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Falling Skies
Falling Skies
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Falling Skies
Series title card
Genre
Created byRobert Rodat
Starring
ComposerNoah Sorota
Country of originUnited States
Original languageEnglish
No. of seasons5
No. of episodes52 (list of episodes)
Production
Executive producers
Producers
  • John Ryan
  • Noah Wyle
  • Darren King
  • Grace Gilroy
Production locations
Cinematography
  • Christopher Faloona
  • Nate Goodman
  • Barry Donlevy
Editors
  • Donn Aron
  • Jon Koslowsky
  • Robin Russell
Camera setupSingle camera
Running time40–43 minutes
Production companies
Original release
NetworkTNT
ReleaseJune 19, 2011 (2011-06-19) –
August 30, 2015 (2015-08-30)

Falling Skies is an American science fiction television series set in a post-apocalyptic era, created by Robert Rodat and executive produced by Steven Spielberg. The series stars Noah Wyle as Tom Mason, a former history professor who becomes the second-in-command of the 2nd Massachusetts Militia Regiment, a paramilitary group of remnant US military personnel, military veterans, civilians and various fighters fleeing Boston, US, following an alien invasion that devastated Earth.

The series, a production of DreamWorks Television—and from 2014 to 2015, being a production from Spielberg's Amblin Television—was broadcast in the United States on the cable channel TNT, and in Canada on Super Channel (first-run broadcasts) and on Space (second-run broadcasts on a one-year delay). The series premiered on June 19, 2011. On July 18, 2014, TNT renewed the show for a 10-episode fifth and final season, which started on June 28, 2015, and concluded on August 30, 2015.[1][2]

Series overview

[edit]

Falling Skies begins 6 months after an alien invasion of Earth, where in the early days, the invaders neutralized the world's power grid and technology, defeated and largely destroyed all the world's militaries, and killed over 90 percent of the human population by destroying all of the world's major cities and capitals. The remaining 700 million humans, spread across the planet, continue to be killed by the alien invaders on an ongoing basis.

The aliens include mechanical attack drones called "mechs"; a species of six-legged beings known as "Skitters" that appear to control the mechs; and a mysterious species known as the Overlords, or "Espheni", the latter presumably the actual engineers and masterminds behind the invasion and Skitters' masters.

The aliens' objectives are not explained until the fourth season. They plan to extract helium-3 from Earth's moon to power their technology and to use humanity as an enslaved frontline military force in their war against another alien race. To do this, the invaders round up children between the ages of 8 and 18 where each will be attached with a biomechanical mind control harness to their spines. Forcibly removing it generally kills the child, but midway through the first season, a surgical method is developed that allows a harness to be safely removed, leaving in place the "spikes" that connected the harness to the spinal column. The fifth season reveals through an Espheni communication device (which Ben, who has the spikes, can interact with by touching it) that the Overlords have a Queen. In the series finale, the Queen explains that the invasion upon which the entire series is based is the result of a prior Espheni attempt to invade Earth, which is the only habitable planet in this galaxy and thus of immeasurable strategic importance. Her beloved daughter led that invasion 1550 years ago, but the Espheni underestimated humanity and the invasion was stopped. The Queen's daughter was killed and eaten, so the Queen swore to wipe out humanity in revenge.

The story follows a group of survivors who band together to fight back. They call themselves the "2nd Mass", an allusion to the historical regiment from the Continental Army. The group is led by retired United States Army Colonel Dan Weaver. Boston University history professor Tom Mason is second-in-command and must put his extensive knowledge of military history into practice while searching for his son Ben.[3][4]

At the end of the second season, a new alien race known as the Volm are introduced. Led by a Volm nicknamed Cochise by Tom Mason, the Volm are another species whom the Espheni conquered in their galactic expansion, and who want to destroy the Espheni in revenge. While more Volm forces arrive at the end of the third season, an attack on the Volm across the galaxy causes all but Cochise and a small team of Volm to abandon the Earth. Cochise and his soldiers continue to aid humanity in their war with the Espheni despite the lack of support from their superiors, notably Cochise's father.

In the fourth season, a devastating Espheni counterattack relegates humanity to Espheni-controlled ghettos across the planet. Meanwhile, Tom's half-Espheni daughter Alexis continues to grow and develop psychic powers due to her heritage. After the 2nd Mass eventually escapes the ghettos, another attack severely depletes its numbers. Learning of a power core on the Moon that controls all Espheni technology, Tom and Alexis launch an attack on the power core using a captured Espheni spacecraft. Alexis sacrifices herself to destroy the power core and Tom is lost in space, but the Espheni war machine is left crippled by the loss of their air support and mechanized servants.

In the fifth season, Tom is rescued by the Espheni's ancient enemy, the Dornia, who guide him into finding his inner warrior to defeat the Espheni once and for all. Returned to Earth, Tom rallies humanity into a global resistance that will march on major Espheni bases all over the world. Tom leads the militias in the United States in a march on the Espheni base in Washington, DC. With the help of an Espheni communications device, humanity learns that the Espheni serve a previously unknown queen who comes to planets when victory is assured and the Espheni are moving from invasion to occupation. Indeed, while in Washington, Tom spots signs of the Espheni moving in on Earth. Tracking the queen to the ruins of the Lincoln Memorial, Tom confronts her alone, and she informs him of the true reason for the invasion. Tom manages to infect the Espheni Queen with a Dornia bioweapon, killing her, and spreading the bioweapon throughout the Espheni species. The Espheni are destroyed and the Earth is freed. Months later, humanity is united in a favorable position – no longer faced by the pre-invasion challenges of over-population, while moving forward with the benefits of the technology taken from the Espheni, Volm and Dornia. Humanity begins rebuilding Earth and making plans to elect a new leader; when Tom is offered the leadership position, he refuses it.

Cast

[edit]

Main

[edit]
Actor Character Seasons
1 2 3 4 5
Noah Wyle Tom Mason Main
Moon Bloodgood Anne Glass-Mason Main
Drew Roy Hal Mason Main
Jessy Schram Karen Nadler Main Recurring Guest Does not appear
Maxim Knight Matt Mason Main
Seychelle Gabriel Lourdes Delgado Main Does not appear
Peter Shinkoda Dai Main Guest Does not appear
Mpho Koaho Anthony Main
Connor Jessup Ben Mason Main
Will Patton Dan Weaver Main
Sarah Carter Maggie Main
Colin Cunningham John Pope Main
Doug Jones Cochise Does not appear Main
Scarlett Byrne Alexis "Lexi" Glass-Mason Does not appear Main Guest

Recurring

[edit]

Production

[edit]

Conception

[edit]

Development officially began in 2009, when TNT announced that it had ordered a pilot for an untitled alien invasion project.[7] Falling Skies was created by Robert Rodat. Rodat wrote the pilot episode from an idea co-conceived with Spielberg.[8] Originally, Falling Skies was called Concord, referencing the battles of Lexington and Concord and Tom Mason's former profession as a history professor.[9] Spielberg then came up with the title Falling Skies. "I felt that this was a very interesting postapocalyptic story with a 21st-century [spin on the] spirit of '76. I came up – out of the blue one day – with the name Falling Skies, which is basically what happens to the planet after this invasion. What is unique about this particular series is that the story starts after a successful conquest of the world," he stated.[9]

Spielberg was attracted to the project due to its themes of survival. "I've always been interested in how we survive and how resourceful we are as Americans. How would the survivors feed the children? How do they resupply themselves militarily in order to defend and even take back what they have lost?" he added.[9] Like much of Spielberg's work, such as The Pacific and E.T. the Extra-Terrestrial, Falling Skies' running theme is family and brotherhood. He explained, "It's a theme I harken back to a lot because it's something I believe in. It's something I have the closest experience with. [Laughs] They say write what you know, and with seven children and three sisters... I tend to always come back to the family as a touchstone for audiences to get into these rather bizarre stories."[9]

While writing the pilot, Rodat dedicated a five-page montage to the alien invasion, but decided not to go through with it as it had been done before in films such as War of the Worlds. "I wrote a few drafts of it and I looked at and say, 'Ay-yay-yay, I've seen this before. There's no emotion to this. It feels like one of those montages,'" he said.[10] Rodat came up with the idea of having the children in the series "harnessed by aliens". "When we were working out the initial stuff, the thing that excited [Spielberg] was the idea that adults are killed if they're a threat, and kids are captured for whatever reason and changed or altered. The harness was a logical outgrowth of that. Then what we'll explore is what the harnessing does to the kid over the course of the show but that also is something that's going to have to unveil itself gradually," he stated. Spielberg previously explored the idea of enslaved children in the 1984 film Indiana Jones and the Temple of Doom.[10]

Series lead Noah Wyle emphasized Spielberg's presence on set by stating, "Anytime he gives an anointment to a project, it steps up the pedigree."[11] He continued, "[His] fingerprints are all over this. He shaped the script, cast the pilot, watched all the dailies, made the editing suggestions, worked on the post and on the aliens and spaceships."[11]

Colin Cunningham, who plays outlaw John Pope, said, "You'd show up and think, 'This is not a TV show; this is something else that we're doing," noting that Spielberg was very hands-on for the pilot. "Its scope is massive. Anytime you hear the word Spielberg, you know it's not going to be crap; you know it'll be quality and there will be some money behind it."[11] Mark Verheiden, who was the showrunner for the first season, stated, "It's great to know you have a world-class filmmaker backing up what you're trying to do who is supportive and helping design the great stuff."[11]

Casting

[edit]
Wyle at the 2010 San Diego Comic-Con promoting the series

Casting announcements began in June 2009 with Noah Wyle as the lead.[12] Wyle, who worked with TNT on The Librarian films, was sent scripts for various shows on their network. He said part of the reason he chose the part was to gain credibility from his children. "With the birth of my kids, I started to really look at my career through their eyes more than my own, so that does dictate choice, steering me toward certain things and away from other things," he said.[13]

He also decided to do it as he could relate with his character, stating, "I identified with Tom's devotion to his sons, and admired his sense of social duty." Spielberg wanted Wyle for the role because he knew him from his previous series ER, which Spielberg's company produced. He had wanted Wyle to appear in his 1998 film Saving Private Ryan, but Wyle was unavailable due to scheduling conflicts.[9] Spielberg stated that he was determined to work with him again.[9]

One of the things that was most attractive about it was shooting 10 episodes as opposed to 24, which affords me a bit of quality-of-life and allows me to have a presence in my kids' lives. But in terms of quality of writing, this was great writing. Mark Verheiden's a great writer. I enjoy this kind of storytelling just as much as all of those years on ER.

– Noah Wyle, on why he chose the role[14]

In July 2009, Moon Bloodgood was cast as Anne Glass, Jessy Schram was cast as Karen Nadler, Seychelle Gabriel was cast as Lourdes, and Maxim Knight was cast as Matt Mason.[15] Bloodgood, the female lead, did not have to audition for the role. She received the script and was offered the role.[16] Bloodgood was drawn to the role because of Spielberg and Rodat's involvement.[17] She stated: "Well certainly when you get handed a script and they tell you it's Bob Rodat and Steven Spielberg, you're immediately drawn to it. It's got your attention. I was a little cautious about wanting to do science fiction again. But it was more of a drama story, more of a family story. I liked that and I wanted to work with Spielberg." Bloodgood added that portraying a doctor excited her. "I liked the idea of playing a doctor and deviating from something I had done already," she said.[17]

In August 2009, Drew Roy was cast as Hal Mason, and Peter Shinkoda was cast as Dai.[18] Drew Roy's agent received the script and the pair joked that Roy might get the role. "This one came to me through my agent, just like everything else. We even joked about the fact that it was a Steven Spielberg project. We were like, 'Oh yeah, I might have a chance.' We were just joking."[19] He auditioned four times for the part. "The whole process went on for quite some time, and then towards the end, it was down to me and one other guy, and we were literally waiting for the word from Steven Spielberg 'cause he had to watch the two audition tapes and give the okay. That, in and of itself, had me like, 'Okay, even if I don't get it, that's just cool.' Fortunately, it went my way."[19]

Filming

[edit]
The Riverview Hospital mental health facility in Coquitlam, Canada was used to film several episodes of the second season.

The pilot was filmed in 2009 in Oshawa, Ontario, and the rest of the season was shot from July to November of the following year[20] in Hamilton[21] and Toronto.[22][23]

TNT announced production had begun on the second season on October 24, 2011.[24] Filming took place in Vancouver and at the Riverview Hospital in Coquitlam, British Columbia, from October 2011 to March 2012.[25]

Principal photography for the third season commenced on August 22, 2012,[26] and concluded in December.[27]

Production team

[edit]

Rodat and Spielberg serve as executive producers on the project. Graham Yost, Justin Falvey, and Darryl Frank are also executive producers. Yost had previously worked with Spielberg on the HBO miniseries The Pacific. Mark Verheiden is a co-executive producer and the series showrunner. Verheiden had worked as a writer and producer on Battlestar Galactica. Greg Beeman is also a co-executive producer. Melinda Hsu Taylor is a supervising producer for the series; she previously worked on Lost. John Ryan is the on-set producer. Remi Aubuchon was hired as the showrunner for the second season in May 2011 before the first-season premiere.[28][29] Noah Wyle became a producer for the second season.

Distribution

[edit]

Broadcast

[edit]

The series premiered on June 19, 2011, and was broadcast on the cable television channel TNT in the United States. It also premiered internationally in more than 75 countries that same year.[30]

Online promotion

[edit]
Promotional poster

For the first season, character videos were made available online.[3] The videos explore the main characters of the series. As part of the promotional campaign, a vehicle, with the TNT logo and called Falling Skies Technical, was released as a free gift in the social networking game Mafia Wars on June 14, 2011.[31] Following the second-season premiere on June 17, 2012, a live after-show titled 2nd Watch hosted by Wil Wheaton premiered. The series aired after encore presentations of Falling Skies on TNT's official site.[32] Wheaton discussed the latest episode with actors and producers of the series.

Blu-ray and DVD releases

[edit]

The first season was released on DVD and Blu-ray on June 5, 2012, in North America,[33] on July 2, 2012, in the United Kingdom[34] and on August 29, 2012, in Australia,[35] and on DVD only in South Africa on August 27, 2012.[36] In addition to all the episodes of the first season, extras include an extended version of the pilot episode, audio commentary on the pilot episode, a season-two preview, the 2011 San Diego Comic-Con panel, deleted scenes, character profiles, international promos, behind-the-scenes featurettes including the "Making of Skitter", "Harness Makeup Tips", and "Director One on One". A collectible trading card was released exclusively to Blu-ray.[37]

Comic books

[edit]

In September 2010, Dark Horse Comics, in partnership with DreamWorks Television and TNT, released the first issue in a four-part digital comic online limited series entitled Falling Skies. Written by Paul Tobin with art by Juan Ferreyra, the series details events taking place before the first season of the television show, but after the alien invasion and victory. These issues were later compiled into a single trade paperback volume entitled Falling Skies Volume 1, which was released in June 2011. On June 15, 2011, Dark Horse announced that due to higher-than-anticipated orders, the graphic novel had completely sold out.[38] It remained in publication as of June 2012.

In April 2012, Dark Horse began releasing a second eight-issue limited series entitled Falling Skies: The Battle of Fitchburg, with Paul Tobin returning as writer and Juan Ferreyra returning as series artist.[39] The digital comic was made available through both Dark Horse Comics and TNT via their respective websites. The story takes place chronologically between the first and second seasons of the television show and details a costly engagement occurring between the skitters and the 2nd Massachusetts Militia Regiment when the aliens surround the human forces at Fitchburg, Massachusetts. While not vital to the story of the television series, TNT and Dark Horse have stated that Falling Skies: The Battle of Fitchburg provides insight into the events leading up to the second season, and elaborates on how the characters got to where they are when the new season opens. As a companion to the comic, TNT released an audio series featuring the character John Pope, offering additional insight into the events detailed in the comic series.

Video game

[edit]

Falling Skies: The Game was developed by Torus Games and published by Little Orbit[40] as a turn-based tactical video game inspired by XCOM: Enemy Unknown and it was released for the PlayStation 3, Xbox 360, and PC, on September 30, 2014, and then the Wii U via the Nintendo eShop on October 30, 2014.

The game received mostly poor to negative reviews across all platforms due to slow gameplay, poor balancing in its mechanics, uninspired characters, and a weak story.

Reception

[edit]

Critical reception

[edit]
Critical response of Falling Skies
SeriesRotten TomatoesMetacritic
179% (38 reviews)[41]70 (27 reviews)[42]
281% (21 reviews)[43]64 (9 reviews)[44]
377% (13 reviews)[45]65 (4 reviews)[46]
488% (8 reviews)[47]
570% (10 reviews)[48]

For the first season, the series had a mostly positive reception. Tim Goodman of The Hollywood Reporter wrote "... the entertainment value and suspense of Falling Skies is paced just right. You get the sense that we'll get those answers eventually. And yet, you want to devour the next episode immediately."[49] Thomas Conner [de] of the Chicago Sun-Times called it "... a trustworthy family drama but with aliens". He continued, "It's Jericho meets V, with the good from both and the bad discarded. It'll raise the summer-TV bar significantly."[50] Ken Tucker from Entertainment Weekly gave the series a B+ and wrote that a "gradually developed, but decisive conviction makes Falling Skies an engaging, if derivative, chunk of dystopian sci-fi". He continued, "... Falling Skies rises above any one performance; it's the spectacle of humans versus aliens that draws you in."[51] In the Boston Herald, Mark A. Perigard gave the series a B grade, writing, "Don't look now, but Falling Skies could be a summer obsession."[52] Brian Lowry from Variety gave the series a mixed review, stating that he enjoyed the action sequences, but that "the soapier elements mostly fall flat" and called the series "painfully old-fashioned".[22]

The second season had positive reviews. Some critics praised it as being stronger than the first season. Maureen Ryan of The Huffington Post compared the second season to the first by saying, "Season 2 is a different animal, a much leaner and meaner machine that allows sentiment to be present but unexpressed and depicts a darker world in which innocence is a luxury that no one can truly afford."[53] Chuck Barney declared, "Sunday's explosive two-hour opener boldly delivers on the promise by TNT producers to rev up both the pace and the firepower in Season 2."[54] Screen Rant's Anthony Ocasio lauded the season premiere. "While further episodes will reveal more, the type of character development, intriguing storylines and exciting action that will be contained in Falling Skies season 2, there's no doubt that TNT's hit drama will likely become an epic adventure, spanning many seasons," he said.[55]

Ratings

[edit]

The two-hour premiere of Falling Skies was watched by 5.9 million viewers, making it cable television's biggest series launch of the year, with more than 2.6 million adults 18–49 and 3.2 million adults 25–54.[56][57] The eighth episode was watched by 4.31 million viewers and scored a 1.5 ratings share among adults 18–49 and Falling Skies became TNT's highest-rated series in target demos.[58][59] The first-season finale had 5.6 million viewers, the highest-rated episode since the series premiere, with 2.5 million viewers in the 18–49 demographic.[60] The first season tied with the FX series American Horror Story as the biggest new cable series of the year among adults 18–49.[61] In the UK, it premiered on nonterrestrial channel FX, with 420,000 viewers.[62]

Awards and nominations

[edit]
Year Association Category Nominated Result
2011 1st Critics' Choice Television Awards[63] Most Exciting New Series Falling Skies Won
2012 10th Visual Effects Society Awards[64] Outstanding Visual Effects in a Broadcast Series Rob Biagi, Curt Miller, Andrew Orloff, Sean Tompkins Nominated
Outstanding Models in a Broadcast Program or Commercial Jon Chesson, Steve Graves, Michael Kirylo, Renaud Talon Nominated
38th Saturn Awards[65] Best Presentation on Television (10 Episodes or Less) Falling Skies Nominated
Best Actor on Television Noah Wyle Nominated
64th Primetime Emmy Awards Outstanding Special Visual Effects Falling Skies Nominated
33rd Young Artist Awards Best Performance in a TV Series – Supporting Young Actor Maxim Knight Won
2013 34th Young Artist Awards[66] Best Performance in a TV Series – Supporting Young Actor Maxim Knight Nominated
Best Performance in a TV Series – Guest Starring Young Actress 14–16 Laine MacNeil Nominated
Best Performance in a TV Series – Guest Starring Young Actress 11–13 Olivia Steele Falconer Nominated
2014 35th Young Artist Awards[67] Best Performance in a TV Series – Supporting Young Actor Maxim Knight Nominated
2015 41st Saturn Awards Best Syndicated/Cable Television Series Falling Skies Nominated

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Falling Skies is an American post-apocalyptic television series created by and executive produced by . It aired on TNT from June 19, 2011, to August 30, 2015, across five seasons comprising 52 episodes. The series depicts the aftermath of a global that has decimated humanity, neutralizing the world's power grid and technology while leaving survivors to organize resistance efforts against the extraterrestrial invaders. The narrative centers on Tom Mason, a former Boston history professor portrayed by Noah Wyle, who becomes the second-in-command of the 2nd Massachusetts Militia Regiment, a group of civilian survivors fighting back in post-invasion Boston. Key supporting characters include Tom's sons Hal (Drew Roy) and Matt (Maxim Knight), regiment leader Captain Daniel Weaver (Will Patton), and doctor Anne Glass (Moon Bloodgood), whose personal struggles and evolving alliances highlight themes of family, survival, and human resilience amid escalating conflicts with multiple alien species. Produced by DreamWorks Television and distributed by Warner Bros. Television, the show blends intense action sequences with character-driven drama, drawing comparisons to Spielberg's earlier works like War of the Worlds. Falling Skies received generally positive reception for its compelling and strong , earning a 7.1/10 rating on from over 95,000 users and critical acclaim in early seasons for its exploration of post-apocalyptic themes. Over its run, it attracted an average viewership of around 2-3 million per episode, contributing to TNT's lineup of original scripted series during the early . The series concluded with a definitive resolution to the storyline, emphasizing and reconstruction in the wake of humanity's trials.

Premise and format

Premise

Falling Skies is set in a post-apocalyptic world six months after a sudden global by extraterrestrial forces known as the Espheni, which has eradicated approximately 90% of humanity by systematically destroying major cities and infrastructure worldwide. The aliens neutralized Earth's power grid and advanced technologies in a matter of days, leaving scattered pockets of survivors to contend with ongoing occupation and extermination efforts.https://www.imdb.com/title/tt1462059/plotsummary/ The Espheni employ a stratified , with the Espheni directing operations from afar, while their ground forces consist of Skitters—multi-limbed, insectoid creatures used for , capturing humans, and enforcing control—and Mechs, towering bipedal robotic units armed with lethal weaponry for direct combat and destruction. A key element of their strategy involves "harnessing" human children by attaching biomechanical parasites that subvert their wills, turning them into compliant soldiers and laborers to bolster the alien ranks.https://www.commonsensemedia.org/tv-reviews/falling-skies Amid this devastation, the story follows the 2nd Massachusetts Militia Regiment, a resilient group comprising former soldiers, civilians, and families banded together in the ruins around to scavenge resources, evade patrols, and launch guerrilla strikes against the occupiers. This unit represents broader human resistance efforts, emphasizing survival tactics, makeshift alliances, and the protection of the vulnerable in a collapsed society.https://www.rottentomatoes.com/tv/falling_skies/s01 At the forefront is Tom Mason, a former history professor who has risen to of the 2nd Mass, guiding the group through dilemmas and battles while searching for his captured sons, thereby highlighting overarching themes of familial bonds, strategic defiance, and the enduring human spirit against overwhelming odds.https://ew.com/recap/falling-skies-series-premiere-recap/

Episode structure and seasons

Falling Skies comprises 52 episodes across five seasons, broadcast on TNT from June 19, 2011, to August 30, 2015. Each episode has an approximate runtime of 42 minutes, structured as a serialized that interweaves high-stakes action sequences, post-apocalyptic dilemmas, and interpersonal character development to advance the overarching story of human resistance against an . Seasons typically build tension progressively, culminating in finales that propel the plot forward, emphasizing themes of resilience and strategic adaptation in a decimated world. The first season, consisting of 10 episodes aired in , establishes the core narrative by depicting the nascent organization of survivor militias in the immediate aftermath of the , including pivotal revelations about the aliens' manipulation of through harnessing . This installment focuses on guerrilla tactics and initial skirmishes, setting the stage for broader conflict while highlighting the fragility of early alliances among disparate groups. Season 2, also 10 episodes long and released in , expands the scope of human cooperation through the discovery of larger survivor enclaves and uncovers additional layers of the invaders' hierarchy and motives, deepening the lore surrounding the extraterrestrial threat. The intensifies internal dynamics within the resistance, incorporating strategic relocations and escalating confrontations that test loyalties and reveal potential weaknesses in the alien forces. The third season maintains 10 episodes in , heightening the stakes with the emergence of rival human factions and instances of that fracture unity, while introducing interspecies tensions that complicate the fight for survival. It shifts toward more coordinated offensives against the Espheni, blending political intrigue among survivors with direct assaults on enemy infrastructure. Season 4 breaks the pattern with 12 episodes in 2014, broadening the conflict to a worldwide scale through uneasy partnerships with the Volm—a rival alien species—and innovative tactics to counter Espheni advancements, such as weaponized technology and dispersal strategies. The storyline emphasizes nomadic resistance efforts and moral quandaries over collaboration with extraterrestrial allies, amplifying the global desperation of humanity's plight. The final season returns to 10 episodes in 2015, delivering a conclusive arc centered on direct confrontations with the Espheni leadership, including the queen, and culminating in humanity's hard-fought triumph over the invaders after years of attrition. It resolves lingering threads of sacrifice and redemption, wrapping the series with a focus on rebuilding amid the remnants of widespread devastation.
SeasonEpisodesPremiere YearKey Narrative Focus
1102011Resistance formation and harnessed children discovery
2102012 expansion and alien lore depth
3102013 escalations and betrayals
4122014Global alliances with Volm and Espheni counters
5102015Climactic Espheni Queen confrontation and victory

Cast and characters

Main cast

The main cast of Falling Skies features a core ensemble of survivors navigating the aftermath of an , with roles emphasizing leadership, family bonds, and resilience in the 2nd Militia . portrays Tom Mason, a former history who becomes the of the regiment. His sons include Hal (), (), and Matt (). Moon Bloodgood plays Anne Glass, the group's pediatrician and primary medical expert. Drew Roy embodies Hal Mason, Tom's eldest son and a skilled scout in the . Connor Jessup plays Ben Mason, Tom's middle son, who is captured and harnessed by the aliens early in the series, leading to physical enhancements and identity struggles. Maxim Knight portrays Matt Mason, Tom's youngest son, who represents innocence amid the chaos. Colin Cunningham depicts John Pope, a former criminal who becomes a conflicted member of the resistance. Will Patton stars as Captain (later Colonel) Daniel Weaver, the military commander of the 2nd Massachusetts. Mpho Koaho plays Anthony, a fighter and former Boston police officer in the militia. Seychelle Gabriel appears as Lourdes Delgado, a supportive community member whose faith aids the group. Sarah Carter portrays Margaret "Maggie" May, a resilient fighter and scout who joins in season 2. As Hal's love interest, she brings combat skills and personal stakes to the narrative.

Recurring and guest cast

Jessy Schram depicted Karen Nadler, initially Hal Mason's girlfriend before her transformation into a harnessed collaborator for the aliens, which turned her into a recurring antagonist across seasons 1–3. Karen's betrayal heightened interpersonal conflicts within the 2nd Mass, underscoring themes of loss and moral ambiguity while impacting group trust and Hal's emotional development in key subplots. Doug Jones brought to life , a noble Volm alien commander who emerged as a crucial ally to humanity in seasons 4 and 5, facilitating interspecies cooperation against the Espheni. Portrayed through extensive prosthetics, Cochise's diplomatic role enriched late-series subplots on alliance-building and strategic warfare, altering the resistance's dynamics by introducing advanced alien technology and ethical dilemmas. The recurring ensemble provides layered support to the main , focusing on interpersonal relationships and survival challenges.

Production

Development and conception

_Falling Skies was created by in 2009, drawing inspiration from historical resistance movements such as the , particularly the events at Lexington and Concord that sparked the fight for independence. envisioned a post-apocalyptic where survivors form a ragtag to combat an overwhelming alien force, mirroring the guerrilla tactics and determination of colonial fighters against superior British troops. This historical parallel grounded the series in themes of resilience and makeshift rebellion, setting it apart from more fantastical sci-fi invasions. The project gained momentum through executive production by under (later ), with whom Rodat co-conceived the core idea. Spielberg refined the pilot script, emphasizing family survival amid chaos, a motif drawn from Rodat's own experiences as a of three sons, which informed the central dynamic of a widowed protecting his boys. This focus on interpersonal relationships and emotional stakes elevated the concept beyond mere action, blending sci-fi elements with relatable human drama. The aliens were designed as biomechanical threats—skittering creatures and harnessed children—rather than advanced technological overlords, making the feel visceral and achievable for low-tech human resistance. TNT greenlit the pilot in late 2009, with the network ordering it to series in January 2010 after reviewing the script and early production elements. Initially pitched and structured as a 10-episode limited event, the strong reception to the completed pilot—evident in pre-air buzz and Spielberg's involvement—prompted TNT to eye a second season even before the premiere, ultimately expanding the series to five full seasons through successive renewals based on viewership performance.

Casting process

The casting for Falling Skies began in June 2009 with announced as the lead, Tom Mason, a role chosen in part due to his established paternal presence from playing Dr. John Carter on ER, a series produced by Steven Spielberg's . Spielberg, serving as an , played a key role in the early production, including casting the pilot episode to ensure alignment with his vision for the family-centric survival drama. In July 2009, was selected as Anne Glass, the resilient pediatrician and eventual romantic interest for Tom, with auditions focusing on her ability to convey both strength and emotional vulnerability while testing chemistry with Wyle to anchor the series' interpersonal dynamics. The production faced particular challenges in casting the child actors for the , given the intense survival themes involving loss, violence, and psychological trauma; , at age 12, was chosen as the youngest son Matt to portray a child's forced maturity amid the . For Ben Mason, the middle son, was initially cast in the pilot at age 15, but his role was elevated in subsequent seasons to emphasize the character's central arc of harnessing and rebellion against the aliens, reflecting the producers' adjustments based on pilot feedback and the actor's growth into the part.

Filming and locations

Principal photography for Falling Skies took place primarily in , which served as the stand-in for the post-invasion ruins of and surrounding areas during the first season, and in Vancouver, British Columbia, for subsequent seasons from 2010 to 2014. Additional locations in the , such as and , were used for specific scenes like the High School headquarters in season 1, while Vancouver's and areas provided diverse urban and industrial backdrops, including the Riverview Hospital for alien ship interiors in season 2. The series employed a mix of practical effects and (CGI) to depict its alien invaders, with companies like MastersFX handling on-set and puppets for the Skitters' upper bodies, while Zoic Studios enhanced lower extremities and full mechs with digital extensions. CGI was predominantly used for larger-scale elements like alien ships and beamers, allowing for dynamic aerial battles without extensive location shoots. The averaged approximately $2.5 million per episode, enabling this hybrid approach to balance realism and spectacle on a scale. Filming faced significant challenges from Canada's variable climate, particularly the cold, damp winters in that complicated outdoor survival sequences and even affected the animatronic alien suits. Set construction for camps and resistance bases required extensive builds in warehouses and rural lots around Hamilton and to simulate post-apocalyptic decay. As the series progressed into later seasons, production incorporated more varied Canadian locales, such as for global resistance scenes, to visually represent the escalating worldwide conflict without relocating internationally.

Creative team

The creative team behind Falling Skies evolved significantly over its five seasons, with showrunners guiding the narrative direction and script oversight. served as the initial and co-executive for Season 1, drawing from his experience on series like to establish the core resistance storyline against the alien invaders. Remi Aubuchon then took over as for Seasons 2 and 3, overseeing script development and introducing deeper interpersonal conflicts among the survivors while maintaining the action-driven tone. assumed the role for Seasons 4 and 5, bringing his background from to inject new story arcs, such as escalating alliances and betrayals, that propelled the series toward its conclusion. Directors played a crucial role in executing the show's intense action sequences, emphasizing practical effects and dynamic pacing. Greg Beeman, who directed 13 episodes across Seasons 1 through 4 and served as an , specialized in high-stakes battle scenes, including the Season 4 premiere's large-scale ambush choreography that highlighted the 2nd Militia Regiment's guerrilla tactics. Olatunde Osunsanmi directed six episodes, primarily in Seasons 4 and 5, where he replaced Beeman as co-; his work on episodes like the Season 4 finale "" focused on blending emotional character moments with explosive confrontations, such as spaceship pursuits and ground assaults. Creator Robert Rodat, who penned the pilot episode in collaboration with executive producer Steven Spielberg, provided foundational input during Season 1 but reduced his direct involvement thereafter, allowing subsequent showrunners to expand the lore. Spielberg maintained an ongoing advisory role as executive producer, offering guidance on visual effects integration and narrative pacing throughout production; for instance, during Season 3's post-production, he reviewed and influenced the completion of alien harness removal sequences and overall episode rhythm to heighten tension. This collaborative oversight ensured the series' consistent blend of survival drama and spectacle.

Release and distribution

Broadcast and international airing

Falling Skies premiered in the United States on TNT with a two-hour pilot episode on June 19, 2011, drawing 5.9 million total viewers and marking cable television's biggest series launch of the year. The series maintained a consistent summer airing schedule across its five seasons, beginning with the first season from June to August 2011 and shifting subsequent seasons to similar slots to align with TNT's seasonal programming strategy. This approach continued through the fifth and final season, which aired from June 28 to August 30, 2015, with the pilot's viewership representing the highest premiere peak for the show. Internationally, the series debuted on in the in 2011, shortly following its U.S. launch. In , it premiered on Super Channel on July 6, 2011, providing first-run broadcasts. International Television handled global distribution, securing deals for the series to debut in more than 75 countries through various networks and platforms. After its original run concluded in 2015, Falling Skies entered syndication and became available on streaming services, including Max (formerly HBO Max), where all seasons were available from December 1, 2020, until November 30, 2025. As of November 2025, it can be accessed via add-ons on platforms like or purchased/rented digitally on services such as and .

Home video releases

The first season of Falling Skies was released on DVD and Blu-ray in North America on June 5, 2012, by Warner Home Video, including bonus features such as behind-the-scenes documentaries on the visual effects and a Comic-Con panel with the cast. Subsequent seasons followed an annual pattern for home video distribution in North America:
SeasonFormatRelease DateNotes
2DVD/Blu-rayJune 4, 2013Includes episode commentaries and production featurettes.
3DVD/Blu-rayJune 3, 2014Features deleted scenes and interviews with the creative team.
4DVD/Blu-rayJune 2, 2015Contains behind-the-scenes looks at filming locations and stunts.
5DVD/Blu-rayFebruary 2, 2016Final season with farewell interviews and a WonderCon panel.
The complete series , encompassing all 52 episodes in high definition, was released on DVD and Blu-ray on February 2, 2016, in , featuring compiled bonus content including featurettes, commentaries, and exclusive material. Digital releases became available on platforms like and starting with season 1 in 2012, with each subsequent season following shortly after its broadcast run through 2015; the complete series is offered in HD on for purchase or rental. International home video releases varied by region, with Region 2 DVDs for often including multilingual subtitles and audio options; for example, the complete series box set launched in the on February 1, 2016.

Tie-in media

Falling Skies has spawned several official media expanding its post-apocalyptic universe, primarily through and digital games during the series' run from to 2015. Dark Horse Comics published the initial tie-in as a four-issue limited series in 2010, written by Paul Tobin with art by Juan Ferreyra, serving as a to the series. The story follows history Tom Mason and his sons as they join the 2nd Militia Regiment in the immediate aftermath of the Espheni in , detailing the group's formation and early struggles against the invaders. This was collected into a trade titled Falling Skies in July 2011, and it debuted as a free on the official Dark Horse and TNT websites to promote the show's launch. A second volume, Falling Skies Volume 2: The Battle of Fitchburg, followed in 2012 as an eight-issue digital series released biweekly for free, again scripted by Tobin and illustrated by Ferreyra, with an additional short story by executive producer . Set as a to season 2, it explores the 2nd ' pivotal conflict at Fitchburg, emphasizing tactical skirmishes and character backstories like those of Weaver and Anne Glass. These comics provided expansions without altering the main series' continuity, focusing on the human resistance's resilience and the aliens' biomechanical horrors. In 2014, a mobile strategy game titled Falling Skies: Planetary Warfare was released for and Android devices, developed and published by Little Orbit as a title with in-app purchases. Players could align with either the human resistance or the Espheni overlords, building bases, managing resources, and engaging in real-time battles to control territories in a bridging the show's early seasons. The game incorporated elements like harnessed children and mechs from the series, allowing strategic decisions that mirrored the 2nd Massachusetts' guerrilla tactics. Later that year, a separate console adaptation, Falling Skies: The Game, launched for PlayStation 3, Xbox 360, Wii U, and PC, featuring turn-based tactical combat as survivors fighting Espheni forces, though it received mixed reviews for its repetitive . TNT supported the series with interactive online promotions via its official website (fallingskies.com), including alien lore videos and fan engagement activities from 2011 to 2015. A notable example was the 2012 webisode series Falling Skies Unanswered Questions, which delved into Espheni biology, origins, and weaknesses through animated segments and interviews, aired to build hype for season 2. The site also hosted fan contests, such as artwork submissions and trivia challenges tied to episode airings, with prizes including signed merchandise and set visits, fostering community involvement during the broadcast seasons. These digital extensions, often integrated with , provided supplementary backstory without overlapping core plotlines. No significant official tie-ins have emerged since the series concluded in 2015.

Reception

Critical reviews

Falling Skies garnered generally positive critical reception, particularly in its early seasons, for revitalizing the genre through its focus on human resilience and post-apocalyptic survival. On Rotten Tomatoes, the series holds a Tomatometer score of 79% based on aggregated critic reviews, with Season 1 earning an 81% approval rating certified fresh. Critics highlighted the show's suspenseful pacing and emotional depth in depicting dynamics amid chaos, though some pointed to occasional reliance on tropes in plotting. Metacritic assigned Season 1 a score of 70 out of 100, based on 27 critic reviews, reflecting generally favorable opinions that commended the strong ensemble performances led by , while noting the narrative's formulaic structure in episodes centered on skirmishes and moral dilemmas. The overall series Metascore stands at 68 out of 100 from 43 reviews, underscoring a consistent but not exceptional critical consensus. In its review of the pilot episode, praised the tension built around the harnessed children's plight and Wyle's authoritative portrayal of a history professor turned resistance leader, though it critiqued the sentimental family moments as occasionally hokey. praised the high-stakes action sequences and Spielberg's executive production influence for grounding the spectacle in compelling human stories, particularly family themes. Critical reception evolved over the series' run, with Seasons 1 and 2 lauded for offering a fresh take on the invasion trope through strategic and personal stakes, maintaining Certified Fresh status on at 81% for both. Seasons 3 and 4 also received positive reviews, with Tomatometer scores of 77% (based on 13 reviews) and 88% (based on 8 reviews), respectively. Season 5 received a 70% Tomatometer score based on 10 reviews. The drew particular rebuke for its rushed resolution, with reviewers noting that while the action remained engaging, the emotional closure felt underdeveloped and the overarching narrative arcs unresolved in satisfying ways.

Viewership and ratings

Falling Skies premiered on TNT to strong U.S. viewership, drawing 5.9 million total viewers for its two-hour pilot , including 2.6 million adults in the 18-49 demographic. The series maintained solid numbers in its first season, averaging 4.2 million viewers per according to Live + Same Day metrics. Over its five-season run, the show averaged approximately 3.2 million viewers per , though ratings trended downward in due to and scheduling factors. The season 2 premiere peaked at 4.5 million viewers, buoyed by summer airings that capitalized on lighter programming slates. By the fifth and final season, the average fell to 1.97 million viewers, with the series finale "" attracting 2.39 million. Internationally, the series saw robust performance, particularly in the UK where the premiere garnered 423,000 viewers on FX, marking a solid launch for the channel's sci-fi slate. In Canada, it aired on Super Channel and benefited from local production ties in British Columbia, contributing to strong regional engagement. Post-broadcast, Falling Skies experienced a resurgence on streaming platforms after 2020, with notable boosts in viewership during the pandemic and continued niche appeal in sci-fi genres; by 2025, it rose on streaming charts ten years after its finale, reflecting enduring interest among audiences.

Awards and recognition

Falling Skies received recognition primarily through nominations in technical categories, particularly for its , as well as honors for its series launch and genre-specific accolades. At the 1st in 2011, the series was honored as one of eight shows in the Most Exciting New Series category, highlighting its anticipated impact as a new sci-fi drama produced by . The show earned two nominations from the Academy of Television Arts & Sciences for Primetime Emmy Awards in the Outstanding Special Visual Effects category. In 2012, for the 64th Primetime Emmy Awards, Falling Skies was nominated for its pilot episodes "Live and Learn" and "The Armory," with visual effects supervisors Andrew Orloff and Curt Miller credited. The following year, at the 65th Primetime Emmy Awards, it received another nomination for season 2, again crediting Orloff and Miller for their work on alien invasion sequences and post-apocalyptic environments. In the visual effects community, Falling Skies garnered two nominations from the (VES). For the 10th Annual VES Awards in 2012, the series was nominated in the Outstanding Visual Effects in a Broadcast Series category for the "Airbase," recognizing the efforts of Andrew Orloff and team in creating the alien "skitter" designs and harness . The 11th Annual VES Awards in 2013 nominated it for Outstanding in a Broadcast Program for the "Worlds Apart," led by VFX James David Hattin and including contributions to the Espheni visuals. The series also received multiple nominations from the Academy of Science Fiction, Fantasy & Horror Films at the , celebrating its genre elements. For the 38th in 2012, Falling Skies was nominated for Best Syndicated/ Series, alongside a nomination for lead actor in on Television. It earned five nominations at the 40th in 2014, including another for Best Syndicated/ Series and for supporting actress . The 41st in 2015 brought further nods for Best Syndicated/ Series, on Television for Wyle, and Best Performance by a Younger Actor in a Television Series for .

Analysis and legacy

Themes and motifs

Falling Skies explores themes of resistance and family through the lens of a post-invasion human struggle, drawing explicit parallels to historical wars such as and the . The series portrays the human militia's guerrilla tactics and communal bonds as reminiscent of revolutionary fighters enduring occupation, emphasizing how familial ties provide the emotional backbone for collective defiance against overwhelming odds. This motif underscores the redefinition of family beyond blood relations, as survivors form surrogate units amid constant loss, mirroring the brotherhood forged in historical conflicts. The concept of "harnessing"—where aliens attach biomechanical devices to children to exert control—serves as a central for the loss of and , particularly highlighting the vulnerability of in wartime. These harnesses symbolize the of childhood agency, transforming kids into tools of the and evoking the psychological scars of and separation from parents. The uses this device to delve into themes of mistrust and , as formerly harnessed characters grapple with lingering effects that blur the line between human and . Recurring motifs of versus despair are woven throughout the series via symbolic elements that represent human endurance, such as the 2nd Massachusetts Militia's adoption of iconography, including flag-inspired emblems evoking the revolutionary spirit. These symbols counter the bleakness of invasion by signifying persistent optimism and the refusal to surrender, even as characters confront repeated setbacks and moral ambiguities. The tension between despairing isolation and hopeful unity drives the , portraying resilience as a deliberate amid existential threats. Gender roles in Falling Skies feature strong female characters who often challenge traditional survival narratives by taking on combat, leadership, and medical duties in the resistance. Figures like Anne Glass evolve from caregivers to frontline fighters, subverting expectations of passive in apocalyptic settings. However, the series has faced criticism for occasional stereotypes, such as tying women's arcs to romantic entanglements or undermining their agency through emotional tropes, though later seasons amplify their independence.

Cultural impact and legacy

Falling Skies has left a notable mark on the subgenre of post-apocalyptic television, emphasizing themes of and human resistance against extraterrestrial overlords. The series' portrayal of ragtag survivor groups engaging in asymmetric influenced the subgenre's appeal for stories of collective defiance. The show's fanbase has engaged through dedicated conventions and media. Cast members have appeared at events like Comic-Con International and Fan Expo Portland, fostering discussions on the series' enduring elements. As of 2025, no reboots or major revivals have been announced, yet its availability on streaming services like Max underscores its lasting appeal as family-oriented sci-fi, emphasizing resilience and suitable for teen audiences and older.

References

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