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Born Naked
Studio album by
RuPaul
ReleasedFebruary 24, 2014 (2014-02-24)
Recorded2013
Genre
Length38:15
LabelRuCo Inc.
ProducerLucian Piane
RuPaul chronology
RuPaul Presents: The CoverGurlz
(2014) 		Born Naked
(2014) 		RuPaul Presents: The CoverGurlz 2
(2015)
Singles from Born Naked
  1. "Geronimo"
    Released: February 27, 2014
  2. "Sissy That Walk"
    Released: May 5, 2014
  3. "Modern Love"
    Released: May 18, 2015
  4. "Born Naked"
    Released: May 27, 2015

Born Naked is the seventh studio album from American singer-songwriter, actor and drag queen RuPaul. It was released on iTunes and Amazon through RuCo on February 24, 2014, coinciding with the sixth season premiere of RuPaul's Drag Race.[1] The album is RuPaul's highest charting to date, reaching 4th position on US Billboard's Dance/Electronic Albums list. The album is a mix of electronic, bounce, rock and gospel tunes.

Chart performance

[edit]

Born Naked debuted at number 85 on the Billboard 200, selling 4,000 copies for the week ending March 2, 2014.[2] It is RuPaul's highest charting album to date, as well as his first entry on the chart since his debut album, Supermodel of the World, peaked at number 109 in 1993.[3] The album also debuted at number four on the Billboard Dance/Electronic Albums chart,[4] another career high, and at number 18 on the Billboard Independent Albums chart,[5] RuPaul's first appearance on the chart. Notably, Born Naked also reached number one on the iTunes Top Dance Albums chart in the US, also charting at number 23 on the store's Top albums chart.[6]

Track listing

[edit]

Credits adapted from ASCAP[7] and SESAC.[8]

No.TitleWriter(s)Producer(s)Length
1."Freaky Money" (featuring Big Freedia)
Lucian Piane3:03
2."Sissy That Walk"
  • Charles
  • Piane
Piane3:32
3."Geronimo" (featuring Lucian Piane)
  • Charles
  • Piane
Piane3:42
4."Dance with U"
  • Charles
  • Piane
Piane3:52
5."Adrenaline" (featuring Myah Marie)
  • Charles
  • Piane
Piane4:32
6."Can I Get an Amen" (featuring Martha Wash)
  • Charles
  • Piane
Piane3:28
7."Fly Tonight" (featuring Frankmusik)
  • Charles
  • Piane
Piane4:08
8."Modern Love"
  • Charles
  • Piane
Piane4:49
9."Let the Music Play" (featuring Michelle Visage)
  • Charles
  • Piane
Piane3:46
10."Born Naked" (featuring Clairy Browne)
  • Charles
  • Piane
Piane3:23
Total length:38:15
iTunes deluxe edition bonus tracks[9]
No.TitleWriter(s)Producer(s)Length
11."Feel Like Dancin'" (featuring La Toya Jackson)
Piane2:45
12."Dance with U" (René Dif Remix)
  • Charles
  • Piane
4:35
13."Feel Like Dancin'" (Matt Pop Remix) (featuring La Toya Jackson)
  • Charles
  • Piane
  • Jackson
  • Piane
  • Matt Pop[a]
3:54
14."Can I Get an Amen" (Revolucian Remix) (featuring Martha Wash)
  • Charles
  • Piane
Piane[b]3:28
15."Feel Like Dancin'" (Doot Doot Redo) (featuring La Toya Jackson)
  • Charles
  • Piane
  • Jackson
  • Piane
  • Jared Jones[a]
3:18
16."Feel Like Dancin'" (Jared Jones Remix) (featuring La Toya Jackson)
  • Charles
  • Piane
  • Jackson
3:12
Total length:59:27

Samples

Notes

  • ^a signifies remix engineer and additional producer
  • ^b signifies original producer in addition to remix engineer and additional producer

Charts

[edit]
Chart (2014) Peak
position
US Billboard 200[3] 85
US Independent Albums (Billboard)[5] 18
US Top Dance Albums (Billboard)[4] 4

Release history

[edit]
Region Date Label Format Edition
Various February 24, 2014 RuCo Inc. Digital download Standard[12]
May 5, 2014 Deluxe[9]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Born Naked

View on Grokipedia
from Grokipedia
is the seventh studio album by American entertainer Charles, released digitally on February 24, 2014, through his RuCo, Inc.. The album incorporates elements of , , and , featuring collaborations with artists such as , Clairy Browne, and , and includes the title track "Born Naked" which emphasizes themes of self-expression and performance.. Its release aligned with the premiere of the sixth season of , amplifying promotion through the associated television franchise.. The record marked RuPaul's highest-charting album to date on platforms like Billboard's Dance/Electronic Albums chart, reflecting its commercial reception within niche electronic and pop markets.. Critics noted its energetic production and alignment with RuPaul's established persona in drag culture, though it faced limited mainstream crossover due to the artist's specialized audience..

Background

Development and Recording

Born Naked marked RuPaul's seventh studio album and continued his collaboration with producer Lucian Piane, who had previously worked on Champion (2009) and Glamazon (2011). RuPaul co-produced the project, emphasizing a mix of , and house elements with guest features from artists including on "Freaky Money," Clairy Browne on the title track, and on "Feel Like Dancin'." Specific details on recording sessions, such as locations or timelines, remain undocumented in public sources, though the album's production aligned with RuPaul's Los Angeles-based operations. The development phase incorporated RuPaul's signature thematic elements of self-empowerment and drag philosophy, drawing from his recurring motif "We're all born naked and the rest is drag," which inspired the album's title and overarching narrative. To counter anticipated digital piracy, RuPaul implemented an innovative strategy during the pre-release period by circulating a decoy version of the album embedded with humorous audio messages chiding downloaders, such as "You done stole my album. Uh uh, no you di'int!" This tactic was revealed shortly after the official launch, highlighting proactive measures in the album's rollout. The recording and development efforts culminated in a February 24, 2014, digital release via RuCo, Inc., timed to coincide with the premiere of the sixth season of RuPaul's Drag Race.

Production Personnel

B orn Naked was primarily produced by , an American producer known for his work in electronic and dance music, in collaboration with RuPaul Charles. This marked Piane's third full-length project with RuPaul, following the albums (2009) and Glamazon (2011). Piane contributed production to key tracks such as "Sissy That Walk", "", and "Dance With U", emphasizing high-energy synth-driven arrangements suited to club environments. The album's independent release through RuCo Inc., RuPaul's established for creative control over his , allowed for direct oversight by Charles in production decisions. While detailed engineering and mixing credits remain sparsely documented in available or official releases, Piane's role extended to programming and on multiple songs, reflecting a streamlined process typical of digital-era self-releases. No additional executive producers or A&R personnel are prominently credited, underscoring the project's intimate scale.

Musical Content

Genres and Style

Born Naked encompasses a blend of electronic and pop genres, with stylistic elements drawn from , , and club/. The album's sound is characterized by high-energy beats, synthesizers, and vocal effects typical of Euro- and traditions, often layered with rhythmic grooves that evoke and club aesthetics. Tracks like "Sissy That Walk" exemplify this through pulsating basslines and chant-like hooks designed for dance floors, while broader classifications include hip hop rhythms and / inflections in selections such as the title track "Born Naked," which incorporates guitar-driven nu-soul arrangements. Stylistically, the record deviates from RuPaul's earlier house-heavy outputs by integrating edges and gospel-tinged harmonies, creating a versatile palette that shifts from aggressive, steroid-enhanced club pop to more introspective moments. This is evident in production choices favoring bold, trashy energy alongside empowering motifs, as seen in "Freaky Money," which fuses hip hop flows with electronic pulses. Critics have described the overall approach as adventurous within confines, prioritizing catchy, performative flair over strict genre adherence. The 's stylistic diversity reflects influences from drag performance culture, emphasizing theatricality through exaggerated vocal deliveries and remix-friendly structures, yet it maintains a cohesive thread of upbeat, motivational suitable for live sets and media tie-ins. This combination yields a sound that is both commercially oriented toward electronic dance charts and experimentally playful, distinguishing it as RuPaul's most genre-spanning release up to 2014.

Themes and Lyrics

The lyrics of Born Naked emphasize , the performative nature of identity, and through drag , reflecting RuPaul's broader that personal presentation is an constructed artifice layered over innate humanity. The title track articulates this core idea with the refrain "We're all born naked and the rest is drag," interpreting "drag" not solely as but as the universal act of curating one's outward self via clothing, mannerisms, and social roles to navigate life. This concept draws from RuPaul's view that individuals perpetually seek external validation or saviors while overlooking internal authenticity, as evidenced in verses questioning "Who you waitin' for? Another savior" amid cycles of dissatisfaction. Empowerment motifs recur across tracks, often blending motivational with drag to foster resilience against judgment. In "Sissy That Walk," commands "Sissy that walk, you don't need a reason / Sissy that walk, sissy that walk," promoting an exaggerated, confident as a for defying critics and owning one's style, regardless of external opinions. Similarly, "Can I Get an " adopts a gospel-infused structure to affirm and communal uplift, with calls for "" symbolizing endorsement of inner strength and liberation from self-doubt, aligning with the album's inspirational undercurrents of harnessing personal "adrenaline" for transformation. Sexual liberation and infuse lighter fare, such as "Freaky Money" featuring , where celebrate uninhibited desire and financial swagger in a bounce-house : "Freaky , freaky / Make that freaky , honey." Tracks like "Dance with U" add autobiographical , recounting 's journey from to triumphant , underscoring themes of relational authenticity amid the "drag" of everyday facades. Overall, the function as affirmations, urging listeners to strip away illusions for genuine self-expression while reveling in the joy of constructed personas.

Track Listing

Born Naked contains ten tracks, primarily composed by Charles with contributions from various co-writers and producers.
No.TitleFeatured artistLength
1"Freaky Money"3:03
2"Sissy That Walk"3:32
3"Geronimo"3:42
4"Dance with U"3:52
5"Adrenaline"Myah Marie4:32
6"Can I Get an Amen"3:40
7"Fly Tonight"3:35
8"Modern Love"3:42
9"Let the Music Play"3:05
10"Born Naked"3:57
The standard edition runs for a total of 38 minutes and 20 seconds. A deluxe edition includes additional remixes and bonus tracks, such as decoy versions featuring Shirley Q. Liquor.

Release and Promotion

Singles and Music Videos

"Sissy That Walk" served as the primary single from Born Naked, released digitally on May 12, 2014. The track, produced by , features a style with elements and samples the 1990s track "Pound the Alarm" by , emphasizing themes of confidence and performance. An official premiered on the same day, directed by Matthew Sanchez, showcasing in various drag ensembles amid vibrant choreography with backup dancers. The video gained prominence through integration with season 6 of , where it was used for lip-sync challenges, boosting its visibility on platforms like , where it amassed millions of views. "Modern Love", from the deluxe edition released May 5, 2014, followed as a single on May 18, 2015. This synth-pop track explores romantic disillusionment and was promoted alongside RuPaul's ongoing television work, though it received less chart traction than its predecessor. Additional music videos supported promotion. "Geronimo", featuring Lucian Piane, received a visual release highlighting adventurous imagery and electronic beats, aligning with the album's energetic vibe. The title track "Born Naked" (featuring Clairy Browne) spawned a stadium remix video on May 26, 2015, featuring top contestants from RuPaul's Drag Race season 7—Ginger Minj, Pearl, and Violet Chachki—depicting a high-energy dance sequence in a stadium setting to extend the song's reach post-album. These videos, often tied to RuPaul's TV franchise, prioritized visual spectacle and fan engagement over traditional radio play.

Marketing Strategies

The primary for Born Naked involved a deliberate anti-piracy campaign targeting illegal downloaders. Shortly after the album's official release on February 24, 2014, RuPaul's team uploaded a version to popular torrent sites such as . This fake album mimicked the structure of the real tracks, starting with authentic audio snippets before abruptly shifting to recordings of verbally reprimanding listeners for theft, such as declaring, "You done stole my album? Uh-uh, no you didn't!" in the altered "Freaky Money" track. The approach, produced in collaboration with longtime collaborator , aimed to disrupt unauthorized distribution while turning potential negative publicity into viral buzz, as the stunt garnered coverage across media outlets. This tactic exemplified RuPaul's camp-infused promotional style, blending humor and confrontation to engage audiences interactively and reinforce the album's themes of authenticity and performance. By flooding pirate networks with the bait, the campaign not only discouraged downloads of the genuine record but also amplified awareness through social sharing and news reports, effectively converting piracy attempts into free advertising. The strategy aligned with broader efforts to leverage RuPaul's multimedia presence, including cross-promotion via the simultaneous premiere of RuPaul's Drag Race season 6 on Logo TV, which drew an estimated 629,000 viewers for its debut episode and funneled exposure to the album among the show's dedicated fanbase. Digital-first distribution through platforms like and Amazon further supported targeted outreach to streaming-savvy consumers, emphasizing immediate accessibility over physical retail pushes. While traditional advertising was minimal, the ploy's ingenuity contributed to Born Naked achieving RuPaul's highest debut at number 25 on the Dance/Electronic Albums , demonstrating the efficacy of unconventional, personality-driven tactics in niche music markets.

Release Formats and Dates

Born Naked was released on February 24, 2014, by RuCo, Inc., coinciding with the digital availability on platforms including and Amazon. The album launched exclusively in digital formats, with no physical editions such as compact discs or vinyl records produced. Two editions were offered: a standard version containing 10 tracks and a deluxe edition expanding to 16 tracks, incorporating bonus material and remixes. Digital files were distributed in high-quality lossless formats including (16-bit), AIFF, and , alongside compressed options like MP3.
EditionRelease DateFormats AvailableNumber of Tracks
StandardFebruary 24, 2014Digital download (, , AIFF, )10
DeluxeFebruary 24, 2014Digital download (, , AIFF, )16

Commercial Performance

Chart Positions

Chart (2014)Peak position
US 85
US Billboard Dance/Electronic Albums4
UK Albums (OCC)49
Born Naked marked RuPaul's highest peak on the at the time of release, debuting with 4,000 copies sold in its first week. It also topped the US Dance Albums chart upon release.

Sales Figures

Born Naked, released as a digital-exclusive album, sold 4,000 copies during its debut week ending March 2, 2014, according to Nielsen SoundScan data. This figure marked RuPaul's highest-charting album debut on the at number 85, surpassing prior releases like the 1993 album , which peaked at number 109. No comprehensive total sales figures for the album have been publicly reported beyond the initial week.

Reception

Critical Reviews

Critical reception to RuPaul's Born Naked, released on February 24, 2014, was generally favorable, with reviewers praising its energetic dance tracks, genre experimentation, and collaborations that blended bounce, pop, gospel, and elements. Critics highlighted the album's empowering lyrics focused on and confidence, often tying them to RuPaul's drag persona and ethos. However, some noted inconsistencies, such as a opening and occasional cheesiness in the production. The Magic Critique awarded the album a 9/10 rating, calling it RuPaul's most adventurous and best work to date for incorporating New Orleans bounce in "Freaky Money," an acoustic in "Can I Get an Amen" featuring , and an '80s rock vibe in "Modern Love." Standout tracks like "Sissy That Walk" were lauded as massive anthems with sass, while the review emphasized emotional depth in tracks addressing personal growth. MuuMuse described Born Naked as RuPaul's "sickening" record, equivalent to a glitter-infused handbook of daily affirmations, with strong features from on "Freaky Money," on "Let the Music Play," and Clairy Browne on the title track. The review celebrated its campy humor, dance-floor appeal in "Fly Tonight" and "Dance with U," and overall chart-worthiness without noting major flaws. Album Confessions gave it an 87% score, observing a "rocky" start that improved into an eclectic dance album, with "Sissy That Walk" as an inspirational runway staple, "Dance with U" as a heartfelt pop gem suited for Drag Race montages, and "Fly Tonight" featuring for its surprising vocal synergy. While critiquing some songwriting, the verdict affirmed its growth through diverse collaborations and motivational tone. Mrs. Giggles rated it 3 out of 5 "Oogies," portraying a more mellow with pleasant but liberally cheesy tracks like the embarrassing "Let the Music Play." Positives included the gospel-infused "Can I Get an Amen" on and the attitude-driven "Sissy That Walk," positioning the album as a gentler, listenable entry despite its pop-dance formula. Aggregate user scores were more mixed, with averaging 2.8 out of 5 from 154 ratings, reflecting divided opinions on its party-heavy execution potentially overwhelming subtler elements. These niche pop and dance-focused outlets, often aligned with 's fanbase, underscored the album's role in mainstreaming drag-adjacent , though broader critical consensus from major outlets remained limited.

Public and Fan Response

Fans of RuPaul's Drag Race propelled Born Naked to strong initial sales, marking it as RuPaul's highest-charting album on the Billboard Dance/Electronic Albums chart at number 4 and topping iTunes electronic albums upon release. This enthusiasm stemmed from the album's alignment with the sixth season premiere of the series, where tracks like "Sissy That Walk" resonated as empowering calls to performance and confidence, becoming a staple in fan-led drag routines and runway walks. Within online drag communities, supporters praised the album's eclectic features, including collaborations with artists like and Clairy Browne, and its genre-blending of house, pop, and gospel elements, often deeming it a collection of modern classics. Discussions highlighted distinctive production touches, such as subtle spoken interludes and ambient noises at track ends, which fans attributed to RuPaul's playful experimentation. The stadium remix of the title track, featuring top Drag Race contestants , Pearl, and , further excited viewers by bridging the album to the show's competitive format. Some enthusiasts later reflected on tracks like the title song as underrated highlights in RuPaul's catalog, appreciating its lyrical reinforcement of the performer's longstanding philosophy on identity and artifice. While broader public engagement remained limited outside LGBTQ+ and drag circles, the album solidified loyalty among core audiences, evidenced by sustained streaming and fan tributes years after its February 24, 2014, debut.

Accolades and Recognition

"Born Naked" earned three nominations at the 14th Annual Independent Music Awards in 2015, including Best Dance/Electronica Album for the project itself, Best Dance/Electronic Song for "Sissy That Walk," and Best Remix for the Ralphi Rosario Stadium Remix of the title track. These recognitions highlighted the album's production and dance-oriented tracks amid RuPaul's broader catalog. No wins were secured in these categories, as announced by the Independent Music Awards organization. The nominations underscored niche acclaim within independent electronic and dance music circles, though the album did not garner major industry awards from bodies like the Grammys or Billboard Music Awards.

Legacy and Controversies

Cultural Impact

The album Born Naked, released on February 24, 2014, amplified RuPaul's longstanding maxim "We're all born naked, and the rest is drag," a philosophy asserting that human identity and presentation are inherently performative constructs layered upon a neutral biological base. This concept, featured prominently in the title track, has shaped drag discourse by framing gender expression as universal artifice rather than innate essence, influencing participants and viewers of RuPaul's Drag Race to view self-styling as deliberate exaggeration of societal norms. In broader culture, the phrase has permeated academic analyses of , with scholars examining its role in spectacularizing LGBTQ+ stigma through media like Drag Race, where drag serves as both liberation and commodified entertainment. It has inspired explorations in and , contributing to drag's infiltration of mainstream , as seen in collaborations and homages that echo its emphasis on artifice over authenticity. Critically, the philosophy has fueled debates on drag's boundaries, particularly RuPaul's exclusion of cisgender women and initial reluctance toward transgender contestants, arguing that true drag requires subverting male privilege through feminine exaggeration—a stance challenging the maxim's apparent universality. This tension highlights causal distinctions between biological sex differences, empirically rooted in genetics and physiology, and cultural overlays, with the album's message often critiqued in left-leaning academic circles for reinforcing rather than dismantling gender binaries despite its constructivist rhetoric.

Debates on Drag Philosophy

RuPaul's track "Born Naked" from the 2014 album of the same name encapsulates the performer's longstanding philosophy that "we're all born naked and the rest is drag," positing that human identity, particularly gender presentation, is inherently constructed through layers of artifice, clothing, and behavior akin to theatrical performance. This view draws from postmodern ideas of performativity, suggesting everyday norms are no different from exaggerated drag acts, as all individuals "play a role" in societal expectations. RuPaul has elaborated that the phrase underscores universal self-invention, born from personal experiences of reinvention amid adversity, and has linked it to broader empowerment by rejecting fixed essences in favor of fluid expression. Proponents interpret the philosophy through lenses of existential self-fashioning, akin to Nietzsche's imperative to "become who you are," viewing drag as a metaphor for authentic self-creation beyond biological or social constraints. In Stoic readings, it promotes recognition of shared human vulnerability—stripped of accoutrements—to foster empathy and reduce judgment based on superficial differences. Academic analyses in queer theory praise it for challenging binary gender norms, arguing that equating all presentation to "drag" democratizes identity formation and critiques hegemonic masculinity or femininity as compulsory performances. However, these endorsements often stem from institutions with documented ideological tilts toward constructivist frameworks, potentially underemphasizing empirical anchors like chromosomal sex determination (XX/XY binary in 99.98% of humans) or evolved sex dimorphisms in skeletal structure and reproductive roles. Critics contend the universalization of "drag" conflates practical adaptations—such as clothing for or , rooted in evolutionary necessities—with deliberate , thereby dissolving distinctions between functional habit and intentional . Gender-critical feminists argue it perpetuates by relying on hypersexualized caricatures of women (e.g., exaggerated breasts, heels as tropes), reducing female embodiment to mockable artifice while evading scrutiny for reinforcing under the guise of . Philosophically, it echoes Judith Butler's performativity theory but invites rebuttals that such views prioritize discursive power over material causation, neglecting how biological imperatives (e.g., testosterone-driven muscle mass differences averaging 50% greater in males) causally shape behavioral and social realities independent of cultural scripts. In practice, this has fueled tensions, as seen in RuPaul's initial exclusion of post-transition women from Drag Race competitions, citing inherent male physiological advantages, which clashes with the philosophy's apparent fluidity and drew backlash from trans advocates despite aligning with sex-based empirical disparities. Broader debates question whether the , while liberating for personal , contributes to cultural erosion of realism, particularly in policy arenas like or prisons where conflating performance with risks unfair outcomes or safety compromises, as evidenced by male-bodied athletes retaining advantages post-hormone (e.g., retained and capacity). Defenders counter that it harmlessly highlights artifice without prescribing denial of , yet empirical pushback emphasizes that while is malleable, sexed traits are not, with twin studies showing of gender-typical behaviors exceeding 50% beyond alone. These exchanges reflect enduring essentialism-constructivism divides, with the album's theme amplifying RuPaul's influence in popularizing a view that prioritizes agency over , though not without contestation over its causal fidelity to .

References

  1. https://www.discogs.com/release/6790572-RuPaul-Born-Naked
  2. https://open.spotify.com/album/3stAjHtCDSCavGtkxzvYE7
  3. https://www.allmusic.com/album/born-naked-mw0002635530
  4. https://genius.com/albums/Rupaul/Born-naked
  5. https://www.last.fm/music/RuPaul/Born%2BNaked
  6. https://www.albumoftheyear.org/album/21562-rupaul-born-naked.php
  7. https://www.muumuse.com/2014/02/rupaul-born-naked-album-review.html/
  8. https://www.discogs.com/release/6543463-RuPaul-Born-Naked
  9. https://mrsgiggles.com/born-naked-by-rupaul/
  10. https://www.discogs.com/master/689062-RuPaul-Born-Naked
  11. https://www.albumconfessions.com/2014/02/rupauls-born-naked-album-review.html/
  12. https://www.billboard.com/music/music-news/rupaul-messages-pirates-with-decoy-album-you-done-stole-my-album-uh-uh-no-you-5923163/
  13. https://www.discogs.com/release/5704993-RuPaul-Born-Naked
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  49. https://modernstoicism.com/ru-paul-the-drag-queen-as-source-of-contemporary-stoic-wisdom-by-craig-moreau/
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  51. http://www.meganvolpert.com/dragraceandphil.html
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  53. https://www.feministcurrent.com/2014/04/25/why-has-drag-escaped-critique-from-feminists-and-the-lgbtq-community/
  54. https://eliesheva.medium.com/from-drags-to-bitches-the-implications-of-mainstreamed-drag-culture-on-women-5814c544d0ae
  55. https://www.parrhesiajournal.org/parrhesia01/parrhesia01_boucher.pdf
  56. https://www.reddit.com/r/Feminism/comments/1b8rakm/honest_inquiry_drag_and_feminist_ideology/
  57. https://pmc.ncbi.nlm.nih.gov/articles/PMC10480946/
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