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Atahensic
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Atahensic, also known as Sky Woman, is an Iroquois sky goddess. Atahensic is associated with marriage, childbirth, and feminine affairs in general.[1]

According to legend, at the time of creation, Atahensic lived in the Upper World, but when digging up a tree, it left a hole in the ground that led to a great sky, under which was water. Atahensic fell through this hole. After her fall, birds carried her down the hole onto the water. A giant turtle then emerged from the underground waters for her to rest on. She then gave birth to her twin sons: Hahgwehdiyu (transl. Sapling) and Hahgwehdaetgah (transl. Flint). Hahgwehdiyu was born normally; Hahgwehdaetgah, the evil twin, killed Atahensic by bursting out of her side during birth. When Atahensic died, Hahgwehdiyu created the sky and, with her head, the Sun. Hahgwehdaetgah, however, created darkness to drive down the sun. Hahgwehdiyu then created the Moon and Stars from his mother's breasts, and tasked them, his sisters, to guard the night sky. He gave the rest of his mother's body to the earth, the Great Mother from whom all life came. Hahgwehdiyu then planted a seed into his mother's corpse. From this seed grew corn, as a gift to mankind.

This Atahensic is the Huron name for the first mother, and not that of the (confederated) Iroquois. The Seneca generally give this character no name other than Eagentci, literally old woman or ancient bodied.[2]

There is another version of the myth of Atahensic in which she is Hahgwehdiyu and Hahgwehdaetgah's maternal grandmother instead. According to this variant, Atahensic had a daughter named Tekawerahkwa (transl. Earth Woman),[3] whom the west wind impregnated with Hahgwehdiyu and Hahgwehdaetgah. As Tekawerahkwa died by childbirth, either she wished for her body to sustain the people[4] or Atahensic sowed on her grave the seeds she had brought when she fell to Earth, but never planted before.[5] Out of Tekawerahkwa's remains grew various plants: the sister spirits of the corn, beans, and squash came from her breasts, hands, and navel respectively; sunflowers from her legs; strawberries from her heart; tobacco from her head; and purple potatoes or sunchokes from her feet.

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Atahensic

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Atahensic, also known as Sky Woman, is a central sky in Haudenosaunee (, revered as the divine feminine figure who initiates the creation of the earth and serves as the ancestral mother of humanity. She embodies themes of fertility, childbirth, and the natural cycles, often depicted as a celestial being who bridges the upper Sky World and the lower watery realm below. Alternative spellings include Ataensic, Aataentsic, and Iagentci, reflecting variations across Haudenosaunee nations such as the Mohawk, Seneca, and Cayuga. In the Haudenosaunee creation myth, Atahensic resides in the Sky World among , where she falls ill and is placed near a whose roots are uprooted, creating a through which she plummets to the primordial waters below. Rescued by water birds who carry her on their wings and place her on the back of a great , she receives from the depths—gathered by diving animals like the or —to spread upon the turtle's shell, forming the foundation of , the Haudenosaunee name for . This act symbolizes the collaborative birth of the land, with Atahensic nurturing its growth into a flourishing world of forests, rivers, and life. Following her descent, Atahensic gives birth to twin sons, known as the Good Twin (Sapling or Sky-Holder) and the Evil Twin (Flint), who represent the dual forces of creation and destruction; alternatively, in some versions, she bears a daughter named Earth Woman or Tekawerahkwa, who then mothers the twins. The twins' rivalry shapes the earth's features—the Good Twin creates benevolent elements like gentle hills and fruitful plants, while the Evil Twin introduces challenges such as steep cliffs and thorns—establishing the balance of harmony and adversity in the world. Atahensic's legacy endures as the grandmother of all Haudenosaunee people, with her story emphasizing respect for the earth, the roles of women in society, and the interconnectedness of all living things. In certain traditions, she is also associated with the moon, either becoming it or crafting celestial bodies to illuminate the new world.

Etymology and Names

Linguistic Origins

The name "Atahensic," also spelled Ataentsic or Ataensic, originates from the Huron (Wendat) language, a Northern tongue closely related to Wyandot and spoken by the Huron people in the 17th century. In Iroquoian linguistic tradition, the term translates to "old woman" or "ancient bodied woman," reflecting attributes of age and primordial femininity central to the cultural nomenclature. This derivation aligns with broader patterns in , where names often incorporate descriptors of physical or temporal qualities to denote revered figures. The earliest recorded attestation of the name appears in , a series of annual reports by French missionaries among the Huron from the 1630s onward, with the form "Ataentsic" documented in the 1636 volume as the name of a foundational female entity in Huron cosmology. These 17th-century texts, compiled by figures like Jean de Brébeuf, captured oral traditions through , preserving the term amid efforts to document indigenous languages for evangelization purposes. By the , anthropological scholarship refined and disseminated the name through systematic studies; for instance, J. N. B. Hewitt, a Tuscarora scholar, analyzed it in works such as his 1903 study on Iroquoian cosmology and his 1910 compilation of Seneca myths, confirming the meaning as "ancient bodied" and linking it to Iroquoian etymological roots denoting maturity or antiquity. Phonetic variations emerged across dialects and transcriptions, influenced by the oral nature of and European orthographic adaptations. Early Jesuit records favor "Ataentsic," emphasizing a nasalized ending, while 19th-century sources like Harriet Maxwell Converse's 1908 collection of Iroquois legends shift to "Ataensic," incorporating variations for aspirated pronunciation common in Huron-Wyandot dialects. These shifts reflect dialectal differences within the Iroquoian family, where vowel and consonant clusters vary between Huron and neighboring languages like Mohawk or Seneca. The Huron language itself belongs to the Northern Iroquoian branch, characterized by polysynthetic structure and rich morphology for kin and age descriptors. In 19th-century anthropological evolution, the term gained prominence in comparative studies of Native American , appearing in ethnographic compilations that cross-referenced Jesuit accounts with contemporary fieldwork. Scholars like Hewitt integrated it into analyses of Iroquoian , highlighting its persistence from 17th-century records to modern revitalization efforts in Wyandot communities, where phonetic forms like "Ataensiq" persist in oral traditions. This documentation underscores the name's role as a linguistic artifact bridging historical and contemporary Iroquoian expression.

Variations Across Iroquoian Languages

In the Seneca language, one of the northern Iroquoian tongues, Atahensic is known as Iagentci or Eagentci, terms that translate to "ancient woman" or "old woman," evoking her role as a primordial maternal figure often revered as the "sky grandmother" in oral traditions. These variants emphasize her antiquity and foundational status in creation narratives, with cultural connotations tying her to wisdom, fertility, and the origins of the earth. The Cayuga, closely related to the Seneca, use a similar form, Ië:gent'ci, carrying comparable meanings of an ancient or mature female ancestor. Among the Mohawk and Oneida peoples, eastern members of the Iroquoian family, her name appears as Atsi'tsaká:ion (or Atsi'tsiaka:ion), meaning "mature flower," symbolizing ripeness, growth, and feminine generative power central to agricultural and cosmological beliefs. Alternative forms like Awen'hai or Awenha'i, shared across related dialects, carry connotations of maturity and floral abundance, reflecting her embodiment of earth's bounty and the life cycle in community storytelling. The Wyandot (or Huron) tradition, from the Iroquoian branch outside the Haudenosaunee Confederacy, uses Ataensic, a form likely derived from "ancient body," highlighting her corporeal and creative essence in non-confederated contexts. This name appears in 17th-century French transliterations as Ataentsic or Eataentsic, recorded by Jesuit missionaries among the Huron, who described her as the celestial woman who descended to form the world. These adaptations underscore regional linguistic divergences while preserving her core identity as the sky-born progenitor.

Mythological Role

Associations with Creation and Femininity

In Iroquois oral traditions, Atahensic embodies the generative forces of creation, serving as a primordial figure whose descent symbolizes the inception of life on and ties her intrinsically to themes of and renewal. As the , she is revered for nurturing the world's bounty, including the essential crops of corn, beans, and squash, which represent the cycles of growth, sustenance, and regeneration in cosmology. Her role extends to the broader feminine , where she is linked to the 's maternal essence, sustaining human and natural life through perpetual renewal. In certain traditions, she is also linked to the moon, symbolizing feminine cycles and celestial guidance. Atahensic's associations with femininity are deeply embedded in Iroquois social structures, particularly through her symbolic connection to motherhood and women's authoritative roles. Ethnographic accounts highlight her as a guardian of , reflecting the matrilineal descent system where identity and pass through the female line, emphasizing women's control over and lineage. In oral narratives documented by early ethnographers, she is tied to marriage customs, as mothers—echoing Atahensic's maternal —arrange unions to ensure continuity and social harmony, underscoring as a pillar of communal stability. These traditions portray her as an exemplar of the life-giving cycles, including birth and the rhythmic processes of nature, which reinforce women's spiritual and practical dominion over and . Lewis Henry Morgan's 19th-century ethnographic study of the League further illuminates Atahensic's influence on clan mother s, depicting women as "Keepers of the Faith" who wield power in selecting leaders, managing property, and presiding over rituals that honor life's generative aspects. This positions Atahensic not merely as a mythic entity but as a cultural ideal of feminine agency, where her fertile essence mirrors the clan's reliance on women's oversight of land, harvest, and progeny to perpetuate societal renewal. In this worldview, her symbolism bridges the celestial and terrestrial realms, affirming femininity's central role in the universe's ongoing creation.

Position in the Cosmology

In Haudenosaunee cosmology, the universe is conceptualized as a multi-layered , with the Upper World representing a celestial realm inhabited by supernatural beings and illuminated by a , in stark contrast to the primordial earth below, which exists as an endless expanse of water teeming with aquatic creatures. Atahensic, or Woman, originates from this Upper World, where she dwells among divine entities as a central figure of celestial harmony. Atahensic's significance lies in her intermediary role, serving as a bridge between the ordered celestial plane and the chaotic terrestrial one, thereby facilitating the transition that shapes the dualistic cosmology balancing creative and destructive forces. This positioning embodies the Haudenosaunee understanding of interconnected realms, where her presence initiates the integration of sky and elements. She connects to the , depicted as the chief or father figure of the Sky World, who oversees the upper realm and entrusts her with a pivotal cosmic function, affirming her status as a primordial ancestor rather than the ultimate creator. This relational hierarchy underscores her foundational yet subordinate place within the broader pantheon of celestial deities.

The Creation Myth

Descent from the Sky World

In the Haudenosaunee creation narrative, Atahensic, also known as Sky Woman or Atsi'tsaká:ion, resides in the Sky World, a celestial realm above an endless expanse of water. The cause of her descent varies slightly across Iroquoian traditions but commonly involves the uprooting of the , which creates a hole in the sky. In one Mohawk account, her husband digs near the tree's roots to fulfill her request for , causing it to topple and form the opening through which she falls. In J.N.B. Hewitt's documentation of Mohawk and Seneca versions, her spouse or a chief uproots the tree—sometimes out of curiosity or jealousy—and pushes her through the resulting hole, as in the description where "he placed his fingers against the of her neck and pushed her, and she fell into the hole." This act disrupts the harmony of the Sky World, propelling Atahensic into the void below. Atahensic is often depicted as pregnant during her descent, a state attributed to supernatural conception prior to the fall. In Seneca tellings recorded by Hewitt, the pregnancy results from the wind entering her body while she swings near the tree, leading to the conception of twins. Onondaga variants similarly link her condition to interaction with a celestial being, such as catching her husband's breath, altering her life and prompting the events of the descent. As she plummets, oral traditions emphasize the sensory experience of an endless fall through profound darkness, with Atahensic awakening to the sight of water stretching infinitely below, evoking a sense of isolation and peril in the primordial chaos. Upon nearing the waters, Atahensic is rescued by a council of water birds, who play a crucial role in breaking her fall. In Mohawk narratives, ducks and a fly upward to meet her, forming a living cushion with their bodies to catch and gently lower her. Hewitt's Onondaga version details ducks led by the and noticing her descent from afar, assembling to support her weight and prevent submersion. These birds, embodying communal effort, ensure her survival in the watery abyss, setting the foundation for the emergence of land.

Arrival and Formation of the Earth

Upon reaching the primordial waters below the Sky World, Atahensic was gently caught by birds, including the , who descended with her to the surface of the Great Water where all land had yet to form. The water animals, recognizing the need for a stable foundation, gathered on a raft of branches and summoned the Great Turtle, whose expansive shell provided a secure platform for Atahensic to rest upon, thus initiating the basis for what would become . This act of the Great Turtle emerging from the depths underscored the interconnected support among creatures in the Haudenosaunee cosmology. To create land, the animals collaborated in an effort known as the earth-diver motif, where diving creatures attempted to retrieve soil from the ocean floor. The and dove first but emerged empty-handed after exhausting their strength, while the , though smaller, persisted and returned with a small amount of clutched in its claws and mouth, often at the cost of its life. Atahensic then took this , along with earth and roots she had grasped during her descent from the Sky World, and spread it across the Great Turtle's back. Miraculously, the expanded rapidly, causing the turtle's shell to grow larger and forming the initial expanse of stable earth that would become . Incorporating seeds from the sacred tree in the Sky World that she had carried in her hands, Atahensic scattered them over the newly formed land, leading to the emergence of vegetation and the first forests. This process highlighted themes of communal cooperation, as the diverse animals worked together without hierarchy to sustain life, reflecting the Haudenosaunee emphasis on balance and mutual aid in creation. The resulting land, rooted in these acts of sacrifice and unity, symbolized the enduring foundation of the world.

Birth of the Twins and Maternal Sacrifice

In Iroquoian mythology, Atahensic, also known as Sky Woman, becomes pregnant during or shortly after her descent to the earthly realm and gives birth to twin sons who embody opposing forces of creation and destruction. The first-born, Hahgwehdiyu, emerges naturally and is characterized as the benevolent creator, fostering life and order. His brother, Hahgwehdaetgah, the malevolent destroyer, refuses the conventional path of birth and bursts forth violently from Atahensic's side or armpit, causing her immediate death and symbolizing the introduction of chaos into the world. Following Atahensic's death, Hahgwehdiyu honors her sacrifice by transforming parts of her body into essential celestial elements that establish the cosmic order. He fashions the sun from her head to provide light and warmth, while and are created from her body, which is cast into to illuminate the night and guide the seasons. Hahgwehdaetgah's role in this process is minimal and destructive, underscoring the duality of their natures. These acts not only commemorate Atahensic's maternal role but also link her essence directly to the rhythms of day, night, and natural cycles. Atahensic's body, buried by her son or left to decompose on the , yields vital sustenance for humanity, marking her ultimate as the origin of and abundance. From her remains, particularly her breasts, grow the "Three Sisters"—corn, beans, and squash—along with other nourishing plants. This generative decay transforms her death into a foundational act of , intertwining themes of loss and renewal in the cosmology.

Cultural and Symbolic Significance

Role in Iroquois Spiritual Traditions

In Haudenosaunee spiritual traditions, Atahensic, also known as Sky Woman, is invoked during key ceremonies such as the Midwinter Ceremony and the , where her role as the primordial mother underscores themes of renewal, gratitude, and communal responsibility. The Midwinter Ceremony, held in longhouses to mark the and reaffirm ties to the Creator, references Sky Woman's descent from the Sky World as the origin of human life, emphasizing the cycle of birth and sustenance that participants honor through invocations and shared rituals. Similarly, in the , which celebrates the harvest's life-giving spirit, Atahensic's legacy as the bearer of earth's fertility is acknowledged in thanksgiving addresses, positioning her as a foundational figure for clan mothers who lead these gatherings and model her nurturing authority in guiding community decisions. Atahensic's narrative is preserved through oral transmission across generations, with Haudenosaunee women serving as primary storytellers who embed the in and communal teachings to instill values of matrilineal strength and reciprocity. Clan mothers, drawing directly from Sky Woman's as the first mother and creator of life on , recount her story during clan meetings and initiations, reinforcing women's custodial roles over land, kinship, and cultural continuity. This tradition highlights Atahensic not merely as a mythological entity but as an enduring exemplar of female leadership, where her fall and transformation into the earth symbolize the enduring bond between women and the natural world. In the 20th and 21st centuries, revivals of Atahensic's story have gained prominence in and movements on Six Nations reserves, such as the Grand River Territory, where programs integrate the creation myth into curricula to reclaim cultural identity amid colonial disruptions. Institutions like Six Nations Polytechnic use multimedia resources, including videos and workshops led by elders, to teach Sky Woman's descent as a framework for and , fostering youth engagement in treaty rights and land defense efforts. These initiatives, often spearheaded by clan mothers, echo Atahensic's generative power to empower contemporary Haudenosaunee resistance and cultural resurgence.

Influence on Gender and Environmental Narratives

Atahensic, revered as Sky Woman in Haudenosaunee traditions, embodies the archetypal mother whose descent from the Sky World and affirm the matrilineal foundations of society, where women trace clan lineage, control land allocation, and appoint hereditary chiefs as Clan Mothers. This narrative positions women as "Mothers of the Nation," responsible for nurturing community, transmitting culture, and ensuring governance aligns with collective well-being, thereby empowering female leadership in both traditional and contemporary settings. In modern indigenous feminist discourse, Atahensic's story reinforces women's agency against colonial erasure, inspiring revitalization efforts where female elders lead political resistance and cultural , such as through community centers and programs that reclaim matrilineal authority. Scholar interprets such creation myths as evidence of pre-colonial gynocentric systems, linking to and in Native American contexts, which has influenced broader discussions on indigenous women's roles in and . The myth's depiction of Turtle Island—formed on the back of a great turtle to sustain Atahensic—serves as a potent metaphor for ecological interdependence and sustainability, underscoring humanity's obligation to protect the earth as a living entity. Since the 1970s, this symbolism has informed Haudenosaunee environmental activism, notably through the Akwesasne Task Force on the Environment, founded in the 1980s by Mohawk women, who invoked the creation story to combat industrial pollution in the St. Lawrence River, framing toxic contamination as a desecration of the turtle's sacred burden and advocating for land restoration using traditional knowledge. Allen further connects Atahensic's legacy to ecofeminist theories, portraying the Sky Woman's nurturing of plants and life from her body as a model for women's intertwined roles in social and , where feminine power mirrors the earth's regenerative cycles and counters exploitative development. This interpretation has shaped activist narratives against land loss, such as opposition to pipelines, by emphasizing matrilineal custodianship of resources for .

Variations and Comparative Mythology

Differences Among Iroquoian Nations

The narrative of Atahensic, the Sky Woman central to Iroquoian creation myths, varies significantly across nations, reflecting localized oral traditions and cultural priorities in cosmology and duality. In Seneca accounts, Atahensic is emphasized as a grandmother figure who descends from the Sky World after being pushed through a hole by her husband, landing on the Turtle's back where animals form the earth; she then gives birth to a daughter impregnated by the Turtle's spirit, who in turn bears the twin brothers— the good-minded Sky Grasper (Tharonhiawagon) and the evil-minded Flint (Tawiskaron). This layered maternal lineage highlights intergenerational continuity and sacrifice, with Atahensic favoring the disruptive Flint, who emerges violently through his mother's side, causing her death; however, Seneca versions accord greater nuance to Flint's role, portraying his flawed creations (such as thorns and obstacles) as necessary for balance and human resilience, implying a redemptive integration into the world's order rather than outright destruction. Mohawk and Oneida traditions commonly depict Atahensic giving birth to a daughter, Tekawerahkwa, who then bears the twins, though some variants describe Atahensic directly birthing the twins upon her fall, supported by an enhanced ensemble of bird helpers—such as loons, , and geese—that not only catch her but actively participate in dispersing soil to expand the on the Turtle's shell. These versions accentuate the birds' heroic agency and communal effort, with Atahensic's death depicted less violently, often as a serene transition post-birth rather than a result of the evil twin's emergence, thereby underscoring themes of cooperative celestial aid and gentler cosmic origins. In Oneida variants, this maternal lineage reinforces Atahensic's embodiment of feminine creative power, with the twins' rivalry resolving through the good twin's eventual dominance without fully eradicating the evil one's influence. Huron and Wyandot pre-colonial narratives introduce further divergence, where Atahensic (often called Aataentsic) survives her descent and the twins' birth for an extended period, migrating across the newly formed world and interacting extensively with sky spirits, including the Thunder God Heh’noh, to guide human settlement and environmental shaping. In these accounts, she may lead proto-humans after a great flood or war, with the evil twin (Tawiscaron or Ta’we’ska’re) slain by the good one (Jouskeha or Tse’sta’), but her prolonged presence allows for deeper dialogues with celestial entities, such as consultations over luminaries created by a Little Turtle, emphasizing ongoing divine mediation over immediate loss. This survival motif distinguishes Huron-Wyandot tellings, integrating Atahensic into post-creation stewardship and highlighting collaborative sky realm dynamics absent in more abrupt eastern Iroquoian forms.

Parallels with Other Indigenous Myths

The narrative of Atahensic, the Sky Woman who falls from the celestial realm to initiate earthly creation, shares notable motifs with the figure of Changing Woman (Asdząąʼí Nádleehí), a central embodying renewal and fertility. Both figures function as earthly mothers whose descents or transformations give rise to dual creative forces: Atahensic's daughter gives birth to the twin brothers Tawiskaron and Okwiraseh, representing opposing principles of destruction and harmony, while Changing Woman bears the twin heroes Monster Slayer and Born for Water, who embody complementary aspects of protection and balance in the cosmos. Additionally, both myths incorporate body-as-land symbolism, where the female progenitor's physical form contributes to the world's formation—her daughter's body scatters to become flora such as corn, beans, and squash upon death, paralleling how Changing Woman rubs scrapings from her body to generate the original clans, emphasizing themes of maternal and generative earthliness. These parallels highlight broader Southwestern and Eastern Woodlands patterns of feminine in Native American cosmogonies, though the emphasize cyclical renewal over the focus on initial cataclysm. Atahensic's story also resonates with the Lakota (Siouan, often grouped in broader Plains traditions akin to Algonquian influences) legend of White Buffalo Calf Woman (Pte Ska Win), a sacred feminine entity whose descent from the spiritual realm imparts essential cultural gifts to her people. In the Lakota myth, White Buffalo Calf Woman appears during a time of spiritual disconnection, teaching the Seven Sacred Rites and presenting the čhaŋnúŋpa (sacred pipe) as a conduit for prayer and unity with the Creator, much like Atahensic's arrival fosters the growth of sustaining crops such as corn from her daughter's remains, symbolizing divine provision for human sustenance and harmony. Both narratives portray a luminous woman descending from a higher plane—White Buffalo Calf Woman emerging from the west in white buckskin, transforming into a buffalo to affirm abundance—to restore balance and instruct humanity, underscoring the archetype of the sacred feminine as mediator between worlds and bearer of life-affirming knowledge. This motif of gift-giving through feminine intervention reflects shared Indigenous emphases on relational spirituality across Plains and Northeastern traditions. The earth-on-turtle foundation in Atahensic's myth extends to broader shared cosmogonic elements in non-Iroquoian Northeastern and Southeastern Indigenous traditions, such as those of the () and , potentially influenced by ancestral Mississippian cultural exchanges involving mound-building and earth-centric worldviews. creation accounts describe a great turtle emerging from primordial waters to support the land, with animals diving for earth to place on its back, mirroring the Iroquois scenario where water animals aid Sky Woman's fall by forming soil on Turtle's shell to create the world. Similarly, narratives feature earth-diver motifs where a retrieves mud from the depths to form land on , evoking the collaborative animal agency in Atahensic's landing and the turtle's role as a stable, life-bearing foundation. These parallels, disseminated through trade and migration networks tied to Mississippian horizons (ca. 800–1600 CE), suggest a pan-regional motif of a supported, watery origin world, contrasting with but complementing Atahensic's skyward descent while reinforcing interconnected Indigenous views of a living, relational earth.

References

  1. http://www.native-languages.org/morelegends/sky-woman.htm
  2. https://pressbooks.nvcc.edu/app/uploads/sites/78/2025/04/ENG250_IroquoisCreationMyth.pdf
  3. https://nyheritage.org/exhibits/recognizing-womens-right-vote-new-york-state/haudenosaunee
  4. https://repository.si.edu/bitstream/handle/10088/15481/bulletin1901964smit.pdf
  5. http://moses.creighton.edu/kripke/jesuitrelations/relations_10.html
  6. https://www.native-languages.org/morelegends/sky-woman.htm
  7. https://www.kanehsatakevoices.com/wp-content/uploads/2017/04/CREATION_-as-told-by-KANIENKEHAKA-woman-storyteller-FINAL2-April-13.pdf
  8. https://www.academia.edu/114560706/Sky_Father_Sky_Mother_High_Gods_or_similar_gods_goddesses_of_the_sky_more_loosely_connected_seeming_arcane_mythology_across_the_earth_seen_in_Siberia_China_Europe_Native_Americans_First_Nations_People_and_Mesopotamia_etc
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  16. https://ratical.org/co-globalize/ChildrenOfAataentsicHuronHistory.pdf
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  23. https://www.youtube.com/watch?v=-DrKu736Kj4
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  27. https://books.google.com/books?id=JegHPHwma04C
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  29. https://www.worldhistory.org/article/2277/white-buffalo-calf-woman/
  30. https://aktalakota.stjo.org/lakota-legends/white-buffalo-woman/
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  32. https://nanticokelenapemuseum.org/news/1380/creation-stories/
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  34. https://historymatters.gmu.edu/d/6375/
  35. https://thecanadianencyclopedia.ca/en/article/turtle-island
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