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Woops!
GenrePost-apocalyptic sitcom
Created byGary Jacobs
Written byRoss Abrash
Maria Brown
Bill Bryan
Richard Day
Pat Dougherty
Gary Jacobs
Harold Kimmel
Tim Maile
Mark Nutter
Douglas Tuber
Directed byTerry Hughes
StarringEvan Handler
Fred Applegate
Meagen Fay
Cleavant Derricks
Marita Geraghty
Lane Davies
Narrated byEvan Handler
ComposerGNG Music
Country of originUnited States
Original languageEnglish
No. of seasons1
No. of episodes13 (3 unaired)
Production
Executive producersGary Jacobs
Tony Thomas
Paul Junger Witt
ProducersPeter Aronson
Gil Junger
Camera setupMulti-camera
Running time30 minutes
Production companiesHeartfelt Productions
Witt/Thomas Productions
Touchstone Television
Original release
NetworkFox
ReleaseSeptember 27 (1992-09-27) –
December 6, 1992 (1992-12-06)

Woops! is an American postapocalyptic sitcom that aired on the Fox network from September 27 to December 6, 1992.[1] The series was created by Gary Jacobs, and produced by Witt/Thomas Productions in association with Touchstone Television.

Synopsis

[edit]

The series centered around the six survivors of a world nuclear holocaust. They live together in an abandoned farm house while trying to survive and re-establish civilization. Thirteen episodes were made, but only 10 were aired before Fox cancelled the series.[2] In July 2002, TV Guide named Woops! the 42nd-worst TV show of all time, and referred to as a "post-apocalyptic Gilligan's Island".

Characters

[edit]
  • Mark Braddock (Evan Handler), formerly a schoolteacher, is the narrator of the show by writing in his journal. The pilot episode focuses on Mark, showing him finishing his classes and making a deposit at a drive-up window at the bank when a flash of light (the nuclear attack) occurs, and everything is turned to ruins except for Mark and his automobile, which was a Volvo. (The joke being that Volvos have a reputation for being well-built, reliable, and safe cars.)
  • Jack Connors (Fred Applegate), formerly a homeless man and a great practical joker, revealed he survived the nuclear war because he was sleeping under an expressway overpass, whose structure protected him. Jack considered his finding the farm advantageous, as he is no longer homeless.
  • Alice McConnell (Meagen Fay) was a progressive feminist stereotype. She reveals she worked in an old bookstore that had been built in the 1960s and equipped with a fallout shelter, which was converted into the basement. She ran out of register tape and went to the basement to get a fresh roll, thus being spared when the attack occurred.
  • Frederick Ross (Cleavant Derricks) was formerly a research biologist. His excellent knowledge of science is vital to the survival of the community. Although he considered it ironic that he was possibly the only Black man to have survived the nuclear war, and occasionally mused over the possible loss of a Black female companion, he genuinely enjoyed his White friends and living on the farm.
  • Suzanne Skillman (Marita Geraghty), a hair salon employee, is a dumb blonde stereotype, although her hair color was clearly brunette.
  • Curtis Thorpe (Lane Davies) was formerly an aggressive venture capitalist. He finds adjusting to farm life difficult, as most of the business skills he had before are not needed on the farm, although he was surprisingly athletic, having participated in track and field at Harvard.

Episodes

[edit]
List of Woops! episodes
No.TitleDirected byWritten byOriginal release dateProd.
code [3]
1"Pilot"Terry HughesGary JacobsSeptember 27, 1992 (1992-09-27)001
Mark tells of how during a military parade, some kids were fooling around with their remote-control toy car, which caused a nuclear warhead to launch and all the world's powers to open fire. At that time, Mark had just gotten off work and was making a deposit at the bank when, in a flash of light, the nuclear holocaust happened. Now driving through a barren wasteland, Mark stumbles upon a fertile valley containing a farm that houses five other survivors. However, the six constantly bicker and do not get along as a community, until a gigantic, mutated spider threatens the farm. The survivors have to work as a team to be able to fend off the spider.
2"It's a Dirty Job"Terry HughesBill BryanOctober 4, 1992 (1992-10-04)002
The survivors decide that they should reproduce to increase the population, but Mark is suffering from impotence. Mark believes his impotence may be a sign the survivors need to know each other better before they can introduce children to their community.
3"Root of All Evil"Terry HughesMark NutterOctober 11, 1992 (1992-10-11)004
The group creates their own makeshift currency.
4"Days of Berries and Roses"Terry HughesGary JacobsOctober 18, 1992 (1992-10-18)005
The survivors find hallucinogenic berries.
5"The Rise and Fall of Alice McConnell"Terry HughesMaria BrownOctober 25, 1992 (1992-10-25)003
A crystal causes Alice's bustline to grow much larger. She seems to be enjoying her new status as the object of men's attention, as opposed to Suzanne, but Mark reminds her that by giving in to being considered a sex object, she may be ruining what she has worked for her whole life – for women to gain respect.
6"The Election"Terry HughesGary JacobsNovember 1, 1992 (1992-11-01)008
Curtis and Mark square off in a campaign for the leader of the farm.
7"Curtis Unglued"Terry HughesRichard DayNovember 8, 1992 (1992-11-08)006
Curtis becomes devastated after the loss of his necktie. When it is found again and he puts it on, he somehow believes he is in the year 1986, before the nuclear holocaust happened. Mark and Alice have to somehow restore Curtis' memory.
8"Dumb Love"Terry HughesTim Maile & Douglas TuberNovember 15, 1992 (1992-11-15)010
The group finds out Suzanne is in love, and the men clamor amongst themselves to see who is the one for whom she has fallen. When they find out she is in love with Jack, he is glad, but she cannot stand the fact he loves to go exploring and push his shopping cart around to collect things he finds on his expeditions, when he ought to be paying attention to his girlfriend. The song "My Guy" is the theme played all throughout this episode. Meanwhile, mutated squash has grown, which comes in all colors and makes a sound akin to "mach" when squeezed.
9"The Thanksgiving Show"Terry HughesHarold Kimmel & Ross AbrashNovember 22, 1992 (1992-11-22)007
After a turkey is found on the farm, it grows into a gigantic turkey after eating radioactive grain. After it abducts Alice, Jack proposes a one-man rescue of her.
10"Say It Ain't So Santa"Terry HughesMark NutterDecember 6, 1992 (1992-12-06)012
Christmas is approaching, but it is not the same, as the nuclear holocaust has ruined much of the world's evergreen tree population. While cleaning out the chimney, the group finds Santa Claus (Stuart Pankin) has visited the group, but appears depressed. Santa later reveals to the group that he is suffering survivor's guilt, as his workshop at the North Pole had a fallout shelter, but the door slammed shut and Mrs. Claus and all the elves were unable to get inside.
11"The Nuclear Family"Terry HughesGary Murphy & Larry StrawtherUnaired009
The group finds a teenaged delinquent has been living near the farm, and his attitude has been only worsened by the nuclear holocaust.
12"The Littlest Pathologist"Terry HughesHarold Kimmel & Ross AbrashUnaired011
An electrical storm reverses Fredrick's aging process.
13"Daydreams Come and Me Wan' Go Home"Terry HughesTim Maile & Douglas TuberUnaired013
When Alice makes the group hold a party to celebrate their first six months together, they all spend it daydreaming about ways to kill her.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Woops!

View on Grokipedia
from Grokipedia
Woops! is an American post-apocalyptic television series created by Gary Jacobs that premiered on the on September 27, 1992, and ran for one season until its cancellation on December 6, 1992, with 13 episodes produced but only 10 aired. The series centers on six diverse survivors of a global triggered by an accidental missile launch during a , who converge on a remote, intact farmhouse in the Midwest to eke out a new existence amid the ruins of civilization. The ensemble cast features as the optimistic schoolteacher Mark Braddock, who emerges as the group's reluctant leader; Fred Applegate as the bumbling farmer Jack Connors; as the no-nonsense nurse Alice McConnell; Cleavant Derricks as the pragmatic scientist Dr. Frederick Ross; as the free-spirited artist Suzanne Wade; and as the opportunistic lawyer Curtis Thorpe. These characters, representing archetypal societal types, navigate comedic conflicts involving resource scarcity, interpersonal tensions, and absurd threats like mutant animals, all while attempting to repopulate and reorganize society. Produced by Witt/Thomas Productions in association with Touchstone Television, Woops! was directed primarily by Terry Hughes and featured writing contributions from Jacobs and others, blending dark humor with slapstick in a format likened to a post-nuclear Gilligan's Island. Despite its innovative premise as television's first post-apocalyptic sitcom, the show struggled with low viewership and mixed critical reception, earning a 10% Tomatometer score on Rotten Tomatoes and a Metascore of 24 on Metacritic, ultimately leading to its abrupt end after less than three months on air. In 2002, TV Guide ranked it among the 50 worst television series of all time at number 43, citing its juvenile tone and failure to capitalize on its high-concept setup.

Premise and format

Plot overview

Woops! is a post-apocalyptic centered on six unlikely survivors who band together after a global wipes out nearly all of humanity. The apocalypse is triggered by an innocent misunderstanding when two children playing with an electronic toy at a accidentally activate a nuclear missile, leading to full-scale . These diverse individuals—a schoolteacher, a , a , an , a , and a nurse—converge on a remote in the Midwest, transforming it into their makeshift home base for rebuilding society. The narrative follows the group's daily struggles to survive in a barren, irradiated , where they scavenge for scarce resources like , , and functional technology while navigating interpersonal conflicts arising from their clashing personalities and backgrounds. Efforts to repopulate the human race add layers of awkward humor, as the survivors grapple with the practical and ethical dilemmas of procreation in isolation. The among them provides essential expertise in and monitoring levels, underscoring the group's reliance on collective skills for sustenance. Thematically, the series satirizes through absurd scenarios that highlight themes of , resilience, and the fragility of , blending comedy with commentary on survival instincts and in the face of extinction. In the pilot episode, narrator Mark Braddock, a former schoolteacher chronicling events in his journal via , recounts the chaotic formation of the group and their initial attempts to establish order amid the ruins of the .

Series structure and style

Woops! is structured as a 30-minute multi-camera , typical of early network television, featuring a live and integrated to punctuate comedic moments. The series comprises 13 episodes produced for a single season, though only 10 aired on Fox from September to December 1992, with the format emphasizing self-contained weekly stories centered on the survivors' communal life. The comedic style functions as a post-apocalyptic parody, often drawing comparisons to Gilligan's Island for its ensemble dynamics in an isolated survival setting, where humor arises from characters' anachronistic attempts to recreate pre-apocalypse society, romantic entanglements, and comically inept efforts at rebuilding civilization. This black comedy approach blends absurdity with satirical takes on human behavior, such as makeshift economies or election parodies, highlighting the irony of mundane conflicts amid global catastrophe. Visually and tonally, the series employs bright, cartoonish sets depicting an improbably intact in a barren , contrasting the grim nuclear premise with vibrant colors and low-budget effects like creatures, evoking a live-action animated feel. Quick-cut gags and the amplify the rapid-fire humor, though the canned laughter occasionally underscores the tonal dissonance between lighthearted execution and darker themes.

Production

Development

Woops! was developed by writer Gary Jacobs, who penned the pilot script as a speculative project initially pitched to NBC. The concept drew from post-apocalyptic tropes, envisioning an accidental global nuclear war triggered by a child's remote-control toy, but reimagined through a comedic lens to appeal to sitcom viewers rather than horror audiences, emphasizing ensemble dynamics among diverse survivors akin to a "ghoulish Gilligan's Island." NBC passed on the series after investing $1 million in the pilot, deeming its goofy premise unsuitable for their lineup, which prompted co-executive producer Tony Thomas to facilitate a rare same-season switch to . Greenlit by in mid-1992, the network reimbursed for NBC's costs and ordered a full 13-episode season, marking an unusual cost-cutting maneuver amid economic pressures in network television. The series was produced by Witt/Thomas Productions in association with , with executive producers including Gary Jacobs, Tony Thomas, and , who supported pushing the show's satirical boundaries while balancing it with accessible humor. Development began in early 1992 under NBC's consideration, with production shifting to by summer and wrapping in time for a fall premiere. Filming took place at Ren-Mar Studios in Hollywood, (Stage 9), where budget limitations typical of mid-1990s sitcoms resulted in straightforward interior sets, such as the central , to focus resources on character-driven rather than elaborate effects. This approach aligned with the initial pitch's goal of delivering "silly parables" in a post-apocalyptic setting without veering into exploitative territory.

Casting and crew

The casting for Woops! emphasized an ensemble of actors capable of delivering comedic timing suited to the show's diverse character archetypes in a post-apocalyptic setting. Open auditions were held in , with a focus on performers who could balance humor and ensemble dynamics; was selected as the narrator lead, Mark Braddock, following his audition reading for the role. Fred Applegate was chosen for the role of Jack Connors due to his ability to portray humor, while Cleavant Derricks was cast as Frederick Ross. The production's short window in 1992 necessitated quick hires, and there were no major recasts throughout the season. Key crew positions included primary direction by Terry Hughes across multiple episodes, contributing to the sitcom's pacing. The music was composed by GNG Music, creating an upbeat score to underscore the post-apocalyptic themes. Due to the series' single-season run of 13 episodes (with only 10 aired), guest and minor roles were limited, and crew members often took on multiple responsibilities in post-production to meet tight deadlines. Notable guests included as in the finale.

Cast and characters

Main cast

The main cast of Woops! consisted of an ensemble of six actors portraying the survivors in a post-apocalyptic world, with no single lead performer dominating the narrative. The series featured equal screen time for all principal characters, emphasizing group dynamics in their attempts to rebuild . The opening credits sequence showcased the cast in humorous survival scenarios, such as scavenging for supplies and dealing with makeshift inventions, set to an upbeat theme song that highlighted their collective antics.
ActorRoleDescription
Evan HandlerMark BraddockNarrator and mild-mannered schoolteacher who provides voiceover commentary on the group's experiences.
Fred ApplegateJack ConnorsNaive former homeless man, optimistic and resourceful in scavenging.
Alice McConnellOutspoken feminist advocating for equality among the survivors.
Cleavant DerricksFrederick RossPompous attempting to apply scientific knowledge to daily challenges.
Suzanne SkillmanBeauty school graduate and salon worker, kind-hearted but often underestimated.
Curtis ThorpeArrogant venture capitalist focused on economic revival in the new world.
At the time of casting in 1992, the actors brought varied experience to the production. Evan Handler (age 31) had early television credits including guest appearances on (1990) and , following his Broadway debut in (1983). Fred Applegate (age 39), known for his theater background including regional productions and off-Broadway work prior to television, had appeared in guest roles on shows like and in the 1980s. Meagen Fay (age 35) drew from her improv roots at Chicago's and prior series roles such as Roxy on Ohara (1987–1988) and Kathy Bowman on (1991–1992). Cleavant Derricks (age 39) contributed his stage and screen resume, including Tony-nominated work in Dreamgirls (1981) on Broadway and television guest spots on Miami Vice and Roseanne before leading Drexell's Class (1991–1992). Marita Geraghty (age 30) was rising from film roles such as Julie in To Sleep with Anger (1990) and supporting parts in Broadcast News (1987) and Sleeping with the Enemy (1991). Lane Davies (age 41), a soap opera veteran from his Emmy-nominated portrayal of Mason Capwell on Santa Barbara (1984–1989), had recent guest appearances on The Golden Girls and Major Dad. All main cast members appeared in every one of the 13 produced episodes, with no significant absences during the series' run.

Character portrayals

The main characters in Woops! form an ensemble of satirical archetypes, each contributing to the comedy through exaggerated traits and clashing dynamics in their post-apocalyptic setting. Mark Braddock, portrayed as an optimistic schoolteacher, serves as the group's narrator, delivering witty voiceover commentary via his journal that frames the absurdity of their survival efforts. His reflective and hopeful nature positions him as the unofficial leader, often mediating disputes while providing a grounded perspective amid the chaos. Jack Connors, the happy-go-lucky prankster, acts as the comic relief, devising elaborate schemes that frequently backfire and highlight the group's resource scarcity. A former homeless man who survived the while sheltering under a bridge, Jack's street-smart and opportunistic humor inject levity into tense situations, though his antics often exacerbate conflicts over and supplies. Alice McConnell embodies the strong-willed feminist , handling group disputes with assertive resolve and challenging traditional gender roles in their makeshift society. Having survived in her bookstore's basement , she brings organizational skills and ideological fervor to the ensemble, frequently clashing with more conservative members over issues like labor division and decision-making. Her portrayal satirizes feminist stereotypes without significant evolution over the season. Frederick Ross, the scientific expert and pathologist, drives much of the plot through his inventions and biological knowledge, which prove vital for addressing threats like mutant creatures. Sheltered in an underground during the , his calm, analytical demeanor contrasts with the group's impulsiveness, offering practical solutions while underscoring themes of expertise in . Suzanne Skillman, depicted as a naive optimist and manicurist, sources much of the humor through her ditzy mishaps and "dumb blonde" trope, often stumbling into comedic physical gags. Her inexplicable survival adds to her airheaded charm, and subtle romantic tension with Mark enriches group dynamics without deep character growth. Curtis Thorpe, the arrogant businessman and broker, provides conflict through his clashes with manual labor and elitist attitudes, surviving the blast in his . His power-hungry schemes and entitlement satirize pre-apocalypse excess, frequently pitting him against Alice on and class issues, while his rivalry with Mark heightens the ensemble's leadership tensions. Overall, the characters exhibit minimal development across the short season, relying on static archetypes to fuel interactions centered on survival disputes, romantic undercurrents like Mark and Suzanne's, and satirical jabs at societal norms, all without individual solo arcs.

Broadcast and episodes

Airing history

Woops! premiered on the network on September 27, 1992, airing on Sundays at 10:30 p.m. ET as part of the network's expanded prime-time schedule. The series maintained this time slot throughout its run, with the final episode broadcast on December 6, 1992. Of the 13 episodes produced, only 10 were aired, leaving three episodes held back and never broadcast during the show's initial run. The program was included in Fox's 1992–93 lineup, which marked the network's expansion to seven nights of programming per week amid growing competition from established broadcasters. It aired in the 10:30 p.m. Sunday slot opposite NBC's Sunday Night Movie. Viewership for Woops! was consistently low, with the pilot episode earning a /9 Nielsen household rating and ranking 94th out of 98 programs for week. Subsequent episodes saw further declines, with some ranking as low as 105th out of 108 weekly shows, translating to fewer than 10 million viewers per episode.

Episode summaries

The aired episodes of Woops! focus on self-contained stories that blend post-apocalyptic challenges with absurd humor, often revolving around the group's attempts to rebuild society amid everyday mishaps. Each 30-minute installment aired on from September 27 to December 6, , and emphasizes comedic tensions from resource scarcity, interpersonal dynamics, and unexpected mutations or discoveries. Pilot (September 27, 1992): The six survivors converge on an abandoned farmhouse after a , facing the daunting task of forming a new society; comedic tension arises when a giant spider scare forces them to unite despite their clashing personalities. It's a Dirty Job (October 4, 1992): As the group grapples with repopulation fears to ensure humanity's survival, impotence leads to awkward discussions about building stronger bonds before any romantic pairings, highlighting the survivors' reluctance to pair off. Root of All Evil (October 11, 1992): The survivors invent a makeshift currency using scavenged items to organize trade and avoid chaos, but greed and bartering disputes quickly devolve into hilarious infighting over trivial possessions. Directed by Terry Hughes and written by Mark Nutter, the episode satirizes economic systems through survival humor. Days of Berries and Roses (October 18, 1992): While foraging, the group discovers intoxicating hallucinogenic berries that provide temporary escape from their grim reality, leading to bizarre visions and reckless behavior that jeopardizes their fragile routines. Directed by Terry Hughes and written by Gary Jacobs, it underscores motifs of escapism amid gadget failures and resource conflicts. The Rise and Fall of Alice McConnell (October 25, 1992): Alice ingests a mysterious crystal that causes her bustline to enlarge dramatically, shifting as newfound attention creates jealousy and comedic power struggles over and prospects. Directed by Terry Hughes and written by Maria Brown, the plot plays on repopulation anxieties through . The Election (November 1, 1992): and Mark compete in a farm-wide for , with promises of better sparking mudslinging campaigns and alliances that expose the group's petty rivalries in their quest for order. Directed by Terry Hughes and written by Gary Jacobs, it features humor from democratic absurdities in a post-apocalyptic setting. Curtis Unglued (November 8, 1992): After losing his cherished —a symbol of his pre-apocalypse life—Curtis suffers a breakdown and hallucinates he's back in 1986, forcing the others to stage interventions that blend heartfelt moments with efforts to ground him in reality. The episode highlights themes of clashing with necessities. Dumb Love (November 15, 1992): When Suzanne reveals she's fallen in with an outsider, the male survivors compete ridiculously for her affection through misguided chivalric gestures, amplifying romantic subplots and jealousy amid fears of external threats to their isolated community. The Thanksgiving Show (November 22, 1992): The group attempts a traditional Thanksgiving meal using a found turkey that consumes radioactive grain, resulting in it mutating into a massive, rampaging beast that turns the holiday into a chaotic survival farce. Directed by Terry Hughes and written by Harold Kimmel and Ross Abrash, it parodies festive traditions with apocalyptic twists. Say It Ain’t So Santa (December 6, 1992): As Christmas nears without children or cheer in their ruined world, the survivors discover a disheveled Santa Claus stuck in the chimney during cleanup, leading to a mix of wonder, skepticism, and comedic exploitation of the holiday myth for morale-boosting antics. Directed by Terry Hughes and written by Mark Nutter, the episode incorporates recurring motifs of lost normalcy and gadget mishaps in gift-giving attempts. Three episodes were produced but never aired due to the series' cancellation. "The Littlest Pathologist" features an electromagnetic storm regressing Frederick to childlike behavior, requiring the group to guide his immature antics while seeking a cure, emphasizing themes of role reversals in survival. "The Nuclear Family" involves discovering a teenage delinquent nearby whose post-holocaust cynicism worsens group tensions over integration and repopulation. "Daydreams Come and Me Wan’ Go Home" explores escapist fantasies triggered by isolation, though specific plot details remain undocumented in available sources.

Reception

Critical response

Upon its premiere in 1992, Woops! received mixed to negative reviews from critics, who often praised the ensemble cast's chemistry while critiquing the show's execution and overreliance on a premise. Publications highlighted the performers' efforts to generate banter amid the post-apocalyptic setting, but noted that the humor frequently fell flat due to repetitive survival gags and tonal inconsistencies. For instance, People magazine described it as "—without the prospect of rescue," underscoring the perceived lack of fresh comedic invention in the survivors' isolated dynamics. Critics pointed to the series' strengths in occasional sharp ensemble interplay, such as the group's improvised coping mechanisms, but lambasted its weaknesses in delivering sustained laughs through forced post-apocalyptic scenarios. The called it "like so many bad shows," emphasizing blunt messaging that undermined satirical potential on 1990s nuclear anxieties. Similarly, of the observed that while the concept held "satirical possibilities," they were not realized in the premiere, with misfired jokes outnumbering effective ones. Aggregate scores reflected this consensus, with tallying a 10% approval rating from 10 reviews and scoring it 24/100 based on 12 critiques labeling it "stupid," "boring," and "moronic." In retrospective rankings, placed Woops! at number 43 on its 2002 list of the 50 worst TV shows of all time, citing its uneven blend of and tropes as a key flaw. Modern analyses reinforce its obscure status, often featuring it in discussions of "forgotten sitcoms" as a bold yet failed experiment in blending 1990s end-of-world fears with ensemble . Audience reception was similarly subdued, marked by low engagement overall but with a niche appreciation from some fans for its dark on survival absurdities, as seen in user recollections praising episodes like the pilot's group assembly.

Cancellation and legacy

Woops! was canceled by Fox on December 13, 1992, after airing only 10 of its 13 produced episodes, primarily due to low viewership ratings averaging a 4.6 household rating and an 8 share in the Nielsen measurements. The network's decision reflected broader shifts in the 1992-93 season, where Fox prioritized established hits like over struggling newcomers, leading to a wave of nine series cancellations that fall. The show's Sunday night slot was promptly filled by , underscoring Fox's focus on more reliable programming amid competitive pressures from other networks. The three unaired episodes remained off the airwaves for years, with no immediate syndication deals materializing due to the series' poor reception and lack of commercial viability. No official release occurred during the or , leaving the full run inaccessible to most audiences until fan-driven digital archives emerged in the 2010s, including complete series uploads on platforms like the around 2022. In , ranked Woops! as the 43rd-worst television series of all time, cementing its reputation as a critical and commercial flop in retrospective lists. Despite its short life, Woops! holds a niche legacy as one of the earliest post-apocalyptic sitcoms, predating later Fox comedies like The Last Man on Earth by over two decades and influencing the genre's blend of survival humor with ensemble dynamics. It garnered a small among TV historians and enthusiasts of forgotten programming, often discussed in contexts of experimental network failures. The series briefly captured lingering cultural anxieties about nuclear threats, satirizing accidental in a post-Cold War era, though it inspired no reboots or major revivals. Today, episodes are sporadically available on obscure streaming sites and digital repositories, but remain absent from mainstream services.

References

  1. https://www.imdb.com/title/tt0103583/
  2. https://www.rottentomatoes.com/tv/woops
  3. https://www.tvguide.com/tvshows/woops/1030178088/
  4. https://www.rottentomatoes.com/tv/woops/cast-and-crew
  5. https://sf-encyclopedia.com/entry/woops
  6. https://www.metacritic.com/tv/woops%21/
  7. https://animesuperhero.com/forums/threads/tv-guides-list-of-the-50-worst-tv-shows.3063521/
  8. https://www.imdb.com/title/tt0103583/plotsummary/
  9. https://www.imdb.com/title/tt0103583/reviews/
  10. https://www.tvobscurities.com/articles/10outlandish/
  11. https://www.vulture.com/2012/12/woops-or-how-to-stop-worrying-and-learn-to-love-the-apocalypse.html
  12. https://uproxx.com/tv/do-you-remember-this-cancelled-fox-post-apocalyptic-series-that-predated-the-last-man-on-earth-23-years/
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  23. https://www.broadwayworld.com/people/Cleavant-Derricks/
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  25. https://www.soapcentral.com/actor/davies-lane
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  29. https://www.nytimes.com/1992/05/27/news/fox-s-prime-time-plans-all-week-every-night.html
  30. https://www.reruncentury.com/primetime/1992-1993/
  31. https://www.imdb.com/title/tt0103583/episodes/?season=1
  32. https://www.imdb.com/title/tt1647333/plotsummary/
  33. https://www.rottentomatoes.com/tv/woops/s01/e03
  34. https://www.imdb.com/title/tt1647331/plotsummary/
  35. https://www.imdb.com/title/tt1647336/
  36. https://www.rottentomatoes.com/tv/woops/s01/e05
  37. https://www.imdb.com/title/tt1647330/
  38. https://www.imdb.com/title/tt1647332/
  39. https://www.rottentomatoes.com/tv/woops/s01/e09
  40. https://www.imdb.com/title/tt1647334/
  41. https://www.imdb.com/title/tt0750472/
  42. https://people.com/archive/picks-and-pans-review-woops-vol-38-no-13/
  43. https://www.washingtonpost.com/archive/lifestyle/1992/09/26/tv-previews/c7b254f5-171c-4ea8-a2c3-f18ad2b6782c/
  44. https://nypost.com/2002/07/13/tops-in-tele-trash-springer-worst-stinker-on-tv-guide-list/
  45. https://dcanimated.com/WF/batman/btas/guides/primetime.php
  46. https://archive.org/details/woops_202206
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