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Arthur Negus
Arthur Negus
Arthur Negus
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Arthur George Negus, OBE (29 March 1903 – 5 April 1985) was a British television personality and antiques expert, specialising in furniture.

Key Information

Biography

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Negus was born in Reading, Berkshire, to Amy Julia Worsley and father Arthur George Negus senior, a cabinet maker. His family had a long history in the antiques business. Negus was educated at Reading School and began running the family business when he was 17, following the death of his father. During the Second World War he was an air-raid warden. He later joined Bruton, Knowles & Co., auctioneers of antiques, based in Gloucester.

For many years Negus lived in Cheltenham, Gloucestershire.[citation needed]

Broadcasting career

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His broadcasting career began at the age of 62 when he appeared on the panel of the BBC television series Going for a Song (1965–1977), where he appraised antiques. He quickly became a household name as a result of his slow and distinctive Berkshire speech style, which in turn also made him popular with impersonators. He returned to television with Arthur Negus Enjoys (1982) and, especially, Antiques Roadshow (1979–1983). He also appeared on other TV programmes including several editions of The Generation Game during the time it was presented by Bruce Forsyth and Larry Grayson. Negus also presented the BBC ten-part series The Story Of English Furniture in 1978. Another BBC series Arthur Negus On The Road was broadcast in 1974.

Honours and legacy

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Negus was appointed an Officer of the Order of the British Empire (OBE) in 1982 "for services to the appreciation of antiques".[2] He died in 1985 at his home in Cheltenham, one week after having turned 82.

In April 2013 Negus's daughter Anne appeared on the Antiques Roadshow with the Negus family Bible. The Negus family had traced its ownership back to the 1700s.[3]

Bibliography

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References

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Arthur Negus

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Arthur George Negus OBE (29 March 1903 – 5 April 1985) was a British antiques expert specialising in furniture and a pioneering television personality who popularised the valuation of collectables for a mass audience through programmes such as Going for a Song and . Born in , into a family of cabinet makers and antiques dealers, Negus left school at age 17 following his father's death in 1920 to manage the family business and support his mother until her passing in 1927. After serving in the during the Second World War, Negus joined the Gloucester-based auction house Bruton Knowles in 1947 as a fine arts expert, a position he held until his death, where he catalogued and valued estate items, building a reputation for his authoritative knowledge of English furniture. His television career began in 1964 with a trial programme in the , leading to his starring role on Going for a Song from 1965 to 1977, co-hosted with Max Robertson, which attracted up to 14 million viewers by blending antiques expertise with . Negus then became a furniture specialist on the inaugural Antiques Roadshow pilots in 1977 and appeared regularly from 1979 until 1983, when health concerns prompted his retirement at age 80, though he continued occasional contributions until shortly before his death. Negus's warm, avuncular style and encyclopedic recall of furniture makers and periods earned him the nickname "the cuddly uncle of antiques" and sparked a in collecting during the and 1980s. He was appointed Officer of the (OBE) in recognition of his contributions to broadcasting and antiques education. Married to Irene Hollett, Negus had one daughter, Ann Savery, and resided in , , where he died at age 82. His legacy endures through the ongoing success of —including his daughter Ann Savery's 2012 appearance reuniting with a family —and his role in democratising antiques appreciation.

Early Life

Birth and Family Background

Arthur Negus was born on 29 March 1903 in , . He was the son of a cabinetmaker who operated a small business, immersing the family in the trade of furniture restoration and dealing during the early . This modest middle-class household in the provincial town of Reading provided Negus with an early socioeconomic context rooted in craftsmanship and the antiques market, where his father's workshop served as a foundational influence on his lifelong interest in historical furniture. Negus grew up assisting in the family enterprise from a young age, gaining hands-on exposure to basic restoration techniques amid the interwar economic challenges facing small trades in . Following his father's death in 1920, Negus, then just 17, assumed responsibility for the family shop, which deepened his practical involvement in the antiques world.

Education and Early Influences

Arthur Negus received his formal education at in . He left at the age of 17 following the death of his father in 1920. This abrupt transition precluded any consideration of university, directing him instead toward immediate practical involvement in the family business as an only child responsible for supporting his mother until her passing in 1927. His foundational knowledge in antiques thus emerged primarily from hands-on experiences in the workshop, where he honed skills in cabinet making, restoration, and valuation amid the economic challenges of the 1920s. These early years were shaped by the intergenerational legacy of his family's trade, with his father's role as a skilled carpenter and small-scale dealer providing direct exposure to furniture craftsmanship and market principles before Negus assumed full control of the enterprise.

Professional Career in Antiques

Apprenticeship and Early Business

Arthur Negus's entry into the antiques profession was deeply influenced by his family background, providing him with foundational training akin to an apprenticeship. Born in 1903 in , to a cabinetmaker who also dealt in antiques, Negus developed a keen interest in furniture restoration and cabinet work from a young age through hands-on involvement in his father's trade. Upon his father's death, Negus left school around 1920 at age 17 and assumed responsibility for the family in Reading to support his widowed mother, managing the business until her passing in 1927. This early venture immersed him in the practical aspects of the antiques trade, including acquiring, restoring, and selling items, primarily English furniture, amid the post-World War I economic recovery. The 1920s and 1930s proved challenging for Negus as he established himself independently, coinciding with the broader economic slump of the that curtailed demand in the antiques market. He focused on honing his skills in furniture valuation and restoration, particularly pieces from the , which became hallmarks of his expertise. After his mother's death in 1927, Negus continued to work in the antiques trade on his own account until the outbreak of the Second World War.

Role at Bruton Knowles

Following his wartime service as an air-raid warden, Arthur Negus joined Bruton Knowles & Co., a prominent house specializing in fine , in , marking a significant development in his professional career in the antiques trade. Based in , the firm provided Negus with a platform to apply his early skills in cabinet-making and restoration to cataloging, valuation, and auctioneering of high-value furniture and chattels. This role represented a significant expansion from his prior management of the family business in Reading, allowing him to engage with larger-scale operations and a broader clientele in the post-war recovery period. Under Negus's expertise at Bruton Knowles, the business focused on ethical practices such as precise condition assessments and fair market valuations, often handling Regency and Georgian pieces that reflected his specialization in English furniture. He collaborated with staff, including assistants who supported auction preparations, and contributed to the firm's growth through client auctions that attracted international interest, particularly from American collectors in the . Negus's operations extended to restoration services, drawing on traditional techniques to prepare pieces for export and domestic markets, solidifying the firm's position in Gloucestershire's antiques scene before his broadcasting fame.

Broadcasting Career

Introduction to Television

Arthur Negus entered television broadcasting with a trial programme in the West Country in 1964, at the age of 61, leading to his appearance as the resident antiques expert on the BBC's Going for a Song from 1965 at age 62. The programme, a quiz show that explored the world of antiques through viewer participation and expert appraisal, was initially presented by Tony Ross and then by Max Robertson from 1965 to 1977. It featured Negus evaluating items submitted by the public, often ordinary household objects, which he assessed for age, origin, and value in a lively studio setting. His warm, enthusiastic explanations and folksy charm—marked by a gentle, avuncular style—blended educational insights with entertainment, making complex antique history accessible and sparking widespread public interest in collectibles. This success on Going for a Song established Negus as a television personality, leveraging his decades of hands-on experience in the antiques trade to build rapport with audiences. By the late 1970s, the show's format of public engagement with experts inspired the BBC to develop a new program, leading to Negus recording a pilot for Antiques Roadshow in 1977 that took valuations on location. The pilot's positive reception paved the way for the series' debut in 1979, where Negus served as the lead expert, appraising items brought by crowds at various UK sites.

Antiques Roadshow Role and Impact

Arthur Negus served as the lead antiques expert on the BBC's from its premiere on 18 1979 until 1983, providing valuations and commentary as the program traveled to various locations across the , where members of the public brought items for expert assessment, with occasional contributions until shortly before his death in 1985. The inaugural episode aired on from the in Newbury, introduced by , with Negus quickly establishing himself as the show's authoritative voice due to his prior fame from Going for a Song. The format, which Negus helped develop through a successful 1977 pilot, responded to viewer requests for a mobile valuation service, allowing hundreds of attendees per event to receive professional appraisals on-site. Negus's contributions to the program included shaping its engaging, accessible style, drawing on his expertise in furniture while contributing to segments on ceramics and other categories, and delivering candid assessments that became hallmarks of the show. He popularized signature phrases such as "It's a fake!" during blunt evaluations of suspect items, adding drama and educational value that captivated audiences by demystifying processes. His involvement helped refine the roadshow concept, inspired by public demand rather than fixed studio settings, fostering an interactive format that encouraged widespread participation and turned the program into a cultural . The show's impact under Negus's tenure was profound, democratizing access to antiques expertise and sparking in collecting and valuation, as evidenced by its rapid rise to compulsive viewing through authentic reactions to discoveries. Notable early episodes highlighted high-value finds, such as rare items appraised in the tens or hundreds of thousands of pounds, which underscored the program's role in uncovering hidden treasures and educating viewers on market dynamics. By the mid-1980s, had inspired a new genre of valuation-based television, including international adaptations, and contributed to heightened public engagement with antiques, though specific metrics on attendance vary by report.

Other Media Appearances

Beyond his prominent role on , Arthur Negus made several guest appearances on programmes, often leveraging his expertise to educate audiences on antiques in lighter, entertainment-oriented formats. He featured in multiple episodes of , a popular family hosted by and later , where contestants attempted to mimic or identify antique items under his guidance, such as pricing furniture or recognizing historical pieces during challenges in 1975, 1976, and 1977 episodes. These segments highlighted Negus's patient demeanor and ability to make complex valuations accessible, contributing to the show's appeal in the 1970s. Negus also appeared on , One's long-running daytime magazine programme, contributing to 47 episodes between 1973 and 1975, where he discussed restoration and viewer-submitted items in informal interviews and demonstrations. His presence on the show, broadcast live from the in Birmingham, helped bridge antiques knowledge with everyday viewers, often focusing on practical tips for collectors. In a comedic vein, Negus made a brief uncredited cameo in episode aired on 11 January 1975, parodying his own persona as a furniture expert in a sketch that poked fun at appraisals. On radio, Negus was a guest on BBC Radio 4's on 27 February 1967, hosted by , where he selected eight records including Handel's Hallelujah Chorus, shared stories from his career in antiques, and chose a Chippendale cabinet as his luxury item, emphasizing his passion for 18th-century furniture. He also participated in the BBC Radio 4 series Talking About Antiques from 1967 to 1982, alongside Bernard Price and introduced by , answering listener queries about antique valuations and ethical considerations in the trade. These radio outings extended his fame to audio formats, allowing deeper exploration of topics like and market trends without visual aids. Negus contributed to educational documentaries, notably narrating and presenting the ten-part BBC series The Story of English Furniture in 1978, which traced the evolution of British furniture design from the to the , drawing on his extensive knowledge of restoration techniques. He also fronted Arthur Negus Enjoys (1982–1984), a series where he visited historic homes and collections, showcasing items like Georgian silver and Regency decor while reflecting on their craftsmanship. Earlier works included appearances in Collector's World (1970), a BBC programme exploring hobbyists' treasures, and a sketch in Oh in Colour (1970), Spike Milligan's satirical series, where he spoofed antique valuations in a segment on modern British artifacts. These diverse engagements underscored Negus's versatility, using his Roadshow platform to promote antiques education across media up to the mid-1980s.

Personal Life and Later Years

Marriage and Family

Arthur Negus married Irene Hollett in 1926, and the couple remained together until his death nearly six decades later. The marriage produced one child, a daughter named Ann Savery, who lived near Cheltenham in Gloucestershire and later appeared on Antiques Roadshow in connection with a family heirloom—a Bible once owned by her father. Negus's played a supportive role in his antiques career, with the business originally established by his father and continuing as a family enterprise; his grew up immersed in the , reflecting the personal and professional overlap in his life.

Health Decline and Death

Negus retired from his full-time involvement with in 1983, after serving as a lead expert and presenter since the programme's debut in 1979. He remained active in the antiques , continuing his work as a valuer for Bruton Knowles auctioneers until shortly before his death. In his final years, Negus was supported by his wife, Irene Hollett, and daughter, residing in , . He died on 5 April 1985 at the age of 82.

Honours, Legacy, and Contributions

Awards and Recognitions

In recognition of his contributions to the antiques trade, Arthur Negus was appointed an (OBE) in the 1982 . This honour, announced in a supplement to on 31 December 1981, highlighted his lifelong dedication to promoting the appreciation and ethical practice of antiques dealing through his business and public expertise. The OBE was one of the highest formal accolades bestowed upon Negus during his lifetime, reflecting the impact of his work in elevating public interest in historical furnishings and collectibles.

Influence on Antiques Valuation and Public Interest

Arthur Negus's involvement in television significantly revived public interest in antiques during the late 1970s and 1980s, coinciding with a notable boom in the UK antiques trade. His role on Going for a Song and Antiques Roadshow reached peak audiences of around 14 million viewers, inspiring widespread engagement with collectables among ordinary households and elevating the profile of the antiques market. Oral histories from dealers indicate that Negus's celebrity status contributed to increased private buyer sales and a surge in hobbyist participation, with the number of dealers in areas like Harrogate exceeding 80 in the early 1980s, marking a high point for regional trade activity. This heightened enthusiasm extended to auction houses, where public participation grew as viewers sought to identify and value their own items, fostering a more accessible antiques culture. Negus's educational legacy lies in his approach to valuation, which demystified expert assessment for amateurs by emphasizing historical context, craftsmanship, and authenticity over mere monetary worth. Through on-air demonstrations, such as testing durability or detailing furniture construction, he standardized introductory methods for evaluating antiques, influencing subsequent formats like , a 2000 spin-off that builds on Roadshow's model of expert guidance for buyers and sellers. Post-WWII, Negus played a practical role in the antiques trade by joining the auction house Bruton Knowles in 1947, where he catalogued estate items and contributed to valuations amid recovering markets and emerging export controls, helping to professionalize assessments during a period of regulatory transition. His authored guides, including The Arthur Negus Guide to English Furniture and Life Among Antiques, further disseminated this knowledge, making complex topics approachable for enthusiasts. As a cultural icon, Negus was parodied in media, notably in Monty Python's 1970 Election Night Special sketch, where his name was humorously invoked amid absurd election results, cementing his recognizable persona in British comedy. His influence persisted posthumously, with BBC retrospectives utilizing archival footage in anniversary specials, such as the 2019 40th-anniversary coverage, and ongoing uploads of early episodes into the 2020s, ensuring his mentorship style—exemplified by advice to colleagues like "always go your own way"—continues to shape perceptions of antiques restoration and expertise.
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