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The Gauntlet and Grim Hunt
The Gauntlet and Grim Hunt
The Gauntlet and Grim Hunt
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"The Gauntlet"
Promotional image from Web of Spider-Man (vol. 2) #1 (December 2009)
Art by Adi Granov
PublisherMarvel Comics
Publication dateNovember 2009 – July 2010
Genre
Title(s)The Amazing Spider-Man #611–637
Web of Spider-Man vol. 2 #2–7
Grim Hunt: The Kraven Saga
Amazing Spider-Man: Origin of the Hunter
Main characterSpider-Man
Creative team
Writer(s)Mark Waid
Fred Van Lente
Joe Kelly
Dan Slott
Marc Guggenheim
Roger Stern
Zeb Wells
Artist(s)Barry Kitson
Paul Azaceta
Javier Pulido
Marcos Martin
Nick Dragotta
Michael Lark
Max Fuimara
Joe Quinones
Francis Portela
Michael Gaydos
Marcos Checchetto
Phillipe Briones
Jefte Palo
Chris Bachalo
Emma Rios
Lee Weeks
LettererVC's Joe Caramagna

"The Gauntlet" and "Grim Hunt" are 2009–2010 comic book storylines published by Marvel Comics. Despite being more issues, "The Gauntlet" was solicited as leading up to the "Grim Hunt" story, and the two storylines are interconnected. Written by The Amazing Spider-Man architects (Mark Waid, Marc Guggenheim, Fred Van Lente and Joe Kelly), "The Gauntlet" is not a strict event or storyline; it is the branding that indicates the direction of Spider-Man's life. In effect it is an event similar to Dark Reign only focusing on Spider-Man and his circle.[1] "Grim Hunt" directly follows "The Gauntlet" and acts as a sequel of sorts to "Kraven's Last Hunt". The storyline received generally positive reviews.

Premise

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The story features many old Spider-Man villains: Sandman, Electro, Chameleon, Mysterio, Hammerhead, Lizard, Morbius, the Living Vampire and Rhino[2][3] as well as appearances by Deadpool,[4] Scorpion II, Vulture (Jimmy Natale), and Juggernaut.

The Gauntlet is basically the over-arching theme of the Spidey stories starting in November. It's built of individual stories bring back Spidey's classic enemies. So it's not some 18-part story, where you're going to see "The Gauntlet Part 7" and "Part 8" and so on. What it is is sort of a branding for the level of conflict building in Spider-Man's life. The classic villains returning one after the other, but they're not necessarily working together. There's not some secret mastermind behind it all, bringing them all together. The fact that it's so relentless and that these battles and fights build throughout several months is going to have a cost for Peter Parker, and perhaps someone is going to take advantage of that.

— The Amazing Spider-Man editor Steve Wacker[1]

Plot summary

[edit]

The Gauntlet preludes

[edit]

A revamped Doctor Octopus temporarily takes over New York City as Ana Kravinoff captures Madame Web.[5] The Chameleon returns and is then recruited by Sasha Kravinoff after his defeat by Spider-Man.[6]

Ana Kravinoff tortures and drugs Madame Web to find out information about Spider-Man,[7] then she recruits Diablo after Spider-Man defeats him.[8]

Deadpool is hired by Ana Kravinoff to distract Spider-Man while she captures Mattie Franklin. This occurs when Spider-Man is fighting a female version of the Stilt-Man.[9]

The Gauntlet

[edit]

Power to the People

[edit]

Electro's powers are deteriorating and he has been left in ruin by the stock market. Seeing that Dexter Bennett has secured a bailout from the federal government to save the Daily Bugle, he starts a public and social media movement to turn the people of New York against Dexter Bennett and the New York Stock Exchange for their greed. Because of this, Electro is believed to be a hero to the people of New York and, when Spider-Man tries to fight him, they turn against him. Electro has been offered a very expensive cure for his declining health by the Mad Thinker, but is unable to pay for it. To get the money for the cure, he makes a deal with Dexter Bennett in exchange for calling off the campaign against him. The Mad Thinker attempts to cure Electro, turning him into an artificial electrical thunderbolt, but Spider-Man intervenes. Electro uses this power to betray Bennett. Spider-Man eventually defeats him, but not before Bennett is crippled by falling debris and the Daily Bugle is destroyed. Electro is then shown in the epilogue running into Sasha Kravinoff and the Chameleon in his new jail cell.[10]

Keemia's Castle

[edit]

Spider-Man helps Carlie Cooper with an investigation involving three murders and a missing girl named Keemia Alvarado. Someone manages to steal three top secret files about the three murders. Spider-Man traces the murderer to Governor's Island, where he finds Keemia. Sandman is revealed to be on the island and he proclaims himself as Keemia's father. In the very next issue, a few of the copies of Sandman, after confronting Spider-Man, confess that they are the actual killer of the mother and two others. Sandman, shocked that his own duplicates could free themselves from his control, begins battling his other duplicates. Spider-Man then obliterates Sandman with a fan, and gets back to Manhattan with Keemia. Keemia is then taken into foster care against her and Peter's will.[11]

Rage of The Rhino

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A new villain in a Rhino suit is told by Sasha Kravinoff that he can gain honor by killing Aleksei Sytsevich, the original Rhino. However, Aleksei no longer has his Rhino suit and is living with his new wife Oksana. Meanwhile, Peter begins working full-time at the Front Line and on his first story the new Rhino attacks Aleksei. Spider-Man fights the new Rhino to protect Aleksei and is defeated. He later meets up with Aleksei, who managed to get away and convinces him not to put his Rhino suit back on.[12]

Mysterioso

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The Maggia is on the brink of destruction due to the loss of Silvermane during his gang's shoot-out against Owl's gang, Bruno Karnelli's bad leadership, and fighting with Mister Negative, as well as Hammerhead siding with him. The Maggia hires Mysterio to help them get out of their problems, but he accepts only to serve his purposes. In a fight between the Maggia, Mister Negative, and Spider-Man, most of the Maggia die and Mysterio loses all of the money he gained through this endeavor. Afterwards, Mysterio is approached by Chameleon (disguised as Jean DeWolff) who tells Mysterio that he has some friends that are "dying to meet him."[13]

Out for Blood

[edit]

Black Cat helps Spider-Man to steal the vial of Peter's blood that Mister Negative has and replaces it with a vial of pig blood, so Mister Negative is unaware of losing the ability to kill Spider-Man through his Devil's Breath formula.[14]

It is the Life

[edit]

Spider-Man discovers that Morbius was behind the theft of his blood and was using to it to try to find a cure for the zombie virus that has infected Jack Russell. Spider-Man volunteers to give him more blood. In the issue, there is also a side-story "The Five Stages of Grief" written by The Spectacular Spider-Man TV series co-creator Greg Weisman. It shows Flash Thompson dealing with the five stages of grief for losing his legs[15] during the Iraq War.[16]

Scavengers

[edit]

Electro breaks the new Vulture out of prison. He wants revenge on the person who turned him into a monster, and he is told that J. Jonah Jameson did this to him. The mob starts pulling up fake claims that Jameson had created the new Vulture and the media gets a hold of it. Spider-Man finds out and arrives at City Hall just in time to save Jameson. The Vulture manages to escape when Spider-Man runs out of web fluid. The Vulture learns the truth about Jameson and the mob and attacks the gangsters. Meanwhile, Peter decides to edit a photo to prove Jameson's innocence. However, Jameson reveals that the photo is a fake and fires Peter in public, who ends up running out of City Hall. Peter wonders how things could get worse for him as the Vulture flies overhead.[17]

Endangered Species

[edit]

In a continuation of the story "Rage of The Rhino" from The Amazing Spider-Man #617. Aleksei and his wife try to go into hiding in protective custody, but the new Rhino attacks the vehicle taking them to a safehouse and Oksana is killed. Aleksei is so enraged by this he re-dons his old Rhino suit and fights the new Rhino. Spider-Man tries to stop all of this from happening, but he fails. In the end, the old Rhino kills the new Rhino.[18]

The Sting

[edit]

After quitting S.H.I.E.L.D., Carmilla Black has taken up independent contracts. Sasha Kravinoff hires her to steal Mac Gargan's original Scorpion costume from the Hood, who plans to award it to the low-level crook that impresses him after receiving the Scorpion costume from Norman Osborn. The Scorpion stings Spider-Man and he temporarily loses his powers. Meanwhile, Michelle Gonzalez arrives to the ensuing fight to stop the man she was defending in court to ruin his second chance. Peter saves her, then changes into Spider-Man now that his powers are back. He saves Scorpion from the Hood and she manages to deliver the suit. When Peter gets back to his and Michelle's apartment, the two agree to a truce.[19]

Something Can Stop the Juggernaut

[edit]

In a sequel to that story "Nothing Can Stop the Juggernaut!", a new Captain Universe is created by the Uni-Power possessing a man named William Nguyen to fix fractures in the tectonic plates beneath New York City that were created during the "Nothing Can Stop the Juggernaut!" story. Captain Universe instead tries to kill the Juggernaut and Spider-Man gets involved trying to save the Juggernaut's life. When the new Captain Universe insists on killing the Juggernaut instead of fixing the tectonic plates as Juggernaut ruined his life, the Uni-Power leaves him and enters the Juggernaut. The Juggernaut uses the power of Captain Universe to repair the damage to the tectonic plates, Spider-Man then arranges for amends between Juggernaut and Nguyen. Issue #628 also features a short story of Spider-Man and Iron Man fighting Absorbing Man.[20]

Shed

[edit]

Dr. Curt Connors has a new job and he has lost custody of his son Billy Connors. After his boss berates him and prevents him from taking his Lizard suppressant, Connors transforms and eats his boss. Billy Connors is kidnapped by Ana Kravinoff after she left his foster mother for dead, and Ana abandons Billy when the Lizard arrives. Connors's personality fights with his reptilian will, but the Lizard drowns out Connors's and eats Billy while Ana and Alyosha watch on. Then the Lizard sheds his skin and becomes a new form. This form is smarter than any previous form of the Lizard and has the telepathic abilities to connect to the "lizard part" of the human brain. However, some of Connors's emotions were passed to this new Lizard, which causes him regret for what he has done.[21]

"Grim Hunt" preludes

[edit]

In The Amazing Spider-Man: Grim Hunt: The Kraven Saga #1, Spider-Man has a dream revealing the dark future that awaits him and his kin.[22] In the Amazing Spider-Man: Origin of the Hunter one-shot, Ana Kravinoff looks over some of her father's journals recounting the original Kraven's skirmishes with Spider-Man.[23]

"Grim Hunt"

[edit]

Peter is approached at his apartment by a severely wounded Kaine. Then an explosion is heard outside and Peter sees Arachne fighting Ana and Alyosha Kravinoff, so he rushes to help her. After a battle with them, they go to Mattie Franklin's apartment where they find Ezekiel Sims, a wall-crawling superhuman who had died prior to these events. Ezekiel starts to talk about a war between spiders and hunters. Mattie Franklin is killed by Sasha Kravinoff as a sacrifice that resurrects Vladimir Kravinoff as a large human-lion hybrid creature. Sasha says they will need the blood of Spider-Man to properly resurrect Sergei.[24]

Spider-Man, Arachne, and Ezekiel go to search for Araña who is the next target. They find her already under attack by the Kravinoffs and join the fight. However, they are defeated and Arachne and Araña are captured. Kaine arrives late since the Kravinoffs already escaped and tells Spider-Man that he should run. Spider-Man and Ezekiel have a long discussion before they leave for the Kravinoff's base. Once there, Ezekiel reveals himself to be the Chameleon, and Spider-Man is defeated. In the presence of the Kravinoffs and Mysterio, Spider-Man is then put on a table where he is killed with a knife. With Spider-Man's death, Sergei Kravinoff steps out of his grave.[25]

Kraven gets acquainted with his family after his awakening. Kraven states that Sasha restored him with corrupted blood, or the "unlife". They pull off the mask of the corpse of Spider-Man hung in their mantel and find out that it is Kaine in Spider-Man's costume. Peter finds a coffin with Kaine's corpse along with his black suit with a note from Kraven reading "Hunt Me".[26]

Spider-Man puts his black suit on again and goes on to take revenge on the Kravinoff family. Madame Web is killed by Sasha. Before dying, she transfers her powers to Arachne. Spider-Man defeats the Chameleon, Alyosha, and Vladimir. He then ambushes Sasha and violently tears part of Sasha's face off with his wall-climbing power for what happened to Mattie Franklin, Madame Web, and Kaine. While Spider-Man fights Kraven, Araña fights both Sasha and Ana. Spider-Man defeats Kraven and is about to kill him with a spear when Kraven whispers "thank you" and Arachne begs Spider-Man not to kill Kraven. Arachne shows him a future where Spider-Man turned into an outcast killer because of killing Kraven. With Spider-Man silent, Kraven begs him to end his life as he believes that his life is linked to Spider-Man and that he cannot die by any other hand, and while he was dead, he was apparently in a better place. Due to the visions that Arachne received, Spider-Man reluctantly lets Kraven live and states that his return gave him a second chance and he should use it. Spider-Man idly suggests that Kraven should go and be a dentist or something. The Kravinoff family then disappear in a flash, leaving the spiders alone before they can hand them over to the authorities. Spider-Man, Araña (now in Arachne's costume) and Arachne (no longer in costume, and now blind due to her gaining Madame Web's powers) bury Kaine and Cassandra in a potter's field. Arachne, now the new Madame Web, predicts that the Kravinoffs will be back, simultaneously assuring Spider-Man and Araña that she is fine with the trade-off of her vision for Madame Web's powers. In the Savage Land, Kraven decides to hunt his own family where if they survive long enough, they could be called a Kravinoff. He breaks Sasha's neck for arguing back and euthanizes Vladimir due to respect for the dead. Alyosha then leaves, but Ana then makes a deal with Kraven: if she kills her brother, he will train her and create a stronger family. If not, he will forget about family. In the epilogue, Kaine crawls out of his grave, mutated into a more spider-like form – including six extra eyes in a spider-like pattern – now referred to as 'Tarantula', implied to be the result of Kraven's resurrection creating an imbalance.[27]

Other versions

[edit]

What If?

[edit]
  • An alternative possibility for the events of Grim Hunt begins with the decision of Spider-Man to kill Kraven as Kraven insisted. Spider-Man is conflicted and runs back into the arms of Mary Jane after killing Kraven. She is thrilled until she finds an issue of a newspaper that pegs Spider-Man as the murderer of Kraven. He says it was a mistake coming to her. After a heated exchange with Mary Jane at the bridge, he goes to his apartment as Peter Parker to find an intervention waiting for him, and drunkenly confesses to Spider-Man having murdered Norman Osborn in the Raft. After being refuted, he decides to discard his Spider-Man self and lives the life of Kraven. He has the Kravinoff family under his command. Julia Carpenter, the new Madame Web, uses her own army of Spiders - Venom, Anti-Venom, and Spider-Woman - to fight Peter. The battle takes the lives of all involved, except Peter and a wounded Madame Web. Madame Web teleports to get Araña to confront and defeat Peter. Peter ends up blinded by a shotgun he was attempting to use on her. Araña takes over as the head Spider, while Peter is left permanently blinded and distant from Mary Jane.[28]

Reception

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  • The Amazing Spider-Man #612 received a rating of 7.8 out of 10 from IGN.[29]
  • The Amazing Spider-Man #613 received a rating of 8.3 out of 10 from IGN.[30]
  • The Amazing Spider-Man #614 received a rating of 8.6 out of 10 from IGN,[31] and a rating of 3.0 out of 5 from Comic Book Resources.[32]
  • The Amazing Spider-Man #615 received a rating of 8.3 out of 10 from IGN,[33] and a rating of 4.0 out of 5 from Comic Book Resources.[34]
  • The Amazing Spider-Man #616 received a rating of 8.5 out of 10 from IGN.[35]
  • The Amazing Spider-Man #617 received a rating of 9.0 out of 10 from IGN,[36] a rating of 4.0 out of 5 from Comic Book Resources,[37] and a positive review from Newsarama.[38]
  • The Amazing Spider-Man #618 received a rating of 7.8 out of 10 from IGN,[39] and a rating of 3.5 out of 5 from Comic Book Resources.[40]
  • The Amazing Spider-Man #619 received a rating of 7.0 out of 10 from IGN,[41] and a rating of 3.5 out of 5 from Comic Book Resources.[42]
  • The Amazing Spider-Man #620 received a rating of 7.8 out of 10 from IGN,[43] and a positive review from Newsarama.[44]
  • The Amazing Spider-Man #621 received a rating of 7.0 out of 10 from IGN.[45]
  • The Amazing Spider-Man #622 received a rating of 8.7 out of 10 from IGN,[46] and a rating of 3.0 out of 5 from Comic Book Resources.[47]
  • The Amazing Spider-Man #623 received a rating of 6.3 out of 10 from IGN,[48] and a rating of 3.5 out of 5 from Comic Book Resources.[49]
  • The Amazing Spider-Man #624 received a rating of 7.6 out of 10 from IGN.[50]
  • The Amazing Spider-Man #625 received a rating of 9.0 out of 10 from IGN,[51] and a rating of 4.0 out of 5 from Comic Book Resources.[52]
  • The Amazing Spider-Man #626 received a rating of 8.1 out of 10 from IGN.[53]
  • The Amazing Spider-Man #627 received a rating of 6.0 out of 10 from IGN,[54] a rating of 4.0 out of 5 from Comic Book Resources,[55] and a positive review from Newsarama.[56]
  • The Amazing Spider-Man #628 received a rating of 6.5 out of 10 from IGN,[57] and a rating of 3.5 out of 5 from Comic Book Resources.[58]
  • The Amazing Spider-Man #629 received a rating of 6.7 out of 10 from IGN.[59]
  • The Amazing Spider-Man #630 received a rating of 8.3 out of 10 from IGN,[60] a rating of 3.0 out of 5 from Comic Book Resources,[61] and a positive review from Newsarama.[62]
  • The Amazing Spider-Man #631 received a rating of 7.4 out of 10 from IGN.[63]
  • The Amazing Spider-Man #632 received a rating of 8.1 out of 10 from IGN.[64]
  • The Amazing Spider-Man #633 received a rating of 8.5 out of 10 from IGN.[65]
  • The Amazing Spider-Man #634 received a rating of 8.5 out of 10 from IGN,[66] and a rating of 3.5 out of 5 from Comic Book Resources.[67]
  • The Amazing Spider-Man #635 received a rating of 9.0 out of 10 from IGN,[68] and a rating of 4.5 out of 5 from Comic Book Resources.[69]
  • The Amazing Spider-Man #636 received a rating of 8.0 out of 10 from IGN,[70] and a rating of 2.0 out of 5 from Comic Book Resources.[71]
  • The Amazing Spider-Man #637 received a rating of 7.0 out of 10 from IGN,[72] and a mixed review from Newsarama.[73]

Collected editions

[edit]
Title Material collected Legacy Format Pages Released ISBN
The Gauntlet Book 1 - Electro And Sandman Amazing Spider-Man #612-616; Dark Reign: The List - Amazing Spider-Man; "Origins: Electro" from Web of Spider-Man (vol. 2) #2 #612-616 HC 176 3 Mar 2010 978-0785142645
TPB 28 Jul 2010 978-0785138716
The Gauntlet Book 2 - Rhino And Mysterio Amazing Spider-Man #617-621; "Origins: Rhino" from Web of Spider-Man (vol. 2) #3; "Origins: Mysterio" from Web of Spider-Man (vol. 2) #4 #617-621 HC 160 28 Apr 2010 978-0785142652
TPB 15 Sep 2010 978-0785138723
The Gauntlet Book 3 - Vulture And Morbius Amazing Spider-Man #622-625; "Origins: Vulture" from Web of Spider-Man (vol. 2) #5 #622-625 HC 128 2 Jun 2010 978-0785146117
TPB 3 Nov 2010 978-0785146124
The Gauntlet Book 4 - Juggernaut Amazing Spider-Man #229-230, #626-629 #626-629 HC 152 18 Aug 2010 978-0785146131
TPB 19 Jan 2011 978-0785146148
The Gauntlet Book 5 - Lizard Amazing Spider-Man #630-633; Web of Spider-Man (vol. 2) #6 #630-633 HC 128 29 Sep 2010 978-0785146155
TPB 2 Mar 2011 978-0785146162
Grim Hunt Amazing Spider-Man #634-637; the Grim Hunt Digital Prologue; the "Loose Ends" story from Amazing Spider-Man: Extra! #3 and "Gauntlet Origins: Kraven" from Web of Spider-Man (vol. 2) #7 #634-637 HC 128 20 Oct 2010 978-0785146179
TPB 16 Mar 2011 978-0785146186
The Gauntlet: The Complete Collection Vol. 1 Dark Reign: The List - Amazing Spider-Man #1; Amazing Spider-Man #612–626, Annual #37 and material from Web of Spider-Man (2009) #2–5 #612–626 TPB 520 2 Jul 2019 978-1302918453
The Gauntlet: The Complete Collection Vol. 2 Amazing Spider-Man #627–637, Grim Hunt: The Kraven Saga #1; Amazing Spider-Man Presents: Black Cat #1–4 and material from Web of Spider-Man (2009) #6–7 #627–637 TPB 504 22 Sep 2020 978-1302925154

See also

[edit]

Spider-Man Collected Editions

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

The Gauntlet and Grim Hunt

View on Grokipedia
from Grokipedia
The Gauntlet and Grim Hunt are interconnected 2009–2010 storylines in Marvel Comics' The Amazing Spider-Man series, in which Spider-Man battles a relentless succession of his classic villains during The Gauntlet, designed to exhaust him before the climactic Grim Hunt, where the family of the deceased Kraven the Hunter launches an assault on bearers of the spider totem to enable Kraven's resurrection. The Gauntlet features Spider-Man confronting upgraded versions of foes such as Electro, Sandman, Rhino, Mysterio, and the Lizard, each encounter testing his resilience amid broader Marvel Universe events like Dark Reign. In Grim Hunt, the Kravinoff family—including Vladimir Kravinoff (the Grim Hunter) and associates—targets spider-empowered allies like Kaine, Spider-Woman, and Aranaña, culminating in a ritual that revives Kraven for a final confrontation with Spider-Man, echoing the themes of predation and vengeance from the earlier Kraven's Last Hunt. These arcs, part of writer Dan Slott's tenure on the series for The Gauntlet transitioning to Joe Kelly for Grim Hunt, redefined several Spider-Man rogues and expanded the lore of the spider totem, influencing subsequent narratives involving supernatural hunts and family legacies in the Marvel mythos.

Publication History

Creative Team and Development

The Gauntlet storyline was crafted by a collaborative team of writers under ' editorial oversight during the Brand New Day era, which followed the controversial One More Day event and aimed to reinvigorate Spider-Man's by featuring upgraded versions of classic adversaries. Primary contributions came from , who helped orchestrate the overarching structure while tying into broader Amazing arcs, alongside , Fred Van Lente, Joe Kelly, and , who handled specific villain-focused issues to emphasize individual threats and Peter Parker's vulnerabilities. This rotating writer approach allowed for diverse perspectives on Spider-Man's traditional foes, aligning with editorial goals to restore high-stakes, personal confrontations absent in prior years. Artistic duties were distributed across multiple illustrators to match the visceral action and horror-tinged elements of each villain's encounter, with John Romita Jr. providing dynamic, high-energy sequences that captured Spider-Man's agility and desperation in key issues. Other artists included Barry Kitson for Sandman segments, emphasizing gritty urban decay; Paul Azaceta and Javier Pulido for Electro's power surges; and Adam Kubert for Rhino's brutal charges, each style enhancing the physical toll on Spider-Man. For the ensuing Grim Hunt, Fred Van Lente expanded on the Kravinoff family dynamics with co-writers Joe Kelly and J.M. DeMatteis, while artists like Michael Lark and Phil Jimenez delivered atmospheric, shadowy visuals underscoring themes of predation and resurrection. Development emphasized fidelity to Spider-Man lore by prioritizing empirical escalation of villain capabilities—such as technological enhancements or psychological manipulations—over supernatural resets, reflecting editorial intent to ground challenges in causal consequences of Peter's heroism rather than external deals. Published from September 2009 (#612) through mid-2010, the arc's structure was solicited as a prelude to Grim Hunt, with decisions to limit crossover sprawl ensuring focused, issue-specific narratives that rebuilt tension through repeated, intensified clashes. This approach contrasted with fragmented post-One More Day storytelling, aiming to reestablish 's core dynamic of outmatched ingenuity against persistent threats.

Release and Context

The Gauntlet storyline unfolded across #612–633, commencing with issue #612's release on November 18, 2009, and concluding with #633 on June 2, 2010. This serialization adopted an accelerated bi-weekly publishing cadence, enabling rapid escalation of Spider-Man's encounters with upgraded classic adversaries and sustaining narrative momentum over approximately seven months. Grim Hunt immediately followed as the capstone arc in The Amazing Spider-Man #634–637, with #634 debuting on June 16, 2010. The storyline's publishing approach integrated tie-in publications to expand peripheral events without diverging from the central Amazing Spider-Man progression, including the one-shot Grim Hunt: The Kraven Saga #1, the four-issue miniseries Amazing Spider-Man Presents: Black Cat #1–4, and select installments in Web of Spider-Man #6–7. Crossovers with concurrent Marvel events, such as Norman Osborn's Dark Reign era involving the Dark Avengers, featured ancillary villain clashes with other heroes like the Avengers, yet these elements remained supplementary and did not modify the primary Gauntlet or Grim Hunt sequences in . The overall strategy emphasized serialized tension-building through frequent releases, culminating in mid-2010 amid Marvel's post- landscape of heightened villain threats.

Background and Continuity

Lead-Up Events in Spider-Man Lore

Following the superhero registration conflict known as Civil War in 2006-2007, publicly revealed his identity as Peter Parker, aligning initially with pro-registration forces led by , which strained his relationships and exposed him to heightened threats from both heroes and villains. This revelation complicated his ability to maintain a double life, as personal connections became liabilities amid widespread scrutiny and attacks targeting his civilian persona. The subsequent One More Day storyline in 2007 saw Peter Parker strike a demonic bargain with Mephisto to save Aunt May's life, resulting in the retroactive erasure of his marriage to and the restoration of his across public knowledge. These changes, published in Amazing Spider-Man #544-545 and related issues, reset continuity to emphasize Peter's isolation, financial precarity, and renewed focus on solo heroism, conditions that facilitated the resurgence of his classic rogues' gallery by removing the post-reveal barriers to personal vendettas and street-level confrontations. In the ensuing Brand New Day era starting in 2008, Peter Parker navigated a series of grueling encounters that underscored his vulnerabilities, including repeated defeats and emotional tolls that left him increasingly isolated without familial anchors. A pivotal recent clash occurred in the New Ways to Die arc (Amazing Spider-Man #568-573), where Spider-Man battled Mr. Negative, a crime lord with corrupting light-and-dark powers, amid a gang war involving Hammerhead and ; the fight culminated in Mr. Negative's temporary defeat but at the cost of Peter's exhaustion and exposure to symbiote remnants seeking to rebond with him. This event highlighted Peter's lone struggles, as he operated without stable alliances or resources, relying on makeshift living arrangements with roommates while facing job instability at the . Such personal setbacks, compounded by financial woes and severed ties from the marriage erasure, primed him for orchestrated escalations by positioning him as a solitary target susceptible to relentless villainous pressure. Villain resurrections in this period often drew on established Marvel mechanics like symbiote bonding, scientific serums, and mystical interventions, setting precedents for the enhanced returns seen later. For instance, symbiote elements from earlier arcs, including attempts to reinfest hosts during New Ways to Die, demonstrated how alien parasites could reconstitute or empower dispersed foes like , who had previously been scattered into inert grains only to reform through environmental or technological means in prior encounters. These recurring patterns, rooted in Spider-Man's history of facing "died" adversaries revived via cosmic or experimental anomalies, created a lore of impermanence that amplified Peter's sense of unending peril and isolation, making him ripe for coordinated assaults exploiting his depleted state.

Thematic Foundations

The predator-prey dynamic forms a cornerstone of The Gauntlet and Grim Hunt, drawing from Kraven the Hunter's foundational portrayal as a big-game tracker fixated on Spider-Man as the apex challenge to his mastery. Debuting in The Amazing Spider-Man #15 (June 1964), Kraven's pursuit stems from a visceral need to prove superiority through conquest, framing heroism as evasion in a natural hierarchy of hunter and hunted. This motif permeates the Kravinoff lineage, where familial traditions of predatory excellence—infused with ritualistic mysticism and physical augmentation—drive actions grounded in inherited instincts for dominance over abstract grievances. Central to the arcs is the scrutiny of Spider-Man's responsibility principle, originating from Uncle Ben's admonition in #1 (March 1963) that great power entails commensurate duty. In The Gauntlet, this ethic confronts amplified adversaries—villains returning with technological or physiological enhancements—forcing Peter Parker to exercise personal agency amid mounting personal and civic perils, rejecting reliance on extenuating circumstances in favor of proactive resilience. Such trials emphasize causal accountability, where outcomes hinge on individual fortitude rather than systemic palliatives. Grim Hunt revisits and subverts elements of (1987), transforming the earlier narrative's burial symbolism—representing temporary subjugation and self-termination—into motifs of revival and inexorable pursuit, as the Kravinoffs channel ancestral imperatives to perpetuate their quarry's torment. Unlike ideological vendettas, their compulsions arise from biological imperatives for supremacy and cultural imperatives to reclaim lost prestige, attributing persistence to innate predatory wiring over contrived rationales. Writer Joe Kelly highlighted the family's dual aims of retribution and restoration, underscoring how obsession evolves into multigenerational vendetta without resolution through mere victory.

Core Premise

Orchestration by the Kravinoff Family

Sasha Kravinoff, the widow of , masterminded the orchestration of The Gauntlet as a preparatory phase for the family's grander ritualistic ambitions, enlisting her children Ana and to execute enhancements on Spider-Man's longstanding adversaries. Ana Kravinoff specifically targeted villains like Electro and Rhino, amplifying their abilities through advanced technological interventions and alliances with figures such as the , while also employing psychological tactics to exploit Spider-Man's personal connections and sense of responsibility. , after his resurrection via family sacrifices, contributed to sustaining the momentum by embodying a hybrid form that reinforced the predatory theme, ensuring the gauntlet served as a for Spider-Man's physical and mental limits. The family's objective centered on validating as the ultimate quarry worthy of Kraven's legacy, a prerequisite for a dark resurrection drawing from ancient hunter . To this end, Ana abducted , leveraging the clairvoyant's visions of spider-totem hunts to anticipate and manipulate outcomes, thereby aligning the confrontations with prophetic inevitability. These visions informed selective empowerments and baiting strategies, transforming routine villain resurgences into tailored ordeals designed to erode Spider-Man's restraint and amplify his ferocity. Guiding their methodology were artifacts from Kraven's personal archives, including journals that chronicled his prior obsessions with and prescribed hunts testing prey through unrelenting endurance trials and moral dilemmas. Ana's review of these entries—detailing Sergei Kravinoff's tactical philosophies and unmet challenges—dictated the gauntlet's structure, emphasizing not mere survival but the forging of a predator's in the . This in-universe documentation underscored the family's adherence to paternal imperatives, positioning the enhancements and abductions as empirical validations of Kraven's enduring hunt paradigm rather than arbitrary aggressions.

Objectives and Stakes

The Kravinoff family, led by Sasha Kravinoff, sought to reclaim their legacy of predatory supremacy by orchestrating a meticulously planned hunt against and associated spider-totem bearers, viewing this as the ultimate test of worthiness to resurrect Sergei Kravinoff, the original . This objective extended beyond mere vengeance, aiming to honor the family's hunter ethos through ritualistic capture and sacrifice of targets including Kaine, , and other allies entangled in Spider-Man's network, thereby fulfilling a perceived destiny of dominance over "prey" deemed insufficiently challenged in prior encounters. The stakes encompassed existential threats grounded in the limits of and , with the Kravinoffs' exploiting accumulated physical tolls from prior villain resurgences to erode Spider-Man's capacity for resistance, potentially culminating in his death as the sacrificial core for Kraven's revival. Success risked irreversible fatalities among hunted figures, disruptions to established power equilibria via coerced resurrections, and profound psychological strain on Spider-Man, including threats to his civilian identity and cognitive stability amid relentless predation. These outcomes depended on tangible causal factors such as injury accumulation and isolation, without reliance on improbable interventions, underscoring the hunt's design to push participants beyond sustainable thresholds.

Plot Summary

The Gauntlet Confrontations

The Gauntlet Confrontations initiated with Spider-Man's encounter against an empowered Electro in #612–614, where the villain, amplified to generate city-wide electrical surges, targeted the in a rampage inspired by anti-establishment sentiments, testing Spider-Man's agility against overwhelming power output. Electro's upgrades allowed him to overload infrastructure, forcing Spider-Man to evade massive voltage arcs while protecting civilians, culminating in a strategy to supercharge the villain's body beyond capacity by redirecting power sources, aided by reluctant cooperation from Mayor to sever electrical feeds. This victory highlighted Spider-Man's resourcefulness in exploiting elemental vulnerabilities rather than direct confrontation. Subsequent battles escalated with Sandman in #615–616, where the villain, hardened into a more cohesive and aggressive form, claimed territory in a brutal, sandstorm-like assault that challenged Spider-Man's endurance against pervasive, reforming particulate attacks. 's enhanced density resisted webbing and punches, dispersing into choking clouds and reforming for relentless strikes, yet prevailed by dispersing the villain's mass with high-velocity impacts and environmental manipulation, such as channeling water to destabilize cohesion. The Rhino's confrontation in #617–619 introduced brute force amplified by unchecked rage, as the armored villain, seeking notoriety through destructive charges, demolished urban structures and tested Spider-Man's evasion tactics against near-unstoppable and raw power. Rhino's upgrades emphasized speed and impact durability, shattering barriers and pursuing Spider-Man across cityscapes, but defeats stemmed from luring the foe into confined spaces for web-traps and precise strikes to pressure points, underscoring adaptive heroism amid personal stakes. Mysterio's illusions in #620–622 preyed on perceptual weaknesses, with the master of deception deploying holographic deceptions and psychoactive gases to fabricate a criminal syndicate takeover, disorienting amid fabricated threats and mobster armies. Enhanced sensory manipulation created false realities that mimicked allies' betrayals and environmental hazards, yet discerned truths through spider-sense calibration and logical deduction, dismantling the illusions by targeting projectors and gas emitters in a web of counter-deceptions. Juggernaut's rampage in #623–625 embodied unstoppable kinetic force, enhanced by mystical momentum that rendered conventional stops ineffective, as the villain barreled through obstacles in a path of devastation challenging Spider-Man's persistence against an inexorable advance. Juggernaut's upgrades defied physics, absorbing and redirecting energy, but Spider-Man's refusal to yield involved alliances with cosmic intervention—temporarily empowered by energies—to halt the charge, combining ingenuity in evasion with opportunistic power amplification. Additional skirmishes included Scorpion's venomous ambush, where the tail-enhanced foe's sting induced temporary power loss, forcing Spider-Man to rely on wits during vulnerability, and Lizard's regenerative ferocity, pitting reptilian strength and healing against Spider-Man's familial resolve in close-quarters combat to subdue the beast without lethal force. These encounters collectively demanded tactical evolution, from overload counters to perceptual anchors, with Spider-Man's triumphs rooted in alliances, environmental exploits, and unyielding adaptability against tailored escalations.

Transition to Grim Hunt

As the Gauntlet arc intensified with successive villain confrontations designed to exhaust physically and psychologically, subtle clues emerged revealing the orchestration by the Kravinoff family, led by Sasha Kravinoff, Kraven the Hunter's widow. These included deceptive maneuvers attributed to Sasha, who collaborated with (Dmitri Smerdyakov, Kraven's half-brother) to manipulate events and foes from the shadows, such as hiring mercenaries and stealing artifacts like the original costume to fuel the chaos. Family gatherings at the Kravinoff estate further exposed their coordinated scheme, where Sasha rallied her children—Ana, , and Alyosha—around the goal of resurrecting Sergei Kravinoff through a requiring 's "pure" blood as the ultimate spider totem. The urgency escalated as the Kravinoffs shifted from indirect weakening to direct predation, abducting Spider-Man's allies with spider-related powers to harvest their essences for the ritual. Notable victims included (Cassandra Webb), whose precognitive abilities posed a threat to the plot, and Mattie Franklin, the third , captured during an ambush that left her vulnerable to ritual sacrifice. These kidnappings, beginning in the immediate aftermath of Gauntlet's final clashes around May 2010 issues of , forced Spider-Man to confront the broader conspiracy, linking the Gauntlet's isolated battles to a unified Kravinoff vendetta. Foreshadowing Kraven's potential return, the initiated ritualistic preparations, including desecrations at Kraven's grave and gatherings evoking ancient hunter rites, with hints of a Siberian locus for the resurrection ceremony tied to the family's Russian origins. These elements, uncovered through intercepted communications and survivor accounts from the abductions, bridged the Gauntlet's attrition tactics to the Grim Hunt's explicit spider-slaying campaign, positioning as the linchpin in averting Kraven's revival.

Climax and Resolution

The ritual orchestrated by the Kravinoff family culminates in the resurrection of Sergei Kravinoff, , on September 15, 2010, in Amazing Spider-Man #637, fueled by sacrifices including the spider-totem-linked Cassandra Webb () and Mattie Franklin (). This revival enables a multi-front by the Kravinoffs—Sergei, Vladimir Kravinoff (Grim Hunter), Alyosha Kravinoff, and Ana Kravinoff—against Peter Parker, inverting the psychological dominance of (1987), where a lone hunter buried and impersonated ; here, the predators' numerical superiority crumbles under Spider-Man's adaptive counters, shifting the hunt's momentum as he exploits familial discord. The confrontation emphasizes raw physical brutality, with Kravinoffs employing enhanced savagery from ritual enhancements, forcing Spider-Man into desperate, web-slinging evasions amid New York City's underbelly. Key battles erupt involving Grim Hunter's feral charges and Alyosha's strategic ambushes, compounded by Kraven's initial disavowal of his "corrupted" heirs, fracturing the assault's cohesion. Madame Web's precognitive intervention ends in her sacrificial death, transferring her powers to (formerly ) via a forced link, enabling to anticipate strikes and rally allies like (Arana). Sasha Kravinoff perishes in a ritual backlash shortly after the resurrection, deemed a karmic consequence of her dark magic invocation, while Grim Hunter suffers a fatal neck stab amid the chaos, underscoring the family's self-destructive infighting. Alyosha withdraws in disillusionment, rejecting Kraven's offer to claim supremacy as the "last Kravinoff standing," leaving Ana isolated in her bid for paternal approval. Resolution arrives through Spider-Man's unyielding willpower, outlasting the Kravinoffs' onslaught without superhuman enhancements beyond his innate resilience and tactical ingenuity, defeating Kraven in direct combat and scattering the remnants. The hunter family dissolves into irreconcilable shards—Kraven survives but alienated from his progeny—affirming Spider-Man's survival not through destiny but empirical endurance against superior odds, reinforcing his resolve amid the carnage of eight spider-totem casualties across the arc.

Key Characters and Developments

Spider-Man and Supporting Heroes

Peter Parker, having lost his marriage to through a demonic pact in the 2007 "One More Day" storyline to save Aunt May's life, exhibited sustained resilience during the subsequent Gauntlet confrontations spanning 2009-2010. Despite repeated defeats, injuries, and professional setbacks—including public humiliation and job loss—Parker persisted in balancing his scientific endeavors with Spider-Man's duties, underscoring his unyielding sense of responsibility forged from Uncle Ben's death. Allies provided essential support against the Kravinoff-orchestrated threats. (Felicia Hardy) aided Parker by infiltrating Mister Negative's operations to replace a stolen vial of his blood with pig blood, averting its exploitation in sinister rituals. Kaine, Parker's clone brother from the Jackal's experiments, joined the fray as a fellow spider-totem, leveraging his precognitive danger sense and organic webbing despite his degenerative mutations, though he fell victim to the hunters before resurrecting in an enhanced, spider-patterned form. Madame Web (Cassandra Webb), the blind clairvoyant mentor, offered prophetic guidance to Parker amid the escalating hunt, foreseeing the Kravinoffs' resurrections. Her demise came via sacrificial ritual at Sasha Kravinoff's hands in 2010's Grim Hunt climax, where she transferred her powers to () to perpetuate the spider-totem legacy, embodying the theme of intergenerational heroic sacrifice essential to Parker's survival. (Logan) contributed his berserker combat prowess in skirmishes against revived predators, reinforcing Parker's defenses through affiliations during the multi-villain onslaught.

Villains and the Kravinoff Legacy

The Kravinoff lineage perpetuates a philosophy of supremacy through predatory conquest, viewing the hunt as the definitive measure of worthiness and survival. This familial creed, inherited from Sergei Kravinoff's big-game pursuits, manifests in their orchestrated campaign against during the Grim Hunt, where ritualistic sacrifices of spider-totems aim to resurrect Sergei via occult means involving 's essence. Such revivals bypass conventional mortality, reinforcing a cycle of dominance unbound by ethical constraints or defeat. Vladimir Kravinoff, operating as the Grim Hunter, embodies unrestrained savagery with enhanced strength, speed, and sensory acuity derived from his heritage and experimental augmentations. His role in the Gauntlet escalates into ferocious assaults on 's allies during the Grim Hunt, driven by an obsessive need to prove superiority over the web-slinger and secure familial resurrection rites. Ana Kravinoff, Sergei's daughter, employs calculated cunning alongside her superhuman agility and mastery of to manipulate events, including the strategic elimination of peripheral threats to isolate for the climactic ritual. Her detachment from direct paternal influence heightens her tactical precision, prioritizing legacy preservation over personal glory. Dmitri Smerdyakov, the and Sergei's illegitimate half-brother, facilitates infiltration through mastery of disguise and impersonation, notably orchestrating Electro's to bolster the family's forces in the Gauntlet prelude to Grim Hunt. His espionage skills enable covert coordination, aligning with the dynasty's ethos of exploiting weaknesses for predatory advantage. Post-resolution, the Kravinoffs fragment amid internal hierarchies reasserted by Sergei's return, with Vladimir's escalating ferocity culminating in paternal euthanization during expeditions, affirming the absence of reform in favor of instinctual predation. This dispersal perpetuates isolated threats, underscoring the dynasty's immutable orientation toward conquest without dilution by redemptive arcs.

Reception

Critical Praises and Achievements

The Gauntlet received acclaim for reinvigorating 's through targeted upgrades, notably Electro's enhancement by Mr. Negative, which amplified his electromagnetic abilities to trigger massive blackouts and pose a city-level threat, rendering him a credible heavy-hitter beyond his traditional limitations. Critics described the arc as a homage to Silver Age villains, redefining foes like and Rhino with renewed motivations and lethality to heighten stakes against . Dan Slott's orchestration of The Gauntlet was praised for its tight plotting across serialized villain confrontations, weaving individual threats into a cohesive escalation while preserving character fidelity to Peter Parker's resourcefulness and humor. Accompanying artwork, including John Romita Jr.'s contributions, earned commendation for dynamic panels and visceral action that echoed the high-energy style of early eras. Grim Hunt garnered positive reception for its horror-infused narrative, emphasizing ritualistic hunts, family resurrection plots, and psychological intensity that inverted by shifting focus from solitary obsession to collective vengeance. Reviewers highlighted its emotional charge and culmination of Gauntlet setups, positioning it among standout modern tales for blending gore, strategy, and thematic depth. These arcs sustained engagement in the Brand New Day era, with Slott's run averaging adjusted sales of approximately 57,000 copies per issue. Collected editions reflect solid user approval, including 4.0/5 for The Gauntlet (177 ratings) and 3.8/5 for Grim Hunt (909 ratings) on Goodreads. The upgrades to antagonists like Electro influenced later villain dynamics in Marvel continuity, fostering revivals that emphasized powered enhancements.

Criticisms and Shortcomings

Critics have noted that certain villain arcs within The Gauntlet suffer from underdeveloped characterizations, particularly the Electro storyline in The Amazing Spider-Man #612-614, where the villain's motivations and depth are perceived as superficial compared to stronger entries like Rhino or Lizard. Similarly, the Juggernaut arc in issues #626-629 has been described as padding that echoes the 1977 "Nothing Can Stop the Juggernaut" story without adding substantial innovation, rendering it feel forced and less integral to the overarching narrative. Artistic inconsistencies arise from the rotation of multiple artists across issues, leading to jarring shifts in style and visual coherence that disrupt the reading experience, as seen in volumes featuring and . In Grim Hunt (#634-637), the frequent use of resurrections—such as Kraven's revival via —has drawn complaints for undermining narrative tension, as repeated character returns diminish the perceived finality of deaths and reduce emotional stakes in a genre already prone to such tropes. The unrelentingly dark tone of Grim Hunt, characterized by , multiple fatalities, and a cynical portrayal of heroism, has been faulted for stripping of his signature wit and optimism, portraying him as one-dimensional and humorless in ways that alienate readers favoring the character's traditional lighter adventures rooted in personal responsibility over gothic horror. While drawing from hunter-predator themes established in earlier Kraven tales, this shift prioritizes grim spectacle, prompting debates among fans about its fit within 's core appeal as an hero.

Legacy and Impact

Influence on Spider-Man Narratives

The Gauntlet and Grim Hunt arcs positioned the Kravinoff family as persistent antagonists in 's mythos, with Kraven's offspring—such as and Alyosha Kravinoff—driving ritualistic pursuits that extended the hunter-prey dynamic beyond the original Kraven's in "." This familial expansion established precedents for multi-generational vendettas, manifesting in later titles where Kravinoff kin coordinated ambushes and legacy-driven schemes against Peter Parker and his allies. By depicting navigating a relentless sequence of empowered villains in The Gauntlet—culminating in the Kravinoffs' coordinated assault—the storyline reinforced his archetypal resilience, portraying him as capable of outlasting superior numbers and mystical enhancements through adaptive tactics and unyielding determination. This narrative countered periodic editorial shifts toward power attenuation, such as post-"One More Day" vulnerabilities, by centering empirical survival mechanics over contrived debilitations. The inclusion of Kaine Parker in Grim Hunt directly echoed the Clone Saga's genetic experiments, where the Jackal's flawed replication process yielded Kaine's degenerative mutations and assassin origins, yet the arc propelled his evolution into the via a sacrificial confrontation with the Kravinoffs, followed by a amplifying his spider-trait . This progression emphasized verifiable biological frailties—like cellular breakdown—in cloned organisms, framing Kaine's viability as a gritty override of inherent defects rather than resolving through non-material assertions.

Broader Marvel Universe Effects

The Gauntlet incorporated a limited crossover with elements through its Juggernaut storyline in #619-621, where battled Cain Marko, a longstanding antagonist empowered by the mystical entity . This arc echoed the 1970s tale "" by directly pitting against Marko without involving active members, focusing instead on 's resourcefulness against an unstoppable force halted by cosmic intervention. The encounter reinforced 's durability and mystical origins but introduced no verifiable canonical alterations to lore or team dynamics. Grim Hunt, concluding the saga in The Amazing Spider-Man #634-637 and tie-ins, centered on the Kravinoff family's resurrection ritual using Spider-totem blood, which briefly expanded Kraven's legacy into mystical family vendettas but yielded no documented interconnections with Avengers rosters or operations. Similarly, while The Gauntlet featured Mac Gargan as Venom in arcs like #612-614, these did not advance symbiote lore beyond Spider-Man's rogue's gallery, lacking ties to broader Venomverse developments or Knull mythology established later. Long-term effects remain confined, with no major canonical shifts across Marvel titles; subsequent Kraven appearances, such as in the 2019 "Hunted" event, reference family dynamics indirectly but prioritize Spider-Man conflicts over universe-wide repercussions. Modern comics in 2024, including analyses of Kraven's arcs, cite Grim Hunt for thematic revenge motifs without integrating its elements into non-Spider-Man narratives. No direct adaptations occurred in film or television, though the 2024 Kraven the Hunter movie loosely evokes Kravinoff lineage from comics like Grim Hunt in villain origin, deriving primarily from earlier tales such as "Kraven's Last Hunt" rather than establishing MCU canon ties. Overall, the events provided targeted villain revitalization without transformative broader impacts, maintaining status as a Spider-Man-specific escalation rather than a universe-altering event.

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