Hubbry Logo
Future WarsFuture WarsMain
Open search
Future Wars
Community hub
Future Wars
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Future Wars
Future Wars
Future Wars
View on Wikipedia
from Wikipedia

Future Wars
European cover art
DeveloperDelphine Software
PublisherDelphine Software
DesignerPaul Cuisset
Programmer
ArtistEric Chahi
ComposerJean Baudlot
EngineCinematique[1]
PlatformsMS-DOS, Amiga, Atari ST, NEC PC-9801, Sharp X68000
Release1989
GenrePoint-and-click adventure
ModeSingle-player

Future Wars, subtitled in Europe as Time Travellers and in North America as Adventures in Time and known in France as Time Travellers: The Menace (French: Les Voyageurs du Temps: La Menace) is an adventure game from Delphine Software International, released in 1989. The game is mainly the work of Paul Cuisset (story and programming) and Éric Chahi (graphics). The game was intended to be the first of a series of adventure games revolving around time travelling but later episodes were never made.[citation needed]

Gameplay

[edit]

Future Wars is played by left-clicking for character movement, and right-clicking for character actions. The actions available in the right-click popup menu are: Operate, Examine, Take, Use and Inventory. "Use" had a subcategory which enabled the player to drag and select the items in their inventory.

Plot

[edit]

The player is not given a name throughout the game and the game cursor identifies him only as "hero". According to later references the game starts in 1990.

The player starts as a window cleaner outside a skyscraper on an electric elevator platform, when "Ed the boss" opens a window and shouts at him, causing him to knock his cleaning bucket over. Initially to refill his bucket, the player then can enter the building through the now-open window and after examining a map with a missing flag-pin, discovers a secret passage leading to a hidden room with strange machines in it. There he acquires some documents in an alien language which he keeps in the inventory.

One of the machines transports the player to the year 1304, where he rescues a damsel in distress from a local monastery. He learns that she is Lo'Ann, a time traveller who came with her father Lear to thwart an alien plot to plant a long-delay time bomb, and he helps them in their mission against the Crughons. However, by learning things he should not, he must be taken to the Supreme Council of the future so that his fate is decided.

The player is then transported to the 44th century to meet the council during an attack by the Crughons. After a minor mishap and subsequently having to make his way through the ravaged city of Paris II, the player eventually boards a shuttle to take him to the council's city, only to be kidnapped by the Crughons. He is rescued by Earth forces but subsequently accused of being a Crughon spy as he is still carrying the Crughon documents with him; he is only saved from execution by Lo'Ann who vouches for him to the Council.

The Council then explains history to the player: Humans had abandoned Earth and were living in colonies when the war with the Crughons began a century ago. The war pushed them to rehabilitate the abandoned Earth. They built a "time-space energy shield" system called S.D.I. "in memory of the past" which prevents the Crughons from both attacking Earth and also teleporting themselves through the shield. However, the Crughons managed to visit Earth in different periods of the past and plant three time bombs in the location of the future three S.D.I. generators. Once activated, the bombs cannot be deactivated and the only options are to either prevent the Crughons from planting them, or to prematurely detonate them. For now, Lo'Ann managed to defuse one of them with the player's help in the Middle Ages.[nb 1] However the one from the player's era detonated, allowing the Crughons to attack. Thanks to the documents the player was carrying, the Council determine that the third bomb was planted in the Cretaceous period.

The player and Lo'Ann then travel there to foil the Crughon's attempt. After an arcade sequence and the wounding of Lo'Ann, the player boards their spacecraft and travels to their headquarters to detonate the bomb prematurely. The game ends when after successfully detonating the bomb long before hominids even evolve (and providing an alternate explanation for the Cretaceous–Paleogene extinction event), the player returns to the 44th century to fight further battles against the Crughons.

Notes

[edit]

Reception

[edit]

Upon release, Future Wars received positive reviews.[6]

Computer Gaming World's Allen Greenberg praised the game's story as good, its graphics as "very imaginative and at times absolutely striking" and its musical score as "a respectable soundtrack which many will consider superior to most of those composed and released for theatrical films" but stated the same graphical detail was frequently hiding important objects vital to solving the game and hindering the player's movement in certain cases. It also criticized the Cinematique engine as "not quite the innovation Future War's designers claim it to be—similar features have appeared in games by Sierra as well as Lucasfilm."[7]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Future Wars

View on Grokipedia
from Grokipedia
Future Wars: Adventures in Time (French: Les Voyageurs du Temps: La Menace) is a point-and-click adventure developed and published by Delphine Software International. Released in 1989 for and Atari ST, and in 1990 for , it marks Delphine's debut in the adventure genre and introduces their proprietary Cinematique Événementielle interface for player interactions. The game follows a linear with puzzle-solving elements, where precise commands and environmental interactions are essential to progress. In the story, set initially in , the —a lowly —discovers a hidden laboratory while pranking his boss at a . He activates a time machine and becomes entangled in an interstellar conflict between humanity and the alien race known as the Crughns, who seek to eradicate across timelines. The window cleaner's journey spans multiple eras, including medieval in 1304, a post-apocalyptic future in the 44th century, and the period, where he must collect artifacts, forge alliances, and thwart the aliens' plans to prevent a catastrophic bomb deployment. The culminates in the saving a mysterious and averting the invasion, though his methods often involve morally ambiguous actions like accidental extinctions. Gameplay emphasizes exploration of hand-drawn environments, with the MS-DOS version featuring 256-color VGA graphics, and players using a context-sensitive cursor to "Observe," "Operate," or "Pick Up" objects. Puzzles require logical sequencing and pixel-perfect interactions, such as positioning the exactly to trigger events, alongside occasional arcade-style mini-games like a shooting sequence against mechanical foes or a timed . The interface lacks an inventory limit but features frequent dead-ends and no in-game hints, leading to potential frustration; death is common, often restarting players from recent save points. A later edition added an enhanced soundtrack. The game was primarily programmed by , who also crafted the story, with graphics by , known for later titles like Another World. Intended as the start of a time-travel adventure series, no sequels materialized despite initial plans. Upon release, it received praise for its atmospheric visuals and innovative interface but criticism for obtuse puzzles, poor English translation, and unforgiving design. Contemporary reviews averaged around 78% from critics, while modern player ratings hover at 3.4 out of 5, appreciating its retro charm when emulated via tools like . In , it was published by Interplay Productions under the subtitle Adventures in Time, expanding its reach beyond .

Development

Concept and design

Future Wars: Adventures in Time was conceived as the inaugural entry in a planned series of time-travel adventure games by Delphine Software International, but no direct sequels were produced, though the studio developed other adventure games before shifting commercial priorities toward action-adventure titles like Flashback and Another World. The game's core concept centered on a narrative-driven experience where an ordinary becomes entangled in extraordinary events, emphasizing immersive storytelling to draw players into a sprawling intergalactic conflict. This approach marked Delphine's debut in the adventure genre, aiming to blend elements with exploratory . It was the first collaboration between programmer and designer and artist . The story was developed by , Delphine's lead designer, who crafted the plot around a window cleaner's accidental discovery of a time machine, propelling him into an intergalactic against alien invaders known as the Crughons. Cuisset focused on the protagonist's unwitting involvement to create relatable tension, integrating puzzle-solving with narrative progression through discovery and environmental interaction. Key creative decisions included spanning multiple historical and futuristic eras—1990s modern day, 1304 medieval , the period 65 million years ago, and the 44th-century post-apocalyptic future—to highlight time travel's disorienting scope without relying on . Instead, the design stressed and hidden object discovery for advancement, integrating subtle environmental clues to encourage player and world-building. This non-violent , powered by Delphine's Cinematique , set the tone for the game's emphasis on visual spectacle and story depth.

Programming and art

The development of Future Wars centered on Delphine Software's custom Cinematique engine, specifically version evo1, which served as a proprietary point-and-click system tailored for adventure games and marked the first implementation in the studio's output. This engine facilitated mouse-driven interactions, including object examination, inventory management, and character navigation, while supporting 320x200 resolution with 16 colors on platforms like and ST. It represented a hybrid approach between earlier Sierra interfaces, incorporating basic and to enhance puzzle integration and scene transitions. Programming responsibilities were primarily led by , who managed the core logic underlying the game's mechanics, including scripting for interactive elements and environmental responses. Cuisset's contributions focused on the engine's foundational code, ensuring seamless handling of dynamic events within the adventure framework. Art direction fell to , who crafted the game's hand-drawn backgrounds and character sprites, emphasizing detailed and atmospheric visuals that evoked varied settings through meticulous techniques. Chahi's work utilized direct pixel placement in paint programs to create immersive environments, drawing on his freelance expertise to produce a distinctive aesthetic aligned with French adventure game traditions. Audio elements were composed by Jean Baudlot, who developed an atmospheric supporting both AdLib for DOS versions and Roland MT-32 for enhanced playback, contributing to the game's tense and exploratory tone. Additional sound design came from Marc Minier and Antoine O'Heix, integrating effects that complemented the visual style. The project involved a small team, primarily Cuisset and Chahi, developed over 1988–1989 following Delphine Software's founding, reflecting the efficient, artist-driven approach characteristic of early French game studios.

Release

Platforms and versions

Future Wars was initially released in 1989 for and platforms in by Palace Software, with Delphine Software International as the developer. In , Interplay Productions published the game under the title Future Wars: Adventures in Time, starting with the and versions that year. The version followed in 1990, supporting EGA and VGA graphics modes. Ports to the Japanese NEC PC-9801 and Sharp computers arrived in 1991, featuring adaptations for local hardware including support and optimized display for their respective architectures. These 16-bit ports, like the earlier and ST releases, included minor graphical enhancements such as improved color palettes compared to the DOS version's EGA limitations. The game utilized Delphine's Cinematique engine for cross-platform compatibility, enabling consistent 320x200 resolution across all versions. Version differences primarily involved localization: the original European release, titled Les Voyageurs du Temps: La Menace, featured French text, while international editions provided English translations. A DOS CD-ROM variant added an enhanced soundtrack but retained identical gameplay and visuals to the edition. No official ports to consoles or mobile devices were produced during the original release period.

Distribution and marketing

Future Wars was distributed primarily through physical media, including 3.5-inch floppy disks and accompanying printed manuals, targeting platforms such as and . In the United States, Interplay Productions handled publishing and distribution, while in the and parts of , Palace Software and Ltd. managed the release. As a French-developed title by Delphine Software International, it received stronger promotional support in owing to the developer's local presence. Marketing efforts positioned the game as a pioneering cinematic , leveraging its innovative Cinematique point-and-click interface to emphasize immersive and narratives. Promotional materials, including box art, featured dramatic imagery of futuristic conflicts, such as alien encounters and temporal anomalies, to evoke a sense of epic sci-fi intrigue. The PC version retailed for approximately £25 in the UK, reflecting standard pricing for premium titles at the time. Initial commercial performance was modest amid the growing but competitive market of 1989, where established series from publishers like Sierra On-Line dominated shelf space and consumer attention. Regional differences were notable, with limited in the compared to more robust campaigns in , particularly , where Delphine's domestic ties facilitated greater visibility. Some releases addressed the game's puzzle complexity by including optional hint guides, though not universally bundled.

Gameplay

Point-and-click interface

The point-and-click interface in Future Wars: Adventures in Time (1989) utilizes Delphine Software's proprietary Cinematique engine to facilitate interaction in a graphic adventure format. Players control the using a mouse-driven system, where the left primarily handles movement and executes selected actions on objects or locations within static, pre-rendered backgrounds. This setup emphasizes precise cursor placement, often requiring pixel-perfect positioning to trigger interactions, which can lead to frequent prompts like "go a little closer" if the character is not ideally aligned. Right-clicking accesses a dropdown menu of verb commands, including Examine (to inspect objects), Operate (to activate mechanisms), Take (to pick up items), Use (to apply selected inventory items), and Inventory (to view collected possessions). This menu-based approach avoids drag-and-drop mechanics, instead necessitating navigation through submenus for item combinations and applications during puzzles. Inventory items are displayed as enlarged static drawings when selected, with no persistent on-screen icons cluttering the cinematic presentation; the cursor may change form contextually, such as to a hand icon for operable elements, to indicate potential interactions. The 's screen layout features a clean, immersive design with backgrounds dominating the view and minimal overlaid elements, prioritizing narrative flow over cluttered UI. Pressing both buttons simultaneously opens a broader options for saving, loading, or quitting. is integrated at startup via questions drawn from a color-coded physical manual, such as identifying specific hues in diagrams, which prevents progression without the original documentation and deters unauthorized copying. No native features are present, reflecting the era's standards, and keyboard support is limited to basic navigation functions without comprehensive shortcuts for actions. The interface's reliance on precision and cycling can feel cumbersome, particularly in timed sequences, but it establishes a foundational point-and-click paradigm for Delphine's subsequent titles.

Puzzles and objectives

In Future Wars: Adventures in Time, players engage in a linear progression across distinct time periods, exploring environments to collect items and solve challenges that advance the narrative toward preventing an . The structure emphasizes item acquisition and environmental interaction, where missed opportunities can lead to dead ends or character death, requiring careful exploration to maintain solvability. Puzzles primarily revolve around inventory-based combinations, where collected objects—such as keys, tools, or makeshift devices—are applied to interactive elements in the surroundings to unlock paths or resolve obstacles. Common examples include using an item to manipulate a mechanism or combining tools for a specific effect, often demanding precise positioning to succeed. Hidden object searches form another core type, involving pixel hunting for small, camouflaged items within detailed scenes, which can frustrate players due to the need for methodical scanning. Timed sequences add urgency, such as navigating mazes under pressure or avoiding detection in short windows, blending puzzle-solving with reactive timing. Difficulty arises from obscure logical connections between actions and outcomes, promoting trial-and-error approaches without built-in hints or guidance, which relies on player persistence and experimentation. Many solutions lack intuitive cues, leading to repeated attempts, while instant-death scenarios—triggered by incorrect interactions or overlooked details—reset progress and heighten tension. The absence of explicit tutorials or on-screen aids underscores the era's design philosophy, making navigation through the game's locations a test of observation and deduction. Progression operates on a checkpoint-like system through manual saves, allowing players to preserve states at key moments, though frequent saving is essential to mitigate risks from dead ends or failures. Advancement occurs episodically, with each time period featuring a cluster of interconnected puzzles that must be cleared to transition forward, culminating in the fulfillment of the central objective. This setup balances with challenge, typically spanning multiple hours of play focused on logical problem-solving rather than verbose .

Plot

Modern era setup

The game Future Wars: Adventures in Time opens in with , the , employed as a on the exterior of a towering in a bustling urban environment. His routine workday involves navigating the heights of the building while dealing with an irate boss, establishing a mundane, everyday existence amid the concrete and glass of contemporary city life. This setting subtly introduces early sci-fi elements through glimpses of advanced technology hidden within the structure, contrasting the protagonist's ordinary labor with underlying mysteries. Frustrated by his boss's temper, the decides to play a harmless prank by sneaking into the executive office on an upper floor. While searching for materials to execute the joke, he stumbles upon a concealed door leading to a secret laboratory concealed behind the skyscraper's facade. Inside, he discovers sophisticated equipment, including a enigmatic time portal device alongside cryptic documents hinting at extraterrestrial origins, which pique his curiosity and mark the inciting incident. In a moment of impulsive exploration, he accidentally activates the portal, triggering an immediate that draws the attention of shadowy pursuers intent on silencing the intrusion. This initial sequence introduces core themes of an unassuming individual's life being upended by unforeseen extraordinary circumstances, blending initial bewilderment and serendipitous discovery with rising tension. The tone carries humorous undertones through the protagonist's petty workplace mischief, which sharply juxtaposes the emerging peril from the hidden technological threats, heightening the sense of disorientation without resolving into broader temporal exploits.

Time travel sequences

The sequences in Future Wars propel the through disparate eras, revealing an interstellar orchestrated by the alien Croughns race. After being inadvertently pulled into a temporal during his routine work as a window washer in , the allies with a network of time agents to thwart the Croughns' plan to eradicate humanity across history. In the medieval era of 1304, the materializes in a swamp near a , where he encounters the time agent Torin, who aids him in infiltrating a guarded by advanced technology disguised as medieval artifacts. Posing as a , he uncovers evidence of Croughns interference involving historical figures, including a king's daughter who is revealed to be a future traveler; together, they expose the aliens' manipulation of events to destabilize human timelines. This alliance forms the core of an of agents, including Lo'ann, who provide guidance and artifacts essential for further jumps. The narrative then shifts to the period, approximately 65 million years ago, where the protagonist embarks on a perilous quest amid dinosaurs to retrieve a critical artifact from a Croughns outpost. He battles Croughns forces using rudimentary weapons adapted from the era, allying with Lo'ann to board an alien shuttle and sabotage their operations, which inadvertently links to the planet's mass . Advancing to the 44th century in the year 4315, the sequences depict a high-stakes interstellar war in a dystopian future, with humanity's remnants fighting the Croughns amid ruined megacities like IV. The navigates battles and infiltrates Croughns bases, disarming a temporal intended to rewrite history by targeting Earth's Strategic Defense Initiative (S.D.I.) shield from the . The climax ties these eras together, revealing the Croughns' bombs as the catalyst for the – extinction and a broader on the S.D.I. shield to prevent human technological advancement. By detonating the primary device in the prehistoric era, the severs the aliens' temporal network, resolving the conflict but at the cost of unintended historical ripples, such as the dinosaur apocalypse. Throughout, the story emphasizes themes of interconnected timelines, where interference in one period cascades across others, and the ethical burdens borne by an ensemble of time agents in preserving .

Reception

Critical reviews

Upon its initial release in 1989, Future Wars received generally positive reviews from contemporary critics, who praised its visual and auditory presentation while critiquing certain mechanics. In Computer Gaming World, reviewer Allen L. Greenberg highlighted the game's imaginative story, striking graphics with vivid detail and animation, and outstanding stereo musical score by Jean Baudlot, though he noted frustrations from pixel-by-pixel searches for hidden objects and real-time sequences requiring rapid inputs. Format awarded it 84%, lauding the atmospheric scenes and smooth Cinematique point-and-click interface developed by Delphine Software. Critics frequently commended the immersive plot involving across eras, the artwork by featuring detailed, varied environments from medieval landscapes to futuristic vistas, and Baudlot's evocative soundtrack blending and sci-fi motifs, positioning the title as a standout European in an era dominated by American developers like Sierra. However, common criticisms included the clunky interface limiting actions to five basic commands, frustrating hidden object hunts due to tiny, obscured items, and the absence of , which left dialogue feeling static. Aggregated critic scores reflect this mixed but favorable reception, with compiling an average of 78% from 25 reviews across platforms, stronger in European outlets than in the where it faced stiff competition from more polished Sierra titles. The game enjoyed particularly high praise in , its home market, for advancing local design. In modern retrospectives, Future Wars holds cult status among point-and-click enthusiasts for its pioneering Cinematique engine and Chahi's influential , which foreshadowed cinematic adventures like Another World. However, puzzles are often deemed unfair by contemporary standards, with excessive pixel hunting and dead-end traps requiring extensive backtracking drawing consistent ire. Player ratings on average 3.4 out of 5 from 68 aggregated scores, underscoring its dated charm amid enduring flaws.

Commercial performance

Future Wars was published as a budget title priced at around $50 USD in . It was ported to the Japanese console as Future Wars: Toki no Boukensha. Specific sales figures are unavailable, but the game helped establish Delphine Software as a developer in the . Its outcomes contributed to Delphine's later focus on action-adventure titles like Flashback (). Reissues in the 1990s included the game in Delphine compilations for PC and platforms.

Legacy

Future Wars: Adventures in Time played a pivotal role in pioneering cinematic point-and-click adventure games in during the late 1980s, particularly influencing French developers through Delphine Software International's innovative use of rotoscoped and narrative-driven gameplay. The game's emphasis on fluid, movie-like sequences set a standard for visual storytelling in the genre, helping to broaden the appeal of adventure games beyond niche audiences by integrating sci-fi time-travel elements with puzzle-solving mechanics. This approach inspired subsequent European titles by establishing a template for immersive, graphically ambitious adventures on 16-bit platforms. The legacies of key creators further extended the game's impact. , who handled the story and programming for Future Wars, drew from its foundations to develop Flashback in 1992, blending point-and-click elements with real-time action to create a hybrid cinematic platformer that echoed the time-travel themes and rotoscoped style of his earlier work. Similarly, , responsible for the game's graphics and animation, refined his rotoscoping techniques from Future Wars in his solo project Another World (1991), which adopted a minimalist, cinematic aesthetic that became a hallmark of French game design. These evolutions marked a shift toward more dynamic, action-oriented adventures while retaining the visual flair pioneered in Future Wars. Delphine Software's debut with Future Wars solidified time-travel tropes as a staple in games, paving the way for the studio's "Cinematique" engine trilogy and influencing the trajectory of 16-bit era gaming histories. As the studio's first major release, it established Delphine's reputation for high-production-value , directly leading to (1990), a that adapted the point-and-click interface and narrative complexity to a spy thriller setting. While Future Wars had no direct sequels, its thematic echoes appear in Delphine's Cruise for a Corpse (), another that explored intricate plots and character-driven mysteries using the same engine, though without . The game's influence is also noted in broader discussions of , with retrospective analyses highlighting its role in shaping French contributions to the . In cultural retrospectives on 1980s adventure games, Future Wars is frequently cited for its ambitious scope and technical innovations, underscoring its place in the development of cinematic gaming narratives. It receives minor mentions in examinations of game design history, particularly regarding the integration of filmic techniques in early European titles.

Modern availability and preservation

Future Wars: Adventures in Time is primarily accessible today through emulation software, as no official digital re-releases or modern ports exist on platforms like GOG or . The game runs via , an x86 emulator that simulates the original environment, allowing play on contemporary systems without significant issues beyond minor graphical flickering if the wrong video mode is selected during installation. Support for the game was integrated into , an open-source interpreter for classic adventure games, via the Cine engine starting in November 2006, with full compatibility achieved in version 1.1.1 released in 2011. This enables seamless playback on Windows, macOS, , and mobile devices, though the original copy protection requires the protection booklet for initial setup, as ScummVM does not automatically bypass it for this title. As an title, Future Wars is freely downloadable from archival sites such as My Abandonware and the , where disk images and manuals are preserved for historical purposes. However, legal gameplay typically necessitates ownership of an original copy to address legitimately, with community discussions noting that emulation setups often require manual intervention for authentication. Preservation efforts include comprehensive archiving by the , which hosts multiple versions including the floppy disk images and manual, ensuring long-term accessibility despite the degradation risks posed by aging like original floppies. No official has been produced, but fan communities have contributed enhancements such as resolution improvements in emulation configurations, though specific patches for or Japanese localization remain limited or undocumented in major repositories.

References

  1. https://www.mobygames.com/game/2205/future-wars-adventures-in-time/
  2. https://www.pcgamer.com/saturday-crapshoot-future-wars/
  3. https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/FutureWars
  4. https://forceforgood.co.uk/adventure/future-wars/
  5. https://www.myabandonware.com/game/future-wars-adventures-in-time-wf
  6. http://www.hardcoregaming101.net/future-wars/
  7. https://www.polygon.com/2018/9/3/17795728/delphine-software-games-history-out-of-this-world-prince-of-persia/
  8. https://gamesnostalgia.com/story/142/legendary-game-designers-paul-cuisset
  9. https://wiki.scummvm.org/index.php/Future_Wars
  10. https://www.mocagh.org/miscgame/futurewars-alt-manual.pdf
  11. https://advgamer.blogspot.com/2014/01/game-40-future-wars-introduction.html
  12. https://www.lemonamiga.com/game/future-wars-time-travellers
  13. https://www.pcgamingwiki.com/wiki/Future_Wars
  14. https://www.hardcoregaming101.net/future-wars/
  15. https://archive.org/details/future-wars
  16. https://amr.abime.net/review_39009
  17. https://www.mobygames.com/game/2205/future-wars-adventures-in-time/covers/
  18. https://arstechnica.com/gaming/2011/01/history-of-graphic-adventures/
  19. https://www.fastcompany.com/90240345/myst-at-25-how-it-changed-gaming-created-addicts-and-made-enemies
  20. https://mrabandonware.wordpress.com/2017/12/30/future-wars-adventures-in-time/
  21. https://gamefaqs.gamespot.com/pc/564637-future-wars-adventures-in-time/faqs/51712
  22. https://advgamer.blogspot.com/2014/02/game-40-future-wars-final-rating.html
  23. https://www.mobygames.com/game/2205/future-wars-adventures-in-time/reviews/
  24. http://pdf.textfiles.com/zines/CGW/1990_09_issue74.pdf
  25. https://amr.abime.net/review_1874
  26. https://www.amigareviews.leveluphost.com/futurewa.htm
  27. https://www.chalgyr.com/2020/12/gamingthoughts-delphinesoftwareinternational.html
  28. https://www.anotherworld.fr/anotherworld_uk/another_world.htm
  29. https://www.filfre.net/2018/06/another-world/
  30. https://forceforgood.co.uk/adventure/operation-stealth/
  31. https://www.rockpapershotgun.com/have-you-played-future-wars-aka-adventures-in-time
  32. https://www.dosbox.com/comp_list.php?showID=191&letter=F
  33. https://www.scummvm.org/news/20061117/
  34. https://www.scummvm.org/compatibility/1.1.1/cine:fw/
  35. https://forums.scummvm.org/viewtopic.php?t=7126
  36. https://archive.org/details/msdos_Future_Wars_1989
  37. https://www.computinghistory.org.uk/pages/56680/videogame-preservation/
Add your contribution
Related Hubs
User Avatar
No comments yet.