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Anton Corbijn
Anton Johannes Gerrit Corbijn van Willenswaard (Dutch pronunciation: [ˈɑntɔ ɲoːˈɦɑnəs ˈxɛrɪt kɔrˈbɛiɱ vɑɱ ˌʋɪlənsˈʋaːrt]; born 20 May 1955) is a Dutch photographer, film director, and music video director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both bands over three decades. His music videos include Depeche Mode's "Enjoy the Silence" (1990), U2's "One" (version 1) (1991), Bryan Adams' "Do I Have to Say the Words?", Nirvana's "Heart-Shaped Box" (1993), Travis's "Re-Offender" (2003) and Coldplay's "Talk" (2005) and "Viva la Vida" (2008).
He directed the Ian Curtis biographical film Control (2007), The American (2010); A Most Wanted Man (2014), based on John le Carré's 2008 novel of the same name; and Life (2015), after the friendship between Life magazine photographer Dennis Stock and James Dean.
Anton Johannes Gerrit Corbijn van Willenswaard was born on 20 May 1955 in Strijen in the Netherlands, where his father had been appointed as parson to the Dutch Reformed Church the previous year. His father, Anton Corbijn van Willenswaard (1917–2007), took up the same position in Hoogland (1966) and Groningen (1972), moving his wife and four children with him. His mother, Marietje Groeneboer (1925–2011), was a nurse and was raised in a parson's family. Photographer and director Maarten Corbijn (born 1960) is a younger brother. Grandfather Anton Johannes (Corbijn) van Willenswaard (1886–1959) was an art teacher at Christian schools in Hilversum and an active member in the local Dutch Reformed Church in Hilversum.
Corbijn began his career as a music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photographs of the band Herman Brood & His Wild Romance and these led to a rise in fame for Brood and in exposure for Corbijn.
From the late 1970s the London-based New Musical Express (NME), a weekly music paper, featured his work on a regular basis and would often have a photograph by him on the front page. One such occasion was a portrait of David Bowie wearing a loincloth backstage in New York when starring in The Elephant Man. In the early years of London-based The Face, a glossy monthly post-punk life style / music magazine, Corbijn was a regular contributor. He made his name photographing in black-and-white but in May 1989 he began taking pictures in colour using filters. His first venture in this medium was for Siouxsie Sioux. Between 1998 and 2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject; while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings.
Corbijn has photographed Jimmy Page and Robert Plant (formerly of Led Zeppelin), Ai Weiwei, Bob Dylan, Joy Division, Tom Waits, Bruce Springsteen, Prāta Vētra, Peter Hammill, Miles Davis, Kate Bush, Björk, Captain Beefheart, Kim Wilde, Marc Almond, Robert De Niro, Stephen Hawking, Elvis Costello, Siouxsie and the Banshees, Morrissey, Peter Murphy, Simple Minds, Clint Eastwood, The Cramps, Roxette, Herbert Grönemeyer, Annie Lennox, and Eurythmics, amongst others. Perhaps his most famous and longest standing associations are with Depeche Mode and U2. Corbijn's work relationship with Depeche Mode began with the filming of a music video for their 1986 single "A Question of Time". Corbijn says that he soon "started to realise that [his] visuals and their music went really well together. Then [he] did some live photos, and it eventually turned into designing the whole live set. That's what [he's] been doing for them since 1993." Corbijn has directed over 20 of the band's music videos, the most recent of his works being 2024's "Before We Drown". He has also designed most of the covers for Depeche Mode's albums and singles from 1990's Violator album and onwards. Corbijn's work with U2 includes taking pictures of the band on their first US tour, taking pictures for their albums The Joshua Tree and Achtung Baby, and directing a number of accompanying videos.
Other album covers featuring work by Corbijn include those for Springsteen, Nick Cave, Siouxsie Sioux with her second band the Creatures, Bryan Adams, Metallica, Therapy?, The Rolling Stones, Bon Jovi, The Killers, Simple Minds, R.E.M., The Bee Gees, Saybia, Clannad and Moke.
Corbijn began his music video directing career when Palais Schaumburg asked him to direct a video. After seeing the resulting video for "Hockey", the band Propaganda had Corbijn direct "Dr. Mabuse". After that he directed videos for David Sylvian, Echo & the Bunnymen, Golden Earring, Front 242, Depeche Mode, Roxette and U2. His first video in colour was made for U2 in 1984 for their single "Pride (In the Name of Love)". In 2005 Palm Pictures released a DVD collection of Corbijn's music video output as part of the Director's Label series.
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Anton Corbijn
Anton Johannes Gerrit Corbijn van Willenswaard (Dutch pronunciation: [ˈɑntɔ ɲoːˈɦɑnəs ˈxɛrɪt kɔrˈbɛiɱ vɑɱ ˌʋɪlənsˈʋaːrt]; born 20 May 1955) is a Dutch photographer, film director, and music video director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both bands over three decades. His music videos include Depeche Mode's "Enjoy the Silence" (1990), U2's "One" (version 1) (1991), Bryan Adams' "Do I Have to Say the Words?", Nirvana's "Heart-Shaped Box" (1993), Travis's "Re-Offender" (2003) and Coldplay's "Talk" (2005) and "Viva la Vida" (2008).
He directed the Ian Curtis biographical film Control (2007), The American (2010); A Most Wanted Man (2014), based on John le Carré's 2008 novel of the same name; and Life (2015), after the friendship between Life magazine photographer Dennis Stock and James Dean.
Anton Johannes Gerrit Corbijn van Willenswaard was born on 20 May 1955 in Strijen in the Netherlands, where his father had been appointed as parson to the Dutch Reformed Church the previous year. His father, Anton Corbijn van Willenswaard (1917–2007), took up the same position in Hoogland (1966) and Groningen (1972), moving his wife and four children with him. His mother, Marietje Groeneboer (1925–2011), was a nurse and was raised in a parson's family. Photographer and director Maarten Corbijn (born 1960) is a younger brother. Grandfather Anton Johannes (Corbijn) van Willenswaard (1886–1959) was an art teacher at Christian schools in Hilversum and an active member in the local Dutch Reformed Church in Hilversum.
Corbijn began his career as a music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photographs of the band Herman Brood & His Wild Romance and these led to a rise in fame for Brood and in exposure for Corbijn.
From the late 1970s the London-based New Musical Express (NME), a weekly music paper, featured his work on a regular basis and would often have a photograph by him on the front page. One such occasion was a portrait of David Bowie wearing a loincloth backstage in New York when starring in The Elephant Man. In the early years of London-based The Face, a glossy monthly post-punk life style / music magazine, Corbijn was a regular contributor. He made his name photographing in black-and-white but in May 1989 he began taking pictures in colour using filters. His first venture in this medium was for Siouxsie Sioux. Between 1998 and 2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject; while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings.
Corbijn has photographed Jimmy Page and Robert Plant (formerly of Led Zeppelin), Ai Weiwei, Bob Dylan, Joy Division, Tom Waits, Bruce Springsteen, Prāta Vētra, Peter Hammill, Miles Davis, Kate Bush, Björk, Captain Beefheart, Kim Wilde, Marc Almond, Robert De Niro, Stephen Hawking, Elvis Costello, Siouxsie and the Banshees, Morrissey, Peter Murphy, Simple Minds, Clint Eastwood, The Cramps, Roxette, Herbert Grönemeyer, Annie Lennox, and Eurythmics, amongst others. Perhaps his most famous and longest standing associations are with Depeche Mode and U2. Corbijn's work relationship with Depeche Mode began with the filming of a music video for their 1986 single "A Question of Time". Corbijn says that he soon "started to realise that [his] visuals and their music went really well together. Then [he] did some live photos, and it eventually turned into designing the whole live set. That's what [he's] been doing for them since 1993." Corbijn has directed over 20 of the band's music videos, the most recent of his works being 2024's "Before We Drown". He has also designed most of the covers for Depeche Mode's albums and singles from 1990's Violator album and onwards. Corbijn's work with U2 includes taking pictures of the band on their first US tour, taking pictures for their albums The Joshua Tree and Achtung Baby, and directing a number of accompanying videos.
Other album covers featuring work by Corbijn include those for Springsteen, Nick Cave, Siouxsie Sioux with her second band the Creatures, Bryan Adams, Metallica, Therapy?, The Rolling Stones, Bon Jovi, The Killers, Simple Minds, R.E.M., The Bee Gees, Saybia, Clannad and Moke.
Corbijn began his music video directing career when Palais Schaumburg asked him to direct a video. After seeing the resulting video for "Hockey", the band Propaganda had Corbijn direct "Dr. Mabuse". After that he directed videos for David Sylvian, Echo & the Bunnymen, Golden Earring, Front 242, Depeche Mode, Roxette and U2. His first video in colour was made for U2 in 1984 for their single "Pride (In the Name of Love)". In 2005 Palm Pictures released a DVD collection of Corbijn's music video output as part of the Director's Label series.