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Eric Troyer
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Eric Lee Troyer (born 10 April 1949) is an American keyboardist, singer, songwriter, and occasional guitarist. Troyer was a founding member of ELO Part II, having been recruited by bandleader Bev Bevan in 1988.[1] He wrote a substantial quantity of the material on the band's three albums: Electric Light Orchestra Part Two, Moment of Truth, and One Night Live in Australia. He also wrote a large amount of its successor the Orchestra's album No Rewind.
Life and career
[edit]Troyer has performed on various albums as a session musician and backing vocalist, including albums by John Lennon, Bonnie Tyler, and Celine Dion.[2]
Troyer performed on the movie soundtracks for Footloose, Chicago, Flashdance, and Streets of Fire.[3]

In 1988 Troyer co-founded the Electric Light Orchestra Part II with the Move/E.L.O. drummer Bev Bevan. In 2000, ELO Part II was renamed to the Orchestra. Troyer has also written and performed music for various ad campaigns, including Kool-Aid and IBM.[3]
In 1980, Troyer had a minor solo hit with "Mirage", peaking at No. 92 in the Hot 100 chart.[4] However it fared better on the AC, peaking at No. 43. An accompanying album titled String of Pearls[5] was recorded, but never officially released. Thirteen years later, he did release a solo CD, Model Citizen.[6] The song was Troyer's only charting single in Australia, peaking at number 97.[7]
Troyer is married to writer/filmmaker Kee Kee Buckley, with whom he owns the production company Ad Hoc Media Partners.
Discography
[edit]This section of a biography of a living person does not include any references or sources. (April 2023) |
| BAND | ALBUM | LABEL | ROLE | YEAR |
|---|---|---|---|---|
| 1994 | 1994 | A&M Records | V | 1978 |
| Aerosmith | Draw the Line | Columbia | V | 1977 |
| Air Supply | Making Love Out of Nothing at All | Arista | V | 1983 |
| Greatest Hits | Arista | V | 1983 | |
| Greatest Hits | Arista | V | 1988 | |
| Peter Allen | Making Every Moment Count | RCA Victor | V | 1990 |
| Artful Dodger | Artful Dodger | Columbia, Pilot Records, Inc. | V, K | 1975 |
| Artful Dodger | Pendulum Entertainment Group | V, K | 1997 | |
| The Complete Columbia Recordings | Real Gone Music, Sony Music Entertainment | V, K | 2017 | |
| Bang Tango | Dancin' On Coals | MCA Records, Mechanic Records | V | 1991 |
| Blackjack (Michael Bolton) | Worlds Apart | Polydor | V | 1980 |
| Anthology | Lemon Recordings | V | 2006 | |
| Blue Rose | Blue Rose | Estate Record Corporation | V | 1983 |
| Martin Briley | Fear of the Unknown | Mercury | V | 1981 |
| Dangerous Moments | Mercury | V | 1985 | |
| The Mercury Years | Hip-O Select, Mercury | V | 2005 | |
| Catherine Marie Charlton | Undershore | River Dawn Productions | E | 2004 |
| I Dream About This World: The Wyeth Album | Phil's Records/ Spotted Peccary | V, E | 2018 | |
| Maiden's Voyage | River Dawn Productions | E | 2015 | |
| Red Leaf, Grey Sky: Piano Improvisations | River Dawn Productions | E | 2011 | |
| Chardeau | In Terra Cognita ? | L Records | V | 2019 |
| Ombres & Lumière : In Terra Cognita 2 | L Records | V | 2023 | |
| China | Go All the Way | Vertigo | V | 1991 |
| Cinderella | Heartbreak Station | Mercury | V | 1987 |
| Gold | Mercury/ UMe | V | 2006 | |
| Clarence Clemons & Red Bank Robbers | Rescue | Columbia | V | 1983 |
| Rescue/Hero | Columbia | V | 1999 | |
| Compilation Album | The Best Smooth Jazz Ever | GRP/Universal | V | 2002 |
| Peter Criss | Let Me Rock You | Casablanca | V | 1982 |
| Miles Davis | 1986–1991: The Warner Years | Warner Music France, Rhino Records | V | 2011 |
| Taylor Dayne | Original Sin | Arista | V | 1994 |
| Rick Derringer | Guitars And Women | Razor & Tie | V | 1979 |
| Karla De Vito | Is This a Cool World or What? | Epic | V | 1981 |
| Celine Dion | Falling into You | Columbia | V | 1996 |
| The Power of the Dream | Epic | V | 1996 | |
| Let's Talk About Love | Columbia | V | 1997 | |
| These Are Special Times | Columbia | V | 1998 | |
| All the Way... A Decade of Song | Columbia | V | 1999 | |
| My Love: Ultimate Essential Collection | Columbia | V | 2008 | |
| The Collection: Let's Talk About Love/ Falling into You/ A New Day Has Come | Sony Music, Legacy Recordings | V | 2009 | |
| The Essential Celine Dion | Columbia, Sony Music | V | 2011 | |
| Disney | Mickey's Rock Around the Mouse | Walt Disney | V, C | 1987 |
| Happily Ever After | Walt Disney | V, C | 2010 | |
| Minnie n' Me – Songs Just For Girls | Walt Disney | C | 2011 | |
| Plácido Domingo | Goya...A Life in Song | CBS Recordings Inc. | V | 1988 |
| Sheena Easton | No Sound But a Heart | EMI America | V | 1987 |
| Electric Light Orchestra Part 2 | Electric Light Orchestra Part II (self titled) | Eurostar | V, K, C, A | 1990 |
| Honest Men | Disky | V, K, C, A | 1990 | |
| Part Two: Once Upon a Time | V, K, C, A | 1991 | ||
| Thousand Eyes | Disky | V, K, C, A | 1991 | |
| Electric Light Orchestra Part Two Performing ELO's Greatest Hits Live Featuring the Moscow Symphony Orchestra | Scotti Bros. Records | V, K, C, A | 1992 | |
| Moment of Truth | Ultrapop | V, K, C, A | 1994 | |
| Power of a Million Lights | Mega Records | V, K, C, A | ||
| One Night: Live in Australia | Norske Gram AS, CMC Records (7) | V, K, C, A | 1995 | |
| In Concert | V, K, C, A | 1996 | ||
| Greatest Hits Live, Vol 2: Encore Collection | V, K, C, A | 1998 | ||
| Gold Collection, Vol. 2 | V, K, C, A | 2001 | ||
| Triple Treasures (3 CD comp) | Digimode Entertainment Ltd. | V, K, C, A | 2002 | |
| Standin' in the Rain, Strange Magic, Once Upon A Time Ausgabedatum | V, K | 2005 | ||
| The Very Best of the Electric Light Orchestra Part II [Deja Vu] | V, K, C, A | 2007 | ||
| Charlie Elgart | Signs of Life | Novus | V | 1988 |
| Faster Pussycat | Faster Pussycat | Elektra | V | 1987 |
| Whipped | Elektra | V, A | 1992 | |
| Suzanne Fellini | Suzanne Fellini | Casablanca | V | 1980 |
| Steve Forbert | Steve Forbert | Epic, Nemperor Records | V | 1982 |
| The Hit Crew | Drew's Famous Presents Kids TV Themes | Drew's Entertainment/ Universal | C | 2016 |
| Ian Hunter | All of the Good Ones Are Taken | Columbia | V | 1983 |
| Garland Jeffreys | American Boy & Girl | A&M Records | V | 1979 |
| Matador and More | A&M Records | V | 1992 | |
| Ghost Writer/ One Eyed Jack/ American Boy & Girl | Raven Records | V | 2011 | |
| Ingrid Jensen | At Sea | ArtistShare | E | 2005 |
| Billy Joel | An Innocent Man | Columbia | V | 1983 |
| Greatest Hits, Vols. 1–2 (1973–1985) | Columbia | V | 1985 | |
| The Justice Department | Let John and Yoko Stay in the USA (single) | New Design Records | V | 1972 |
| Karen Kamon | Voices | ATCO Records | V | 1987 |
| Tom Kimmel | Circle Back Home | Polydor Records | V | 1990 |
| KISS | Rock 'n Roll Over | Casablanca | K | 1976 |
| KISS/ Gene Simmons | Casablanca | V, K | 1978 | |
| KISS – Best of Solo Albums | Casablanca | V, K | 1980 | |
| Gold: 1974 – 1982, Sound + Vision | Mercury | V, K | 2004 | |
| Gold | V, K | 2005 | ||
| The KISS Solo Albums (Solo Box Set) | Lilith | V, K | 2006 | |
| La Union | Psycofunkster Au Lait | Warner Music Spain S.L. | V | 1993 |
| Robert Lamm | In My Head | Mystic Music & Entertainment | V | 1999 |
| Martee Lebow | Love's a Liar | Atlantic | V | 1987 |
| John Lennon | Double Fantasy (Woman) | Geffen Records | V | 1980 |
| Collection | V | 1989 | ||
| John Lennon Signature Box | Capital Records | V | 2010 | |
| Julian Lennon | Valotte | Charisma, Virgin | V | 1984 |
| The Secret Value of Daydreaming | Atlantic | V | 1986 | |
| Rob Jungklas | Closer to the Flame | Manhattan Records | V | 1986 |
| Tony LeMans | Tony LeMans | Paisley Park, Reprise Records | V | 1989 |
| Barry Manilow | Greatest Hits Volume 2 | Arista | V | 1983 |
| The Songs 1975 – 1990 | Arista | V | 1990 | |
| The Complete Collection and Then Some... | Arista | V | 1992 | |
| Greatest Hits – The Platinum Collection | Arista | V | 1994 | |
| Marilyn Martin | Marilyn Martin | Atlantic | V | 1986 |
| Meat Loaf | Dead Ringer | Cleveland Int'l Records, Epic | V | 1981 |
| Hits Out of Hell | Cleveland Int'l Records, Epic | V | 1984 | |
| Meat Loaf & Friends | Epic | V | 1992 | |
| Dead Ringer & Bat Out of Hell | Cleveland Int'l Records, Epic | V | 1992 | |
| Bat Out of Hell II: Back into Hell | MCA Records | V | 1993 | |
| The Very Best of Meat Loaf | Cleveland Int'l Records, Epic | V | 1998 | |
| Dead Ringer/ Midnight at the Lost and Found/ Bat Out of Hell | Epic | V | 1999 | |
| Couldn't Have Said it Better | Mercury | V | 2003 | |
| Meat Loaf with the Melbourne Symphony Orchestra – Bat Out of Hell Live | Mercury | V | 2004 | |
| Bat Out of Hell III: The Monster is Loose | Mercury | V | 2006 | |
| Cry Over Me | Mercury | V | 2006 | |
| Blind As A Bat | Mercury | V | 2006 | |
| Meat Loaf Featuring Marion Raven – It's All Coming Back to Me Now | Mercury | V | 2006 | |
| The Essential Meat Loaf | Epic | V | 2011 | |
| Frankie Miller | Double Trouble | Chrysalis | V | 1978 |
| Dancing in the Rain | Mercury | V | 1986 | |
| Double Trouble/ Full House | 2000 FruitGum Corp. | V | 2004 | |
| ...That's Who! The Complete Chrysalis Recordings (1973–1980) | Chrysalis | V | 2011 | |
| The Monroes | Everything is Forgiven | EMI | V | 1987 |
| Ronnie Montrose | Jump on It | Warner Bros. | V | 1976 |
| Elliot Murphy | Apres Le Deluge | EMIS, New Rose Records | piano/organ | 1985 |
| American Stories Part 2 | Ruta 66 Records | piano/organ | 2005 | |
| New York Latin All-Stars Presentando Eddie Ganz | Exitos! | Chicago Records II | V | 2012 |
| Allan Nicholls | Songs from the Source | Justin Time | V, K, P, E | 2006 |
| Rosie O'Donnell | A Rosie Christmas | Columbia | V | 1999 |
| Yoko Ono | Walking on Thin Ice | Rykodisc | V | 1985 |
| Onobox | Rykodisc | V | 1992 | |
| The Orchestra | No Rewind | Art Music | V, C, K | 2005 |
| The Orchestra Live | V, C, K | 2008 | ||
| Anthology – 20 Years and Counting | V, C, K | 2009 | ||
| Donny Osmond | Eyes Don't Lie | Capital Records | V | 1990 |
| Pandora's Box | Original Sin | Virgin | V, A | 1989 |
| Graham Parker | Another Grey Area | Arista | V | 1982 |
| Passion Is No Ordinary Word | V | 1991 | ||
| Passion Is No Ordinary Word: The Graham Parker Anthology 1976–1991 | Rhino Records, BMG Direct Marketing | V | 1993 | |
| Ultimate Collection | V | 2001 | ||
| The Producers | Coelancanth | One Way Records | V | 1988 |
| Eddie Rabbit | Rabbit Trax | RCA | V | 1986 |
| Lou Reed | New Sensations | RCA | V | 1984 |
| Between Thought and Expression: The Lou Reed Anthology | BMG, RCA | V | 1992 | |
| The RCA & Arista Album Collection | Sony Music, Legacy | V | 2016 | |
| Kevin Rowland | The Wanderer | Mercury, Phonogram | V | 1988 |
| Eddie Schwartz | Schwartz | A&M Records | V | 1980 |
| Scritti Politti | Cupid & Psyche '85 | Virgin | V | 1985 |
| Provision | Virgin | V, A | 1988 | |
| First Boy in This Town | Virgin | V, A | 1988 | |
| Oh Patti (Don't Fell Sorry For Loverboy)- (Scritti Politti + Miles Davis) | Virgin | V | 1988 | |
| Absolute: The Best of Scritti Politti | Virgin | V | 2011 | |
| Sheila Easton | Little Darlin' | Carrere | C, A | 1981 |
| Gene Simmons | Gene Simmons | Casablanca | V, K | 1978 |
| Carly Simon | Spoiled Girl | Epic | V | 1985 |
| Coming Around Again | Arista | V | 1987 | |
| Sisters of Mercy | Floodland | Merciful Release, WEA, Elektra | V | 1987 |
| Rex Smith | Forever, Rex Smith | Columbia | V, K | 1980 |
| Everlasting Love | Columbia | V, K | 1981 | |
| Rock and Roll Dream 1976–1983 | Hear No Evil Recordings, Cherry Red | V, K | 2017 | |
| Patty Smyth | Never Enough | Columbia | V | 1987 |
| Patty Smyth Feat. Scandal – Greatest Hits | Columbia, Legacy | V | 1998 | |
| Special EFX | Just Like Magic | GRP | V | 1990 |
| Peace of the World | GRP | V | 1991 | |
| Special EFX Collection | GRP | V | 1993 | |
| Billy Squier | Signs of Life | Capital Records | V | 1984 |
| Reach for the Sky: The Anthology | Polydor Records | V | 1996 | |
| Emotions in Motion/ Signs of Life | Capital Records | V | 2008 | |
| Didi Stewart | Begin Here | Kirshner | V | 1982 |
| Barbra Streisand | Emotion | Columbia | V, A | 1984 |
| Jim Steinman | Bad For Good | Cleveland Int'l Records, Epic | V | 1981 |
| James Taylor | That's Why I'm Here | Columbia | V | 1985 |
| New Moon Shine/ Never Die Young/ That's Why I'm Here | Sony | V | 2000 | |
| Collection | Sony | V | 2009 | |
| The Collection: That's Why I'm Here/ Never Die Young/ JT | Sony | V | 2009 | |
| Tease | Tease | RCA | C, A | 1986 |
| Bonnie Tyler | Faster Than the Speed of Night | U7 | V | 1983 |
| Holding Out for a Hero | CBS/Sony | V, A | 1984 | |
| Secret Dreams and Forbidden Fire | Epic | V, A | 1986 | |
| Free Spirit | EastWest Records, Atlantic | V | 1995 | |
| Faster Than the Speed of Night/ Secret Dreams & Forbidden Fire | Sony BMG | V | 2007 | |
| Various | Lost in the Stars – The Music of Kurt Weill | A&M Records | V | 1985 |
| Various | Music and Songs From Starlight Express | MCA Records | V | 1987 |
| Various | Peter's Pop Show | Ariola | V, K, C, A | 1991 |
| Various | Precious Rock (The Greatest Rock Performances) | Temple | V, K, C, A | 1995 |
| Various | Songs From Whistle Down the Wind | Polydor, Really Useful Records | V | 1998 |
| Roseanna Vitro | Reaching for the Moon | CMG | V | 1991 |
| Wicked Lester (pre-KISS, w/ Gene Simmons & Paul Stanley) | Wicked Lester | Epic | V | never released |
| Johnny Winter | John Dawson Winter the 3 | Blue Sky | V | 1974 |
| Akiko Yano | Oui Oui | Sony Music Direct | V | 1997 |
| Zebra | Zebra | Atlantic | K | 1983 |
| NAME | ALBUM | LABEL | YEAR |
|---|---|---|---|
| Eric Troyer | String of Pearls (unreleased) | Chrysalis | 1980 |
| Mirage / Meet Me at Midnight (single) | Chrysalis | 1980 | |
| Model Citizen | Fine Arts Media | 1993 | |
| Eric Troyer & Hagley R.C. High School – Perpetual (single) (Birmingham, England HS fundraiser for school bus crash victims) | 1994 |
| NAME | YEAR |
|---|---|
| Flashdance (Movie) (Universal Music) | 1983 |
| Footloose (Movie) (Columbia Records) | 1984 |
| Streets of Fire (Movie) (MCA Records) | 1984 |
| Night Visitor (Movie) (United Artists) | 1989 |
| The Shadow (Movie) (Arista Records) | 1994 |
| The Charlie Horse Music Pizza (Starring Shari Lewis & Lamb Chop) (TV – end credit theme song) | 1998–1999 |
| Chicago (Movie) (Epic) | 2002 |
| Popstar (Movie) | 2005 |
| Miracle Dogs Too (Movie) | 2006 |
| Moldy (Movie – documentary) | 2015 |
| No Rewind: History of the Band, Story of the Album (The Orchestra) (Movie – performance documentary) | 2021 |
| Just Up Ahead (TV) | 2021– |
| NAME | YEAR |
|---|---|
| Dead Ringer (Meatloaf) (Movie) | 1981 |
| The Charlie Horse Music Pizza (Starring Shari Lewis & Lamb Chop) (TV) – Episode 7: "A Pirates Life" | 1998 |
| Electric Light Orchestra Part II – Access All Areas (Movie – performance documentary) | 2000 |
| Electric Light Orchestra Part 2 – Access All Areas Live in Australia (Movie – performance documentary) | 2003 |
| Live in Reno (The Orchestra) (Movie – performance documentary) | 2006 |
| Cry Over Me – Meatloaf | 2007 |
| No Rewind: History of the Band, Story of the Album (The Orchestra) (Movie – performance documentary) | 2021 |
| Just Up Ahead (TV) | 2021– |
References
[edit]- ^ "Eric Troyer". Face-the-music.de.
- ^ "Eric Troyer". Face-the-music.de. Retrieved 2 December 2019.
- ^ a b "About Ad Hoc Media Partners". adhoc-media-partners. Retrieved 2 December 2019.
- ^ ""Mirage" by Eric Troyer". Retrieved 2 December 2019.
- ^ "Eric Troyer, String of Pearls – 31m 37s – Music CDs and CD Cover Arts @ Online Music CD Database". tagtuner.com. Retrieved 2 December 2019.
- ^ "Eric Troyer, Model Citizen – 25m 12s – Music CDs and CD Cover Arts @ Online Music CD Database". tagtuner.com. Retrieved 2 December 2019.
- ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 313. ISBN 0-646-11917-6.
External links
[edit]This article's use of external links may not follow Wikipedia's policies or guidelines. (February 2020) |
- Eric Troyer
- About Ad Hoc Media Partners
- Eric Troyer, String of Pearls - 31m 37s - Music CDs and CD Cover Arts @ Online Music CD Database
- Eric Troyer
- Eric Troyer at IMDb
- Collaborations @ Allmusic.com – credits
- Theorchestra.sitesled.com
- Members.iinet.net.au
- Under 30 May 1999: Mentions the potential title of Troyer's unreleased 1980 album
Eric Troyer
View on GrokipediaEarly life and education
Childhood and musical influences
Eric Lee Troyer was born on April 10, 1949, in Elkhart, Indiana, as the only boy among three sisters.[6] Growing up in a conservative Mennonite Christian family, he was immersed in a musical environment from a young age, where singing held a central place in church activities.[7] This familial setting, described as inherently musical, encouraged a broad appreciation for diverse sounds and nurtured his budding interest in performance.[8] Troyer began exploring music at the tender age of three, marking the start of a lifelong passion that shaped his artistic path.[2] He started playing piano at age four, imitating his sisters' lessons.[8] His early years were filled with exposure to a rich variety of genres, including folk, classical, and rock, which broadened his musical horizons and instilled a versatile foundation.[8] Within this supportive home, where music was both a communal and personal pursuit, Troyer developed the skills and enthusiasm that propelled him toward professional endeavors in the field.Formal education
Troyer pursued his higher education at Goshen College in Indiana, where he studied music and history from 1967 to 1968.[6][9] During this period, amid the Flower Power era and the Vietnam War, he registered as a conscientious objector, which aligned with the Mennonite-affiliated institution's pacifist traditions and spared him from potential military service as a non-combatant.[6] His coursework at Goshen provided foundational training in musical concepts, building on his early childhood exposure to piano and singing within a musical family environment. Following his time at Goshen, Troyer transferred to Orange Coast College in California, continuing his studies in music from 1968 to 1969.[9][10] There, he continued his music studies.[6]Musical career
Session work and early collaborations
After completing his formal education, Eric Troyer relocated to New York City in the early 1970s, immersing himself in the vibrant music scene and securing session work at prestigious studios including Electric Lady and the Record Plant. These facilities, hubs for major rock productions during the era, provided Troyer with crucial experience in professional recording environments and connections within the industry. His technical skills and vocal abilities quickly led to opportunities as a backing vocalist and multi-instrumentalist on high-profile projects.[11] Troyer's session contributions in the mid-1970s encompassed collaborations with several prominent artists. Further work included vocal and keyboard parts on Gene Simmons' 1978 solo album, notably piano on tracks like "Radioactive" and "Living in Sin," as well as sessions with Aerosmith around their 1977 release Draw the Line. By the late 1970s and early 1980s, his resume expanded to include Billy Joel's 1983 hit "Uptown Girl" and extensive demo work with producer Jim Steinman for projects involving Meat Loaf. A notable highlight was his backing vocals on John Lennon's poignant 1980 track "Woman" from Double Fantasy, recorded at the Hit Factory.[11][6] In parallel with these freelance efforts, Troyer fronted his own rock band in the late 1970s, recording two full albums for Chrysalis Records that remained unreleased due to label decisions. This period marked his transition from anonymous studio contributor to aspiring frontman, though the shelved projects—tentatively titled Eric Troyer and featuring tracks like "String of Pearls"—highlighted his songwriting and lead vocal talents before he pivoted to more collaborative endeavors.[6][12]Solo recordings
Eric Troyer's solo career began with the release of his debut single "Mirage" in 1980, a breezy soft rock track that showcased his vocal and songwriting talents.[13] The single peaked at No. 92 on the Billboard Hot 100 chart and reached No. 43 on the Adult Contemporary chart, marking his only entry on the latter during that period. Written and performed by Troyer, "Mirage" highlighted his ability to blend melodic hooks with introspective lyrics, drawing from his earlier session experiences to create a refined pop sound.[14] In 1993, Troyer released his first full-length solo album, Model Citizen, on the Fine Arts Media label, which he produced alongside his wife.[15] The album featured ten original tracks, including the title song "Model Citizen," "Does History End," "Friends to the Bitter End," and "Shae (Body and Soul)," all penned by Troyer, who also handled lead vocals throughout.[16] Themes of social commentary and personal reflection permeated the record, reflecting Troyer's intelligent lyricism and multi-instrumental skills on keyboards and guitar.[6] Despite limited commercial promotion, Model Citizen demonstrated his evolution as a self-led artist, emphasizing thoughtful songwriting over mainstream accessibility.[17] Troyer's commitment to humanitarian causes extended to his 1994 solo project "Perpetual Light," a single co-written with Jim Wilson to commemorate the victims of the M40 minibus crash that claimed 12 lives from Hagley R.C. High School.[18] Recorded with the school's choir, the uplifting anthem featured Troyer's lead vocals and piano arrangement, with all proceeds directed to the school's music department.[19] The release culminated in the "Perpetual Light" concert on May 1994 at Birmingham Symphony Hall, where Troyer performed the piece live alongside the choir to honor the tragedy and support community healing.[6] This project underscored Troyer's vocal prowess and dedication to collaborative, purpose-driven songwriting in his independent work.[20]Work with ELO Part II and The Orchestra
Eric Troyer was recruited by Electric Light Orchestra (ELO) drummer Bev Bevan in 1988 to help form ELO Part II, the successor band to the original ELO, following a connection established through Troyer's prior session work with producer Jim Steinman.[21][22] As a founding member, Troyer brought his expertise from New York studio sessions to the project, joining alongside guitarist Pete Haycock and others to recreate ELO's orchestral rock sound.[23] In ELO Part II, Troyer played a central role as keyboardist, lead and harmony vocalist, and primary songwriter, contributing to the band's symphonic arrangements that echoed the original ELO's blend of rock and classical elements.[24] He co-wrote and performed on the debut album Electric Light Orchestra Part Two (1990), including the single "Honest Men," where his keyboards supported the string sections led by conductor Louis Clark.[23] Troyer continued these contributions on the follow-up Moment of Truth (1994), providing keyboards, vocals, and songwriting for tracks like "Breakin' Down the Walls," helping maintain the band's focus on melodic, production-heavy pop-rock.[25] ELO Part II toured extensively throughout the 1990s, with Troyer handling live keyboard duties and lead vocals on both original ELO hits and new compositions, such as during their 1995 performance at Pine Knob Music Theatre.[26] In 1999, following Bevan's sale of the ELO Part II name to Jeff Lynne, the remaining members rebranded as The Orchestra, with Troyer staying on as a core performer and co-writer.[23] The group released their debut album under the new name, No Rewind (2001), featuring Troyer's songwriting and vocal harmonies in ELO-inspired tracks.[27] The Orchestra has since sustained international tours, emphasizing Troyer's arrangements that preserve the lush, multi-layered sound of classic ELO material like "Mr. Blue Sky" and "Evil Woman," including a 2025 performance at the Florida Theatre in Jacksonville and contributions to the 2024 documentary soundtrack album No Rewind.[28][2]Jingles, soundtracks, and production
Throughout his career, Eric Troyer composed memorable jingles for major advertising campaigns, leveraging his skills in crafting concise, catchy tunes tailored for television commercials. Notable examples include the IBM typewriters jingle "We're Your Type," as well as contributions for brands such as Michelob, Hershey's, Playtex, Ford, GTE, and Kool-Aid.[6] Troyer's work extended to film soundtracks, where he provided vocal and instrumental support that enhanced the emotional and rhythmic elements of key tracks. For the 1984 film Footloose, he served as arranger and background vocalist on Bonnie Tyler's "Holding Out for a Hero," a high-energy anthem that became a staple of the soundtrack and reached number one on the Billboard Hot 100.[29] In Streets of Fire (1984), he contributed backing vocals to several songs, including those produced by Jim Steinman, adding layered harmonies to the rock-oriented score.[30] His involvement in Chicago (2002) included performing as part of the male ensemble, supporting the musical's vibrant jazz-infused numbers during recording sessions.[31] Beyond films, Troyer delivered standout vocal performances on iconic pop recordings. He provided background vocals and keyboard work for Bonnie Tyler's "Total Eclipse of the Heart" (1983), a Jim Steinman production that topped charts worldwide and featured his contributions to the song's sweeping, multi-layered chorus.[32] Similarly, on Celine Dion's cover of "It's All Coming Back to Me Now" (1996), he supplied background vocals, helping to build the track's dramatic, orchestral build-up from her album Falling Into You.[33] In production roles, Troyer focused on educational and community music projects, composing and producing original pieces for youth ensembles. He wrote the music for "Perpetual Light," a collaborative track featuring the Hagley R.C. High School Choir, which highlighted his ability to blend contemporary styles with choral arrangements for inspirational school events.[18]Personal life
Family and marriages
Troyer has three daughters from his first marriage: Asia (born 1974), Lindsey (born 1984), and Laureen (born 1987).[6] His second marriage was to Donna.[6] Troyer married filmmaker and writer Kee Kee Buckley (born Christine Buckley) on May 1, 2018.[34] Together, they co-own the independent production company Ad Hoc Media Partners.[35]Other pursuits and business
In addition to his musical endeavors, Eric Troyer co-founded Ad Hoc Media Partners in 2013 with his wife, Kee Kee Buckley, a former senior vice president at Lakeshore Entertainment known for managing over 50 motion pictures including Million Dollar Baby and the Underworld franchise.[3][9] The company specializes in storytelling across film, television, writing, and music, leveraging Troyer's experience scoring films, TV, and documentaries, as well as providing voice and vocal arrangements for films like Footloose and Chicago, alongside Buckley's expertise in independent films, documentaries, and docuseries.[3] This venture represents a shift toward multimedia production, where Troyer contributes as a producer, writer, and audio specialist.[3] Troyer also owns and operates Ad Hoc Recording Studio in Hampton, New Jersey, a 24-track facility equipped with Pro Tools, Avid Carbon, and vintage microphones, offering services beyond traditional music recording.[36] The studio provides podcast and audiobook production, audio engineering coaching in tools like Avid Pro Tools and Apple Logic, and rehearsal spaces, expanding into non-performance audio media.[36] Complementing this, Troyer offers piano lessons in traditional, blues, and rock styles, as well as music career coaching, fulfilling a longstanding interest in music education through hands-on instruction.[36] As of 2025, Troyer's business activities continue to emphasize media production, with Ad Hoc Media Partners developing projects that integrate his vocal and compositional skills into film and TV narratives, supported by his collaborative partnership with Buckley.[3]Discography
Solo releases
Eric Troyer's solo discography is limited, consisting primarily of a single from the early 1980s and an album released over a decade later.[1] His debut solo single, "Mirage," was released in 1980 on Chrysalis Records as a 7-inch vinyl (CHS 2445 in Canada, with U.S. and Australian variants).[37] The A-side, produced by Jack Douglas, featured Troyer's soaring falsetto vocals over a soft rock arrangement, while the B-side "Meet Me at Midnight" was produced by Barry Blue.[37] Intended as the lead single from his planned debut album Eric Troyer (Chrysalis CHR 1281), it ultimately became his only chart entry as a solo artist, peaking at No. 92 on the Billboard Hot 100 for one week in July 1980 and reaching No. 43 on the Adult Contemporary chart.[17][38] In 1993, Troyer released his sole solo album, Model Citizen, on the independent label Fine Arts Media (FAM1000-2) as a CD in the United States.[15] The album showcased his songwriting and multi-instrumental talents, blending rock with introspective lyrics often touching on historical and social themes.[22] It features six tracks:| Track No. | Title |
|---|---|
| 1 | Does History End? |
| 2 | Friends To The Bitter End |
| 3 | Model Citizen |
| 4 | Shae (Body And Soul) |
| 5 | Big Lie |
| 6 | Does History End? (Without EFX) |
