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Anna Nalick
Anna Nalick
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Key Information

Anna Christine Nalick (/ˈnælɪk/ NAL-ik;[3] born March 30, 1984) is an American singer-songwriter. Her debut album, Wreck of the Day, featuring her first radio hit, "Breathe (2 AM)", was released on April 19, 2005. Nalick left her label under Sony in 2009 after a falling-out surrounding the release of her second album. Nalick's second album, Broken Doll & Odds & Ends, was released on June 5, 2011. On October 19, 2017, Nalick released her third full-length album, At Now. Nalick's fourth album, The Blackest Crow, was released December 6, 2019.[4]

Early life

[edit]

Nalick was born and raised in Temple City, California, and attended Holy Angels Grammar School in Arcadia before moving to Glendora with her parents at age 14.[2] Nalick's Jewish paternal grandfather and his family came from Kyiv, Ukraine, then part of the Russian Empire, emigrating to the United States to escape the ongoing anti-Semitic pogroms.[5][6]

A key memory of her childhood is the fifth grade math class where she would stop paying attention to the teacher, and instead rewrite the lyrics to a Cranberries song.[7] She grew up in a family where two of the grandparents had performed on Broadway, and where her parents exposed her to a number of different artists, including Elvis Presley and Led Zeppelin. Nalick says she draws more inspiration from poetry, literature, psychology, human behavior, and history than anything else. Her musical influences range from ragtime to folk to trip-hop and everything in between.

In another interview, Nalick recalls showing off her talents to her third grade teacher, who then remarked that she'd end up "one day on The Tonight Show with Jay Leno." Nalick did perform in 2005 on The Tonight Show, making sure to invite the teacher to the audience.[8]

Nalick initially decided to go to college before pursuing her dream of music, continuing to record her songs on a Rainbow Brite cassette recorder.[7] But she soon met a photography[7] professor, who had a student with parents in the music business. Nalick agreed to pass along a low-fidelity six-song demo tape, and soon enough, was introduced to Christopher Thorn and Brad Smith, the founding members of Blind Melon now turned production team, as well as Eric Rosse, best known for his production work for Tori Amos. In October 2003, putting her college plans on hold, she signed on with Columbia Records. Nalick went into the studio with Thorn, Smith, and Rosse as producers, together with mix-engineer Mark Endert (Fiona Apple, Maroon 5, and Gavin DeGraw). She recorded with a group of musicians that included Smith on bass, Thorn on guitar, Rosse and Zak Rae on keyboards, Lyle Workman and Stuart Mathis on guitar, and Joey Waronker and Matt Chamberlain on drums. The result was her album Wreck of the Day, released two years later.[7]

Career

[edit]

2004–2006: Wreck of the Day

[edit]

Nalick's first single from her Wreck of the Day album was "Breathe (2 AM)", which peaked at No. 45 U.S. and went 3× Platinum on the Billboard Hot 100, and went huge on Adult Contemporary and Adult Top 40. It was heavily played on AAA and Hot AC stations across the U.S., along with light airplay on Pop stations, and Nalick became one of 2005's biggest newcomers. Her video for the track got very heavy airplay on VH1 and some MTV airplay as well. At the time of the writing[when?], Wreck of the Day has sold over 615,000 copies with a gold certification from the RIAA, and a No. 20 peak on the Billboard 200. In New Zealand, Wreck of the Day reached the Top 15 albums on the Top 40 Albums Chart.[citation needed]

In November 2005, Nalick released "In the Rough".[9] The single was moderately successful, charting on the Billboard Hot Adult Top 40 Tracks at No. 15. Her album sales only slightly increased after the release of "In the Rough", perhaps because the previous single had been released almost a full year before.

Her lead single from Wreck of the Day, "Breathe (2 AM)", experienced a resurgence on worldwide charts following a highly prominent appearance in a Grey's Anatomy episode (As We Know It), aired February 12, 2006. Other episodes of the show have featured the acoustic songs "Catalyst" and "Wreck of the Day" from the same album. The title track has also been featured on the show One Tree Hill.

In 2006, the album was re-released with three new songs and re-recording of the title track. With little promotion, the song only managed to chart on the Adult Top 40 spending two weeks at number 39 and one week at number 40 before falling off the chart.[10]

In a September 2006 Q magazine interview, Britney Spears said she wished she had written Nalick's "Breathe (2 AM)". Two months later, Nalick took honors as "AC Female Artist of the Year" at the New Music Awards, beating out Sheryl Crow. According to her official website, Nalick was so convinced that Crow would win the award that she kicked back and relaxed, removing her shoes. When her name was called, she ran to the stage shoeless to make sure that she was able to have enough time for her acceptance speech.

A clip from the single, "Satellite" from Wreck of the Day is often played on the Satellite Sisters radio show. Wreck of the Day was also featured during Season 2, Episode 20 of the television show Joan of Arcadia.

2007–2009: Separation from Sony

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Anna Nalick performing at Hotel Cafe, Hollywood, California, USA on October 5, 2010

On May 11, 2007, the first indication of Nalick writing her second album appeared on her website. Few updates were given after that.[11] The only other song to be released during this "era" was a cover of the song "Band of Gold" on the Desperate Housewives compilation CD.

On January 28, 2008, Nalick premiered her first single off the new EP, Shine, on AOL music's page.[12] The EP "Shine" was released March 25, 2008.[13] It featured the title single, a cover of Red Hot Chili Peppers's song "Breaking the Girl", and acoustic renditions of Nalick's best-known tracks.

On July 12, 2008, it was reported that Broken Doll was to be the title of Nalick's second album. The album was originally scheduled for release in the summer of 2008; however, a falling-out with Epic Records resulted in the album being scrapped. Little was heard from Nalick until the summer of 2010.

2010–2018: Independent artist

[edit]

In August 2010, Nalick made a comeback announcement on her Facebook profile, accompanied by new photographs revealing a bold new look; it was revealed that she had left Sony in 2009 to be a free agent. At the time, she was making a record with producer Nathan Chapman (Taylor Swift, Jewel), with an expected release date in 2011. On August 25, 2010, Nalick premiered a new song, "The Lullaby Singer", on her official website.[14] Nalick held five live performances—Hotel Café in Hollywood, California, for August 31, September 21, September 28, and October 5, 2010, and 3rd & Lindsley in Nashville, Tennessee, for September 9, 2010[15]—to accompany the comeback announcement.

On March 2, 2011, Nalick announced on her Facebook page the official name for the first upcoming album: Broken Doll & Odds & Ends, a little variation from the one she announced before. It had been set for release in May 2011, but several unforeseen difficulties resulted in delays. Broken Doll & Odds & Ends was released on iTunes on June 5, 2011, with physical CD release available from her website, and sold at shows.

Nalick performed on Good Day Sacramento, singing "Walk Away" in honor of the people who died in the September 11 attacks.

In 2011 Nalick began studying acting and creative writing at UCLA. She attempted co-writing for other artists in 2012, an experience she has stated gave her "devil horns and PTSD". She has been touring since 2013. In between she has been writing and arranging new material. She began producing a new album in 2014 and is looking for a record label to help publish it, although she is also considering an independent release.[16]

In October 2015, Nalick started to solicit contributions on PledgeMusic to release her new album.[17] On October 18, 2017, Nalick released her third full-length album At Now to her PledgeMusic supporters as an early release. The official release date for this album was October 19, 2017, the same day she began a two-week tour to promote her new album. During 2018, Nalick collaborated with Justin Levinson on a new single titled "A Part of Me".[18]

2019–present: The Blackest Crow

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In 2019, Nalick signed with Chesky Records, and released The Blackest Crow on December 6.[19] The album is a collection of covers spanning works from the 1940s to the 1990s, recorded in a single day in a decommissioned church in Brooklyn, New York.[20]

Discography

[edit]

Studio albums

[edit]
Title Album details Peak chart positions Certifications
(sales threshold)
US
[21]
NZ
[22]
Wreck of the Day
  • Released: April 19, 2005
  • Label: Columbia
20 14
Broken Doll & Odds & Ends
  • Released: June 5, 2011
  • Label: Nyctograph
At Now[17]
  • Released: October 19, 2017[24]
  • Label: Nyctograph
The Blackest Crow[25][26]
  • Released: December 6, 2019
  • Label: Chesky

EPs

[edit]
Title EP details
Shine
  • Released: March 25, 2008
  • Label: Epic

Singles

[edit]
Year Single Peak chart positions Album
US
[27]
US Pop
[27]
US AC
[27]
US Adult Pop
[27]
AUS
[28]
NZ
[29]
2004 "Breathe (2 AM)" 45 22 4 6 79 37 Wreck of the Day
2005 "In the Rough" 15
2006 "Wreck of the Day" 39
2008 "Shine" 30 Shine
2017 "Till the End of the Year (Bye Buy By)"[30][31][non-primary source needed] Non-album single
2015 "Aura"[32] At Now
2017 "At Now"
"—" denotes releases that did not chart

Awards and nominations

[edit]
Year Awards Work Category Result
2006 Teen Choice Awards Herself Choice Music: Breakout Artist - Female Nominated
New Music Awards AC Female Artist of the Year Won
2007 ASCAP Pop Music Awards "Breathe (2 AM)" Most Performed Song Won
Groovevolt Music and Fashion Awards Best Pop Song Performance - Female Nominated

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Anna Christine Nalick (born March 30, 1984) is an American singer-songwriter from Glendora, California, best known for her debut single "Breathe (2 AM)," which became a radio hit and peaked at number 45 on the Billboard Hot 100. The track, featured prominently in the television series Grey's Anatomy, was certified gold by the RIAA for sales and streaming equivalent to 500,000 units in the United States. Her debut album, Wreck of the Day (2005, Columbia Records), also achieved gold certification from the RIAA and debuted at number 20 on the Billboard 200, marking her breakthrough into mainstream pop-rock with introspective lyrics and acoustic-driven melodies. Nalick began writing songs at age 15 and signed with after being discovered through a demo tape, leading to nearly five years of global touring following her debut release. She later navigated label challenges, including a shift to for the single "Shine" in 2008, before going independent with Broken Doll & Odds & Ends (2011), which sold 30,000 copies in its first month without major label support. Her subsequent self-produced album At Now (2017) explored experimental sounds, while The Blackest Crow (2019, Chesky Records) featured live-recorded covers spanning folk, , and rock from the to the . Nalick has been working on her sixth studio album, blending her roots with influences from studies at UCLA (2011–2015) and acting training at the Playhouse West. Throughout her career, she has maintained a focus on authentic in music despite industry hurdles.

Early life

Childhood and family

Anna Nalick was born on March 30, 1984, in . At the age of 14, she moved with her family to , where she spent much of her formative years. Nalick grew up in a family with deep roots in the . Her grandparents were stage performers during the early 20th century, working through the era of the . Her grandmother, in particular, collaborated with notable figures such as and the , sharing stories of that captivated Nalick from a young age. This familial background provided Nalick with an early immersion in the world of performance, fostering her innate interest in entertainment long before her formal musical pursuits began in .

Musical influences and beginnings

Nalick's early musical palette was shaped by a diverse array of influences, prominently including and Led Zeppelin, whose sounds she absorbed from a young age alongside classic Broadway tunes. Her family's exposure to Broadway through her grandparents' performances in the early 1900s served as a foundational creative spark, instilling an appreciation for theatrical expression in music. These roots blended with contemporary artists like , , and , informing her evolving style of introspective, melody-driven songwriting. During her teenage years, Nalick delved into songwriting and performance experiments, channeling her creativity into leading a cover band and a heavy metal group in high school. Though these ventures included a handful of local shows, she soon recognized their distraction from her personal songcraft and shifted focus toward original compositions, often scribbled in notebooks or captured on rudimentary recordings. This period marked her transition from casual hobbyist to dedicated artist, honing lyrics that explored emotional depth and human resilience. By her late teens, Nalick's persistence led to the creation of low-fidelity demo tapes, initially recorded on a childhood toy tape recorder like a model, which she shared with select contacts in the music industry. One such six-song DIY demo, produced while she contemplated college, reached Christopher Thorn and Brad Smith, founding members of , who were impressed and collaborated with her and producer to refine professional versions. These efforts garnered attention from major labels, culminating in her signing with in October 2003 at the age of 19, deferring her higher education plans to pursue a full-time music career.

Career

2003–2006: Signing and Wreck of the Day

In October 2003, Anna Nalick signed a with , putting aside plans to attend college in order to pursue her music career full-time. Following the signing, she entered the studio for a nine-month development period to create her debut album, collaborating with producers Christopher Thorn and Brad Smith of , as well as . The resulting album, Wreck of the Day, was released on April 19, 2005, showcasing Nalick's blend of acoustic pop and introspective songwriting, influenced briefly by elements from artists like Led Zeppelin and that informed her raw, emotive style. The lead single, "Breathe (2 AM)," marked Nalick's breakthrough, peaking at No. 45 on the in 2006 and gaining significant radio airplay. Its exposure was amplified by placements in television shows, including a prominent feature in the ABC series during its early episodes, which helped propel its popularity. The track earned a certification from the RIAA on October 17, 2005, for 500,000 units sold. Wreck of the Day debuted at No. 20 on the chart and sold over 500,000 copies in the United States, leading to a certification from the RIAA on September 9, 2005. To promote the album, Nalick embarked on her first major North American tour in 2005, opening for artists such as , , and Rob Thomas, while also making early media appearances on outlets like and radio broadcasts that highlighted her emerging talent. The album's release established Nalick as a promising new voice in pop, with critics praising its emotional depth and the single's relatable themes of vulnerability, contributing to her rising profile in the mid-2000s music scene. Its success laid the foundation for subsequent opportunities, including further touring and industry recognition, solidifying her transition from local performer to national artist.

2007–2009: Shine EP and Sony separation

Following the success of her debut single "Breathe (2 AM)," which had established high expectations for her follow-up material, Anna Nalick faced significant delays in releasing her second full-length album. In March 2008, , a imprint, issued the Shine EP on as a stopgap release to maintain momentum amid production setbacks for the anticipated sophomore project. Creative tensions with escalated during this period, centered on disagreements over artistic control and the album's overall direction, which stalled progress and led to the shelving of the record tentatively titled Broken Doll & Odds & Ends. These disputes culminated in Nalick's announcement of her departure from in late 2009, with the separation finalized in 2010, allowing her to pursue independent ventures. The Shine EP saw limited promotion during the height of these label conflicts, resulting in modest reception as Nalick shifted focus toward resolving her contract and regaining creative autonomy.

2010–2018: Independent releases

Following her separation from Records in 2009, Anna Nalick embraced full independence, allowing her greater autonomy in her musical output. Nalick released her second studio album, Broken Doll & Odds & Ends, on June 5, 2011, through independent channels, marking her first self-produced project that featured mostly acoustic arrangements with unconventional instrumentation. The album, which she described as a collection of previously unreleased songs from her early career, sold approximately 30,000 copies in its first month, demonstrating strong initial fan support despite the lack of major label promotion. Between 2011 and 2017, Nalick focused primarily on personal growth and album preparation, enrolling at UCLA to study from 2011 to 2015, a period that allowed her to prioritize artistic development over constant touring. This hiatus from major releases enabled her to refine her craft without external pressures, though she occasionally performed select tracks from Broken Doll & Odds & Ends, noting their darker themes made them less frequent in live sets compared to her earlier hits. On October 19, 2017, Nalick issued her third studio album, At Now, which she self-produced by blending analog and digital elements to explore themes of loss and renewal. The release coincided with the start of a two-week promotional tour across select U.S. venues, where she debuted material from the album to intimate audiences. In 2018, Nalick collaborated with Justin Levinson on the "A Part of Me," a jazz-inflected track that highlighted her versatile vocal style in a more intimate, collaborative setting. Independence brought Nalick significant creative control, enabling her to release music on her own timeline and maintain artistic integrity after the industry upheavals and shelved projects of her label years, including four executive changes at over five years. However, it also presented logistical challenges, such as handling all aspects of production and distribution herself, which she navigated by fostering direct with fans who connected organically with her authentic work. This approach not only sustained her career but also deepened her bond with supporters, as she emphasized that "your audience comes to you" through genuine artistry.

2019–present: The Blackest Crow and later activities

In 2019, Anna Nalick signed with Chesky Records, marking her return to a major label after years of independent releases and signaling a deliberate shift toward acoustic interpretations of classic material. This collaboration allowed her to explore a more stripped-down sound, drawing on her prior experience with self-produced work to inform the intimate production style. The resulting album, The Blackest Crow, was recorded live in a single day at a decommissioned church in , New York, featuring minimal instrumentation including guitar, percussion, bass, and to capture an organic, binaural audio experience. Released on December 6, 2019, the project consists of 12 covers spanning folk, traditional, , and standards from the to the , reimagined with Nalick's emotive vocals to emphasize themes of time and . Critics noted the album's reception as a stylistic , praising its raw intimacy and departure from her earlier pop-leaning originals toward a rootsier, timeless aesthetic that highlighted her interpretive range. Following the release, Nalick's planned tour for spring through autumn 2020 was postponed indefinitely due to the . As of November 2025, no major new releases, extensive tours, or significant public announcements have materialized, though she has continued independent songwriting efforts in preparation for potential future projects.

Discography

Studio albums

Anna Nalick has released four studio albums to date.
TitleRelease dateLabelPeak chart positionsCertifications and sales
Wreck of the DayApril 19, 2005US Billboard 200: 20RIAA: Gold (500,000 units shipped); over 500,000 copies sold in the US
Broken Doll & Odds & EndsJune 5, 2011Nyctograph Records (independent)
At NowOctober 19, 2017Nyctograph Records (independent)
The Blackest CrowDecember 6, 2019Chesky Records
The Blackest Crow is a covers album featuring reinterpretations of songs spanning from the to the .

EPs

Anna Nalick's sole , Shine, was released on March 25, 2008, by , a division of Music Entertainment. The five-track EP, produced by Eric Ivan Rosse, featured acoustic renditions of her earlier hits alongside a cover of the ' "" and the title track, which served as her third single from the project. Running approximately 20 minutes, it was distributed primarily as a digital and CD release in the United States. The EP acted as an interim release during tensions with her label, coming shortly before Nalick transitioned to independent artistry in 2009 following a falling-out with .

Singles

Anna Nalick's debut single, "Breathe (2 AM)", was released in 2005 from her album Wreck of the Day. It peaked at number 45 on the Billboard Hot 100 and number 4 on the Adult Contemporary chart, earning a Gold certification from the RIAA for 500,000 units sold. The track's introspective lyrics and acoustic style contributed to its radio success and placement in media like the TV series Grey's Anatomy. The follow-up single, "In the Rough", also from Wreck of the Day, was released later in 2005. It achieved moderate success, reaching number 15 on the Billboard Adult Top 40 chart, though it did not enter the Hot 100. The song's themes of resilience aligned with Nalick's emerging singer-songwriter identity. In 2008, Nalick released "Shine" as the lead single from her Shine EP via . Described as her third hit single, it featured an album version alongside acoustic takes of prior tracks, but it did not chart prominently on major lists. The release served as a bridge during her label transition, highlighting her on themes of perseverance. Later independent efforts included the 2017 single "At Now", the title track from her album of the same name, released via Nyctograph Records. This blues-infused piece received limited promotion and no major chart entries, focusing instead on streaming platforms. Similarly, "As Time Goes By" appeared as a 2019 single, drawing from classic influences without significant chart performance. Promotional singles like "" (2005) were issued for radio play but remained non-commercial.
YearSinglePeak positions (US)Album/EPCertification
2005"Breathe (2 AM)"Hot 100: 45
Adult Contemporary: 4
Wreck of the DayGold (RIAA)
2005"In the Rough"Adult Top 40: 15Wreck of the Day
2008"Shine"Shine EP
2017"At Now"At Now
2019"As Time Goes By"Standalone

Recognition

Awards

Anna Nalick received early recognition for her debut album Wreck of the Day through prestigious honors. In 2006, she won the Adult Contemporary Female Artist of the Year award at the New Music Awards, notably defeating established artist . The following year, Nalick earned the ASCAP Pop Music Award for Most Performed Song for "Breathe (2 AM)," acknowledging its widespread airplay and cultural resonance during 2005–2006. These awards highlighted Nalick's breakthrough as a in the adult contemporary genre.

Nominations

Anna Nalick received notable award nominations during the initial phase of her career, largely connected to her breakthrough debut single "Breathe (2 AM)" from the 2005 album Wreck of the Day. These honors underscored her rapid rise as a new artist in the pop and adult contemporary genres. In 2005, "Breathe (2 AM)" earned a nomination for Song of the Year/Alternative at the Radio Music Awards. In 2006, she received a for Choice Music: Breakout Artist - Female at the . The same year, the track secured a for Best Pop Song Performance - Female at the Groovevolt Music and Fashion Awards. After this period of early acclaim, Nalick garnered no major nominations from organizations such as ASCAP or similar industry bodies post-2007, aligning with her shift toward production and reduced visibility in high-profile award circuits.

References

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