, when it reverted to rock programming under restored WXRK calls, launching with Nirvana's "." The Free FM experiment at WFNY highlighted challenges in replicating appeal through edgier talk on FM, ultimately deeming the model unsustainable in a market saturated with alternatives.

2007–2009: Temporary Revival of WXRK

On May 25, 2007, terminated the WFNY "Free FM" hot talk format on 92.3 FM and reinstated the WXRK call sign along with the "K-Rock" branding, marking a return to rock programming after less than a year of talk. The switch followed an eight-hour that began at 9 a.m. on May 24 after the final morning show under the talk format, with the relaunch occurring at 5 p.m. the next day. cited the talk experiment's lack of profitability as the primary reason for the reversal, noting that rock had historically drawn stronger advertising revenue on the frequency. The revived format retained the Opie and Anthony show in mornings from 6 to 9 a.m. as a bridge from Free FM, while plans called for hiring a new program director and air staff to rebuild the lineup. Departing from the original K-Rock's emphasis on and emerging artists during its 1985–2005 run, the 2007 version pivoted toward a playlist heavy on '90s alternative rock and staples, aiming to recapture a broader adult audience amid declining interest in new alternative music. This iteration of K-Rock operated until March 10, 2009, when low ratings and intensifying competition from Top 40 stations prompted to reformat it as hits under the "92.3 NOW FM" branding, effectively ending the rock revival. The show aired its final broadcast on WXRK that morning, extending an hour beyond its usual slot to address the change before shifting to . By late 2008, the station had added personalities like afternoon host in January 2009, but these adjustments failed to reverse the format's audience erosion in New York's fragmented rock market.

2009–2014: 92.3 NOW FM – Top 40 and Rhythmic CHR

On March 11, 2009, at 5:00 p.m. ET, replaced the format of WXRK "K-Rock" with a rhythmic-leaning (CHR) format branded as "92.3 NOW FM," targeting competition with "Z100" through a of current pop, hip-hop, and rhythmic tracks. The transition concluded K-Rock programming with "Right Now" by , followed immediately by the debut of the new format's hits from artists including , , and . The station retained the WXRK call letters initially while emphasizing rhythmic pop and urban-leaning , though it faced challenges in capturing significant amid established rivals. By mid-2010, after approximately 18 months on air, "92.3 NOW" achieved a 3.1 share in the New York market (ranking #14 among adults 25-54), marking an improvement from earlier sub-2.0 performances but still trailing leaders like Z100. In late , the format evolved toward greater emphasis on EDM-driven and rhythmic pop currents, coinciding with a change to WNOW on November 8. Programming included syndicated elements and local talent, such as Nick Cannon's addition to mornings in December 2009, though the station maintained a focus on high-energy Top 40 rotations without dominating the competitive CHR landscape. Throughout the period, "92.3 NOW" hovered around a 2.0-3.0 share in Arbitron PPM ratings for the 12+ demo, reflecting modest gains but persistent struggles against top competitors, which prompted to reposition the frequency. In 2014, the station rebranded as "92.3 AMP Radio" under new WBMP calls, shifting toward a hotter contemporary mix to broaden appeal beyond rhythmic CHR.

2014–2017: AMP Radio – Hot Adult Contemporary

On May 22, 2014, at 2:00 p.m., following a stunt playing "Lose Yourself" by Eminem, the station—previously branded as "92.3 NOW" with a rhythmic contemporary hit radio (CHR) format—relaunched as "92.3 AMP Radio," maintaining a CHR focus on mainstream pop, dance, and hip-hop crossover hits while refreshing its on-air imaging and playlist. The rebranding introduced commercial-free weekends to attract listeners. On June 23, 2014, the callsign changed from WNOW-FM to WBMP to align with the "AMP" moniker, under the ownership of CBS Radio. In September 2014, "92.3 AMP Radio" debuted a revamped weekday lineup, with Edgar "Shoboy" Sotelo hosting mornings, in middays (10:00 a.m.–3:00 p.m.), Astra in afternoon drive (3:00–7:00 p.m.), and Toro handling evenings (7:00–11:00 p.m.). This programming emphasized high-energy presentations of current top-40 tracks, competing directly with iHeartMedia's (Z100). The station targeted a younger demographic with hits from artists like , , and , though specific playlist data from this period highlights a shift toward broader pop appeal compared to its prior rhythmic leanings. Throughout 2014–2017, "92.3 AMP Radio" experienced stable but unremarkable market performance, facing stiff competition in New York's crowded CHR landscape. By October 2017, it ranked 20th in the PPM ratings among persons 12+ Monday–Sunday 6 a.m.–midnight, posting a 2.0 audience share—well behind WHTZ's 4.8 share in the same book. No major format adjustments or high-profile controversies were reported during this era, with the station maintaining its CHR identity until Entercom's acquisition of prompted a strategic pivot. On November 17, 2017, at 10:00 a.m., WBMP abruptly dropped the format, transitioning to as "Alt 92.3."

2017–2022: Alt 92.3 – Modern Alternative Rock

On November 17, 2017, coinciding with Entercom's merger with CBS Radio, the station flipped from contemporary hit radio as WBMP to an alternative rock format branded as "Alt 92.3". The launch featured 10,000 commercial-free songs to emphasize music over traditional promotional hype. This move aimed to revive alternative rock in the New York market, filling a gap left by prior format shifts on the 92.3 frequency and competing stations. The format focused on modern , blending current hits with recent staples from artists in the genre, eschewing mainstream pop crossovers. Programming prioritized listener-driven music discovery, with limited on-air personalities and an emphasis on uninterrupted playlists during key periods. On June 11, 2018, the call sign changed from WBMP to WNYL to align with the new branding. The station maintained this approach through its run, occasionally featuring themed blocks or event tie-ins tied to alternative music history on the frequency. Alt 92.3 operated until October 27, 2022, when discontinued the format on the primary signal to simulcast all-news , relocating alternative programming to the 92.3 HD2 subchannel. The sign-off included reflective programming revisiting the frequency's legacy, culminating in LCD Soundsystem's "New York, I Love You But You're Bringing Me Down" as the final track. This period marked the latest iteration of on 92.3, a with prior stints in the genre dating back decades.

2022–Present: Simulcast of All-News WINS (AM)

On October 10, 2022, Audacy announced that its alternative rock station at 92.3 FM, previously known as Alt 92.3 (WNYL), would cease operations and transition to a full simulcast of the all-news format from co-owned 1010 WINS (AM). The change took effect on October 27, 2022, at 9:00 a.m. Eastern Time, with the station adopting the WINS-FM call letters and branding as 1010 WINS All News 92.3 FM. This move aimed to extend the reach of WINS's 24-hour news coverage, which had been a staple since 1965, by leveraging the FM signal's superior propagation and reduced susceptibility to interference compared to AM broadcasting in urban environments like New York City. The provides identical programming across both frequencies, including continuous updates on , , , and public affairs, without local insertions specific to the FM dial. One year post-launch, the addition of the FM signal contributed to sustained growth for the WINS brand, as measured by Nielsen ratings, reflecting increased accessibility for listeners in vehicles and areas with AM reception challenges. As of 2025, the format remains unchanged under ownership, continuing to serve the despite the company's broader financial restructuring efforts.

Ownership and Corporate Evolution

Early Ownership through Infinity Broadcasting

The 92.3 MHz frequency in signed on as WMCA-FM on December 25, 1948, operated by the same ownership group as AM sister station WMCA (570 kHz), controlled by the Straus family. Amid the era's weak FM market, profitability challenges prompted the sale of WMCA-FM in late 1950 to the proprietors of WHOM (1480 AM), with the station relaunching as WHOM-FM on February 26, 1951, under Progress Broadcasting Corporation. Progress Broadcasting maintained ownership of WHOM-AM/FM through the 1960s, emphasizing ethnic and beautiful music programming on the FM side. By the early , the cluster was acquired by SJR Communications, a tied to San Juan Racing Association, which refocused the FM outlet on as WKTU starting October 6, 1975. In August 1980, San Juan Racing Association divested SJR Communications to Gulf United Corporation. Gulf United subsequently flipped select assets from the acquisition, including and two other New York stations (WJIT and WYSP), to for $34 million later that year, effectuating Infinity's control by 1981. Infinity Broadcasting, established in by Michael A. Wiener and Gerald Carrus, specialized in acquiring undervalued urban-market stations and leveraging personality-driven formats for growth. Under Infinity's stewardship from 1981 onward, 92.3 FM shifted from disco to rock as WXRK in July 1985, incorporating high-profile talent like and achieving sustained market prominence through the 1990s. The company expanded its New York portfolio during this period, adding stations such as WFAN and , while navigating FCC ownership caps via clustering strategies. Infinity retained the 92.3 FM license until its 1997 merger with , marking the end of its independent era.

Transition to CBS Radio and Entercom/Audacy

In December 1996, Westinghouse Electric Corporation, which had acquired CBS Inc. the previous year and adopted the CBS name, announced its intention to purchase Infinity Broadcasting Corporation—the owner of WINS (AM)—for approximately $3.9 billion in a stock-and-debt transaction, marking a significant consolidation in the radio industry following deregulation under the Telecommunications Act of 1996. The acquisition integrated Infinity's portfolio, including flagship stations like WINS in New York, into CBS's expanding radio operations, which were reorganized under the CBS Radio banner to leverage synergies in programming and market dominance. This move effectively transitioned WINS from independent Infinity ownership—founded by Michael Milken and Mel Karmazin in 1972—into the CBS corporate structure, where it continued its all-news format amid growing competition from television and emerging digital media. The Infinity-CBS merger closed in 1997, solidifying CBS Radio's position as one of the largest U.S. radio broadcasters with over 160 stations, including WINS as a all-news outlet in the New York market. Under CBS ownership, WINS benefited from enhanced resources for 24-hour news coverage, via the "Helicopter 1010" service, and integration with affiliates, though it faced challenges from format shifts at sister FM properties like 92.3 FM, which cycled through , rock, and contemporary hits during this era. CBS Radio maintained operational independence for its stations while aligning with Viacom's broader media empire after the 2000 CBS-Viacom merger, during which Infinity's remnants were fully absorbed, but radio assets remained distinct from television until further divestitures. By 2017, amid declining radio ad revenues and strategic shifts toward digital audio, CBS Corporation pursued divestment of its radio division to focus on television and streaming. On February 2, 2017, CBS announced a merger with Entercom Communications Corp. valued at approximately $14.5 billion initially (later adjusted downward), creating the second-largest U.S. radio operator with 244 stations, including WINS (AM) and 92.3 FM in New York. The deal received FCC approval in November 2017 and closed on November 17, transferring control of WINS and its FM simulcast partner to Entercom, which committed to preserving the all-news format while exploring synergies like cross-promotion with sports stations such as WFAN. This transition marked the end of direct CBS ownership for WINS after two decades, with Entercom assuming $1.45 billion in debt to fund the acquisition and promising minimal disruptions to legacy programming. Entercom rebranded to Audacy, Inc. on March 30, 2021, to emphasize its pivot toward podcasts, digital platforms, and connected audio experiences amid radio's fragmentation. Under Audacy, WINS (AM) and 92.3 FM—relaunched as WINS-FM in 2022 for full simulcasting—continued all-news operations, bolstered by investments in traffic helicopters and meteorologists, though the company grappled with heavy debt loads exacerbated by the COVID-19 pandemic's impact on live events and advertising. Audacy's ownership facilitated the 2022 FM expansion for WINS, extending its reach to younger, mobile listeners via HD Radio and app integration, while maintaining the station's 50-year commitment to minute-by-minute news updates. This era has seen Audacy navigate financial pressures, including a 2024 bankruptcy restructuring, but WINS remains a ratings staple in New York, underscoring the enduring value of its format post-transition.

Audacy's Financial Restructuring and 2024 Bankruptcy Emergence

, formerly Entercom Communications, accumulated significant through acquisitions, including the $2.4 billion purchase of in 2017, which added approximately $1.5 billion in new obligations amid a challenging market for traditional radio. By late 2023, the company's funded had reached about $1.9 billion, prompting negotiations with creditors to address liquidity constraints and long-term viability. On January 7, 2024, filed for Chapter 11 protection in the U.S. Bankruptcy Court for the Southern District of as part of a prepackaged plan supported by a of its debtholders. The agreement aimed to equitize over 80% of the debt, converting approximately $1.6 billion into equity and reducing the post-emergence debt to around $350 million, while securing $57 million in to support operations during the process. This was designed to eliminate legacy obligations without disrupting day-to-day broadcasting, including stations like WINS-FM in New York. The bankruptcy court confirmed the reorganization plan on February 20, 2024, incorporating the terms of the restructuring support agreement. However, emergence required Federal Communications Commission (FCC) approval for the transfer of radio licenses to new ownership entities formed under the plan, a step delayed by partisan divisions at the FCC. On September 30, 2024, the FCC approved the transfers in a 3-2 vote along party lines, enabling Audacy to complete the restructuring and emerge from bankruptcy as a privately held company with a strengthened balance sheet. Post-emergence, Audacy's leadership, led by CEO David J. Field, emphasized a focus on multi-platform audio growth, including podcasts and digital extensions of broadcast properties, while retaining operational continuity across its portfolio of over 200 stations. The deleveraging transaction positioned the company for reduced interest expenses and greater flexibility, though it involved equity distribution to creditors and a shift away from public markets. This corporate evolution had no immediate reported disruptions to WINS-FM's of all-news programming from WINS-AM, reflecting the bankruptcy's emphasis on preserving core assets.

Technical Specifications and Operations

Signal Characteristics and Coverage

WINS-FM broadcasts on the frequency of 92.3 MHz as a Class B station with an () of 6,000 watts from a non-directional antenna mounted at the in , , at coordinates 40°44′54″N 73°59′09″W. The transmitter's (HAAT) measures 415 meters (1,362 feet), supporting a signal contour that encompasses the core . This configuration provides reliable FM reception across the five , northern (including Hudson and counties), southwestern (such as Fairfield County), and portions of western , typically within a 40-50 mile radius under optimal conditions. However, FM limitations—such as line-of-sight constraints, urban building interference, and variations—restrict fringe-area coverage compared to the unlimited-class AM signal of simulcast partner WINS (1010 kHz), which extends farther via groundwave, particularly at night. The FM enhances audio fidelity and capability in high-interference urban environments where AM reception suffers from electrical or static. License records confirm the facility's authorization, granted by the FCC on October 18, 2022, with expiration set for June 1, 2030, maintaining these parameters post-format shift to all-news simulcast.

HD Radio Implementation and Subchannels

WINS-FM employs HD Radio, a digital broadcasting technology that enables hybrid analog and digital transmission on the primary channel while supporting additional digital-only subchannels. This implementation allows the station to multicast multiple programming streams within the same frequency allocation, enhancing content variety without requiring separate licenses. The HD1 subchannel carries a digital simulcast of the analog signal, providing improved audio quality and error correction for listeners with compatible receivers. Following the October 27, 2022, format shift to simulcast the all-news programming of WINS (AM) on the main 92.3 FM channel, the former alternative rock format branded as "Alt 92.3" relocated to HD2, preserving its modern rock playlist and limited commercial interruptions. This subchannel continues to target alternative music enthusiasts in the New York market, featuring artists such as Foo Fighters and Billie Eilish. The HD3 subchannel previously aired "Channel Q," an Audacy-programmed Top 40 format oriented toward an LGBTQ+ audience with contemporary pop hits. In September 2024, HD3 transitioned to the True Oldies Channel, a syndicated service delivering classic hits from the 1960s and 1970s, including tracks by The Beatles and The Supremes. This change reflects Audacy's strategy to utilize subchannels for niche formats amid resource constraints on main signals. Subchannel availability depends on receiver compatibility and signal strength, with HD Radio reception typically limited to areas within the station's primary contour due to the technology's susceptibility to multipath interference in urban environments like . Audacy has maintained these multicast offerings post-2022 to retain listenership from displaced formats while prioritizing the all-news expansion on HD1 and analog.

Programming and Format Details

Historical Format Innovations and Signature Shows

The launch of the format on July 24, 1978, as "Disco 92" represented a pivotal innovation for 92.3 FM, transforming it into one of the earliest major-market stations dedicated exclusively to music and overtaking established Top 40 competitor WABC in ratings with an audience share exceeding 11%. This shift from adult contemporary programming emphasized continuous rhythmic tracks, club-style mixing, and high-energy DJ presentations, capitalizing on the craze to achieve industry-wide acclaim for revitalizing FM listenership in New York. In 1985, the station transitioned to an format as "K-Rock" WXRK, introducing a harder-edged rock playlist that included emerging alternative and acts alongside classic tracks, which helped differentiate it in a competitive market dominated by Top 40 and softer rock outlets. A defining signature show during this era was , which debuted on November 17, 1985, and quickly became a cornerstone of the station's identity through its provocative, unfiltered talk segments, celebrity interviews, and boundary-pushing humor that drew both loyal fans and regulatory scrutiny from the FCC. Stern's program, syndicated nationally by the early 1990s, elevated WXRK's morning ratings and influenced the evolution of radio, though it faced repeated fines for indecency. Later formats introduced further programming tweaks, such as the to "92.3 AMP Radio" WBMP under a (CHR) model, featuring high-rotation pop and hip-hop currents with localized morning drive content via Shoboy in the Morning, a talk-variety show hosted by Shoboy (Steve LaCerra) that incorporated listener calls, celebrity bits, and urban-leaning humor to target younger commuters. The 2017 flip to "Alt 92.3" innovated by adopting a curated playlist emphasizing artist discovery over commercial interruptions—capping ads at no more than two minutes—and integrating HD2 subchannel extensions for deeper cuts and specialty programming like weekend shows hosted by DJs such as and Omar Torres. This approach aimed to revive alternative radio in New York after a market absence, prioritizing musical depth with acts like Nirvana and while avoiding the formulaic repetition of mainstream formats.

Current All-News Operations and Content Focus

Since its launch as a of on October 28, 2022, WINS-FM has operated a continuous 24-hour all-news format focused on delivering timely updates to the New York tri-state area, including , , and [Long Island](/page/Long Island). The programming emphasizes breaking local news, such as crime, government actions, transportation disruptions, and weather events, alongside national and international headlines, sports scores, and developments. This structure prioritizes rapid-fire reporting from on-scene correspondents and wire services, with minimal commentary to maintain a fact-driven flow. Central to the format is a repeating 22-minute news cycle, during which listeners receive a complete overview of top stories, encapsulated by the long-standing slogan "You give us 22 minutes, we'll give you the world." Traffic reports, critical for the commuter-heavy region, air every 10 minutes, often featuring real-time updates from the station's tip line (844-JAM-1010) and integrated mapping tools. Weather forecasts and sports summaries, including New York teams' performances, are interwoven similarly, with cycles concluding in a recap of headlines to ensure continuity across listening sessions. This tight, efficient block avoids extended analysis or opinion segments, distinguishing it from . The content draws from a team of anchors, reporters, and editors producing original coverage, supplemented by national feeds, with a recent emphasis on accelerating the pace to engage younger audiences through concise, high-volume story turnover rather than prolonged dives. alerts and exclusive interviews with officials underscore its role as a outlet, particularly during events like or incidents. As the primary all-news voice in the market following WCBS-AM's 2024 shift to sports, WINS-FM maintains this non-partisan, event-led approach without fixed personality-driven shows, relying instead on rotating shifts for overnight and midday blocks.

Reception, Ratings, and Market Impact

Ratings Performance Across Eras

As rhythmic contemporary "92.3 AMP Radio" (WBMP) from May 2014 to November 2017, the station faced stiff competition from iHeartMedia's (Z100), achieving only a 2.0 AQH share in the October 2017 Nielsen PPM survey and ranking 20th in the New York market. The November 17, 2017, format shift to as "Alt 92.3" (initially WBMP, later WNYL) yielded similarly underwhelming results amid a fragmented market for the genre. By 2020, it ranked 20th overall, reflecting persistent challenges in attracting a broad listenership despite targeted appeals to younger demographics. The October 27, 2022, conversion to all-news with 1010 WINS dramatically elevated performance, leveraging the established brand's appeal and FM signal advantages over AM competitors like WCBS (880 AM). One year later, in fall 2023 Nielsen ratings, the combined WINS/WINS-FM ranked fifth in the 12+ demographic, a significant gain from pre-FM levels. Subsequent books confirmed sustained strength, with a 6.6 AQH share for 2025 (down slightly from 6.9 prior) and a recent survey showing 5.8 for the news format. By November 2024, WINS AM-FM led U.S. news stations with a 1.6 million weekly cume, underscoring the format's viability on 92.3 FM.

Achievements, Criticisms, and Format Shifts

The addition of the 92.3 FM simulcast has enhanced the distribution of 1010 WINS's all- programming, extending its reach across the and attracting a broader audience. Following the October 27, 2022, launch, the combined WINS/WINS-FM service achieved a fifth-place ranking in the Nielsen ratings for persons aged 12+ in the fall 2023 survey, marking an improvement from prior periods and reflecting sustained growth one year post-simulcast. This expansion positioned it as the most-listened-to station in the United States, leveraging FM's superior signal propagation over AM for improved coverage in urban and suburban regions. Criticisms of the WINS-FM simulcast primarily stem from the abrupt termination of the prior format on 92.3 FM, which eliminated a dedicated FM outlet for that genre in , prompting backlash from music enthusiasts who viewed the change as prioritizing corporate assets over diverse programming options. Industry observers noted this as another instance of the market losing its alternative rock presence on FM, following previous format flips on the frequency. Some listener feedback expressed frustration over the "killing off" of the Alt 92.3 brand, though the format persisted in a diminished capacity on subchannels. The pivotal format shift occurred on October 27, 2022, when WINS-FM adopted the all-news of 1010 WINS, replacing the programming of WNYL (Alt 92.3). This transition, announced by on October 10, 2022, aimed to fortify the legacy all-news service amid shifting listener habits toward FM dials. Prior to this, the 92.3 frequency had cycled through various music formats, including and dance in the , underscoring a history of experimentation before settling into the news extension. The change included reassigning the WINS-FM to align with the AM counterpart, solidifying the unified news identity.

Influence on New York Radio Landscape and Competition

1010 WINS pioneered the format on April 19, 1965, transitioning from a Top 40 music station under amid declining ratings in a saturated market. This innovation, featuring continuous news cycles with traffic reports every 10 minutes and the slogan "All News, All the Time," addressed a perceived gap for reliable, on-demand information in , where listeners previously relied on fragmented news blocks. The format's success—contrasting with prior failed attempts elsewhere—established a blueprint for 24/7 news delivery, influencing stations nationwide by demonstrating viability in urban markets through high listener retention and advertiser appeal tied to credibility. The station's dominance spurred direct competition, most notably from WCBS-AM (880), which adopted an all-news format on August 21, 1967, creating a rare duopoly in a single market. While WINS emphasized hyper-local coverage of traffic, weather, and breaking events, WCBS leveraged CBS's global resources for broader national and international reporting, fostering a competitive dynamic that elevated journalistic standards and audience options in New York. This rivalry persisted for decades, with New York uniquely sustaining two full-time all-news outlets amid industry shifts toward music and talk formats, though both incurred high operational costs due to extensive staffing and real-time reporting demands. WINS's 2022 expansion to on WINS-FM (92.3 MHz), formerly a Top 40 station, amplified its reach into FM audiences, suburbs, and younger demographics previously underserved by AM signals, effectively consolidating its market position. This move preceded WCBS-AM's discontinuation of all-news programming on August 12, 2024, when it flipped to sports under affiliation amid Audacy's financial pressures and declining ad revenue for traditional news radio. With WCBS's exit, WINS emerged as New York's sole dedicated all-news provider, inheriting former rival resources and underscoring the format's endurance against fragmentation, though critics note ongoing challenges from podcasts and online news in sustaining legacy broadcast models.

References

  1. https://www.audacy.com/1010wins
  2. https://nypost.com/2022/10/10/nys-92-3-fm-music-radio-station-moves-to-breaking-news-with-1010-wins/
  3. https://variety.com/2022/music/news/new-york-alternative-rock-station-923-howard-stern-news-talk-1010-wins-1235398834/
  4. https://www.insideradio.com/free/new-york-s-1010-wins-celebrates-60-years-of-being-part-of-the-fabric-of/article_b434d902-8f9a-4d53-9dd1-aec8039e6c88.html
  5. https://www.audacy.com/1010wins/news/local/wcbs-880-to-end-all-news-format-after-nearly-60-years-1010-wins
  6. https://www.radioworld.com/news-and-business/programming-and-sales/1010-wins-gets-an-fm-signal
  7. https://deadline.com/2024/08/wcbs-880-all-news-espn-new-york-1236038016/
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