Hubbry Logo
Hand of DoomHand of DoomMain
Open search
Hand of Doom
Community hub
Hand of Doom
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Hand of Doom
Hand of Doom
Hand of Doom
View on Wikipedia
from Wikipedia
"Hand of Doom"
Song by Black Sabbath
from the album Paranoid
Released18 September 1970 (1970-09-18)
Length7:08
LabelVertigo
SongwritersTony Iommi, Geezer Butler, Bill Ward, Ozzy Osbourne
ProducerRodger Bain

"Hand of Doom" is a song by the English heavy metal band Black Sabbath, originally appearing on their second album Paranoid, released in 1970.

Background

[edit]

The song was conceived after the band had observed a growing number of US soldiers arriving in England from the Vietnam War in the late 1960s with severe drug addictions.[1] The song paints an unflattering picture of hard drug use for the purpose of self-medication. The lyrics were written by Geezer Butler while the music is credited to the entire band.

Personnel

[edit]
Black Sabbath

Cover versions

[edit]

Danzig version

[edit]

The band Danzig covered "Hand of Doom" for their album Danzig 5: Blackacidevil, with new lyrics and musical arrangements by Glenn Danzig. Danzig explained his changes to the original version: "I didn't want people to think it's just a cover...I started improvising and twisted the words. The melody is still the same, with an industrial kind of groove to the beginning and then the chorus comes in and it's full on crazy, with the screaming vocals." The idea for recording a cover version of the song came during a soundcheck by then-Danzig guitarist John Christ.[2]

Orange Goblin version

[edit]

The band Orange Goblin covered "Hand of Doom" for their EP Nuclear Guru.[3]

Slayer version

[edit]

The band Slayer covered "Hand of Doom" for the Black Sabbath tribute album Nativity in Black II.[4]

[edit]
  • Melissa Auf der Maur, known for her work with Hole and The Smashing Pumpkins, was the leader of a Black Sabbath cover band named after this song.[5]
  • The song was used in a scene in the fourteenth episode of the first season of Elementary, originally aired on February 3, 2013.[6]
  • Metallica’s song about addiction, "Trapped Under Ice", from the 1984 album Ride the Lightning, references this track in the lyric "Hand of doom has a tight grip on me."
  • The cover art for the GZR album Black Science is intended to represent the Black Sabbath song "Hand of Doom".[7]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Hand of Doom

View on Grokipedia
from Grokipedia
"Hand of Doom" is a song by the English heavy metal band , released on their second studio album Paranoid in 1970. Written primarily by bassist , the track critiques intravenous through vivid lyrics portraying a descent into dependency and inevitable death, drawing direct inspiration from American veterans whom the band encountered in , many of whom were severely traumatized and self-medicating with narcotics. The song's ominous bass intro and plodding rhythm evoke a sense of creeping doom, aligning with its thematic warning against escapism via drugs, and it has been performed live by since its debut, including during their early 1970s tours supporting Paranoid, which propelled the band to international fame as pioneers of heavy metal. While Paranoid achieved multi-platinum status and critical acclaim for tracks like the title song and "Iron Man," "Hand of Doom" stands out for its unflinching , predating widespread discussions of veteran-specific issues. later reflected on the lyrics' origin in observing soldiers' post-war heroin use, emphasizing the song's intent as a stark anti-addiction statement rather than glorification.

Origins and Recording

Songwriting and Inspiration

"Hand of Doom" was composed by Black Sabbath's core members—guitarist , bassist , drummer Bill Ward, and vocalist —during the recording sessions for their second studio album, Paranoid, in June and July 1970 at Regent Sound Studios in . The band's typical songwriting approach involved Iommi generating initial riffs and musical structures independently, often at home, before presenting them to the group for collaborative jamming and refinement, with Butler handling most lyrical contributions due to his proficiency in writing amid Osbourne's . For this track, Iommi devised the brooding, descending main riff in a down-tuned guitar style that defined the band's heavy sound, incorporating a mid-song acceleration and a subdued breakdown section to mirror the lyrical progression from to ruin. The lyrics originated from Butler's firsthand observations during a Black Sabbath performance at a U.S. Army base in , which functioned as a transitional facility for veterans. There, Butler encountered soldiers ravaged by , amid discarded needles and offers of the drug, as they recounted the psychological toll of combat; this grim scene, occurring before the band's breakthrough, directly informed the song's stark depiction of narcotic descent, including references to injecting "your little dose," hallucinatory trips, and fatal overdose symptoms like "your skin turning green." Butler shifted focus from to for thematic depth, aiming to highlight the among returning troops—a mechanism for trauma largely unreported at the time—rather than glorifying use. As explained in later reflections, "By the time that most soldiers got back to America, they had to be put into a . There was no one reporting on it that these soldiers, in order to get through that horrible , were shooting up on . So when I wrote ‘Hand of Doom’, that’s what I wrote it about." The result is an unequivocal anti- , distinct from more ambivalent drug-themed songs in the band's catalog, underscoring addiction's irreversible consequences against the backdrop of escalating U.S. casualties in during 1970. has since praised the track's underappreciated status, particularly Ward's dynamic, jazz-inflected drumming that propels its intensity.

Studio Production

"Hand of Doom" was recorded as part of Black Sabbath's Paranoid album sessions, which took place primarily at Regent Sound Studios in London from June 16 to 21, 1970. The band, fresh off extensive touring, laid down backing tracks on a 4-track recorder using a custom console, two 1-inch Studer tape machines, and microphones such as Neumann U67 and U49 for drums in stereo configuration. Producer Rodger Bain directed the effort to capture the group's raw live intensity with minimal alteration, prioritizing the down-tuned guitars and heavy rhythm section that defined the track's ominous riff crafted by Tony Iommi. Overdubs and mixing followed at Island Studios in on a 16-track setup, where tapes were bounced from the Regent sessions to accommodate additional layers, including double- and triple-tracked guitars miked both close and ambient for density. Engineers Tom Allom and Brian Humphries handled the technical aspects, with Allom contributing piano on other tracks but focusing on the core engineering for the heavy sound; bass was recorded via direct injection alongside cabinet micing to enhance low-end punch. The production's brevity—completing the full in roughly five days—stemmed from the band's tour commitments, including an imminent gig, resulting in a straightforward, unpolished approach that amplified "Hand of Doom"'s plodding, heroin-inspired menace as described by Bill Ward as one of the album's heaviest cuts. Bain's method emphasized fidelity to the band's stage volume and tone, using equipment like Pultec equalizers at to boost midrange presence amid the studio's limitations, avoiding overdubs that might dilute the doom-laden atmosphere. Preproduction had occurred at in , where initial ideas for tracks like "Hand of Doom" were refined, but the core recording remained a high-pressure, live-in-the-room affair reflective of early heavy metal's DIY ethos.

Musical and Lyrical Analysis

Composition and Instrumentation

"Hand of Doom" is structured around dynamic contrasts, commencing with a sparse introduction dominated by Geezer Butler's hypnotic bass line and Bill Ward's light percussion, which establishes a tense, lethargic atmosphere before escalating into verses with subdued vocals by . The song builds to explosive choruses featuring Tony Iommi's heavy guitar riffs, incorporating a mid-section surge that amplifies intensity through syncopated rhythms and power chords, before returning to a slothful pace in the outro. This verse-chorus framework, lasting 7 minutes and 8 seconds, operates in 4/4 time at approximately 142 beats per minute, emphasizing gradual tempo shifts and riff-driven progression primarily in with chords such as , , and . Instrumentation adheres to Black Sabbath's core quartet setup, with Iommi's down-tuned guitar providing the foundational power chords, palm-muted rhythms, and emotive solos utilizing techniques like string bending, hammer-ons, and to convey menace. Butler's bass mirrors and underscores the riffs for depth, while Ward's transition from restrained patterns to forceful beats supporting the song's heaviness, without additional elements like keyboards or effects beyond basic amplification. Osbourne's vocals shift from whispered restraint in verses to anguished cries in choruses, integral to the track's dramatic arc. The arrangement's simplicity amplifies its raw power, relying on riff-centric composition and interplay rather than complex orchestration.

Lyrics and Thematic Content

The lyrics of "Hand of Doom," penned by bassist , depict the inexorable pull of through a of and futility. The opening verses portray an individual confronting the consequences of their choices: "What you gonna do? / Time's caught up with you / Now you wait your turn / You know there's no return," establishing a tone of inevitability and lost agency as the user succumbs to the drug's "hand of doom" that induces a trance-like state. Later stanzas shift to a live scene, symbolizing escapist highs that devolve into isolation: "You go to a show / You it won't be long / Up on / The singer screams a ," culminating in abandonment and irreversible damage: "You're alone / Nowhere to run / Everyone has gone." Butler drew inspiration from firsthand observations of veterans returning home addicted to , a crisis the band encountered during performances where soldiers sought highs to cope with trauma. The song functions as a against narcotic dependency, emphasizing its destructive cycle without redemption: "Just go dig your / Cause you're too late," rejecting any of salvation or external aid arriving in time. While some interpretations note references to hallucinogens like amid the broader drug critique, the core focus remains 's grip on vulnerable individuals, particularly post-war youth. This thematic starkness aligns with Black Sabbath's early oeuvre, prioritizing unflinching realism over moralizing, as aimed to highlight addiction's causal finality rather than personal endorsement or mitigation.

Release and Initial Reception

Album Context and Chart Performance

Paranoid, Black Sabbath's second studio album, was recorded in a compressed timeframe amid the band's intensive touring following the commercial breakthrough of their self-titled debut earlier in 1970. The sessions took place primarily at Regent Sound Studios in , with the bulk of the material captured live over approximately five days under producer Rodger Bain, reflecting the pressure from to capitalize on rising demand. "Hand of Doom" appears as the fourth track on the album's A-side, contributing to its thematic exploration of war, addiction, and despair, which aligned with the era's social upheavals including the . The album was released on September 18, 1970, in the United Kingdom via , with the U.S. edition following on January 7, 1971, through Records, delayed partly due to the ongoing chart presence of the debut album. In the UK, Paranoid debuted and peaked at number 1 on the Official Albums Chart, holding the top position for five weeks and remaining on the chart for 47 weeks. On the U.S. , it reached a peak of number 12 on March 20, 1971, eventually earning quadruple certification from the RIAA for shipments exceeding four million units. These figures underscored Black Sabbath's rapid ascent as pioneers of heavy metal, with the album's success driven by singles like the title track rather than album tracks such as "Hand of Doom," which received no separate commercial release.

Contemporary Reviews

Upon its release on September 18, 1970, in the United Kingdom, Black Sabbath's Paranoid album, featuring "Hand of Doom" as its closing track, received positive notices from British music weeklies. In New Musical Express on September 26, 1970, Richard Green praised the album for delivering "gutsy, sock ’em all the time type of music which is never pretentious," highlighting its sustained "speed and force" akin to the band's live performances, with strong contributions from Tony Iommi's guitar, Geezer Butler's bass, and Bill Ward's drumming. Green specifically noted tracks like "War Pigs" for its anti-war message without overt politics and "Paranoid" for its spontaneous heavy riff, though "Hand of Doom" went unmentioned. Similarly, Melody Maker offered a favorable assessment in its August 1970 coverage of the preceding single, extending enthusiasm to the full album's raw power and accessibility. In the United States, where the album appeared on Warner Bros. Records in January 1971, reception was more ambivalent but ultimately affirmative in major outlets. Rolling Stone's Lester Bangs, in an October 1, 1971, review, deemed Paranoid a "great album" for blending "heavy-decibel doom" with "catchy pop-metal," acknowledging its theatrical "total put-on" quality while praising the band's energy and songcraft over the less consistent debut. Bangs singled out "Hand of Doom" as emblematic of the album's intense, doom-laden heaviness, contrasting it with lighter fare to underscore Sabbath's range. These reviews reflected the album's polarizing yet influential early impact, with UK critics emphasizing unpretentious aggression and American ones grappling with its populist heaviness amid broader rock tastes.

Live Performances and Evolution

Early Tours (1970–1978)

"Hand of Doom" featured prominently in Black Sabbath's live performances during their initial tours from 1970 onward, serving as a key track from the Paranoid album despite predating its September 1970 release. The band's 1970 world tour, supporting their debut album, commenced on February 5 at Cardiff's Sophia Gardens Pavilion and concluded on August 31 at Montreux Casino, with setlists routinely incorporating the song alongside emerging material like "Paranoid" and "Iron Man." Early renditions emphasized the track's sludge-heavy riffing and thematic intensity on drug dependency, often extending into drum showcases such as "Rat Salad." A documented example includes the April 21, 1970, performance at Birmingham Town Hall, England, where "Hand of Doom" appeared amid a set featuring "War Pigs," "N.I.B.," and "Black Sabbath," highlighting the band's rapid integration of new compositions into live shows. Similarly, the December 20, 1970, concert at Paris's Olympia Theatre captured an aggressive, proto-doom delivery, preserved in audio recordings that showcase Tony Iommi's detuned guitar tone and the rhythm section's propulsive drive. Through tours supporting (1971) and (1973), the song retained a place in setlists, contributing to the band's reputation for marathon, improvisational sets that amplified the track's ominous atmosphere. By the mid-1970s, however, rotations shifted toward newer releases, and during the 1978 Never Say Die! tour—spanning May 16 in to December 11 in Albuquerque—"Hand of Doom" appeared sporadically if at all, as audiences favored staples like "" and "Snowblind." These early outings solidified the song's role in establishing Black Sabbath's live heaviness, with bootlegs and official compilations like Past Lives (1983) later documenting its era-spanning vitality.

Post-Ozzy Era and Reunions

Following Osbourne's departure from in 1979, the band did not perform "Hand of Doom" live during subsequent lineups featuring vocalists such as (1979–1982, 1991–1992, 2006–2010), (1983–1984), Tony Martin (1987–1991, 1993–1997, 1999–2004), or Glenn Hughes (1985–1986), as setlist archives show no instances of the track being included amid a focus on newer material and select earlier classics adapted to different vocal ranges. The song's absence aligns with the era's emphasis on evolving the band's sound beyond the Osbourne period, prioritizing tracks like "Neon Knights" or "The Mob Rules" that better suited the new dynamics. Reunions with Osbourne revived the track selectively. During the brief reunion shows on November 6 and 7 at the Costa Mesa Civic Center in —marking the original lineup's first performances in 13 years—"Hand of Doom" appeared in the setlist alongside staples like "Paranoid" and rarities such as "Supernaut," highlighting its occasional role in commemorative contexts. The song was not a fixture in the more extensive 1997–2005 reunion tours, where setlists favored higher-energy hits, but it resurfaced during the 2011–2017 period, including the 2013 album 13 promotional tour and . Notable performances included July 2, 2016, at Tauron Arena in Kraków, Poland, where the band delivered a heavy rendition featuring Osbourne's vocals over Iommi's signature riff, Tommy Clufetos on drums (replacing Bill Ward), and Geezer Butler on bass, captured in fan and official footage emphasizing the track's sludge-like intensity. The song closed out the original lineup's final concert on February 4, 2017, at Genting Arena in Birmingham, England, integrated into a medley segment after "N.I.B.," serving as a poignant nod to the band's early doom-laden roots amid the farewell atmosphere. These instances underscore "Hand of Doom"'s rarity live, performed fewer than a dozen times overall, primarily in reunion settings to evoke nostalgia rather than as a standard.

2025 Back to the Beginning Concert

The Back to the Beginning concert took place on July 5, 2025, at in , Birmingham, , marking the final reunion performance of 's original lineup—, , , and Bill Ward—and serving as Osbourne's last live show. The event featured multiple tribute acts and guest artists performing and Osbourne covers, alongside the band's closing set of classics including "," "," "," and "Paranoid." A highlight for "Hand of Doom" was its rendition by Tool, who delivered the track as a live debut cover during their set, positioned between originals "" and "." Tool's interpretation maintained the song's heavy, doom-laden riffing and anti-drug thematic intensity, with on vocals adapting the lyrics to fit the band's progressive style while preserving Sabbath's original structure. The performance was praised for its fidelity to the source material amid the tribute context, underscoring "Hand of Doom"'s enduring influence on subsequent metal acts.

Cover Versions and Tributes

Danzig Version

"Hand of Doom: Version" by Danzig, a reimagining of Black Sabbath's original track, appears as the eighth song on the band's fifth studio album, Danzig 5: Blackacidevil, released on October 29, 1996, by . The version retains the core musical structure and riff from Black Sabbath's 1970 composition but features entirely new lyrics penned by , shifting away from the original's explicit warnings about among soldiers. Clocking in at 2:53, the track incorporates influences characteristic of the album's production, with distorted guitars and a heavier, more aggressive tone. Jerry Cantrell of contributes uncredited guitar work, adding a layer of sludge-like heaviness to the arrangement. Danzig's vocal performance was recorded in a single take, emphasizing the raw, immediate delivery that aligns with the song's visceral themes of violence and intrusion, as depicted in such as "Slip the knife right in / Blood is running red." This rendition has been noted for its fidelity to Black Sabbath's doom-laden style while adapting it to Danzig's aesthetic, though the album's overall industrial experimentation drew mixed responses from critics and fans at the time.

Orange Goblin Version

Orange Goblin, a British stoner metal band, released a cover of Black Sabbath's "Hand of Doom" on their debut EP Nuclear Guru in 1997 via . The track appeared on the split 10-inch vinyl single Nuclear Guru / Hand of Doom, limited to 1,000 copies, pairing 's Sabbath homage with Electric Wizard's Chrono.naut. This early recording reflects the band's heavy, riff-driven style influenced by Black 's proto-doom sound, maintaining the original's structure while amplifying its elements through denser guitar tones and aggressive vocals. The cover gained attention among stoner and enthusiasts for its raw fidelity to the 1970 original, serving as a amid Orange Goblin's formation in the mid-1990s scene. A reissued "Man's Ruin Version" later appeared on the band's Time Travelling Blues through , preserving the EP's production for broader distribution. No major commercial chart performance was recorded for the track, but it contributed to Orange Goblin's reputation for reverent heavy metal covers, including other songs like "A ."

Slayer Version

Slayer's cover of "Hand of Doom" appears on the tribute album Nativity in Black II: A Tribute to , released on June 6, 2000, by . The track, clocking in at 5:16, is the eighth song on the compilation, which features contributions from various metal acts including Primus with and . Recorded during the lineup featuring vocalist and bassist , guitarists and , and drummer —who had joined the band in 1996—the version retains the original lyrics addressing and its consequences, as written by . The Slayer rendition applies the band's thrash metal style to Black Sabbath's proto-doom foundation, accelerating the tempo and emphasizing aggressive guitar riffage and double-kick drumming while maintaining the song's core structure and thematic warnings about drug dependency. Fan accounts have described it as a strong interpretation, with some praising its intensity within the tribute context. No official live performances of this specific cover by Slayer have been documented, though the band has referenced their Sabbath influences in subsequent appearances, such as at the 2025 Back to the Beginning event where they performed "Wicked World" instead.

Other Notable Covers

Progressive metal band Tool performed a live cover of "Hand of Doom" at the Back to the Beginning concert in Birmingham, , on July 5, 2025, as part of the event's tribute lineup featuring multiple artists honoring Black Sabbath's catalog. Finnish gothic rock band HIM incorporated the song into their live sets during 2002, including a documented performance in , , characterized by their signature emotive style and atmospheric production. Southern metal supergroup Down, featuring members from Pantera and Corrosion of Conformity, played a rendition live at The Fillmore in San Francisco in 1995, emphasizing the track's heavy riffing in a sludge-influenced arrangement.

Cultural Impact and Legacy

Influence on Heavy Metal

"Hand of Doom," released on Black Sabbath's Paranoid album on September 18, 1970, exemplifies the band's foundational contributions to heavy metal through its down-tuned guitar riffs, deliberate pacing, and unflinching portrayal of heroin addiction among returning Vietnam War veterans. The track's ominous, extended structure—clocking in at over seven minutes—prioritized atmospheric weight and riff dominance over verse-chorus conventions, establishing a template for metal's emphasis on instrumental heaviness and thematic darkness. This approach, driven by Tony Iommi's fuzz-laden tone adapted from his industrial accident-induced detuning, directly shaped the genre's sonic identity, as Paranoid propelled Black Sabbath to global prominence and cemented their role in metal's emergence. The song's plodding rhythms and sense of inexorable dread profoundly influenced , a subgenre characterized by slow tempos, low-end distortion, and existential themes, with "Hand of Doom" frequently cited alongside tracks like "Electric Funeral" as proto-doom exemplars. Drummer Bill Ward's swinging yet oppressive beats in the song, drawing from phrasing, added a propulsive undercurrent to the heaviness, impacting metal's rhythmic evolution beyond rigid downbeats. This fusion of blues-derived swing with crushing volume prefigured doom's hypnotic grooves, evident in early bands that emulated Sabbath's formula for auditory immersion. Beyond core heavy metal, "Hand of Doom" resonated in broader riff-centric composition, inspiring tributes from acts like Tool, who performed it live in homage to Sabbath's legacy during a 2014 concert. Its anti-war and narrative, rooted in empirical observations of societal fallout, reinforced metal's tradition of causal realism in lyrics, prioritizing stark consequences over and influencing generations to confront gritty realities in songwriting.

References in Media and Society

"Hand of Doom" addresses the perils of , particularly among returning to civilian life, with lyrics depicting drug pushers offering temporary escape from trauma but leading inexorably to overdose and death. The song's narrative warns of soldiers being lured by substances as a false solace, reflecting the era's rising rates of and amid societal neglect of post-war psychological wounds. This thematic focus positions it as an early heavy metal critique of , predating widespread public discourse on dependency and military-related . Academic analyses have examined the track's lyrics as part of Black Sabbath's broader engagement with , classifying "Hand of Doom" as portraying explicit negative consequences of and use, including and mortality, in contrast to more escapist depictions in contemporary . Such content underscores the band's roots in working-class Birmingham experiences and observations of , contributing to heavy metal's tradition of confronting social pathologies without romanticization. In media, the song appeared in the season two finale of the television series Pennyworth, enhancing a climactic scene with its ominous tone and thematic resonance to themes of downfall. Licensing records indicate potential for further use in film and commercials, though specific additional placements remain limited in documented sources. Culturally, the track's doomy riff and title have been credited with inspiring the "" subgenre, influencing bands that explore despair and societal malaise.

Recent Developments

In July 2023, Rhino Entertainment issued the Hand of Doom box set, a limited-edition collection comprising Black Sabbath's first eight studio albums—Black Sabbath, Paranoid, Master of Reality, Vol. 4, Sabbath Bloody Sabbath, Sabotage, Technical Ecstasy, and Never Say Die!—remastered as picture-disc vinyls covering the band's output from 1970 to 1978. On March 31, 2023, Metallica bassist Robert Trujillo performed an informal rendition of "Hand of Doom" alongside his wife Chloe Trujillo on lead vocals and their daughter Lullah on drums, with the session documented in a video shared by the family. The song received renewed attention during Black Sabbath's "Back to the Beginning" farewell concert on July 5, 2025, at in Birmingham, , billed as original vocalist Ozzy Osbourne's final performance with the band; Tool contributed a cover of "Hand of Doom" to the event's tribute lineup, blending it into their set before transitioning to their own track "."

References

  1. https://www.songfacts.com/facts/black-sabbath/hand-of-doom
  2. https://www.grunge.com/713956/the-real-meaning-behind-black-sabbaths-hand-of-doom/
  3. https://rockandrollgarage.com/the-most-underrated-black-sabbath-song-according-to-geezer-butler/
  4. https://www.guitarworld.com/artists/bassists/geezer-butler-black-sabbath-hand-of-doom
  5. https://www.ultimate-guitar.com/news/general_music_news/geezer_butler_names_one_genius_aspect_of_ozzy_in_black_sabbath_explains_why_he_wrote_most_of_the_lyrics.html
  6. https://faroutmagazine.co.uk/hand-of-doom-the-black-sabbath-song-written-as-an-ode-to-heroin/
  7. https://blacksabbath.fandom.com/wiki/Paranoid_(album)
  8. https://www.mixonline.com/recording/classic-tracks-black-sabbath-paranoid
  9. https://musicaficionado.blog/2025/01/16/1970-british-progressive-rock-part-13-black-sabbath/
  10. https://www.discogs.com/release/9059654-Black-Sabbath-Paranoid
  11. https://www.loudersound.com/features/tom-allom-black-sabbath
  12. https://pmamagazine.org/a-history-of-hard-and-heavy-ep-5-uriah-heep-black-sabbath-led-zeppelin/
  13. https://www.metal-archives.com/reviews/Black_Sabbath/Attention%2521/567798/
  14. https://www.licklibrary.com/learn/lessons/black-sabbath/hand-of-doom
  15. https://tunebat.com/Info/Hand-of-Doom-2012-Remaster-Black-Sabbath/72YRB6ar59nBsNdnn0cVdD
  16. https://getsongbpm.com/song/hand-of-doom/wmkVqX
  17. https://www.hooktheory.com/theorytab/view/black-sabbath/hand-of-doom
  18. https://genius.com/Black-sabbath-hand-of-doom-lyrics
  19. https://www.azlyrics.com/lyrics/blacksabbath/handofdoom.html
  20. https://www.rollingstone.com/music/music-lists/readers-poll-the-10-best-black-sabbath-deep-cuts-156223/
  21. https://ultimateclassicrock.com/anti-drug-songs/
  22. https://www.thisdayinmusic.com/classic-albums/black-sabbath-paranoid/
  23. https://loudwire.com/black-sabbath-paranoid-album-anniversary/
  24. https://www.officialcharts.com/albums/black-sabbath-paranoid/
  25. https://www.billboard.com/lists/black-sabbath-ozzy-osbourne-biggest-albums/
  26. https://geirmykl.wordpress.com/2020/09/15/article-about-black-sabbath-from-new-musical-express-september-26-1970/
  27. https://www.rollingstone.com/music/music-album-reviews/paranoid-107132/
  28. https://www.black-sabbath.com/tourdates/bs_tour/
  29. https://www.setlist.fm/stats/average-setlist/black-sabbath-33d6806d.html?year=1970
  30. https://www.setlist.fm/setlist/black-sabbath/1970/birmingham-town-hall-birmingham-england-23d5d493.html
  31. https://open.spotify.com/track/22pH4NqUjh4x7IVk937W2Z
  32. https://www.black-sabbath.com/tourdates/
  33. https://www.black-sabbath.com/tourdates/nsd_tour/
  34. https://www.reddit.com/r/blacksabbath/comments/yiwmdc/black_sabbath_full_list_of_official_live_tracks/
  35. https://www.setlist.fm/setlists/black-sabbath-33d6806d.html
  36. https://www.nme.com/news/music/watch-black-sabbath-play-previous-final-shows-in-1992-1999-and-2017-3835762
  37. https://www.youtube.com/watch?v=iMnQvs_l58Y
  38. https://www.rollingstone.com/music/music-live-reviews/black-sabbath-deliver-pure-heavy-metal-mastery-at-hometown-farewell-show-128480/
  39. https://loudwire.com/ozzy-osbourne-era-black-sabbath-songs-never-played-live/
  40. https://loudwire.com/why-black-sabbath-2025-reunion-most-important/
  41. https://variety.com/2025/music/news/black-sabbath-setlist-reunion-ozzy-osbourne-final-concert-1236447809/
  42. https://www.loudersound.com/bands-artists/black-sabbath-back-to-the-beginning-setlist
  43. https://www.setlist.fm/setlist/black-sabbath/2025/villa-park-birmingham-england-3b5ac8c8.html
  44. https://consequence.net/2025/07/tool-black-sabbath-hand-of-doom-farewell-concert/
  45. https://music.mxdwn.com/2025/07/05/news/tool-cover-black-sabbaths-hand-of-doom-at-back-to-the-beginning-show/
  46. https://www.discogs.com/release/371476-Danzig-Danzig-5-Blackacidevil
  47. https://www.whosampled.com/cover/200460/Danzig-Hand-of-Doom%253A-Version-Black-Sabbath-Hand-of-Doom/
  48. https://genius.com/Danzig-hand-of-doom-version-lyrics
  49. https://genius.com/albums/Danzig/Danzig-5-blackacidevil
  50. https://secondhandsongs.com/performance/97665/all
  51. https://rateyourmusic.com/release/single/orange-goblin/nuclear-guru-hand-of-doom/
  52. https://www.metal-archives.com/reviews/Orange_Goblin/Chrono.naut_-_Nuclear_Guru/24761/
  53. https://www.youtube.com/watch?v=Ds4JNdb7yts
  54. https://www.youtube.com/watch?v=r8Lj6BExfoQ
  55. https://www.allmusic.com/album/nativity-in-black-vol-2-a-tribute-to-black-sabbath-mw0000067348
  56. https://genius.com/albums/Various-artists/Nativity-in-black-ii-a-tribute-to-black-sabbath/q/release-date
  57. https://www.discogs.com/release/555080-Various-Nativity-In-Black-II-A-Tribute-To-Black-Sabbath
  58. https://genius.com/Slayer-hand-of-doom-lyrics
  59. https://www.whosampled.com/cover/281930/Slayer-Hand-of-Doom-Black-Sabbath-Hand-of-Doom/
  60. https://www.facebook.com/darknewsound/posts/tool-hand-of-doom-black-sabbath-covertool-blacksabbath-alternativemetal-progress/1034032885563510/
  61. https://blabbermouth.net/news/watch-slayer-covers-black-sabbaths-wicked-world-at-back-to-the-beginning
  62. https://ultimateclassicrock.com/who-covered-which-black-sabbath-songs-at-back-to-the-beginning/
  63. https://www.whosampled.com/Black-Sabbath/Hand-of-Doom/covered/
  64. https://www.youtube.com/watch?v=mCWHhG8_Olk
  65. https://www.facebook.com/Weedian/posts/down-hand-of-doom-black-sabbath-cover-live-at-athe-fillmore-san-francisco-ca-199/1259642348947917/
  66. https://www.npr.org/2020/09/18/913974144/50-years-ago-black-sabbath-found-its-sound-and-took-metal-worldwide
  67. https://www.rollingstone.com/music/music-features/black-sabbath-jazz-swing-influence-bill-ward-948231/
  68. https://www.michigandaily.com/arts/darkness-and-occult-brief-history-doom/
  69. https://smellslikeinfinitesadness.com/children-of-the-grave-alt-bands-sabbath/
  70. https://www.researchgate.net/publication/305827973_Understanding_Substance_Use_and_Addiction_Through_the_Lyrics_of_Black_Sabbath_A_Content_Analysis
  71. https://beneaththesurfacemusicdotcom.wordpress.com/2020/09/18/how-doom-metal-was-born-50-years-of-black-sabbaths-paranoid/
  72. https://www.ongoinghistoryofprotestsongs.com/2025/07/22/15-black-sabbath-ozzy-osbourne-protest-songs/
  73. https://www.psychologytoday.com/za/blog/the-philosopher-is-in/202507/ozzy-osbourne-brought-light-to-the-darkness-for-so-many
  74. https://www.reddit.com/r/blacksabbath/comments/19fksrr/black_sabbath_in_movies/
  75. https://www.songfacts.com/licensing/black-sabbath/hand-of-doom
  76. https://www.reddit.com/r/doommetal/comments/xecznj/a_doom_metal_manifesto_by_earl_of_void/
  77. https://therockrevival.com/rock-news/black-sabbath-announce-hand-of-doom-vinyl-box-set/
  78. https://www.loudersound.com/news/watch-metallica-rob-trujillo-play-black-sabbath-wife-chloe-trujillo
Add your contribution
Related Hubs
User Avatar
No comments yet.