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Bloke
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Bloke is a slang term for a common man in the United Kingdom, Ireland, Australia, New Zealand and South Africa.
The earliest known usage is from the early 19th century, when it was recorded as a London slang term.[1] The word's origin is unknown, and though many theories exist regarding its etymology, none are considered conclusive.
In Australia, a bloke is a unique masculine archetype associated with the country's national identity. The "Aussie bloke" has been portrayed in important works of art and associated with famous Australian men. "He's a good bloke" literally means "he's a good man".
Origin
[edit]According to Quinion, Ernest Weekley and John Camden Hotten, bloke probably derives either from the Romany, language of the Roma, or from Shelta, a secret language of Welsh and Irish Travellers.[2][3][4] These languages have roots with the Hindi word loke, a man.[2][3] Lexicographer Eric Partridge conjectured the word loke was the original but an unspecified word "too low for mention" was the cause of a b- added in slang.[4] The Oxford English Dictionary (OED) says the word is of "Origin unknown" but adds: "Ogilvie compares 'Gypsy and Hindi loke a man.'" The OED's first cited use is in 1861.[5] Some believe it derives from the Celtic word ploc, a large, bull-headed person.[2][3] The word first appears in early 19th century England possibly, according to Michael Quinion, as a variation of the slang term gloak, which itself was a variation of an older slang term buzzgloak, meaning pickpocket.[2][3]
History
[edit]Originally bloke was criminal jargon (or cant) for a man of superior station, someone who was not a criminal, as in: "I stole the bloke's watch right off 'im."[2][3]
The earliest found usage, according to Quinion, is from 9 April 1829 in the court papers of the Old Bailey in the trial of 17-year-old John Daly who was charged with housebreaking.[2][3] It appears in the transcript once as blake and once as bloke.[2][3] In 1839, H. Brandon included it in his book Poverty, Mendacity and Crime but spelled it bloak and defined it as "a gentleman".[2][3] An accused poacher from Cobham, Surrey however, testifying in a court case reported in The Times in 1839, glosses the meaning merely as "a man".[6] After the early 1850s, the term becomes more widely used in literature including by Henry Mayhew and George Augustus Sala to mean a man of any class, which is the meaning most popular today.[2][3] The OED adds a specialist usage in naval slang from 1914 onwards for the commander of a warship, shown as "the Bloke" with a capital "B" in its examples.[5]
In Australia, where it was used early on, the term meant "the boss" or someone of status.[2][3] Sources report that in the US the term was in use by the late 19th century, although it is much less common now,[7] and mainly is used in the sense of "stupid" or "worthless" person.[2][3] This sense may originate with the Dutch blok, a fool, which is where blockhead comes from.[2][3]
According to the Google Ngram culturomics project, which examines the popularity of words in published sources over time, bloke increased in popularity starting around the turn of the 20th century and reached a peak around 1950 before levelling off around 1960 at a flat level up to 1999.[8]
Australian bloke
[edit]
A bloke, or "Aussie bloke", is a masculine archetype unique to Australia.[10][11] Sociologist Catriona Elder[12] says in Being Australian (2008) that the 'Aussie bloke' is part of the Australian national identity:
...it is often suggested that nations are made up of 'types' of people. National identity is seen to be based on what are considered shared character traits often deriving from history. A good Australian example is the idea of the 'Aussie bloke' and the belief that this type of person is unique to Australia.[13]
Australian historian Russel Ward in The Australian Legend (1958) "famously described"[10] the mythical "Aussie bloke" as:
...a practical man, rough and ready in his manners and quick to decry any appearance of affectation in others... Though capable of great exertion in an emergency, he normally feels no impulse to work hard without good cause. He swears hard and consistently, gambles heavily and often, and drinks deeply on occasion... he is a greater knocker of eminent people unless, as is in the case of his sporting heroes, they are distinguished by physical prowess. He is fiercely independent... above all he will stick to his mates through thick and thin, even if he thinks they may be wrong... He tends to be a rolling stone, highly suspect if he should chance to gather much moss.[14]
Ward's archetypal "bush bloke" was outdated even when he wrote about it,[10] yet as Elder goes on to say:
...the power of this national type – the bush bloke – comes not from the fact that all Australians or even a majority of Australians live this life, but from an acceptance of it as a pleasureable and meaningful story that describes who Australians are. The image supposedly reflects a national character – that is, if you are Australian, some of these characteristics make up your identity. Many people argue that this image is outdated and inaccurate. In fact, Russel Ward (1958) argues that the image should be understood as typical, not common.[15]
Many Australians today would no longer associate with Ward's archetypal bloke without some irony, yet it still lives on outside Australia.[10] For example, in a 2000 Time magazine article published in the United States, Belinda Luscombe said "'The Bloke' is a certain kind of Australian or New Zealand male" and goes on to describe the "Classic Bloke" as "not a voluble beast. His speech patterns are best described as infrequent but colorful." He is "pragmatic rather than classy....does not whinge" and "knows how to take a beating".[11] When Steve Irwin died, many Australians were embarrassed that he was portrayed as a typical Australian derived from Ward's "laconic bush bloke",[10] but as Elder says, "Ward's Aussie bloke may be out of date... but the endeavor of creating stories about being Australian is still a central way in which being Australian is reinforced."[10]
Dennis Carroll (1982) associates the "ordinary bloke" with a form of masculine individualism unique to Australia: "An individual who does not conform to the Australianist-related patterns of male behavior will be dismissed as an outsider... the kind of individualism based on too much success, wealth or power will take him beyond the valued reciprocates of egalitarian mateship. A man should be reasonably successful in areas which are not too threatening to others and remain an 'ordinary bloke', accessible, easy-going and sociable. Individualism is thus always... couched in terms of some approved, Australianist-related image of masculinity."[16]
During World War I, one of the most popular Australian books of the era, Songs of a Sentimental Bloke (1915), was about a man who transforms himself into a domesticated, urbane and "sentimental bloke". C.J. Dennis's book of poems concerns a roughneck larrikin named Bill, a typical bloke who – uncharacteristically for a bloke – spends time in the city, finds love with a woman, settles down and is exposed to high culture.[9] As the title suggests, the narrative revolves around questions of masculinity.[9] It showed "that masculinist men can choose love and domesticity,"[9] and uses coarse language "to prove – amongst other things – that life and love can be just as real and splendid to the 'common' bloke as to the 'cultured'".[17] The book was influential in Australian culture, it "sold an extraordinary 100,000 copies in four years",[18] it "attained the status of cultural treasure"[19] and remains the best-selling volume of Australian verse.[9] Dennis's book was adapted to film, stage, ballet, musical and many gramophone recordings and radio and television programmes throughout the 20th century;[17][20] however, it was most famously produced as a silent film, The Sentimental Bloke in 1918, starring Arthur Tauchert cast as the 'bloke' of the title.[19] The film portrays Bill going through a transformation becoming a gentrified household breadwinner, yet also retaining his manly characteristics, the bloke who is more than a "careful little housewife".[9][21] It is now considered one of the most important films in the Australian Film Commission's archives and called by them "Australia's finest film from the silent era".[22]
Some famous Australians have been identified as blokes. Songs of a Sentimental Bloke includes illustrations of "bloke cupids" by the artist Hal Gye,[20] which were said to resemble the politician Bert Edwards.[23] In 1963, Australian politician Arthur Calwell (1896–1973) told the Australian House of Representatives that he was "an ordinary Australian bloke" in a rhetorical contrast with political opponent Robert Menzies.[24] The aphorist William George Plunkett (1910–1975) described himself as an 'ordinary bloke' who liked to 'play around with words'.[25] John Simpson Kirkpatrick (1892–1915) was known as 'the bloke with the donk' (donkey) for his work as a stretcher bearer during the Gallipoli Campaign.[26] Examples of famous contemporary Australians associated with the bloke image include Bill Hunter,[27] Paul Hogan and his fictitious movie character Crocodile Dundee,[28] and Steve Irwin.[29] Following the Australian leadership spill which installed Julia Gillard as the first female Prime Minister of Australia on 24 June 2010, media outlets began to focus on her de facto partner, Tim Mathieson, who was called "First Bloke" instead of "First Lady".[30]
The word "bloke" does not always mean exclusively male. The term "blokey" was added in 1997 to the Australian Concise Oxford Dictionary. It is a variation on the noun "bloke" and means exclusively male.[31]
Good bloke
[edit]In Australia, the term "good bloke" has a particular nuance that distinguishes a "good bloke" from just any "bloke". For instance, in Richard Walsh's essay "Australia Observed" (1985), Walsh (himself a noted good bloke) notes "The ultimate accolade in Australia is to be a "good bloke", meaning someone who is gregarious, hospitable, generous, warm hearted, and with a good sense of humour. In Australia it availeth a man nothing if he makes himself a fortune and is not a good bloke!"[32] A good bloke is also readily identifiable by his unceasing fidelity to the principles of mateship and an egalitarian sensibility.[33][34] For example, Australian World War II hero Fred Chilton was eulogised as follows by his fellow servicemen: "He was an excellent man. He wasn't highfalutin; he was just a good bloke."[35]
The notion of the "good bloke" has been the subject of feminist critique, however. Writer Clementine Ford, for instance, has written that "men who beat women keep being given a free pass by the same people who swear up and down that they don't tolerate violence because they're a 'good bloke'".[36] Similarly, Brigid Delaney has said that being a good bloke really "means drinking a lot. It means conforming to the norms of a place and not pushing back. It means protecting your mates and isolating those who take offence or complain."[37] The darker elements of the Australian "good bloke" are also hinted at in the award-winning Australian country song by Stan Coster, "He's A Good Bloke When He's Sober". In 2017, the notion of the good bloke found itself under sustained attack for the first time in the Australian press when Australian rules footballer Bachar Houli, was given a reduced suspension for striking another player in the Australian Football League on the grounds that he was a good bloke.[38] Eventually, this penalty was overturned on appeal. The so-called "good bloke defence" was criticised by many, including AFL official Nathan Burke, who argued that: "If you start bringing in 'this bloke's a good bloke, this bloke's not a good bloke', who are we to actually judge who is a good bloke and who isn't in the first place?"[39] As of November 2022[update], the "good bloke defence" is not part of any Australian laws, nor has there been any proposal to enshrine the principle in the constitution (in contrast to the closely-connected Australian concept of mateship, which has been the subject of such a proposal).[citation needed]
The concept of the good bloke has been leveraged by mental health advocates in initiatives such as "The Good Bloke's Guide".[40] An Australian charity, the Top Blokes Foundation was established to support young men's mental health. The use of the term "top blokes" is a reference to males who are admired by their peers.
In 2017, popular Australian comedians Hamish Blake and Andy Lee controversially named one James Lord, an electrician, Australia's "best bloke", based on his performance during a prank whereby he agreed over the telephone to provide a job reference to a person he had never met (actually the comedians), and then, when telephoned by the employer (actually the comedians again) proceeded to lie convincingly and enthusiastically on behalf of the person he had never met. Lord's position as "best bloke" was cemented when the comedians set up a further test, whereby Lord was unwittingly placed in a position where he, Blake and Lee were to drink a beer each, but were provided with only two beers for the purpose, and Lord offered to forgo a beer so that Blake and Lee could partake of the two beers.[41] The position of "best bloke" is not to be confused with the position of "first bloke", a position held by Tim Mathieson, spouse of the 27th Prime Minister of Australia Julia Gillard, the first woman to hold the position.[30]
The "good Aussie bloke" is generally regarded as being synonymous with the "good bloke".[42]
See also
[edit]References
[edit]- ^ "bloke, n." etymonline.com. Etymonline.
- ^ a b c d e f g h i j k l Quinion, Michael (2009). Why is Q Always Followed By U?. Penguin Books. pp. 42–43. ISBN 978-0-14-195969-6.
- ^ a b c d e f g h i j k l Quinion, Michael (22 January 2011). "Bloke". World Wide Words. Retrieved 22 May 2012.
- ^ a b Partridge, Eric (1938). The World of Words: An Introduction to Language in General and to English and American in Particular. George Routledge & Sons. p. 305.
- ^ a b "bloke, n." Oxford English Dictionary. Retrieved 23 May 2012. (available online to subscribers)
- ^ The Times, 28 March 1839, p.6 :"As we were going along, Allen said "There is a bloke running from that tree to the sheep-pens". The translation of the slang term "bloke" is "a man." (A laugh)."
- ^ Quinion, Michael (2009). Why is Q Always Followed By U?. Penguin Books. pp. 42–43. ISBN 978-0-14-195969-6.. Quote: "..it was common in the US in the late 19th century and is even now not entirely extinct there."
- ^ Michel, Jean-Baptiste; Aiden, Erez Lieberman. Bloke. Google Ngram Viewer.
- ^ a b c d e f Butterss, Philip. "A "careful little housewife": C. J. Dennis and masculinity in The sentimental blokes". Screening the Past. Archived from the original on 12 January 2012. Retrieved 1 September 2012.
- ^ a b c d e f Elder, Catriona (2007). Being Australian: Narratives of National Identity. Allen & Unwin. pp. 4-5, 6-7, 8. ISBN 9781741149289.
- ^ a b Luscombe, Belinda (5 May 2000). "Cinema: Of Mad Max and Madder Maximus". Time. Archived from the original on 16 June 2010. Retrieved 16 June 2012.
- ^ "Catriona Elder staff page". University of Sydney. Retrieved 3 September 2012.[dead link]
- ^ Elder, Catriona (2008). Pg. 26
- ^ Ward, Russel (1958). The Australian Legend. Oxford University Press. pp. 2.
- ^ Elder, Catriona (2008). Pg. 34
- ^ Carroll, Dennis (December 1982). "Mateship and Individualism in Modern Australian Drama". Theatre Journal. 34 (4): 467–480. doi:10.2307/3206809. JSTOR 3206809.
- ^ a b McLaren, Ian F. "Dennis, Clarence Michael James (1876–1938)". Australian Dictionary of Biography. National Centre of Biography, Australian National University.
- ^ Kirkpatrick, Peter (2009). "New words come tripping slowly". In Pierce, Peter (ed.). The Cambridge History of Australian Literature. Cambridge University Press. p. 213. ISBN 9780521881654.
- ^ a b "The Sentimental Bloke". Australian Centre for the Moving Image. Archived from the original on 28 March 2012. Retrieved 1 September 2012.
- ^ a b McLaren, Ian F. "Gye, Harold Frederick Neville (Hal) (1887–1967)". Australian Dictionary of Biography. National Centre of Biography, Australian National University.
- ^ Boyd, David (Summer 1998). "The Public and Private Lives of a Sentimental Bloke". Cinema Journal. 37 (4). University of Texas Press on behalf of the Society for Cinema & Media Studies: 3–18. doi:10.2307/1225724. JSTOR 1225724.
- ^ "The Sentimental Bloke restored to its former glory". Australian Film Commission. Archived from the original on 8 April 2019. Retrieved 1 September 2012.
- ^ Edgar, Suzanne. "Albert Augustine Edwards (1888–1963)". Australian Dictionary of Biography. National Centre of Biography, Australian National University.
- ^ Chalmers, Rob (2011). "Chapter 8" (PDF). In Sam Vincent (ed.). Inside the Canberra Press Gallery: Life in the Wedding Cake of Old Parliament House. doi:10.22459/ICPG.10.2011. ISBN 9781921862366.
- ^ Ritchie, John. "William George Plunkett (1910–1975)". Australian Dictionary of Biography. National Centre of Biography, Australian National University.
- ^ Walsh, G. P. "John Simpson Kirkpatrick (1892–1915)". Australian Dictionary of Biography. National Centre of Biography, Australian National University.
- ^ "Actor the quintessential Aussie bloke". Edmonton Journal. 26 May 2011. Archived from the original on 18 January 2013. Retrieved 16 June 2012.
- ^ Charlton, Sue (25 May 1988). "Archetypal Aussie Still a Likable Bloke in "Dundee"". Los Angeles Times. Retrieved 16 May 2012.
- ^ "Wildlife warrior took his passion to the world". The Sydney Morning Herald. 11 September 2006. Retrieved 16 June 2012.
- ^ a b Taylor, Paige (29 October 2011). "First Bloke Tim Mathieson a hit with the CHOGM ladies". The Australian. Archived from the original on 30 October 2011.
- ^ Simonds, Shelly (1997). "Dudes! A bodacious new lingo". ANU Reporter. 28 (10). Archived from the original on 27 November 2012. Retrieved 2 September 2012.
- ^ Walsh, Richard (Winter 1985). "Australia Observed". Daedalus. 114 (1). MIT Press on behalf of American Academy of Arts & Sciences: 421–438. JSTOR 20024969.
- ^ Beniuk, David (8 July 2010). "Meninga hails Maroons mateship". The Sydney Morning Herald. Retrieved 3 July 2017.
- ^ Carlin, Na'ama; Jones, Benjamin T.; Laugesen, Amanda (2022). ""Friendship, but Bloke-ier": Can Mateship be Reimagined as an Inclusive Civic Ideal in Australia?". Journal of Australian Studies. 46 (2): 196–210. doi:10.1080/14443058.2021.1982750. S2CID 242993176.
- ^ Obituary, The Australian, 9 October 2007
- ^ Ford, Clementine (6 April 2017). "What it really means to be a 'good bloke'". The Sydney Morning Herald. Retrieved 3 July 2017.
- ^ Delaney, Brigid (26 June 2017). "Australians idealise the 'good bloke'. But he can be dangerous". The Guardian. Retrieved 3 July 2017.
- ^ Walsh, Courtney (28 June 2017). "Why should being good bloke off field have impact on actions on it". The Australian. Archived from the original on 28 June 2017. Retrieved 3 July 2017.
- ^ "AFL to appeal Houli sentence as "good bloke" defence questioned". InDaily. 28 June 2017. Archived from the original on 8 November 2023. Retrieved 5 September 2017.
- ^ "About - The Good Blokes Guide". The Good Blokes Guide. Archived from the original on 22 March 2017.
- ^ Allan-Petale, David (8 September 2016). "Australia's best bloke James Lord does it again". The Sydney Morning Herald. Retrieved 3 July 2017.
- ^ Biber, Katherine (2002). "Hollywood's take on a good Aussie bloke". Sydney Morning Herald.
Bloke
View on GrokipediaDefinition and Meanings
Core Definition
A bloke is an informal slang term primarily used in British English to denote a man or fellow, often implying an ordinary or typical male without elevated social pretensions.[1][6] The term functions as a casual synonym for "guy" or "chap," applicable in neutral or positive contexts, such as describing someone as a "good bloke" to indicate reliability or decency.[2] While originating in Britain, the word has spread to other English-speaking regions including Australia, New Zealand, Ireland, and South Africa, retaining its core reference to a male individual but sometimes evoking archetypes of rugged simplicity or camaraderie.[1][2] In these usages, it contrasts with more formal terms like "gentleman" by emphasizing everyday masculinity rather than refinement.[6] The term's informality limits its appearance in written or professional English, favoring spoken or colloquial settings where it conveys familiarity.[2] First attested in 1839, its etymology remains uncertain, though this does not alter its straightforward lexical role as a descriptor of male identity.[7]Variations in Connotation
In British English, "bloke" typically denotes an ordinary man or fellow, often carrying connotations of working-class masculinity or everyday informality, distinguishing it from more genteel terms like "chap," which evoke upper-class associations.[1][8] This usage emerged in early 20th-century slang, implying a regular, unpretentious male figure, though context can shift it toward neutral familiarity (e.g., "a decent bloke") or mild derogation (e.g., "a dodgy bloke" suggesting unreliability).[2] In Australian English, the term evolves into a culturally loaded archetype embodying national ideals of rugged individualism, laconic humor, and mateship, often portraying the "Aussie bloke" as a resilient, self-deprecating laborer ready to tackle hardships with physical prowess and anti-authoritarian spirit.[9] This positive framing ties to historical narratives of frontier survival and egalitarianism, where traits like larrikinism (playful defiance) and reliability in adversity reinforce a hegemonic working-class masculinity central to Australian identity.[10] Unlike its more neutral British variant, the Australian connotation celebrates stoic competence over sophistication, though overuse in media can stereotype it as outdated or exclusionary toward non-conforming masculinities.[11] Across other Commonwealth contexts like New Zealand or South Africa, "bloke" retains a broadly informal sense of "man," blending British ordinariness with local emphases on communal bonds, but without the pronounced archetypal weight seen in Australia.[1] In all variants, the word's flexibility allows ironic or affectionate deployment, yet its core evokes unpolished authenticity rather than elite refinement.[2]Etymology and Early History
Linguistic Origins
The etymology of "bloke," a slang term denoting a man or fellow, remains uncertain, with no theory achieving scholarly consensus. Proposed derivations include the Celtic term ploc, signifying a large or stubborn person, potentially influencing early London slang usage.[3] Another hypothesis links it to Romani loke or Hindi loka, both meaning "man" or "person," reflecting possible contact with itinerant communities in 19th-century Britain.[3] [12] A further suggestion traces "bloke" to Shelta, the cryptolect of Irish Travellers (tinkers), where loke denotes a man; this aligns with anecdotal attributions to private languages spoken by marginalized groups in Ireland and Britain, though direct evidence is lacking.[4] Early 19th-century criminal argot provides contextual clues, where "bloke" or variant "bloak" referred to a non-criminal man, often of respectable status, indicating its emergence in underworld vernacular before broader adoption.[13] [14] Linguistic analyses emphasize the word's opacity, rejecting connections to older English forms like Middle English bloke (a verb meaning to block) due to semantic and phonetic mismatches. Despite extensive conjecture, including naval or antipodean influences, primary attestations from the 1820s–1850s in legal records and street surveys offer no definitive precursor, underscoring "bloke" as a likely neologism or borrowed slang element adapted into English dialects.[1] [15]First Recorded Uses
The term bloke, denoting a man or fellow in slang usage, first appears in print as bloak in Henry Brandon's 1839 Dictionary of the Flash or Cant Language, compiled as part of a report on poverty, mendicity, and crime in London, where it referred to a male individual within the context of underworld or street cant.[7] This attestation marks the earliest documented instance in English lexicographical sources, reflecting its emergence in early 19th-century London slang among criminals, costermongers, and the working classes.[7] Subsequent early uses in the 1850s appear in journalistic accounts of urban low life, notably Henry Mayhew's London Labour and the London Poor (1851), which transcribed costermonger and street vendor speech, including bloke as a casual synonym for "man" or "chap" in everyday dialogue.[4] Mayhew's work, based on direct interviews, provides contextual evidence of its oral prevalence predating widespread print adoption, though spelling variants like bloak persisted in transitional records. By the mid-1850s, it surfaced in writings by observers such as George Augustus Sala, embedding it further in depictions of ordinary male figures in British society.[14] These initial citations underscore bloke's roots in informal, non-standard English, distinct from formal registers, with no earlier attestations identified in comprehensive historical dictionaries despite speculative origins in Romani, Shelta, or other substrates.[3] Its rapid adoption in print from the 1830s onward signals a shift from specialized cant to broader vernacular use among London's laboring populations.Historical Usage and Evolution
In British Slang
In British slang, "bloke" emerged in the early 19th century as a term primarily used in London underworld or criminal contexts to denote a man of respectable or high social standing, distinct from criminals.[13] The earliest documented written instance appears in 1829 Old Bailey court records, where it referred to such a figure, while glossaries from the late 1830s spelled it as "bloak" and explicitly defined it as "a gentleman."[4] [1] By 1851, Henry Mayhew's documentation of London street life recorded its use in broader colloquial speech, marking its transition into everyday slang.[3] Over the subsequent decades, the term's connotation shifted from implying social elevation to describing an ordinary, unpretentious man, often evoking a sense of camaraderie or everyday masculinity. This evolution reflected broader changes in British working-class vernacular, where "bloke" supplanted earlier synonyms like "chap" and became synonymous with a reliable, no-nonsense fellow.[4] In Victorian and Edwardian eras, it appeared in literature and journalism depicting urban life, such as in depictions of laborers or pub-goers, solidifying its association with informal, male-dominated social spheres.[3] By the mid-20th century, "bloke" had permeated standard British English slang, retaining a neutral-to-positive valence for any adult male, though often carrying undertones of straightforwardness or mild ruggedness, as in phrases like "a decent bloke."[5] Its persistence into the postwar period aligned with cultural portrayals of the "average Joe" in media, such as in British films and radio sketches emphasizing post-war resilience, without the pejorative edges sometimes attached to American equivalents like "guy."[4] This usage endured, though surveys of contemporary slang indicate gradual competition from terms like "lad" or "mate" among younger speakers, yet "bloke" remains a staple for denoting an archetypal everyman.[5]Expansion to Commonwealth Nations
The slang term "bloke," denoting an ordinary man, disseminated from Britain to Commonwealth realms like Australia and New Zealand via 19th-century emigration waves, particularly among working-class British and Irish settlers. Its adoption in these colonies mirrored broader patterns of British vernacular exportation during imperial expansion, where laborers and convicts transported colloquialisms integral to informal discourse. Early Irish Travellers, arriving in Australia from the late 18th century onward, likely accelerated its entrenchment, as their linguistic influences—potentially linking "bloke" to Shelta-derived terms for "man"—intermingled with standard English slang.[4] In Australia, "bloke" surfaced in vernacular by the mid-to-late 19th century, aligning with the term's British attestation around 1851 in Henry Mayhew's documentation of London street life. Colonial newspapers and convict records from the 1850s onward reflect its casual deployment to describe male laborers or mates, evolving alongside bush ballads and frontier narratives that emphasized rugged masculinity. By the Federation era (1901), it had solidified in Australian English, appearing in literature such as Banjo Paterson's works, where it connoted a reliable, no-nonsense fellow amid rural hardships. This uptake outpaced retention in regions with heavier American linguistic overlay, like Canada, where "bloke" remains marginal compared to "guy" or "dude," attributable to proximity to U.S. cultural dominance post-independence.[4][14] New Zealand paralleled Australia's trajectory, with "bloke" integrating via British settlers during the Otago Gold Rush (1861–1863) and subsequent waves, fostering its use in Kiwi slang for an everyday, practical man. Māori-English bilingualism did not dilute its prevalence, as evidenced in early 20th-century publications like the New Zealand Truth newspaper, which employed it routinely in reporting on working men. In South Africa, colonial British influxes similarly propagated the term among English-speaking communities, though Afrikaans equivalents competed, limiting its universality. Across these nations, "bloke" retained a neutral-to-positive valence for the archetypal male, diverging from British class connotations through localized emphases on self-reliance forged in settler environments.[4][16]Cultural and Regional Significance
The Australian Bloke Archetype
The Australian bloke archetype represents a cultural ideal of masculinity emphasizing practicality, resilience, and camaraderie, often depicted as a working-class man who is laconic, self-reliant, and unpretentious.[17] This figure prioritizes mateship—loyalty to friends and egalitarian bonds—over individual ambition, valuing competence in crises and a laid-back demeanor amid adversity.[17] Characteristics include dry humor, blunt speech, enthusiasm for sports like cricket and rugby, and enjoyment of beer and barbecues, reflecting a rugged, outdoor-oriented lifestyle shaped by Australia's frontier history.[18] Emerging in the late 19th and early 20th centuries, the archetype draws from bush ballads and urban working-class narratives, with C. J. Dennis's 1915 verse narrative The Sentimental Bloke providing an early literary embodiment of the type as a rough-hewn larrikin who matures through romance and responsibility.[19] The 1919 silent film adaptation, starring Arthur Tauchert as the eponymous Bill, popularized this image nationwide, portraying Sydney slang and inner-city life with broad appeal during World War I, when it resonated with enlisted men and reinforced ideals of ordinary heroism.[20] Influences from poets like Banjo Paterson further rooted the bloke in ironic spoofs of bush toughness, blending rural self-sufficiency with urban adaptability.[21] In broader cultural significance, the archetype underscores anti-authoritarian traits and a rejection of pomposity, fostering social cohesion through shared activities and mutual support, as seen in ANZAC traditions and pub culture.[9] Figures like Paul Hogan's Crocodile Dundee in the 1986 film amplified its global recognition, portraying an affable everyman skilled in survival and humor, though this later iteration idealized a homogeneous white identity amid Australia's multicultural shifts.[22] While critiqued for rigidity, empirical surveys indicate many Australian men still align with core traits like bravery and easy-goingness, contributing to national identity without universal prescription.[21]British and Other Variants
In British English, "bloke" serves as informal slang for a man, typically connoting an ordinary, unpretentious individual akin to an "average fellow."[6] The term often implies straightforwardness or reliability, as in phrases like "a good bloke" to denote someone likable and decent, or "a funny bloke" for an eccentric type, reflecting its casual, evaluative use in everyday conversation rather than formal discourse.[6] Originating in Britain, it evokes a archetype of masculinity marked by down-to-earth practicality and absence of affectation, frequently applied to working-class or relatable figures in social contexts.[5] While generally neutral or positive, it can carry mild deprecation when suggesting simplicity or lack of sophistication, though this depends on intonation and context.[14] The word's prevalence in British culture underscores its role in denoting camaraderie among men, such as in pub talk or sports commentary, where it contrasts with more polished terms like "gentleman."[1] Linguistic analyses highlight its endurance since the 19th century, with modern usage remaining robust in informal media and dialogue, unburdened by overt negativity unless paired with qualifiers like "stupid bloke."[14] In other variants of English, particularly within Commonwealth influences, "bloke" retains a similar denotation for a man or fellow, adapted to local idioms. Irish English employs it interchangeably for an everyday male, often in narrative or anecdotal speech mirroring British patterns.[2] New Zealand English uses it for a typical guy in social or outdoor settings, emphasizing mateship without the rugged individualism more pronounced in Australian contexts.[23] Among South African English speakers, especially in urban or Afrikaans-influenced circles, it refers to a common man, sometimes overlapping with terms like "boykie" but preserving the core informal masculinity.[24] These usages, while consistent in meaning, reflect subtle regional inflections tied to colonial linguistic spread, with no evidence of significant semantic shifts as of recent dictionary entries.[1]Role in Mateship and Social Bonds
In Australian culture, the bloke archetype underpins mateship, a form of camaraderie defined as the bond between equal partners emphasizing loyalty, mutual aid, and unspoken solidarity, particularly among men. This manifests in preferences for male company during shared activities such as sports, labor, or drinking, where emotional restraint and laconic humor reinforce group cohesion without hierarchical deference. Originating in colonial bush life among convicts and laborers facing isolation and hardship, mateship evolved into a core social mechanism for survival and identity, prioritizing practical support over verbal affirmation.[25] The bloke's role gained mythic status through the ANZAC legend, especially the Gallipoli campaign of 1915, where soldiers exemplified selfless loyalty in combat, forging bonds that transcended kinship and emphasized endurance over individualism. Literary depictions by figures like Henry Lawson and Banjo Paterson in the late 19th and early 20th centuries romanticized the bush bloke as anti-authoritarian yet devoted to mates, embedding these traits in national folklore and fostering resilient social networks amid rural adversities. This archetype promotes egalitarian reciprocity, where blokes assist one another in crises—such as during floods or economic downturns—without expectation of repayment beyond reciprocal loyalty.[25][22] Contemporary surveys affirm the bloke's enduring contribution to social bonds, with the 2021 Australian Mateship Survey (N=576) finding 65% of respondents identifying mateship as central to Australian identity, often characterized as "friendship, but bloke-ier" due to its masculine inflections of toughness and restraint. These dynamics sustain community ties by encouraging collective problem-solving and deterrence of isolation, though they rely on implicit understandings rather than explicit discourse.[26][27]Modern Interpretations and Debates
Contemporary Usage
In contemporary British English, "bloke" functions primarily as an informal noun denoting an ordinary man, equivalent to "guy" or "fellow," and is employed in casual conversation to describe males without implying hierarchy or status.[28] This usage persists in everyday speech, as in "the bloke at the pub," referring to a typical patron, and carries neutral to mildly positive connotations of approachability or averageness, distinct from more formal terms like "gentleman."[13] Linguistic analyses of 21st-century slang confirm its stability, with no significant semantic shift from earlier informal applications, though it remains absent from American English vernacular.[29] Australian English mirrors this, where "bloke" evokes a cultural ideal of the unpretentious, resilient male—often paired with attributes like mateship and practicality—seen in phrases such as "fair dinkum bloke" for an authentic, no-nonsense individual.[18] Usage data from global English corpora, including online and spoken samples up to 2020, show "bloke" clustering in contexts of social bonding or description, outpacing synonyms like "dude" in Commonwealth varieties.[30] The term is strictly gendered, applying exclusively to males and avoiding application to females, reflecting its roots in male-centric slang traditions.[31] In broader Anglophone contexts, such as New Zealand and South Africa, contemporary instances maintain the core meaning of a common or relatable man, frequently appearing in media and literature to characterize protagonists embodying traditional masculinity—reliable, humorous, and community-oriented—without pejorative undertones unless contextually modified (e.g., "dodgy bloke" for a suspicious figure).[5] Recent slang guides and etymological reviews, drawing from 2010s–2020s sources, note its endurance amid evolving lexicon, attributing persistence to cultural continuity in informal registers rather than adaptation to inclusive language trends.[32]Positive Societal Contributions
The bloke archetype, rooted in values of mateship, resilience, and mutual support, has historically bolstered Australia's military contributions, particularly through the ANZAC spirit forged at Gallipoli on April 25, 1915, where ordinary Australian men demonstrated endurance, courage, and loyalty in combat, sustaining national defense efforts and shaping a cohesive national identity amid high casualties—over 8,700 Australian deaths in the campaign alone.[33][34] These traits extended to subsequent conflicts, enabling effective unit cohesion and volunteer enlistment rates that exceeded 416,000 Australian men by 1918, representing about 38% of the male population aged 18-45.[33] In civilian contexts, the emphasis on mateship within bloke culture promotes social cohesion and practical aid, as seen in remote and regional communities where reciprocal support networks mitigate isolation and stress, enhancing emotional resilience and community stability—evidenced by studies linking such bonds to reduced loneliness and improved social skills in outback settings.[35][36] This dynamic has underpinned volunteerism in crises, including bushfire responses, where informal bloke-led groups provide immediate logistical and emotional assistance, complementing formal services.[37] Economically, the archetype's association with industriousness and self-reliance correlates with high male labor participation in sectors like construction, mining, and trades, which drive infrastructure and resource extraction; traditional masculinity norms, including those embodied by the Australian bloke, align with behaviors fostering economic growth through sustained workforce engagement, as global data indicate positive links to productivity in labor-intensive economies.[38][39] Post-World War II nation-building, reliant on male migrant and local workers exemplifying practical prowess, constructed pivotal projects that expanded hydroelectric capacity and agricultural output, supporting population growth to over 7 million by 1950.[40]Criticisms and Gender Critiques
Critics of bloke culture, particularly the Australian variant, argue that its emphasis on emotional restraint and stoicism contributes to poor mental health outcomes among men, including elevated suicide rates. In Australia, men die by suicide at a rate approximately three times higher than women, with cultural norms discouraging vulnerability often cited as a exacerbating factor.[21] [41] A 2017 analysis described the archetype as fostering a "denial of emotion" that impedes recognition and treatment of mental illness, framing help-seeking as unmanly.[21] Gender critiques, frequently advanced by feminist scholars and commentators, portray the bloke archetype as reinforcing patriarchal norms that marginalize women and non-conforming men. Figures like Crocodile Dundee, emblematic of the "white Aussie bloke," have been reevaluated for embodying traits deemed sexist, racist, and homophobic, with performative masculinity viewed as prioritizing dominance over equality.[22] [17] Such representations, critics contend, normalize aggression and emotional frigidity, contributing to a societal "obsession with masculinity" that sustains homophobia and entitlement toward women.[42] [43] A 2024 study highlighted how media portrayals of the beer-drinking, sports-focused "Aussie bloke" stereotype correlate with negative attitudes and behaviors toward women, potentially influencing real-world gender dynamics.[44] In British contexts, similar concerns arise regarding bloke slang's association with "laddish" behavior, where informality masks underlying expectations of male toughness that critics link to toxic expressions of masculinity, such as suppressed empathy or aggression.[45] These critiques, often originating from progressive media and academic outlets, emphasize the archetype's role in preserving gender hierarchies, though empirical causation remains debated amid broader cultural shifts.[45]References
- https://en.wiktionary.org/wiki/bloke
