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Die Fantastischen Vier
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Die Fantastischen Vier (German pronunciation: [diː fanˈtastɪʃən ˈfiːɐ̯], "The Fantastic Four"), often shortened to Fanta 4, is a German hip hop band from Stuttgart. The members are Michael Schmidt (Smudo), Andreas Rieke, Thomas Dürr, and Michi Beck. They were, together with Advanced Chemistry, one of the earliest German-language rap groups.[1]
Key Information
History
[edit]In the mid-1980s, Rieke and Schmidt formed the Terminal Team, which Dürr and Beck joined in 1989. Under the new name Die Fantastischen Vier they made German hip hop, or Deutschen Sprechgesang (German spoken song) as they called it, popular in Germany. Although there were German hip-hop artists prior to them (such as Advanced Chemistry from Heidelberg), it was Die Fantastischen Vier who registered the first chart hit with their 1992 single "Die da?!" (Her?!) from the album 4 gewinnt, hitting No. 2 in Germany and No. 1 in Austria and Switzerland.
After traveling to Los Angeles in the late 1980s, the group realized the lack of connection between the struggles of "the poor blacks in the United States and middle-class whites in Germany",[1] and made a conscious effort to move away from the typical and cliché American gangsta rap. The group never got involved with gangsta rap clichés, reacting with tongue-in-cheek humor to verbal attacks of alleged German 'gangsta rappers'. In the albums following 4 gewinnt, the band matured and progressed to a more serious and philosophic style.

In addition to the group's works, Thomas D, Hausmarke, and Ypsilon also produced successful solo albums and the four had their own weekly show Die 4. Dimension, named after their third album, which aired on the German pay TV channel Premiere in 1993 and 1994.
At the 1996 Popkomm in Cologne, Die Fantastischen Vier announced the establishment of their label, Four Music. Headquarters were in Stuttgart, but were later moved to Berlin-Kreuzberg.
Three years later, the group's seventh album 4:99 was released on their own label, with four singles from the album following. After the No. 2 hit "MfG", three singles were released at the same time, a first in German music business. Each one can be associated with one of the rappers: "Le Smou" (Smudo), "Michi Beck in Hell" (Michi Beck), and "Buenos Dias Messias" (Thomas D).
In late September 2004, the group released the album Viel, the following tour being their most successful and best-attended to date.
In 2005, Fanta 4's first greatest-hits album was published. It includes all singles, as well as several other songs and rare footage from the group's early days, when they were still called Terminal Team and rapped in English.
On 7 April 2007, the number-one album Fornika was released, preceded by the single "Ernten was wir säen" (Reap what we sow). "Ernten was wir säen" was released as a download for Guitar Hero III: Legends of Rock in December 2007 and was covered by rock band Oomph! in 2009.

Die Fantastischen Vier are also the German voices of the Penguins (Michael Beck as Skipper, Thomas D. as Kowalski, Andreas Rieke as Rico and Michael Bernd Schmidt as Private) in the Madagascar film series.
In 2010, Für dich immer noch Fanta Sie peaked again at number one of the German charts.
The 2014 release of the album Rekord marked the 25th anniversary of the band. It also topped the charts in Germany.
In 2018, the single "Zusammen", featuring Clueso, from the album Captain Fantastic, was chosen as the official song for the 2018 FIFA World Cup by German public broadcaster Das Erste.
Members
[edit]

- Michael "Michi" Beck – vocals, DJ
- Thomas Dürr ("Thomas D") – vocals
- Michael "Smudo" Schmidt – vocals
- Andreas "And.Ypsilon" Rieke – electronics, occasional vocals
Live members
- Markus Kössler – bass
- Florian Dauner – drums
- Lillo Scrimali – keyboards
- Roland Peil – percussion
- Markus Birkle – guitars
Discography
[edit]| Die Fantastischen Vier discography | |
|---|---|
| Studio albums | 10 |
| Live albums | 8 |
| Compilation albums | 2 |
| Singles | 40 |
| Collaborative albums | 1 |
Die Fantastischen Vier have released 10 studio albums, 2 compilation albums, 8 live albums, 40 singles and 3 as a featured artist. Die Fantastischen Vier have got 4 No. 1 albums in the GfK Top 100 Albums and a No. 1 single in the GfK Top 100 Singles. They have sold more than 4,7 million records, and their most successful album, 4 gewinnt, has sold more than 825 thousand units.
Albums
[edit]Studio albums
[edit]| Year | Title | Chart positions | ||
|---|---|---|---|---|
| Germany | Austria | Switzerland | ||
| 1991 | Jetzt geht's ab! | 22 | — | — |
| 1992 | 4 gewinnt | 3 | 3 | 3 |
| 1993 | Die 4. Dimension | 14 | 23 | 27 |
| 1995 | Lauschgift | 2 | 10 | 5 |
| 1999 | 4:99 | 1 | 1 | 1 |
| 2004 | Viel | 2 | 2 | 4 |
| 2007 | Fornika | 1 | 4 | 2 |
| 2010 | Für dich immer noch Fanta Sie | 1 | 2 | 1 |
| 2014 | Rekord | 1 | 4 | 2 |
| 2018 | Captain Fantastic | 2 | 3 [2] |
1 |
| 2024 | Long Player | 2 | 5 | 4 |
Collaborative albums
[edit]| Year | Title | Chart positions | ||
|---|---|---|---|---|
| Germany | Austria | Switzerland | ||
| 1994 | Megavier (with Megalomaniax) |
28 | – | – |
Live albums
[edit]| Year | Title | Chart positions | ||
|---|---|---|---|---|
| Germany | Austria | Switzerland | ||
| 1996 | Live und direkt | 17 | — | 30 |
| 2000 | MTV Unplugged | 6 | 7 | 18 |
| 2003 | Live in Stuttgart | 81 | 50 | — |
| 2005 | Viel live | 46 | — | — |
| 2008 | Fornika für alle | - | - | - |
| 2009 | Heimspiel | 12 | 54 | 64 |
| 2012 | MTV Unplugged II | 1 | 7 | 5 |
| 2015 | Rekord – Live in Wien | - | - | - |
| 2016 | SuperSense Block Party | 69 | 66 | 68 |
| 2022 | Für Immer 30 Jahre Live | - | - | - |
Compilation albums
[edit]| Year | Title | Chart positions | ||
|---|---|---|---|---|
| Germany | Austria | Switzerland | ||
| 2005 | Best of 1990–2005 | 26 | 32 | 29 |
| 2015 | Vier und jetzt: Best of 1990–2015 | 6 | 52 | 22 |
Singles
[edit]As lead artist
[edit]| Year | Title | Chart positions | ||
|---|---|---|---|---|
| Germany | Austria | Switzerland | ||
| 1991 | "Mikrofonprofessor" | – | – | – |
| "Hausmeister Thomas D." | – | – | – | |
| "Frohes Fest" | 15 | 20 | – | |
| 1992 | "Die da!?" | 2 | 1 | 1 |
| "Hausmeister Thomas D. '92" | – | – | – | |
| 1993 | "Saft" | 19 | – | 38 |
| "Lass die Sonne rein" | 92 | – | – | |
| "Zu geil für diese Welt" | 22 | – | 20 | |
| 1994 | "Tag am Meer" | – | – | – |
| 1995 | "Sie ist weg" | 1 | 16 | 2 |
| 1996 | "Populär" | 41 | – | 39 |
| "Nur in deinem Kopf" | 81 | – | – | |
| "Raus" | 56 | – | 38 | |
| 1997 | "Der Picknicker" | 42 | – | – |
| 1999 | "MfG" | 2 | 2 | 2 |
| "Le Smou" | 68 | – | – | |
| "Buenos Dias Messias" | 87 | – | – | |
| "Michi Beck in Hell" | – | – | – | |
| 2000 | "Tag am Meer (Unplugged)" | 67 | – | – |
| 2001 | "Sie ist weg (Unplugged)" | 81 | 50 | – |
| 2004 | "Troy" | 9 | 11 | 22 |
| "Sommerregen" | 44 | 66 | 74 | |
| "Geboren" | 48 | – | 48 | |
| 2007 | "Ernten was wir säen" | 12 | 35 | 25 |
| "Einfach sein" | 11 | 13 | 22 | |
| "Ichisichisichisich" | 45 | - | - | |
| 2008 | "Yeah Yeah Yeah" | 86 | - | - |
| 2010 | "Gebt uns ruhig die Schuld (den Rest könnt ihr behalten)" | 10 | 22 | 10 |
| "Danke" | 36[3] | 57 | 56 | |
| 2014 | "25" | 15 | 53 | - |
| "Und los" | 53 | – | 71 | |
| 2015 | "Name drauf"(feat. Seven) | - | - | - |
| 2017 | "Endzeitstimmung" | - | - | - |
| 2018 | "Tunnel" | - | - | - |
| "Zusammen"(feat. Clueso) | 2 | 32 [4] |
35 | |
| "Hitisn" | - | - | - | |
| 2020 | "Irgendwann" | - | - | - |
As featured artist
[edit]| Year | Title | Chart positions | ||
|---|---|---|---|---|
| Germany | Austria | Switzerland | ||
| 1993 | " 100% positiv" (Die Deutsche Reimachse featuring Die Fantastischen Vier) |
- | - | - |
| 1997 | "Original" (Sens Unik featuring Die Fantastischen Vier) |
73 | - | 27 |
| 2014 | "Halt dich gut fest" (Samy Deluxe featuring Die Fantastischen Vier) |
- | - | - |
See also
[edit]References
[edit]- ^ a b Brown, Timothy S. "'Keeping it Real' in a Different 'Hood: (African-) Americanization and Hip-hop in Germany." In The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 137–50. London
- ^ "Ö3 Austria Top40: Longplay-Charts - Ö3 Charts". oe3.ORF.at.
- ^ "GfK Entertainment - Platz eins der Charts: Linkin Park sind zurück".
- ^ "Ö3 Austria Top40: Single-Charts - Ö3 Charts". oe3.ORF.at.
External links
[edit]- Official website (in German)
- Four Music
- Discography at Discogs
Die Fantastischen Vier
View on GrokipediaHistory
Formation and early career
Die Fantastischen Vier originated in Stuttgart during the mid-1980s, when Andreas Rieke (And.Y) and Michael Schmidt (Smudo) formed the group initially known as Terminal Team.[8] By the end of the decade, Michael Beck (Michi Beck) and Thomas Dürr (Thomas D) joined the lineup, solidifying the core quartet.[9] The group drew inspiration from the burgeoning hip-hop scene, experimenting with beats and rhymes in their early rehearsals.[10] In 1989, the ensemble rebranded as Die Fantastischen Vier, a name translating to "The Fantastic Four," directly referencing the Marvel Comics superhero team.[11] This change marked a pivotal shift, as the group transitioned from rapping primarily in English—common in the nascent German hip-hop underground—to exclusively German lyrics, challenging the dominance of English-language influences in the local scene.[12] Initial efforts faced resistance in a hip-hop environment skeptical of native-language expression, but this linguistic pivot laid the groundwork for their unique identity. The group's independent releases began gaining traction in the early 1990s, starting with the 1991 single and album Jetzt geht’s ab!, which featured upbeat tracks like "Hausmeister Thomas D" and introduced their playful, accessible style to audiences.[13] This was followed by their full debut studio album 4 gewinnt in 1992, released via Columbia Records, which included fan-favorite cuts such as "Die da!?" and showcased their growing production prowess.[14] These pre-breakthrough efforts highlighted their DIY ethos, with self-produced demos and local performances building a grassroots following amid the evolving German rap landscape.[4] A significant early business development came in 1996, when Die Fantastischen Vier established their own record label, Four Music, in Stuttgart to gain greater creative control and support emerging artists.[15] Announced at the Popkomm trade fair in Cologne, the label quickly became a hub for innovative hip-hop, soul, and electronic music in Germany.[8] This move underscored their entrepreneurial approach during the formative years, even as they navigated the challenges of establishing German rap on a national stage.[1]Breakthrough and peak years
The breakthrough for Die Fantastischen Vier arrived with their 1992 single "Die da!?", which marked their first major commercial success by peaking at No. 2 on the German singles chart and holding the position for several weeks while charting for a total of 28 weeks.[16] The track also topped the charts in Austria, reaching No. 1 and spending 12 weeks on the list, as well as in Switzerland, where it achieved No. 1 status for four weeks and remained on the chart for 24 weeks.[17][18] This hit propelled the accompanying album 4 gewinnt to significant sales, exceeding 825,000 copies in Germany and establishing the group as pioneers in German-language hip-hop.[2] Subsequent releases solidified their dominance in the 1990s. The 1995 album Lauschgift debuted at No. 2 on the German album charts and maintained a strong presence with 38 weeks in the Top 100, featuring hits like "Sie ist weg" that blended humorous lyrics with accessible production.[19] By the late 1990s, 4:99 (1999) became a cornerstone of their catalog, topping the German charts for multiple weeks, driven by singles such as "MfG" that showcased their evolving sound with pop-infused rap elements.[20] The album's success extended to No. 1 positions in Austria and Switzerland, underscoring their cross-border appeal. Entering the 2000s, Viel (2004) further cemented their peak-era status by reaching No. 2 in Germany and spawning the Top 10 single "Troy," with the record emphasizing mature themes and live performance energy.[21] Amid this rise, the group expanded their influence beyond music through the establishment of their own label, Four Music, in 1996, which allowed them to nurture emerging talent in hip-hop, soul, and electronic genres while maintaining creative control over their output. This venture facilitated signings and collaborations that broadened the label's roster, contributing to the group's entrepreneurial footprint in the industry. On the international front, Die Fantastischen Vier gained visibility by providing the German voice dubbing for the penguins in the Madagascar film series starting in 2005, infusing the characters with their distinctive rap-inflected humor and introducing their style to family audiences.[22] These milestones positioned them as one of Germany's most commercially successful hip-hop acts during their peak years.[23]Later developments and recent activities
Following a period of relative quiet in the mid-2000s, Die Fantastischen Vier staged a successful comeback with their seventh studio album, Fornika, released in 2007, which debuted at No. 1 on the German album charts.[24] The album marked a return to their eclectic hip-hop roots with electronic and pop influences, solidifying their enduring popularity. Building on this momentum, they released MTV Unplugged II. in 2012, a live acoustic reinterpretation of tracks including those from Fornika, which also topped the German charts at No. 1 and showcased their versatility in an intimate setting.[25] In 2018, the group returned with Captain Fantastic, their ninth studio album, which achieved No. 2 status in Germany and featured collaborative elements with artists like Clueso.[26] A standout track, "Zusammen" featuring Clueso, was selected as the official anthem for the 2018 FIFA World Cup by German public broadcaster Das Erste, emphasizing themes of unity and reaching wide audiences during the tournament coverage.[27] The album was supported by extensive live performances, including an MTV Unplugged-style session that highlighted their catalog in stripped-down arrangements, further bridging their classic sound with contemporary production.[28] Amid the challenges of the COVID-19 pandemic in 2020, band member Smudo (Michael Schmidt) actively promoted the Luca contact-tracing app, a digital tool aimed at facilitating infection chain management and easing restrictions for events and venues in Germany.[29] That same year, to commemorate their 30th anniversary, Die Fantastischen Vier launched Fantaventura, an immersive virtual reality experience developed in collaboration with Voluverse and Deutsche Telekom, allowing fans to explore a psychedelic fantasy world synced to their music.[30] The project, released on platforms like Steam, represented an innovative fusion of their hip-hop legacy with emerging technology. The group's most recent studio effort, Long Player, arrived in 2024 and peaked at No. 2 on the German album charts, reflecting matured lyrical themes and production while maintaining their signature energy.[31] In November 2025, Die Fantastischen Vier announced "Der letzte Bus," their farewell tour planned for 2026–2028 across Germany and Austria, signaling the end of their live performances after over three decades together.[32] This multi-year outing will feature hits from their catalog, performed in arenas and stadiums, providing a comprehensive retrospective of their career.Members
Core members
Die Fantastischen Vier's core lineup has remained consistent since their formation, consisting of four members who met as teenagers in Stuttgart and began collaborating in the late 1980s. Originally forming as the Terminal Team in 1987 with Smudo and And.Y as initial members, the group expanded in 1989 with the addition of Michi Beck and Thomas D, adopting the name Die Fantastischen Vier after their debut performance at a local Batman-themed event.[33][1] This quartet—two rappers handling lyrics and two focused on production and DJing—established the group's signature blend of hip-hop, pop, and humor, with each member contributing distinct creative elements to their music and identity. Michi Beck, born Michael Beck on December 11, 1967, in Stuttgart, serves as the group's primary DJ and producer under the alias DJ Hausmarke or simply Michi Beck.[34] As a founding member who joined the Terminal Team in 1989, Beck provides the instrumental backbone through his turntable skills, scratches, and beat production, notably on breakthrough tracks like "Die Da!?!"[33] He played a pivotal role in establishing their independent label, Four Music, in 1996, which has supported the group's releases and other artists.[35] Beck's contributions extend to solo projects like his 1997 album Weltweit, but his core impact lies in shaping the Fantastischen Vier's energetic, sample-heavy sound.[33] Thomas Dürr, known professionally as Thomas D, was born on December 30, 1968, in Ditzingen near Stuttgart.[36] Joining as a founding member in 1989, Dürr is one of the group's lead rappers, renowned for his introspective and philosophical lyrics that often explore themes of life, society, and personal reflection, as heard in songs like "Geboren" from their 2004 album 4:99.[33] His narrative-driven style contrasts with the group's lighter moments, adding depth to their discography, and he has occasionally released solo concept albums under aliases like Reflektor Falke.[37] Dürr's entry solidified the lyrical foundation, drawing from his background in Stuttgart's underground scene. Michael Schmidt, better known as Smudo, was born on March 6, 1968, in Offenbach am Main and raised in the Stuttgart area.[38] As a co-founder of the Terminal Team in 1987 alongside And.Y, Schmidt brought charismatic energy as the group's primary rapper, characterized by his humorous, playful wordplay and versatile delivery that defined hits such as "Sie Ist Weg."[33] His role as a frontman emphasizes the group's fun-loving persona, often incorporating pop culture references and lighthearted storytelling, while his contributions to songwriting have been central since the early days.[33] Smudo's style helped popularize German-language rap in the mainstream. Andreas Rieke, performing as And.Y or And.Ypsilon, was born on November 17, 1967, in Stuttgart. He co-founded the Terminal Team in 1987 with Smudo, providing rap verses infused with electronic influences and serving as a secondary producer within the group.[33] Rieke's visual artistry as a graphic designer has shaped the group's album artwork and promotional materials, while his lyrical input often adds experimental flair, evident in tracks from albums like 4 Gewinnt (1992).[33] As a core member from the outset, his multifaceted role bridges music and design, enhancing the Fantastischen Vier's cohesive aesthetic.[33]Supporting and live members
Die Fantastischen Vier have relied on a dedicated live band to support their performances and recordings since the 1990s, expanding beyond the core quartet to deliver fuller, more dynamic shows. Bassist Markus Kössler joined in 1999, providing foundational grooves that anchor the group's hip-hop rhythms during tours and studio sessions.[39] Drummer Florian Dauner has been a key contributor since 1993, driving the energy of over 1,000 concerts with his versatile beats and production input.[40] The live ensemble also includes keyboardist Lillo Scrimali, who adds atmospheric layers and arrangements; percussionist Roland Peil, enhancing rhythmic depth; and guitarist Markus Birkle, contributing melodic fills and textures. These musicians have been integral to high-profile events, such as the 2012 MTV Unplugged II session, where their instrumentation transformed the group's tracks into acoustic reinterpretations.[41] This setup has evolved from the minimal, DJ-focused performances of the early years to a robust band format that amplifies the quartet's sound on stage, as evidenced in anniversary tours and recent preparations for their 2025 farewell outing.[41]Musical style and influences
Core elements and evolution
Die Fantastischen Vier's core musical style is characterized by a distinctive blend of hip hop, pop-rap, and "deutscher Sprechgesang" (German spoken singing), delivered entirely in their native language. This approach emphasizes humor, philosophical reflections, and narrative storytelling, diverging from the more aggressive gangsta rap tropes prevalent in the genre. Their lyrics often explore everyday life with wit and introspection, prioritizing positive themes of camaraderie, gratitude, and personal growth over confrontation.[3][42][2] The group's sound incorporates extensive sampling from funk, pop, and electro sources to create catchy, layered beats, complemented by live instrumentation such as drums and bass to add organic energy. This production technique supports their upbeat, accessible vibe, fostering a sense of joy and connection in tracks that highlight life's absurdities and triumphs. By rapping exclusively in German from their inception, Die Fantastischen Vier helped forge a uniquely German hip hop identity, adapting American influences into a localized form that resonated with domestic audiences through relatable cultural references.[43][44][45] Over their career, the group's style evolved from the raw, energetic hip hop of their early albums starting with the 1991 debut Jetzt geht's ab!, which captured the unpolished excitement of early German rap scenes, to a more refined integration of pop elements in their 2010s output. Later works feature smoother production, broader melodic hooks, and deeper philosophical undertones, as seen in albums like Captain Fantastic (2018), where humorous narratives blend with motivational anthems and subtle end-time reflections, maintaining their signature positivity while maturing in sophistication. This progression continued into the 2020s with Long Player (2024), incorporating indie-pop up-tempo beats and vibe-catching elements that reflect ongoing personal and musical growth.[1][46][2][47][48]Influences and departures from genre norms
Die Fantastischen Vier drew primary influences from American hip-hop pioneers, including Run-D.M.C., the Beastie Boys, and Public Enemy, adapting these elements to create a distinctly German sound during the late 1980s after the group's members traveled to the United States. Their name, "Die Fantastischen Vier" (The Fantastic Four), and occasional superhero-themed aesthetics were inspired by Marvel Comics' The Fantastic Four series, reflecting a playful nod to pop culture that permeated their branding and visual style. Emerging from Stuttgart's burgeoning urban youth scene, the group also incorporated broader German musical traditions, such as samples from 1970s and 1980s Schlager and pop, blending them with hip-hop beats to infuse their work with local flavor. In contrast to prevailing hip-hop norms of the era, particularly the gangsta rap tropes emphasizing street violence, materialism, and machismo prevalent in American acts, Die Fantastischen Vier deliberately avoided such themes, opting instead for lighthearted, family-friendly content centered on fun, everyday observations, and intellectual wordplay. This positive, humorous approach—characterized by self-irony, tongue-twisting rhymes, and middle-class perspectives on German life—set them apart from the genre's often gritty, confrontational tone, making rap more accessible and appealing to a wider domestic audience. Their style echoed the satirical levity found in contemporary German punk acts like Die Ärzte, prioritizing wit and entertainment over aggression. The group's pioneering use of German lyrics in rap proved instrumental in legitimizing Deutschrap, achieving commercial breakthrough with hits like "Die da!?" in 1992 and selling millions of albums, thus establishing hip-hop as a viable mainstream genre in Germany beyond English-language imitation. Hailing from Stuttgart, they helped cultivate the local hip-hop scene by fostering a supportive environment for emerging talent. In 1996, they founded the Four Music label, which diversified Deutschrap by signing and promoting a range of artists across hip-hop, soul, reggae, and electronic music, including acts like Freundeskreis and Gentleman, thereby broadening the genre's stylistic and cultural scope.Side projects and ventures
Megavier and crossover experiments
In 1994, Die Fantastischen Vier collaborated with the Frankfurt-based hard rock band Megalomaniax to form the short-lived side project Megavier, blending hip hop and metal elements in an experimental crossover. The idea originated from an invitation by Megalomaniax to perform at a Christmas event themed around metal-hip hop fusion at Frankfurt's Batschkapp venue in late 1993, following Die Fantastischen Vier's major concert at Stuttgart's Schleyerhalle. This initial collaboration, involving a single rehearsal session where tracks like "Die Da?!" were reimagined as thrash metal and "Information Overload" merged with "Laß die Sonne rein," sparked fan enthusiasm that prompted the expansion into a full album.[49] The resulting album, Megavier, released in September 1994 by Sony Music, featured a nine-member lineup combining core members from both bands, including Smudo and Thomas D on vocals, Deejay on scratches, and Megalomaniax contributors like Zoppo on guitars and Gunnar Kalb on drums. Musically, it fused Die Fantastischen Vier's hip hop beats and rap lyrics with aggressive metal guitars, bass, and drums, reworking pop-rap hits into energetic rap-metal tracks such as "Genug ist genug ist genug," which addressed themes of freedom and resistance against control, and "Frei," emphasizing individuality. The production, recorded over two weeks in Stuttgart's Basement Studios, prioritized raw experimentation over polished commercial appeal, with no singles released despite a promotional video for the lead track. The album sold approximately 80,000 copies, reflecting niche appeal within the burgeoning crossover scene.[50][49][51] Motivated by creative fun and the novelty of genre blending rather than a strategic commercial shift—especially amid Die Fantastischen Vier's rising success in German hip hop—Megavier undertook a limited tour of 20 concerts across Germany, Austria, and Switzerland starting in September 1994, concluding on November 21 at Vienna's Rock In venue. The group deliberately turned down invitations to major events like the Dynamo Open Air festival to maintain the project's intimate, non-revival ethos. This one-off endeavor highlighted the band's willingness to explore boundaries during their breakthrough years but remained confined to the single album and tour, with no further releases or reunions.[49]Other initiatives and collaborations
Die Fantastischen Vier established their record label, Four Music, in 1996 as an extension of their early career efforts to support emerging talent in the German music scene.[15] Over the following decades, the label expanded its roster to include a diverse array of artists across hip-hop, pop, and rock genres, such as Marteria, LEA, and Mark Forster, who signed in 2010 and achieved commercial success under its banner.[35] This growth contributed to Four Music's relocation of its main office from Stuttgart to Berlin, solidifying its role in nurturing the broader German music landscape.[15] In 2020, to mark their 30th anniversary, the group released Fantaventura, an immersive virtual reality experience developed in collaboration with Deutsche Telekom and High Road Stories.[30] The 6 degrees of freedom (6DoF) VR project reimagines their 1995 hit "Tag am Meer" as a psychedelic journey on a fantasy island, allowing users to interact with animated elements and the band's avatars in a beach setting.[52] Available on platforms like Steam, it blends music, visuals, and interactivity to create an engaging digital adventure for fans.[30] During the COVID-19 pandemic, member Smudo (Michael Schmidt) co-developed the Luca app in partnership with the Berlin startup neXenio, launched in early 2021 as a contact-tracing tool for events and venues.[53] The app enabled users to scan QR codes for encrypted check-ins, facilitating infection chain management while prioritizing data privacy through decentralized storage, and was adopted by over 450,000 locations and 40 million users in Germany.[54] However, it faced significant criticism over privacy concerns, data security vulnerabilities, and potential misuse, with groups like the Chaos Computer Club calling for its immediate discontinuation in 2021; contracts with German states ended in March 2022, after which its use declined.[55] Smudo promoted the initiative as a means to support cultural and gastronomic sectors reopening safely.[56] The group introduced FantiTown in 2022 as an innovative, immersive virtual fanclub platform, replacing traditional membership models with a 3D online world.[57] Accessible via web browser, FantiTown features multiple interactive rooms—including a lobby for registration, music listening areas, and event spaces—offering exclusive content like early ticket access, merchandise discounts, and special virtual events for members.[58] Developed with Dorfmeyster, it emphasizes community engagement through gamified elements and direct artist-fan interactions.[59] From 2005 to 2012, Die Fantastischen Vier provided voice acting for the penguin characters in the German dubs of the first three films in the Madagascar franchise: Madagascar (2005), Madagascar: Escape 2 Africa (2008), and Madagascar 3: Europe's Most Wanted (2012).[13] Michi Beck, Thomas D., And.Ypsilon, and Smudo lent their voices to Skipper, Kowalski, Rico, and Private, respectively, infusing the roles with their signature humor and adding a layer of cultural familiarity for German audiences.[60] This media venture marked one of their notable forays into animation, aligning with their playful public personas.[13]Discography
Studio albums
Die Fantastischen Vier have released twelve studio albums between 1990 and 2024, marking their evolution from lighthearted, innovative German rap to more introspective and genre-blending works. Early releases established their signature humorous and accessible style, while later albums incorporated philosophical and personal themes, often self-produced through their own Four Music label founded in 1996. Four albums—4:99, Fornika, Für dich immer noch Fanta Sie, and Rekord—topped the German album charts, underscoring their commercial dominance in the hip-hop scene.[15][11][61] The following table summarizes their studio albums chronologically, including release details, chart performance, sales where documented, and key thematic or production notes:| Album Title | Release Year | Label | Peak Position (Germany) | Sales (Germany) | Notes |
|---|---|---|---|---|---|
| Jetzt geht's ab! | 1990 | Columbia | #47 | ~100,000 | Debut German-language album introducing their playful rap style with early hits like "Jetzt geht's ab".[62][63] |
| 4 gewinnt | 1992 | Columbia | #3 | 750,000 | Breakthrough album featuring playful, witty lyrics and the hit single "Die da?!?"; introduced their fun-oriented hip-hop approach with innovative sampling.[63] |
| Die 4. Dimension | 1993 | Columbia | #14 | 250,000 | Expanded on experimental sounds with surreal themes and sampling; bridged early career to mainstream success.[64][63] |
| Lauschgift | 1995 | Columbia/Four Music | #5 | 550,000 | Focused on clever wordplay and storytelling; marked the start of self-production elements via their new label, emphasizing live instrumentation and humor.[63] |
| 4:99 | 1999 | Four Music/Columbia | #1 | Not documented | Explored philosophical themes on life, society, and personal growth; included acronym-heavy tracks like "MfG" and showcased mature production with electronic influences.[65] |
| Viel | 2004 | Four Music/Columbia/Sony Music | #2 | Not documented | Delved into everyday joys and relationships with upbeat, melodic rap; self-produced with guest features, highlighting their pop-rap fusion.[66] |
| Fornika | 2007 | Columbia | #1 | Not documented | Addressed fame, love, and self-reflection through funky, horn-driven tracks; fully self-produced, blending hip-hop with soul and rock elements.[2] |
| Heimspiel | 2009 | Columbia | #3 | Not documented | Celebrated regional pride and nostalgia with energetic, party-oriented rap; produced in-house, incorporating live band sounds for a homecoming vibe. |
| Für dich immer noch Fanta Sie | 2010 | Columbia | #1 | Not documented | Reflected on longevity and fan loyalty with punning title and introspective lyrics; self-produced with diverse beats, mixing rap and acoustic elements. |
| Rekord | 2013 | Columbia/Sony Music | #1 | Not documented | Commemorated 25 years with motivational themes on perseverance; self-produced via Four Music, featuring collaborations and celebratory anthems.[61] |
| Captain Fantastic | 2018 | Columbia | #2 | Not documented | Explored superhero metaphors for personal challenges; produced with electronic and orchestral touches, marking their tenth studio effort.[67] |
| Long Player | 2024 | Rekord Music and Distribution | #2 | Not documented | Continued themes of endurance and reflection in a long career; self-released under their imprint, with modern production blending rap and pop.[31][68] |