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Hum Hain Rahi Pyar Ke
Hum Hain Rahi Pyar Ke
Hum Hain Rahi Pyar Ke
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Hum Hain Rahi Pyar Ke
Theatrical release poster
Directed byMahesh Bhatt
Screenplay byRobin Bhatt
(also Dialogues)
Aamir Khan
Story byRobin Bhatt
Produced byTahir Hussain
StarringAamir Khan
Juhi Chawla
Sharokh Bharucha
Kunal Khemu
Baby Ashrafa
CinematographyPravin Bhatt
Edited bySanjay Sankla
Music bySongs:
Nadeem–Shravan
Background Score:
Shyam–Surender
Nadeem–Shravan
Production
company
Tahir Hussain Enterprises
Distributed byT. V. Films Pvt Ltd
Release date
  • 23 July 1993 (1993-07-23)
Running time
150 minutes
CountryIndia
LanguageHindi
Box office₹97 million[1]

Hum Hain Rahi Pyar Ke (transl. We Are Travelers on the Path of Love) is a 1993 Indian romantic comedy-drama film, directed by Mahesh Bhatt and produced by Tahir Hussain, with screenplay written by Aamir Khan and Robin Bhatt, and with a musical score by Nadeem–Shravan. Based on the 1958 Hollywood movie Houseboat,[2] it stars Aamir Khan and Juhi Chawla in the lead roles, with Sharokh Bharucha and Kunal Khemu[3] in supporting roles. Upon release, the film received positive reviews from critics, with particular praise directed towards Chawla's performance, for which she won the Filmfare Award for Best Actress at the 39th Filmfare Awards. The film has also garnered the National Film Award – Special Jury Award / Special Mention (Feature Film), and the Filmfare Award for Best Film. The film was remade in Telugu as Bhale Maavayya (1994) starring Suman[4] and in Malayalam as Priyam (2000) starring Kunchacko Boban.

Plot

[edit]

The movie start with, Rahul Malhotra is the caretaker of a garment company with a pending order of a hundred thousand shirts to Sindhi Businessman Mr Bijlani. Rahul is also the guardian of his deceased sister's mischievous kids: Sunny, Munni, and Vicky. He finds it hard to control the kids, as he is new to this. When the kids cause trouble, Rahul punishes them by locking them up in their room. However, the children escape and head for a carnival in town.

Vyjayanti Iyer is the bubbly daughter of Mr Iyer, a South Indian businessman and Carnatic music lover. Her father wants her to marry Natarajan Iyer, a Carnatic music legend, who is somewhat creepy. Vyjayanti refuses to marry him; as punishment, she is locked up and escapes. She meets the three kids at the carnival and they become friends. Vyjayanti explains that she has no home so the children invite her to stay with them.

The children go to great lengths to hide Vyjayanti from Rahul. In a row of hilarious sequences, they are always one step ahead of Rahul before he can discover Vyjayanti. Two nights later, however, Vyjayanti is revealed. Initially angry, Rahul sees that the children love her so he gives her a job as the children's governess. Vyjayanti begins to live with Rahul and the kids and slowly falls in love with him.

And then there enters seductive, glitzy Maya, Bijlani's daughter, who is obsessed with Rahul. She wants to marry Rahul, and Rahul approves, deciding it would benefit the children. When Vyjayanti and the children find out about Maya and Rahul's upcoming engagement ceremony, Vyjayanti is heartbroken and the kids are upset, as they dislike Maya. On the day of the engagement, Vyjayanti explains to the kids that she loves Rahul and wants to marry him. The kids come up with a plan to stop the engagement. They crash the party with a dramatic act, which successfully postpones the engagement but leads to Rahul losing his temper. Back home, he scolds Vyjayanti and she admits that she loves him, shocking him.

The next morning, Bijlani comes with Maya to offer Rahul a second chance. Rahul defends Vyjayanti against their insults, thereby expressing his own feelings for her. The mischievous kids chase Bijlani and Maya out of the house with rotten eggs and tomatoes. As revenge, Bijlani and Maya set on auctioning Rahul's house. Rahul asks his workers to work overtime to complete the shirt orders, which the supportive workers agree to do. A successful two lakh shirts are made and loaded onto a truck to be delivered to Bijlani. Bijlani hires some thugs to ensure that the truck doesn't arrive on time. Much to their distaste, Rahul arrives on time with the order, and Bijlani and Maya are arrested.

Vyjayanti is finally reunited with her father, who disapproves of her marrying anyone outside the Iyer clan. All the factory workers, Rahul's colleagues, and the children ask him to allow Rahul and Vyjayanti to marry. He continues to stand by his decision until Natarajan himself supports the couple, eventually leading Iyer to accept Rahul and Vyjayanti's marriage on the condition that they would marry in a South Indian ceremony. The movie ends with Rahul's marriage to Vyjayanti.

Cast

[edit]

Soundtrack

[edit]

The soundtrack of the movie was composed by the music duo Nadeem–Shravan and lyrics were contributed by Sameer. Vocals for Aamir Khan were supplied by Kumar Sanu, and for Juhi Chawla by Alka Yagnik and Sadhana Sargam.

Songs like "Ghunghat Ki Aad Se", "Kaash Koi Ladka Mujhe Pyaar Karta", "Woh Meri Neend Mera Chain Mujhe" and "Bombai Se Gayi Poona" became extremely popular. The song "Yunhi Kat Jaayega Safar Saath" is based on Schönes Mädchen aus Arcadia. According to the Indian trade website Box Office India, with around 2,500,000 units sold the soundtrack became the fifth highest-selling album of the year.[5] "Bombay Se Gayi" tune and music is lifted from “Jhilmil Kare Aankhein” by Mohammed Ali Sheiki.

# Title Singer(s) Length
1. "Ghoonghat Ki Aadh Se" Kumar Sanu & Alka Yagnik 06:17
2. "Yunhi Kat Jayega" Kumar Sanu & Alka Yagnik 07:40
3. "Mujhse Mohabbat Ka" Kumar Sanu & Alka Yagnik 05:07
4. "Woh Meri Neend Mera Chain" Sadhana Sargam 04:48
5. "Chikni Soorat Tu Kahan Tha" Kumar Sanu 04:24
6. "Bambai Se Gayi Poona" Alka Yagnik 04:23

Awards and nominations

[edit]

41st National Film Awards:

Won

39th Filmfare Awards:

Won

Nominated

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Hum Hain Rahi Pyar Ke

View on Grokipedia
from Grokipedia
Hum Hain Rahi Pyar Ke is a 1993 Indian Hindi-language romantic comedy-drama film directed by and produced by , featuring and in the lead roles alongside child actors including . The story centers on Malhotra (), a laid-back young man who unexpectedly becomes the guardian of his late sister's three mischievous children and the manager of the family's debt-ridden business. To manage the household chaos, hires (), a spirited young woman fleeing an unwanted , as the children's ; as she brings order and joy to the family, and gradually fall in love amid humorous and emotional challenges. Released on 23 July 1993, the film was written by alongside and Sujit Sen, with cinematography by and editing by Sanjay Sankla. It marked a successful collaboration between and , blending family-oriented humor, romance, and light drama, and became a box-office hit, with domestic nett collections of approximately ₹5.21 . The soundtrack, composed by the duo Nadeem-Shravan with lyrics by Sameer, was a major highlight, featuring popular songs such as "Ghoonghat Ki Aad Se" (sung by and ), "Chikni Surati" ( and ), and "Bambai Se Gayi Poona" (), which topped music charts and enhanced the film's appeal. At the in 1994, Hum Hain Rahi Pyar Ke received widespread acclaim, winning Best Film (Tahir Hussain), Best Actress (Juhi Chawla), and Best Lyricist (Sameer for "Ghoonghat Ki Aad Se"), while also earning nominations for Best Actor () and Best Director (). The film's light-hearted narrative and strong performances have contributed to its enduring popularity as a classic family entertainer in Bollywood cinema.

Production

Development and screenplay

The development of Hum Hain Rahi Pyar Ke drew inspiration from the 1958 Hollywood film , which explores themes of family dynamics, sudden responsibility for children, and budding romance amid comedic situations. This foundation allowed director to adapt the core premise into a light-hearted Bollywood narrative emphasizing everyday familial bonds and emotional growth without overt sentimentality. The project was announced in 1992 under Films, with Bhatt helming direction following his successful 1991 collaboration with lead actor on , marking a shift toward more commercial, feel-good storytelling. The film's budget was estimated at around ₹2.5 , reflecting a modest production scale suited to its family-oriented appeal. The screenplay was credited to , , and Sujit Sen, with Sen contributing the original story and Khan playing a key role in shaping dialogues and character arcs to enhance the blend of humor, drama, and romance. This collaborative writing process emphasized natural interactions and subtle emotional layers, diverging from Bhatt's prior intense dramas like Arth (1982) and (1984) by prioritizing accessible, non-melodramatic tones.

Casting and crew

The principal roles in Hum Hain Rahi Pyar Ke were played by Aamir Khan as Rahul Malhotra, the factory manager and guardian to three orphaned children, and Juhi Chawla as Vaijanti Iyer, the governess hired to manage the household. Khan was selected for his established versatility following the success of Qayamat Se Qayamat Tak (1988), which had launched him as a leading romantic hero. Chawla was cast to leverage her comedic timing, demonstrated in her recent work including Darr (1993). The child actors included Sharokh Bharucha as Vicky, as Sunny, and Baby Ashrafa as Munni, portraying the three mischievous siblings central to the film's family dynamics. Supporting roles featured as Maya Bijlani, the sophisticated love rival to Vaijanti. was personally cast by Khan in the role of Mr. Bijlani, Maya's father, after Khan reached out to him directly for the eccentric Sindhi businessman character. The film was directed by , known for his emotional storytelling in contemporary dramas, and produced by under his banner Tahir Husain Enterprises. Cinematography was handled by , who captured the film's lighthearted family sequences, while editing was done by Sanjay Sankla to maintain its comedic pacing. During pre-production, Khan expressed initial hesitation about portraying Rahul as perpetually "harassed" by the children's antics, feeling it might not suit his image even after reviewing rushes; this concern was addressed through collaborative script tweaks suggested by Khan himself, including enhancements to comedic scenes like the egg-throwing climax to better balance the character's exasperation with charm. Aamir also contributed to the screenplay alongside Robin Bhatt and Sujit Sen.

Principal photography

The production of Hum Hain Rahi Pyar Ke spanned approximately one and a half years, with taking place in 1993 and the film ready for release by July 1993. The production utilized a combination of outdoor and indoor locations within , with no foreign shoots conducted. Primary exterior sequences, including romantic song picturizations, were filmed in , , leveraging the city's palaces, lakes, and courtyards for scenic backdrops; notably, the song "Ghunghat Ki Aad Se" was shot in a historic palace courtyard there. Interior scenes and additional setups were captured at Film City in , , and Studios in , facilitating controlled environments for dialogue-heavy and comedic portions. Filming presented several challenges, particularly in maintaining authenticity and managing the young cast. During a factory sequence, lead actor halted production midway, observing that background extras portraying workers were idly standing rather than simulating realistic labor; he insisted on reshooting to ensure the scene's believability, a decision later commended by director for its commitment to detail. Coordination with child actors, including Kunal Kemmu and Baby Ashrafa, required creative approaches, such as director bribing the children with chocolates to encourage focused performances and complete extended takes, adding to the production's lighthearted yet demanding atmosphere. The film was shot on 35mm , standard for Bollywood productions of the era, allowing for high-quality visuals that captured the emotional intimacy of family and romantic interactions through practical lighting setups. Song sequences featured by Raju Khan, Madhav Kishan, and Naimish Udayan, emphasizing synchronized movements that blended the adult leads with the children's energetic participation.

Story and cast

Plot summary

Rahul Malhotra, a young managing his family's struggling garment factory burdened by massive debts, suddenly inherits responsibility for his deceased elder sister's three mischievous children—two boys and a girl—after she and her husband perish in a car accident, as stipulated in their will. The story is loosely based on the 1958 Hollywood film . Overwhelmed by the dual pressures of keeping the factory afloat and parenting the unruly kids who constantly pull pranks and disrupt his life, Rahul's days become a chaotic blend of business woes and familial duties. In a bid for help, encounters , a spirited young woman fleeing an unwanted from her orthodox family, after the children befriend her at a local fair while sneaking away from home. Impressed by her ability to handle the kids' antics with patience and affection, hires her as their . As integrates into the household, she not only tames the children's wild behavior through games and lessons but also sparks a tender romance with , providing emotional support amid escalating factory troubles caused by unpaid loans and scheming creditors. Comedic mishaps ensue, from the kids' playful sabotage of 's dates to heartfelt moments that strengthen their makeshift family bonds. The rising tensions peak when Mr. Bijlani, a wealthy businessman eyeing control of the factory, allies with his daughter Maya, infatuated with , who resorts to underhanded tactics to undermine his business and separate him from . Facing potential and family separation, rallies the children and for a clever counterplan involving of the antagonists, ultimately exposing their deceit and saving the factory through renewed investor confidence. The film resolves with and 's , uniting the family in harmony and emphasizing themes of , duty, and lighthearted resilience without dramatic twists.

Cast and characters

Rahul Malhotra serves as the central protagonist, depicted as a young, stressed factory manager burdened by the family's debt-ridden business and the sudden responsibility of guardianship over his deceased sister's three children. Initially overwhelmed and embodying a sense of duty-bound , he struggles with balancing work and , often appearing rigid and emotionally distant. Throughout the , Rahul's arc evolves from exhaustion to tenderness, as he forms deep bonds with the children and develops a romantic connection with , ultimately embracing family life and emotional vulnerability as redemptive forces. Vaijayanti Iyer enters as the spirited and independent , a runaway bride who infuses the household with joy, humor, and vitality through her quick wit and unconventional approach to childcare. Challenging traditional patriarchal expectations, she asserts her autonomy while fostering harmony among the children and , positioning herself as a catalyst for emotional openness. Her arc highlights the transformative power of romance, as she transitions from a temporary helper to a loving partner who reinforces themes of mutual support and familial unity. The three children—Vicky, Sunny, and Munni—represent innocence amid chaos, their mischievous antics underscoring the film's exploration of disrupted family dynamics and the healing role of love. Vicky, the clever eldest, often leads the pranks with resourceful ingenuity; Sunny, the energetic middle child, adds playful disruption and warmth; while baby Munni embodies pure vulnerability, evoking protective instincts. Collectively, their distinct traits drive Rahul's growth, symbolizing the redemptive joy of parenthood and the strengthening of bonds through shared challenges. In supporting roles, Mr. Bijlani functions as a primary antagonist, a greedy businessman who schemes to seize control of and disrupt the for personal gain, heightening tensions around and . Meanwhile, Maya Bijlani, a wealthy suitor infatuated with , introduces emotional complexity by attempting to sabotage his budding family life out of jealousy, thereby deepening the narrative's focus on choosing authentic relationships over material allure. These characters' conflicts propel the arcs of family bonding and romance, illustrating how external pressures ultimately affirm the protagonists' commitment to and unity.

Music

Soundtrack composition

The soundtrack of Hum Hain Rahi Pyar Ke was composed by the music duo , marking their first collaboration with lead actor , though they had previously worked with director on films like (1990). Their compositions drew inspiration from the romantic melodic style prevalent in 1990s Bollywood, creating tunes that complemented the film's light-hearted family drama. The lyrics were penned by Sameer, emphasizing playful and heartfelt themes that mirrored the movie's tone of romance and familial warmth. The soundtrack features prominent vocals by , , and , with Sanu providing playback singing for Aamir Khan's character in several tracks. Recording sessions took place in studios during 1993, prior to the film's release. Key artistic choices included crafting six songs that blended Western and Indian musical elements to appeal to a broad family audience, with an emphasis on catchy, hummable melodies. For instance, the track "Yunhi Kat Jayega Safar" incorporated the prelude from Demis Roussos' 1973 song "Lovely Lady of Arcadia," adapting its Western structure into an Indian romantic context. A significant portion of the budget was allocated to rich , enhancing the songs' emotional depth and integration into the plot's key moments. The album sold approximately 2.5 million units, becoming the eighth highest-selling Bollywood soundtrack of 1993.

Track listing

The soundtrack of Hum Hain Rahi Pyar Ke features six songs composed by Nadeem-Shravan, with lyrics by .
TitleSinger(s)LengthScene Context
Bambai Se Gayi Poona5:32Comedic sequence depicting the female lead's imagined travels.
Chikni Soorat Tu Kahan Tha5:49Romantic solo picturized on the male lead admiring the female lead's beauty.
Ghoonghat Ki Aad Se, 5:45Dance sequence in highlighting playful courtship between the leads.
Mujhse Mohabbat Ka Izhar Karta, 5:12Duet in a sequence expressing the female lead's longing.
Yunhi Kat Jaayega, 5:10Melancholic duet underscoring themes of life's uncertainties amid the protagonists' struggles.
Woh Meri Neend Mera Chain4:58Emotional solo conveying the female lead's heartbreak and longing in a reflective moment.

Release

Theatrical release

Hum Hain Rahi Pyar Ke was released theatrically in on 23 1993. The film received a U/A certification from the (CBFC). The runtime was 156 minutes. Marketing efforts included trailers that emphasized the romantic chemistry between and , as well as the family-oriented theme, while posters focused on the comedic aspects of the story.

Home media and distribution

Following its theatrical run, Hum Hain Rahi Pyar Ke was released on in in 1993 by Bombino Video Pvt. Ltd.. A DVD edition with English subtitles followed in 2008 from , making the film more accessible for home viewing. In August 2024, Leomark Studios issued a Blu-ray version, offering enhanced video quality for modern audiences. The film became available on digital streaming platforms in the mid-2010s, expanding its reach beyond . It streams on , where subscribers can watch it on-demand. Additional free ad-supported options include Tubi TV and Mometu in select regions. Television broadcasts have aired periodically on channels like STAR Utsav Movies, contributing to its ongoing visibility in . Internationally, distribution has been limited, primarily through diaspora communities via streaming services in the United States and . The film saw a theatrical release in under the title Utazók vagyunk a szerelem útján. Its availability on global platforms has sustained interest among overseas Indian audiences without widespread dubbed versions or major re-releases.

Reception

Critical response

Upon its release in 1993, Hum Hain Rahi Pyar Ke garnered generally positive responses from Indian critics, who appreciated its heartwarming narrative centered on family bonds and romance. India Today highlighted the film's engaging story of a carefree man navigating responsibility with three mischievous children and a lively governess, praising the bubbly energy brought by Juhi Chawla's performance and the endearing charm of the young actors. Filmfare echoed this sentiment, commending the lighthearted tone and the natural chemistry between the leads, which made the romantic elements feel fresh despite familiar tropes. However, some critiques pointed to the predictable plot, noting its echoes of earlier Bollywood films like Chori Chori and Dil Hai Ki Manta Nahin, where runaway romance intersects with familial chaos in conventional ways. Limited Western coverage at the time, primarily through diaspora outlets, valued the film's insights into Indian family dynamics and cultural values, offering a window into everyday humor and emotional warmth. In assessments, the film maintains strong approval, with an average rating of 7.3 out of 10 on from over 6,650 user ratings (as of November 2025), underscoring its status as a timeless feel-good entertainer. reports a 76% score based on 51 reviews (as of November 2025), where modern viewers praise the enduring appeal of its romance and Nadeem-Shravan while acknowledging the light depth in character . Overall, the consensus views it as a charming, chemistry-driven comedy that prioritizes emotional uplift over narrative innovation.

Commercial performance

The film was produced on a budget of ₹2.5 . It earned a worldwide gross of ₹97 million nett, with the Indian market accounting for ₹5.21 net. In , the film opened with approximately ₹0.4 over its first weekend and sustained a strong 50-day theatrical run, qualifying it as a super hit. Overseas performance was minimal, generating an estimated ₹5-7 million. Overall, it was one of the highest-grossing films of , classified as a super hit. The film's soundtrack achieved significant ancillary success, selling 2.5 million units and contributing approximately ₹10 to its total earnings.

Accolades

At the held in , Hum Hain Rahi Pyar Ke received three wins and three nominations for its 1993 release. The film won Best Film for producer , Best Actress for Juhi Chawla's portrayal of Vaijayanti Iyer, and Best Lyricist for Sameer for the song "Ghoonghat Ki Aad Se". It was nominated for Best Actor (), Best Director (), and Best Music Director (Nadeem-Shravan). Chawla's victory was her first , solidifying her position as one of Bollywood's prominent leading ladies during the . The film also earned recognition at the 41st National Film Awards in 1994, securing two honors for its contributions to . Director received the Special Jury Award for his sensitive handling of family dynamics and emotional depth. Additionally, won Best Female Playback Singer for her emotive rendition of "Ghoonghat Ki Aad Se", praised for its nuanced expression of longing and tenderness. These accolades, totaling five wins and three nominations across major ceremonies, highlighted the film's blend of heartfelt storytelling and memorable music, further elevating Nadeem-Shravan's reputation as a dominant force in Bollywood soundtracks during their peak era.

Legacy

Cultural impact

Hum Hain Rahi Pyar Ke popularized the "single man with kids + nanny romance" motif in 1990s Bollywood cinema, blending family drama with light-hearted romance in a way that resonated with audiences and influenced later films. This trope, where a beleaguered bachelor cares for orphaned or mischievous children and finds love through a nurturing female lead, became a recurring template for feel-good entertainers. For instance, the 2008 film Thoda Pyaar Thoda Magic drew inspiration from its structure, featuring a wealthy man raising orphans aided by a magical nanny figure, echoing the emotional and comedic dynamics of the original. The film was remade in Telugu as Bhale Maavayya (1994) and in Malayalam as Priyam (2000), extending its narrative template to regional Indian cinema. The movie reinforced core and subtle themes of during a transformative in Bollywood, portraying the as an independent, compassionate who challenges traditional roles while fostering unity. Its narrative emphasized responsibility, love, and perseverance amid adversity, striking a chord with viewers navigating similar familial pressures. This wholesome depiction contributed to broader societal discussions on work-life balance, particularly for men in middle-class settings, as the lead character juggles a struggling with child-rearing duties. Iconic songs like "Ghunghat Ki Aad Se" extended the film's reach into popular culture, becoming staples at weddings and sangeet ceremonies due to their romantic and festive appeal as part of Nadeem-Shravan's chart-topping soundtrack. The film's comedic sequences involving the children have been referenced in television shows, such as an episode of Comedy Nights with Kapil, highlighting its enduring narrative charm. Overall, these elements cemented its legacy in middle-class storytelling, promoting relatable ideals of harmony and emotional resilience.

Continued popularity

The film experienced renewed theatrical interest through special screenings as part of the organized by PVR-INOX in March 2025, where it was re-released alongside 21 other titles from the actor's career, attracting audiences nostalgic for Bollywood classics. On streaming platforms, Hum Hain Rahi Pyar Ke has garnered significant viewership, with full movie uploads on accumulating millions of views; for instance, a version surpassed 3.6 million views by late 2024, while other HD uploads reached 1.8 million by mid-2025. The film's availability on services like Prime Video has further sustained its accessibility to modern viewers. Anniversary celebrations have kept the film in the spotlight, with media outlets publishing retrospective articles in 2023 marking its 30th year, highlighting its enduring charm and the Aamir Khan-Juhi Chawla chemistry, followed by similar pieces in 2024 for the 31st and 2025 for the 32nd. The Aamir Khan-Juhi Chawla on-screen pairing has developed a , often celebrated for its innocent and relatable appeal in Hum Hain Rahi Pyar Ke, with fans frequently referencing it as a benchmark for feel-good romances on . Songs from the film, such as "Ghunghat Ki Aad Se," trend periodically on platforms like during festivals like Navratri, where users share recreating dance sequences. In contemporary viewing habits, the movie remains a popular family watch, praised for its wholesome humor and light-hearted narrative suitable for , without an official Hindi but inspiring fan tributes including cover songs and nostalgic posts.

References

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  41. https://www.youtube.com/watch?v=3jXYgddLl08
  42. https://www.cinematerial.com/movies/hum-hain-rahi-pyar-ke-i107166
  43. https://www.imdb.com/title/tt0107166/companycredits/
  44. https://indiaclub.com/products/24286-hum-hain-rahi-pyar-ke-dvd-in-hindi-with-english-subtitles
  45. https://www.primevideo.com/detail/Hum-Hai-Rahi-Pyar-Ke/0T63W5JNWJEC9TE51ZSBTMR50H
  46. https://www.justwatch.com/us/movie/hum-hain-rahi-pyar-ke
  47. https://tvgenie.in/show-info/458/hum-hain-rahi-pyar-ke
  48. https://www.imdb.com/title/tt0107166/releaseinfo/
  49. https://www.indiatoday.in/magazine/your-week/story/19930831-latest-movie-releases-811454-1993-08-30
  50. https://www.rottentomatoes.com/m/hum_hain_rahi_pyar_ke/reviews
  51. https://groups.google.com/g/rec.music.indian.misc/c/_TwiOv06DOo
  52. https://bestsellingalbums.org/album/43065
  53. https://timesofindia.indiatimes.com/entertainment/movie-awards/filmfare-awards-winners/bollywood/1994/101
  54. https://timesofindia.indiatimes.com/entertainment/movie-awards/national-awards-winners/1993/108
  55. https://indiacurrents.com/thoda-pyaar-thoda-magic-thoda-surprise/
  56. https://www.thestatesman.com/entertainment/bollywood/hum-hain-rahi-pyar-ke-5-reasons-to-celebrate-its-31st-anniversary-1503317206.html
  57. https://www.imdb.com/title/tt0107166/movieconnections/
  58. https://www.livemint.com/entertainment/aamir-khan-film-festival-revisit-dil-chahta-hai-dangal-more-of-the-actors-timeless-movies-on-big-check-detail-11741568380415.html
  59. https://www.youtube.com/watch?v=8UvvOe_-YG0
  60. https://www.youtube.com/watch?v=RD_NeKZ4b6M
  61. https://www.hindustantimes.com/entertainment/bollywood/hum-hain-rahi-pyar-ke-navneet-nishan-shares-delightful-memories-of-working-with-aamir-khan-and-juhi-chawla-101690109823630.html
  62. https://www.moneycontrol.com/entertainment/5-reasons-to-celebrate-the-31st-anniversary-of-aamir-khans-hum-hain-rahi-pyar-ke-article-12763040.html
  63. https://www.facebook.com/moviesdumdar/posts/celebrating-32-movie-anniversary-of-hum-hain-rahi-pyar-ke-aamir-khan-juhi-chawla/1361987345936854/
  64. https://www.facebook.com/thehindustankishaan/posts/aamir-khan-and-juhi-chawlas-pairing-brought-a-fresh-breeze-of-innocence-and-char/1305807457572500/
  65. https://www.indiaforums.com/article/hum-hain-rahi-pyar-ke-clocks-30-heres-why-should-watch-the-aamir-khanjuhi-chawla-starrer_198245
  66. https://www.instagram.com/reel/DO82vFqCq5k/
  67. https://www.myvi.in/blog/family-movies-to-watch
  68. https://www.indiatoday.in/movies/bollywood/story/kunal-kemmu-on-hum-hain-rahi-pyar-ke-remake-would-love-to-play-aamir-khan-s-role-1514646-2019-05-01
  69. https://www.youtube.com/watch?v=k52v-G1vcDI
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