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Ardah
Ardah
Ardah
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Ardah
Ardah at Jenadriyah
Native nameالعرضة
GenreFolkloric group dance
OriginArabian Peninsula
Alardah Alnajdiyah, dance, drumming and poetry in Saudi Arabia
CountrySaudi Arabia
Reference01196
RegionArab States
Inscription history
Inscription2015 (10th session)
ListRepresentative

Ardah (Arabic: العرضة / ALA-LC: al-‘arḍah) is a type of folkloric group dance in the Arabian Peninsula, in most countries located in the Gulf Cooperation Council. The dance is performed with two rows of men opposite of one another, each of whom may or may not be wielding a sword or cane, and is accompanied by drums and spoken poetry.[1]

King Salman of Saudi Arabia and U.S. President Donald Trump dance the Najdi ardah at the Murabba Palace in Riyadh, 2017.

Originally, the ardah was performed only by males of tribes of the Arabian Peninsula before going to war, but nowadays it is done at celebrations, weddings, and national and cultural events by males of all tribes. There currently exists various types of ardah across the Arabian Peninsula.[1]

It was inscribed on UNESCO's Intangible Cultural Heritage of Humanity in 2015 as Alardah Alnajdiyah.[2]

Variations

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The term ardah (عَرْضَة) is thought to derive from the Arabic verb ard (عَرَضَ) meaning 'to show' or 'to parade'. It was so named because its purpose was to publicly display the fighting strength of a tribe and boost morale before an armed engagement.[1] Although there are regional variations of the particular rendition of ardah, the purpose it serves is nearly identical throughout the Arabian Peninsula.[1]

Nejdi ardah

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Najdi ardah is the most common variant of ardah in Saudi Arabia. It is also the most practiced and highly televised male folkloric dance in the entire country. The Saudi government changed its name to 'Saudi ardah' in the 21st century. However, there are numerous variations of ardah distinct from Najdi ardah throughout the country, notably in the regions of Najran, Asir and Jizan.[3]

See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Ardah

View on Grokipedia
from Grokipedia
The Ardah (: al-ʿarḍah), also known as Al-Ardah Al-Najdiyah, is a traditional folkloric group dance from that integrates rhythmic sword handling, drumming, and antiphonal chanting of , typically performed by men in two facing rows to mark significant cultural, religious, and national occasions. Historically rooted in pre-Islamic tribal warfare practices, the Ardah evolved as a ceremonial display of valor, unity, and readiness for battle, later adapted during the in the early 20th century under King Abdulaziz Al Saud, who employed it to rally troops and celebrate victories. In modern contexts, it symbolizes national pride, loyalty, and social cohesion, inscribed in 2015 on 's Representative List of the of Humanity for its role in fostering community bonds across generations. Performances feature participants dressed in traditional Najdi attire—such as thawbs, belts, and headscarves—carrying light swords or daggers () in their right hands, while drummers provide steady rhythms using large and small frame drums; a recites improvised or occasion-specific verses, often patriotic or celebratory, which the group echoes in unison. The dance involves synchronized swaying, knee-bending steps, and coordinated sword lifts or clashes, lasting from minutes to hours with intermissions, and concludes with performers gathering around a flag bearer to emphasize collective harmony. Regional variations exist, such as the Southern Ardah in and Al-Bahah provinces, which incorporates rifles alongside swords and features tribal-specific poetry (shaqr) chanted with a zeer reed instrument, highlighting local epics and combat prowess. Today, the Ardah is showcased at weddings, religious festivals like Eid, national events such as Founding Day, and cultural festivals like the Janadriyah Heritage and Culture Festival near , where it draws large audiences and even set a in 2025 for the largest performance with 633 participants. Open to males of all ages and backgrounds, it promotes intergenerational transmission through oral teaching and community practice, with women often contributing by preparing costumes and attire.

History

Origins

The Ardah originated among tribes in the central , particularly in the region, as a traditional warrior ritual simulating battle scenarios with swords and rhythmic movements. These roots trace back to pre-Islamic times, when Arabian tribes used the dance to display martial skills and bravery during periods of intertribal conflict and warfare. Initially performed exclusively by males at intertribal gatherings and before embarking on raids or battles, the Ardah functioned as a display to foster , instill , and demonstrate proficiency with swords among participants. It served to rally warriors, renew pledges of loyalty to tribal leaders, and evoke a sense of collective strength and resolve in the face of adversity. The tradition draws influence from ancient poetic forms, such as pre-Islamic qasidas, which often celebrated themes of heroism, tribal valor, and warrior exploits, with the Ardah incorporating chanted verses to heighten its dramatic and motivational impact.

Evolution and Spread

During the 18th and 19th centuries, the Ardah consolidated as a key ritual among the tribes of central Arabia, particularly during the rise of the first Saudi state (1744–1818), where it symbolized unity and military prowess in the context of the between the Al Saud family and the Wahhabi reform movement. The earliest documented performance occurred in 1764, when Imam Abdulaziz bin Muhammad bin Saud led the Ardah before an enemy army outside , using it to rally warriors and demonstrate resolve. This practice reinforced tribal cohesion and ideological solidarity, evolving from informal warrior preparations into a structured display of collective strength amid the expansive campaigns of the Saudi-Wahhabi polity. In the early , the Ardah played a pivotal role in the unification efforts of the third Saudi state under King Abdulaziz Al Saud (r. 1902–1953), serving as a motivational tool during key battles from 1913 onward, including the in 1913 and subsequent campaigns that integrated disparate regions. These performances, often involving banners and chants, helped foster loyalty among allied tribes and marked victories, contributing to the standardization of group formations in two opposing lines to represent organized military readiness. By the , as unification progressed, the dance had adapted to signify not just combat preparation but also the emerging . Following the formal unification of Saudi Arabia in 1932, the Ardah transitioned into a formalized national emblem, with its first major official performance occurring during Eid celebrations in Makkah that year, at King Abdulaziz's request, to honor the new Kingdom's soldiers and sons. It was increasingly incorporated into state events, including royal weddings and festivals, evolving from a battlefield rite to a celebratory expression of loyalty and heritage. In 2015, the Ardah was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity, highlighting its role in fostering community bonds across generations. Successive rulers further refined it. The practice was unified across the Kingdom, and in 2017, the National Center for Saudi Ardah was established under the King Abdulaziz Foundation for Research and Archives (Darah) to preserve its form. The Ardah spread beyond central Arabia to other Gulf regions primarily through the migration of nomadic tribes, such as the Anza, who carried the tradition via seasonal movements and intertribal exchanges by the early 20th century. In Bahrain, Kuwait, and Qatar, it retained the name Ardah but adapted to local customs, while in the UAE it influenced variants like Al Ayyalah and in Oman, Al Razfa, reflecting regional modifications in scale and accompaniment. This dissemination, facilitated by shared Bedouin heritage rather than centralized imposition, transformed the Ardah from a Najdi-specific ritual into a pan-Gulf cultural practice by the mid-20th century.

Description

Performance Elements

The Ardah performance typically involves groups of men arranged in two facing rows, standing shoulder to shoulder to form a disciplined formation that evokes the structure of ancient warriors preparing for battle. These rows may be parallel or configured into a with one line completing the circle, allowing performers to advance and retreat in unison while maintaining close proximity without physical contact. The choreography simulates combat through synchronized steps, including bending at the knees, leaning to the right and left, and swaying side to side in a shuffling manner that builds tension and unity among the participants. Central to the movements is the handling of swords, which performers raise high above their heads, lower to rest on their shoulders, or swing rhythmically to mimic strikes and parries, all while keeping time with the overall rhythm. Knee raises and forward leans add dynamism, as dancers rock back and forth in coordinated waves that progress from deliberate and measured motions to more intense, rapid gestures toward the performance's climax. For emphasis, the formation may shift into a circular pattern, where performers gather around a central or focal point, encircling it to symbolize and collective strength. The leader, often positioned at the front or center, plays a pivotal role in directing the choreography through gestures, chants, and initiations of key phases such as the opening movements. This figure signals transitions, such as the progression to the concluding phase where dancers converge, raising their swords toward the leader in a gesture of allegiance while maintaining the synchronized pace. The overall pacing escalates gradually, beginning with slower, foundational steps and accelerating into fervent clashes of sword movements, ensuring the performance remains fluid and harmonious throughout its variable length, often aligned with the poetic recitations.

Music and Rhythm

The music accompanying the Ardah is predominantly percussive, centered on that establish a powerful rhythmic essential to the . The primary instruments are the large al-takhmir drums, which provide deep bass tones through single, resonant beats, and the smaller al-tathlith drums, which contribute higher-pitched, rapid strokes to layer complexity, often doubling or tripling the . These , crafted from palm wood frames covered in skin and struck with curved sticks, are played by 6 to 8 drummers positioned between the two rows of performers, creating a unified sonic backdrop without melodic instruments. Vocal elements form the lyrical core of the Ardah, featuring chanted in the Najdi , composed in verse form with up to 10 lines per poem. These verses, recited in themes of tribal pride, loyalty to leaders, and martial valor—often beginning with natural and culminating in declarations of strength—are led by the or muhawreb (inciter), who delivers them in a robust voice using the al-Nawa or Sika maqam. The two opposing rows of performers respond antiphonally, repeating the lines verse by verse in a call-and-response structure that synchronizes with the drumming, fostering communal participation and emotional intensity. The rhythmic structure adheres to a 6/8 time signature based on binary units, combining strong dum beats from the al-takhmir drums with muted tek beats from the al-tathlith drums, repeated over 80 times in a basic pattern that builds a counter-melody. This structure drives the performers' synchronized swaying and sword movements, integrating sound with physicality in a cohesive display. Improvisational aspects enhance the dynamism of the Ardah, allowing the flexibility in selecting poetic meters, rhythms, and spontaneous zamil couplets—short, responsive verses—to tailor content to the occasion and engage the audience directly. Limited to a for rather than elaborate , these additions maintain the traditional focus on rhythmic and vocal power while adapting to live contexts.

Attire and Equipment

Traditional Clothing

The traditional clothing of Ardah performers features layered garments that balance functionality for synchronized movements with symbolic representations of heritage and prowess. At the core is the thobe, a long white robe made of lightweight , which serves as the foundational layer for comfort in arid conditions and ease of motion. Over the thobe, dancers wear the murowdin (also known as abu rudon or shalhat), a loose, wide-sleeved white robe extending from shoulders to ankles, designed to facilitate the sweeping arm gestures central to the while evoking a sense of collective uniformity. An outer layer, the daqlah, consists of a long embroidered crafted from heavy cashmere with an upright collar, six buttons, and an open front secured by threads, adding elegance and structure to the ensemble. Other variations include the jukha (or al-mahoud), a coat in red or green embroidered with threads, typically reserved for knights or dignitaries, and the sayah, a light white summer garment for court companions. These pieces often incorporate bright colors and intricate techniques, with fabric quality—such as , , or fine cotton—reflecting and the event's prestige; for instance, gold-threaded elements denote higher rank. The white hue of the murowdin and sayah symbolizes purity and unity, while red accents in the jukha represent valor, aligning with the dance's themes of and . Drummers may wear the farmliah (or qarmaliya), a short black jacket with long sleeves and , distinguishing their role. Headwear comprises the shemagh, a traditional red-checkered scarf draped over the head and shoulders for protection against sun and sand, secured by the agal, a black braided cord that underscores masculine identity. Footwear is limited to simple (na'al), prioritizing mobility on varied terrains while upholding the austere aesthetic; accessories remain minimal, with no elaborate jewelry to emphasize discipline and focus. Belts for swords and daggers integrate seamlessly with the robes, allowing performers to carry props without hindering steps. Preparation of the attire involves communal rituals where family members, often women, embroider the garments and add decorative elements like tassels, transforming the donning process into a ceremonial act that invokes ancestral traditions and fosters group solidarity before the performance begins. These clothes, preserved by the National Center for Saudi Ardah, ensure the continuity of cultural identity during official events and celebrations.

Swords and Props

In the Ardah performance, the primary props are straight swords known as sayf and curved daggers called , both essential to the ritualistic display. The sayf features a lightweight steel blade for maneuverability, paired with an ornate often crafted from or mother-of-pearl and embellished with or silver inlays, while the scabbard is decorated with colored cords and engravings. The , a traditional curved , is typically sheathed at the using a belt adorned with golden threads, serving as both a functional accessory and a mark of heritage; variants include the al-Qadimi, al-Shalfa, al-Shibriya, and al-Janbiya. These weapons symbolize valor and readiness, with swords representing the warrior's edge in battle simulations. Performers handle the swords in a controlled, non-lethal manner, gripping them in the right hand and rhythmically lifting or lowering them in unison with the drumbeats to accentuate the collective movements. Techniques involve swaying side to side while bending at the knees, occasionally resting the on the during sustained steps, and in some variations, swinging or clashing the swords lightly to generate sound and visual intensity without risk of injury. These actions evoke disciplined , integrating seamlessly into the formation's advances and retreats as described in the performance elements. Additional props include flags, often carried by a designated bearer positioned between the chanting and drumming groups to lead the lines and mark the performance's structure. In modernized versions emerging post-20th century, such as the historical Fatila, Muqama’a, or English Enfield models may be incorporated and fired with blank rounds skyward, adding a ceremonial flourish while pistols like the 8mm al-Fard are holstered for occasional use. Swords and daggers in Ardah are frequently family heirlooms, sourced from traditional craftsmanship including Indian alloys or for durability and balance, ensuring they remain lightweight for prolonged handling.

Regional Variations

Najdi Ardah

The Najdi Ardah, also known as al-Ardah al-Najdiyah, originates from the region in central , particularly around , where it serves as a traditional rooted in heritage. This variant is typically performed by groups of 20 to 50 men arranged in two facing rows or lines, emphasizing rigid formations and precise, synchronized movements to convey unity and discipline. The dancers stand shoulder to shoulder, often holding hands, and execute unison steps such as knee bends and advances, maintaining strict alignment throughout the performance. Distinct features of the Najdi Ardah include rhythmic chants of poetry recited in the classical Najdi dialect, which accompany the dance and often praise themes of valor, , and tribal pride. These chants, delivered by a at the outset and echoed by the performers, integrate with the core musical elements of drumming to drive the and structure the routine. The dancers wield light swords, raising them high overhead or resting them on their shoulders in coordinated maneuvers that symbolize readiness, with the overall rhythm established by 6 to 8 drummers positioned between the rows. Historically, the Najdi Ardah gained prominence in the as a key element of Saudi national identity, particularly under King Abdulaziz Al Saud, who incorporated it into royal celebrations to foster unity following the kingdom's unification in 1932. It was notably featured in 1930s royal events, such as Eid performances requested by King Abdulaziz to honor soldiers and mark victories, solidifying its role in state symbolism. For major state occasions, performances scale up significantly, involving larger groups of up to 100 or more participants in multiple lines to amplify its ceremonial impact, as seen in national festivals and official gatherings.

Hijazi and Other Forms

The Hijazi variant of the Ardah, practiced in the western region of including areas around and , features faster rhythms that distinguish it from the more measured Najdi baseline. Performers engage in synchronized movements with swords. In the southern regions, particularly and al-Bahah provinces, the Southern Ardah emphasizes drum-heavy rhythms driven by the zeer instrument, loud drumbeats, and occasional rifle shots synchronized with chants. Groups of men form two opposing rows, leaping and stamping in unison while wielding swords, daggers (), or rifles, with a positioned between them reciting improvised verses that the rows echo. A distinctive feature is the inclusion of solo showcases, where one or two performers step forward to demonstrate agile maneuvers with their props before rejoining the lines, allowing rotation among participants. While women do not participate in the dance itself, they contribute by crafting traditional attire and accessories. Gulf adaptations of the Ardah, seen in countries like the UAE and , maintain the core structure of opposing rows and sword-wielding but incorporate coastal influences, such as marine-themed chants in related Eastern Province performances that evoke pearl-diving heritage through instruments like the mirwas drum and jahila clay pot. In , it is regularly featured in national celebrations with traditional rhythms, symbolizing unity and pride. In the 21st century, these forms have diverged slightly through integration into urban festivals and national events, such as the Southern Ardah Festival in Asir launched in 2020, where performances preserve rhythmic and poetic traditions while reaching broader audiences.

Cultural Role

Social and Ceremonial Uses

In traditional Saudi Arabian society, the Ardah plays a central role in wedding ceremonies, where it is performed to mark the start and end of the festivities, expressing joy, unity, and familial pride. Groups of male performers from the groom's side often execute the dance to honor and welcome the bride's family, symbolizing the strengthening of tribal alliances and communal protection through coordinated displays of strength and harmony. This practice, rooted in Bedouin customs, underscores the dance's evolution from pre-modern tribal rituals to a key element of matrimonial celebrations. The Ardah also features prominently in community gatherings, particularly during Eid celebrations and acts of hospitality known as diyafa, where it reinforces social bonds and mutual respect among participants in society. In these settings, troupes perform to welcome guests and commemorate religious holidays, promoting cohesion across neighborhoods, provinces, and networks while evoking shared . Such events highlight the dance's function in fostering and , essential values in tribal life. Participants in the Ardah are typically men from diverse social and professional backgrounds, with no restrictions on age or status, though training often begins in through informal groups or structured cultural programs. In traditional contexts, young males learn the steps, rhythms, and poetry recitation from elders within their kin, ensuring the practice's transmission across generations before performing in lines that represent tribal solidarity. Women contribute indirectly by preparing costumes, supporting the all-male ensembles that embody valor and discipline.

Modern Adaptations

In the late , the Ardah solidified its status as an official national symbol of , representing unity, heritage, and identity during key diplomatic and ceremonial occasions. It is routinely performed to welcome foreign leaders and at regional summits, embodying the Kingdom's cultural pride. For example, during the 2017 visit of U.S. President , he joined King Salman in a Najdi Ardah performance at the in , highlighting its role in international protocol. Similarly, the dance has been showcased at global events like , where Saudi pavilions featured large-scale Ardah displays to promote Arabian traditions to millions of visitors. In 2024, the visual identity for the 2025, hosted in , drew inspiration from the Ardah's rhythmic movements, blending cultural heritage with to symbolize unity and agility. The Ardah's integration into media and tourism has amplified its contemporary reach. Documentaries such as the "Najdi Ardah Film," produced by Saudi cultural institutions, detail its historical and performative elements, educating both local and international audiences on its significance as a martial and celebratory art form. In tourism, it features prominently at events like the Janadriyah National Heritage and Culture Festival, which draws over one million attendees annually and includes Ardah as a centerpiece of folk performances, fostering cultural exchange and economic impact. Preservation efforts have addressed challenges posed by modernization and , particularly as the gains popularity at weddings and spectacles. In 2023, the National Centre for Saudi Ardah issued guidelines to standardize Ardah protocols, ensuring authentic execution with traditional attire, rhythms, and formations to counter diluted versions driven by commercial demands. The inscription of Alardah Alnajdiyah on the Representative List of the Intangible Cultural Heritage of Humanity in 2015 has further supported these initiatives, emphasizing its global value and encouraging community-led safeguarding against cultural erosion.

References

  1. https://ich.unesco.org/en/RL/alardah-alnajdiyah-dance-drumming-and-poetry-in-saudi-arabia-01196
  2. https://www.visitsaudi.com/en/stories/sword-dancing-in-saudi
  3. https://www.ithra.com/en/programme/2024/ithra-national-day/symphony-authenticity/saudi-ardah
  4. https://www.spa.gov.sa/en/N2405749
  5. https://saudipedia.com/en/article/4305/culture/performing-arts/southern-ardah
  6. https://gulfnews.com/world/gulf/saudi/saudi-arabia-sets-guinness-world-record-for-largest-ardah-performance-during-founding-day-festivities-1.500045887
  7. https://saudiarabesque.com/al-ardha-the-national-sword-dance-of-saudi-arabia/
  8. https://maraya-tours.com/2024/03/05/qatar-ardah-sword-dance/
  9. https://saudipedia.com/en/article/222/culture/performing-arts/the-saudi-ardah
  10. https://archive.aramcoworld.com/issue/200702/saudi.folk.music.alive.and.well.htm
  11. https://www.saudicultures.com/blog/what-is-ardah-inside-saudi-arabias-iconic-sword-dance/
  12. https://www.abouther.com/node/8821/people/features/introducing-ardha-popular-folkloric-dance-saudi-arabia-and-region
  13. https://www.saudigazette.com.sa/article/645739/SAUDI-ARABIA/Saudi-Ardah-A-celebration-of-heritage-and-unity
  14. https://folkculturebh.org/en/?issue=27&page=article&id=855
  15. https://www.arabamerica.com/ardah-the-art-of-arabian-sword-dancing/
  16. https://saudipedia.com/en/article/594/culture/performing-arts/drums-in-saudi-ardah
  17. https://saudipedia.com/en/article/596/culture/performing-arts/saudi-ardah-rhythms
  18. https://www.warnerchappellpm.com/track/perfect-pitch-pp019-02/MjY3ODc4MDktMmQwNTYw
  19. https://saudipedia.com/en/article/1757/culture/performing-arts/what-are-the-traditional-costumes-for-the-saudi-ardah
  20. https://www.spa.gov.sa/en/N2176011
  21. https://www.arabnews.com/fashion/news/769871
  22. https://saudipedia.com/en/article/1778/culture/performing-arts/saudi-ardah-weapons
  23. https://www.dxbnewsnetwork.com/understanding-the-ardah-dance-symbol-of-unity-and-pride-in-saudi-culture
  24. https://www.airuniversity.af.edu/Portals/10/AFCLC/04.%20Ready%20Airman/Field%20Guides/CENTCOM/ECFG%20Saudi%20Arabia%202025-r1.pdf?ver=pgkMPBahonc1U5Q___SJwg%3D%3D&timestamp=1741977297945
  25. https://riyadh.sa/en/culture/item/article/29278
  26. https://saudipedia.com/en/article/4342/culture/performing-arts/how-is-the-southern-ardah-dance-performed
  27. https://saudipedia.com/en/article/161/culture/performing-arts/traditional-dances-in-saudi-arabia
  28. https://www.moc.gov.qa/en/inventory/al-ardha-traditional-folk-dance/
  29. https://www.youtube.com/watch?v=k4_Llg_jKtI
  30. https://www.fiba.basketball/en/events/fiba-asiacup-2025/news/fiba-asia-cup-2025-logo-revealed-inspired-by-traditional-ardah-dance
  31. https://saudipedia.com/en/article/1574/government-and-politics/najdi-ardah-film
  32. https://www.thenationalnews.com/gulf-news/2023/01/10/saudi-arabia-tightens-ardah-sword-dance-rules-to-keep-tradition-intact/
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