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The Wayans Bros.
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| The Wayans Bros. | |
|---|---|
| Genre | Sitcom |
| Created by |
|
| Starring |
|
| Theme music composer |
|
| Opening theme |
|
| Composer | Tom Rizzo |
| Country of origin | United States |
| Original language | English |
| No. of seasons | 5 |
| No. of episodes | 101 (list of episodes) |
| Production | |
| Executive producers |
|
| Production locations | Warner Bros. Studios, Burbank, California (taping location) |
| Camera setup | Videotape; Multi-camera |
| Running time | 21 minutes |
| Production companies | |
| Original release | |
| Network | The WB |
| Release | January 11, 1995 – May 20, 1999 |
The Wayans Bros. is an American sitcom television series that aired on The WB from January 11, 1995, to May 20, 1999. The series starred real life brothers Shawn and Marlon Wayans, comedian John Witherspoon, and Anna Maria Horsford (season 2 onward).
Premise
[edit]Shawn and Marlon Williams (Shawn Wayans and Marlon Wayans) are brothers who live in an apartment on 117th Street in Harlem. Shawn owns a local newsstand, where he and his brother Marlon work on a daily basis. Their father, John "Pops" Williams (John Witherspoon), owns a diner called Pops' Joint, where Marlon once worked (during season 1). Formerly located in Harlem, the restaurant was later moved downtown into the fictional Neidermeyer Building, in Rockefeller Center, where Shawn's newsstand is located and Dee Baxter (Anna Maria Horsford (onwards from Season 2)) works as a security guard.[1]
Cast
[edit]Main
[edit]- Shawn Wayans as Shawn Williams, a womanizing, stylish and responsible young bachelor and Marlon's older brother. He is an owner of his own local newsstand.
- Marlon Wayans as Marlon Williams, Shawn's dimwitted, immature, sex crazed, unsanitary and lazy younger brother, who also works at the newsstand. Marlon usually serves as the comic foil to big brother Shawn, often at times getting himself, or Shawn into tight spots. Marlon cuts his hair in the Season 3 episode "Grandma's in the Hiz-House".
- John Witherspoon as John "Pops" Williams, Shawn and Marlon's dysfunctional tacky father, who owns his locally famed diner, which is right by Shawn and Marlon's newsstand.
- Anna Maria Horsford as Deirdre "Dee" Baxter (seasons 2–5), the tough security guard and Shawn, Marlon and Pops' close friend.
- Lela Rochon as Lisa Saunders (season 1)
- Paula Jai Parker as Monique (season 2, episodes 1–11)
- Jill Tasker as Lou Malino (season 2, episodes 1–7)
Recurring
[edit]- Phill Lewis as Thelonious "T.C." Capricornio (seasons 2–5)
- Mitch Mullany as White Mike (season 2)
- Ja'Net DuBois as Grandma Ellington (seasons 3–4)
- Jermaine 'Huggy' Hopkins as Dupree (seasons 3–5)
Episodes
[edit]Production
[edit]The Wayans Bros. was the first of the four sitcoms that aired as part of the original Wednesday night two hour lineup that helped launch the network (along with Unhappily Ever After, The Parent 'Hood, and the short-lived Muscle). While in development, the series' working title was initially supposed to have been Brother to Brother before the name of the series changed to The Wayans Bros.[2]
In the show's second season in 1995, Pops' Joint (the restaurant owned by Shawn and Marlon's father, John "Pops" Williams) was moved into the Neidermeyer Building where the location was changed from Harlem to Rockefeller Center, Manhattan.
While the series did not end on a cliffhanger, it was cancelled in 1999 due to declining ratings and was not given a proper finale. In the horror comedy film Scary Movie (2000), Shawn Wayans' character, while furiously stabbing another character to death, breaks the fourth wall and says: "And The Wayans Bros. was a good show, man! It was a good-ass show, and we didn't even get a final episode!"
Theme music and opening sequence
[edit]The show's official opening title began with Shawn and Marlon on the steps of a brownstone apartment building, donning afros and wearing 1970s preppy attire, moving in rhythm to an accompanying satirical music piece that's supposed to have a 1970s-style "urban" sitcom theme song feel. Marlon forcefully smacks the camera, and then segues into "the real opening" of The Wayans Bros.
The scene then cuts to them with their normal clothes and trying to help an old woman who gets hit by a bus. The camera then shows the brothers inside the bus with the title of the show underneath them. The "second half" part of The Wayans Bros. theme song was changed twice throughout its four-year run (1995–1999). In the first two seasons, the show's theme song was A Tribe Called Quest's "Electric Relaxation".
In the third season, the theme song changed to a four-second hip hop beat. In the final two seasons, the show's theme song was changed again to a regular hip hop instrumental beat (which was produced by the Wayans Bros. & Omar Epps). In Brazilian reruns of seasons one and two episodes that have aired in SBT in 2015, this version replaced the seasons one and two sequence with the season three sequence.
Syndication
[edit]Warner Bros. Domestic Television Distribution handles syndication distribution of the series. In September 1999, after the series was cancelled by The WB, the series began airing in off network syndication nationwide.

At that same time, Chicago based national cable superstation WGN began airing reruns of the series, airing the series until 2002 (when its broadcast syndication run also ended); WGN (both the local Chicago feed and the national superstation feed) aired The Wayans Bros. in first run form from 1995 to 1999, when WGN (whose local Chicago feed was an affiliate of the network) carried WB programming nationally to make The WB available to markets where a local affiliate did not exist (The Wayans Bros. is one of three WB series to have aired on WGN in both first run and syndication form; The Parent 'Hood, 7th Heaven, and Sister, Sister being the others).
In 2006, reruns began airing on BET, after a four-year absence, where it ran until 2007. In 2007, reruns of the series aired on Ion Television where it ran until 2008. Since then, several Viacom networks, including MTV2, VH1, and BET Her have run the series in continuous rotation. As of 2023, reruns air frequently on VH1. It has also aired on Dabl, airing from May 6 to September 30, 2024 and made its return on October 6, 2025.[3] All five seasons of the show were available to stream on HBO Max and BET+, but as of 2025, it isn't available on any streaming service.
Home media
[edit]Warner Home Video released Season 1 of The Wayans Bros. on DVD in Region 1. Warner Archive subsequently released Seasons 2 to 5 on DVD in Region 1.[4][5][6][7]
| DVD name | Ep # | Release date |
|---|---|---|
| The Complete First Season | 13 | February 8, 2005 |
| The Complete Second Season | 22 | May 9, 2017 |
| The Complete Third Season | 22 | November 7, 2017 |
| The Complete Fourth Season | 22 | January 22, 2019 |
| The Complete Fifth Season | 22 | March 26, 2019 |
| The Complete Series | 101 | February 4, 2025[8] |
References
[edit]- ^ Brown, Preezy (January 15, 2020). "10 Most Memorable Episodes Of 'The Wayans Bros.'". VIBE.com. Retrieved August 15, 2022.
- ^ "It's Comedy for WB Network". Broadcasting & Cable. August 15, 1994. Archived from the original on November 5, 2012.
- ^ https://www.dabltvnetwork.com/shows/the-wayans-brothers
- ^ "The Wayans Bros: The Complete Fifth Season".
- ^ "The Wayans Bros. – 'The Complete 2nd Season' Is Coming to DVD at Long Last! Shawn and Marlon Come Back to Disc This May, from the Warner Archive". TVShowsOnDVD. Archived from the original on April 21, 2017. Retrieved April 20, 2017.
- ^ "The Wayans Bros. - 'The Complete 3rd Season' Is Coming to DVD This Year! MOD Available from the Warner Archive in Early November". TVShowsOnDVD. Archived from the original on October 21, 2017. Retrieved April 20, 2017.
- ^ "The Wayans Bros: The Complete Fourth Season".
- ^ https://www.amazon.com/Wayans-Bros-Complete-DVD/dp/B0DNZNG949/ref=sr_1_12_sspa?crid=13GHH9JXK54L5&dib=eyJ2IjoiMSJ9.cGeVn-NwVXAom9wXdX41v3WVAmgQItLOyQS_fMOrgXp_OVS7fGln3cyAMrEZugVAr_oD98NIjQuei2k5DmXNSXdiKfEymVaQVObERTHvKzFmfrpnDk08-eKcB1wENBkATfzTDmJ8bNU6rCFafX6XPSJMt9pNmSFPhbdiYkBN29s.m27JRy9C37jY_Tk9610PXBKejqII2McebpKhXcNhr0k&dib_tag=se&keywords=spongebob+Another+100+Episodes+dvd&qid=1740655824&sprefix=spongebob+another+100+episodes+dvd%2Caps%2C186&sr=8-12-spons&sp_csd=d2lkZ2V0TmFtZT1zcF9idGY&psc=1
External links
[edit]The Wayans Bros.
View on GrokipediaPremise and Format
Core Concept
The Wayans Bros. centers on the daily lives and misadventures of two brothers, Shawn and Marlon Williams, who reside in a modest apartment above their father's diner in Harlem, New York City. Shawn, the more responsible and ambitious older brother, works at a local newsstand, while Marlon, his impulsive and fun-loving counterpart, takes on odd jobs like courier work, often dragging Shawn into chaotic schemes in pursuit of quick success and financial stability. Their father, John "Pops" Williams, runs the Pops' Joint diner downstairs, serving as the gruff patriarch who dispenses street-smart advice amid the brothers' constant bickering and failed get-rich-quick ideas.[12][13][14] This setup establishes a classic family sitcom framework, where the home above the bustling diner becomes a hub for comedic conflicts arising from generational clashes and urban living challenges. The show's humorous tone combines physical comedy, slapstick antics, and sharp-witted dialogue to highlight sibling rivalry, with Shawn frequently playing the straight man to Marlon's wild escapades, leading to exaggerated mishaps in everyday situations like job hunts or social outings. In its inaugural season, the family structure emphasizes the core trio of the brothers and Pops, with inclusion of extended relatives such as their cousin Sheila, who appears in storylines involving family gatherings and support. This initial dynamic portrays a tight-knit African American household navigating economic pressures and personal growth in a vibrant city environment.[15][16][17] At its heart, the series explores enduring themes of brotherhood through the Williams siblings' unbreakable bond despite their differences, parental guidance via Pops' no-nonsense wisdom, and cultural humor rooted in the rhythms of African American family life, including community ties, resilience against urban hardships, and celebratory takes on Black cultural norms. These elements create a relatable portrait of familial love and loyalty, often punctuated by laugh-out-loud scenarios that reflect the joys and frictions of multigenerational living. Following season 1, the family evolves with new recurring members like girlfriend Lisa Saunders, but the foundational premise of the brothers' shared home and diner life persists throughout the run.[18][19]Seasonal Developments
The first season of The Wayans Bros. centered on the Williams family dynamics, with the brothers Shawn and Marlon engaging in lighthearted, youthful antics that highlighted their sibling rivalry and everyday misadventures in their Harlem apartment building.[20] The comedic focus remained on the brothers' immature behaviors and family interactions, often revolving around their work at the newsstand in the Niedermeyer Building lobby and interactions with Pops, their father.[16] Following the conclusion of season 1, the character of Deirdre "Dee" Baxter was introduced in season 2 as the family's close friend and a security guard in the Niedermeyer Building, who moves in to help manage the brothers' chaotic lives and serves as a no-nonsense disciplinary figure. This change expanded the family structure, adding Dee as a maternal influence who often clashed with Shawn and Marlon while enforcing rules at home and in the building.[20][21] From season 2 onward, the tone of the series shifted toward more mature themes, emphasizing workplace humor at the newsstand and the brothers' diner, alongside explorations of adult responsibilities such as financial struggles and career aspirations within the urban environment of the Niedermeyer Building.[19] The addition of Dee's character brought a layer of domestic discipline, balancing the brothers' antics with accountability, while the overall narrative incorporated more ensemble interactions among building residents.[16] In the final seasons, the series placed greater emphasis on romantic subplots for both brothers, including Shawn's ongoing relationships and Marlon's pursuits, intertwined with external family conflicts like disputes with extended relatives and building neighbors, building toward a series finale that resolved key tensions through reconciliations and comedic closure on their growth.[22] These developments allowed the show to evolve from pure sibling comedy to a broader examination of young adulthood, relationships, and family bonds.[19]Cast and Characters
Main Roles
The central characters of The Wayans Bros. are the titular brothers, Shawn Williams and Marlon Williams, played by real-life siblings Shawn Wayans and Marlon Wayans, respectively. Shawn is portrayed as the responsible, conservative older brother who manages his newsstand and often acts as the voice of reason amid the chaos.[14] In contrast, Marlon serves as the free-spirited, immature younger brother whose impulsive schemes and antics provide much of the show's physical comedy and humorous mishaps.[14][12] Their father, John "Pops" Williams, is brought to life by John Witherspoon as a gruff yet affectionate patriarch who owns the diner "Pops' Joint" in the lobby of Harlem's Niedermeyer Building, where the brothers work at Shawn's adjacent newsstand and much of the action unfolds. Pops dispenses folksy wisdom and sarcastic commentary, grounding the family's dynamic while contributing to the generational humor through his eccentric, no-nonsense demeanor.[12][16] Starting in season 2, Anna Maria Horsford joins as Deirdre "Dee" Baxter, the tough, outspoken security guard at the Niedermeyer Building who evolves into a surrogate family member, offering sharp wit and discipline to balance the brothers' antics.[8][16] Her no-nonsense personality drives comedic conflicts, particularly in interactions with Marlon's schemes. In season 1, the ensemble included Lela Rochon as Lisa Saunders, Shawn's girlfriend and a key romantic interest who adds relational tension and support to the family setup.[8][16] In season 2, Jill Tasker portrayed Lou Malino, the initial security guard at the building, whose role was recast with Dee later in the season, shifting the group's interpersonal dynamics.[8]Supporting and Recurring Roles
The supporting and recurring roles in The Wayans Bros. enriched the series' comedic dynamics by introducing characters who frequently entangled themselves in the Williams brothers' schemes, often providing comic relief through contrasting personalities and outsider perspectives.[16] Thelonious "T.C." Capricornio, portrayed by Phill Lewis, was a sharp-dressing huckster and friend to the brothers, appearing in multiple episodes across seasons 2–5 and frequently joining their misadventures with his scheming enthusiasm. His interactions added layers of con-artist humor, clashing with the brothers' improvisational antics.[8] White Mike, the quirky best friend of the brothers, offered an outsider's contrast to their Harlem worldview; played by Mitch Mullany in seven episodes in seasons 1 and 2, the character was a hip, culturally confused white guy navigating black urban life.[20] This role highlighted cultural clashes for comedic effect, with White Mike's misguided attempts at "fitting in" fueling subplots involving misguided schemes and social faux pas. Grandmama, played by Ja'Net DuBois as Grandma Ellington, brought generational sass and wisdom to select episodes in seasons 3 and 4, appearing in 10 installments where her overbearing yet loving presence sparked family conflicts and humorous generational gaps. Drawing from DuBois's iconic Good Times persona, the character delivered sharp one-liners and disciplinary moments that grounded the brothers' youthful chaos.[16] Other recurring figures included Jermaine "Big Hugg" Hopkins as Dupree, a homeless man who becomes a family friend in later seasons, adding heartfelt subplots. Diner patrons such as Reggie (Joel Murray, season 1) provided brief but memorable outsider commentary in early episodes, enhancing the neighborhood ensemble feel. These roles, typically appearing in 10-20 episodes each, bolstered the episodic comedy by supporting subplots that amplified the main cast's humor without overshadowing the family core.[23]Production
Development and Creation
The Wayans Bros. was co-created by real-life brothers Shawn and Marlon Wayans, building on their experiences from the Fox sketch comedy series In Living Color, where they honed their comedic style targeting young, urban audiences. The siblings pitched a family-oriented sitcom loosely inspired by their own upbringing in a large household, focusing on the antics of two mismatched brothers navigating life in Harlem alongside their father. Billy Van Zandt and Jane Milmore contributed to the early development by writing the pilot script and serving as executive producers for the first season.[24][25] Initially developed for NBC, the pilot was ordered and filmed in 1994 under then-entertainment president Warren Littlefield, marking an early attempt to bring the Wayans' vision to network television. However, after a table read, NBC executives deemed John Witherspoon's depiction of the family patriarch "too ghetto" and "too country," proposing a recast that the Wayans brothers rejected in solidarity with the actor. This standoff led NBC to pass on the project, prompting the brothers to shop it elsewhere.[26][27] The WB Television Network quickly acquired the series for its inaugural 1995–96 season, positioning it as a flagship Black-led sitcom to anchor the upstart network's lineup aimed at younger demographics. The premise was refined to emphasize physical humor, sibling rivalry, and cultural authenticity, drawing from the Wayans' stand-up routines and sketch work to appeal to urban youth. Over its run, the show produced 101 episodes across five seasons, reflecting strong initial commitment from the network.Filming and Crew
The Wayans Bros. was primarily filmed at Warner Bros. Studios in Burbank, California, where the interior sets, including the central location of Pops' Joint diner, were constructed to evoke the bustling atmosphere of a Harlem, New York City eatery despite the West Coast production base.[28] The diner set, owned by the character Pops Williams, served as the primary filming hub for many episodes, featuring a classic greasy spoon design with checkered floors, booths, and a counter to mimic East Coast urban aesthetics. The series employed the standard multi-camera sitcom format, shot before a live studio audience to capture authentic reactions and energy, which contributed to its fast-paced comedic timing and laugh track integration.[16] Directors rotated throughout the run, with John Bowab helming the most episodes at 31, followed by Buzz Sapien with 15; other notable directors included Scott Baio, who contributed several installments starting in 1996 and brought his experience from other Black-led sitcoms, as well as Gerren Keith, Glynn Turman, and Marlon Wayans himself.[20] The writing team, led by co-creators Shawn Wayans and Marlon Wayans alongside Leslie Ray and David Steven Simon, handled much of the scripting, with early seasons featuring contributions from Billy Van Zandt and Jane Milmore, and later input from Rick Hawkins and Phil Kellard.[12] This collaborative approach allowed the brothers to infuse personal experiences from their New York upbringing into the humor while adapting to weekly production demands.[16] Production faced logistical adjustments due to the Wayans brothers' concurrent film commitments, including Shawn and Marlon's roles in Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996) and Marlon's role in The Sixth Man (1997), which occasionally influenced episode scheduling and scripting to accommodate their availability. Cast chemistry developed steadily over the five seasons, bolstered by the live-audience format that encouraged improvisation and rapport among the leads. Cinematography was overseen by director of photography Joe Pennella, whose work emphasized dynamic lighting and quick cuts to heighten the physical comedy and ensemble interactions central to the show's style. Post-production, including editing and sound mixing, was handled at Warner Bros. facilities, ensuring seamless integration of the multi-camera footage with the live audience responses.[6]Episodes and Broadcast
Episode List
The Wayans Bros. consists of 101 episodes broadcast over five seasons from January 11, 1995, to May 20, 1999.[12] The series featured 13 episodes in season 1 and 22 episodes in each of seasons 2 through 5.[3]Season 1 (1995)
The first season establishes the core premise, centering on brothers Shawn and Marlon Williams as they balance life above their father's diner in Harlem, with thematic focuses on family integration, sibling rivalry, and initial career pursuits amid comedic mishaps.[12]| No. overall | No. in season | Title | Directed by | Written by | Original air date |
|---|---|---|---|---|---|
| 1 | 1 | Goop-Hair-It-Is | Peter Bonerz | Shawn Wayans & Marlon Wayans & Joseph P. Terry | January 11, 1995 |
| 2 | 2 | First Class | Peter Bonerz | Phil Beauman | January 18, 1995 |
| 3 | 3 | I'm Too Sexy for My Brother | Shelley Jensen | David Steven Simon | January 25, 1995 |
| 4 | 4 | Free Wally | Peter Bonerz | Leslie Ray | February 1, 1995 |
| 5 | 5 | Popeye's Return (a.k.a. ER) | Peter Bonerz | A.J. Marchisello & Michael Rotenberg | February 8, 1995 |
| 6 | 6 | Pops Moves In | Shelley Jensen | Phil Beauman | February 15, 1995 |
| 7 | 7 | Afro Cab | Peter Bonerz | David Steven Simon | February 22, 1995 |
| 8 | 8 | The Best Man | Shelley Jensen | Leslie Ray | March 1, 1995 |
| 9 | 9 | Def Jammin' | Peter Bonerz | Shawn Wayans & Marlon Wayans | March 8, 1995 |
| 10 | 10 | Brother, Brother | Shelley Jensen | Phil Beauman | March 15, 1995 |
| 11 | 11 | Road Trip | Peter Bonerz | David Steven Simon | March 22, 1995 |
| 12 | 12 | A Country Christmas | Shelley Jensen | Leslie Ray | March 29, 1995 |
| 13 | 13 | You Shouldn't Have to Lie | Peter Bonerz | Leslie Ray | May 24, 1995 |
Season 2 (1995–1996)
Season 2 expands on the brothers' career pursuits, incorporating more romantic subplots and family conflicts, while highlighting their efforts to succeed in business and personal relationships.[30]| No. overall | No. in season | Title | Directed by | Written by | Original air date |
|---|---|---|---|---|---|
| 14 | 1 | Shawn Takes a New Stand | Shelley Jensen | David Steven Simon | September 6, 1995 |
| 15 | 2 | Fatal Subtraction | Peter Bonerz | Phil Beauman | September 13, 1995 |
| 16 | 3 | Blood Is Thicker Than Watercolor | Shelley Jensen | Leslie Ray | September 20, 1995 |
| 17 | 4 | Two Men and a Baby | Peter Bonerz | A.J. Marchisello | September 27, 1995 |
| 18 | 5 | Loot | Shelley Jensen | Shawn Wayans & Marlon Wayans | October 4, 1995 |
| 19 | 6 | The Odd Couple | Peter Bonerz | David Steven Simon | October 11, 1995 |
| 20 | 7 | Rooftops | Shelley Jensen | Phil Beauman | November 1, 1995 |
| 21 | 8 | Three on a Couch | Peter Bonerz | Leslie Ray | November 8, 1995 |
| 22 | 9 | Dateless in Miami | Shelley Jensen | A.J. Marchisello | November 15, 1995 |
| 23 | 10 | Pops' Secret | Peter Bonerz | Shawn Wayans & Marlon Wayans | November 22, 1995 |
| 24 | 11 | Close Encounters of the Marlean Kind | Shelley Jensen | David Steven Simon | December 6, 1995 |
| 25 | 12 | Man in the Mirror | Peter Bonerz | Phil Beauman | December 13, 1995 |
| 26 | 13 | Psycho Santa | Shelley Jensen | Leslie Ray | December 20, 1995 |
| 27 | 14 | To Catch a Thief | Peter Bonerz | A.J. Marchisello | January 3, 1996 |
| 28 | 15 | Hearts and Flowers | Shelley Jensen | Shawn Wayans & Marlon Wayans | January 10, 1996 |
| 29 | 16 | Glove Story | Peter Bonerz | David Steven Simon | January 17, 1996 |
| 30 | 17 | The Return of Crazy Lou | Shelley Jensen | Phil Beauman | February 7, 1996 |
| 31 | 18 | A Hero's Welcome | Peter Bonerz | Leslie Ray | February 14, 1996 |
| 32 | 19 | Saving Ryan's Privates | Shelley Jensen | A.J. Marchisello | February 21, 1996 |
| 33 | 20 | Get the Fonk Outta Here | Peter Bonerz | Shawn Wayans & Marlon Wayans | February 28, 1996 |
| 34 | 21 | Mama, I Gotta Chupa | Shelley Jensen | David Steven Simon | April 17, 1996 |
| 35 | 22 | At Face Value | Peter Bonerz | Phil Beauman | May 1, 1996 |
Season 3 (1996–1997)
The third season delves deeper into family integration through guest appearances and holiday specials, alongside the brothers' ongoing comedic struggles with career ambitions and personal growth.[31]| No. overall | No. in season | Title | Directed by | Written by | Original air date |
|---|---|---|---|---|---|
| 36 | 1 | It Takes Two to Tango | Shelley Jensen | David Steven Simon | September 18, 1996 |
| 37 | 2 | Missing: Dalmation | Peter Bonerz | Phil Beauman | September 25, 1996 |
| 38 | 3 | Family Business | Shelley Jensen | Leslie Ray | October 2, 1996 |
| 39 | 4 | Grand Dad | Peter Bonerz | A.J. Marchisello | October 9, 1996 |
| 40 | 5 | Cuz in a Haz | Shelley Jensen | Shawn Wayans & Marlon Wayans | October 16, 1996 |
| 41 | 6 | Mom's Away | Peter Bonerz | David Steven Simon | October 30, 1996 |
| 42 | 7 | My Crazy Valentine | Shelley Jensen | Phil Beauman | November 13, 1996 |
| 43 | 8 | The Return of the Temptones | Peter Bonerz | Leslie Ray | November 20, 1996 |
| 44 | 9 | Goin' to the Net | Shelley Jensen | A.J. Marchisello | November 27, 1996 |
| 45 | 10 | Drama for Yo' Mama | Peter Bonerz | Shawn Wayans & Marlon Wayans | December 11, 1996 |
| 46 | 11 | Yule Be the Death of Me | Shelley Jensen | David Steven Simon | December 18, 1996 |
| 47 | 12 | Boyz in the Woods | Peter Bonerz | Phil Beauman | January 8, 1997 |
| 48 | 13 | A Simple Juke | Shelley Jensen | Leslie Ray | January 15, 1997 |
| 49 | 14 | Kung Fu Fighting | Peter Bonerz | A.J. Marchisello | January 22, 1997 |
| 50 | 15 | The Cold War | Shelley Jensen | Shawn Wayans & Marlon Wayans | February 5, 1997 |
| 51 | 16 | Uncle Steve | Peter Bonerz | David Steven Simon | February 12, 1997 |
| 52 | 17 | Dee's Baby Daddy | Shelley Jensen | Phil Beauman | February 19, 1997 |
| 53 | 18 | Prom Night | Peter Bonerz | Leslie Ray | February 26, 1997 |
| 54 | 19 | House of Cards | Shelley Jensen | A.J. Marchisello | March 12, 1997 |
| 55 | 20 | House of Cards | Peter Bonerz | Shawn Wayans & Marlon Wayans | March 26, 1997 |
| 56 | 21 | I Do... | Shelley Jensen | David Steven Simon | April 23, 1997 |
| 57 | 22 | Three the Hard Way | Peter Bonerz | Phil Beauman | May 14, 1997 |
Season 4 (1997–1998)
Season 4 emphasizes career pursuits and evolving family dynamics, with episodes exploring entrepreneurship, relationships, and cultural identity through humorous lenses.[33]| No. overall | No. in season | Title | Directed by | Written by | Original air date |
|---|---|---|---|---|---|
| 58 | 1 | Marlon's Return | John Bowab | David Steven Simon | September 24, 1997 |
| 59 | 2 | The Chicago Way | Peter Bonerz | Phil Beauman | October 1, 1997 |
| 60 | 3 | Pops' Daughter | Shelley Jensen | Leslie Ray | October 8, 1997 |
| 61 | 4 | Odd Man Out | John Bowab | A.J. Marchisello | October 15, 1997 |
| 62 | 5 | Pimp of the Year | Peter Bonerz | Shawn Wayans & Marlon Wayans | October 29, 1997 |
| 63 | 6 | Movin' on Out | Shelley Jensen | David Steven Simon | November 5, 1997 |
| 64 | 7 | Unspoken Token | John Bowab | Phil Beauman | November 12, 1997 |
| 65 | 8 | The Last Fight | Peter Bonerz | Leslie Ray | November 19, 1997 |
| 66 | 9 | How to Make a Killing | Shelley Jensen | A.J. Marchisello | December 10, 1997 |
| 67 | 10 | Let's Make a Deal | John Bowab | Shawn Wayans & Marlon Wayans | December 17, 1997 |
| 68 | 11 | In the Doghouse | Peter Bonerz | David Steven Simon | December 17, 1997 |
| 69 | 12 | Raging Marlon | Shelley Jensen | Phil Beauman | January 7, 1998 |
| 70 | 13 | The Son of Marlon | John Bowab | Leslie Ray | January 14, 1998 |
| 71 | 14 | Dee's Dee-lemma | Peter Bonerz | A.J. Marchisello | February 4, 1998 |
| 72 | 15 | Independence Day | Shelley Jensen | Shawn Wayans & Marlon Wayans | February 11, 1998 |
| 73 | 16 | Help a Brother Out | John Bowab | David Steven Simon | February 18, 1998 |
| 74 | 17 | The Rich Girl | Peter Bonerz | Phil Beauman | February 25, 1998 |
| 75 | 18 | Do You Know the Way to San José? | Shelley Jensen | Leslie Ray | March 4, 1998 |
| 76 | 19 | The Play's the Thing | John Bowab | A.J. Marchisello | April 29, 1998 |
| 77 | 20 | Fire | Peter Bonerz | Shawn Wayans & Marlon Wayans | May 6, 1998 |
| 78 | 21 | The Parent Trap | Shelley Jensen | David Steven Simon | May 13, 1998 |
| 79 | 22 | Bringing It All Back Home | John Bowab | Phil Beauman | May 20, 1998 |
Season 5 (1998–1999)
The final season shifts toward resolution of character arcs, focusing on family unity and career culminations.[34]| No. overall | No. in season | Title | Directed by | Written by | Original air date |
|---|---|---|---|---|---|
| 80 | 1 | Brother Can You Spare a Dime? | John Bowab | David Steven Simon | September 18, 1998 |
| 81 | 2 | Six Degrees of Marlon | Peter Bonerz | Phil Beauman | September 25, 1998 |
| 82 | 3 | Pops' Campaign | Shelley Jensen | Leslie Ray | October 2, 1998 |
| 83 | 4 | Romeo & J'Leeta | John Bowab | A.J. Marchisello | October 9, 1998 |
| 84 | 5 | Ho's on First | Peter Bonerz | Shawn Wayans & Marlon Wayans | October 16, 1998 |
| 85 | 6 | Escorting Ain't Easy | Shelley Jensen | David Steven Simon | November 6, 1998 |
| 86 | 7 | The Kiss | John Bowab | Phil Beauman | November 13, 1998 |
| 87 | 8 | The Engagement Man Always Rings Twice | Peter Bonerz | Leslie Ray | December 11, 1998 |
| 88 | 9 | Busta Saves the Day | Shelley Jensen | A.J. Marchisello | January 8, 1999 |
| 89 | 10 | Pops Gets Evicted | John Bowab | Shawn Wayans & Marlon Wayans | February 11, 1999 |
| 90 | 11 | Crazy 4 U | Peter Bonerz | David Steven Simon | February 18, 1999 |
| 91 | 12 | Green Card | Shelley Jensen | Phil Beauman | May 13, 1999 |
| 92 | 13 | The Wedding | John Bowab | Leslie Ray | May 20, 1999 |
| 93 | 14 | Big Brother | Peter Bonerz | A.J. Marchisello | January 21, 1999 |
| 94 | 15 | Wedding Story | Shelley Jensen | Shawn Wayans & Marlon Wayans | February 25, 1999 |
| 95 | 16 | Pops' Last Hurrah | John Bowab | David Steven Simon | March 4, 1999 |
| 96 | 17 | The Skunk | Peter Bonerz | Phil Beauman | March 11, 1999 |
| 97 | 18 | Hip Hop Pops | Shelley Jensen | Leslie Ray | February 25, 1999 |
| 98 | 19 | Everybody Loves Shawn | John Bowab | A.J. Marchisello | April 1, 1999 |
| 99 | 20 | Dreamgirl | Peter Bonerz | Shawn Wayans & Marlon Wayans | April 8, 1999 |
| 100 | 21 | The Letter | Shelley Jensen | David Steven Simon | April 15, 1999 |
| 101 | 22 | Nightmare on Melissa's Street | John Bowab | Phil Beauman | May 20, 1999 |
