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Howard Gordon
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Howard Gordon
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Howard Gordon (born March 31, 1961) is an American screenwriter and producer.

Key Information

He is well known for his work on the Fox action series 24 alongside the Showtime thriller Homeland, which he co-developed with Alex Gansa and Gideon Raff, and for the FX political drama Tyrant, which he co-developed with Craig Wright. He also produced the NBC science fiction thriller Awake.

Life and career

[edit]

Gordon was born to a Reform Jewish family[1][2] in Queens, New York City and graduated from Roslyn High School. After graduating from Princeton with a major in creative writing in 1984, Gordon came to Los Angeles with fellow filmmaker Alex Gansa to pursue a career in writing for television. Both broke into the industry with single episodes of ABC's Spenser: For Hire. Their Spenser work turned industry heads, and the pair joined the series Beauty and the Beast as staff writers, and were later named producers.

In 1990, the Gansa-Gordon team was signed to a two-year deal with Witt-Thomas Productions, during which they produced several pilots. One was an ABC project called Country Estates, which caught the attention of producer Chris Carter.

Soon after, Carter invited Gordon and Gansa to join The X-Files as supervising producers; Gordon wrote or co-wrote several scripts each season, before departing from the series in 1997 to pursue other projects.

After co-writing one episode of Buffy the Vampire Slayer, Gordon created his own show, the short-lived Strange World in 1999. Strange World went to seed 13 episodes in, but Gordon and Strange World writer Tim Minear's services were quickly snapped up by Buffy creator Joss Whedon on another project: Angel. After two years with Angel, Gordon jumped ship in 2001 for FOX's successful 24, where he would write several episodes in Seasons 1 & 2, then crafted the entire story arcs for Seasons 3 and 4. Gordon temporarily left 24 in the middle of the 2004 season to re-join Minear, this time as co-creator of another FOX series, The Inside. Despite The Inside's cancellation and short run, talk circulated of including the two Minear-Gordon series, Strange World and The Inside, on a special DVD set sometime in 2006.

Beginning in 2006, Gordon became 24's showrunner, a title he held through its final season. The successful deal led up with his continuing deal at Fox.[3] That same year, he was made partner with 24 creators Joel Surnow and Robert Cochran at Real Time Productions to develop projects, until the duo quit in 2008.[4] In 2019, after a stint at Fox through Teakwood Lane Productions, he signed a deal with Sony.[5]

Gordon is also the author of the Gideon Davis novels.

Homeland

[edit]

In 2010, after finishing 24, Gordon began co-developing (along with Gideon Raff and Alex Gansa) the thriller Homeland for Showtime. Based on the Israeli series Prisoners of War, it centers on a woman (Claire Danes) who works for the CIA and is convinced a recently returned American prisoner of war (Damian Lewis) has been turned by al-Qaeda. The show premiered Sunday, October 2, 2011, at 10/9 central. It has been met with major critical acclaim and maintained a steady viewership rating throughout its first season. Showtime premiered its fourth season on October 5, 2014.[6]

In 2012, he won the Primetime Emmy Award for Outstanding Writing for a Drama Series for writing the "Pilot" of Homeland and the series itself won the Primetime Emmy Award for Outstanding Drama Series.[7]

Awake

[edit]

In 2011, Gordon signed on to NBC's new Kyle Killen fantasy pilot Awake as an executive producer. When NBC picked the project up to series status, Gordon added writer and showrunner to his occupational duties on the show. The series only ran from March 1 to May 24, 2012, before it was cancelled.

Second Chance

[edit]

In 2015, Gordon was executive producer on the horror-drama series Second Chance for Fox Television Network.[8] The pilot for Second Chance is based on a script written by Rand Ravich, who also worked as an executive producer on the series.[9]

Accused

[edit]

In May 2021, Fox ordered an American adaptation of Accused, the International Emmy-winning British series and it was announced that Gordon would act as executive producer and show-runner. It will be co-produced between Sony Pictures Television, All3Media America and Fox Entertainment and scheduled to premiere in the 2022–23 television season.[10] Alex Gansa and David Shore will serve as co-executive producers. It premiered on January 22, 2023.[11][12]

Novels

[edit]
  • Gideon's War (also published in the UK as The Obelisk) - 2011
  • Hard Target (also published in the UK as The Chamber) - 2012

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Howard Gordon

View on Grokipedia
from Grokipedia

Howard Gordon (born March 31, 1961) is an American television writer and producer recognized for his contributions to serialized drama, including writing and producing episodes of in the 1990s, co-developing the counterterrorism thriller (2011–2020), and serving as an on the real-time action series 24 (2001–2010).
Gordon, a graduate of , began his career freelancing for shows like Spenser: For Hire before joining , where he honed skills in crafting intricate plots involving government conspiracies and supernatural elements. His work on 24 emphasized high-stakes, ticking-clock narratives that influenced post-9/11 television storytelling, while , co-created with and adapted from the Israeli series Prisoners of War, earned critical acclaim for exploring intelligence operations and psychological tension, securing Gordon for Outstanding Drama Series in 2012 and related production honors.
Beyond television, Gordon has authored novels, including Ghost Fleet (2015, co-written with ), which applies strategic foresight to depict future warfare scenarios, reflecting his interest in geopolitical realism drawn from professional consultations and historical analysis. More recently, he executive produced the anthology series Accused (2023–present), adapting real-life criminal cases into standalone episodes, demonstrating versatility in narrative formats while maintaining a focus on moral ambiguity and procedural depth.

Early Life and Education

Childhood and Upbringing

Howard Gordon was born on March 31, 1961, in , , to a Jewish family. He spent much of his upbringing on , receiving a typical Jewish education that included undergoing bar mitzvah and confirmation rituals, as well as multiple visits to during his youth. Gordon attended in , a public institution known for its strong academic programs.

Academic Pursuits

Gordon attended , majoring in . He graduated in 1984 alongside , with whom he later collaborated on television projects. During his time at Princeton, Gordon honed his skills as a writer, aspiring to novelistic pursuits before transitioning to . No advanced degrees or further academic engagements are documented in his career trajectory.

Television Career

Entry into the Industry

Following his graduation from in 1984, where he majored in English and participated in the creative writing program, Howard Gordon relocated to with college classmate to seek opportunities in television writing. The duo's initial breakthrough came through freelance script assignments for the ABC detective series Spenser: For Hire (1985–1988), starring as the titular based on Robert B. Parker's novels. Gordon and Gansa each contributed single episodes, which garnered industry attention for their narrative polish and character-driven storytelling amid the procedural format. This early success facilitated their transition to staff writing positions on CBS's romantic fantasy series Beauty and the Beast (1987–1990), featuring as a lion-like creature and as his love interest in a modern-day New York underworld. There, Gordon honed skills in blending genre elements with emotional depth, solidifying his partnership with Gansa and establishing a foundation for future collaborations in speculative and thriller genres. These formative roles, secured shortly after arriving in Hollywood, marked Gordon's entry as a professional , emphasizing procedural and themes that would recur in his later work.

Key Contributions to 24

Howard Gordon joined the production of 24 as a writer and shortly before its premiere on on November 6, 2001, contributing to the series' foundational episodes and overarching narratives. He is credited with writing 35 episodes across the show's run, including key installments that advanced the real-time thriller's plotlines involving high-stakes counter-terrorism scenarios. His early writing emphasized procedural intensity, such as in season 1's depiction of a presidential plot unfolding over 24 hours, which helped establish the series' signature split-screen technique and countdown to build unrelenting tension. Following a brief hiatus amid production challenges after season 4, Gordon returned as for seasons 5 through 8, from 2006 to 2010, steering the narrative toward escalating threats like nerve gas attacks and nuclear conspiracies while maintaining the format's fidelity to consecutive-hour progression. Under his leadership, 24 received the Primetime Emmy for Outstanding Series in 2006, recognizing its innovative blend of action and moral dilemmas in operations. Gordon's oversight ensured the show's post-9/11 resonance, portraying Islamist networks and tactics as central elements, which he later described as a means to explore power dynamics and response imperatives without overt political advocacy. Gordon's tenure as showrunner also involved navigating controversies over the series' unvarnished depiction of , including family-based terrorist cells, which drew both praise for realism and criticism for cultural sensitivities, yet sustained high viewership averaging 10-15 million per episode in later seasons. His contributions extended to spin-offs like the 2008 telemovie 24: Redemption, reinforcing the franchise's focus on Jack Bauer's lone-agent archetype amid global crises. Overall, Gordon's role solidified 24's legacy as a benchmark for serialized drama, influencing subsequent thrillers by prioritizing causal chains of threat detection and over character-driven subplots.

Development of Homeland

In early 2010, Howard Gordon and , collaborators on the series 24 which concluded its eighth season that year, identified the Israeli series Hatufim (Prisoners of War) as a basis for their next project. Created and written by , Hatufim premiered its first episode on Israel's Channel 2 on March 6, 2010, focusing on the psychological reintegration of two soldiers returned after 17 years of captivity. Gordon and Gansa acquired adaptation rights after reviewing Raff's pilot script, which emphasized trauma's long-term effects without overt elements. Raff facilitated the process by translating Hatufim into English and serving as a , retaining writing credits on the pilot while Gordon and Gansa handled Americanization. The adaptation shifted the core premise to a U.S. Marine Corps sergeant suspected of terrorist radicalization post-captivity, infusing post-9/11 counterterrorism realism drawn from real-world events like the wars in and . A pivotal change introduced Carrie Mathison, a female CIA officer with , replacing a male Israeli intelligence figure from the original; this "gender switch" enabled exploration of institutional biases against women in roles and personal instability's impact on operational judgment. Showtime, under newly appointed president of entertainment David Nevins, greenlit a pilot episode on September 19, 2010, marking Nevins's first major project at the network. Gordon and Gansa wrote the script, with Gordon credited for developing it for American television alongside Raff's foundational material; Michael Cuesta directed the pilot, filmed primarily in Charlotte, North Carolina, to simulate Washington, D.C., settings. The episode's tight focus on character-driven suspense, contrasting 24's real-time action, secured a full series order after positive network testing, leading to Homeland's premiere on October 2, 2011. Gordon initially co-showran with Gansa before assuming primary showrunner duties starting in season two.

Later Productions and Adaptations

Following the conclusion of in 2020, Gordon served as on , an drama series that aired from June 24, 2014, to September 7, 2016, across three seasons comprising 32 episodes. Co-developed with Craig Wright, the series centered on a fictional Middle Eastern nation grappling with political upheaval, drawing on themes of family loyalty and without being based on prior source material. Gordon also executive produced Legends, a TNT thriller that ran for two seasons from August 13, 2014, to October 21, 2015, totaling 20 episodes. Adapted from Littell's 2005 of the same name, the series followed an FBI deep-cover operative navigating multiple identities amid threats; Gordon contributed to its development alongside and . In 2016, Gordon executive produced the Fox sci-fi drama Second Chance, which premiered on January 13 and concluded on May 6 after one season of 11 episodes. Created with Rand Ravich, it reimagined elements of the 1977 ABC series, depicting a resurrected former cop enhanced with youthful vitality confronting ethical dilemmas in a high-tech revival process. Gordon returned to the 24 franchise as executive producer for 24: Legacy, a Fox spin-off that aired from February 5 to April 17, 2017, for one season of 13 episodes. Developed by Manny Coto and Evan Katz as a narrative extension, it shifted focus to a new counterterrorism agent, Eric Carter (played by Corey Hawkins), while retaining the real-time format amid threats from domestic extremists. More recently, Gordon developed and serves as and for Accused, a that debuted on January 22, 2023, with its second season premiering on October 1, 2024. Adapted from the 2010 BBC One series created by , each self-contained episode explores a defendant's backstory leading to trial, emphasizing moral ambiguity in ordinary circumstances escalating to legal peril; the format features rotating guest stars such as and in Season 1.

Literary Career

Gideon Davis Series

The Gideon Davis series comprises two political thriller novels authored by Howard Gordon, marking his debut in fiction writing following his extensive television career. Published by Simon & Schuster, the series centers on Gideon Davis, a Princeton-educated former international peacemaker and negotiator who repeatedly intervenes in high-stakes counter-terrorism scenarios, leveraging his expertise in conflict resolution and access to covert intelligence. The narratives draw parallels to Gordon's work on series like 24, emphasizing real-time threats, rogue agents, and bureaucratic obstacles in preventing attacks. The inaugural novel, Gideon's War, released on February 15, 2011, introduces the protagonist when he is recruited by U.S. officials to locate and extract his estranged brother, Tillman Davis, a rogue CIA operative suspected of aligning with hostile forces in a plot threatening global stability. The story unfolds over 48 hours, involving pursuits across international borders and confrontations with terrorist networks, highlighting themes of familial amid crises. In some markets, such as the , it was alternatively titled The Obelisk. The sequel, Hard Target, published on February 21, 2012, sees , now attempting a civilian life as an academic, alerted to an imminent domestic terrorist strike overlooked by the . Enlisting Tillman's undercover skills, Gideon infiltrates a white supremacist militia plotting revenge against the , racing against time to avert the assault on American soil. This installment, known as The Chamber in the UK and , expands on interpersonal tensions between the brothers while critiquing intelligence failures and domestic extremism. Both volumes were released in , e-book, and formats, with boxed sets later compiled for . The series received attention for its page-turning pace and insider perspective on counter-terrorism, informed by Gordon's Emmy-winning background, though it has not expanded beyond these two entries as of 2025.

Personal Life

Family and Relationships

Howard Gordon has been married to writer Cambria Gordon since the early 1990s, and the couple has three children together, including at least one son. The family resides in , , where they are active members of University Synagogue, reflecting Gordon's Jewish heritage and family-oriented lifestyle. Gordon maintains a low public profile regarding his personal relationships, with limited details available beyond these family facts, prioritizing privacy amid his high-profile career in television production.

Awards and Recognition

Emmy and Golden Globe Wins

Howard Gordon received the Primetime Emmy Award for Outstanding Writing for a Series in 2012 for the pilot episode of , co-written with and based on the Israeli series Prisoners of War by . As , he also shared in the Primetime Emmy wins for Outstanding Series for in 2012, 2015, and 2016. For 24, Gordon contributed as and to the series' Primetime Emmy Award for Outstanding Drama Series in 2006. Regarding Golden Globes, Gordon shared in the win for Best Television Series – Drama for 24 at the in 2006, as . The series similarly won Best Television Series – Drama at the in 2012, with Gordon credited as . No individual Golden Globe awards for writing or other personal categories appear in records for Gordon's television work.

Other Honors

Gordon received the Peabody Award for Homeland in 2012, recognizing the series' tension-filled exploration of American life post-9/11 and the war on terror. In 2013, he shared the Producers Guild of America Award for Outstanding Producer of Episodic Television, Drama, for Homeland's first season, alongside producers including and Chip Johannessen. The awarded Homeland the 2012 prize for New Series, crediting Gordon and the writing team for its innovative narrative structure and character development. For the Homeland pilot episode, Gordon, along with and , won the 2012 Award for Best Television Episode Teleplay from the , honoring the script's suspenseful plotting and psychological depth. Homeland earned a BAFTA Television Award nomination for Best International Programme, with Gordon credited among the key creators for its global impact and production quality. In 2023, the Monte-Carlo Television Festival presented Gordon with the Honorary Golden Nymph Award, acknowledging his decades-long contributions to television drama, including 24 and Homeland. Gordon was honored with the Cipher Brief's Impact Through Storytelling Award in 2024, recognizing his influence on public discourse about and through serialized .

Critical Reception and Controversies

Accolades for Narrative Realism

Gordon's work on Homeland (2011–2020), which he co-created and executive produced, received praise from intelligence professionals for its realistic depiction of CIA operations. Two former CIA veterans assessed the series as accurately capturing the mission, intensity, pace, contradictions, and complexity of a CIA station in a high-stakes environment, distinguishing it from more sensationalized portrayals. A counterterrorism expert similarly commended the show's portrayal of , noting its precise reflection of real-world scenarios where civilian casualties arise from imperfect decisions. The series' narrative approach, emphasizing psychological depth and operational over action-hero tropes, was highlighted as an improvement over predecessor 24 (2001–2010), aligning with critiques from terrorism experts who favored intelligence-gathering realism over procedural shortcuts. Gordon consulted specialists during production to ground storylines in authentic tactics and threats, contributing to this acclaim. In 2024, Gordon received the Cipher Brief's Impact Through Storytelling Award at its Honors Dinner in Washington, D.C., recognizing his influence on public understanding of national security challenges through 24 and Homeland. The award, presented by former CIA Director Michael Hayden and introduced by former Congressman Will Hurd, underscores the perceived authenticity of Gordon's narratives in depicting terrorism and intelligence work, as evaluated by a community of ex-intelligence officials. Earlier, Gordon was honored with the Wise Award for advancing public comprehension of terrorism threats via 24's urgent scenarios, which drew on expert input for procedural elements despite dramatic escalations.

Debates on Terrorism Portrayals

Portrayals of terrorism in Gordon's series 24 (2001–2010, 2014) and Homeland (2011–2020), for which he served as showrunner, have fueled debates over whether they accurately reflect post-9/11 threats or perpetuate stereotypes of Muslims as inherent dangers. Critics, including advocacy groups like the Council on American-Islamic Relations (CAIR) and the Muslim Public Affairs Council (MPAC), argued that 24's early seasons, which often centered on Islamist plots such as a Muslim-American family orchestrating nuclear attacks, reinforced fears of domestic infiltration and contributed to real-world prejudice, exemplified by promotional billboards warning "They could be next door." Gordon responded by engaging directly with MPAC representatives to discuss the show's societal impact, acknowledging the need to balance dramatic tension with sensitivity to avoid unintended exploitation of audience anxieties. In 24, terrorism depictions evolved across eight seasons to include non-Muslim antagonists, such as white supremacists in season six (2007) and Russian conspirators in season seven (), yet detractors maintained that the preponderance of Middle Eastern villains—appearing in five of the first six seasons—fostered a narrative of as synonymous with violence, potentially influencing public perceptions amid heightened post-9/11 scrutiny of Muslim communities. Gordon later reflected that the series "came of age in the immediate aftermath of 9/11," with its real-time format capturing the urgency of but drawing scrutiny for endorsing aggressive tactics like enhanced interrogation, which some linked to U.S. military practices in and . He noted in that the show's initial focus on Muslim terrorists had "unwittingly exploit[ed] some of the fears of our audience members," prompting adjustments to diversify threats. Homeland intensified these controversies by featuring complex but predominantly negative Arab and Muslim characters, such as the leader Abu Nazir and Nicholas Brody, a U.S. Marine turned sympathizer after captivity. Critics described the series as presenting a "crude and childish" view of Arabs as fanatics or infiltrators, ignoring regional diversity and amplifying Western anxieties about . Academic analyses framed this as orientalist, with Muslim identities reduced to terrorism enablers, even for sympathetic figures like Brody, whose arc involved ritualistic conversion and plotting attacks. Gordon expressed concern in 2016 that such narratives could serve as "fodder for increased attacks against ," emphasizing "vigilant " in production to foster on representation while defending the need to depict evolving threats like homegrown . Defenders, including Gordon in discussions on media responsibility, argued that the shows mirrored empirical patterns of —such as al-Qaeda-inspired plots responsible for attacks like 9/11 (2001, killing 2,977) and subsequent lone-wolf incidents—rather than fabricating bias, with drawing from real cases of returned captives and intelligence failures. However, outlets critiquing the portrayals, often aligned with progressive viewpoints, have been accused of underemphasizing Islamist motivations in favor of broader cultural critiques, contrasting with data from sources like the showing Islamist accounting for a majority of U.S.-targeted fatalities from 2001–2019. Despite these tensions, Gordon maintained that entertainment's role includes provoking debate on security dilemmas without shying from causal realities of .

References

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