Hubbry Logo
Double clothDouble clothMain
Open search
Double cloth
Community hub
Double cloth
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Double cloth
Double cloth
Double cloth
View on Wikipedia
from Wikipedia
Dove and Rose jacquard-woven silk and wool double cloth furnishing textile, designed by William Morris in 1879.[1]

Double cloth or double weave (also doublecloth, double-cloth, doubleweave) is a kind of woven textile in which two or more sets of warps and one or more sets of weft or filling yarns are interconnected to form a two-layered cloth.[2] The movement of threads between the layers allows complex patterns and surface textures to be created.

In contemporary textile manufacturing,[2] the term "double cloth" or "true double cloth" is sometimes restricted to fabrics with two warps and three wefts, made up as two distinct fabrics lightly connected by the third or binding weft, but this distinction is not always made, and double-woven fabrics in which two warps and two wefts interlace to form geometric patterns are also called double cloths.[1]

Compound fabrics

[edit]

Compound fabrics[3] or Double-faced fabrics are a form of double cloth made of one warp and two sets of wefts, or (less often) two warps and one weft. These fabrics have two right sides or faces and no wrong side, and include most blankets, satin ribbons, and interlinings.[2]

Double weaving is an ancient technique. Surviving examples from the Paracas culture of Peru have been dated to before AD 700.[4]

Modern applications of double cloth include haute couture coats, blankets, furnishing fabrics, and some brocades.[2][5]

Characteristics

[edit]

Double weave constructions are generally thick, heavy, reversible and warm. Examples are Albert cloth and Biretz.[6][7][8]

Uses

[edit]
"Point-paper" or weaving design for Dove and Rose.
Double cloth bag from Peru.

Double cloth textiles are a characteristic artifact of Pre-Columbian Peru, where they were woven of cotton and alpaca yarns in various combinations.[4][9][10]

In Medieval England, double weaves called compound weft-faced twills featured weft or filling yarns in multiple colors, with the design completely covering the face warp yarns and the unused colors for any particular section woven into a binding warp on the reverse side.[11]

In early 19th century America, double cloth wool and cotton woven coverlets were made by professional weavers from wool that was spun (and often dyed) at home and then delivered to a local weaver who made up the coverlet.[12]

In the later 19th century, craftsman and designer William Morris offered wool and silk double cloth fabrics for furnishing through his firm Morris, Marshall, Faulkner & Co. (later Morris & Co.). These double-woven fabrics had separate warps of wool and silk yarn and were woven by Alexander Morton & Co. of Darvel, Scotland, who would later weave similar fabrics from designs by C.F.A. Voysey and others.[2]

Contemporary couture designers use "true" double cloth to make self-lined or reversible coats and jackets by using hand-finishing techniques such as separating the two layers at the hem and turning the raw edges under.[13] Double cloth garments may also be made reversible by binding or overcasting edges.

Notes

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Double cloth

View on Grokipedia
from Grokipedia
Double cloth is a woven structure composed of two distinct layers of fabric produced simultaneously on a , utilizing at least two sets of warp yarns and one or more sets of weft yarns that are interconnected to form a single, cohesive piece. This construction allows the layers to either remain separate for reversible designs or be stitched together at intervals, creating patterns, textures, and enhanced functionality such as improved . The technique of double cloth weaving has a long history, with the earliest known examples from the Paracas culture in Peru dating to before 700 AD. Evidence of its use in medieval Europe includes monastic production from the 14th to 16th centuries, such as in Finland for ecclesiastical and upper-class garments. It gained prominence in 18th- and 19th-century America, where professional weavers produced wool and cotton coverlets using locally spun yarns. Double cloths are classified into several types based on their stitching methods, including self-stitched (using face or back threads), center-stitched (employing a third set of binding threads), thread-interchange (where yarns swap layers at intervals), and cloth-interchange (where entire layers exchange positions). Key properties of double cloth include superior due to trapped air between layers, higher tensile and tear strength in denser constructions, and variable air permeability depending on the weave tightness—looser structures allow better while compact ones provide warmth. These attributes make it suitable for applications such as outerwear like coats and jackets, blankets, , and decorative items including covers and curtains, where , reversible , and insulation are essential.

Definition and Overview

Definition

Double cloth, also known as double weave, is a woven structure produced by interconnecting two or more sets of warp yarns with one or more sets of weft yarns to form two distinct layers within a single fabric. This configuration creates a compound fabric where the layers are bound together, preventing independent separation while maintaining their individual integrity. The key structural elements include dedicated sets of warp and weft yarns for each layer: the face warp and face weft primarily form the upper or outer layer, while the back warp and back weft constitute the lower or inner layer. These sets are interwoven to develop the respective layers, which are then unified through interconnections such as stitching threads or exchanges, resulting in a seamless, multi-layered piece that functions as one . In , double cloth is distinguished from single-layer weaves by its use of multiple (at least two) sets of yarns, enabling the creation of interconnected planes rather than a solitary fabric plane. This multi-plane approach provides a foundational difference, supporting greater structural complexity compared to basic weaves like or that rely on singular yarn systems. Double cloth represents a specialized within the broader category of compound fabrics.

Relation to Compound Fabrics

Compound fabrics in textile refer to a broad category of woven structures that incorporate multiple sets of warp or weft yarns to create layered, textured, or patterned effects beyond simple single-layer weaves. These fabrics utilize additional thread systems to enhance functionality, such as adding depth or design complexity, with common examples including pile fabrics like , where extra warp yarns form raised loops or cut piles, and lappet weaves that introduce spot motifs via supplementary weft threads. Double cloth occupies a specific position within this category as a true multi-layer compound fabric, distinguished by the simultaneous of two independent cloth layers—each with its own complete set of yarns—that are interconnected through stitching or mechanisms. Unlike partial compound structures such as jacquard weaves, which primarily manipulate a single warp-weft system for intricate patterns without forming distinct layers, double cloth achieves a duality where the face and back layers function as separate textiles bound together. This interconnection, often via self-stitching (where yarns from one layer bind into the other) or center-stitching (using dedicated binder threads), ensures structural integrity while allowing reversible designs or enhanced insulation. The evolution of double cloth builds directly on foundational compound principles, extending the use of multiple systems from surface embellishments in simpler compounds—like the supplementary threads in pile or fabrics—to a fully integrated dual-layer . This progression enables greater versatility in properties, such as improved warmth or pattern contrast, by leveraging the independent mobility of the two layers during , a feature that traces back to early multi-set innovations but reaches full expression in double cloth's layered duality.

History

Origins

The origins of double cloth trace back to pre-Columbian cultures in the region of , where archaeological evidence reveals its use in ceremonial and utilitarian textiles. The earliest known examples date to the in , flourishing between approximately 800 BCE and 100 BCE, with surviving fragments demonstrating two interconnected layers woven simultaneously for enhanced durability and symbolic depth. These artifacts, often featuring bold patterns in camelid wool and , were buried in necropolises, highlighting their role in funerary practices and elite status. Initial techniques involved primitive methods on backstrap looms, where weft yarns from separate layers were selectively joined to form patterns while maintaining structural integrity. fibers such as for the warp and or for the weft provided warmth and resilience, making double cloth ideal for early blankets and garments in the harsh Andean environment. This approach allowed weavers to create reversible surfaces without additional , prioritizing efficiency in pre-industrial settings. In indigenous weaving traditions, double cloth held profound cultural significance, particularly in Andean communities where reversible patterns embodied duality and reciprocity—core principles of cosmology reflecting the balance between complementary opposites like earth and . Similarly, among the people of , two-faced double cloth emerged as a distinctive innovation in the 19th century, producing blankets with distinct designs on each side for ceremonial and practical use. These textiles underscored social identity and spiritual narratives, preserving cultural knowledge through generations.

Historical Development

The significantly advanced double cloth production through the adoption of power looms in Britain, facilitating mass manufacturing of woolen blankets and other layered textiles. In regions like , mechanization began with horse-powered gig mills for finishing blankets as early as , evolving to steam-driven power looms by the mid-1800s, which dramatically increased output from small-scale handweaving to industrial volumes by the late . Similarly, in Welsh woollen mills, double-cloth weaving for traditional blankets transitioned from handlooms to Dobcross shuttle power looms during the 1800s, ensuring uniform quality and enabling commercial scalability for reversible, patterned fabrics. Key 20th-century milestones further propelled double cloth innovation, including the integration of synthetic fibers post-World War II, which broadened its use from utilitarian items to fashionable garments. , commercialized in 1939 and widely adopted after the war, was blended with natural fibers in double cloth structures to enhance durability, lightness, and wrinkle resistance, transforming textiles into accessible luxury options for clothing. Patents around the refined stitched double weave techniques, such as methods for interlocking two-ply layers with precise weft binding to create seamless, reversible patterns, building on earlier 19th-century designs like two-ply figured fabrics patented in 1889. These advancements, exemplified in early 20th-century weave journals, optimized industrial looms for complex stitching without compromising fabric integrity. The technique of double cloth weaving has a long history in Europe, with evidence dating back to as early as 700 AD in monastic production for ritual textiles. By the 14th to 16th centuries, it was prevalent in regions like Finland for ecclesiastical and upper-class garments. Regional developments underscored diverse approaches to double cloth in the 18th and 19th centuries, with European traditions focusing on robust woolens for tailoring while Asian practices emphasized luxurious silks. In Britain, melton cloth—a dense, fulled wool fabric integral to tailoring overcoats and uniforms—emerged as a staple in the 1800s, produced by mills like Hainsworth since 1783 for its wind-resistant qualities suited to military and civilian apparel. Conversely, in Asia, particularly China, silk double cloths featured polychrome, reversible patterns woven on drawlooms, with techniques dating back centuries but peaking in export production during the 18th and 19th centuries for European markets, as seen in intricate damask-style variants. This contrast highlighted wool's prevalence in European heavy tailoring versus silk's role in Asian ornamental textiles, influencing global trade dynamics.

Weaving Techniques

Basic Principles

Double cloth fundamentally involves the simultaneous production of two distinct fabric layers on a single , each with its own set of warp and weft yarns. The is configured with two independent sets of harnesses, typically requiring at least four harnesses in total—two for the face layer and two for the back layer—to enable separate shedding for each warp series. This setup allows the warp yarns of the upper (face) layer to be raised or lowered independently from those of the lower (back) layer, facilitating the creation of distinct sheds for inserting wefts without interference between layers. In terms of yarn progression, double cloth employs two series of warp yarns threaded alternately through the harnesses, with face warps assigned to one harness pair and back warps to the other, often in a divided draft to maintain separation. Wefts are inserted in , typically using two shuttles or mechanisms: the face weft interlaces primarily with the face warps in a pattern—alternating over and under consecutive warps—to form the upper layer, while the back weft does the same with the back warps to build the lower layer. This interlacing creates a diagram-friendly structure where each layer mimics a basic plain weave grid, with warps running longitudinally and wefts transversely, but the proximity of the layers on the loom allows for controlled interaction between them. At interconnection points, warps from one layer periodically bind with wefts from the other, ensuring the two fabrics cohere into a single, stable structure without fully separating during . The binding mechanisms in double cloth rely on strategic points of yarn exchange or overlap between layers, where a warp yarn from the face might pass through to interlace with a back weft, or vice versa, at regular intervals to join the structures mechanically. These points prevent while preserving the integrity of each layer's weave, forming a unified fabric that can be adjusted for tension using separators like rods if yarn types differ between layers. sets are defined as the longitudinal (warp) and transverse (weft) thread systems, respectively, with double cloth requiring duplicated sets for its compound nature.

Stitching and Interlocking Methods

In double cloth weaving, the stitching method involves periodic shifts of warp threads between the face and back layers to join them at specific intervals, forming invisible or minimally visible seams that maintain the integrity of both layers. This technique, known as self-stitching or thread interchange, allows selected face warps to interlace with back wefts or vice versa, typically occurring at regular intervals along the weft direction to prevent separation without disrupting the overall pattern. For instance, in self-stitched structures, a divided draft separates the warp series, enabling face warps to bind with back wefts every few picks, creating a secure connection that appears seamless from both sides. An alternative approach is center stitching, where a third series of warp or weft threads is introduced to bind the layers at intermediate points, providing additional reinforcement through interlacement at designated spots. This method contrasts with self-stitching by using dedicated stitching threads, which can be warp, weft, or both, to pierce between the layers periodically and ensure stability. In thread interchange variants, warps from one layer temporarily shift to interlace with the opposite layer's wefts, achieving stitching without extra threads and allowing for more fluid integration. Cloth interchange, another interlocking variant, involves periodic exchanges where entire layers swap positions along the weaving direction, creating patterns and ensuring connectivity, particularly for reversible fabrics. This method relies on controlled layer shifts at intervals to form a unified without dedicated stitching points. Adaptations for tools and fibers vary between handlooms and industrial jacquard looms, with handlooms suited for simpler self-stitched or basic patterns using manual harness adjustments, while jacquard mechanisms enable complex thread interchanges through automated warp selection. Tension control is critical in both setups to prevent puckering, achieved by maintaining even warp tension during shifts and using appropriate fiber types, such as balanced or yarns, to accommodate the dual-layer demands without . In jacquard systems, electronic controls further refine tension for high-speed production, ensuring smooth layer integration.

Types of Double Cloth

Double-Faced Cloth

Double-faced cloth is a specialized form of double cloth characterized by two independent fabric layers, each with its own set of yarns, interconnected through selective stitching or warp exchanges to create a fully reversible where both faces are designed for visible use. This structure allows the two layers to function as distinct s, often employing contrasting colors—such as light motifs on a dark ground on one side and dark motifs on a light ground on the reverse—enabling complete reversibility without compromising the integrity of either face. methods, such as warp thread exchanges between layers, ensure the connection points are minimal and integrated into the , preserving the opacity and separation of the faces. In design applications, double-faced cloth excels in creating reversible textiles with contrasting colors or textures, as seen in historical Norwegian coverlets featuring light patterns on a dark background on one side and the reverse. This dual-sided approach is particularly valued in reversible textiles, enhancing versatility in pattern expression. Production of double-faced cloth demands a higher count to achieve opacity and across both faces, typically requiring at least 6 warp threads per centimeter per layer in a dense configuration to prevent show-through and maintain structural integrity. Fibers like or are often selected for their smoothness, which facilitates clean layer separation and enhances the fabric's resistance to wear during repeated reversals. The use of contrasting yarn types between layers further necessitates precise tension control to balance the weave and ensure even interconnection. Double-faced cloth typically employs cloth-interchange or thread-interchange methods, where entire layers or individual threads swap positions to form reversible patterns, aligning with standard double cloth classifications.

Backed and Interlined Variants

Backed cloth constitutes a variant of double cloth in which a primary face fabric is combined with an attached backing layer to increase weight, warmth, or overall durability. The backing typically employs coarser or more economical materials, such as paired with a face, to support the visible surface without compromising its aesthetic. This is prevalent in outerwear like coats and , where the backing enhances insulation and durability. Interlined cloth represents another functional variant, incorporating a thin inner layer of double cloth designed to impart structural integrity and shape retention to the outer fabric. Such interlinings are commonly integrated into garment components like shirt collars and cuffs. While double cloth can serve as woven interlining material, it is often added separately during assembly rather than produced simultaneously on the loom. While both variants involve layered structures, backed cloths prioritize enhanced and heft through robust attachment, contrasting with interlined cloths that emphasize precise form and subtle . Representative examples include backed double cloths in coats, which leverage the dual layers for thermal protection, and in , where the backing bolsters wear resistance. The layers are secured via stitching methods like spot or center binding to ensure cohesion, often classifying as self-stitched or center-stitched double cloths.

Characteristics

Physical Properties

Double cloth's dual-layered structure results in substantially higher and weight than single-layer fabrics, typically ranging from 240 to 420 grams per square meter (), due to the incorporation of two independent fabric layers bound together. This increased mass contributes to greater overall fabric thickness and compactness, with denser constructions exhibiting reduced air permeability (e.g., 207 cm³/cm²/s in compact samples). The layered design enhances properties, primarily through trapped air between the layers, leading to lower thermal conductivity (e.g., 0.0361 W/m·K in denser samples) and higher thermal resistance values, such as R_ct up to 0.0717 m²K/W, greater than those of single-layer equivalents of similar thickness. is also improved, with the mechanism providing superior tear resistance (e.g., up to 8501 g in warp direction for heavier samples) and tensile strength (e.g., 83.44 kg in warp). These attributes are assessed using standardized tests applicable to double weaves, including ASTM D2261 and ASTM D5034 for tear and tensile strength, ASTM D4966 for abrasion resistance via the Martindale method, and ISO 12945 for pilling resistance, ensuring consistent evaluation of the fabric's robustness.

Aesthetic and Functional Qualities

Double cloth exhibits notable visual appeal derived from its layered construction, which imparts a depth to the texture that single-layer fabrics often lack. The interlacing of two distinct sets of yarns creates a rich, multidimensional surface that enhances tactile and optical interest, allowing for intricate patterns on one or both faces without underlying show-through. This layering contributes to complete opacity, making the fabric suitable for designs requiring solid coverage while maintaining an elegant, fine appearance and good hand feel. In terms of functionality, double cloth offers variations in that can surpass those of equivalently thick single-layer fabrics, particularly in looser constructions where air permeability is elevated due to the separated layers. This structure also facilitates ease of care, with denser variants showing reduced shrinkage during washing and many types being machine-washable when composed of suitable fibers like . For instance, pre-washing can soften the fabric, improving its drape and comfort without compromising durability. Despite these advantages, double cloth has inherent limitations, including potential bulkiness from the dual-layer buildup, which can affect flexibility and add to the overall weight. Additionally, the increased yarn volume required for two interconnected layers often results in higher production costs compared to simpler fabrics.

Uses and Applications

In Apparel and

Double cloth, particularly its backed variants, plays a significant role in apparel due to its ability to trap air between layers, providing enhanced warmth without added bulk. This makes it ideal for outerwear such as coats and overcoats, where —a dense, double-cloth construction—is frequently used for its insulating properties in cold weather. Backed double cloth also appears in suits and tailored jackets, offering subtle reinforcement for structure while maintaining a lightweight feel suitable for professional attire. Additionally, scarves and collars in double-faced leverage the fabric's thermal retention for accessories that combine style with practicality. In contemporary fashion, reversible jackets crafted from double-faced cloth have gained prominence since the , aligning with trends toward versatile, multi-functional garments. Designers like have incorporated this technique in sustainable collections, using responsible double cloth for reversible pieces that reduce by offering dual styling options. Her double-faced belted trench coats, for instance, exemplify how reversibility enhances wardrobe efficiency while promoting eco-friendly practices. The performance attributes of double cloth contribute to its appeal in tailored apparel, with the dual-layer weave providing wind resistance through its compact structure that minimizes air penetration. It also excels in shape retention, resisting wrinkles and maintaining crisp lines in suits and coats even after extended wear, thanks to the inherent of the interwoven layers. This reversibility further supports aesthetic versatility in fashion contexts.

In Home and Industrial Textiles

Double cloth finds extensive application in home textiles where its layered structure provides enhanced and durability, making it suitable for items like blankets and throws. For instance, double throws are commonly used in to offer superior warmth retention due to the fabric's ability to trap air between layers, improving comfort in colder environments. These reversible designs, often featuring distinct patterns on each side, allow for versatile use in home decor while maintaining a fine appearance. In , double cloth excels for furniture such as accent chairs and sofa cushions, where its robust construction withstands daily wear and provides a luxurious, reversible surface. Similarly, double-faced variants are employed in curtains and drapery, leveraging their reversible nature for aesthetic flexibility and added insulation against drafts, enhancing energy efficiency in residential settings. Recent innovations in the have introduced eco-friendly double cloth variants incorporating fibers like BCI-certified to reduce environmental impact while preserving breathability and comfort. Developments in home emphasize recycled or responsibly sourced materials, aligning with broader efforts to create circular products for use.

References

  1. https://www.dictionary.com/browse/double-cloth
  2. https://crimsonpublishers.com/tteft/fulltext/TTEFT.000595.php
  3. https://www.kansallismuseo.fi/en/items-of-the-month/2022/takanan-arvoitus
  4. https://www.si.edu/spotlight/national-woven-coverlet-collection/history-and-construction
  5. https://www.scirp.org/journal/paperinformation?paperid=90747
  6. https://textileapex.com/what-are-stitched-double-cloths-classification-of-stitched-double-cloths/
  7. https://www.textilesphere.com/2020/02/double-cloth.html
  8. https://www.weavers.org.uk/textiles/resources/glossary-of-weaving-terms/
  9. https://www.researchgate.net/publication/366246741_The_Construction_Principle_of_Double_Cloth_and_Its_Properties
  10. https://cameo.mfa.org/wiki/Double_cloth
  11. https://www.famsf.org/stories/two-examples-of-double-weave-one-century-and-worlds-apart
  12. https://www.textilescusco.org/project-detail/the-revival-of-ancient-techniques/6
  13. https://andeantextilearts.org/peruvian-doubleweave-past-present-and-future/
  14. https://www.clevelandart.org/art/1993.243
  15. https://weavinginbeauty.com/its-all-about-the-rugs/two-grey-hills-ganado-two-faced-navajo-weaving-gilbert-begay
  16. http://www.witneyblanketstory.org.uk/wbp.asp?navigationPage=Industrial%20Revolution
  17. https://dinefwrblankets.com/blanket-information/
  18. https://www.heritagecrafts.org.uk/craft/welsh-tapestry-weaving-skilled-trades-manufacture/
  19. https://www.sciencehistory.org/stories/magazine/nylon-a-revolution-in-textiles/
  20. https://patents.google.com/patent/US415147A/en
  21. https://www.awhainsworth.co.uk/our-story/
  22. https://www.chinasilkmuseum.com/gwgk/info_4.aspx?itemid=26485
  23. https://www2.cs.arizona.edu/patterns/weaving/articles/mw_04_02-2.pdf
  24. https://janestaffordtextiles.com/knowledge-base/double-weave/
  25. https://doi.org/10.31031/TTEFT.2018.04.000595
  26. https://www.intechopen.com/chapters/49017
  27. https://scandinavian.washington.edu/sites/scandinavian/files/documents/research/atr_64_larson_juuhl_uw_0.pdf
  28. https://handwovenmagazine.com/two-sides-to-every-cloth/
  29. https://kamarajwomenscollege.ac.in/wp-content/uploads/Study-Materials-Fabric-Structure-and-Design.pdf
  30. https://www.sciencedirect.com/science/article/abs/pii/S0736584520302349
  31. https://blog.cashmerette.com/2015/03/grainline-studio-cascade-duffle-coat.html
  32. https://pmc.ncbi.nlm.nih.gov/articles/PMC9657682/
  33. https://www.testextextile.com/the-astm-standards-of-fabric-abrasion-and-pilling-test/
  34. https://chiuvention.com/blog/what-is-the-iso-standard-for-pilling-and-abrasion-test
  35. https://www.allieolson.com/blogs/blog/fabric-files-double-cloth
  36. https://www.jiexiangtextile.com/news/doubleclothshirt-17120.html
  37. https://www.jcrew.com/p/mens/categories/clothing/coats-and-jackets/topcoat/new-york-double-breasted-overcoat-in-melton-wool/CO036
  38. https://www.moodfabrics.com/fashion-fabrics/polyester/double-cloth
  39. https://www.fbrq.com/products/eila-wool-scarf-coat-in-double-face-merino-wool-1826187500457160704
  40. https://club21.com/en-us/community/editorial/stella-mccartney-spring-2025-ready-to-wear-collection-stories
  41. https://www.reversible.com/shopping/women/item/stella-mccartney-double-faced-belted-trench-coat-792220941
  42. https://mungo.us/blog/the-story-of-the-double-cloth-weave/
  43. https://www.moodfabrics.com/home-fabrics/upholstery/double-cloth
  44. https://denverfabrics.com/collections/double-faced-reversible-drapery-fabric
  45. https://www.instagram.com/p/DP06SmXiSLz/
  46. https://recoverfiber.com/newsroom/recover-valdese-weavers-recycled-home-textiles
Add your contribution
Related Hubs
User Avatar
No comments yet.