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Waterloo Sunset
Waterloo Sunset
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"Waterloo Sunset"
West German picture sleeve
Single by the Kinks
from the album Something Else by the Kinks
B-side
Released5 May 1967 (1967-05-05)
Recorded3, 10 and 13 April 1967[1]
StudioPye, London[1]
Genre
Length3:16
Label
SongwriterRay Davies
ProducerRay Davies
The Kinks UK singles chronology
"Dead End Street"
(1966)
"Waterloo Sunset"
(1967)
"Autumn Almanac"
(1967)
The Kinks US singles chronology
"Mister Pleasant"
(1967)
"Waterloo Sunset"
(1967)
"Autumn Almanac"
(1967)
Audio sample

"Waterloo Sunset" is a song by English rock band the Kinks. It was released as a single on 5 May 1967 and featured on the album Something Else by the Kinks in September that year. Written and produced by Kinks frontman Ray Davies, "Waterloo Sunset" is one of the band's best-known and most acclaimed songs, and was ranked number 14 on the 2021 edition of Rolling Stone's 500 Greatest Songs of All Time list. It was also their first single that was available in true stereo.

"Waterloo Sunset" reached number 2 on the British charts in mid-1967. It was a top 10 hit in Australia, New Zealand and most of Europe. While also released as a single in North America, it failed to chart there.

History

[edit]
A sunset over Waterloo, London, taken from the Victoria Embankment in 2001

Interviewed in May 1967, Ray Davies stated that he wrote "Waterloo Sunset" having had "the actual melody line in my head for two or three years".[5] He initially titled the song "Liverpool Sunset", but scrapped the Liverpool theme after the release of the Beatles' song "Penny Lane".[5][6][7][nb 1]

The lyrics describe a solitary narrator watching (or imagining) two lovers passing over a bridge, reflecting on the couple, the River Thames, and Waterloo station.[8][9] Speaking in 2010, Davies commented: "I didn't think to make it about Waterloo, initially, but I realised the place was so very significant in my life. I was in St Thomas' Hospital when I was really ill [when he had a tracheotomy aged 13] and the nurses would wheel me out on the balcony to look at the river. It was also about being taken down to the 1951 Festival of Britain. It's about the two characters – and the aspirations of my sisters' generation who grew up during the Second World War. It's about the world I wanted them to have. That, and then walking by the Thames with my first wife and all the dreams that we had."[10] The two lovers in the lyric are named as Terry and Julie.[11]

Interviewed in May 1967, Davies stated that "if you look at the song as a kind of film, I suppose Terry would be Terence Stamp and Julie would be Julie Christie", referring to the popular British film actors romantically linked at the time.[12][13][11] Latterly, Davies has refuted this connection; in 2008, he described the song as "a fantasy about my sister going off with her boyfriend to a new world", referring to Rosy Davies, who moved to Australia in 1964.[9][14]

The song was the first Kinks recording produced solely by Ray Davies, without longtime producer Shel Talmy; Talmy's contract with the band had expired in spring 1967.[15] Because of its complex arrangement, the sessions for "Waterloo Sunset" lasted ten hours.[16] Dave Davies later commented on the recording: "We spent a lot of time trying to get a different guitar sound, to get a more unique feel for the record. In the end we used a tape-delay echo, but it sounded new because nobody had done it since the 1950s. I remember Steve Marriott of the Small Faces came up and asked me how we'd got that sound. We were almost trendy for a while."[17]

"Act Nice and Gentle"

[edit]

The B-side "Act Nice and Gentle" was exclusive to this single, and has been described as a plea for "some civility".[18] It has a "country-western influence" that foreshadowed the band's 1971 album Muswell Hillbillies. The song later appeared as a bonus track on the 1998 reissue of Something Else by the Kinks.[19]

Legacy and accolades

[edit]
London Waterloo station

In Britain, the song is commonly considered to be Davies' most famous work, and it has been "regarded by many as the apogee of the swinging sixties".[20] Highly esteemed for its musical and lyrical qualities, the song is commonly the subject of study in university arts courses.[20] Davies largely dismisses such praise and has even suggested that he would like to go back and alter some of the lyrics; most professionals, however, generally side with the observation of Ken Garner, a lecturer at Glasgow Caledonian University, who said: "Davies, like all the best singer-songwriters, is intensely self-critical."[20]

Music journalist and critic Robert Christgau has called "Waterloo Sunset" "the most beautiful song in the English language".[21] AllMusic senior editor Stephen Thomas Erlewine concurred, citing it as "possibly the most beautiful song of the rock and roll era".[22] Pete Townshend of the Who has called it "divine" and "a masterpiece".[23] In 1972, Record World said that it "may be the best thing [the Kinks have] ever done".[24] In 2004, Rolling Stone magazine placed the song at number 42 on their list of "The 500 Greatest Songs of All Time";[25] it was re-ranked at number 14 on the 2021 revision of the list.[26]

Ray Davies performed "Waterloo Sunset" at the closing ceremony of the 2012 Summer Olympics in London.[27] A subsequent reissue of the Kinks' original single entered the UK charts at No. 47.[28]

Personnel

[edit]

According to band researcher Doug Hinman:[29]

The Kinks

Additional musician

  • Rasa Davies – backing vocal

Charts

[edit]
Chart (1967) Peak
position
Australia (Go-Set)[30] 4
Australia (Kent Music Report)[31] 4
Austria (Ö3 Austria Top 40)[32] 10
Belgium (Ultratop 50 Flanders)[33] 6
Belgium (Ultratop 50 Wallonia)[34] 8
Denmark (Danmarks Radio)[35] 5
Germany (GfK)[36] 7
Ireland (IRMA)[37] 3
Netherlands (Dutch Top 40)[38] 1
Netherlands (Single Top 100)[39] 1
New Zealand (Listener)[40] 7
Norway (VG-lista)[41] 7
Rhodesia (Lyons Maid)[42] 3
Sweden (Kvällstoppen)[43] 14
Sweden (Tio i Topp)[44] 4
UK Singles (OCC)[45] 2

Certifications

[edit]
Region Certification Certified units/sales
United Kingdom (BPI)[46] Platinum 600,000

Sales+streaming figures based on certification alone.

Cathy Dennis version

[edit]
"Waterloo Sunset"
Single by Cathy Dennis
from the album Am I the Kinda Girl?
B-side
  • "Consolidation"
  • "Sunny Afternoon"
  • "I Just Love You"
  • "West End Pad" (alternative version)
Released1997
Length3:41
LabelPolydor
SongwriterRay Davies
Producers
Cathy Dennis singles chronology
"West End Pad"
(1996)
"Waterloo Sunset"
(1997)
"When Dreams Turn to Dust"
(1997)

British singer-songwriter Cathy Dennis recorded a version of the song that was released as the second single from her 1997 album, Am I the Kinda Girl?. Her version peaked at number 11 on the UK Singles Chart and number seven in Iceland. Both versions of the CD single feature a cover of another Kinks song: "Sunny Afternoon".

Critical reception

[edit]

British magazine Music Week rated Dennis' version three out of five. The reviewer wrote, "The approval of Ray Davies — who appears in the video — will help the cause of this cover which captures the atmosphere and laziness of The Kinks' original. This could be the hit to kick off the album Am I The Kinda Girl?."[47] In a 1997 review, the magazine gave it two out of five, adding, "Ray Davies's song is given an unremarkable treatment by the former dance chanteuse, but television exposure should help this reach the Top 40."[48]

Music video

[edit]

The accompanying music video for "Waterloo Sunset" consists of Dennis singing the song whilst travelling alone in a taxi driven by Ray Davies in a cameo role. The scenes visible outside the taxi windows vary between the London of the 1990s and footage of various locations as they were in the 1960s.

Track listings

[edit]
  1. "Waterloo Sunset"
  2. "Consolation"
  3. "Sunny Afternoon"
  4. "I Just Love You"
  1. "Waterloo Sunset"
  2. "Consolation"
  3. "Sunny Afternoon"
  4. "West End Pad" (Alternative Supple 7-inch) – 3:41
  • UK cassette single[51]
  1. "Waterloo Sunset"
  2. "Consolation"

Charts

[edit]

Other versions

[edit]

The song has been recorded by many other artists, including the Jam,[57] Def Leppard,[58] Elliott Smith and David Bowie.[59]

Notes

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
"Waterloo Sunset" is a song by the English rock band , written by frontman and released as a single on May 5, 1967. It peaked at number two on the UK Singles Chart and achieved top-ten placements across , , and , marking the band's first stereo single release. Featuring impressionistic lyrics about a lonely observer watching lovers Terry and Julie meet at Waterloo Station at sunset, the track draws from Davies' personal experiences in , including a childhood hospital stay at overlooking the Thames and memories of his sisters' lives. Originally conceived in a dream as "Liverpool Sunset," Davies changed the title after the ' geographically specific "" was released earlier that year, shifting the focus to his hometown of as a heartfelt to the city. Recorded live in the studio on March 12, 1967, with a hypnotic bass line by , rising vocal harmonies from and brother Dave, and a distinctive guitar part using tape delay, the song exemplifies the ' shift toward introspective, British Invasion-era . Hailed as an enduring anthem of London, "Waterloo Sunset" has received widespread critical acclaim, ranking number 14 on Rolling Stone's 2021 list of the 500 Greatest Songs of All Time and frequently cited as one of the finest British rock compositions. Its legacy includes covers by artists like Cathy Dennis and David Bowie, as well as praise from contemporaries such as Jimi Hendrix, who said he loved the tune, underscoring its influence on songwriting and evocation of place in rock music.

Background and writing

Inspiration and development

Ray Davies drew significant inspiration for "Waterloo Sunset" from his childhood experiences in , particularly his time spent at overlooking the Thames and Waterloo Station. As a child recovering from a serious illness, including a tracheotomy at age 13, Davies was often wheeled onto a terrace where he observed the bustling crowds at the station and the flowing river below, fostering a lifelong fascination with the area as a vantage point for . These early memories shaped the song's observer perspective, with Davies later recalling how the scene evoked a sense of detachment and romance amid urban life. The song evolved from an initial concept titled "Liverpool Sunset," conceived as a tribute to the Merseybeat scene and The Kinks' strong following in , where the melody had lingered in ' mind for years. However, following ' release of "" in 1967, revised it to focus on , a setting he knew intimately, stating, "Write what you know." This development occurred amid The Kinks' ongoing ban from U.S. touring, imposed in 1965 due to onstage brawling and other issues, which forced the band to remain in the UK and inspired to explore English locales and themes more deeply during this period of creative introspection. In early 1967, the song came to in a dream, which he then finalized, incorporating the hospital views from his youth to enhance the narrative of quiet observation. He has since described "Waterloo Sunset" as a quintessential " anthem" in numerous interviews starting from the , emphasizing its enduring connection to the city's twilight vistas and personal resonance, with one critic even calling it "the most beautiful song in the ."

Lyrics and themes

The lyrics of "Waterloo Sunset" depict a solitary narrator gazing from his window at the everyday ritual of two lovers, and Julie, meeting at Waterloo Station and crossing the bridge over the Thames River every Friday night. This narrative structure evokes a sense of gentle romance, with the couple's journey symbolizing escape and connection in the bustling urban landscape. Often interpreted as a reference to Terence Stamp and from their 1967 film , the names '' and 'Julie' emerged unexpectedly as Davies wrote the song. He later clarified that they were inspired by his sister Rene and her boyfriend, ordinary people who met at a station before her emigration to , rather than celebrities, though the observer's perspective draws from his childhood hospital experiences. At its emotional core, the song intertwines themes of romantic longing—captured in the lovers' safe passage "where they feel safe and sound"—with urban isolation, as the narrator remains an outsider to their world. This detachment is underscored by lines like "But I am so lazy, don't want to wander / I stay at home at night," which convey quiet contentment in personal withdrawal amid the city's relentless flow. The symbolism of the Thames sunset serves as a for enduring beauty and serenity persisting through the grit of life, transforming a mundane vista into a personal paradise. Davies employs poetic devices such as repetition in the chorus—"Terry meets Julie, Waterloo Station / Waterloo sunset's fine"—to create a , mantra-like rhythm that mirrors the narrator's meditative . This observational stance highlights a subtle emotional distance, positioning the singer as a passive witness whose own fulfillment derives from the simple act of watching, rather than participating.

Recording and production

Studio sessions

The final recording sessions for "Waterloo Sunset" took place on April 3, 10, and 13, 1967, at Pye Studios No. 2 in , following an initial version produced by that was later re-recorded under ' direction after Talmy's contract expired. This came shortly after the completion of the band's Face to Face in late 1966. The sessions marked a period of intensive studio work for , facilitated by their ongoing ban from performing in the United States since 1965, which eliminated touring obligations and allowed the band to concentrate on UK-based production without external pressures. handled lead vocals, , and piano during the sessions, contributing multi-instrumental elements to shape the track's intimate sound. Key to the song's evocative atmosphere was the , which provided a gentle rhythmic foundation. added backing vocals to enhance the harmonic layers. The production involved live tracking on four-track tape, with careful overdubs to build the arrangement's subtlety. Post-recording, the sessions faced challenges, particularly in achieving the perfect fade-out; engineers spliced multiple tape takes to refine the gradual dissolution, ensuring the track's dreamy close aligned with ' vision. This meticulous process underscored the band's growing emphasis on precision during this era.

Musical arrangement and personnel

"Waterloo Sunset" features the core lineup of : on lead vocals, , , and backing vocals; on and backing vocals; on bass guitar and backing vocals; and on drums. Additional backing vocals were provided by Rasa Davies, Ray's wife at the time, creating layered harmonies particularly prominent in the chorus. The song was produced by , with engineering by Alan Mackenzie at Pye Studios. It employs a straightforward verse-chorus structure in , with a of 108 BPM and a runtime of 3:14. The arrangement highlights a distinctive descending bass line in the introduction, played by Quaife, which sets a contemplative mood, complemented by ' electric guitar enhanced with tape delay. The chorus builds with the cascading "ooh" harmonies, adding emotional depth without additional beyond the band's setup.

Release

Single details and B-side

"Waterloo Sunset" was released as a single by in the on 5 May 1967, with the catalog number 7N 17321. The 7-inch vinyl featured a 4-prong knockout center and was produced by . Packaging included a standard picture sleeve, though specific artwork details vary by pressing. The B-side, "Act Nice and Gentle," was written by and recorded during the same studio sessions as the band's album in early 1967. The track exemplifies ' mid-1960s shift toward introspective, folk-tinged rock, with acoustic elements and a mellow . In the United States, the single appeared on on 26 July 1967 under catalog number 0612, with "Two Sisters" as the B-side on commercial copies. Promo versions were distributed to radio stations, often featuring white labels to highlight the tracks for airplay. The single's promotion occurred amid the Kinks' rising domestic popularity in the UK, following the 1965 American Federation of Musicians ban that prevented U.S. touring until 1969. Lacking a dedicated promotional —unlike some earlier Kinks releases that faced bans—the effort relied on radio broadcasts and live performances to build momentum.

Album inclusion

"Something Else by the Kinks", the band's fifth studio album, was released on 15 September 1967 by in the , with "Waterloo Sunset" serving as the closing track on its original 12-song lineup. The album's themes revolve around domesticity and everyday British life, capturing vignettes of suburban envy, family dynamics, and quiet introspection through ' songwriting, culminating in the poignant isolation and solace depicted in "Waterloo Sunset" as a climactic finale. In the United States, the album appeared on in January 1968, maintaining the same track order and content as the version despite the label switch. The song's prior success as a single, released on 5 May 1967 and peaking at number two on the charts, influenced its prominent placement as the album's closer, effectively tagging it onto the sequence to capitalize on its popularity and provide an emotional apex. Later reissues have preserved and expanded the album's legacy; the 1998 remaster by (initially under ) included bonus tracks such as "Act Nice and Gentle", "", "Susannah's Still Alive", and "Wonderland", offering additional context from the era's sessions.

Commercial performance

Chart performance

"Waterloo Sunset" was released as a single on 5 May 1967 and entered the UK Singles Chart on 17 May 1967 at No. 29. The song climbed steadily, reaching its peak position of No. 2, which it held for two weeks in late May and early June 1967, prevented from the top spot by "Silence Is Golden" by . It spent a total of 11 weeks on the UK Singles Chart, including extended time in the top 10. Internationally, the single performed strongly in , topping the chart in the , reaching No. 4 , No. 2 in , and No. 7 in . In the United States, it achieved modest success, peaking at No. 62 on the Cash Box chart but failing to enter the Hot 100. The song's UK performance marked a slight dip from the band's previous single "Sunny Afternoon," which had reached No. 1 in 1966. Later reissues and compilations, such as the 1997 edition of The Kinks Are the Village Green Preservation Society, contributed to renewed interest.
CountryPeak PositionYearSource
United Kingdom21967Official Charts Company
Ireland41967Irish Singles Chart reconstruction
Netherlands11967Dutch Top 40
Australia (Go-Set)21967Go-Set
New Zealand71967Lever Hit Parade
United States (Cash Box)621967Cash Box

Certifications and sales

"Waterloo Sunset" received a gold certification from the (BPI) on September 17, 2021, for sales and streaming equivalent to 400,000 units in the UK. Earlier, in 2004, it was awarded silver by the BPI for 200,000 units, reflecting ongoing commercial interest. The single has been certified for 400,000 units in the UK by the BPI, including sales and streaming equivalents. Despite ' four-year ban from U.S. touring (1965–1969), which hampered international promotion, the track achieved strong performance, peaking at number 2 on the Singles Chart. In modern metrics, "Waterloo Sunset" has surpassed 100 million streams on by 2023, reaching over 143 million by November 2025, underscoring its lasting digital appeal. No exists for the original single, though the band's overall discography has sold more than 50 million records worldwide, with "Waterloo Sunset" standing out as a key enduring contributor.

Critical reception and legacy

Contemporary reviews

Upon its release on 5 May 1967, "Waterloo Sunset" received positive notices from the UK music press, which highlighted its lyrical depth and musical maturity. In New Musical Express, the single was described as "a real corker" and "an extremely good pop record," praising its "very catchy tune and an absorbing lyric" as well as 's contributions as composer and producer for his "intelligent technical approach." Similarly, commended the track as a "colourful composition with all the hooks and hallmarks of a hit," noting that had "blossom[ed] again with that evergreen Kinks sound, noticeably matured, becoming more subtle and less aggressive" following a period of reflection. The song's introspective style marked a shift from the satirical edge of earlier hits like "," with reviewers emphasizing its evolution toward a more contemplative tone. By 20 May, reported it as a "chart-splintering success" infused with "sweet cynicism," underscoring Davies's inspiration from landmarks and personal observation. Public reception was enthusiastic, evidenced by strong initial sales that saw the single enter the UK Singles Chart at number 29 on 11 May 1967, rising rapidly to number 2. It garnered airplay on programs, including a lip-synced performance on on 17 May, contributing to its rapid ascent. While some observers noted its melancholic quality as a departure amid the era's psychedelic trends, the predominant response celebrated its emotional resonance and poetic evocation of everyday life.

Long-term acclaim and cultural impact

"Waterloo Sunset" has garnered enduring critical praise, consistently ranking among the pinnacle achievements in . In magazine's 2021 edition of the 500 Greatest Songs of All Time, the track placed at number 14, lauded for its poignant depiction of urban isolation and connection in . Similarly, in the magazine's 2004 list, it held the number 42 position, underscoring its timeless appeal. The song's lasting impact is reflected in significant accolades for its writer, . Davies received a knighthood in 2017 from Prince Charles for services to music, with "Waterloo Sunset" frequently cited as a defining work in his catalog that captured the essence of British identity. Its cultural resonance extends to prominent appearances in media and events, including a live by Davies at the closing ceremony of the 2012 London Olympic Games, where it served as an anthem evoking the city's vibrant yet melancholic spirit. The track has influenced artists across generations; for instance, Blur frontman has described it as the most perfect song imaginable, and the band joined Davies onstage for a rendition in 1995, highlighting its role in inspiring Britpop's nostalgic take on British life. David Bowie's 2003 cover, released as a bonus track during his Reality Tour, further illustrates its cross-generational draw and adaptability; in August 2025, Bowie's version was made available for streaming for the first time. Scholars in British musicology have examined "Waterloo Sunset" for its exploration of urban themes, such as alienation and the romance of everyday cityscapes, in analyses from the 2010s.

Cover versions

Cathy Dennis version

Cathy Dennis's cover of "Waterloo Sunset" was released as the second single from her third studio album, Am I the Kinda Girl?, on 17 February 1997 via Polydor Records in the UK. The recording marked a stylistic shift for Dennis, moving away from the dance-pop of her earlier work toward a more organic Britpop sound characterized by guitar-driven elements and atmospheric production. It was co-produced by Dennis and Mark Saunders, with a runtime of 3:41 for the album and single version. The single entered the UK Singles Chart on 1 March 1997 and peaked at number 11, spending five weeks in the Top 100. This made it Dennis's highest-charting release since 1991 and her final Top 20 hit in the UK. , the song's writer, collaborated on the B-side and appeared in the music video, indicating his support for the cover. The accompanying music video depicts Dennis performing the song while riding in a taxi through , driven by in a cameo role, incorporating imagery of the city's streets and the River Thames to evoke the original's themes. It emphasizes a sense of urban solitude and movement, aligning with the track's introspective mood. The UK CD single was released as a limited-edition digipak and featured the following track listing:
No.TitleWriter(s)Producer(s)Length
1"Waterloo Sunset", Mark Saunders3:41
2"Consolation", , 4:08
3"Sunny Afternoon"3:16
4"West End Pad (Alt Remix)"Cathy Dennis, Mark Saunders, Mark Saunders, Danton Supple (remix)3:41
The B-sides included an original song co-written with (""), a cover of ' "," and an alternate remix of Dennis's prior single "West End Pad." No dedicated remixes of "Waterloo Sunset" were included on the commercial single, though promotional formats may have featured variations.

Other notable covers

recorded a cover of "Waterloo Sunset" in 2003, which was released as a bonus track on the Japanese edition of his album , featuring his characteristic dramatic vocal delivery that added a sense of theatrical introspection to the original's wistful tone. A remastered version was released digitally in August 2025. Elliott Smith delivered intimate acoustic renditions of the song during live performances in the late 1990s and early 2000s, including a notable 1997 show in , where his fragile, folk-inflected style emphasized the track's melancholic undercurrents and personal vulnerability. Def Leppard included a hard rock version on their 2006 covers album Yeah!, transforming the gentle melody with aggressive guitars and a glam-metal edge that contrasted sharply with ' original subtlety. The Jam recorded a demo of "Waterloo Sunset" in 1980, infusing it with punk energy and mod revival urgency during sessions that captured their raw, high-octane live sound. Peter Gabriel's 2010 orchestral arrangement, released as a bonus track on the deluxe edition of Scratch My Back, stripped the song to vocals and strings, creating a haunting, cinematic atmosphere that highlighted its emotional isolation. Swedish folk duo performed a stripped-back live cover in 2014 for , their harmonious sibling vocals lending a tender, heartfelt glow to the song's themes of quiet observation and longing. In 2025, released a cover as part of promotion for their Oh! The Ocean, offering an reinterpretation with energetic instrumentation.

References

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