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Three Hearts
Three Hearts
from Wikipedia

Three Hearts
Studio album by
ReleasedFebruary 1979
Recorded1978
StudioSunset Sound Recorders, Hollywood, California
GenreRock, pop, disco
Length40:47, 51:29 (CD reissue)
LabelCapitol
ProducerJohn Carter, Richard Dashut
Bob Welch chronology
French Kiss
(1977)
Three Hearts
(1979)
The Other One
(1979)
Singles from Three Hearts
  1. "Precious Love"
    Released: January 1979
  2. "Church"
    Released: May 1979
  3. "3 Hearts"
    Released: July 1979
Professional ratings
Review scores
SourceRating
AllmusicStarStarStar[1]

Three Hearts is the second solo album by rock musician and former Fleetwood Mac guitarist Bob Welch.

Just like Welch's previous effort French Kiss, Three Hearts was a commercial success. The album reached number 20 on the US charts in 1979 and went gold.[2] It spawned a hit single, "Precious Love", which peaked at number 19, making it Welch's last top 20 hit. "Church" was also a small hit, and peaked at number 73.[3] Don't Wait Too Long" is a reworking of "Good Things (Come to Those who Wait)", a Welch composition that had been left off the Fleetwood Mac album Mystery to Me.

The album was reissued by Culture Factory in 2013 in a miniature replica LP sleeve, with 3 bonus cuts including the French version of "Precious Love". However, to this day, the 12-inch extended mix of "Precious Love" has never been released on CD.

Track listing

[edit]

All songs by Bob Welch except where noted

  1. "3 Hearts" – 3:23
  2. "Oh Jenny" – 4:17
  3. "I Saw Her Standing There" (Lennon/McCartney) – 2:53
  4. "Here Comes the Night" – 3:03
  5. "China" – 3:21
  6. "The Ghost of Flight 401" – 3:16
  7. "Precious Love" – 3:12
  8. "Church" – 3:06
  9. "Come Softly to Me" (Gary Troxel, Gretchen Christopher, Barbara Ellis) – 2:42
  10. "Devil Wind" – 4:03
  11. "Don't Wait Too Long" – 3:50
  12. "Little Star" – 3:41

Bonus tracks on 2012 CD re-issue

  1. "3 Hearts" [Alternate Version] – 3:20
  2. "Une Fille Comme Toi" [French Version of Precious Love] – 3:13
  3. "Something Strong" [B-side of Precious Love] – 3:55

Personnel

[edit]

Musicians

[edit]

Technical

[edit]

Charts

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Three Hearts (French: 3 cœurs) is a 2014 French romantic drama film directed and co-written by Benoît Jacquot. The story centers on a tax inspector named Marc who becomes entangled in a with two sisters after missing a planned rendezvous due to a health issue. Starring Benoît Poelvoorde as Marc, as Sylvie, as Sophie, and as their mother, the film explores themes of love, deception, and familial bonds. Premiering in competition at the 71st Venice International Film Festival on August 30, 2014, and released theatrically in on September 17, 2014, Three Hearts received positive critical reception, earning an 80% approval rating on based on 40 reviews. With a runtime of 106 minutes, the film was produced by companies including Rectangle Productions and Pandora Film Produktion, and distributed by . It marked another collaboration for Jacquot with Gainsbourg and Mastroianni, following their previous works together.

Background and development

Album concept

Bob Welch departed from in 1974, after serving as the band's guitarist, songwriter, and vocalist from 1971 to 1974, amid burnout and internal challenges. He transitioned to a solo career with the release of his debut album in 1977, which established his independent identity outside the group. Three Hearts, his follow-up solo album issued in 1979, built on this foundation, reflecting Welch's post- evolution toward a more personal artistic voice. The album also featured contributions from former bandmates, including backing vocals by and , and drums by , bridging Welch's solo work with his band legacy. The album's creative origins stemmed from Welch's aim to craft a contemporary sound distinct from his debut, emphasizing a fusion of and pop with prominent keyboard and elements to capture the era's evolving musical landscape. This approach incorporated emerging influences, particularly in tracks featuring extended mixes and rhythmic grooves, to broaden its appeal amid the late 1970s' diverse pop scene. Thematically, Three Hearts wove together reflections on exploitation in —such as the plight of young aspirants ensnared by manipulative figures—and broader existential motifs like the search for truth and personal fulfillment. To demonstrate his musical range and honor key influences, Welch incorporated cover songs including the ' "," reinterpreted in a bluesy style, and ' "," highlighting his affinity for classic pop harmonies. His original contributions further underscored personal themes of love and ; for instance, "Precious Love" paid tribute to Motown's soulful romance, while "Church" delved into spiritual emptiness and inner longing. These elements collectively positioned Three Hearts as a versatile exploration of Welch's artistic maturation.

Song selection

The album Three Hearts features 10 tracks on its original LP release, blending eight original songs written by Bob Welch—such as the title track "3 Hearts" and "Oh Jenny"—with two covers to achieve a cohesive runtime of 37:05. This balance was designed to showcase Welch's songwriting while incorporating familiar material to broaden appeal, with the originals dominating to maintain a personal artistic voice amid the commercial pop-rock landscape of the late . Among the selections, upbeat pop-disco oriented tracks like "Precious Love" were included for their potential as lead singles, offering energetic hooks that reached #19 on the and provided dynamic openers or closers in the album's sequencing. In contrast, slower ballads such as "Oh Jenny," with its introspective lyrics and extended 4:17 duration, were chosen to add emotional depth and pacing variety, preventing the album from being uniformly high-tempo. The covers, including the ' "" for its raw rock energy and immediate familiarity, and The ' "" evoking nostalgia tied to Welch's roots, added variety and commercial draw to the tracklist. A 2012 reissue expanded the original LP by adding three bonus tracks: an alternate version of "3 Hearts," the French-language rendition "Une Fille Comme Toi" of "Precious Love," and the B-side "Something Strong."

Production

Filming

Principal photography for Three Hearts began on 16 September 2013 and lasted approximately 45 days. Filming primarily took place in the region, with two weeks of shooting in Valence in the region (now ). Additional locations included the train station and Square Bonaparte in , as well as sites in , Nord, such as 16 Boulevard Général de Gaulle.

Production team

The film was produced by Édouard Weil and Alice Girard for Rectangle Productions. Co-producers included Christoph Friedel and Claudia Steffen for Pandora Film Produktion (Germany), and Geneviève Lemal for Scope Pictures (Belgium), with support from Arte France Cinéma. The project received backing from Canal+, Ciné+, the Île-de-France region, the NRW fund, and Sofica entities including Soficinéma, Cinémage, and Palatine Etoile. Key technical roles were filled by Julien Hirsch, editor Luc Barnier, Sylvain Chauvelot, and .

Musical style and content

Genre influences

Three Hearts exemplifies and pop sensibilities, characterized by smooth melodies and accessible arrangements that align with the aesthetic popularized in the late 1970s. Drawing from Bob Welch's tenure in during the early 1970s, the album incorporates blues-rock foundations, evident in its guitar-driven textures and rhythmic grooves, which Welch refined into a more polished, radio-friendly sound. This blending of blues-rock grit with 's laid-back smoothness creates a cohesive style that emphasizes emotional introspection amid romantic themes. A key influence is the infusion of late-1970s rhythms, including four-on-the-floor beats and orchestral strings, which add a dance-oriented layer to the rock core. Tracks like "Hot Love" showcase this fusion through pulsating basslines and upbeat tempos that evoke romance, while "Precious Love" employs -influenced production to heighten its celebratory feel. This approach capitalizes on the era's trends, transforming Welch's harder-edged rock elements from his prior solo work into a more versatile, groove-heavy format suitable for both introspective ballads and energetic love anthems. The album also nods to 1960s pop through covers such as "" and "," reinterpreted with Welch's contemporary lens to bridge generational styles. These selections contribute to a thematic consistency centered on love songs, where mid-tempo grooves in pieces like "Oh Jenny" allow for reflective narratives, contrasting with the disco-infused uptempo tracks that convey passion and immediacy. Overall, Three Hearts evolves Welch's sound from the rock-disco hybrid of his debut toward greater pop accessibility, prioritizing emotional depth over raw intensity.

Track listing

The original 1979 LP release of Three Hearts features 12 tracks divided between Side A and Side B in the vinyl format. Side A
No.TitleWriter(s)Length
1."3 Hearts"Welch3:23
2."Oh Jenny"Welch4:17
3."I Saw Her Standing There"2:53
4."Here Comes the Night"Welch3:03
5."China"Welch3:21
6."The Ghost of Flight 401"Welch3:16
Side B
No.TitleWriter(s)Length
1."Precious Love"Welch3:12
2."Church"Welch3:06
3.""Ellis–Troxel–Christopher2:42
4."Devil Wind"Welch4:03
5."Don't Wait Too Long"Welch3:50
6."Little Star"Welch3:41
The 2012 CD reissue adds three bonus tracks: an alternate version of "3 Hearts" (Welch – 3:20), "Une Fille Comme Toi," the French-language version of "Precious Love" (Welch – 3:13), and "Something Strong," the B-side of "Precious Love" (Welch – 3:55). The extended 12-inch single mix of "Precious Love," released in 1979, has not been included on any standard CD reissues.

Personnel

Musicians

Bob Welch served as the primary musician on Three Hearts, providing lead vocals and guitar across all tracks, while also contributing and keyboards on several selections. A former member of from 1971 to 1974, Welch's multifaceted role underscored his transition to a solo career following the band's early-1970s lineup changes. Supporting him were guitarist Todd Sharp, who added rhythmic and parts throughout the album, and keyboardist David Adelstein, responsible for keyboards and elements that enhanced the pop-rock arrangements. Alvin Taylor handled the majority of the percussion duties, delivering a solid backbone to the record's diverse tempos. Guest appearances from Welch's former Fleetwood Mac colleagues enriched select tracks. Mick Fleetwood, the band's longtime drummer, performed on "The Ghost of Flight 401," bringing his distinctive style to the song's atmospheric build. Christine McVie, another ex-bandmate and keyboardist-vocalist in Fleetwood Mac, contributed backing vocals and keyboard overdubs to "Bend Me Shape Me" and "Don't Wait Too Long," adding harmonic depth to those songs. Stevie Nicks, who had recently joined Fleetwood Mac after Welch's departure, provided backing vocals on "Devil Wind," her ethereal tone complementing Welch's lead in a nod to their shared musical circle. Percussionist Steve Forman also appeared on several tracks, contributing subtle textures to the album's production. Notable track-specific contributions highlight the collaborative spirit. On the cover of The Beatles' "I Saw Her Standing There," Nicks joined Welch for an impromptu vocal duet, capturing a spontaneous energy during recording. These Fleetwood Mac connections, appearing courtesy of Warner Bros. Records, bridged Welch's solo work with his influential tenure in the group, where he co-wrote key tracks like "Hypnotized" and "Sentimental Lady."

Technical staff

The technical staff for Bob Welch's 1979 album Three Hearts encompassed key roles in mixing, engineering, mastering, and visual design that shaped its polished pop-rock sound. John Carter served as the primary producer, with co-producing "The Ghost of Flight 401." Engineering duties were handled by Warren Dewey, supporting the recording and mixing processes at facilities including Sunset Sound. Mastering was performed by Ken Perry at , ensuring the final audio balance and dynamic range suitable for vinyl release on . Art direction and design were overseen by the firm Vigon Nahas Vigon, creating a cohesive visual identity that complemented the album's thematic elements. Photography for the album cover and promotional imagery was provided by Neal Preston, Olivier Ferrand, and Sam Emerson. Additional contributions came from crew members Curry Grant and David Trask, who assisted in various production logistics, as well as , who arranged the string sections to add orchestral texture to several tracks. These efforts provided the framework that refined the musicians' raw performances into a commercially viable release.

Release and promotion

Theatrical release

Three Hearts had its world premiere in competition at the 71st Venice International Film Festival on August 30, 2014. It was subsequently screened in the Special Presentations section of the and at the 58th in October 2014. The film was released theatrically in on September 17, 2014, distributed by . International releases followed, including in on September 17, 2014 (French-speaking regions) and May 14, 2015 (German-speaking regions), and in via . In the United States, it received a on March 13, 2015, through Cohen Media Group and . World sales were handled by Elle Driver. In January 2015, the film received four nominations at the 20th Lumières Awards: Best Film, Best Director for Benoît Jacquot, and Best Actress for both Charlotte Gainsbourg and Chiara Mastroianni.

Marketing efforts

Promotion for Three Hearts centered on its festival premieres to generate buzz, with early reviews highlighting the film's exploration of love and fate through its star-studded cast. A trailer was released in advance of the French debut, emphasizing the romantic drama elements and featuring the lead actors. The campaign leveraged the director's reputation and prior collaborations with Gainsbourg and Mastroianni, positioning the film as a sophisticated French arthouse drama. Distributor handled marketing in and select European markets, including press junkets and advertising tied to the Lumières nominations. In the , Cohen Media Group promoted it as a limited release with subtitled screenings in select cities.

Commercial performance

Box office

Three Hearts had a of €7.1 million (approximately $9.5 million USD). The film earned a total of 365,336 admissions in , where it opened on September 17, 2014, to 160,854 admissions in its first weekend. Worldwide, it grossed approximately $2.9 million, with accounting for the majority at $2,319,513. In the United States, the film was released on March 13, 2015, and earned $161,129. Other notable markets included (240,495),[Belgium](/page/Belgium)(240,495), [Belgium](/page/Belgium) (182,451), and ($109,822). The film's profitability was estimated at 40% worldwide, indicating it did not recoup its at the .
MarketRelease DateOpening GrossTotal Gross
FranceSeptember 17, 2014$1,026,384$2,319,513
United StatesMarch 13, 2015$11,794$161,129
ItalyNovember 6, 2014$138,451$240,495
BelgiumSeptember 17, 2014$65,860$182,451
SpainOctober 30, 2015$109,822
AustriaMay 1, 2015$24,379
BrazilApril 30, 2015$39,965$39,965
Worldwide$2,874,787

Financial performance

The film's modest returns did not achieve status given its €7.1 million budget, with total worldwide earnings of $2,874,787 as of the latest reported figures. No certifications were issued, and home video sales data is unavailable. Distributed by in , the film's international rollout contributed to its limited commercial footprint compared to higher-budget productions.

Reception and legacy

Critical reviews

Upon its release in 1979, Three Hearts received generally positive notices from music publications for its rhythmic drive and melodic appeal, though some critiques noted a shift toward disco-influenced production that diluted its rock edge. magazine praised the album's "taut rhythm track" that underpinned "a set of flowing songs," highlighting the "relatively soft voiced vocals" that added texture and the presence of "lots of high-end songs" as standout elements. similarly emphasized the radio-friendly potential of its singles, with "Precious Love" receiving notable . Retrospective assessments have viewed the album as competent but unremarkable in Welch's post-Fleetwood Mac output, crediting its solid craftsmanship while pointing to a lack of bold innovation. users have rated it 7 out of 10, reflecting appreciation for its polished pop-rock blend, though professional critiques remain sparse. Album of the Year aggregates a critic score of 60 out of 100, underscoring its consistency without groundbreaking flair. Critics offered mixed takes on the album's cover songs, which aimed to infuse classics with Welch's contemporary style. The rendition of ' "" earned acclaim for its energetic, distinctive interpretation, described as "the most interesting version" that revitalized the track with fresh vigor. In contrast, the cover of ' "" drew criticism as feeling out of place and unremarkable, akin to filler amid the album's more dynamic originals. In post-2000 discussions on fan sites and music forums, Three Hearts has been positioned as an underrated entry in Welch's discography, valued for its seamless blending of rock, pop, and disco eras that bridged his roots with solo experimentation. Enthusiasts on platforms like The Ledge praise tracks like the title song and "I Saw Her Standing There" for their catchiness, often lamenting the album's overshadowed status compared to French Kiss.

Cultural impact

Three Hearts marked a pivotal point in Bob Welch's solo career, building directly on the commercial breakthrough of his 1977 debut album by maintaining a similar blend of pop-rock accessibility and rhythmic energy that appealed to late-1970s audiences. Released in 1979, it achieved gold certification and peaked at number 20 on the , solidifying Welch's transition from contributor to established solo artist during a period when ex-band members increasingly pursued individual paths in pop and rock. The album contributed to the evolving rock-disco crossover trends of the era, replicating the fusion style of with upbeat tracks like the top-20 single "Precious Love," a string-driven number that captured the transitional energy between 's peak and emerging sensibilities. This approach helped bridge Welch's work into the broader landscape of late-1970s music experimentation, where rock artists incorporated elements to sustain amid shifting boundaries. In terms of lasting archival interest, Three Hearts received a deluxe reissue in 2013 from Culture Factory USA, presented as a miniature LP sleeve replica with three bonus tracks, including the French-language version of "Precious Love," which renewed appreciation among collectors and fans of Welch's catalog. The album has also appeared in various Welch compilations, underscoring its place within his discography alongside French Kiss. Following Welch's death in 2012, Three Hearts has been referenced in tributes to his legacy as a former member, with obituaries highlighting its role in his successful solo phase and its reflection of the disco-influenced sound he brought to his post-band endeavors. and publicly acknowledged Welch's contributions to the band.

References

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