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Victoria Yeates

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Victoria Natalie Yeates (born 19 April 1983^[2]) is an English actress. She is best known for her role as Sister Winifred in the period drama series Call the Midwife. She also appeared in the film Fantastic Beasts: The Crimes of Grindelwald and its sequel, Fantastic Beasts: The Secrets of Dumbledore.^[3]

Key Information

Victoria Yeates
Born	Victoria Natalie Yeates (1983-04-19) 19 April 1983 (age 42) Bournemouth, Dorset, England
Occupation	Actress
Spouse	Paul Housden
Children	1^[1]

Yeates was born and raised in Bournemouth, Dorset, and practised ballet dancing as a child. In 2006, she earned a degree in acting at the Royal Academy of Dramatic Art (RADA). She began her career on the stage, earning critical praise for her roles in Noël Coward's Private Lives, in the Rookery Nook and in Michael McClure's The Beard. In 2017, she began touring in a production of Arthur Miller's The Crucible.^[4]^[5]

In 2014, she joined the cast of the BBC period drama Call the Midwife as Sister Winifred, a midwife who moves to Poplar, London in the early 1960s to work at Nonnatus House.^[4]

She became engaged to musician Paul Housden in 2016 in South Africa, during filming for the Call the Midwife Christmas special.^[6] They reside in London and married in June 2018.^[7]

References

[edit]

^ "Victoria Yeates on Instagram: "@paulhousden and I would like to introduce you to the new precious member of our family. Juliette Venus Yeates Housden made her starring debut on the 9th April 2021."".
^ "Happy Birthday, Victoria Yeates!". The Leaky Cauldron. 19 April 2018. Archived from the original on 6 May 2018. Retrieved 5 May 2018.
^ Bley Griffiths, Eleanor (6 February 2018). "Fantastic Beasts' newest star Victoria Yeates on working with her "role model" JK Rowling". Radio Times. Archived from the original on 6 May 2018. Retrieved 5 May 2018.
^ ^a ^b Jupp, Emily (21 February 2017). "Victoria Yeates talks nuns, #CallTheMidwife and her new role in The Crucible". The Independent. Archived from the original on 17 August 2022. Retrieved 5 May 2018.
^ Russell, Rachel (9 February 2017). "Call The Midwife's Victoria Yeates swaps the nunnery with witchcraft". East London and West Essex Guardian Series. Archived from the original on 6 May 2018. Retrieved 5 May 2018.
^ Benyon, Lucy (15 January 2018). "Victoria Yeates: Five things I can't live without - Fiancé, literature and meditation". The Express. Archived from the original on 6 May 2018. Retrieved 5 May 2018.
^ Paget, Antonia (22 December 2018). "Call The Midwife cast fly to France for Sister Winifred's real life wedding". Mirror. Retrieved 26 December 2018.

External links

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Victoria Yeates (born 19 April 1983) is an English actress renowned for her television and film roles, particularly as the novice nun and midwife Sister Winifred in the BBC period drama Call the Midwife (2014–2018) and as the activist Bunty Broadacre in the Fantastic Beasts film series (2018–2022).^[1] Born in Bournemouth, Dorset, Yeates developed an early interest in the performing arts through ballet training during her childhood, aspiring to become a professional dancer.^[2] Her path shifted toward acting after encouragement from a drama teacher led her to audition for and join the National Youth Music Theatre, where she discovered her passion for stage performance.^[3] She honed her skills at the Royal Academy of Dramatic Art (RADA), graduating with a BA in Acting in 2006.^[4] Yeates launched her professional career in theatre, earning critical acclaim for diverse roles including Sybil in Noël Coward's Private Lives at Nottingham Playhouse (2011) and Elizabeth Proctor in Arthur Miller's The Crucible during a 2017 national tour.^[5]^[6] Her breakthrough in television came with Call the Midwife, where she portrayed the enthusiastic but inexperienced Sister Winifred, a character who joins the Nonnatus House community in the 1960s.^[7] This role was followed by her film debut as Bunty Broadacre, a key ally to Newt Scamander, in Fantastic Beasts: The Crimes of Grindelwald (2018) and its sequel Fantastic Beasts: The Secrets of Dumbledore (2022).^[1] Other screen credits include appearances in A Discovery of Witches (2020) and voice work in the Doctor Who audio drama The Monsters of Gokroth (2019).^[1] In recent years, Yeates has returned to theatre with high-profile productions, making her Royal Shakespeare Company debut as Imogen Holst opposite Samuel Barnett in Mark Ravenhill's Ben and Imo at the Swan Theatre in 2024, with a London transfer at the Orange Tree Theatre in 2025.^[8]^[9] She starred in Wormholes at London's Omnibus Theatre in July 2024, receiving an Offies Award for her performance in 2025.^[10] Yeates is married to musician Paul Housden, whom she wed in June 2018, and they have a daughter, Juliet, born in 2021.^[11]

Early life and education

Early life

Victoria Yeates was born on 19 April 1983 in Bournemouth, Dorset, England.^[12] She grew up in Bournemouth, the daughter of a local butcher who later pursued night school to become a lawyer, though further details about her family remain private.^[13] As a child, Yeates practiced ballet dancing and initially aspired to a career as a professional ballet dancer, while also exploring acting as a secondary interest.^[14]^[15] She attended Bournemouth School for Girls during her secondary education, where her involvement in school activities began to shift her focus.^[16] Around the age of 15, encouraged by a mentor, Yeates recognized her stronger passion for acting and subsequently joined the National Youth Music Theatre, marking her transition toward performance arts.^[14]

Education

Victoria Yeates attended Bournemouth School for Girls for her secondary education in Dorset.^[16] Following her secondary schooling, Yeates enrolled at the Royal Academy of Dramatic Art (RADA) in London, one of the world's leading drama schools. She completed the three-year BA (Hons) in Acting program, graduating in 2006.^[4]^[17] RADA's curriculum for the BA Acting degree emphasizes rigorous training in classical and contemporary theatre techniques, preparing students for professional stage and screen work. Yeates's training included core classes in acting fundamentals—drawing from methods like those of Constantin Stanislavsky—along with voice and speech, movement, improvisation, text and scene study, and dramaturgy.^[17]^[18] These elements equipped her with a strong foundation in classical theatre practices, such as verse speaking and physical characterization essential for Shakespearean and period roles. No specific student productions featuring Yeates during her time at RADA are publicly documented in available sources.

Acting career

Theatre

Following her graduation from the Royal Academy of Dramatic Art in 2006, Victoria Yeates began her professional stage career with a critically acclaimed performance as Jean Harlow in Michael McClure's surreal two-hander The Beard at the Old Red Lion Theatre.^[19] In this beat poet's exploration of myth, sexuality, and power dynamics between icons Billy the Kid and Harlow, Yeates was described as "resplendent in white silk and mink," delivering a portrayal that contributed to the production's intense, poetic revival after nearly four decades.^[20] Yeates continued to garner praise in comedic roles, notably as Poppy Dickey in Ben Travers' farce Rookery Nook at the Menier Chocolate Factory in 2009. Her "terrific late cameo" as the saucy local girl infused the revival with sharp wit and energy, helping to revitalize the 1926 classic amid a cast of strong ensemble performances.^[21] Critics highlighted her as "perfect" in the role, noting how her character's playful deception and physical comedy heightened the production's farcical chaos.^[22] In 2011, she took on the role of Sybil Chase in Noël Coward's Private Lives at Nottingham Playhouse, directed by Giles Croft. Yeates' depiction of the "sexless simpering" yet viciously spiteful second wife was lauded for its edge, setting "the teeth on edge" and enhancing the comedy of manners' biting social satire.^[5] The production, which toured after its Nottingham run, marked a significant step in her early career, showcasing her versatility in classic British repertoire.^[23] Yeates returned to more dramatic territory in 2017 with the UK tour of Arthur Miller's The Crucible, directed by Douglas Rintoul for Selladoor Productions. As Elizabeth Proctor, she brought "gentle, unshakeable dignity" to the beleaguered wife accused in the Salem witch trials, her performance praised for its emotional depth and restraint amid the production's intense, fast-paced staging.^[24] Reviews commended her chemistry with Eoin Slattery as John Proctor, underscoring the role's impact in a timely revival addressing hysteria and injustice.^[25] In 2024, Yeates made her Royal Shakespeare Company debut as Imogen Holst in Mark Ravenhill's Ben and Imo at the Swan Theatre, Stratford-upon-Avon. Portraying the composer Benjamin Britten's musical assistant in this fictionalized account of their turbulent collaboration on Gloriana, she delivered a "superb" performance that captured Holst's resilience and unrequited devotion, earning acclaim for its emotional intensity.^[26] The production transferred to the Orange Tree Theatre in spring 2025, where Yeates reprised the role to further positive reviews, highlighting the play's exploration of creative genius and toxicity.^[27] Yeates starred in the titular one-woman role in Emily Jupp's Wormholes at Omnibus Theatre, Clapham, running from July to August 2024. In this harrowing examination of domestic abuse survival, her "completely compelling" portrayal of a woman piecing together her traumatic past was lauded for its raw vulnerability and nuance.^[28] For this performance, Yeates won the OffWestEnd Award for Best Performance in a Play at the 2025 ceremony, recognizing her standout contribution to off-West End theatre.^[29]

Television

Yeates gained prominence in television with her recurring role as Sister Winifred in the BBC period drama Call the Midwife, joining the cast in series 3 in 2014. Portrayed as a warm-hearted, somewhat innocent novice nun from the countryside who had recently qualified as a nurse and midwife, the character arrives at Nonnatus House in 1960s Poplar, London, to assist with midwifery duties and gradually integrates into the ensemble of nuns and midwives.^[7] Over the course of 45 episodes from 2014 to 2018, Sister Winifred's arc evolves from an eager but inexperienced newcomer handling routine cases to a more seasoned figure confronting complex ethical and emotional challenges, such as supporting vulnerable women in difficult births and navigating personal doubts about her vocation.^[1] Her contributions added depth to the series' exploration of post-war community healthcare, enhancing the show's ensemble dynamic and contributing to its critical acclaim as a staple of BBC programming. Yeates departed the role in the 2018 Christmas special, with the character returning briefly to the mother house before leaving to pursue teaching, allowing Yeates to explore other opportunities.^[30] In 2021, Yeates appeared in three episodes of the Sky One fantasy drama A Discovery of Witches during its second season, playing Elizabeth Jackson, a water witch allied with the protagonist Diana Bishop in 16th-century scenes.^[31] The role showcased her versatility in genre television, blending historical elements with supernatural themes in a supporting capacity within the ensemble. Prior to her breakthrough, Yeates made guest appearances in BBC productions, including two episodes of the medical drama Holby City in 2010 as Sheena Clore, a surgical support character involved in hospital intrigue.^[32] That same year, she featured in one episode of the lesbian drama Lip Service as Janet, an office junior in a brief comedic subplot.^[33] These early roles marked her entry into broadcast television, primarily in contemporary BBC series.

Film

Victoria Yeates made her feature film debut in a prominent supporting role within the Wizarding World franchise, portraying Bunty Broadacre in Fantastic Beasts: The Crimes of Grindelwald (2018), directed by David Yates. In the film, Bunty serves as the dedicated assistant to the protagonist Newt Scamander (played by Eddie Redmayne), showcasing her character's resourcefulness and affinity for magical creatures as she aids in the story's high-stakes pursuit across 1920s Europe.^[34] This role marked Yeates' entry into a major international production, contributing to the expansion of J.K. Rowling's Harry Potter universe by introducing new characters and lore that bridged the prequel series to the broader wizarding mythology. She reprised the role of Bunty in the sequel, Fantastic Beasts: The Secrets of Dumbledore (2022), where her character continues as Scamander's loyal aide, participating in covert operations against dark wizard Gellert Grindelwald amid escalating global tensions in the magical community. Yeates' performance in these films provided her with significant international exposure, as the franchise grossed over $1.4 billion worldwide across its installments, allowing her to collaborate with stars like Jude Law and Johnny Depp while filming in diverse locations including the UK, France, and Brazil. Her portrayal emphasized Bunty's quiet strength and ethical dilemmas, adding depth to the ensemble cast in this blockbuster series produced by Warner Bros. In addition to these features, Yeates has appeared in short films, beginning with Multiplex (2020), a horror-adventure directed by Jed Shepherd.^[35] She played Miriam, the enigmatic owner of a South London cinema, in this tale of a brother and sister duo chasing an urban legend about hidden treasure within the multiplex, blending suspense with social commentary on economic desperation.^[35] The film premiered at festivals and highlighted Yeates' versatility in genre work outside mainstream blockbusters.^[36] Yeates starred as Magda in the 2025 Cornish-language short film Ladron (Thieves), a neo-noir production written and directed by Lowri Evans.^[37] In the story, Magda is a morally complex femme fatale entangled in a heist and betrayal among three friends with clashing ideologies, set against Cornwall's foggy landscapes and folklore.^[37] Filmed on location in Cornwall, the project features dialogue entirely in the revived Cornish language, aiming to promote cultural preservation through cinema; Yeates prepared by learning the language for authenticity in her role.^[38] Funded via crowdfunding and supported by Cornish heritage organizations, Ladron represents Yeates' commitment to independent, regionally focused storytelling.^[38]

Personal life

Marriage

Victoria Yeates became engaged to Paul Housden, a musician and composer from Melbourne, Australia, in May 2016 during a filming trip to South Africa for the Call the Midwife Christmas special.^[39] The couple, who had been together for four years at the time, shared the moment near Cape Town after a safari at Inverdoorn Game Reserve; Housden proposed at a café near Cape Town, presenting Yeates with an amethyst engagement ring, though the romantic gesture was nearly interrupted by her fear of nearby baboons.^[40]^[41] Housden, a member of the band Gentlemen, is not a public figure beyond his personal connection to Yeates.^[39] The pair married in June 2018 in a private ceremony at a 13th-century chateau in the Pyrenees mountains of France.^[42] They kept the wedding under wraps for several months, with details emerging publicly in December 2018 through magazine features.^[43] The intimate event was attended by close family, friends, and several castmates from Call the Midwife, highlighting the supportive circle around the couple during this milestone.^[44]

Family

Yeates and her husband, Paul Housden, welcomed their first child, daughter Juliette Venus Yeates Housden, on April 9, 2021.^[45] The family resides in London, where Yeates has balanced her acting commitments with motherhood.^[3] Following the birth of her daughter, Yeates expressed a desire to pursue roles that were particularly inspiring to her, reflecting a shift in her professional choices influenced by her new role as a parent.^[46] In 2024, Yeates spoke publicly about her experience of domestic abuse in a past relationship, in support of the charity Refuge.^[47]

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