Hubbry Logo
Dan Reed NetworkDan Reed NetworkMain
Open search
Dan Reed Network
Community hub
Dan Reed Network
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Dan Reed Network
Dan Reed Network
Dan Reed Network
View on Wikipedia
from Wikipedia

Dan Reed Network is an American funk rock band formed in 1984 by Dan Reed in Portland, Oregon.[3] They released several albums during the 1980s and achieved one top-40 hit on the Billboard Hot 100 in 1988.[4]

Key Information

History

[edit]

Formation

[edit]

Dan Reed (born 1963 in Portland, Oregon) met Dan Pred in high school in Aberdeen, South Dakota, and after a time studying music studies at Northern State University, the pair returned to Portland and formed the Dan Reed Network in 1984. In 1986, they made their first recording, a six-track EP called Breathless, which included a No. 1 single, "Steal Me", on Z-100 in Portland, Oregon.

The lineup was Dan Reed on vocals and guitar, Brion James on guitar, Melvin Brannon II on bass guitar, Dan Pred on drums, and Rick DiGiallonardo (formerly of Portland platinum rockers Quarterflash) on keyboard. DiGiallonardo, who was married with one child, was replaced by Blake Sakamoto on keyboard; Sakamoto, of Japanese heritage, had returned from Los Angeles, where he had been playing with future Atlantic Records artist Dear Mr. President. Lead singer Julian Raymond became vice president of Capitol Records.

In 1988, The Washington Post described the band as "easily charming [...] with an unlikely brand of heavy metal-ish rock sharpened by junk funk and plenty of rock 'n' roll theatrics".[5]

Record deal

[edit]

The band signed to Mercury Records with the help of Derek Shulman and were managed by Bill Graham. In late 1987, the group released an eponymous debut album, which was produced by Bruce Fairbairn and was mixed by Mike Fraser at Little Mountain Sound Studios in Vancouver, British Columbia. They released their first single, "Ritual", which peaked at No. 38 on the Billboard Hot 100. The song also received a music video.[6]

The album Dan Reed Network received a four-star write-up from Rolling Stone.[7] The Washington Post compared the Dan Reed Network's debut album to its live performances, saying, "numbers such as 'Get to You,' irritatingly synth-heavy on the record, were played with enough soul and engagingly invidious guitar to redeem them."[citation needed]

Def Leppard's album, Hysteria (1987), was having disappointing sales, according to Mercury. Def Leppard's managers, Cliff Burnstein and Peter Mensch, offered Dan Reed Network a Hysteria tour in the US if they would switch to their management company, Q Prime. By the beginning of 1989, they signed with Q Prime.

1989–1997

[edit]

While at the Rock 'n' Roll Hall of Fame induction ceremony in January 1989, Dan Reed met Nile Rodgers. The album Slam was produced by Rodgers;[3] the new collection had internal problems at Mercury Records. The band later toured Europe in the winter of 1989/1990 to support Bon Jovi.[3] The Rolling Stones selected the band as their main support for their first tour in nearly 10 years.[3] The band played at the Steel Wheels/Urban Jungle Tour of Europe in the summer of 1990. The tour later led to Sakamoto working as the Stones' road manager.

Dan Reed Network's third album, The Heat (1991), was their most successful in the UK,[3] but Mercury Records did not promote the band. The band continued without tour support from the label, including a period supporting Baby Animals in Australia, and what would be their final tour through Europe in the summer of 1993, which began 29 June in Varberg, Sweden and ended on 8 August in London, England.[8] In October, the band members agreed to go on a hiatus, not officially breaking up.

A live album called Live at Last (Halfway Around the World) was released in 1997. This album was compiled from hours of tapes from Blake Sakamoto. He and drummer Dan Pred auditioned several versions of each song to comprise a comprehensive 2-CD live set. A companion video, filmed live in Portland on New Year's Eve of 1991, also called Live at Last, was released at the same time.

Dan Reed Network played a one-time-only reunion show on New Year's Eve 2012 with all original band members in Portland, Oregon.[9] The band announced on January 12, 2013, they would play further concerts together in both the United States and Europe. This would be their first UK show in two decades, headlining the Enchanted Festival at Greenwoods Spa, Chelmsford, on October 12, 2013. The band reunited on November 9 at the Roseland Theater, Oregon.

Anthology

[edit]

In 2013, Dan Reed Network collaborated with PledgeMusic on a new compilation album. This album was to include live versions of songs and was a double CD set with online access and various other bonus options. The funding achieved 143%, and the album was shipped in late January 2014.

Fight Another Day

[edit]

Following Anthology, the band returned to creating music. Blake Sakamoto was unavailable, so he was replaced with Rob Daiker to play keyboard on the album. Fight Another Day was released by Frontiers Music SRL on June 3, 2016. This was followed with a world tour in 2016 and a further European tour early in 2017. According to Dan Reed, the band was not satisfied with the label's promotion for the album, so they decided not to work with them in the future.[10]

Origins

[edit]

In 2018, the band produced an album consisting of new and old songs, with some older songs being newly recorded. Origins was released by AOR Heaven/Soulfood. The album was recorded in various studios in Manchester, New York, Portland, and Stockholm.

Let’s Hear It for the King

[edit]

In late 2019, the band went on tour in Europe to play anniversary shows of the album Slam. At the same time, the band produced a new album in Portland.[10] According to Dan Reed, it would be funky and heavy.[10] Dan Reed Network's album Let’s Hear It for the King was released by Drakkar Entertainment on March 4, 2022. The single/video "Starlight" was released on October 22, 2021.[11]

Dan Reed

[edit]

Reed continued to do solo work and collaborate with other musicians, including Nuno Bettencourt from the band Extreme. Reed provided vocals for a 1992 rap-rock collaboration with the basketball team Portland Trail Blazers, "Bust a Bucket".

In the mid-1990s, Dan Reed formed a new band and released an album called Adrenaline Sky in 1998 under his own name.[12] The first half of the record was recorded in a studio, while the second half contains live recordings from the 1996 concert.[13] The songs are written in the style of alternative rock and grunge. Reed released an EP called Sharp Turn in 2004. The EP is in an electronica style. Reed toured Europe and the US during 2008 and 2009. Selections from these solo acoustic shows appear on An Evening with Dan Reed.[14]

In May 2009, Reed played many UK shows, including a house concert in York.[15] In 2010, Reed (with a newly assembled band) performed a series of shows throughout Europe. A performance on March 5 at Union Chapel in London was filmed for release as a DVD. The show featured new material from Coming Up For Air as well as some classic DRN hits. Coming Up for Air, a solo album by Reed, was released in 2010. On February 26, 2013, Dan Reed released his second solo album, Signal Fire.[16] On March 31, 2015, Dan Reed released his third solo album called Transmission.[17] This album was crowdfunded via Pledge Music.[18] The most recent solo album by Dan Reed, titled Confessions, was released in 2017 via Zero One Entertainment.[19]

Reed has left the United States for political reasons.[10] After spending one year in India and three years in Jerusalem, where he built a recording studio, he moved to Paris for three years. In 2011, he moved to Prague, where he currently resides.[10]

Members

[edit]

Current

[edit]
  • Dan Reed – vocals, guitars, piano (1984–1993, 2012–present)
  • Brion James – guitars (1984–1993, 2012–present)
  • Melvin Brannon II – bass (1984–1993, 2012–present)
  • Dan Pred – drums, percussion, electronics (1984–1993, 2012–present)
  • Rob Daiker – keyboards (2015–present)

Former

[edit]
  • Jeff Siri – keyboards (1984–1985)
  • Rick DiGiarllonado – keyboards (1985–1987)
  • Blake Sakamoto – keyboards (1987–1993, 2012–2015)

Discography

[edit]

Dan Reed Network

[edit]
Year Album US Top 200 UK Albums
1986 Breathless  [de] (EP) — –
1988 Dan Reed Network  [de] 95 –
1989 Slam  [de] 160 66
1991 The Heat  [de] — 15
1993 Mixin' It Up: The Best of Dan Reed Network  [de] — —
1997 Live at Last! Halfway Around the World  [de] — —
2002 The Collection  [de] — —
2014 Anthology  [de] — —
2016 Fight Another Day  [de] — —
2018 Origins  [de] — —
2022 Let's Hear It for the King — —

Singles

[edit]
Year Name US Hot 100 UK Singles
1988 "Ritual" [de] 38 —
"Get to You" [de] — —
"I'm So Sorry" — —
1989 "Tiger in a Dress" — —
1990 "Come Back Baby" [de] — 51
"Rainbow Child" — 60
"Make It Easy" — —
"Stardate 1990" [de] — 39
"Lover" — 45
1991 "Mix It Up" — 49
"Baby Now I" — 65
2016 "Divided" — —
"The Brave" — —
"Champion" — —
2017 "B There with U" — —
"Save the World" — —
"Infected" — —
2018 "Fade to Light" — —
"One Last Time" — —
2021 "Starlight" — —

Dan Reed

[edit]
  • Adrenaline Sky (1998)
  • Sharp Turn (EP, 2004) Universal Music Enterprises
  • An Evening with Dan Reed (2009)
  • Coming Up for Air (2010)
  • Studio Sessions - Dan Reed and Rob Daiker Live in the Studio (DVD, 2010)
  • Signal Fire (2013)
  • Transmission (2015)
  • Confessions (2017)

References

[edit]

Sources

[edit]
  • "Picks and Pans", People Magazine, April 4, 1988.
  • Wayne Robins, "On the Reed Network", Newsday (New York), May 14, 1988.
  • Alona Wartofsky, "The Dan Reed Network", The Washington Post, May 27, 1988.
  • Kim Neely, "Album Reviews: Dan Reed Network", Rolling Stone, August 11, 1988.
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Dan Reed Network

View on Grokipedia
from Grokipedia
The Dan Reed Network is an American band formed in late 1984 in , by vocalist, guitarist, and songwriter Dan Reed, blending influences from , , and to create an infectious, multi-racial sound that earned them a . The group, featuring core members including drummer Dan Pred, bassist Melvin Brannon Jr., guitarist , and keyboardist Rob Daiker, rose to prominence in the late after signing with / by A&R executive under the management of legendary promoter Bill Graham. Their self-titled debut album, produced by and released in 1988, spawned the hit single "," which peaked at number 38 on the US and became a cornerstone of the emerging genre. The band's subsequent releases further solidified their reputation, particularly in , where they built a strong fanbase through dynamic live performances. Their 1989 sophomore album Slam, produced by , highlighted tracks like "Rainbow Child" and led to high-profile tours opening for in 1989 and in 1990, showcasing their energetic stage presence at venues such as London's and Stockholm's Melody Club. Their early independent EP Breathless (1986) had already demonstrated local success, with the single "Steal Me" reaching #1 on Portland radio station Z-100. The 1991 album The Heat marked a commercial peak in the UK, but internal frustrations with the music industry led to the band's initial disbandment later that decade. Following a hiatus, the Dan Reed Network reunited for a 25th anniversary performance in 2012 and has remained active, releasing albums like Fight Another Day (2016) and Origins (2018), the latter recorded across five cities to capture a global essence. Their sixth studio album, Let's Hear It for the King, arrived in 2022 via Drakkar Entertainment, reaffirming their enduring commitment to evolving their signature sound while touring and celebrating milestones such as the 30th anniversary of Slam in 2019. With a discography spanning independent roots to major-label efforts, the band continues to influence the landscape, maintaining a dedicated international audience.

History

Formation and early years (1984–1987)

The Dan Reed Network was founded in late 1984 in , by vocalist and guitarist Dan Reed and drummer Dan Pred, who had previously collaborated in the band Nimble Darts before Pred relocated from to join Reed in the . Initially operating as a that drew from , and influences, the group quickly transitioned toward original material, reflecting the vibrant Portland music scene of the mid-1980s that fostered a mix of and acts in local clubs. The early lineup solidified with the addition of guitarist , bassist Melvin Brannon II, and keyboardist Jeff Siri, who was later replaced by Rick DiGiallonardo in 1985; this configuration helped the band build a dedicated following through energetic live performances at Portland venues, including their debut showcase at Last Hurrah on December 2, 1984, and regular gigs at clubs like . The band's sets blended covers of funk-rock staples with emerging originals, emphasizing Reed's charismatic stage presence and the group's tight rhythmic interplay, which packed local spots and earned them a reputation as a rising act in the regional scene. In 1986, the band self-released their debut EP, Breathless, on the independent Nu-Vision label, a six-track effort produced by Marlon McClain and distributed primarily in the Portland area. Featuring songs like "Steal Me," which became a top local radio hit on Z-100, the EP showcased the band's fusion of grooves and soulful hooks, recorded with DiGiallonardo on keyboards and additional contributions from saxophonist Danny Schauffler. This independent release highlighted their growing songwriting prowess and helped generate buzz through promotion. By 1987, demo tapes from the Breathless sessions caught the attention of industry figures, leading to a signing with under , facilitated by former Genesis manager and with initial production oversight from for their upcoming major-label debut. The deal marked the end of their formative independent phase, positioning the band for national exposure while retaining their Portland roots.

Rise to fame (1988–1991)

The Dan Reed Network achieved their breakthrough with the release of their self-titled debut album in 1988, produced by and engineered by Mike Fraser at in , . The album showcased the band's funk-rock fusion, blending elements of R&B, , and soul, and peaked at No. 95 on the chart. The lead single "" became their biggest hit, reaching No. 38 on the in May 1988 and gaining significant exposure through heavy rotation of its on . Follow-up singles from the album, including "Get to You," further highlighted their energetic style but did not match "Ritual's" commercial success. The core lineup remained stable during this period, featuring Dan Reed on lead vocals and guitar, Melvin Brannon II on bass, Dan Pred on drums, on guitar, and Blake Sakamoto on keyboards, all contributing backing vocals. Building on their initial momentum, the band released their second album, Slam, in 1989, produced by and recorded at Skyline Studios and The Power Station in . This effort leaned into a more groove-oriented funk-rock sound, with standout tracks like "Slam" and "Rainbow Child" exemplifying the album's danceable rhythms and horn-driven arrangements. Slam reached No. 160 on the and No. 66 on the , reflecting stronger international appeal, particularly in where the band supported on their tour. The polished production under Rodgers emphasized the band's multi-racial influences and rhythmic precision, marking a shift toward a more accessible, radio-friendly fusion that distinguished them in the late-1980s rock landscape. In 1991, the Dan Reed Network issued their third album, The Heat, again produced by , which continued their evolution with tracks such as "Baby Now I" that incorporated socially conscious lyrics alongside upbeat grooves. The album achieved No. 15 on the , underscoring their growing European fanbase, though it received limited promotion in the . During this peak era, the band toured extensively across and opened for on their Urban Jungle tour in 1990, solidifying their reputation as a dynamic live act capable of blending high-energy performances with intricate horn sections and soulful vocals. This period represented the height of their commercial activity, with Fairbairn's production enhancing the funk-rock core while maintaining the band's Portland origins as a foundation for their innovative sound.

Hiatus and solo pursuits (1992–2011)

Following the release of their third album, The Heat, in 1991, the Dan Reed Network completed a final tour supporting in , but encountered diminishing label promotion from amid shifting musical tastes toward . In October 1993, the band announced an indefinite hiatus rather than a formal , as members pursued diverging personal and professional directions, exacerbated by internal tensions over the group's unity and lack of sustained support from , which had struggled to market their funk-rock hybrid to radio audiences. No new studio album from the band would emerge until 2016, marking a nearly 25-year gap in full-group recordings. During the hiatus, the band's only official release was the double live album Live at Last! (Halfway Around the World) in 1997 on Videomedia Records, compiled from multitrack recordings of performances spanning 1991 to 1993, including shows in the , , and . The album captured the group's high-energy stage presence, featuring extended tracks like "Slam Swirl" and "The Heat," and received praise from critics for preserving the raw vitality of their live sets despite the absence of new material. Tracks were sourced primarily from drummer Blake Sakamoto's personal tapes, highlighting the band's touring prowess before the split. Dan Reed shifted focus to solo endeavors, debuting with the album Adrenaline Sky in 1998 on R.T.G. Music Limited, a grunge-influenced project recorded live that reflected his exploration of stripped-back rock roots amid personal reinvention. He followed with the digital EP Sharp Turn in 2004, an exclusive download release signaling a gradual return to music after periods of acting and club ownership, and the live album An Evening with Dan Reed in 2009, which documented intimate solo performances emphasizing acoustic and vocal introspection. These efforts maintained a connection to his earlier hits' lingering appeal in and select markets, without involving the full band. Other band members engaged in individual pursuits with no coordinated group activity. Guitarist contributed to session work and live performances, including collaborations with artists like , while bassist Melvin Brannon II explored funk-oriented projects, both drawing on their Network experience in freelance roles. The period saw no full-band tours, though sporadic one-off shows occurred in the during the 2000s, such as low-key appearances tied to Reed's solo promotions, keeping a minimal presence alive among fans.

Reunion and revival (2012–present)

The Dan Reed Network reunited for a one-off performance on 2012 at the Portland Marriott Grand Ballroom in , celebrating the band's 25th anniversary with its original lineup including vocalist Dan Reed, guitarist , drummer Dan Pred, bassist Melvin Brannon II, and keyboardist Blake Sakamoto. The show, captured in fan-recorded videos and reviews, reignited interest among fans and prompted further activity. This reunion led to the band's first European and tour in over two decades, commencing in early 2013 with dates across the and , including their inaugural appearance in 20 years at the Enchanted Festival on October 12, 2013. The tour featured high-energy sets blending classic tracks with renewed vigor, solidifying the band's commitment to a comeback. By 2015, the band fully reactivated with its core lineup of Reed, James, Pred, Brannon, and , embarking on additional European tours that showcased their enduring live chemistry. In 2019, the band joined FM and for the 'Big 3-0 Tour' in the UK and , performing their in full to celebrate 30th anniversaries. This period marked a shift toward new material, culminating in the release of their comeback Fight Another Day on June 3, 2016, through Frontiers Music Srl, with production handled by Dan Reed himself. The , featuring 13 tracks of funk-infused , received praise for its blend of nostalgic energy and fresh grooves, including standout cuts like "Infected" and the title track. Post-reunion lineup adjustments included keyboardist Blake Sakamoto's departure in 2015, replaced by Rob Daiker—a longtime collaborator of Reed's—for European tours and subsequent albums starting with Fight Another Day. Daiker's integration brought fresh production elements, including synth programming, while maintaining the band's core dynamic. In 2018, the Network released Origins via AOR Heaven and Reed's Zero One Entertainment imprint, an eight-track collection mixing four new songs with four re-recorded classics such as "" and "Forgot to Make Her Mine" to highlight their foundational sound. The effort underscored the band's evolution while honoring their roots, with production emphasizing crisp, modern production on the revisited material. The band's momentum continued with Let’s Hear It For The King, their fourth post-reunion album, issued on June 17, 2022, by Drakkar Entertainment, comprising 13 songs that fused their signature funk-rock with socially charged lyrics. Highlighted by singles "Homegrown" and "Starlight," the record explored themes of resilience and unity, earning acclaim for tracks like the brooding title song and the energetic "Supernova." Touring has remained a staple, with ongoing performances in and the , including the 2022 Summer Escape tour featuring dates at venues like Ritz in and a special guest slot at the HRH AOR festival. As of November 2025, no new albums have been announced, though the band sustains fan engagement through active channels and a community offering exclusive content like behind-the-scenes footage and early releases.

Musical style and influences

Core elements

The Dan Reed Network's signature sound fuses with , , and R&B elements, creating high-energy grooves driven by punchy guitar riffs that mimic horn sections in a nod to traditions. This blend draws from influences like Prince's hard-edged and James Brown's rhythmic intensity, emphasizing groove over aggression. The band's early incorporation of Portland's local and scene further shaped these foundational grooves. Central to the sound is frontman Dan Reed's versatile vocals, which shift from soulful, honeyed delivery to gritty intensity, evoking comparisons to Prince's . Performances highlight live , a tight anchored by driving bass and drums, and soaring anthemic choruses, all while avoiding the excesses of heavy metal in favor of accessible, groove-oriented rock. Lyrically, the band addresses themes of love, social issues, and personal struggles—such as and resilience—delivered through an uplifting, positive tone that promotes compassion and hope. Production maintains a polished yet organic feel, often achieved through live room recordings that capture the band's raw energy and authenticity.

Evolution and reception

In the late 1980s, the Dan Reed Network transitioned from a raw funk-rock sound to a more polished, arena-ready production style, particularly evident on their self-titled debut album produced by , which blended , funk, and pop elements for broader appeal. This shift aimed to capture a "big arena sound" while retaining the band's core groove, though it sometimes drew criticism for feeling overly slick compared to their initial live energy. By the , as commercial success waned amid the era, the band emphasized live performances to maintain their high-energy funk-rock delivery, including extensive European tours that preserved their dynamic stage presence. Following their 2012 reunion, the band's music evolved to incorporate more mature, soul-infused introspection on Origins (2018), featuring reimagined older tracks alongside new material with infectious rhythms and harmonious choruses that highlighted emotional depth. Their 2022 album Let’s Hear It For The King further advanced this progression, blending tribute-like nods to their career-spanning sound with modern production techniques, resulting in their heaviest, funkiest, and most melodic release to date, marked by jubilant funk-metal anthems and thoughtful lyrics. Throughout these changes, the band's foundational blend of rock, funk, and soul remained a consistent base. Critically, the Dan Reed Network received mixed responses to their studio albums, which charted modestly—such as Slam reaching No. 66 in the UK but struggling in the US due to being "too rock for R&B, too funky for rock"—yet earned consistent praise for their electrifying live shows, often described as cock-rock infused with blistering energy and mutual band support. The band developed a loyal in , where they achieved greater commercial traction and appearances like in 2014, contrasted with a smaller audience. Fans have remained devoted due to the band's high-energy performances, fostering comparisons to multiracial funk-rock acts like and for their groove-driven, boundary-blending style. Despite no major national awards, the Dan Reed Network exerted enduring influence as funk-rock pioneers through their innovative fusion of genres.

Band members

Current members

The current lineup of the Dan Reed Network, stable since their 2012 reunion and as of 2025, features five core members who contribute to the band's signature blend of rock, , and . This configuration has supported their ongoing tours and recordings, including the 2022 Let's Hear It for the King. Dan Reed, the band's founder and primary songwriter, handles lead vocals, guitars, and . He has been a continuous presence since establishing the group in , in 1984. Brion James contributes guitars and backing vocals. A founding member, he joined in 1984 and has been instrumental in shaping the band's rhythmic drive throughout its history. Melvin Brannon Jr. (also known as Melvin Brannon II) plays electric and acoustic bass, along with backing vocals. He auditioned and joined in late summer 1984, providing the foundational groove that underpins the band's sound. Dan Pred serves on drums, percussion, and electronics. As a co-founder, he met Reed in and has delivered the driving beats central to the band's energy since 1984. Rob Daiker rounds out the lineup on keyboards and backing vocals. A longtime collaborator, he joined following the band's 2012 reunion—around 2015—and adds layered soulful elements to their performances.

Former members

The Dan Reed Network's early lineup featured keyboardist Jeff Siri, who joined in 1984 as part of the band's initial formation in , and contributed to their debut single "Eye on You" (B-side "Come to Me"), released on Tandees Records. He departed in 1985 to pursue session work, paving the way for the band's evolving sound prior to their major label signing. Rick DiGiallonardo succeeded Siri on keyboards from 1985 to 1987, bringing experience from his time with , and played a key role in the band's independent EP Breathless on Nu-Vision Records, helping refine their funk-rock blend during the club circuit phase. His exit coincided with the 1987 arrival of Blake Sakamoto, as the group transitioned to a /Mercury deal. Blake Sakamoto served as the band's keyboardist from 1987 through 1993, rejoining for the 2012 reunion and contributing to all major albums including the self-titled debut, Slam, and The Heat, while also participating in high-profile tours opening for and . He briefly returned in the revival, enhancing the group's signature grooves, but left in 2015 to prioritize family needs and philanthropic efforts in Portland. In contrast to the core members' decades-long commitment, these departures marked transitional periods in the band's history.

Dan Reed solo career

Key albums and releases

Dan Reed's debut solo album, Adrenaline Sky, was released in 1998, marking his first venture outside the Dan Reed Network with an introspective blend of rock and soul influences. The record featured the title track as a standout, exploring personal reflection amid elements. Following a period of band hiatus that allowed Reed to pursue individual projects, he returned to solo work with Coming Up for Air in 2010, an album leaning toward acoustic arrangements and introspection. Recorded in multiple locations including and Portland, it emphasized renewal and emotional depth through tracks like the title song. In 2013, Signal Fire arrived as Reed's follow-up, infusing a funkier, groove-oriented vibe inspired by his recent reconnection with bandmates. The album maintained rock foundations while highlighting rhythmic energy across its tracks. That same year, Reed released the acoustic album In Between the Noise, featuring stripped-back performances that showcased his side with introspective lyrics and minimal instrumentation. Transmission, released in 2015, incorporated subtle electronic textures alongside collaborative production efforts, expanding Reed's sonic palette in a rock framework. This third studio effort reflected his evolving experimentation during a period of renewed creative output. Reed's 2017 release, Confessions, delved into deeply personal lyrics drawn from life experiences, presented in a soul-baring, stripped-back style that evoked folksy introspection and a sense of life's joys. The album's gentle pacing and vocal delivery left a lasting, reflective impression. Complementing his studio output, Reed issued the live recording An Evening with Dan Reed in 2010, capturing intimate solo performances of both new material and classics. Reed continued his solo career with Liftoff in 2020, a chilled-out, cosmically themed blending rock with atmospheric elements across 11 tracks. His most recent solo as of 2024, COUNTRY (ISH), incorporates influences into his , featuring 13 tracks with themes of resilience and . While maintaining solo releases, Reed has also focused on revitalizing the Dan Reed Network.

Collaborations and other ventures

During the hiatus of Dan Reed Network, Reed established Hypedreamz Studios in , where he produced tracks and albums for local artists in the and 2000s, including full-length releases for bands under the Dred Serious label and commercial music for clients such as Nike and . He also founded an independent record company to promote Northwest bands during this period. Reed made guest vocal appearances on projects by other musicians, including background vocals on Sandy Hall's 2024 single "Love Still Remains" from her album Full Circle. In the , Reed pursued acting, starring in regional theater productions such as Alan Bowne's and Sam Shepard's [Buried Child](/page/Buried Child) and Tooth of Crime between 1992 and 1995. He also took on minor film roles, including the lead in the 1997 thriller , which he co-wrote and which reached the Top 20 on Billboard's home video rental chart, as well as appearances in . Reed contributed to songwriting beyond his solo work, including co-writes on tracks like "The Dictator" for his 2010 album . Post-2010, Reed has supported music initiatives in , participating in benefit events that promote local music scenes and , such as performances aligned with .

Discography

Studio albums

The Dan Reed Network's studio discography spans four decades, beginning with their major-label debut in the late and resuming after a long hiatus with independent and label-supported releases in the and . Their albums blend , pop, and elements, often featuring socially conscious lyrics and energetic production. The band's self-titled debut album, Dan Reed Network, was released in 1988 by Mercury Records. Produced by Bruce Fairbairn, it introduced their signature funk-rock sound and included the lead single "Ritual," which peaked at number 38 on the Billboard Hot 100. Their follow-up, Slam, arrived in 1989, also via Mercury Records, with production by Nile Rodgers. This energetic effort captured the band's live intensity through tracks like the title song "Slam" and "Tiger in a Dress," emphasizing groove-driven rhythms and horn-infused arrangements. The Heat, released in 1991 by and produced once more by Fairbairn, marked a more mature evolution in their sound, incorporating deeper emotional themes. Standout track "Baby Now I" highlighted their blend of rock and , contributing to the album's strong UK reception. After a 25-year gap, the reunion album Fight Another Day was issued on June 3, 2016, by Frontiers Music Srl. It revitalized their classic style with modern production, featuring anthemic cuts like "" and addressing contemporary issues through tracks such as "Divided." Origins, released independently on , 2018, via Dan Reed's Zero One Entertainment label (in partnership with AOR Heaven), combined re-recorded classics with new material. Recorded in live studio sessions across four cities with audience participation, it opened with the original song "Fade to Light" and included refreshed versions of early hits like "." The latest release, Let's Hear It for the King, came out on March 4, 2022 (June 17 in some regions), through Drakkar Entertainment. This tribute-infused set explored personal and societal themes with funky grooves and rock edges, spotlighting tracks like "Homegrown" and the title song, which served as a rallying cry for unity.

EPs

The Dan Reed Network's earliest release, the independent EP Breathless, arrived in 1986 on Nu-Vision Records as a vinyl 12-inch featuring five original tracks: "Breathless," "Mind & Body," "Fire in the House," "Steal Me," and "Eye on You." This pre-debut effort, produced by Marlon McClain and mixed by Tchad Blake, captured the band's emerging funk rock sound in Portland, Oregon, and served as an introductory collection before their full-length studio debut.

Live albums and compilations

The band's sole official full-length live album, Live at Last! Halfway Around the World, was issued in 1997 as a double CD on Videomedia Records, compiling 33 tracks from performances during their international tours from to 1993. Recorded across various venues in and the , it documents the high-energy renditions of hits like "Slam Swirl" and "Cruise Together," showcasing the group's dynamic stage presence and horn-driven arrangements during their peak commercial period. Compilation releases began with Mixin' It Up - The Best Of in 1993 on Phonogram, a single-disc overview of their MCA years that included remixed versions of key singles such as "Get to You," "," and "Rainbow Child," alongside shorter edits like "World Has a Heart Too." This album emphasized the band's crossover appeal in the AOR and scenes. In 2002, Universal Music released The Collection, a compiling 15 tracks primarily from the band's and early output, including staples like "," "," and "Baby Now I," with a bonus collaboration "Long Way to Go" featuring . The most recent major compilation, , emerged in 2014 as a PledgeMusic-funded double CD on the band's DRN label, blending 18 studio selections—such as "Mix It Up," "Resurrect," and " in a Dress"—with four previously unreleased live recordings from 2013 performances in . This set marked a revival effort, reigniting interest that led to subsequent tours and new material.

Singles

The Dan Reed Network's singles era began with their self-titled debut album in 1988, featuring "" as the lead single, which peaked at No. 38 on the US and was released on vinyl and cassette formats. This track marked the band's breakthrough in the US market, blending funk-rock elements with broad appeal. Subsequent singles from the 1989 album Slam included "All My Life," issued as a promotional vinyl single in , and "Get On It," available in 7-inch and 12-inch vinyl formats for radio play. These releases emphasized the band's energetic style but did not achieve significant chart positions outside the US. In 1990, the band released "" from The Heat, distributed primarily as a and European promo vinyl, targeting international markets amid declining interest. Formats during this period commonly included vinyl for physical retail and promo copies, with limited CD pressings for promotional use in during the . The band saw no major chart success for singles after , shifting focus to album sales until the digital streaming era revived interest. In 2018, "Fade to Light" emerged as a band-related single under Dan Reed Network branding, available digitally and accompanying the Origins rerecordings, with no notable chart performance but strong streaming uptake. The 2022 single "Homegrown," from Let's Hear It for the King, was issued digitally with a , highlighting the band's return to form in the streaming landscape. In 2023, an acoustic version of "Let's Hear It for the King" was released as a digital single.

References

  1. https://danreed-network.com/bio/
  2. https://www.billboard.com/charts/hot-100/1988-05-14/
  3. https://www.discogs.com/release/908662-Dan-Reed-Network-Dan-Reed-Network
  4. https://danreednetwork.bandcamp.com/
  5. https://danreed-network.com/disco/
  6. https://www.sevensistersroad.com/dan-reed-network-biography/
  7. https://twolouiesmagazine.com/history/history-of-portland-rock-3/
  8. https://www.discogs.com/artist/225276-Dan-Reed-Network
  9. https://www.sevensistersroad.com/rick-digiallonardo/
  10. https://music.apple.com/us/artist/dan-reed-network/13120709
  11. https://www.discogs.com/release/1659614-Dan-Reed-Network-Breathless
  12. https://heavyharmonies.com/cgi-bin/glamcd.cgi?BandNum=649&CDName=Breathless
  13. https://www.frontiers.it/artist/1889
  14. https://uber-rock.co.uk/dan-reed-network-dan-reed-network-slam-universal/
  15. https://www.recordsandcharts.com/album.php?alid=13476
  16. http://www.joelgausten.com/2016/08/reliving-ritual-dan-reed-network-makes.html
  17. https://www.musicvf.com/Dan%2BReed%2BNetwork.songs
  18. https://www.discogs.com/release/2435896-Dan-Reed-Network-Slam
  19. https://www.seaoftranquility.org/reviews.php?op=showcontent&id=22158
  20. https://www.officialcharts.com/artist/25904/dan-reed-network/
  21. https://www.discogs.com/master/183908-Dan-Reed-Network-The-Heat
  22. https://www.seaoftranquility.org/reviews.php?op=showcontent&id=22157
  23. https://www.loudersound.com/features/dan-reed-the-rise-of-the-nearly-man
  24. https://www.ukmusicreviews.co.uk/interviews/interviews-dan-reed/
  25. https://rushonrock.com/2015/09/06/1212-19/
  26. https://www.discogs.com/release/7893574-Dan-Reed-Network-Live-At-Last-Halfway-Around-The-World
  27. https://heavyharmonies.com/cgi-bin/glamcd.cgi?BandNum=649&CDName=Live%20At%20Last
  28. https://www.discogs.com/release/4819980-Dan-Reed-Adrenaline-Sky
  29. https://www.sevensistersroad.com/js_albums/sharp-turn/
  30. https://www.discogs.com/release/6356569-Dan-Reed-An-Evening-With-Dan-Reed
  31. https://danreed-network.com/the-network/
  32. https://danreed-network.com/fight-another-day/
  33. https://www.musicstreetjournal.com/concerts_display.cfm?id=100391
  34. https://www.youtube.com/watch?v=bn3sFBwHJ40
  35. https://www.joelgausten.com/2016/08/reliving-ritual-dan-reed-network-makes.html
  36. https://www.youtube.com/watch?v=T4X4HeeAQfo
  37. http://classicrockradioeu.blogspot.com/2012/12/dan-reed-band-uk-tour-in-2013-plus-dan.html
  38. https://www.oregonlive.com/music/2013/11/dan_reed_network_roseland.html
  39. https://www.moshville.co.uk/reviews/gig-review/2019/12/gig-review-fm-dan-reed-network-gun-the-big-3-0-tour-rock-city-nottingham-15th-december-2019/
  40. https://myglobalmind.com/2019/12/13/the-big-3-0-dan-reed-network-fm-gun-celebrating-30th-anniversary-landmark-albums-london-live-review/
  41. https://www.frontiers.it/album/5313
  42. https://www.therockpit.net/2016/dan-reed-network-fight-another-day/
  43. https://newnoisemagazine.com/reviews/review-dan-reed-network-fight-another-day/
  44. https://www.antimusic.com/news/15/October/09Dan_Reed_Network_Lineup_Change_Ahead_Of_Tour.shtml
  45. https://www.discogs.com/master/1010731-Dan-Reed-Network-Fight-Another-Day
  46. https://music.apple.com/us/album/origins/1439574256
  47. https://metalplanetmusic.com/2018/09/album-review-dan-reed-networks-origins-defines-feelgood-funk-rock-out-23-november/
  48. https://myglobalmind.com/2018/09/25/dan-reed-network-origins-review/
  49. https://www.therockpit.net/2022/dan-reed-network-lets-hear-it-for-the-king-album-review/
  50. https://music.apple.com/us/album/lets-hear-it-for-the-king/1592431508
  51. https://www.rockandbluesmuse.com/2022/06/16/review-dan-reed-network-lets-hear-it-for-the-king/
  52. https://www.youtube.com/watch?v=XnWYIASv8uI
  53. https://www.mnprmagazine.com/news/dan-reed-network-announce-june-2022-summer-escape-uk-tour/
  54. https://metalplanetmusic.com/2022/02/dan-reed-network-announce-june-2022-summer-escape-uk-tour/
  55. https://danreed-network.com/
  56. https://www.patreon.com/stardatecollective
  57. https://www.instagram.com/danreednetwork/?hl=en
  58. https://www.eastportlandblog.com/2025/06/08/dan-reed-network-portlands-beloved-masters-of-alt-funk-shined-superstar-bright-on-the-nile-rodgers-produced-slam-by-steven-whaley/
  59. https://spectrumculture.com/2019/01/27/dan-reed-network-origins/
  60. https://twolouiesmagazine.com/history/history-of-portland-rock-6/
  61. https://www.velvetthunder.co.uk/dan-reed-network-lets-hear-it-for-the-king-drakkar-entertainment/
  62. https://www.chordblossom.com/livereviews/dan-reed-network-diamond-rock-club-ahoghill-191013
  63. https://www.eonmusic.co.uk/dan-reed-interview-2016.html
  64. https://www.songfacts.com/facts/dan-reed-network/ritual
  65. https://www.fabricationshq.com/dan-reed-february-2017.html
  66. https://etainmentnewsreviews.wordpress.com/melodic-rock/melodic-rock-2018-reviews/dan-reed-network-origins/
  67. https://maximumvolumemusic.com/review-dan-reed-network-origins-2018/
  68. https://rockposer.com/2022/06/12/review-dan-reed-network-lets-hear-it-for-the-king/
  69. https://www.rockflesh.com/live-reviews/live-review-dan-reed-network-mason-hill-hollowstar-academy-club-manchester-on-november-25th-2018
  70. https://diffuser.fm/the-roots-of-indie-mothers-finest/
  71. https://www.sevensistersroad.com/jeff-siri/
  72. https://www.classicrockhistory.com/top-10-dan-reed-network-songs/
  73. https://danreed-network.com/blake-sakamoto-departs-drn/
  74. https://www.loudersound.com/news/dan-reed-network-lose-keys-man-blake-sakamoto
  75. https://rateyourmusic.com/release/album/dan_reed/adrenaline_sky/
  76. https://www.discogs.com/master/651361-Dan-Reed-Coming-Up-For-Air
  77. https://www.allmusic.com/album/coming-up-for-air-mw0002000304
  78. https://rateyourmusic.com/release/album/dan_reed/coming_up_for_air/
  79. https://www.discogs.com/release/6356548-Dan-Reed-Signal-Fire
  80. https://open.spotify.com/artist/3qQwRNnK7pNxZwA5JlVGJQ
  81. https://www.discogs.com/release/8588445-Dan-Reed-In-Between-The-Noise
  82. https://www.loudersound.com/reviews/dan-reed-confessions-album-review
  83. https://www.fabricationshq.com/dan-reed-november-2018.html
  84. https://music.apple.com/us/album/an-evening-with-dan-reed/355442500
  85. https://www.therockpit.net/2020/dan-reed-announces-the-launch-of-new-album-liftoff-shares-first-lyric-video/
  86. https://music.apple.com/us/album/country-ish/1771770548
  87. https://www.sevensistersroad.com/dan-reed/
  88. https://www.sevensistersroad.com/js_albums/dred-serious/
  89. https://dan-reed.com/bio/
  90. https://www.antimusic.com/news/24/1123singled_out_sandy_halls_love_still_remains.shtml
  91. https://www.dekoentertainment.com/post/philadelphia-singer-songwriter-and-josie-awards-artist-of-the-year-sandy-hall-releases-full-circle
  92. https://www.imdb.com/name/nm0715369/
  93. https://www.imdb.com/title/tt0120552/
  94. https://maytherockbewithyou.com/mtrbwy/2010/09/dan-reed/
  95. https://www.discogs.com/release/908695-Dan-Reed-Network-The-Heat
  96. https://www.allmusic.com/album/the-heat-mw0000268349
  97. https://www.therockpit.net/2018/dan-reed-network-release-new-album-origins-on-friday-23rd-november/
  98. https://www.discogs.com/release/12993479-Dan-Reed-Network-Origins
  99. https://www.sevensistersroad.com/js_albums/lets-hear-it-for-the-king/
  100. https://www.discogs.com/master/2671496-Dan-Reed-Network-Lets-Hear-It-For-The-King
  101. https://www.discogs.com/release/2806532-Dan-Reed-Network-Breathless
  102. https://www.discogs.com/master/1144978-Dan-Reed-Network-Mixin-It-Up-The-Best-Of
  103. https://www.discogs.com/release/14874733-Dan-Reed-Network-The-Collection
  104. https://www.discogs.com/release/8588526-Dan-Reed-Network-Anthology
  105. https://www.musicvf.com/song.php?title=Ritual+by+Dan+Reed+Network&id=10333
  106. https://www.discogs.com/master/183902-Dan-Reed-Network-Ritual
  107. https://open.spotify.com/album/4vKpgdkPYzsyPrnoz84t7s
  108. https://open.spotify.com/track/1uCYWPttvFFKtTkOUHRKOa
  109. https://open.spotify.com/artist/5tAiPLHijfu43jui1XuiXq
Add your contribution
Related Hubs
User Avatar
No comments yet.