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Australian Classification Board
Australian Classification Board
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Classification Board
Agency overview
Formed1917; 108 years ago (1917) (as Commonwealth Film Censorship Board)
JurisdictionCommonwealth of Australia
Minister responsible
Parent agencyDepartment of Infrastructure, Transport, Regional Development, Communications, Sport and the Arts (current parent agency), Department of Communications and the Arts (until 2020), OFLC (until 2006), Australian Classification Review Board (sister agency)
Websitewww.classification.gov.au

The Australian Classification Board (ACB or CB) is an Australian government statutory body responsible for the classification and censorship of films, television programmes, video games and publications for exhibition, sale or hire in Australia. The ACB is located in Sydney.

The ACB was established in 1917 as the Commonwealth Film Censorship Board. In 1988 it was incorporated for administrative purposes into the Office of Film and Literature Classification (OFLC),[1] until its dissolution in 2006. Following the legislative changes enacted in the Commonwealth Classification Act 1995, it became known as the Classification Board.

The ACB is made up of a director, a deputy director, and three other board members, appointed by the government for three- or four-year terms, and temporary board members.[2] The ACB does not directly censor material by ordering cuts or changes. However, it is able to effectively censor media by refusing classification and making the media illegal for hire, exhibition and importation to Australia.

The classification system has several levels of "restricted" categories, prohibiting sale, exhibition or use of some materials to those who are under a prescribed age. Some documentaries and films (those made for educational or training purposes, for instance) are exempt from classification under certain conditions.

History

[edit]

Early film classification

[edit]

The Commonwealth Film Censorship Board was created in 1917 to view, classify, and censor films imported from overseas. In the early years of the system there were 3 ratings:[3]

  • G for "general audiences"
  • A for "not suitable for children"
  • SOA for "suitable for adults only"

All ratings were advisory in nature and while distributors were required to display them on advertising, there were no restrictions on children's attendance. As such, films with adult ratings were still routinely censored.

1970s–1980s classifications reform

[edit]

Customs Minister Don Chipp announced significant classification reform in 1970, including published decision registrars and the requirement of cinemas to legally restrict attendees. This ushered in a new era of film classification rather than censorship, and was enacted in 1971. The new ratings introduced were:

  • G for "general exhibition; suitable for everyone"
  • NRC for "not recommended for children under 12"
  • M for "mature audiences; suitable for persons 15 years and over"
  • R for "restricted exhibition; children aged 3-17 are not admitted"[4]

In 1984, the NRC rating was renamed PG, due to confusion from parents about whether its content was stronger than M.

1990s; Modifications and computer game classifications

[edit]

In 1993, the MA 15+ rating was introduced to flag content that was too strong for the M classification, but not so much so that the content should be restricted only to persons over the age of 18.[4] Until 1997, the prescribed marking for the MA15+ rating was, "Restrictions apply to persons under 15 years", before it was later changed to "Persons under 15 years must be accompanied by a parent or adult guardian" once DVD became prevalent.[5] The Office of Film and Literature Classification (OFLC) was reorganised in 1994, and oversaw the ACB.

A separate classification system was introduced in 1994 for computer and video games. Despite its use of similar ratings names, these were backed by a distinct and stricter set of guidelines. The OFLC Annual Report for 1993-94 cited ministerial concern that "games, because of the “interactive” nature, may have greater impact, and therefore greater potential for harm or detriment, on young minds than film or videotape".

The four ratings were:

  • G for "general; suitable for all ages"
  • G 8+ for "general; suitable for children 8 years and over"
  • M 15+ for "mature; suitable for children 15 years and over"
  • MA 15+ for "mature - restricted; restricted to persons 15 years and over"

2000s–present

[edit]

In 2005 the OFLC was dissolved and supervision of the ACB transferred to the attorney-general's department. The current colour-coded classification markings for films and computer games were introduced in May 2005. Moreover, the age descriptors and markers for the advisory ratings such as PG and M15+ were removed. As such, on the descriptors of posters, streaming and home video, the PG rating now only has the signifier, "Parental guidance recommended", and the M rating has "Recommended for mature audiences", without any reference to 15 years.[6]

In 2005, video and computer games became subject to the same classification ratings and restrictions as films, such as G 8+ being replaced by PG (with the exception of the R 18+ and X 18+ ratings), in response to confusion by parents.[7] Despite a line in the National Classification Code stating that "adults should be able to read, hear and see what they want", the adults-only R 18+ classification was not applied to video games in Australia until 1 January 2013.[8] The Department of Communications and the Arts provided administrative support to the ACB from 2006 until 2020, when it was merged into the 'mega department' of the Department of Infrastructure, Transport, Regional Development and Communications. Decisions made by the ACB may be reviewed by the Australian Classification Review Board.[9]

In August 2014, the ACB introduced amendments to allow for the automated classification process employed by the International Age Rating Coalition (IARC). This new process reduces the costs of video game developers as they seek to obtain ratings for their products that are distributed digitally online.[10] In January 2019, for the first time, Netflix was given the go-ahead to self-regulate film and television classification on its streaming platform, allowing the company to rank content between G and R 18+.[11]

Overview

[edit]

The board operates on a procedure that primarily involves decision-making. The members must communicate their views clearly and appreciate the views of others. Board members would be exposed to a wide range of material, including content that is confronting and offensive. Every film and computer game has to be classified before it can be legally made available to the public. Some publications also need to be classified. Failure to give classification (especially for unclassified material that is likely to be classified RC) is an implicit ban (except for exempt films, games, and publications). It is an offence "to display, demonstrate, sell, hire, publicly exhibit or advertise a film or computer game" without having it classified. Some films and documentaries (such as current affairs and those created for business, scientific and education purposes) are exempt from classification unless, if classified, they would be M or above.[12]

There are legal age restrictions for the ratings of MA 15+ and R 18+. X 18+ is a special restriction rating for adult content. X 18+ is limited only to films, and the highest rating for video games remains R 18+.[13] Should a game contain content not suitable for or exceeding the boundaries of an R 18+ rating (often explicit sexual content or nudity), that game is usually either modified (censored) or, rarely, refused classification (banned) (an exception to this was made for The Last of Us Part II, where the game was not censored despite containing nudity).[14] The other classification categories (G, PG and M) are merely recommendations and they are not submitted to legal age restrictions. RC (banned) material cannot be sold, hired or distributed to anyone. A film or video game's context is crucial in determining whether a classifiable element is justified by the story-line or themes.

The ACB decides what consumer advice accompanies each classification. They indicate the elements in films and computer games which caused the classification and help consumers make choices about what they read, view or play. There are six classifiable elements for films: themes (rape, suicide, racism, etc.), violence (the level of violence and how threatening it is in its context), sex (intercourse and references to sex), language (the level of coarse language), drug use (the use of, and references to, drugs) and nudity (the explicitness of nudity). Consumer advice appears with the classification symbol on products, packaging and in advertisements. Consumer advice is not given if the element in question would be acceptable at a lower classification.[15] By August 2020, the ACB added another category for video games related to microtransactions, with any game including them listing in-game purchases alongside these other themes.[16]

Film festivals and institutions such as Australian Centre for the Moving Image (ACMI) may apply to the ACB for an exemption from classification for the purpose of screening at a particular film festival or event. If the ACB believes an unclassified work, in their estimation, would receive an X 18+ classification if it were to be classified they would not grant an exemption for public screening, as an X 18+ cannot be exhibited. The ACB may require film festivals to have age-restricted entrance to a festival or screening. The ACB also classifies material submitted by the police, the Australian Customs and Border Protection Service and the Australian Communications and Media Authority. The board does not classify live performances, audio CDs and television shows. Television is regulated by the Australian Communications and Media Authority.[17] Film classification also normally applies to Internet streaming services. The ACB now operates under the Commonwealth Classification Act 1995.

Film and video game classifications

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Unrestricted/Advisory

[edit]

The classifications below are unrestricted and may suggest parental advisory, but do not otherwise impose any legal restrictions on access to or distribution of material.[18][19]

Classification Description

Exempt (E)
Only very specific types of material (including educational material and artistic performances) can be exempted from classification, and the material cannot contain anything that exceeds the constraints of the PG classification.[20] The assessment of exemption may be made by the distributor or exhibitor (self-assessed) without needing to submit the product for certification by the ACB. Self-assessed exempt films cannot use the official marking, although it is advised that films and computer games that are self-assessed as exempt display, "This film/computer game is exempt from classification".

General (G)
Contains material available for general viewing, i.e. suitable for viewing by persons of all ages. This category does not necessarily designate a children's film or game. Although not mandatory at this category, the board may provide consumer information, usually in relation to impacts on very young children. The content is very mild in impact.
  • Themes should have a very low sense of threat or menace, and be justified by context.
  • Violence should have only a low sense of threat or menace, and be justified by context.
  • Sexual activity should be very mild and very discreetly implied, and be justified by context.
  • Coarse language should be very mild and infrequent, and be justified by context.
  • Drug use should be implied only very discreetly, and be justified by context.
  • Nudity should be justified by context.

Parental Guidance (PG)
Contains material that is not recommended for viewing by persons under the age of 15 without guidance from parents or guardians. This category includes material that younger viewers may find confusing or upsetting. The content is mild in impact.
  • Themes should have a very low sense of threat or menace, and be justified by context.
  • Violence should be mild and infrequent, and be justified by context. Sexual violence is not permitted.
  • Sexual activity should be mild and discreetly implied, and be justified by context.
  • Coarse language should be mild and infrequent, and be justified by context.
  • Sex, nudity and drug use should be mild, infrequent, "discreetly implied" and "justified by context".
  • Drug use and nudity should be justified by context.

Mature (M)
Contains material that is recommended for viewing by persons aged 15 years and over. However, people under 15 may legally access such material since this category carries no legal restrictions. This category includes material that may require a mature perspective, but is not deemed too strong for younger viewers. The content is moderate in impact, although in recent years, the "moderate" indicator prefix is omitted from the consumer advice, e.g. "moderate violence" is referred to as "violence".
  • Themes may have a moderate sense of threat or menace, if justified by context.
  • Moderate violence is permitted, if "justified by context". Sexual violence should be very limited and justified by context.
  • Sexual activity should be discreetly implied, if "justified by context".
  • Coarse language may be used. Aggressive or strong coarse language should be infrequent and justified by context.
  • Drug use and nudity should be justified by context.

Restricted

[edit]

By contrast, the classifications below are legally restricted, as explicitly indicated by the black banner at the bottom of the classification label. It is illegal to sell or exhibit material with these classifications to anyone younger than the stated minimum age.[18][19]

Classification Description

Mature Accompanied (MA 15+)
Contains material that is considered unsuitable for exhibition to persons under the age of 15. People under 15 may legally purchase, rent, exhibit or view such content, but only under the supervision of a parent or adult guardian. A person may be asked to show proof of age before purchasing or hiring an MA 15+ film or computer game at a retail store or cinema. The content is strong in impact.
  • Realistic violence of medium intensity is permitted. Violent depictions with a "high degree or realism" is accepted only if "justified by context". Stylised violence, however, can be "more detailed".
  • Strong violence is permitted, although if it is bloody and strong, it should be "infrequent" or "justified by context".
  • Sexual violence is permitted only if it is "not frequent, gratuitous or exploitative".
  • Sexual activity may be "discreetly implied" or "simulated".
  • Nudity is permitted, but in a sexual context, it should "not be exploitative".
  • Frightening or intense scenes should "not disturb a reasonable adult".
  • Aggressive and very strong coarse language may be used, but it should "not be exploitative".
  • Drug use may be depicted, but not in an "advocatory manner".
  • Themes, if strong, should be justified by context.

Restricted (R 18+)
Contains material that is considered unsuitable for exhibition to persons under the age of 18. People under 18 may not legally purchase, rent, exhibit or view R 18+ classified content. A person may be asked for proof of age before purchasing, hiring or viewing an R 18+ film or computer game at a retail store or cinema. Some material classified R 18+ may be offensive to sections of the adult community. The content is high in impact. This rating is the highest that can be given to computer games.
  • Realistic and explicit depictions of violence are permitted, but violence that is "frequently gratuitous, cruel, exploitative and offensive to a reasonable adult" is not.
  • Themes can have a "very high degree of intensity" but should not be "exploitative".
  • Sexual violence is permitted only to the extent that it is "necessary to the narrative" and "not exploitative" or "not shown in detail".
  • Sexual activity can be "realistically simulated", but depictions of "actual sexual activity" are not permitted. However, several films containing artistic depictions of real sexual activity such as Romance and Nymphomaniac have been passed with the R 18+ classification.
  • Drug use can be shown, but "not gratuitously detailed", and should also "not be promoted or encouraged". For computer games, drug use related to "incentives and rewards" is not permitted.
  • Nudity in a sexual context should "not include obvious genital contact".
  • Coarse language is virtually unrestricted.

Restricted (X 18+)
Contains material that is pornographic in nature. People under 18 may not legally purchase, rent, possess, exhibit or view these films. The exhibition or sale of these films to people under the age of 18 years is a criminal offence carrying a maximum fine of $13,750. Films classified as X 18+ are banned (via state government legislation) from being sold or rented in all Australian states, but are legal to possess (except in prescribed parts of the Northern Territory) and are legally available to purchase only in the Australian Capital Territory and the Northern Territory. Importing X 18+ material from these territories to the states is legal (as the Australian Constitution forbids any restrictions on trade between the states and territories). The content is sexually explicit and is therefore very high in impact.
  • This rating applies to films that "depict unsimulated sexual content only". Depictions of sexual violence, coercion and "sexually assaultive" language are not permitted in the category. Fetishes such as body piercing, "golden showers", bondage, spanking or fisting are also not permitted.

Other labels

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Classification Description

Refused Classification (RC)
Contains material that, while being (in most cases) legal to possess, is considered offensive to the standards of morality, decency and propriety generally accepted by a "reasonable adult" to such an extent that it should not be classified. In Australia, all films and video games must be classified by law, and works that are refused classification by the ACB are legally banned from sale, hire or public exhibition, carrying a maximum fine of $782,500 and/or 10 years imprisonment if an individual or organisation is found to be in breach of this. It is legal for people over 18 to possess RC films and games, except in Western Australia and prescribed areas of the Northern Territory and/or if they contain illegal content (such as child abuse material). The content is very high in impact.
  • Films and games that exceed the X 18+ and R 18+ ratings (respectively) are refused classification by the ACB. Content that may be refused classification includes, but is not limited to:
    • Detailed instruction or promotion in matters of crime or violence
    • Promotion or provision of instruction in paedophile activity
    • Descriptions or depictions of child sexual abuse or any other exploitative or offensive descriptions or depictions involving a person who is, or appears to be, a child under 18 years
    • Gratuitous, exploitative or offensive depictions of:
      • violence with a very high degree of impact or which are excessively frequent, prolonged or detailed
      • cruelty or real violence which are very detailed or which have an extremely high impact
      • sexual violence
    • Depictions of practices such as bestiality, necrophilia or other practices that are considered revolting or abhorrent
    • Gratuitous, exploitative or offensive depictions of:
      • activity accompanied by fetishes or practices that are offensive or abhorrent
      • incest fantasies or other fantasies that are offensive or abhorrent

Check the Classification (CTC)
The content has been assessed and approved for advertising unclassified films and computer games. "This film has advertising approval. Check the classification closer to the released date" is usually written on the marking.
  • Any advertising of unclassified films and games must display the CTC message on posters, trailers, on the Internet, and any other types of advertising.
  • Once the content is classified, the classification marking replaces the CTC marking on all advertising material.

Literature ratings

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Publications such as books and magazines (though they would also include other printed media such as calendars, cards and catalogues) are required to be classified if they contain depictions or descriptions of sexuality, drugs, nudity or violence that are unsuitable for a minor or an adult who would take offence if sold as an unrestricted publication.

Publication classifications are most commonly applied to magazines with visual depictions of nudity or sexual activity, such as many men's magazines. It is uncommon for these ratings to appear on books, even those dealing with adult themes, except in the most controversial cases.

Classification Description
Unrestricted
Unrestricted


Unrestricted M (mature)
Unrestricted with the consumer advice M (Mature)

These publications have no legal restrictions and are therefore available to persons of all ages, although content may or may not be suitable for readers under 15 years.
Category 1 restricted
Category 1 Restricted (CAT 1)
These publications are not available to persons under 18 years. These may contain images of sexualised nudity. They must be distributed in a sealed wrapper. Their covers must be suitable for public display.
Category 2 restricted
Category 2 Restricted (CAT 2)
Just like Category 1 Restricted restricted publications, they are not available to persons under 18 years. However, they contain explicit images of actual sexual activity which are not permissible under Category 1 Restricted, and may only be displayed in sites that are restricted to adults. Therefore, no publications that are likely to be classified Category 2 Restricted may be displayed in any public registered event.

Refused Classification (RC)
RC publications are banned and cannot be sold or displayed anywhere in Australia.

The restricted publications are for adults and they are not to be sold to people under 18 (and in Queensland under state law). They have content, such as nudity or explicit sexual content, that could offend some sections of the adult community. The restricted categories are subject to various restrictions in different states; for example, one or both categories may only be sold in adults-only premises in certain states. For this reason, some adult magazines are published in two editions in Australia, or just one edited edition which can be sold anywhere with a warning, as unrestricted mature.

Proposals

[edit]

Age reference removal

[edit]

In February 2020, the board proposed to remove the reference to 15 years for PG and M classifications and simply just refer to the severity of the material. This is due to a confusion that is caused by each of the categories citing to a 15-year-old, in addition to both the PG and M content not being recommended for persons under 15 years. The age reference created confusion for parents and guardians, creating some questions, such as why an M level film can still be accessed by a person under 15 without guidance because it is not a legally restricted category, when the impact of its material is higher than that of PG material. There is a confusion for people that comes from knowing the suited audience for PG, M and MA 15+ films and games due to their definitions that revolve around 15 years of age. The notes in the guidelines that come with the PG, M and MA ratings should be read like this:[21]

  • PG: "Content classified PG may not be of interest to a child or young person. Some content may contain material which some children and young people may find confusing or upsetting and parental guidance is recommended."
  • M: "Content classified M is not suitable for children. Parental guidance may be required for young people."
  • MA 15+: "Content classified MA 15+ is legally restricted to people aged 15 years and over. However, young people aged under 15 years can legally access this content when accompanied by an adult who may need to provide guidance. "

New rating category

[edit]

In February 2020, the board had suggested the adoption of a PG-13-type classification category, which is a rating aimed at young teens (between PG and M), that addresses the mild+ impact level material. Its adoption was suggested because many films in recent years surpass what conforms to the PG rating and are, consequentially, pushed up into an M ("moderate impact") rating category due to their dark themes and peril, despite being films aimed at younger teens. The mild+ category, if introduced, could excel the mild impact level (PG), but not so as to require a mature perspective (M classification) and it could be relevant for films with a more significant amount of action or fantasy violence. If the rating is implemented, the non-restricted classifications would read like this:[21]

  • G – General (very mild impact)
  • PG – Parental guidance (mild impact)
  • Young person (mild+ impact)
  • M – Mature (moderate impact)

This would mean the age restrictive numbers (15 and 18) would only be present for the legally-restricted categories of MA 15+, R 18+ and X 18+. The ACB is not suggesting that the new PG-13 rating would be applied retrospectively, but rather prospectively, as was the case when the MA 15+ category was initiated and when R 18+ was adopted for video games. The ACB is also not planning to use the PG-13 title for the new classification category, but a title that does not reference any age, such as YP for "young person" (or, likely, T for "teenager").[21]

Literature classification

[edit]

The ACB considers the present classification categories for publications to be redundant, complex, and inappropriate for the digital world. Therefore, the board has proposed the creation of the equivalent film and games classifications of M, R 18+ and X 18+ for publications, like:[21]

  • Unrestricted publication classification – M
  • Category 1 Restricted publication classification – R 18+
  • Category 2 Restricted publication classification – X 18+

Controversies

[edit]

Film

[edit]
  • Pasolini's Salò, or the 120 Days of Sodom has twice been banned in Australia. The Home Affairs Minister, Brendan O'Connor, asked the Classification Review Board to reassess the decision;[22] however, the review failed to find any fault in the classification. The film was banned in 1998, and was released after two failed attempts in September 2010, when the ACB classified an uncut version of Salò R 18+, mainly due to extra material providing greater context.
  • In 1992, Island World Communications Ltd and Manga Entertainment Australia Ltd had Urotsukidoji: Legend of the Overfiend submitted to the OFLC. It was the first animated feature to be banned in Australia and the feature was banned outright, similar to Violence Jack. Urotsukidoji was then censored to meet the OFLC's standards. The Australian version is the most censored in the Western world. Many fans of anime imported uncensored versions of Urotsukidoji: Legend of the Overfiend from the UK. The rest of the Urotsukidoji series was censored in Australia, with many still importing or downloading the American versions.
  • Ninja Scroll was originally released in 1994 in Australia by Manga Entertainment Ltd. It originally had the MA 15+ rating on the VHS, but this was overturned in 1997 when Phillip Ruddock had the anime reviewed after an uncut screening of the movie on the SBS. A few months later it was given an R 18+ rating and was uncut, then edited again, eventually using the BBFC cut of it. This was overturned in 2003 when Madman Entertainment and Manga Entertainment Ltd. released the uncut version.
  • Romance, a new crop within the arthouse genre, which features short scenes of actual sex began to attract closer scrutiny. The film was initially refused classification in Australia, before it was awarded an R 18+ on appeal.[23] It single-handedly paved the way for actual sex to be accommodated in the R 18+ classification in Australia.[23]
  • Baise-moi, a French film about two prostitutes who take violent revenge after being raped.[24] In 2000, the film was classified as R 18+. On 10 May 2002, the film was subsequently banned and pulled from cinemas and still remains prohibited in Australia to this day due to exploitative and offensive depictions of sexual violence, extreme violence and depictions of behavior and fetishes that are considered offensive or abhorrent.[25]
  • Ken Park, an American film about teenagers that features a scene of autoerotic asphyxiation, among other sexually explicit scenes.[26] The ban, however, is actually due to exploitative sexual depiction of minors, which is a criminal offence in Australia. In response to the ban, a protest screening was held which was shut down by the police.[27]
    • Prominent movie reviewer Margaret Pomeranz, then host of The Movie Show on the SBS, was arrested (and later cautioned and released) along with several others after attempting to screen at a hall what she described as "a wonderful film".[28] Tom Gleisner, host of The Panel (a prime-time comedy show), openly stated on the show that he had downloaded and watched the film.
    • Former New South Wales Premier Bob Carr stated that he thought the banning of Ken Park and other films was inappropriate, and that his attorney-general, Bob Debus, would discuss changing the laws with other state attorneys-general at an upcoming meeting.[29]
  • In October 2017 the classification board was described as homophobic by Luke Buckmaster on flicks.com.au for classifying the film Tom of Finland as R 18+ for high impact sexualised imagery and nudity. The board disputed the allegation, stating that it had classified the film in accordance with its published guidelines and that the distributor had sought R 18+ conditions for its screenings at the 2017 Scandinavian Film Festival. Buckmaster also compared what he perceived to be the board's heavy-handed approach unfavorably to Netflix, which he argued was permitted to regulate its own content. The board disagreed with this comparison, noting that it was piloting a scheme to streamline the classification of Netflix content in Australia.[30]

Video games

[edit]

Video gaming censorship in Australia is considered to be one of the strictest in the Western world.[31] Such controversial and noteworthy cases include:

  • Grand Theft Auto III was withdrawn from sale for allowing players to have sexual intercourse with prostitutes; the game was later reinstated when this action was removed. Specifically, the player could solicit intercourse from a prostitute, and then kill her. The ability to solicit sex from prostitutes in the game was the action that was removed, but in-game characters and pedestrians could still violently murder them. Grand Theft Auto: Vice City was also pre-censored for the same reasons. Though, in 2010 Vice City was classified uncut again receiving an MA 15+ and an uncensored version of GTA 3 was given an R 18+ in 2019.[32]
  • Grand Theft Auto: San Andreas was withdrawn from sale in July 2005 following the revelation that an interactive sex minigame was included in the content files on the game's disc; one could not ordinarily access this, but a third party modification, known as the Hot Coffee mod, allowed the player to access the minigame and the inclusion of the scenes on the game disc took the game outside the MA 15+ category. The MA 15+ rating was re-instated after a modified version was released worldwide by Rockstar Games, removing the content files for the sex scenes.
  • Grand Theft Auto IV was also pre-censored prior to classification and release in the Australian region. In the American release, sexual encounters with prostitutes occur inside the player's vehicle and the player has the ability to rotate the camera for a clearer view of what transpires. In the censored Australian version, the camera is fixed behind the vehicle, which rocks from side to side with accompanying audio effects. It is impossible for the player to view the inside of the car.[33] Rockstar later submitted the uncut version of the game, which went on to receive the same MA 15+ rating as its censored counterpart, and a patch was released for the PS3, PC and Xbox 360 to uncensor the game.
  • 50 Cent: Bulletproof was banned for encouraging gang violence. A version removing the game's arcade mode, cutting down on gore, and with an automatic game over for killing innocents was given an MA 15+ rating.
  • Fallout 3 was refused classification by the OFLC[34][35] due to the "realistic visual representations of drugs and their delivery method (bringing) the 'science-fiction' drugs in line with 'real-world' drugs." A revised version of the game was resubmitted to the OFLC and reclassified as MA 15+ on 7 August 2008 after drug names were changed.[36] It was later clarified that the only change done to the final version of the game was the name "morphine" changed to "Med-x". This change was done to all versions worldwide; thus, Australia got the same version of the game as other countries uncut with an MA 15+.
  • Atelier Totori Plus: The Adventurer of Arland was given an R 18+ rating on PlayStation Vita, a huge jump from the PS3 version's PG rating, with the reason being "references to sexual violence".[37] Comparatively, in North America, the game received a T for Teen (ages 13+) rating, a 12+ rating in Japan (CERO B), and a PEGI 12 rating. Its strict rating resulted in the creation of an internet meme captioned "High Impact Violence" that satirizes the Classification Board for labeling mildly sensual animation as having "high impact".[38]

Adult (18+) ratings for video games

[edit]

Many games were banned before 2011 on the basis that the R 18+ rating did not apply to video games at the time. This was the subject of complaint in the gaming community, who argued that there is no reason why adults should be prevented from seeing content in games that they could see in a film. One of the main opponents to the introduction of an R 18+ rating for video games was the former South Australian Attorney-General, Michael Atkinson, who vetoed every attempt to include one.[39]

On 11 August 2010, at a public forum, opposition leader Tony Abbott was asked a question about his views on the absence of an R 18+ rating for video games and whether he had any policies relating to the subject, saying, "if what happens with video games is not roughly analogous to what happens in other areas, that seems silly ... Instinctively I'm with you, and it's something I'd be happy to look at, if we are in Government."[40][41][42][43] In December 2010, Attorney General Robert McClelland appeared to be moving on this issue following the release of telephone poll results conducted by the Minister for Home Affairs Brendan O'Connor, showing roughly 80% in support of an R 18+ classification.[44]

On 22 July 2011, at a meeting of state and territories' attorneys general, an agreement was reached for the introduction of an R 18+ classification. It was planned to introduce the rating towards the end of 2011.[45] On 22 July 2011, a meeting of attorneys-general produced an in-principle agreement to introduce the R 18+ classification for video games; however, NSW Attorney-General Greg Smith abstained from the vote. The Home Affairs Minister, Brendan O'Connor, said the federal government would over-ride NSW and implement the R 18+ rating regardless of its decision and would be officially available before the end of 2011.[46] On 10 August the NSW Attorney General agreed on the R 18+; thus, the rating would be accepted and available to all states before the end of 2011.[47][48]

As of 1 January 2013, the R 18+ rating has been officially implemented for video games although it is apparently not being used to full effect as many games are still being refused classification.[49]

The first game to be released with an R 18+ rating was Ninja Gaiden Sigma 2 Plus. The game Saints Row IV became the first game to be refused classification under the new standard on 25 June 2013.[50][51] State of Decay became the second game to be refused classification less than 24 hours after the first (Saints Row IV) was banned. Both were refused classification on the grounds of "illicit or proscribed drug use related to incentives and rewards".[52]

Video games classified from 22 September 2024 containing "simulated gambling" will now be classified, at minimum, as R 18+.[53]

See also

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References

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[edit]
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The Australian Classification Board (ACB) is an independent established under the Classification (Publications, Films and Computer Games) Act 1995 that classifies films, computer games, and certain publications to provide consumer advice on their suitability for audiences of varying ages. As part of the National Scheme—a arrangement between the and state/territory governments—the ACB evaluates content based on statutory guidelines assessing classifiable elements including impact, themes, violence, sex, language, drug use, and nudity, assigning ratings such as General (G) for very mild impact, Parental Guidance (PG) for mild impact, Mature (M) for moderate impact, Mature Accompanied (MA 15+) restricting under 15, Restricted (R 18+) for high impact content adults only, X 18+ for explicit , and Classification (RC) for material deemed unsuitable due to excessive harm or promotion of crime. Comprising a director, deputy director, appointed members, and temporary members, the Board makes decisions via majority vote in a process independent of direct government influence, with the Director accountable to Parliament; decisions can be appealed to the separate Classification Review Board. Key to Australia's media regulation, the ACB has classified thousands of titles annually, adapting guidelines to emerging media forms while enforcing restrictions to protect community standards, particularly minors, though its refusals—often for interactive depictions of real-world violence, drug promotion, or illegal acts—have prompted discussions on balancing with under evidence-based harm criteria.

History

Origins in Early Film Censorship

In the early 1900s, Australian states individually implemented film censorship measures in response to growing public concerns over the medium's potential to corrupt youth and undermine moral standards. For instance, and Victoria enacted regulations requiring local approval for exhibitions, often targeting depictions of crime and immorality, with films facing outright bans in several states by 1912 due to fears of glorifying lawlessness. These fragmented state efforts highlighted the need for uniform federal oversight, particularly for imported content, as films proliferated post-Federation. The Commonwealth Film Censorship Board was established on May 21, 1917, under amendments to the Customs Act 1901 via the Customs (Cinematograph Films) Regulations, marking the federal government's entry into centralized film regulation. This body, comprising a Chief Censor and advisory members, was tasked with examining all imported films to prevent entry of those deemed "objectionable" on grounds such as indecency, violence, or subversion of authority. Unapproved films were prohibited from importation, with the board empowered to demand cuts or issue outright bans, enforcing standards aligned with prevailing community values of propriety and amid sensitivities. Early practices emphasized discretionary cuts to controversial scenes, reflecting a paternalistic approach to protect audiences, especially children, from perceived moral hazards. By the and 1930s, the board handled thousands of imports annually, approving most after minor edits while rejecting a small fraction for excessive brutality or . This era's extended to domestic productions seeking interstate distribution, as states deferred to federal decisions under reciprocal agreements, consolidating the board's influence. Notable policies included a moratorium on horror films from 1948 to 1968, banning genres seen as promoting undue fear or themes incompatible with rational public discourse. The board's foundational role in prioritizing empirical assessment of content impact over laid the groundwork for subsequent systems, though its outright prohibitive measures contrasted with later advisory ratings. Operations relied on a small cadre of censors, often drawn from backgrounds, whose decisions, while opaque, aimed to balance trade interests with social guardianship.

Establishment of the Modern Classification System

The transition to a modern classification system in began in the late , amid growing challenges to traditional practices. The 1968 High Court ruling in Crowe v Graham replaced the test—focused on a tendency to deprave and corrupt—with a 'community standards' assessment, evaluating whether material offended the modesty of the average person. This judicial shift facilitated legislative reforms, as direct bans increasingly conflicted with public demands for greater access to media reflecting diverse views. In 1970, Customs Minister announced a pivot toward , prioritizing consumer advisories over suppression to align with evolving societal norms. These early reforms culminated in 1972 under the , which enacted measures embedding classification as the core mechanism for films and publications, moving away from pre-1970s outright prohibitions by government censors. The existing Commonwealth Film Censorship Board, operational since earlier customs regulations in , adapted to this framework by issuing ratings such as General Exhibition and Restricted, though enforcement remained largely state-based and fragmented. By the , inconsistencies across jurisdictions highlighted the need for national uniformity, prompting the Australian Law Reform Commission's 1991 report (Censorship Procedure, ALRC Report 55), which advocated renaming the Film Censorship Board as the Classification Board and emphasizing contextual assessments over blanket moral judgments. The cornerstone of the modern system arrived with the Classification (Publications, Films and Computer Games) Act 1995, which formalized a National Classification Scheme between the and all state and territory governments. This Act established the Australian Classification Board (ACB) and Classification Review Board as statutory bodies, tasking the ACB with classifying content under the National Classification Code—a guideline assessing elements like sex, violence, drug use, and language based on impact levels (e.g., low, medium, high) and contextual factors. Unlike prior arrangements, where the primarily vetted imports via customs and states handled domestic enforcement, the 1995 framework centralized most decisions at the federal level for efficiency and consistency, while prohibiting unclassified or refused-classification material from sale or exhibition nationwide. The scheme incorporated computer games from inception, anticipating growth, and reflected a consensus-driven approach calibrated to empirical tolerances rather than ideological impositions.

Incorporation of Computer Games

The Classification (Publications, Films and Computer Games) Act 1995 marked the formal incorporation of computer games into Australia's national regime, expanding the scope of the Australian Classification Board (ACB) to encompass interactive alongside films and publications. This legislation, which received on 1 March 1995 and saw key provisions commence progressively through the year, defined computer games as "a and any associated data capable of generating a display on a screen, including any sounds accompanying the display, where the action or display is affected to a material extent by the input of the player." Prior to 1995, computer games operated in a regulatory gap under the federal scheme, with handled inconsistently at the state level or not at all, despite their growing popularity in arcades and home consoles during the early . The inclusion aimed to address concerns over unregulated content in an emerging medium, applying mandatory for commercial sale, hire, or public demonstration to safeguard minors from material deemed potentially harmful, such as explicit violence or sexual themes amplified by user interactivity. Upon incorporation, the ACB—administered at the time through the Office of Film and Literature Classification (OFLC)—adapted existing film classification guidelines to account for the unique interactive nature of games, emphasizing player agency, repetition of content, and cumulative impact over passive viewing. Games were required to receive a classification label before distribution, with categories mirroring films (e.g., G for general exhibition, PG for parental guidance, M for mature audiences, MA15+ for mature accompanied) but featuring game-specific descriptors like G8+ to indicate suitability for children aged eight and older, reflecting lower tolerance for certain elements in interactive formats. This approach prioritized empirical assessment of context and impact, though early decisions highlighted tensions: interactivity could elevate a game's rating due to repeated exposure to themes like drug use or implied sexual violence, leading to several titles receiving Refused Classification (RC) for lacking an adults-only category equivalent to films. The system's implementation involved industry submissions of games for review, with the ACB issuing decisions based on the National Classification Code, which prohibited content promoting or instigating crime, violence, or other specified harms. By the late 1990s, annual classifications numbered in the hundreds, covering console titles from platforms like PlayStation and , though enforcement relied on state mirroring the federal framework. Challenges arose from the absence of an R18+ category for games until 1 January 2013—delayed by parliamentary debates over and on gaming's effects—resulting in over 1,000 games effectively banned via RC between 1995 and 2012 for content like realistic or interactive mechanics. Post-2013, the R18+ rating allowed high-impact adult content without default refusal, but guidelines retained stricter scrutiny for compared to linear films, underscoring the causal link between player control and potential desensitization or behavioral influence as reasoned in board deliberations.

Reforms from 2010s to Present

In 2011, Australian federal, state, and territory ministers agreed to introduce an R18+ classification category specifically for computer games, following years of advocacy from the gaming industry and public consultations that highlighted the need for a dedicated adult rating to avoid blanket refusals of classification for titles with extreme or sexual content. This reform addressed a longstanding gap where games exceeding MA15+ boundaries were often assigned Refused Classification (RC), effectively banning them from sale. The updated guidelines took effect on January 1, 2013, enabling titles like and The Witcher 2 to receive R18+ ratings rather than RC, thereby expanding consumer access while maintaining restrictions on content deemed to promote or instruct in matters of or . In 2014, amendments to the classification guidelines permitted the use of automated tools under the (IARC) framework, allowing participating digital storefronts to generate provisional ratings for low-risk mobile and online based on standardized questionnaires, subject to ACB oversight. This change facilitated faster classification for the growing digital games market, reducing administrative delays while ensuring alignment with national standards. The Classification (Publications, Films and Computer Games) Amendment (Industry Self-Classification and Other Measures) Act 2023, passed on September 7, 2023, laid the groundwork for broader modernization by expanding self-classification options for industry participants. Stage 1 of these reforms commenced on March 15, 2024, enabling accredited classifiers within approved organizations—such as film studios and game developers—to self-assess uncontroversial content like low-impact trailers, exempt films, and certain computer games, thereby cutting compliance costs and processing times for non-contentious material. The ACB retains authority to review and override self-classifications, with monitoring to verify consistency against community standards outlined in the National Classification Code. On September 22, 2024, additional guidelines introduced specific consumer advice descriptors for gambling-like features in video games, such as loot boxes or in-game betting mechanics, to enhance parental awareness without altering core rating categories. Stage 2 reforms, initiated in 2024, involve a Classification Advisory Panel reviewing the guidelines for alignment across classifiable elements like themes, , and use, aiming to refine impact assessments for contemporary media while preserving the scheme's focus on protecting minors from high-impact content. These updates reflect ongoing efforts to balance regulatory efficiency with evidence-based protections, though implementation relies on unanimous state-territory agreement for any Code amendments.

Organizational Structure

Board Composition and Appointment

The Australian Classification Board comprises a Director, a Deputy Director, a variable number of full-time and part-time members, and temporary members drawn as needed. The Director holds ultimate responsibility for the Board's decisions and operations, while the Deputy Director assists in these functions. As of 2025, examples include Director Steven Thomson, appointed on 9 December 2024 for a term ending 31 December 2026, and Deputy Director Dominique Irlinger, appointed on 2 May 2025 for a term also ending 31 December 2026. Board members are appointed by the , typically on the recommendation of the relevant government minister, following a merit-based process that assesses candidates' suitability. Appointments emphasize diversity in expertise, including backgrounds in , , media, and community perspectives, with requirements that members communicate reasoning clearly, engage collaboratively, and align with statutory criteria under the Classification (Publications, Films and Computer Games) Act 1995. Terms for full-time and part-time members are fixed, often spanning three to five years and renewable subject to performance and government priorities, as seen in reappointments such as that of Jennifer Marvello in April 2022 extending to 31 December 2026. Temporary members, authorized by the Director from a maintained register, supplement the Board for specific s or workload demands, with individual terms ranging from one day to three months and cumulative service capped at seven years to ensure fresh perspectives. This structure allows flexibility while maintaining statutory independence, though the exact number of members varies and is not statutorily fixed beyond a practical maximum of around 30 including temporaries. All appointments prioritize individuals capable of applying the Act's guidelines impartially, reflecting community standards without predetermined ideological alignment.

Operational Functions and Processes

The Australian Classification Board (ACB) primarily functions to classify films, computer games, and certain publications submitted for assessment, applying the Classification (Publications, Films and Computer Games) Act 1995 and the National Classification Code to determine ratings that reflect prevailing community standards on suitable content for different age groups. Applicants, generally content distributors or producers intending commercial release, initiate the process by registering on the official Classification Portal, searching the National Classification Database for prior decisions, and submitting required materials such as digital files (via secure upload to Box.com), physical media (e.g., DCPs, DVDs, or Blu-rays), synopses, for non-English content, and applicable fees, which vary by media type and length. Publications, unlike many films and games, must be classified exclusively by the Board and cannot utilize self-classification options available to accredited industry participants. Upon receipt, the Board's Director or Convenor allocates submissions on a risk-based approach, assigning panels comprising full-time members (currently four, including specialists in ), part-time members, and temporary members appointed for periods from one day to three months to manage workload fluctuations. Panel members independently review the content, then convene for deliberations guided by statutory guidelines on classifiable elements (e.g., themes, , drug use) and context, employing a majority-voting procedure that emphasizes clear articulation of views and consensus on impact assessments to ensure decisions align with legal criteria for protecting minors and the broader community from objectionable material. Statutory timelines mandate processing within 20 business days for standard applications or five for priority (with an additional fee of $420), though practical completion may extend to 25 or seven days respectively, after which a classification certificate is issued via the portal, detailing the rating, consumer advice, and any refusals. The Board also delegates routine or low-risk classifications to trained Classification Branch staff or approved electronic decision-support tools under section 52 of the Act, while monitoring self-classification outputs from industry-accredited entities to verify compliance with national standards through audits, , and consumer research integration. Certificates are published on the National Classification Database the following business day unless a withholding request is approved, enabling public access and enforcement by state and territory authorities. This process maintains operational efficiency, with the Board handling thousands of submissions annually, while facilitating appeals to the independent Classification Review Board for dissatisfied parties.

Relationship with the Classification Review Board

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The Australian Classification Board (ACB) and the Classification Review Board (CRB) are integral components of Australia's classification system for publications, films, and computer games. Established under the Classification (Publications, Films and Computer Games) Act 1995, they operate in a complementary yet distinct manner to ensure that media content is appropriately classified and accessible to the public while adhering to legal and societal standards.

Relationship with the Classification Review Board

The Classification Review Board (CRB) serves as an independent body tasked with reviewing classification decisions made by the Classification Board (CB) when an is lodged. The CRB operates under the same legislative framework as the CB, ensuring consistency in the application of classification principles. It is composed of a Convenor, a Deputy Convenor, and other members, all appointed for specific terms. The current Convenor is Susan Bush, and the Deputy Convenor is Adam Davy, with terms expiring on 5 December 2025. The CRB's decisions are made by a vote and replace the original CB decision, providing a mechanism for reconsideration when necessary. Applications for review can be submitted by various parties, including the Minister, the original applicant, or the Attorney-General. The review is initiated upon receiving an application, and the CRB conducts its assessment independently of the CB. While the CRB's role is to make a fresh decision based on the same legal and classification principles, it does not alter the underlying classification framework. The CRB's decisions are reported and published, providing transparency in the review and ensuring in the classification system.
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Classification Guidelines and Criteria

The legal framework for the Australian Classification Board (ACB) is established by the Classification (Publications, Films and Computer Games) Act 1995 (Cth), which creates a co-operative national scheme across Australian jurisdictions for the of films, computer games, and certain publications. This Act requires that content be classified before public exhibition, sale, or hire, with the primary objectives of providing consumer information, protecting children from unsuitable material, and reflecting standards of morality, decency, and propriety generally accepted by the Australian community. The scheme is administered federally, with enforcement handled by state and territory laws mirroring the provisions. Classifications must conform to the National Classification Code, a legislative instrument made by the responsible Minister under section 8B of the Act, which outlines principles and criteria. The Code mandates refusal of for content that, among other things, depicts or describes matters of sex, drug misuse, or in a manner likely to promote or incite such activities, or that advocates the doing of an offence. It also requires consideration of the content's impact, context, and suitability for minors, balancing adult freedoms with protections against harm. Separate guidelines for films, computer games, and publications, issued under section 12 of the Act, provide detailed assessment standards, ensuring decisions are evidence-based rather than subjective. The classifiable elements form the core of classification assessments, comprising specific content descriptors evaluated for their treatment, frequency, and intensity. For films and computer games, these include: themes (such as depictions of , , , or ); violence (ranging from implied to detailed and realistic portrayals); sex (covering implied sexual activity to explicit depictions); nudity (from partial to detailed and sexualized); drug use (implied or explicit use of substances); and language (mild coarse terms to frequent strong or obscene expressions). Publications are assessed similarly but with emphasis on textual descriptions rather than visual elements. Impact is assessed on a spectrum from low (inconsequential) to high (very strong or confrontational), with context mitigating or exacerbating effects, such as realism in violence or gratuitousness in sex scenes. These elements are not exhaustive but guide determinations of whether content warrants advisory, restricted, or refused ratings.

Assessment of Impact and Context

The Australian Classification Board evaluates the impact of content primarily through six classifiable elements: themes, violence, , , drug use, and . These elements are assessed not in isolation but cumulatively, for their , intensity, realism, , and overall effect on the . Factors that elevate impact include detailed, prolonged, or realistic depictions, particularly in like computer games where user participation amplifies engagement and potential harm. Conversely, implied, brief, or incidental portrayals tend to reduce impact. Context modifies the perceived impact by providing narrative justification, such as addressing social issues, historical events, or artistic intent, which may justify otherwise restrictive content without altering the rating. For example, explicit violence in a documentary on war may receive a lower impact assessment than gratuitous depictions in fiction due to educational value, while comedic or fantastical tones can lessen the intensity of language or sex. Interactivity in games heightens context sensitivity, as prolonged play without supervision increases cumulative exposure compared to passive viewing. This aligns with section 11 of the Classification (Publications, Films and Computer Games) Act 1995, which mandates classifications reflecting community standards while considering context to avoid undue restriction. Impact levels are stratified into six categories, each tied to rating thresholds, ensuring decisions reflect the holistic treatment of elements rather than isolated peaks.
Impact LevelDescriptionCorresponding Rating
Very mildMinimal or negligible effects from elementsG
MildLow intensity, brief or implied contentPG
ModerateNoticeable but not overwhelming depictions
StrongDetailed and realistic, requiring maturityMA 15+
HighIntense, prolonged, or graphic materialR 18+
Very highExtreme or offensive to reasonable adultsRC (Refused Classification)
Content achieving very high impact, such as detailed promotion of or high-impact lacking justification, results in refused classification under the Act's criteria for protecting minors and community standards.

Application to Different Media Types

The Australian Classification Board applies the National Classification Code and associated guidelines uniformly to assess content across media types, evaluating elements such as themes, , sex, drug use, language, and nudity in context to determine suitable audiences based on likely impact. This framework, established under the Classification (Publications, Films and Computer Games) Act 1995, mandates for commercial films, computer games, and submittable publications prior to public sale, hire, exhibition, or advertising, with decisions reflecting medium-specific characteristics like or narrative passivity. For films, including theatrical releases, home video formats (e.g., DVD, Blu-ray), and on-demand streaming content, is required for all works intended for public distribution, ensuring labels inform on suitability. Applicants submit via the Classification Portal, providing physical or digital media in formats like files, with the Board considering cumulative impact from sequential scenes rather than isolated elements. Exemptions apply to short films under 40 minutes or content screened at approved cultural institutions for limited audiences, but violations of unclassified exhibition carry penalties up to 2 years imprisonment. Computer games undergo classification emphasizing player interactivity, where user-driven choices and repeated exposure to content can amplify psychological impact compared to linear films, potentially elevating ratings for elements like simulated violence or reward systems. All commercial games must be classified before sale or demonstration, with options for Level 1 (written descriptions), Level 2 (video excerpts), or full playthrough submissions; as of 22 September 2024, in-game purchases involving chance-based rewards receive an M rating, while simulated gambling features warrant R 18+. Authorized assessors may provide preliminary evaluations, but Board review remains mandatory for final decisions. Publications, defined as written or pictorial works like books, magazines, graphic novels, and , are classified only if deemed "submittable" by the Board—typically those likely to depict , misuse, or in ways warranting restriction or , sparing low-impact content from mandatory . Submittable publications receive Unrestricted, Category 1 Restricted (adults only, no display near minors), or Category 2 Restricted (sealed, adults only) labels, with for content promoting or detailing prohibited acts; unlike films and games, most everyday publications bypass unless state authorities refer them federally. Television broadcasts and advertisements fall outside the Board's direct purview, regulated instead by the Australian Communications and Media Authority under separate codes, though promotional materials for classified content must align with assigned ratings to avoid misleading descriptors.

Rating Categories for Films and Computer Games

General and Advisory Ratings

The general and advisory ratings applied by the Australian Classification Board to films and computer games—General (G), Parental Guidance (PG), and Mature (M)—denote content with very mild to moderate overall impact, providing non-binding guidance to consumers without imposing legal access restrictions. These categories assess classifiable elements such as themes, violence, language, drug use, nudity, and simulated sexual activity in context, prioritizing community standards under the Classification (Publications, Films and Computer Games) Act 1995. Unlike restricted ratings, advisory ratings allow unrestricted exhibition or sale, though exhibitors must display the rating symbols and any accompanying consumer advice detailing specific content elements. The General (G) rating indicates content of very mild impact, suitable for all audiences including children, though some material may lack appeal for younger viewers or briefly frighten very young children through elements like mild fantasy threats or low-level implied . G-rated works may include very mild classifiable elements, such as infrequent coarse or brief non-sexual , but must avoid detailed depictions that could exceed mild impact thresholds. For computer games, this rating applies similarly, ensuring no high-impact interactive elements. Parental Guidance (PG) signifies mild impact content, recommended for parental supervision of viewers under 15, as elements like implied sexual activity, moderate fantasy violence, or themes of social issues may confuse, upset, or require explanation for younger children. advice often highlights specifics, such as "mild themes" involving separation or "mild violence" with brief combat scenes sans graphic injury detail. In practice, PG ratings balance accessibility for families while signaling potential discomfort, as seen in classifications where contextual justification prevents escalation to higher categories. Mature (M) denotes moderate impact, advised for audiences 15 years and older due to potentially detailed or frequent classifiable elements like injury detail in , adult themes of substance dependency, or implied sexual references, though legal access remains open to minors. Unlike the enforceable MA 15+ rating, M serves as a caution for parents to review consumer advice, such as "moderate " or "," reflecting assessments where context mitigates but does not eliminate stronger elements. This category, introduced in refinements post-2005, accommodates nuanced content unsuitable for unsupervised youth without mandating accompaniment.

Restricted Access Ratings

Films and computer games classified MA 15+ (Mature Accompanied) contain content of strong impact, such as scenes and use, and are legally restricted to individuals aged 15 years and over. Persons under 15 require adult accompaniment to view or purchase such material, with proof of age potentially required at or entry. Consumer advice descriptors may include elements like themes, , coarse language, use, , or to inform audience decisions. The R 18+ (Restricted) classification applies to material with high impact content that may disturb or offend sections of the community, restricting access to adults aged 18 years and over. This rating prohibits minors from purchasing, renting, or viewing the content, with mandatory age verification enforced by retailers and exhibitors. It encompasses strong or high-impact depictions of , , or other themes unsuitable for younger audiences. X 18+ is a restricted classification exclusively for films containing sexually explicit material, including actual depictions of sexual activity or intercourse between consenting adults. Legally limited to persons 18 years and over, this category is not applied to computer games, which instead receive Refused Classification (RC) for similar explicit sexual content. Such films are prohibited from exhibition in public cinemas and are primarily available through licensed adult retailers.

Prohibited and Refused Classifications

Refused Classification (RC) is the designation applied by the Australian Classification Board to films and computer games deemed unsuitable for legal distribution within , prohibiting their sale, hire, public exhibition, advertising, or importation. This category ensures that content exceeding community standards of acceptability is restricted, as determined under the Classification (Publications, Films and Computer Games) Act 1995 and the National Classification Code. Material receiving an RC rating falls outside the permissible bounds of even the highest restricted categories, such as R 18+ for films or games, due to its potential to offend reasonable adult standards when assessed in context. The criteria for RC are specified in the National Classification Code, which mandates refusal for content that promotes, incites, or instructs in terrorist acts, including or the doing of terrorist acts. Additional grounds include depictions of or exploitation, bestiality, or material likely to incite or encourage or in a real-world context. For computer games, refusal occurs if interactive elements reward or require drug misuse, high-impact , or gratuitous cruelty, amplifying the risk of emulation. Films and games are evaluated based on classifiable elements—such as themes, , , , language, use, and horror—with RC assigned when these elements reach a very high impact level deemed offensive or harmful beyond contextual justification. Consequences of an RC decision are enforced uniformly across Australian jurisdictions, rendering the content illegal for commercial purposes and subject to by authorities if imported or possessed for distribution. Appeals may be lodged with the Classification Review Board, though upheld refusals, such as the initial 2008 denial for : due to high-impact scenes, demonstrate the Board's stringent application. Similarly, Manhunt (2003) received RC for interactive , preventing its unmodified release until potential review. These cases highlight the emphasis on preventing material that could desensitize users or model prohibited behaviors, prioritizing public safety over artistic expression when causal risks are evident.

Ratings for Publications

Scope of Literature and Publications Classification

Publications classification by the Australian Classification Board (ACB) applies to written or pictorial matter, encompassing books, magazines, graphic novels, , and similar formats that depict or describe elements such as , misuse or , , , or in ways potentially offensive to reasonable adults. This scope is governed by the Classification (Publications, Films and Computer Games) Act 1995, which mandates classification for certain publications prior to their sale, distribution, exhibition, or advertising in to ensure compliance with the National Classification Code. Unlike films and computer games, where classification is generally required for all commercial releases, most publications are exempt unless they qualify as "submittable publications," limiting the ACB's review to a narrower subset of material likely to warrant restrictions. A submittable publication is defined as an unclassified item that, based on the Classification Code and applicable guidelines, is likely to receive a restricted rating—such as Category 1 Restricted, Category 2 Restricted—or be refused classification altogether (RC). This includes with covers unsuitable for public display due to explicit content, as well as internal material featuring detailed depictions of abhorrent phenomena (e.g., extreme violence or ) or child exploitation that could offend reasonable standards of or decency. Publications intended for minors may also trigger review if deemed unsuitable, though the primary focus remains on adult-oriented content with high-impact elements; serial publications like magazines can apply for "serial declarations" to classify future issues periodically, provided content consistency is maintained. Classification applications must include the full content as intended for distribution, including advertisements, and are submitted via the Classification Portal with fees scaled by page count (e.g., $420 for up to 76 pages as of 2025). The ACB assesses publications against the Guidelines for the Classification of Publications 2005 (updated periodically), prioritizing , impact, and literary or while prohibiting content promoting or justifying or gratuitous depictions beyond what is necessary for the work's purpose. Non-submittable publications, such as standard novels or newspapers without offensive elements, face no mandatory review and may be freely distributed, though state enforcement acts impose penalties for unclassified restricted material (e.g., fines up to 5 penalty units in some jurisdictions). This targeted approach reflects a balance between regulating potentially harmful content and avoiding overreach on everyday , with the ACB classifying only around a few hundred publications annually compared to thousands of films and games.

Category Details and Exemptions

Publications are classified into four categories by the Australian Classification Board under the Classification (Publications, Films and Computer Games) Act 1995, guided by the National Classification Code and the Guidelines for the Classification of Publications 2005. Unrestricted publications face no legal barriers to sale, display, or advertising and are deemed suitable for general audiences, though they may carry consumer advice such as "M – not recommended for readers under 15 years" if the content includes moderate impacts like detailed but non-exploitative depictions of , , or . These publications must feature suitable covers and, where necessary, sealing or labeling to indicate any advisory elements. Category 1 restricted publications are legally restricted to adults aged 18 and over, requiring sealed wrappers and covers appropriate for display in general retail settings or opaque packaging if the cover is unsuitable. They contain explicit , detailed sexual activity, or likely to offend reasonable adults and unsuitable for minors, but exclude depictions of genital sexual contact or real sexual . Sales are prohibited in and certain areas of the , reflecting stricter state-level enforcement. Category 2 restricted publications impose stricter controls, limiting sales and display to adults 18 and over in designated restricted areas such as adult shops, with prominent packaging markings and no public display allowed. In and , sealed copies may be displayed in general outlets under state laws. This category applies to material featuring explicit sexual activity or revolting phenomena offensive to reasonable adults, including detailed and implied but not graphically detailed real . Like Category 1, sales are banned in and parts of the . Refused Classification (RC) prohibits the importation, sale, or possession of publications nationwide, reserved for content that offends community standards through exploitative or detailed depictions of , , , or drug misuse—such as advocacy of , promotion, or any sexual activity involving minors. Only submittable publications—those depicting, describing, or expressing matters of , misuse or , , , or likely to warrant RC, Category 1 restricted, or Category 2 restricted —require submission to the Board for assessment. Non-submittable publications, such as standard newspapers, most books, or low-impact magazines, are exempt from and may be freely distributed without Board review. Additional exemptions apply under the Classification (Publications, Films and Computer Games) (Conditional Cultural Exemption Rules) Instrument 2015 for certain artistic, educational, or scientific works exhibited by approved cultural institutions, provided they meet conditional criteria like limited access or contextual justification. Works of recognized , such as certain photographic collections, may also receive contextual leniency within categories rather than outright refusal.

Reform Proposals and Ongoing Changes

Proposals for Age Reference Adjustments

In February 2020, the Australian Classification Board proposed removing specific age references from the advisory classifications PG (Parental Guidance) and M (Mature Accompanied) to address parental confusion over their non-binding nature. Under the existing system, PG is described as requiring parental guidance "particularly for viewers under the age of 15 years," while M advises that the content "is not recommended for persons under 15 years," despite neither imposing legal restrictions unlike the MA 15+ category. The proposal aimed to refocus descriptions on content impact levels—such as low, mild, or medium—rather than numerical ages, arguing that age mentions implied stricter enforcement absent in advisory ratings. This adjustment was part of broader efforts to modernize the National Classification Code and guidelines, following consultations that highlighted inconsistencies in how parents interpreted advisory labels. Research indicated that the "under 15" phrasing led to misconceptions, with some assuming M content was inaccessible to younger teens, potentially undermining informed decision-making. Proponents contended that eliminating age anchors would encourage reliance on consumer advice descriptors for elements like violence or language, aligning classifications more closely with empirical assessments of material suitability across developmental stages rather than fixed thresholds. As of 2024, the proposal had not been fully implemented amid ongoing Stage 2 reforms to harmonize guidelines across media types, though it informed revisions emphasizing impact over age-specific caveats. Critics of the , including industry stakeholders, argued that vague advisory ratings without age cues exacerbate exposure risks for preteens and early teens, but official reviews prioritized clarity without altering gates for restricted categories. No proposals emerged to raise or lower numerical thresholds in binding ratings like MA 15+ or R 18+, with focus remaining on advisory refinements to better reflect causal effects of content on varied audiences.

Introduction of New Categories and Self-Classification

In March 2024, the Government implemented Stage 1 reforms to the National Classification Scheme, introducing self-classification mechanisms for films and computer games to streamline industry processes and reduce regulatory costs. Under these changes, accredited industry classifiers—approved by the relevant minister—can assess and assign classifications to content they intend to distribute in , bypassing direct submission to the Classification Board for lower-risk materials. The Classification Board maintains oversight, with powers to audit decisions, direct reclassifications, or handle cases involving Refused Classification (RC), which self-classifiers are prohibited from issuing independently to prevent conflicts of interest. Self-classification relies on government-approved tools or trained personnel adhering to the same guidelines as the Board, including consumer advice on themes like , , and . This system expands exemptions for low-impact content, such as short promotional clips or cultural materials, allowing without formal in many cases. The reforms, enacted via amendments to the Classification (Publications, Films and Computer Games) Act 1995, aim to enhance efficiency amid rising content volumes from streaming and digital platforms, while ensuring consistency through periodic Board reviews and penalties for non-compliance. Complementing these procedural shifts, new classification protocols for gambling-like elements in video games took effect on 22 September 2024, effectively creating specialized rating impacts within existing categories. Games incorporating in-game purchases with chance-based outcomes, such as loot boxes, must carry an M (Mature) rating accompanied by specific consumer advice, while titles simulating real-world activities—without actual monetary wagering—are restricted to R 18+. These measures, developed in response to concerns over addictive mechanics targeting younger audiences, apply to new releases and updates but do not retroactively alter prior classifications. The changes reflect of simulation risks, as identified in consultations, without introducing standalone categories but refining criteria to better inform parental and consumer choices.

Adaptations for Digital and Streaming Content

In response to the growth of on-demand video platforms, the Australian classification system requires that films and television series distributed via streaming services, such as , undergo classification under the same guidelines as theatrical or releases, ensuring age-appropriate consumer advice is provided to Australian viewers prior to public access. This applies to content meeting the definition of a "film" under the Classification (Publications, Films and Computer Games) Act 1995, including episodic series treated as feature-length equivalents when exceeding certain durations. To manage the increased volume of digital content, the Classification Branch introduced self-classification tools in the late 2010s, allowing approved streaming providers to use automated tagging systems aligned with Board precedents for provisional ratings, subject to random audits and review. A landmark adaptation occurred in November 2019 with the pilot of a Netflix-specific tool, the first globally, which enabled the platform to self-classify unrated international titles by analyzing metadata against Australian criteria, minimizing delays while maintaining refusal risks for prohibited material below 1% based on pilot data. The Classification (Publications, Films and Computer Games) Amendment (Industry Self-Classification) Bill 2023 formalized these mechanisms, effective from mid-2024, by authorizing accredited tools and industry classifiers for video-on-demand content, reducing reliance on full Board assessments for low-risk titles and expediting market entry for streaming libraries exceeding thousands of entries annually. This co-regulatory approach, informed by a 2020-2024 of the scheme, balances efficiency with oversight, as the Board can revoke approvals or reclassify content upon appeal or inconsistency detection, though it exempts short-form online videos under from mandatory unless commercially distributed as films.

Controversies and Criticisms

Delays in Implementing Mature Ratings

The absence of an R18+ classification category for computer games persisted in until January 1, 2013, despite the category having been available for films since 1996 under the Classification (Publications, Films and Computer Games) Act 1995. Prior to this, video games exceeding the MA 15+ threshold—due to elements such as high-impact , drug use, or —were routinely refused classification (RC), rendering them illegal to sell or import, even when equivalent film content would receive R18+. This gap stemmed from the initial application of film classification guidelines to without an equivalent mature adult restriction, leading to over 20 years of effective de facto bans on titles like (2007) and : Homecoming (2008), which were RC despite international releases under mature ratings. Proposals to introduce an R18+ for games first emerged in 2002 from the Standing Committee of Attorneys-General, recommending alignment with film standards to reduce refusals and allow for adults, but implementation stalled amid political debates over games' amplifying harm compared to passive media. Further delays occurred through vetoes by individual state representatives, including South Australia's Denis Atkinson, who cited unsubstantiated fears of games inciting real-world violence, blocking consensus at multiple attorneys-general meetings. A key postponement happened on December 9, 2010, when the decision was deferred again, originally slated for approval, prolonging the regime where mature games faced binary outcomes of MA 15+ or outright prohibition. Agreement on guidelines was finally reached in June 2011, permitting R18+ for games with explicit sexual activity, high-impact drug use, or interactive violence, yet full rollout required updating national guidelines and state enforcement, extending the process another 18 months. Critics, including the Interactive Entertainment Association of , argued the delays reflected outdated moral panics unsupported by empirical evidence on gaming's causal effects, resulting in unnecessary by publishers and higher costs for edited releases to fit MA 15+. Post-implementation, the R18+ category addressed some backlogs, reclassifying titles like from RC, but residual inconsistencies persisted due to the board's interpretive application of "high impact" criteria. These delays highlighted systemic inertia in harmonizing classifications across media, prioritizing precautionary restrictions over evidence-based risk assessment.

Accusations of Over-Censorship and Government Overreach

Critics, including representatives and free speech advocates, have accused the Australian Classification Board of over-censorship, particularly in its handling of video games, where content such as implied drug use or interactive violence leads to Classification (RC) despite being permissible in films or literature. For instance, in 2019, the zombie survival game DayZ was banned outright due to incentives for in-game drug consumption, a decision decried by Victorian MP Tim Smith as making "the laughing stock of the world" for prohibiting elements routine in unrestricted media. Similarly, received RC in 2021 for detailed depictions of drug effects, prompting calls from developers like ZA/UM to reform the system, arguing it stems from outdated "" over interactivity rather than empirical harm evidence. These rulings highlight inconsistencies, as the Board permits analogous content in non-interactive formats, fueling claims that the guidelines disproportionately target games based on medium-specific prejudice rather than consistent risk assessment. Accusations of government overreach intensified in January 2025 when the Classification Board proposed expanding its authority to periodically review and potentially reclassify "legacy" content—such as older films, books, and TV shows—every decade to align with evolving community standards. This initiative, detailed in submissions to a government review, was labeled by outlets as enabling "cancel culture" by allowing retroactive censorship of historically approved works, such as classics potentially offending modern sensibilities on violence or sexuality. Even Home Affairs Minister Clare O'Neil criticized the plan, warning it could mandate re-evaluations of enduring content like The Simpsons or literary staples, representing an unwarranted intrusion into cultural archives without demonstrated public demand or evidence of prior misclassifications. Proponents of the change argued it addresses shifts in societal norms, but detractors, including conservative groups like Family First, countered that it undermines fixed classifications and invites politically motivated revisions, exemplifying bureaucratic expansion beyond original statutory intent. Further examples underscore perceived excess, such as the 2013 delay in introducing an R18+ category for games—vetoed repeatedly by politicians like Michael Atkinson until public and industry pressure prevailed—leading to prior bans on titles like for gore interactive only in gameplay. In 2025, 's preemptive high-rating controversy echoed these issues, with the Board's sensitivity to horror themes drawing ire for preemptively hindering releases without full content review. Such decisions, critics contend, reflect not evidence-based protection but paternalistic overreach, as grey imports and digital circumvention undermine enforcement while stifling local creators, with no longitudinal studies linking classifications to reduced societal harms like youth violence.

Inconsistencies in Decisions and International Comparisons

The Australian Classification Board (ACB) has been criticized for inconsistencies in applying its guidelines, particularly in distinguishing between games and non-interactive films or television, leading to disparate outcomes for similar content. For example, depictions of drug use that reward or incentivize consumption in games, such as the administration of in (2008), resulted in an initial refusal of classification (RC) on July 4, 2008, effectively banning the game until a minor textual edit renamed the item "Med-X" and allowed reclassification as MA 15+ on August 12, 2008. In contrast, films like Trainspotting (1996), featuring explicit heroin use and overdose scenes without interactive elements, received an MA 15+ rating despite comparable thematic intensity. Such variances highlight how the ACB's emphasis on interactivity—deeming it more impactful—can lead to stricter scrutiny for games, even when core elements mirror those permitted in passive media. Further inconsistencies arise from appeals to the Classification Review Board, where initial refusals are sometimes overturned without substantive changes, suggesting variability in board interpretations. (2018) was classified RC on May 21, 2018, for mechanics portraying drug avoidance as dystopian punishment, interpreted as incentivizing use; however, following an appeal by Gearbox Publishing, the Review Board reclassified it R 18+ on July 3, 2018, finding the context did not promote crime or reward drug-taking. Similarly, (2014) received RC twice in 2013 due to implied against minors in alien probe scenes, but a censored revision earned MA 15+ approval, delaying release and incurring editing costs. These cases illustrate how subjective assessments of "impact" under the National Classification Code can yield reversible decisions, imposing economic burdens on developers while exposing gaps in consistent guideline enforcement across titles or media types. Internationally, the ACB's approach contrasts with more permissive systems in the and , where equivalent content often receives age-gated ratings rather than outright bans. In the , the (ESRB) assigned South Park: The Stick of Truth a Mature 17+ rating, permitting sales with warnings for blood, crude humor, and sexual themes, while the (MPAA) rates films like Irreversible (2002)—containing graphic rape and violence—as NC-17, allowing limited theatrical release. The (BBFC) similarly classified uncut versions of comparable games or films as 18, with cuts only for extreme cases, avoiding the ACB's pre-2013 absence of an R 18+ category for games that forced many titles into RC. Fallout 3 earned ESRB Mature 17+ in the despite its drug mechanics, underscoring Australia's stricter threshold for interactivity, which critics argue lacks empirical alignment with harm evidence and results in over 220 game refusals in four months post-R 18+ introduction in 2013. This divergence reflects causal priorities in ACB decisions favoring preemptive restriction over labeled access, differing from peer systems that prioritize warnings and parental discretion.

Effects on Free Speech, Industry, and Parental Rights

The Australian Classification Board's (ACB) power to issue Refused Classification (RC) ratings under the Classification (Publications, Films and Computer Games) Act 1995 prohibits the legal sale, hire, screening, or online distribution of affected films, games, and publications, thereby limiting freedom of expression by enforcing community standards over individual artistic or informational dissemination. This mechanism, justified as protection of public morals under international covenants like ICCPR Article 19.3, has drawn criticism for potentially stifling political commentary, educational content on sensitive topics such as , or creative works deemed offensive, as RC material carries penalties up to $275,000 for violations and receives no appeal beyond the Classification Review Board. Absent explicit constitutional free speech protections, such decisions reflect a precautionary approach prioritizing harm prevention over unrestricted access, though empirical links between classified content and societal harms remain contested in research. On the industry side, mandatory pre-market classification creates compliance costs and delays for producers, with RC outcomes forcing content alterations, regional edits, or outright market withdrawal, incentivizing to secure approvals—particularly in video games where interactive elements like rewarded drug use trigger high-impact assessments. For example, was delisted from Australia in 2022 due to depictions of drug production and consumption, while required renaming "morphine" to "Med-X" to evade RC; such interventions disrupt revenue streams and global release strategies, as developers tailor content to ACB guidelines outdated relative to an adult player base averaging 32 years old. Recent reforms, including automated tools via the since 2014, have streamlined some processes but not alleviated core restrictions on classifiable elements like simulated or . Regarding parental , ACB ratings and consumer advice—such as MA 15+ warnings for moderate impact themes—provide informational tools to family choices, with decisions explicitly recommending for certain content to align with individual tolerances. However, RC prohibitions eliminate parental discretion entirely, imposing uniform bans that override supervised access for older minors or family discussions, as seen in cases where ratings like M for films such as Avatar fail to reflect diverse parental judgments on suitability. This state-centric model, rooted in collective moral safeguards, contrasts with arguments for enhanced parental , potentially undermining to contextual evaluation amid that classifications inconsistently predict child outcomes or aggression.

References

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