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Arthur
French cover for a box set containing the 4 novels.
Arthur et les Minimoys (2002)
Arthur et la cité interdite (2003)
Arthur et la vengeance de Maltazard (2004)
Arthur et la guerre des deux mondes (2005)
AuthorLuc Besson
CountryFrance
LanguageFrench
GenreChildren
Fantasy
PublisherÉditions Intervista
Published2002–2005
Media typePrint (hardback & paperback)
Audiobook
E-book
No. of books4

The Arthur series refers to a series of fantasy novels for children written by Luc Besson, a film director and producer, and published from 2002 to 2005 in France, the United States and the United Kingdom.

This term also refers to the feature films based on them, which Besson wrote, produced and directed. The films were made and released from 2006 to 2010, in France, the UK and the US. The series has also been produced in video game format.

Novels

[edit]

The four novels were originally published in France by Intervista. Later reissues by Le Livre de Poche have dropped the "Arthur et" part of the titles.

  1. Arthur et les Minimoys (2002, literally and in English as "Arthur and the Minimoys")
  2. Arthur et la cité interdite (2003, literally and in English as "Arthur and the Forbidden City")
  3. Arthur et la vengeance de Maltazard (2004, literally "Arthur and the Revenge of Maltazard")
  4. Arthur et la guerre des deux mondes (2005, literally "Arthur and the War of the Two Worlds")

Only the first two books have been published in English (translator: Ellen Sowchek)[1] by HarperCollins in the United States and Faber and Faber in the United Kingdom. These two were reissued in one volume in 2007 by the latter publisher as Arthur and the Invisibles.[2]

Films

[edit]
Arthur
Based onArthur
by Luc Besson
Produced by
  • Luc Besson
  • Emmanuel Prévost (1-3)
  • Stéphane Lecomte (2-3)
  • Fanny Besson (4)
Production
companies
Distributed by
  • EuropaCorp
  • Apollo Films (4)
CountryFrance
Languages
  • English (1-3)
  • French (4)
BudgetTotal (3 films):
$185 million
Box officeTotal (3 films):
$217.2 million
  1. Arthur and the Minimoys (2006), based on the two books Arthur et les Minimoys and Arthur et la cité interdite. In the film, 10-year-old Arthur Montgomery enters a magical land, known as the Land of the Minimoys, in a bid to see his grandfather Archibald Suchot, only to be confronted by the Evil M, Maltazard. It was altered as Arthur and the Invisibles for the United States release by The Weinstein Company, but this alteration is now out-of-commerce following the distributing company's closure although is only available on US and UK DVDs.[3]
  2. Arthur and the Revenge of Maltazard (2009), based on Arthur et la vengeance de Maltazard. Set two years after the events of The Minimoys, a now 12-year-old Arthur returns to the Minimoys after receiving a distress-call from them. Maltazard later springs loose from the telescope and has now gained human size.
  3. Arthur 3: The War of the Two Worlds (2010), based on Arthur et la guerre des deux mondes. In the film, Arthur must find a way to revert to his human size in order to stop the evil forces of Maltazard.
  4. Arthur, malédiction (2022) (literally translated to be Arthur, curse), a standalone spin-off psychological horror film.

The second and third installments, which were made back-to-back, have a directly continuous storyline but, in English version only, differ somewhat in the casting of the voice-only roles.

Video games

[edit]

Video games for the popular consoles of the time have been released alongside the first two films. The Arthur and the Revenge of Maltazard games have been distributed in the United Kingdom and under that name despite the film not being so.

Television series

[edit]

An animated TV series, Arthur and the Minimoys, was produced by Studio 100, and debuted on 17 July 2018. A 20-episode web series was also being planned.[4]

Other media

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Arthur (Besson book series)

View on Grokipedia
from Grokipedia
Arthur is a series of four fantasy adventure novels for children written by French filmmaker and Céline Garcia and originally published in French by Éditions between 2002 and 2005. The story centers on ten-year-old , who discovers a hidden microscopic world of tiny humanoid creatures called the Minimoys living in his backyard, and shrinks himself to join their society in quests to save his family's home from foreclosure and rescue his missing grandfather. The series begins with Arthur et les Minimoys (2002; English: Arthur and the Minimoys), in which Arthur learns about the Minimoys from his grandfather's journals and ventures into their realm to retrieve a stolen within three days, allying with the brave Selenia and the inventive Betameche. This is followed by Arthur et la Cité interdite (2003; Arthur and the Forbidden City), where Arthur returns to the Minimoys' world to confront the evil Maltazard and prevent a war. The third installment, Arthur et la Vengeance de Maltazard (2004; Arthur and the Revenge of Maltazard), escalates the conflict as Maltazard grows to human size and threatens both worlds. The final book, Arthur et la Guerre des deux mondes (2005; Arthur and the War of the Two Worlds), culminates in an epic battle between the human and Minimoy realms to defeat Maltazard once and for all. Besson's novels blend imaginative world-building with themes of , , and environmental , drawing from his background in cinema to create vivid, cinematic narratives. were later adapted into a of live-action/animated directed by Besson himself, released between 2006 and 2010, which expanded the franchise's popularity worldwide.

Background and development

Origins and inspiration

Luc Besson's creation of the Arthur series stemmed from his personal desire to craft a fantasy for children, drawing directly from his own childhood experiences and imaginative world-building. In a 2007 interview, Besson revealed that the protagonist and his grandmother character were inspired by his relationship with his own grandmother, reflecting a phase in his life where he sought to capture the wonder and challenges of youth. He emphasized that the story was conceived as a way to guide his own children through a complex world, prioritizing themes of honesty and personal growth in his storytelling. The series' conceptual foundations also incorporated environmental motifs, portraying the Minimoys as diminutive protectors of the natural world to underscore the importance of ecological balance and the repercussions of actions on the environment. Besson highlighted these elements as educational tools for young readers, aiming to instill awareness of nature's fragility without overt . This focus aligned with his broader interest in between humanity and the environment, evident in the miniature garden realm that serves as the story's fantastical backdrop. The initial development of the Arthur concept occurred in the late 1990s, during the of Besson's film (1999), when Patrice Garcia presented him with a of the young protagonist perched on a leaf, igniting the project's momentum. This visual spark led Besson to expand the idea into a full narrative, envisioning the Minimoys as tiny guardians intertwined with natural elements. The collaboration extended to Céline Garcia, Patrice's daughter and a , who co-conceived the original premise and contributed to the visual of the Minimoys' , blending intricate sketches with Besson's textual framework to establish the series' distinctive aesthetic.

Creation process

Luc Besson initiated the development of the Arthur book series in 1999, during the post-production of his film The Messenger: The Story of Joan of Arc, conceiving the core story as a fantasy adventure for young readers. He first drafted the narrative as a film script, collaborating on the concept with Céline Garcia, before adapting it into novel form to introduce the world to audiences ahead of the cinematic release. This iterative approach, starting from screenplay to prose, allowed Besson to refine the structure over approximately three years, culminating in the completion of the first book by 2002. As both and , Besson played a hands-on role in shaping the series, drawing from his expertise to infuse the text with vivid descriptions suited for visual . were published by the French house Intervista, which handled the editorial process, including revisions to enhance accessibility and appeal for an international children's audience aged 8-12 by balancing fast-paced action, humorous elements, and subtle educational themes like environmental awareness. However, the project faced legal challenges, with a French court recognizing additional co-authors Philippe Rouchier, Cepo, Georges Bouchelaghem, and Nicolas Fructus for their contributions to the series. Challenges during production included the demanding timeline of synchronizing book content with pre-production, requiring multiple drafts to maintain narrative coherence across media while keeping the tone engaging and age-appropriate. Subsequent volumes followed a similar process, with the full series finalized by 2005.

The book series

Publication history

The Arthur book series by Luc Besson was first published in French by Intervista Éditions, beginning with Arthur et les Minimoys in 2002. This debut novel introduced the fantasy world of the Minimoys and established the series' adventurous tone for young readers. The second installment, Arthur et la Cité interdite, followed in 2003. The third volume, Arthur et la Vengeance de Maltazard, was released in 2004. The fourth and final book, Arthur et la Guerre des deux mondes, was published on June 13, 2005, by Glénat Éditions. English translations, handled by HarperCollins and rendered by translator Ellen Sowchek, appeared starting with Arthur and the Minimoys on May 10, 2005. The second book, Arthur and the Forbidden City, was published on September 1, 2005. Only the first two books received full English distribution; the third and fourth titles were not translated into English. The series as a whole has been translated into more than 20 languages, including Italian, Spanish, German, and Dutch, facilitating its global reach through various international publishers. By 2008, the books had sold over 1 million copies worldwide, with cumulative sales exceeding 2 million by 2010 amid growing international editions. Following the 2006 release of the film adaptation Arthur and the Invisibles, special editions emerged to capitalize on the franchise's popularity, including illustrated versions with enhanced artwork by Patrice Garcia and collector's sets bundling multiple volumes. These post-film reprints, such as coffrets from Intervista and Glénat, featured deluxe bindings and bonus materials, boosting accessibility for new readers and sustaining commercial performance.

Plot overviews

The Arthur book series by follows the adventures of young protagonist Arthur as he navigates between the human world and the miniature realm of the Minimoys, with Selenia as a key ally in his quests. In the first volume, Arthur and the Minimoys (2002), Arthur's grandfather has been missing for four years, leaving behind notebooks describing the Minimoys, a people less than one inch tall who inhabit the garden. Facing the threat of from their home, Arthur uncovers a hidden message that propels him into a three-day adventure: he shrinks to enter the Minimoys' world, recovers a stolen treasure, battles mosquito-riding warriors, and confronts threats from the villainous Maltazard, all while discovering the delicate balance of in this hidden ecosystem. The second book, Arthur and the Forbidden City (2003), sees Arthur return to the Minimoys' realm, transformed into one of them, alongside allies including brave Princess Selenia and her brother Prince Betameche. Their mission takes them into the dangerous of , ruled by the cruel wizard Maltazard, to rescue Arthur's grandfather, reclaim the stolen treasure, and safeguard the Minimoys' land by exploring ancient lore and perilous territories. The third installment, Arthur and the Revenge of Maltazard (2004), escalates the conflict as Maltazard escapes his imprisonment, grows to human size using dark magic, and launches a campaign of revenge against the Minimoys and humans alike, forcing Arthur to ally with Selenia and Betameche once more to thwart the growing threat that endangers both worlds. In the fourth and final volume, Arthur and the War of the Two Worlds (2005), the narrative culminates in an epic battle between the human and Minimoy realms, where Arthur must bridge the two dimensions to prevent total destruction and ultimately defeat Maltazard's forces. Throughout the series, overarching themes of and drive the plot progression, portraying the Minimoys as guardians of nature's fragile harmony—threatened by human neglect and —while 's journeys emphasize the transformative power of creative vision in overcoming real-world challenges.

Characters and world-building

Protagonists and allies

is the central of the series, a ten-year-old living with his grandmother in a countryside home threatened by , who uncovers the existence of the tiny Minimoys through his missing grandfather's illustrated notebooks. Portrayed as curious and resourceful, demonstrates inventive problem-solving skills, such as deciphering ancient codes and navigating fantastical realms, marking his transformation from an ordinary child into a courageous leader among the Minimoys. Princess Selenia serves as a key ally and romantic interest to , depicted as the bold daughter of the Minimoys' and a skilled proficient in and . Her qualities shine through her command in battles and her determination to protect her people, while her relationship with fosters mutual growth and highlights themes of alliance between humans and Minimoys. Betameche, Selenia's younger brother and the prince of the Minimoys, provides through his clumsy antics and mischievous personality, often stumbling into mishaps that lighten tense moments. Despite his bumbling nature, he exhibits loyalty to his sister and Arthur, contributing inventive ideas and unwavering support that strengthen the group's dynamics. Supporting allies in the human world include Arthur's grandmother, who offers emotional stability and shares tales from her late husband's journals that bridge the ordinary and magical realms, and his faithful dog Alfred, whose protective instincts and garden explorations inadvertently aid Arthur's discoveries. Among the Minimoys, elder figures such as the king embody wisdom and authority, facilitating connections between the microscopic society and the human protagonists through guidance and permission for joint quests.

Antagonists and setting

In the Arthur book series by , the primary antagonist is Maltazard, a tyrannical and former Minimoy who rules the dark city of and seeks to conquer the seven kingdoms of the Minimoys through manipulation and military force. Once corrupted by seduction from a female , Maltazard embodies ruthless ambition, deploying armies of insects and dark magic to subjugate his foes, posing an existential threat to the fragile Minimoy society. The series' setting revolves around a dual-world structure, where the human backyard garden serves as a mystical portal to the subterranean realm of the Minimoys—tiny, inch-high beings divided into seven interconnected kingdoms that maintain an intricate ecological balance. This underground world, rich with bioluminescent flora, insect mounts, and ancient , contrasts sharply with the human realm, where everyday activities like construction disrupt the harmony above and below ground. Travel requires a precise shrinking performed every tenth , involving a aligned with moonlight to transform humans into Minimoys, underscoring the lore's emphasis on temporal and natural cycles. Human world threats amplify the conflicts, as developers intent on bulldozing the garden for profit symbolize broader environmental perils, including and that endanger the Minimoys' survival by poisoning their water sources and uprooting vital plants. These incursions highlight the series' themes of ecological interdependence, where the antagonists' conquests in the Minimoy kingdoms mirror the oblivious human encroachment from above.

Film adaptations

Arthur and the Invisibles

Arthur and the Invisibles is a 2006 live-action/animated fantasy film directed and co-written by , marking his directorial debut in blending live-action sequences with (CGI) animation. The production, handled by Besson's , featured over 1,600 CGI shots created by the Paris-based visual effects company BUF, which developed the Minimoys characters without initial or deadline constraints. With a of $80 million, it was the most expensive French animated film at the time, involving filming of live-action scenes in locations such as La Trinité-des-Laitiers in , , while CGI work was conducted in studios. The film's plot adapts elements from the first two books in Besson's Arthur series, following a young boy named who shrinks to the size of the Minimoys—invisible tiny beings living in his backyard—to embark on a quest to retrieve a ruby and save their kingdom from an evil villain. In the adaptation, is voiced by , who also appears in live-action as the human-sized , differing from the books' narrative by incorporating added musical numbers, such as songs performed by artists like Jewel and , and expanding action sequences with more elaborate fantasy battles and chases in the Minimoys' world. These changes enhance the film's adventurous tone while condensing the source material's events into a single cohesive story. Key cast members include as Arthur's grandmother, providing emotional grounding in the live-action portions, alongside voice talents such as as the warrior princess Selenia, as the king, and as Max, contributing to the animated sequences' vibrant personalities. Highmore's dual role allows seamless transitions between the real and miniature worlds, emphasizing themes of courage and discovery. The film premiered in on November 29, 2006, before expanding internationally, including a wide U.S. release on January 12, 2007, distributed by . It grossed approximately $109 million worldwide, with strong performance in European markets reflecting its family-oriented appeal and innovative visual style.

Sequels

The sequels to Arthur and the Invisibles extended the cinematic trilogy, building on the initial film's success to further explore the dual worlds of humans and Minimoys through live-action and 3D animation hybrids. Released in 2009 and 2010, these films were produced by under Luc Besson's direction, maintaining narrative continuity while introducing technological advancements in visual effects and 3D presentation. Arthur and the Revenge of Maltazard (2009), the second installment, centers on the villain Maltazard's scheme to invade the human world by using a magical to grow to full human size, endangering both dimensions. Arthur, voiced by returning star , must navigate perilous journeys between worlds to thwart the invasion, aided by Princess Selenia and other Minimoy allies. The film marked a shift to stereoscopic 3D format, enhancing the immersive blend of live-action sequences and animated Minimoy realms, with handled by teams at . Produced on a budget of €65 million, it grossed approximately $52 million worldwide. The trilogy concluded with Arthur and the Two Worlds War (2010), escalating the conflict into an all-out dimensional war as the enlarged Maltazard leads an army of transformed Minimoys against the human realm. Still trapped at Minimoy size, Arthur teams with Selenia and Betameche to retrieve a growth potion, culminating in epic battles across scales. Innovative 3D effects highlighted the film's action set pieces, including giant insect rides and size-shifting confrontations, though production faced challenges from the era's emerging 3D technology, requiring extensive refinements by EuropaCorp's VFX division. Besson directed this entry as well, with Highmore reprising his role amid logistical hurdles like filming both sequels back-to-back to accommodate the young actor's growth. The €65 million production earned about $34 million globally. These sequels deviated from the source books by introducing original elements, such as human-Minimoy hybrids exemplified by Darkos, Maltazard's son born to a human mother, adding layers of familial conflict and interdimensional politics absent in Besson's novels. This expansion amplified the stakes of the , emphasizing themes of scale, identity, and alliance in a visually ambitious conclusion to the saga.

Arthur, malédiction (2022)

In 2022, a psychological horror adaptation titled Arthur, malédiction was released, directed by Barthélemy Grossmann and produced by Luc Besson. The film reimagines the Arthur story as a meta horror narrative, where a group of teenagers, fans of the original Arthur films, visit the filming location of the house, only to encounter terrifying supernatural events tied to the Minimoy legend. Starring Mathieu Berger as Alex and featuring Besson's daughter Thalia Besson, it diverges significantly from the family-friendly tone of the trilogy, exploring themes of obsession and reality blurring with fiction. The film premiered in France on July 13, 2022, and received mixed reviews for its bold genre shift.

Other media adaptations

Television series

The animated television series Arthur and the Minimoys (French: Arthur et les Minimoys) is a French production based on Luc Besson's children's book series, expanding the Minimoy universe with original stories. Co-produced by EuropaCorp Television and Studio 100 Animation, the series premiered in France in December 2017 and consists of 26 episodes, each running approximately 26 minutes. Directed by Pierre-Alain Chartier, it employs 3D CGI animation to depict Arthur's journeys in the tiny Minimoy world alongside allies like Princess Selenia and Bétamèche, tackling everyday challenges such as environmental threats and interpersonal conflicts. The episodes introduce new lore elements not directly from or films, emphasizing themes of , teamwork, and heroism through self-contained adventures that resolve within a single installment or short arcs. For instance, stories often highlight the Minimoys' harmony with nature, with Arthur learning lessons about while combating minor villains or in their microscopic realm. This format targets children aged 5-9, differing from the more cinematic scope of the film adaptations by focusing on lighter, educational narratives suitable for weekly viewing. The original French voice cast features child actors and performers including Antoine Fonck as , with dubs created for international markets to broaden accessibility. Production emphasized vibrant visuals and dynamic action sequences to engage young audiences, while maintaining a with the films through designs and settings. In , the series aired on channels such as , , and Canal J starting in late 2017, followed by international distribution across Europe and beyond, including deals in regions like and availability on platforms like and in select territories as of 2025. It concluded after one season of 26 episodes, without renewal for additional installments.

Video games

The Arthur book series by inspired a series of adaptations, primarily tied to the film trilogy, with releases spanning multiple platforms to deliver interactive experiences in the Minimoy universe. These titles focus on player agency through exploration, puzzles, and combat, extending the franchise's fantastical elements into gaming mechanics distinct from the books' narrative structure. The inaugural game, Arthur and the Invisibles, launched in late 2006 for , PC, Game Boy Advance, , and . Developed by Étranges Libellules for the PS2 and PC versions, with Neko Entertainment handling the DS port and Mistic Software the GBA edition, it is an action-adventure title where players guide after he shrinks to Minimoy size using a magical . centers on third-person exploration of vibrant, microscopic worlds, puzzle-solving involving environmental manipulation like pushing blocks or activating switches, and light combat against enemies such as mosquitoes and robotic foes, all aligned with the first film's plot of rescuing the Minimoys from destruction. These mechanics highlight shrinking as a core feature, enabling navigation through grass blades as forests and dewdrops as lakes, while collecting items and upgrading abilities like swordplay or to progress through levels and boss encounters. The game's multiple platform variants—totaling at least five distinct releases—adapted the core experience for handheld portability on GBA and DS, with the latter incorporating touch-screen mini-games for variety. A , Arthur and the Revenge of Maltazard, arrived in 2010 for , , PC, and PlayStation 3. Published by and developed by Phoenix Interactive, it shifts to a party-style format with over 30 mini-games recreating key events from the second , such as battling Maltazard's forces or allying with companions. The version leverages motion controls for immersive actions like swinging a or steering a mount, while DS and PC editions emphasize quick-time challenges and multiplayer modes supporting up to four players. No major console or handheld title directly adapted the third film, Arthur and the War of the Two Worlds, though minor Java-based mobile games for feature phones extended the series' accessibility with simplified adventures mirroring the books' shrinking and quest motifs. Overall, these games, exceeding five variants across platforms, prioritize interactivity to complement the franchise's timeline without altering core events.

Reception and legacy

Critical response

The books in the Arthur series received mixed critical reception, with praise centered on their imaginative world-building and adventurous spirit suitable for young readers. However, the prose was often critiqued for its simplicity and lack of literary depth, reflecting Besson's background as a filmmaker rather than a novelist. Publishers Weekly noted that the attempt at middle-grade fantasy resulted in "thumbs-down" execution, with dialogue and narrative feeling more like a film script than polished children's literature. Aggregate user ratings on Goodreads averaged 3.7 out of 5 across the series, indicating moderate appeal among families but limited acclaim from professional critics, with no major French literary awards documented. The film adaptations, beginning with Arthur and the Invisibles (2006), garnered mixed to negative reviews from critics, emphasizing visual strengths amid narrative weaknesses. The first film holds a 21% approval rating on based on 90 reviews, with consensus criticizing its predictable script and uneven blend of live-action and . Visuals were frequently lauded for their colorful, inventive depiction of the Minimoy world, as of the called it an "enjoyable and imaginative" semianimated adventure despite formulaic qualities. Pacing drew particular criticism, with Variety describing grating transitions and overdriven dialogue that disrupted the flow between real and fantastical realms. Sequels like Arthur and the Revenge of Maltazard (2009) and Arthur and the War of the Two Worlds (2010) fared similarly poorly, with the second scoring 14% on based on 7 reviews and the third lacking a Tomatometer score due to insufficient reviews, though they maintained some praise for expanded effects. The films received nominations at the 2007 Young Artist Awards for Freddie Highmore's performance but no . Other media adaptations also elicited average responses, positioning them as accessible family entertainment rather than standout works. The French animated television series Les Aventures d'Arthur et les Minimoys (2017–2018) was viewed as educational, teaching themes of friendship and exploration through episodic adventures, though critics and audiences found it formulaic and derivative of the films, with an user rating of 6.2/10 reflecting its appeal primarily to young children. Video games tied to the films, such as Arthur and the Invisibles (2006), received middling scores, with aggregating 66/100 across platforms; praised its blend of action, puzzles, and polish as suitable family fun (7.5/10), while critiqued its repetitive and slow progression (6/10). Overall, the Arthur franchise was appreciated for its environmental messages promoting and protection of the natural world against exploitation, as seen in the core plot of saving a grandmother's land from development. Common Sense Media highlighted these positive themes of interconnectedness in the sequels, noting their value in fostering for the environment among young viewers. However, some reviewers observed a prioritization of commercial elements over creative innovation, resulting in formulaic storytelling that prioritized spectacle and potential.

Cultural impact

The Arthur series has generated extensive merchandise, including toys, figurines, and clothing tie-ins produced by French companies such as Lansay, which released action figures and playsets inspired by the Minimoys world following the film adaptation. Additional products encompassed perfumes developed by Koto Paris and various apparel items, contributing to a broad commercial extension of the franchise in during the late . Book tie-ins, including educational workbooks aligned with school levels like CE2/CM1, further integrated the series into children's reading materials. The franchise's cultural reach extended to theme park attractions, notably the , l'Aventure 4D simulator ride at in , which opened on December 19, 2009, and immerses visitors in a 4D experience of the Minimoys kingdom using motion platforms and visuals. This attraction, produced in collaboration with , highlighted the series' appeal in experiential entertainment and remains operational as of 2025. The narrative's emphasis on environmental themes, such as protecting natural habitats from destruction, has influenced trends by promoting ecological awareness, as noted in analyses of contemporary youth cinema that position Arthur alongside works educating young audiences on . In 2022, produced , a horror exploring darker origins of the Minimoy lore through a meta-narrative involving fans investigating the franchise's filming location, marking a post-2010 extension into genre experimentation. The film grossed approximately €1.3 million in and €1.7 million worldwide, while receiving a 17% approval rating on based on critic reviews. It received a U.S. theatrical release on October 17, 2025. As of 2025, the core Arthur series has seen no new main book or film entries since the 2010 trilogy conclusion, yet it maintains an enduring fanbase through ongoing reprints of the original novels and secondary media like the 2022 prequel. The franchise's success, particularly the films' combined global earnings of approximately $198 million, solidified EuropaCorp's position as a key player in international family entertainment production.

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  44. https://www.awn.com/news/arthur-and-minimoys-joins-studio-100-portfolio
  45. https://www.licenseglobal.com/entertainment/arthur-and-minimoys-heads-finland
  46. https://www.imdb.com/title/tt7658400/
  47. https://www.imdb.com/title/tt7658400/fullcredits
  48. https://www.justwatch.com/us/tv-show/arthur-and-the-minimoys
  49. https://www.mobygames.com/group/8983/arthur-and-the-invisibles-licensees/
  50. https://www.mobygames.com/game/43266/arthur-and-the-invisibles-the-game/
  51. https://www.ign.com/articles/2007/01/11/arthur-and-the-invisibles-review
  52. https://www.metacritic.com/game/arthur-and-the-invisibles/
  53. https://nintendo.fandom.com/wiki/Arthur_and_the_Invisibles
  54. https://nintendo.fandom.com/wiki/Arthur_and_the_Revenge_of_Maltazard
  55. https://www.esrb.org/ratings/28197/arthur-and-the-revenge-of-maltazard/
  56. https://mobile.phoneky.com/games/?id=j4j318
  57. https://www.lesechos.fr/2006/12/les-industriels-du-jouet-chassent-les-heros-589642
  58. https://www.e-marketing.fr/Thematique/management-1090/Breves/Arthur-minimoys-declinent-parfums-165107.htm
  59. https://www.imdb.com/title/tt31720952/
  60. https://www.boxofficemojo.com/title/tt19783626/
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