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EastSiders
GenreDark comedy[1][2]
Created byKit Williamson
Written byKit Williamson
Directed byKit Williamson
Starring
Country of originUnited States
Original languageEnglish
No. of seasons4
No. of episodes27
Production
Executive producers
  • Kit Williamson
  • John Halbach
Producers
  • Christina J Dodson
  • Kristyne Elizabeth Fetsic
  • Jonathan Stahl
Production locationSilver Lake, Los Angeles
Running time10–14 minutes (season 1)
25-55 minutes (seasons 2–4)
Original release
NetworkYouTube
ReleaseDecember 14, 2012 (2012-12-14) –
October 5, 2015 (2015-10-05)
NetworkNetflix
ReleaseNovember 28, 2017 (2017-11-28) –
December 1, 2019 (2019-12-01)

EastSiders is an American dark comedy web series created by Kit Williamson. It premiered on YouTube on December 14, 2012, and began streaming through Logo TV's website on April 23, 2013. Set in Silver Lake, Los Angeles, the series follows couple Thom (Van Hansis) and Cal (Williamson) as they struggle with infidelity and substance abuse. It also explores the relationship between Kathy (Constance Wu), Cal's best friend, and her boyfriend Ian (John Halbach) as they reach their six-month anniversary, making it Kathy's longest relationship.

The first two episodes of the first season premiered on YouTube, and the subsequent seven episodes were funded by a Kickstarter campaign. On April 2, 2013, it was announced that the series was picked up for distribution through Logo TV's website, and the remainder of the season premiered on April 23, 2013. The second season premiered on September 15, 2015, through Vimeo's on demand service. The series was later sold to Netflix,[3] and the third season premiered November 28, 2017.[4]

Since its release, the series has received numerous accolades, including two Indie Series Awards and several Daytime Emmy Award nominations.

The fourth and final season premiered on December 1, 2019.[5]

Series overview

[edit]

In Silver Lake, Los Angeles, Cal (Kit Williamson) learns that Thom (Van Hansis), his boyfriend of four years, has been cheating on him with Jeremy (Matthew McKelligon). Though upset, Cal decides that he does not want to end the relationship. However, Cal also cheats with Jeremy. Though he intends to tell Thom about the affair, he does not. At the same time, Cal's best friend Kathy (Constance Wu) and her boyfriend Ian (John Halbach) reach their six-month anniversary, marking the relationship as Kathy's longest but Ian's shortest.

Cast

[edit]

Main characters

[edit]
  • Van Hansis as Thom, an aspiring writer and Cal's boyfriend of four years. He cheats on Cal with Jeremy, but he comes to regret it and ends the affair in episode one.
  • Kit Williamson as Cal, an aspiring photographer and Thom's boyfriend of four years. He works at an art gallery, which is usually empty. After learning about Thom's affair, he decides not to end the relationship. Though he admits he might never trust Thom again, he accepts it.
  • Constance Wu as Kathy (season 1–3), Cal's best friend who lives next door to Cal and Thom. She and Cal went to college together. She has been long distrustful of Thom. Her relationships are short-lived, and her six-month relationship with Ian is the longest-lasting one she has had.
  • Matthew McKelligon as Jeremy, with whom Thom and Cal cheat on each other. Though he is not sure what he wants out of his relationships with both men, Jeremy becomes upset that neither Thom nor Cal wish to continue seeing or talking to him. Eventually, he comes to regret his actions and apologizes to both of them. After Thom and Cal's relationship falls apart, he begins a relationship with Thom, only to realize that it is not what he wanted.
  • John Halbach as Ian, a landscape architect and Kathy's boyfriend of six months. She describes him as a "hipster" and is the genuine nice guy of the neighborhood.
  • Brianna Brown as Hillary (season 2–4), Cal's emotionally unstable sister.

Recurring cast

[edit]
  • Brea Grant as Bri, Jeremy's lesbian sister, who has been with her partner Vera ("V") for eight years and is raising children. Grant said of Bri, she "has a good head on her shoulders and has made good decisions (unlike some of the other characters on the show)."[6]
  • Sean Maher as Paul, owner of the art gallery and Cal's boss, who takes a sexual interest in Cal despite being married for ten years. He was formerly an artist himself, the art gallery is his former workspace, and he tells Cal to consider his hiring as "artistic patronage." Maher stated he was originally meant to appear in only one episode, but the role was later expanded after he began filming.[7]
  • Traci Lords as Valerie, Cal's divorced mother who lives in Phoenix. She spends most of her lunch date with Cal and Thom drinking and ordering gins and is said to be "raiding the mini-bar" in the apartment shortly after. She says she would be crushed if Cal and Thom ended their relationship, and even suggests they marry.
  • David Blue as David.
  • Stephen Guarino as Quincy, a gay party promoter who is friends with the group.
  • Willam Belli as Douglas/Gomorrah Ray, an aspiring drag queen and door girl who becomes Quincy's love interest (season 2–4).
  • Satya Bhabha as Jared.
  • Jake Choi as Clifford (Season 4).
  • Aaron Marcotte as Billy (Season 4).
  • Bryan Batt as Richard, Cal's father (Season 4).

Episodes

[edit]

The first two episodes were released through YouTube on December 14, 2012,[8][9] and December 21, 2012.[10][11] On April 2, 2013, Logo TV announced that it secured the rights to stream the series.[1] The first two episodes were posted to the network's website on April 19, 2013,[12] with the remaining episodes beginning a weekly release schedule starting April 22, 2013.[1] Wolfe Video acquired worldwide digital and DVD rights to the feature film cut of the first season on January 15, 2014.[13] It was released on DVD and digital download on August 12, 2014.[14] It also became available through iTunes.[2]

The second series premiered on September 15, 2015, with the simultaneous release of its first three episodes on Vimeo's on demand service.[15] At the time, the series would release exclusively through Vimeo until October 3, 2015, on which release on other digital platforms and on DVD.[16]

SeasonEpisodesOriginally released
First releasedLast releasedNetwork
19December 14, 2012 (2012-12-14)June 24, 2013 (2013-06-24)YouTube
26September 15, 2015 (2015-09-15)October 5, 2015 (2015-10-05)
36November 28, 2017 (2017-11-28)Netflix
46December 1, 2019 (2019-12-01)

Season 1 (2012–13)

[edit]
No.
overall
No. in
season
TitleDirected byWritten byOriginal release date
11"Infidelity"Kit WilliamsonKit WilliamsonDecember 14, 2012 (2012-12-14)
December 22, 2012 – Cal (Kit Williamson) wakes up to find Thom (Van Hansis) sleeping on the floor. When asked about last night, Cal remembers he said he hated Thom but not much else. They discuss whether or not they wish to end their four-year relationship, and Cal decides he does not. After Thom leaves, Cal invites Kathy (Constance Wu) over. She rants that though she accepted her boyfriend's marriage proposal at a party last night, she only did so because everyone was watching. Thom visits Jeremy (Matthew McKelligon) and has sex with him. Cal tells Kathy about his relationship troubles. Though Kathy points out that Cal might not be able to trust Thom again, Cal muses that he will just have to accept it. She decides to marry her boyfriend. Thom ends his affair with Jeremy and tells Cal he loves him.
22"The Flashback"Kit WilliamsonKit WilliamsonDecember 21, 2012 (2012-12-21)
December 21, 2012 – The group attends an End of the World party. Cal is upset that the narrator in Thom's story "meditates on cheating on his frigid shrew of a boyfriend for fifteen pages." Thom insists that it is entirely fictional and has nothing to do with their relationship. Kathy is upset that her boyfriend Ian (John Halbach) did not get her a gift for their six month anniversary. He buys a ring from a girl at the party. When he tries to give it to her, he drops it, making it seem like he is proposing. To his horror, she enthusiastically accepts. Cal gets drunk and becomes upset with Thom. Jeremy shows up at the party, causing Cal to tell Thom he hates him and run away.
33"Didn’t See That Coming"Kit WilliamsonKit WilliamsonApril 22, 2013 (2013-04-22)[12]
January 5, 2013 – Much of the tension in Cal and Thom's relationship is gone. However, Cal uses Thom's phone to get Jeremy's address. He confronts Jeremy. Jeremy learns that Thom is not cheating on him with Cal but rather Thom is cheating on Cal with Jeremy. Jeremy offers Cal drinks. Cal becomes drunk and sleeps with Jeremy. Kathy is relieved to learn that Ian did not intend to propose to her and does not want to marry her. Cal intends to tell Thom about the affair, but he does not.
44"Fix the Problem"Kit WilliamsonKit WilliamsonApril 30, 2013 (2013-04-30)[12]
April 30, 2013 – Cal and Thom's relationship has returned to its loving normal, however, Jeremy continues to text Thom. Kathy has morning sickness. Cal and Thom have lunch will Cal's mom, Val (Traci Lords), who states she will be crushed if the pair break up. Cal runs into Jeremy at the art gallery where Cal works. Jeremy offers to be Cal's friend, but Cal rebuffs him. Seeing this, Cal's boss Paul (Sean Maher) reassures him in an overly friendly manner.
55"Pot"Kit WilliamsonKit WilliamsonMay 7, 2013 (2013-05-07)[12]
May 7, 2013 – Thom tells Jeremy to stop calling. Jeremy tells his sister (Brea Grant) that he is unsure what he wants from Cal and Thom, but he is upset neither want to talk to him. Paul asks Cal out to lunch but is interrupted by call from Kathy. Paul allows Cal to leave work early to visit her. To Kathy's dismay, she is pregnant. Cal agrees to pick her up from the abortion clinic. She advises him to leave Thom. Quincy (Stephen Guarino) arranges to have drinks with Ian while Kathy is at the clinic. Cal asks Thom if he loved Jeremy. Though Thom did not, he liked being with Jeremy because it made him feel like a different person. Cal knows what he means. Thom admits Jeremy has been calling him and that he had sex with Jeremy after Cal learned of the affair. He asks if Cal can forgive him, and Cal says that he will try.
66"Secret Slip"Kit WilliamsonKit WilliamsonMay 14, 2013 (2013-05-14)[12]
May 14, 2013 – Paul and Cal celebrate selling prints of Cal's photo of Thom. Quincy drops Kathy off at the clinic. Jeremy visits Thom at the bar where Thom works and gives Thom two hand-written apologies: one for Thom, one for Cal. Paul and Cal get progressively more drunk, and they kiss. Quincy accidentally tells Ian that Kathy is getting an abortion. Cal does not come to pick up Kathy, and she asks Thom to come instead. Paul and Cal have sex. Cal is shocked to learn that Paul has been married for ten years. Kathy calls Cal, and Thom overhears that Cal had sex with Paul. Ian decides that he feels too young to be father and is glad that Kathy got an abortion. Kathy, disoriented, tells Thom she is afraid and wonders if she is a good person. Ian gets home before Kathy and asks to talk to her. Cal stumbles home, drunk.
77"Moving On, Moving Out"Kit WilliamsonKit WilliamsonMay 21, 2013 (2013-05-21)[12]
May 31, 2013 – Cal and Thom are moving out and will no longer live together. Ian tells Kathy that he does not care about her and laughs when she asks if he wants to date her. Jeremy asks Thom to move in with him. Kathy, in tears, visits Cal. Cal tells her that Thom has been seeing Jeremy to be vengeful. Angry that Cal rejects her reassurances and refuses to talk about Ian, she yells at him for never apologizing for leaving her at the clinic and for complaining about how unfair Thom is when Thom is only retaliating to Cal's infidelity. She accuses Cal of being too cowardly to end the relationship and so, by cheating on Thom, forced Thom to end it.
88"One Year Earlier"Kit WilliamsonKit WilliamsonMay 28, 2013 (2013-05-28)[12]
June 1, 2012 – Cal and Thom have moved in together. Kathy visits and tells them that her date last night went well. She likes him, and she has high hopes for their future relationship. She invites her date over to help with the unpacking, and it is Ian. She invites Ian to spend the night with her. Though thinking Ian is a "nice guy," Thom does not believe Ian and Kathy's relationship will work out. Cal has Thom promise that their relationship will be successful. Thom promises.
99"Decisions"Kit WilliamsonKit WilliamsonJune 24, 2013 (2013-06-24)[12]
June 2, 2013 – Thom learns that Jeremy bought prints of Cal's photos of Thom. Kathy forgives Cal for treating her terribly the previous night. Thom is upset about the prints. Jeremy decides that this is not what he wants and ends the relationship. Kathy tells Ian that she likes him and apologizes for being self-absorbed. Because she feels so much, she tends to forget that other people feel things too and wants to know what Ian feels. He admits that he misses her and that he still feels angry when he sees her. They agree that, even though he agreed with her decision, she should have told him before getting the abortion. They also agree to be more open. Cal and Thom apologize to one another. They both admit that they still love another and that they are scared for their future.

Season 2 (2015)

[edit]
No.
overall
No. in
season
TitleDirected byWritten byOriginal release date
101"Weirder Than Normal"Kit WilliamsonKit WilliamsonSeptember 15, 2015 (2015-09-15)
112"Sodom (And Gommorah)"Kit WilliamsonKit WilliamsonSeptember 15, 2015 (2015-09-15)
123"Sex Therapy"Kit WilliamsonKit WilliamsonSeptember 15, 2015 (2015-09-15)
134"Thick Like a Lotion"Kit WilliamsonKit WilliamsonOctober 5, 2015 (2015-10-05)
145"Open Bar"Kit WilliamsonKit WilliamsonOctober 5, 2015 (2015-10-05)
156"Evolving"Kit WilliamsonKit WilliamsonOctober 5, 2015 (2015-10-05)

Season 3 (2017)

[edit]
No.
overall
No. in
season
TitleDirected byWritten byOriginal release date
161"Priscilla"Kit WilliamsonKit WilliamsonNovember 28, 2017 (2017-11-28)
172"Goodbye to All That Shit"Kit WilliamsonKit WilliamsonNovember 28, 2017 (2017-11-28)
183"Thelma and Louise"Kit WilliamsonKit WilliamsonNovember 28, 2017 (2017-11-28)
194"Cats"Kit WilliamsonKit WilliamsonNovember 28, 2017 (2017-11-28)
205"Our Own Private Idaho"Kit WilliamsonKit WilliamsonNovember 28, 2017 (2017-11-28)
216"East of Eden"Kit WilliamsonKit WilliamsonNovember 28, 2017 (2017-11-28)

Season 4 (2019)

[edit]
No.
overall
No. in
season
TitleDirected byWritten byOriginal release date
221"A Relationship Like That"Kit WilliamsonKit WilliamsonDecember 1, 2019 (2019-12-01)
232"Going Viral"Kit WilliamsonKit WilliamsonDecember 1, 2019 (2019-12-01)
243"Back East"Kit WilliamsonKit WilliamsonDecember 1, 2019 (2019-12-01)
254"Pillow Talk"Kit WilliamsonKit WilliamsonDecember 1, 2019 (2019-12-01)
265"Both Sides Now"Kit WilliamsonKit WilliamsonDecember 1, 2019 (2019-12-01)
276"Always Upwards"Kit WilliamsonKit WilliamsonDecember 1, 2019 (2019-12-01)

Production

[edit]

After the initial two episodes aired, the remaining seven were funded through crowdfunding via Kickstarter. The campaign began on January 7, 2013 and met its goal $15,000 four days later on January 11, 2013.[17][18] The campaign closed on February 6, 2013, with $25,785 raised.[17] The series launched a second Kickstarter campaign to fund the second season on April 14, 2014, with a goal of $125,000; the campaign closed on May 19, 2014, with $153,170 raised.[19][20]

The series is filmed on location in Silver Lake, Los Angeles.[21][22]

Reception

[edit]

After the release of the first two episodes, The Daily Dot described the series as "charming, sharply written, and well-acted," specifically praising Guarino and Wu, and felt that the future of the series was "promising."[23] Next Magazine also felt that the first two episodes were "top-notch", especially as it noted "the demographic [depicting the lives of young gay men] is still pretty unrepresented when it comes to well-produced series," and included the first season Kickstarter among those it recommended for backing.[24] IndieWire recommended the series, because it was "giving Logo the kind of soap opera they should have on-air."[25] NewMediaRockstars felt that the first season was met positively because fans "were eager for a quality series that portrayed realistic LGBT relationships without making sexual orientation the characters' defining feature."[26]

Awards and nominations

[edit]

The first season was nominated for a 2013 Satellite Award for Original Short-Form Program.[27] LA Weekly awarded the series a 2013 Web Award for Best Web Series – Drama.[28] It won the 2013 Indie Series Award for Best Ensemble and was nominated for five others.[29][30] In 2016, EastSiders received a Daytime Emmy Award nomination for Outstanding Digital Daytime Drama Series, and Hansis was nominated for Outstanding Actor in a Digital Daytime Drama Series for portraying Thom.[31][32] The series also received ten Indie Series Award nominations in 2016, including Best Web Series – Drama,[33] and won for Best Ensemble – Drama.[34]

Year Award Category Nominee(s) Result Ref.
2014 5th Indie Series Awards Best Directing – Drama Kit Williamson Nominated [35][36]
Best Lead Actor – Drama Van Hansis as Thom Nominated [35][36]
Best Supporting Actor – Drama Matthew McKelligon as Jeremy Nominated [35][36]
Best Supporting Actress – Drama Constance Wu as Kathy Nominated [35][36]
Best Ensemble – Drama Won [29][37]
Best Guest Star – Drama Traci Lords as Val Nominated [35][36]
2016 43rd Daytime Creative Arts Emmy Awards Outstanding Digital Daytime Drama Series Kit Williamson, John Halbach, Chrissy Dodson, Laura Roeder, Inuka Bacote, Neal Baer, Kalvin Brewer-Yu, Jim Klever-Weis, Jake Weinraub, Beth Wheatley Nominated [31][32]
Outstanding Actor in a Digital Daytime Drama Series Van Hansis as Thom Nominated [31][32]
7th Indie Series Awards Best Web Series — Drama Nominated [33]
Best Writing — Drama Kit Williamson Nominated [33]
Best Lead Actor — Drama Van Hansis as Thom Nominated [33]
Best Lead Actor — Drama Kit Williamson as Cal Nominated [33]
Best Lead Actress — Drama Brianna Brown as Hillary Nominated [33]
Best Supporting Actor — Drama Stephen Guarino as Quincy Nominated [33]
Best Guest Actor — Drama Willam Belli as Douglas/Gomorrah Ray Nominated [33]
Best Guest Actress — Drama Constance Wu as Kathy Nominated [33]
Best Ensemble — Drama Won [34]
Best Editing Larissa Brantner James and Kris Fitzgerald Nominated [33]
2018 45th Daytime Creative Arts Emmy Awards Outstanding Digital Daytime Drama Series Kit Williamson, John Halbach, Larissa James, Jen Sarabok, Michael Saripkin, Van Hansis, Aydrian J. Howard, Susen McBeth, Jeff Sarabock, Inuka Bacote-Capiga, Brea Grant Nominated [38]
Outstanding Lead Actor in a Digital Daytime Drama Series Van Hansis as Thom Nominated
Outstanding Supporting Actor in a Digital Daytime Drama Series Stephen Guarino as Quincy Nominated
John Halbach as Ian Nominated
Outstanding Writing in a Digital Drama Series Kit Williamson Nominated
Outstanding Directing in a Digital Drama Series Kit Williamson Nominated
2020 47th Daytime Emmy Awards Outstanding Digital Daytime Drama Series Kit Williamson, Larissa James, Inuka Bacote-Capiga, Austin Robert Bales, Thomas Lee Bottom, Aydrian J. Howard, Jeff Sarabock, Jen Sarabok, Rhet Topham, Delton Valentine Nominated [39][40]
Outstanding Supporting Actor for a Digital Daytime Drama Series Willam Belli as Douglas/Gomorrah Ray Nominated
Leith M. Burke as Derrick Nominated
Outstanding Guest Performer for a Digital Daytime Drama Series Lin Shaye as Diane Won
Outstanding Writing for a Digital Drama Series Kit Williamson Nominated
Outstanding Casting for a Drama or Digital Drama Series Paul Ruddy Won [39][41]
Outstanding Costume Design for a Drama or Digital Drama Series Trevor Dow Nominated [39]
Outstanding Makeup Mary Chip, Robert Hensley, Willam Belli Nominated

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
EastSiders is an American dark comedy web series created, produced, directed, and co-starring Kit Williamson as Cal, with Van Hansis portraying his partner Thom, chronicling the couple's strained relationship marked by infidelity, substance abuse, and interpersonal conflicts among their circle of friends in the Silver Lake neighborhood of Los Angeles.[1][2] The series, which spans four seasons from its 2012 YouTube debut to its 2019 conclusion, originated as a crowdfunded independent project before Netflix distributed the later installments, amassing a dedicated audience through its unflinching examination of hookup culture, addiction, HIV, and relational dysfunction within a segment of urban gay male life.[3][4] EastSiders garnered two Daytime Emmy nominations for its raw depictions of sex, drugs, and emotional turmoil, earning acclaim from some quarters for pioneering explicit queer narratives free from mainstream sanitization, while drawing criticism for what detractors described as an overemphasis on hedonism that might perpetuate negative stereotypes rather than broader historical or societal contexts of LGBTQ+ experiences.[1][5][6]

Premise and Format

Plot Summary

EastSiders centers on the strained relationship between Cal, an aspiring photographer played by series creator Kit Williamson, and Thom, portrayed by Van Hansis, a gay couple residing in the Silver Lake neighborhood of Los Angeles. The narrative begins with Cal discovering Thom's infidelity, prompting explorations of betrayal, reconciliation attempts, and the ensuing emotional fallout within their social circle, including friends Kathy and Quincy.[7][8] Across its seasons, the series depicts the couple's cycles of separation and reunion amid ongoing issues of substance abuse, casual sex, and interpersonal conflicts, framed as a dark comedy that highlights the messiness of long-term partnerships in an urban queer milieu. Supporting characters contribute to subplots involving their own romantic entanglements and personal struggles, underscoring themes of loyalty, addiction recovery, and identity formation.[9][1]

Setting and Structure

The series is set primarily in the Silver Lake neighborhood of Los Angeles, California, a bohemian district characterized by its artistic residents, vintage architecture, and proximity to Hollywood's creative undercurrents, which provides a backdrop for the characters' interpersonal dramas and urban nightlife.[10][11] This locale influences the narrative through depictions of local bars, apartments, and social scenes reflective of millennial queer life in early 2010s Los Angeles.[9] EastSiders employs a serialized dramatic structure across its seasons, with episodes averaging 23 minutes in length and forming a continuous storyline centered on recurring characters' evolving relationships, rather than self-contained plots.[12] The format originated as a web series with flexible episode releases on platforms like YouTube before transitioning to Netflix, allowing for non-traditional pacing that builds tension through cumulative personal conflicts such as infidelity and addiction.[2] In later installments, the primary setting shifts: Season 3 relocates the lead couple from Los Angeles to New York City, introducing new urban environments like apartments and social circles that contrast with the West Coast aesthetic and exacerbate their relational strains.[1] This evolution underscores the series' focus on geographic mobility as a catalyst for character development, while maintaining the core ensemble's interconnected arcs.[13]

Development and Production

Creation and Funding

EastSiders was created by Kit Williamson, an actor, writer, and director, who conceived the series as a dark comedy exploring the tumultuous relationship of a gay couple and their friends in Silver Lake, Los Angeles, amid themes of infidelity, substance abuse, and personal dysfunction.[2] [14] Williamson, who stars as Cal and handles writing and directing duties, drew from observations of queer life in the area to craft the narrative, aiming for unfiltered portrayals without conventional moral resolutions.[8] The pilot episode premiered on YouTube on December 14, 2012, followed by the second episode shortly thereafter, marking the series' independent launch without initial traditional studio backing.[13] Funding for the remainder of the first season relied on crowdfunding, with Williamson launching a Kickstarter campaign targeting $15,000 to produce the subsequent seven episodes.[15] The effort succeeded, raising $25,785 from 256 backers, enabling completion of the nine-episode arc.[16] This model persisted for later seasons, underscoring the production's grassroots origins and dependence on fan support rather than venture capital or network investment.[17] Subsequent seasons amplified the crowdfunding scale: Season 2's April 2014 Kickstarter sought $125,000 for a 10-episode expansion and ultimately collected approximately $150,000, reflecting growing audience investment.[18] [19] Seasons 3 and 4 followed suit, each funded via dedicated Kickstarter drives that raised over $140,000 for the final installment, allowing Williamson and producer John Halbach to maintain creative control while scaling production quality.[20] This approach bypassed Hollywood gatekeepers, prioritizing direct audience financing for an uncompromised vision.[21]

Filming Locations and Challenges

EastSiders was filmed predominantly in the Silver Lake and Echo Park neighborhoods of Los Angeles, California, aligning with the series' depiction of LGBTQ lives in those areas.[11] These locations provided authentic backdrops for the urban, community-focused narratives of Seasons 1, 2, and 4.[22] Season 3 shifted to a cross-country road trip format, with principal photography occurring on location in 16 states: New York, New Jersey, Pennsylvania, Ohio, Indiana, Illinois, Minnesota, Wisconsin, Iowa, South Dakota, Wyoming, Montana, Idaho, Oregon, Nevada, and California.[23] Production included one episode filmed in Palm Springs, California.[24] As an independent production, the series encountered persistent budgetary limitations, with creator Kit Williamson managing multiple roles including writing, directing, acting, and makeup on a small team.[23] Seasons 1 and 2 were crowdfunded via Kickstarter, raising initial funds after viral YouTube episodes and over $153,000 for Season 2 expansions.[2] The Season 3 road trip amplified logistical demands, requiring the crew to drive from New York to Los Angeles while hauling equipment in a 1960s vintage camper trailer; Williamson described it as "one of the craziest things we've ever done."[23] Weather disruptions forced detours, such as being snowed out of Yellowstone National Park after a two-hour drive, leading to exterior shots outside the park instead of planned interior sequences.[23] Additional on-set issues arose in later seasons, including a park ranger's threat to shut down filming over simulated sex scenes during what appeared to be a permitted outdoor shoot.[22] These incidents underscored the vulnerabilities of low-budget, location-based independent filmmaking reliant on permits and external cooperation.[2]

Cast and Characters

Lead Actors and Roles

Kit Williamson portrays Cal, the primary protagonist and an aspiring photographer whose discovery of his boyfriend Thom's infidelity propels the series' exploration of relational dysfunction, substance abuse, and East Hollywood's underbelly.[1][25] Van Hansis plays Thom, Cal's long-term partner and an aspiring writer whose repeated cheating with others, including Jeremy, underscores themes of betrayal and emotional volatility across the narrative.[1][26] Both characters anchor the central relationship dynamic, appearing in all 27 episodes spanning four seasons, with their portrayals emphasizing raw, unfiltered interpersonal conflicts amid the protagonists' artistic ambitions and party-fueled excesses.[26][27] Williamson, who also created the series, drew from personal observations of Los Angeles' queer scene to inform Cal's character arc.[13]

Supporting and Recurring Cast

Stephen Guarino portrays Quincy, a recurring friend of the protagonists whose relationship with his partner Douglas forms a key subplot, particularly in season 4 where the couple grapples with contrasting visions for their wedding.[20][28] Willam Belli plays Douglas, appearing in six episodes of season 4 and injecting campy flair into scenes involving social and relational tensions within the group's dynamics.[20][28][29] Traci Lords recurs as Valerie, Cal's mother, who enters the narrative in season 3 and continues into season 4, offering maternal insight amid the characters' personal upheavals, such as in episodes exploring family interventions and hotel escapades.[30][31] Max Emerson appears as Cheyenne across six episodes of season 4, depicting a figure entangled in the central characters' evolving social circle and romantic entanglements.[28] Leith M. Burke plays Derrick in the same season's six episodes, contributing to storylines involving interpersonal conflicts and support networks.[28] Earlier seasons feature supporting roles like Sean Maher as Paul, appearing in eight episodes overall, and Constance Zimmer as Claire in seven, both aiding in the exploration of friendships and betrayals surrounding the leads.[32] These characters underscore the series' focus on interconnected queer relationships in Los Angeles, often highlighting themes of loyalty and dysfunction without resolving into tidy arcs.[1]

Seasons and Release

Season 1 (2012–2013)

Season 1 of EastSiders consists of nine episodes, each running approximately 10 to 14 minutes, and follows the strained relationship between Cal, a museum security guard, and his partner Thom, a screenwriter, after Cal discovers Thom's infidelity with their friend Jeremy.[33] The season explores the couple's attempts to reconcile amid substance abuse, casual sex, and interpersonal conflicts in Silver Lake, Los Angeles, emphasizing raw interpersonal dynamics without resolution in a single narrative arc.[13] The series debuted with its first episode on December 14, 2012, followed by the second episode on December 21, 2012, initially released as a web series on YouTube before broader distribution.[34] Subsequent episodes aired irregularly starting April 23, 2013, concluding on June 24, 2013, reflecting an independent production schedule typical of early web content.[35] Kit Williamson created, wrote, directed, and starred as Cal, with Van Hansis portraying Thom and Matthew McKelligon as Jeremy; supporting roles included John Halbach as Ian and early appearances by actors like Constance Wu.[32] The season's low-budget aesthetic, funded through crowdfunding and personal investment, contributed to its gritty, unpolished realism, distinguishing it from network television dramas.[2] Critical reception for Season 1 was mixed, with Rotten Tomatoes aggregating a 56% approval rating from limited reviews, praising its contained focus on relational fallout but noting uneven pacing and amateurish elements in dialogue and production values.[13] Audience responses highlighted the series' candid depiction of queer urban life, though some critiques pointed to melodramatic tropes and lack of broader appeal beyond niche LGBTQ+ viewers.[9] No official viewership metrics were publicly reported for the initial web release, but its grassroots success led to further seasons and eventual Netflix acquisition.[2]

Season 2 (2015)

Season 2 premiered on September 15, 2015, with the initial three episodes released exclusively on Vimeo On Demand, followed by additional episodes in subsequent batches.[36] The season continues the narrative of protagonists Thom (Van Hansis) and Cal (Kit Williamson), who, after a separation, tentatively reconcile but lack mutual trust, prompting them to experiment with an open relationship amid ongoing personal and relational turmoil in Silver Lake.[37] Cal's estranged sister Hillary arrives unexpectedly, introducing family tensions and prompting a reevaluation of their dynamics, while subplots delve into infidelity, substance use, and social interactions within Los Angeles's gay community.[38] The storyline maintains the series' focus on unfiltered consequences of relational choices, including health risks like STDs and emotional fallout from casual encounters.[39] Returning cast members include Van Hansis as the struggling Thom and Kit Williamson, who also created and directed the series, as the aspiring photographer Cal. Supporting roles feature Constance Wu as Kathy, a friend departing town; Stephen Guarino as Quincy; Willam Belli as Douglas, whose partnership with Quincy evolves; Matthew McKelligon as Jeremy; and John Halbach as Ian, alongside guest appearances that deepen ensemble interactions at events like a Bastille Day party.[40] No major lead cast changes occurred from season 1, though the season emphasizes expanded roles for recurring characters to explore relational complexities.[41] The season received acclaim for its sharpened writing, authentic character arcs, and balanced portrayal of flawed relationships, with one review deeming it "most assuredly the best of the lot" due to masterful acting and multi-layered storytelling that avoids romanticizing dysfunction.[41] Wolfe Video distributed it on DVD and additional digital platforms starting November 4, 2015, broadening access beyond Vimeo.[39]

Season 3 (2017)

The third season of EastSiders premiered on Netflix on November 28, 2017, and consists of six episodes.[42][43] It shifts the primary narrative from Los Angeles to a cross-country road trip, with protagonists Cal and Thom relocating from New York City back to Silver Lake while attempting to repair their relationship in the aftermath of Thom's infidelity with Jeremy.[44][45] The season explores tensions arising from unresolved betrayals, substance use, and external temptations encountered during their journey, including stops that test their commitment through chance meetings and personal reckonings.[46][47] Kit Williamson reprises his role as Cal, a struggling writer grappling with jealousy and insecurity, while Van Hansis returns as Thom, the unfaithful partner seeking redemption.[48] Recurring supporting characters include Matthew McKelligon as Jeremy, the object of Thom's affair, and John Halbach as Ian, alongside subplots involving friends Douglas and Quincy, whose own relational strains mirror the leads' struggles, such as a desert breakdown en route to a performance.[49][50] The season features guest stars including Constance Wu, Wilson Cruz, Traci Lords, and Tuc Watkins, who appear in episodic roles that introduce new conflicts and reflections on the central couple's dynamics.[51][46][49] Episode titles and arcs build progressively: the opener addresses the infidelity confrontation and initial road commitments; mid-season entries delve into flashbacks, roadside encounters like a gas station stranger or a volatile night with a third party; and the finale, "East of Eden," culminates in a luxurious detour where Cal and Thom interact with another gay couple, forcing evaluations of their future.[52][53] This structure emphasizes raw interpersonal fallout without resolution until the season's close, maintaining the series' focus on unvarnished relational realism.[46]

Season 4 (2019)

The fourth season of EastSiders, consisting of six episodes, premiered exclusively on Netflix on December 1, 2019, marking the series' final installment.[20][54] Created and directed by Kit Williamson, the season shifts narrative emphasis toward supporting characters while revisiting core themes of relational dysfunction, substance use, and sexual fluidity among gay men in Los Angeles.[55][56] The storyline centers on the evolving lives of Cal (Kit Williamson) and Thom (Van Hansis), whose on-again, off-again relationship continues to grapple with infidelity and addiction recovery, now complicated by new entanglements including open arrangements and external temptations.[1] Parallel arcs explore Ian (John Halbach), a bisexual character navigating a potential pregnancy with his girlfriend Hillary and temptations involving Cal, alongside Jeremy (Matthew McKelligon), who faces professional and romantic pressures as a writer.[28][57] Additional subplots incorporate drag culture, adoption considerations, and bisexuality, with guest appearances by RuPaul's Drag Race alumni Willam, Katya, and Manila Luzon providing camp-infused interludes amid the drama.[56][55] Principal cast members reprise their roles, with Van Hansis as Thom, a recovering addict in a strained partnership; Kit Williamson as Cal, whose impulsive hookups underscore ongoing relational instability; John Halbach as Ian, introducing bisexual dynamics; and Matthew McKelligon as Jeremy, dealing with agent hookups and career hurdles.[28][57] Recurring and guest performers include Willam Belli, Katya Zamolodchikova, and Manila Luzon in drag-centric roles, alongside actors like Hailie Sahar and Jake Choi in supporting capacities.[56] The season concludes the series' seven-year run, with Williamson citing a desire to end on a note of unfiltered queer realism rather than forced resolution.[20]

Distribution Platforms

EastSiders initially distributed its first season through YouTube, releasing the initial episodes on December 14, 2012.[2] [1] The second season premiered exclusively on Vimeo On Demand on September 15, 2015, with Wolfe Video handling DVD and additional digital releases starting November 3, 2015.[58] [59] After the second season, Netflix acquired the series, streaming seasons 3 and 4 as part of its catalog, with season 3 debuting in 2017 and the fourth and final season on December 1, 2019.[60] [20] All four seasons became available for streaming on Netflix thereafter.[33] Episodes have also been offered for digital purchase on platforms including iTunes and Amazon.[61]

Themes and Narrative Style

Core Themes

The series centers on the strained relationship between protagonists Thom and Cal, exploring the tensions between monogamy and non-monogamy in contemporary gay partnerships, particularly in the wake of legal same-sex marriage. Creator Kit Williamson has described the narrative as delving into "shifting conceptions of commitment," portraying how infidelity and casual sex erode trust while characters grapple with whether to salvage their bond through forgiveness or separation.[8] This theme underscores the messiness of long-term queer relationships, rejecting idealized romance for depictions of repeated betrayals, emotional volatility, and incremental personal growth via trial and error, as evidenced by the couple's cycles of reconciliation amid hookups and lies.[62] Substance abuse emerges as a pivotal theme, illustrating the destructive undercurrents of West Hollywood's party scene, where methamphetamine use, binge drinking, and overdose risks exacerbate relational instability and individual downfall. The show unflinchingly depicts addiction's causal links to impaired judgment, heightened paranoia, and health crises like HIV exposure, with characters like Cal embodying sex and drug-fueled escapism that leads to profound isolation and regret.[63] Williamson draws from observed realities in queer communities, emphasizing consequences over glamour, such as blackouts and interventions that force confrontations with dependency's toll on intimacy and self-worth.[4] Broader motifs include the facade of Los Angeles glamour masking internal decay, body image pressures within gay culture, and the quest for authentic connection amid hedonism's illusions. Through recurring symbols like cartography—mapping a shared path amid detours—the series highlights indecision and the labor of co-creating a life together, critiquing hookup culture's superficiality while affirming flawed humanity in queer lives.[64] Williamson positions these elements as "unapologetically queer," countering sanitized media tropes by prioritizing causal realism in vice's repercussions over affirmation.[22]

Stylistic Approach and Realism

EastSiders adopts a dramedy format characterized by dark humor, sharp dialogue, and nonlinear narrative structures, such as backwards storytelling in its first two seasons, to explore the turbulence of interpersonal relationships.[65] The series emphasizes character-driven storytelling over polished production values, employing low-budget DSLR cinematography—like the Canon 5D Mark II in early seasons—that evolved to higher-quality 4K visuals by Season 4, while frequently using actors' real homes as filming locations to enhance intimacy and authenticity.[66] [67] Creator Kit Williamson has described this approach as holding "a mirror up to a community," incorporating intertextual nods to films like My Own Private Idaho to reclaim queer narratives within American cultural tropes.[66] In terms of realism, the series portrays queer relationships as inherently messy and non-idealized, depicting infidelity, substance abuse, and sexual fluidity without moral judgment or resolution into conventional monogamy.[67] [4] Williamson intentionally includes raw elements of gay life in Los Angeles, such as bareback sex, PrEP usage, HIV management, and party culture, drawing from personal and community experiences to avoid "homonormativity" and respectability politics that sanitize queer portrayals.[66] [4] Characters like Cal and Thom navigate open arrangements and reconciliation amid vice, reflecting three-dimensional flaws—such as alcoholism and jealousy—over aspirational tropes, with real-time progression across seasons underscoring long-term relational dynamics.[65] [67] This unfiltered lens, informed by consultations with organizations like the Los Angeles LGBT Center for accurate health depictions, positions the show as a counterpoint to mainstream media's often sanitized queer stories.[66]

Reception

Critical Reviews

Critics offered a range of responses to EastSiders, with limited mainstream coverage reflecting its status as an independent web series, but praise in LGBTQ-focused outlets for its unflinching portrayal of relationship dysfunction, substance abuse, and infidelity among young gay men in Los Angeles.[68] Season 1 garnered a 56% approval rating on Rotten Tomatoes based on two reviews, highlighting the cast's charm and realistic dialogue despite the characters' model-like appearances.[69] Common Sense Media rated it 3 out of 5 stars, characterizing it as a soapy LGBTQ comedy rife with explicit sex scenes, heavy drinking, and adult characters frequently pursuing intoxication, often in combination with drugs.[9] Reviewers in queer media commended the series for filling a representational gap by depicting "moody, dramatic and authentic" aspects of contemporary gay life, including flawed protagonists navigating betrayal and vice without romanticized resolutions.[70] The Hypercritic review emphasized its exploration of "real love" as inherently messy, focusing on the protagonists' persistent efforts amid recurring personal failures.[67] Similarly, a review in A Queer Journey praised the "brilliant script" and solid acting for conveying personal tragedies believably through black humor and scathing interpersonal dynamics.[62] Some critiques highlighted omissions in historical and social context, arguing that the series prioritizes contemporary sex and romance while neglecting enduring LGBTQ realities such as homophobia and the HIV/AIDS crisis, potentially presenting an incomplete narrative of queer experience.[6] Audience scores on Rotten Tomatoes were lower, at 39% overall and 33% for Season 4, suggesting divergence between critic appreciation for stylistic rawness and broader viewer reception.[68][55]

Audience and Cultural Impact

EastSiders primarily appealed to viewers within the LGBTQ+ community, particularly gay men seeking realistic depictions of relationships, infidelity, and urban nightlife, evolving from a YouTube web series into a cult favorite with a dedicated global fanbase.[71][5] Its audience demand in the United States has been measured at 1.4 times that of the average TV series in recent analytics, reflecting sustained niche interest despite limited mainstream crossover.[72] User ratings average 6.9 out of 10 on IMDb from over 3,200 reviews, with praise in queer circles for authentic character arcs amid substance abuse and emotional turmoil, though broader audience scores on platforms like Rotten Tomatoes hover around 39%, indicating polarized reception outside core demographics.[1][68] The series exerted cultural influence by challenging sanitized portrayals of gay life prevalent in early 2010s media, offering an unfiltered lens on open relationships, hookup culture, and recovery from addiction in Los Angeles' Silver Lake scene, which resonated as a counterpoint to infrequent and often idealized LGBTQ+ narratives.[63][73] Creator Kit Williamson noted that at launch, LGBTQ+ representation was scarce, with GLAAD reporting only about 2.9% of network TV characters identifying as such around that period, positioning EastSiders as a pioneering effort in web-based queer storytelling that later secured Netflix distribution.[4] Its emphasis on flawed, non-monogamous dynamics prompted discussions on evolving post-marriage equality commitments within queer communities, influencing subsequent indie projects while highlighting ongoing gaps in addressing historical contexts like HIV/AIDS.[8][6] By 2020, Williamson reflected on its enduring role in queer media, amid observations of declining explicit representation in mainstream outlets.[74][75]

Awards and Nominations

EastSiders received multiple nominations from the Daytime Emmy Awards, recognizing its contributions to digital daytime drama. In 2018, for the 45th Daytime Emmy Awards, the series earned six nominations, including Outstanding Digital Daytime Drama Series, Outstanding Writing for a Digital Drama Series, Outstanding Directing for a Digital Drama Series (Kit Williamson), and Outstanding Lead Actor in a Digital Daytime Drama Series (Van Hansis).[76][77][78] For the 47th Daytime Emmy Awards in 2020, corresponding to its fourth and final season, EastSiders secured eight nominations, among them Outstanding Digital Drama Series, Outstanding Writing Team for a Digital Drama Series, and Outstanding Supporting Actor in a Digital Drama Series for both Willam Belli and Leith M. Burke.[79][80] The series won one award that year: Outstanding Casting for a Drama or Digital Drama Series, credited to Paul Ruddy and Kit Williamson.[81] Additionally, Lin Shaye received the Daytime Emmy for Outstanding Guest Performer in a Drama Series for her role in the series.[82] Beyond the Daytime Emmys, EastSiders won the Queerty Award for Best Web Series in both 2018 and 2020.[83] In 2013, it was awarded Best Web Series - Drama by LA Weekly.[84] The series also accumulated nominations from the Indie Series Awards, including six in 2014 for categories such as Best Ensemble - Drama and Best Lead Actor - Drama (Van Hansis).[85]

Controversies and Critiques

Portrayal of Relationships and Lifestyle

EastSiders centers on the tumultuous relationship between protagonists Cal and Thom, a gay couple navigating infidelity, non-monogamy, and commitment challenges in Los Angeles' Silver Lake neighborhood. The series depicts their four-year partnership as strained by Thom's cheating and the couple's attempts to redefine monogamy, reflecting creator Kit Williamson's view that queer relationships often operate outside traditional norms, questioning the meaning of marriage in a post-legalization era. Characters engage in open arrangements and casual encounters, portraying love as inherently messy and requiring ongoing negotiation rather than idealized romance.[8][86] Sexual content is explicit and unfiltered, including depictions of unprotected sex, loud intercourse, and promiscuity as integral to character dynamics, with Williamson emphasizing the discomfort this evokes to highlight authentic queer intimacy over sanitized representations. The show avoids respectability politics by showing flawed decisions like barebacking alongside references to PrEP and HIV testing, underscoring ongoing health risks in casual encounters. Relationships extend beyond the central couple to include friendships and hookups that blur boundaries, often leading to emotional vulnerability and conflict resolution through candid, if indirect, discussions.[86][8] Lifestyle elements portray a hedonistic urban gay scene marked by substance abuse, partying, and escapism, where characters bury relational problems with alcohol, drugs like Ambien mixed with whiskey, and social gossip rather than direct confrontation. Vices such as promiscuity and addiction are presented as commonplace flaws, not aberrations, with the ensemble mistreating each other amid good intentions, evolving over seasons to track personal growth amid vice. This realism draws from Williamson's experiences, rejecting avoidance of "messy" topics like alcohol dependency and sexual excess prevalent in the community.[9][86]

Depictions of Vice and Health Issues

EastSiders frequently depicts substance abuse as intertwined with the protagonists' social and relational challenges, portraying characters engaging in heavy alcohol consumption and drug use during parties and casual encounters in Los Angeles' Silver Lake neighborhood.[6] The series illustrates the progression of addiction, particularly through Cal's arc, where substance use exacerbates infidelity and emotional turmoil, reflecting patterns observed in urban gay social scenes without romanticizing recovery.[5] This unfiltered approach has been noted for its realism in capturing how vices like methamphetamine and alcohol fuel cycles of self-destruction among young adults.[63] Sexual vices are central to the narrative, with explicit scenes of promiscuity, barebacking, and group encounters presented as normative within open relationships, often leading to jealousy and breakups for the main couple, Thom and Cal.[6] Infidelity recurs across seasons, depicted through hookups and sex addiction-like behaviors that strain long-term commitments, emphasizing the tensions between monogamy and non-monogamy in contemporary gay male dynamics.[63] The show's creator, Kit Williamson, has described these portrayals as intentional efforts to normalize "flawed, messy" queer experiences over idealized ones, though critics argue it underemphasizes associated emotional or physical tolls.[5] Health issues, particularly HIV, appear as persistent realities rather than resolved crises, with characters disclosing statuses, adhering to undetectable viral loads, and referencing PrEP alongside condoms in discussions of safer sex practices.[6] Season 4 includes undetectable HIV-positive individuals navigating relationships, highlighting ongoing transmission risks amid casual sex, yet the series minimally explores historical epidemics or broader prevention epidemiology.[5] Such depictions have earned praise for addressing stigma head-on but faced critique for insufficient depth on causal factors like substance-driven risk behaviors or community-wide health disparities.[6]

References

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