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InMe are an English alternative rock/metal band originally formed in Brentwood, Essex in 1996.[1] They have released seven studio albums, two EPs, one bootleg album, one best-of compilation, one live album, one live EP and an acoustic album. A DVD of the band's Overgrown Eden show at the Highbury Garage in November 2010 was released via PledgeMusic as a part of the band's campaign for their fifth album The Pride. The band has had eight singles appear on the UK Top 100 Singles Chart.[2] The band are open about the fact that they all have day jobs, and ask fans to support them financially.[3]

Key Information

History

[edit]

Formation (1996–2000)

[edit]

The group originally formed as Drowned in 1996 when many of the band were just 14 years old.[1] The members of the band at that time were Dave McPherson as guitarist / vocalist, Joe Morgan as bassist / backing vocalist and Simon Taylor as drummer. They played several local venues, getting their first interviews and airplay on Brentwood-based radio station, Phoenix FM. They recorded many unreleased tracks such as "acid drop" and "apricot" The band scored their break when a scout from MFN caught the end of one of their sets, whilst attending a gig to see another band called -ism. They signed with MFN in 2001, and changed their name to InMe to avoid confusion with Drowned, an American Christian rock band of the same name.[1]

Overgrown Eden (2001–2003)

[edit]

Overgrown Eden was released through Music for Nations in January 2003, after numerous delays.[1] It reached No. 15 in the UK Albums Chart,[4] and No. 1 in the UK Rock Albums Chart.

Four singles were released from Overgrown Eden. These were "Underdose", "Firefly", "Crushed Like Fruit" and "Neptune", the first three of these being issued before the album. "Underdose" was released in July 2002 and entered the UK Singles Chart at No. 66. This was followed by "Firefly" in September which peaked at No. 43. "Crushed Like Fruit" appeared in January 2003, charting at No. 25.[4] "Neptune" was the last single released from the album in April 2003, charting at No. 46,[4] and was accompanied with a video featuring fans at a live gig.

Music for Nations went out of business during 2004,[1] when they were absorbed into a parent company. During this time the rights for Overgrown Eden were lost, and because of this, the album was eventually re-released in June 2006 when those rights were re-obtained. InMe played Overgrown Eden in its entirety in two separate dates in November 2010 as a part of a greatest hits tour to support their "best-of" album Phoenix: The Best Of InMe. The London show was recorded and was initially intended to be released through Sony BMG as a part of a re-release of Overgrown Eden. The DVD was eventually released through Graphite Records in 2012 along with the band's 5th Album The Pride.

White Butterfly (2004–2005)

[edit]

Their second album, White Butterfly, was released on 20 June 2005. It was released in two forms in the UK, a standard edition with thirteen tracks, and a limited edition with two bonus tracks "Every Whisper Aches" and "Angels with Snipers".[1] The first single from White Butterfly was "Faster The Chase" in 2004, when the band were still with MFN. Before the release of the album, there was a leak where several tracks, due to be released for the first time on the album were downloaded. The first in-store single to be released on the new label was "7 Weeks" which reached No. 36 in the UK chart, whilst the second single, "So You Know", peaked at No. 33.[4] The release of White Butterfly was sandwiched between a tour of the UK. White Butterfly was produced by Josh Abraham and Colin Richardson.

The band released a double A-side download single "White Butterfly" / "Safe In a Room" on 19 December 2005, with a five-track live EP.

White Butterfly was played in its entirety at two of InMe's shows on their greatest hits tour in November 2010.

Caught: White Butterfly and Daydream Anonymous (2005–2007)

[edit]
InMe in 2007

A live album, titled Caught: White Butterfly was recorded at the London Astoria in December 2005, and released in August 2006. The live DVD, White Butterfly Caught Live, which was released in October 2006.[1] In 2006, Joe Morgan left the band following the end of the tour cycle for White Butterfly and went to study at university, being replaced by Dave's younger brother Greg McPherson.

In September 2007, InMe released their third album Daydream Anonymous.[1] It charted in the UK at No. 71, making it the lowest charting InMe album to date. Daydream Anonymous featured thirteen tracks. "I Won't Let Go" was released as the only single. Daydream Anonymous was played in its entirety on two nights of InMe's greatest hits tour in December. It marked a shift in style towards a more technical, progressive and complex sound and exhibited a massive improvement in all members' technical abilities as instrumentalists.

Herald Moth (2008–2010)

[edit]

Herald Moth was recorded at Chapel Studios and the band finished recording the album in February 2009. It was released on 14 September through Graphite Records, and peaked at No. 68 in the UK chart. The album's first single, "Single of the Weak", was released on 17 August.

Herald Moth was InMe's first album as a four piece band, following the addition of Ben Konstantinovic in 2008. The band toured extensively through Europe from early 2009 to 2010, and saw Konstantinovic leaving in October 2009, to be replaced by Gazz Marlow in February the following year.

A double A-side single "All Terrain Vehicle" / "Nova Armada" was released in June 2010, with an accompanying video for "Nova Armada". Marlow's first recording with the band was with him playing second guitar on an acoustic version of "Nova Armada". With Marlow operating exclusively as a guitarist for the time being, backing vocal duties remained solely with Greg McPherson. InMe went on a 20 date run of the UK (known as the "All Terrain Armada Tour") to promote the album, with support from Fei Comodo and Envy Of The State.

InMe played Herald Moth in its entirety at both the Firebug in Leicester and The Relentless Garage in London in December 2010. InMe also headlined the Strongbow Stage at the Sonisphere festival at Knebworth in July 2010, and appeared at the Summer Breeze Festival in Germany in August.

Phoenix: The Best of InMe (2010)

[edit]

Their best of compilation album, Phoenix: The Best of InMe, included 15 tracks: three tracks from each of the band's four studio albums and three new recordings. The new tracks were recorded in June 2010, with Fei Comodo guitarist Mike Curtis producing. They were entitled "Saccharine Arcadia", "Thanks for Believing Me" and "Bury Me Deep Beneath Your Skin". The album was released on 27 September 2010.

The accompanying tour saw the band take up a four night residency at The Relentless Garage in London in November and December 2010, playing each of their four studio albums already released at that time in their entirety in consecutive weeks.

Overgrown Eden DVD release and The Pride (2010–2012)

[edit]

Following the airing of Overgrown Eden at the Highbury Garage in November on the Phoenix tour, the show (which was filmed) is to be released on DVD through Sony BMG. In a 2011 interview with Live4guitar, InMe confirmed that this DVD should be released as part of the PledgeMusic Campaign, which launches in November 2011.[5] The band made an appearance on the Bohemia Stage on Sunday 10 July at Sonisphere Knebworth.

As was frequently confirmed by Dave McPherson on social networking site Facebook as well as on the microblogging site Twitter, InMe planned to spend the early part of 2011 working on their fifth album, which was planned for release in February 2012. The album is to be supported by a PledgeMusic campaign launching on 25 November 2011. The album exhibits a completely different sound to its predecessor Herald Moth and has been described was "euphoric, uplifting and very positive" both by Dave McPherson and lead guitarist Gazz Marlow in the buildup to the album's release. In November 2011 'A Great Man' was released as a free download single via Pledge Music.

The album was released on 19 February 2012, InMe released their fifth studio album The Pride. Their PledgeMusic campaign got 314% - a percentage of which went towards the charity The Alzheimer's Society. In the UK Albums Chart it reached No. 60, and also reached No. 8 on the UK indie chart.

InMe uploaded 'Pantheon', the first single from 'The Pride' in March 2012. It was uploaded onto YouTube following an exclusive release via the Big Cheese magazine website. A video for Moonlit Seabed, the second official single from the album, was shot in September–October 2012 and released via YouTube on 27 November. On 16 December 2012, InMe also released Medusa through their BandCamp page without any prior notice, which is an additional album that was home recorded as part of a PledgeMusic incentive.[6]

Centiment debut album (2013–2014)

[edit]

In 2013 the tech-metal band Centiment, featuring Dave McPherson, Greg McPherson and Gazz Marlow of InMe, with Neil Howard and Mark Shurety, released their debut single "Defenders of Oasis".[7][8] This was followed by the debut album Streets of Rage in 2014.[9][10]

The Destinations EP and Triple Album (2014–2015)

[edit]

In 2014 InMe released a 4-track EP titled The Destinations EP, first via PledgeMusic and later for general release. This was followed by a UK tour to promote the EP in May 2014, supported by The Red Paintings. The band has announced via social media that they are to release a new triple album beginning in 2015. The project is titled Trilogy and will consist of three albums. The first, a soft rock album, the second a melodic rock album, and the third a heavy metal album. The first, titled Trilogy: Dawn, was released on 4 May 2015, with the PledgeMusic campaign launching on 3 April. On 9 March, the band released the first song from the triple album to their fans, titled Trauma: Door Slam Crescendo.

Departure of Simon Taylor (2017)

[edit]

On 13 October 2017, drummer Simon Taylor announced he was leaving InMe to focus on other ventures. On 10 November 2017, InMe announced that Tom Dalton would be joining as their new drummer.

InMe performed two shows with Scottish rockers Gun at the end of 2017, which were Dalton's first shows with the band.

Discontinuation of Trilogy, Jumpstart Hope and addition of John O'Keeffe (2018–present)

[edit]

On 2 November 2018, InMe announced via social media that they would be releasing their 7th studio album called Jumpstart Hope in 2019. In the same post InMe confirmed they would not be continuing with Trilogy.[11]

On 22 July 2019, the band announced that they had added their long-time merch guy John O'Keeffe to the band as an additional rhythm guitarist.[12]

Finishing 2018 with a UK tour alongside A and Wheatus, InMe started 2019 with a string of sold out UK headline dates and will be embarking on another headline UK tour in September 2019, ahead of their Jumpstart Hope album release.

On 3 January 2020, InMe released "Shame" on Spotify from their upcoming album Jumpstart Hope.

Jumpstart Hope was released on 17 January 2020, and reached #10 in the UK Rock Albums official chart.[13]

InMe announced that Greg McPherson was leaving the band on 6 July 2021.[14]

InMe announced that Mike Garrett had been announced as Greg McPherson's replacement on 6 December 2021.[citation needed]

On March 26 2024 InMe announced the upcoming release of their 7th studio album Demons. Set to be released later in 2024.[citation needed]

In 2025, McPherson collaborated with Dutch Americana artist TuskHead on the single "One Night Show", combining Americana and rock influences.[15]


Timeline

[edit]

Discography

[edit]

Studio albums

[edit]
List of albums, with selected chart positions
Title Album details Peak chart positions
UK
[16]
UK
Rock

[17]
UK
Indie

[18]
SCO
[19]
Overgrown Eden 15 1 3 16
White Butterfly 56 4 4 67
Daydream Anonymous
  • Released: 10 September 2007
  • Label: Graphite Records
  • Formats: CD, digital download
71 2 - 91
Herald Moth
  • Released: 14 September 2009
  • Label: Graphite Records
  • Formats: CD, digital download
68 7 - -
The Pride
  • Released: 19 February 2012
  • Label: Graphite Records
  • Formats: CD, digital download
60 - 8 90
Trilogy: Dawn - - - -
Jumpstart Hope
  • Released: 17 January 2020
  • Label: Killing Moon Records
  • Formats: Vinyl, CD, digital download
- 10 27 -

Compilations

[edit]
List of albums, with selected chart positions
Title Album details Peak chart positions
UK
Rock

[17]
Phoenix: The Very Best of InMe
  • Released: 27 September 2010
  • Label: Graphite Records / Northern Music
  • Formats: CD, digital download
26

Live

[edit]
List of albums, with selected chart positions
Title Album details Peak chart positions
UK
Rock

[17]
UK
Indie

[18]
Caught: White Butterfly
  • Released: 14 August 2006
  • Label: Secret Record Limited
  • Formats: CD, digital download
24 13
iTunes Live: London Festival '08

Bootlegs

[edit]
Year Album details
2012 Medusa

EPs

[edit]
Year Album details
2014 The Destinations EP

Singles

[edit]
Title Year Peak chart positions Album
UK
[16]
UK
Indie
UK
Rock
SCO
"Underdose" 2002 66 8 7 83 Overgrown Eden
"Firefly" 43 6 7 48
"Crushed Like Fruit" 2003 25 6 2 37
"Neptune" 46 2 4 46
"Faster the Chase" 2004 31 2 3 30 White Butterfly
"Otherside" 2005 [A]
"7 Weeks" 36 5 2
"So You Know" 33 4 1 21
"I Won't Let Go" 2007 77 2 24 Daydream Anonymous
"Single of the Weak" 2009 Herald Moth
"All Terrain Vehicle / Nova Armada" 2010
"Pantheon" 2012 The Pride
"Moonlit Seabed"
"Hymn: Ivory Elder" 2015 Trilogy: Dawn
"Rapture: Land of The Secret Rose"
"Amnesty: Bonsai Forest"
"For Something to Happen" 2018 Jumpstart Hope
"The Next Song" 2019-20
"Blood Orange Lake"
"I Swear"
"Shame"

Notes

[edit]
  1. ^ "Otherside" did not enter the UK Singles Chart, but peaked at number 29 on the UK on the UK Singles Downloads Chart.[20]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
InMe are an English and metal band formed in 1996 in . The band, led by frontman Dave McPherson on vocals and guitar since its inception, gained early attention in the UK music scene through their energetic blend of , nu-metal, and influences. Their debut album, Overgrown Eden (2003), marked a breakthrough, featuring hit singles like "Underdose" and "Firefly" that charted on the UK Singles Chart and established their reputation for introspective lyrics and dynamic live performances. Signed to the independent label as teenagers, InMe toured extensively in the early 2000s, supporting major acts such as , , , , , and , while headlining events like the Millennium Dome show in and performing at festivals including Reading and . Following the collapse of in 2005, InMe faced significant industry challenges, including financial difficulties and the shift to digital music distribution, which forced band members to take day jobs—such as in the NHS, as an airline pilot, and as a —while continuing to release music independently. Subsequent albums like White Butterfly (2005), Daydream Anonymous (2007), Herald Moth (2009), The Pride (2012), Trilogy: Dawn (2015), and Jumpstart Hope (2020) showcased their evolution, with themes of resilience and personal struggle, though commercial success waned compared to their initial peak. The current lineup consists of Dave McPherson (vocals, guitar), Gazz Marlow (guitar, backing vocals), John O'Keeffe (guitar, backing vocals), (bass, backing vocals), and Tom Dalton (drums), reflecting lineup changes over the years, including the departure of original bassist in 2006 and drummer Simon Taylor in 2017. In recent years, InMe have maintained a dedicated fanbase through consistent touring across the and , with 2025 tour dates including an appearance at Teddy Rocks Festival and a self-released eighth studio album, Demons—funded via —featuring singles like "Prove Myself" and "Confession." Their enduring career, spanning nearly three decades, highlights persistence in the face of industry upheavals, solidifying their place in the British landscape.

History

Formation and early years (1996–2000)

InMe originated in , where the band formed in July 1996 under the name Drowned by school friends Dave McPherson on vocals and guitar, Joe Morgan on bass and backing vocals, and Simon Taylor on drums, all of whom were around 13 years old at the time. The trio drew early influences from the and scenes, including bands like Nirvana, , , and , while incorporating classical elements from McPherson's piano training and Morgan's violin skills to add melodic depth to their aggressive sound. They immersed themselves in the local music scene, rehearsing intensively—up to five days a week after school—and performing gigs at small venues to build a grassroots following. Throughout to , Drowned self-released demos and focused on songwriting and live , gradually refining their blend of heavy riffs, emotional lyrics, and dynamic arrangements amid the wave. This period of dedication culminated in increased visibility, setting the stage for their professional breakthrough.

Overgrown Eden and breakthrough (2001–2003)

In 2001, the band, originally known as Drowned since their formation in , signed with and changed their name to InMe to avoid confusion with an American group sharing the same moniker. This rebranding marked a pivotal shift as they prepared their debut album, allowing them to establish a distinct identity in the burgeoning scene. Overgrown Eden was recorded at The Chapel Studios in with renowned producer , whose work with acts like and brought a polished, heavy edge to the band's raw energy. Released on January 27, 2003, via Music for Nations, the album debuted strongly, peaking at No. 15 on the and topping the UK Rock & Metal Albums Chart, signaling InMe's arrival as a formidable presence in British rock. Its blend of melodic hooks, aggressive riffs, and introspective lyrics resonated with fans, earning radio airplay on stations like and Kerrang!. The album spawned four singles that fueled its momentum: "Underdose" reached No. 66 on the UK Singles Chart in July 2002, accompanied by a music video directed by Max Giwa and Dania Pasquini that showcased the band's intense live dynamic. "Firefly" followed in September 2002, charting at No. 43 and gaining traction through video rotation on and Kerrang! TV. "Crushed Like Fruit" peaked at No. 25 in January 2003, benefiting from increased media exposure, while "Neptune" closed the campaign in April 2003 at No. 46, with its video emphasizing atmospheric visuals and emotional depth. These releases, supported by promotional efforts including in-store appearances and press coverage in and Kerrang!, helped Overgrown Eden achieve over 50,000 UK sales in its first year. Capitalizing on the album's success, InMe embarked on a headline tour in 2003, documented in detailed diaries that captured the band's growing fanbase and logistical challenges, such as sold-out venues and post-show fan interactions. They also supported established acts on arena bills and made their festival breakthrough at the inaugural on May 31, 2003, at , sharing stages with headliners and alongside peers like and Disturbed. These performances solidified InMe's reputation for high-energy shows, blending technical prowess with emotional delivery, and positioned them as a key player in the early 2000s rock resurgence.

White Butterfly era (2004–2005)

Following the closure of their original label in 2004 after its acquisition by BMG, InMe signed with V2 Records, which also allowed them to establish their own imprint, Records. The album White Butterfly was recorded primarily in at studios including Pulse Recordings and Henson Recordings, with additional work at and Chapel Studios in , . Produced by —known for his work with acts like and —the sessions emphasized a polished, expansive sound that built on the band's earlier intensity. Released on June 20, 2005, via V2, the album entered the at No. 56 and peaked at No. 4 on the UK Rock & Metal Albums Chart. Promotion included two key singles: "7 Weeks," which peaked at No. 36 on the UK Singles Chart in July 2005, and "So You Know," reaching No. 33 later that year. Both tracks featured directed to showcase the band's evolving style, with "So You Know" highlighting atmospheric visuals of urban isolation. InMe supported the release with extensive headline tours, including sold-out shows that energy amid the album's themes of loss and resilience. Critics noted White Butterfly as a stylistic shift toward more melodic and accessible , with enhanced production giving tracks like "Otherside" and "The Hunger" a glossy, radio-friendly edge compared to the raw aggression of their debut. Reviews praised the emotional depth in Dave McPherson's vocals and the album's blend of heavy riffs with soaring choruses, though some observed it leaned heavier into mainstream rock influences.

Daydream Anonymous and initial lineup shifts (2005–2007)

InMe began recording their third studio album, Daydream Anonymous, in 2007 at Fascination Street Studios in Örebro, Sweden, under producer Jens Bogren. The album marked a shift toward more technical and progressive elements in their alternative rock sound, incorporating complex arrangements and emotional depth. Released on 10 September 2007 via Graphite Records, it debuted and peaked at No. 71 on the UK Albums Chart, spending one week in the top 100. The album's themes centered on , personal struggle, and recovery, often drawing from experiences of adversity and emotional turmoil, with evoking a sense of seeking solace amid hardship. Supporting singles included "I Won't Let Go," released in 2007, which explored themes of holding on through and loss, peaking at No. 77 on the UK Singles Chart. Another track, "The End in Tears," highlighted reflections on relational breakdown and inner conflict, though it was not released as a commercial single. In July 2006, bassist departed the band to pursue other personal interests, citing a desire to step away from the touring lifestyle on amicable terms. No temporary bassists were publicly noted during the transition; instead, Dave McPherson's younger brother, Greg McPherson, joined directly as the new bassist in 2006, contributing to the Daydream Anonymous sessions and bringing a familial dynamic to the lineup. Amid these changes, InMe released the live album Caught: White Butterfly in October 2006, recorded at London's Astoria on 17 December 2005 during the White Butterfly tour cycle, capturing high-energy performances of earlier material to bridge their evolving sound. The band supported Daydream Anonymous with tours throughout 2007, including headline shows and festival appearances, adapting to the lineup shift while maintaining their reputation for intense live sets.

Herald Moth period (2008–2010)

Following the release of Daydream Anonymous, InMe signed with the independent label Graphite Records, marking a shift toward greater artistic after previous deals with major distributors. The band recorded their fourth studio album, Herald Moth, at Chapel Studios in with producer Ewan Davies, completing sessions by early 2009. The album was released on September 14, 2009, and entered the at No. 68, reflecting ongoing commercial hurdles despite the band's established fanbase. Herald Moth introduced a more experimental sound, blending the band's signature with electronic keyboards, spacey guitar effects, and intricate, math-infused structures that showcased technical complexity in riffs and arrangements. Lead single "Single of the Weak" arrived on August 17, 2009, followed by the double A-side "" / "Nova Armada," which highlighted the album's fusion of heavy grooves and atmospheric elements. Critics commended the record's maturity and tightness, with one calling it "one of InMe's greatest masterpieces" for its precise execution and evolved songcraft. To promote Herald Moth, InMe embarked on extensive tours across the and , including headline shows at venues like in and Moho Live in , performing the album in full during select dates in late . In , the band also issued the greatest hits compilation Phoenix: The Best of InMe via Graphite Records, spanning tracks from their first four albums and underscoring their decade-long career amid persistent sales challenges.

The Pride and transitional releases (2010–2012)

In early 2010, following the departure of temporary guitarist Ben Konstantinovic, InMe welcomed Gazz Marlow as their permanent lead guitarist, marking a significant lineup stabilization after several years of changes. Marlow's integration brought a fresh dynamic to the band's sound, contributing to their evolving style during a period of independent production and fan-supported releases. The band's fifth studio album, The Pride, was produced by Mike Curtis and released on February 20, 2012, through Graphite Records as part of a campaign that raised funds for Alzheimer's research. Recorded amid the band's transitional phase, the album debuted at No. 60 on the , reflecting themes of personal resilience and emotional recovery through its introspective lyrics and melodic intensity. The track "Pantheon" served as the , released in March 2012 with an exclusive premiere via Big Cheese magazine, highlighting the band's blend of soaring choruses and heavy riffs. Complementing the album, InMe issued the live DVD Elysium: Overgrown Eden Live in February 2012, featuring footage from their November 2010 performance at London's Highbury Garage where they played their debut album in full, alongside interviews and behind-the-scenes content. This release bridged the band's early catalog with their current era, supporting transitional tours including the 35-date and headline run in February and March 2012 to promote The Pride. These efforts underscored InMe's commitment to fan engagement during a time of label independence following the 2010 Herald Moth compilation.

Independent ventures: Centiment and The Destinations EP (2013–2014)

In 2013, InMe frontman Dave McPherson formed the tech-metal side project Centiment alongside his brother Greg McPherson on guitar, bandmate Gazz Marlow on bass, and additional members Neil Howard and Mark Shurety. The group aimed to explore heavier, more experimental sounds distinct from InMe's style, drawing on progressive and technical metal influences. Centiment's debut album, Streets of Rage, was self-released in early 2014, featuring tracks such as "S.O.S.," "Defenders of Oasis," and "The Kraken," which showcased intricate riffs, dynamic shifts, and McPherson's versatile vocals. The project emphasized direct fan support through independent distribution channels, aligning with the band's growing shift away from traditional labels. Centiment supported the album with a limited tour in , performing in intimate venues to build momentum and test new material live. This venture highlighted McPherson's creative outlet outside InMe, allowing him to experiment with aggressive, boundary-pushing compositions while maintaining ties to his primary band. The release received positive feedback from metal outlets for its raw energy and technical prowess, though it remained a niche effort compared to InMe's broader catalog. Parallel to Centiment, InMe embraced full by self-releasing their EP The Destinations in , marking a pivotal move toward fan-funded production. The four-track effort was initially crowdfunded via starting in March , enabling pre-orders and exclusive perks that fostered direct engagement with supporters. General digital and physical distribution followed on June 1, , produced and mixed by Mike Curtis at his setup. Key tracks included "Pelorus Jack," an atmospheric opener with soaring melodies; "Anthemusa," blending heavy riffs and emotional lyrics; "Driftwood Figurines," exploring introspective themes; and the epic closer "Beached Whales," clocking in at over six minutes with progressive builds. The crowdfunding campaign for The Destinations exceeded expectations, surpassing its funding goal through dedicated fan contributions, which covered recording, artwork, and promotion costs without label involvement. This model allowed InMe greater artistic control and closer connections with their audience, exemplified by personalized updates and behind-the-scenes content shared during the process. Following the release, the band embarked on a headline tour in May and June , supported by acts like and Oxygen Thief, to showcase the EP's material and rekindle live energy. These efforts underscored InMe's transition to digital platforms like and for distribution, prioritizing sustainability through fan loyalty over conventional industry routes.

Trilogy: Dawn and early trilogy plans (2014–2015)

In 2014, InMe began developing an ambitious conceptual trilogy of albums exploring themes of birth, life, and death, with the first installment, Trilogy: Dawn, focusing on birth, childhood, and youth through an upbeat alternative rock lens. Frontman Dave McPherson described the project as "three interconnected albums that explore many ideas concerning birth, life and death," emphasizing a DIY approach after the band's independent ventures. The band announced plans for the sequels—Dusk, envisioned as an atmospheric, Pink Floyd-inspired work addressing adulthood and life's middle stages, and Night, a heavier metal-oriented exploration of death and closure—though these concepts would evolve in subsequent years. Recording for Trilogy: Dawn took place at CDS Studios in Chelmsford, Essex, during early 2015, with the band documenting the process through video diaries highlighting drum, guitar, and lead guitar sessions. Produced, mixed, and mastered by Mike Curtis, the album features ten tracks, including standout pieces like "The Alpha" and "Catalyst," which blend melodic hooks with introspective lyrics tied to the dawn theme. Self-released on May 4, 2015, via a PledgeMusic crowdfunding campaign launched on April 3, the album built on the momentum from prior independent releases and garnered strong fan support, funding production and exclusive merchandise tiers. The release was met with positive reception from fans and critics, who praised its mature handling of childlike innocence and conceptual depth, marking a return to the band's prolific output. To promote Trilogy: Dawn, InMe embarked on a headline tour in May 2015, hitting venues in , , , , , and (with the latter show selling out), alongside earlier festival appearances such as Takedown Festival in March. These efforts solidified fan engagement and set the stage for further trilogy developments.

Drummer departure and Jumpstart Hope (2016–2020)

In 2017, InMe underwent a significant lineup change when founding Simon Taylor departed after 21 years with the band, citing personal reasons for pursuing other ventures. The departure marked the end of an for the group, as Taylor had been integral to their sound since formation. To maintain momentum, the band quickly recruited Tom Dalton as their new in November 2017, allowing them to continue touring and recording without extended interruption. Dalton's integration brought fresh energy to InMe's , contributing to a period of adaptation and creative renewal. The band focused on developing new material, drawing from themes of hope, struggles, , and personal resilience—reflected in the optimistic title of their upcoming album. In , InMe expanded to a five-piece lineup by adding guitarist John O'Keeffe, a longtime fan and former member whose dedication during live shows earned him the permanent role; this allowed frontman Dave McPherson to concentrate more on vocals and . O'Keeffe's arrival enhanced the band's live dynamics ahead of their next release. The culmination of this transitional phase was the self-recorded album Jumpstart Hope, released on January 17, 2020, via Killing Moon Records. Produced primarily by McPherson at the band's own facilities, the record explored introspective and redemptive narratives, with tracks addressing shame, relationship breakdowns, and overcoming adversity. Preceded by singles such as "For Something to Happen" (November 2018) and "The Next Song" (July 2019), the album debuted at No. 10 on the Rock & Metal Albums Chart, signaling a strong return for the veteran act. Additional singles "Blood Orange Lake" and "I Swear" further highlighted the band's blend of melodic and emotional depth. The release coincided with the onset of the COVID-19 pandemic, which severely disrupted InMe's planned promotional tours and live performances throughout 2020, forcing the band to pivot toward online engagement and delaying broader exposure for the album. Despite these challenges, Jumpstart Hope underscored the band's resilience, embodying themes of renewal amid uncertainty.

Recent lineup changes and Demons project (2021–present)

In 2021, InMe underwent a significant lineup change when longtime Greg McPherson departed the band after 15 years of service, having joined in 2006. Later that year, was brought on as his replacement, joining vocalist Dave McPherson, guitarist Gazz Marlow, guitarist John O'Keeffe, and drummer Tom Dalton to form the current lineup. This shift marked a new chapter for the group following the additions during the Jumpstart Hope era. In March 2024, InMe announced their eighth studio , Demons, described as their most personal and honest work to date. The project was funded independently through an crowdfunding campaign launched on April 11, 2025, allowing fans to contribute to production costs without a traditional . The explores themes of confronting personal demons, emotional rebirth, and growth, with frontman Dave McPherson drawing heavily from his sobriety journey post-rehab; the opening track "Confession," released as the on April 25, 2025, exemplifies this introspection and renewed passion for music. A second single, "Prove Myself," followed on October 31, 2025, further highlighting the record's raw, melodic intensity. As of late 2025, Demons is slated for release in 2025 or early 2026, with ongoing studio work capturing the band's strengthened dynamic. In November 2025, the band performed a special 'Butterfly Demons' show at The Underworld in on November 14, playing White Butterfly in full alongside previews from Demons. Complementing the Demons project, InMe reissued their 2003 debut album Overgrown Eden as a double vinyl edition on November 1, 2024, via Music for Nations, celebrating their early breakthrough sound. The band supported these developments with a tour in May 2025, including headline shows and festival appearances to promote the new material. In February 2025, Dave McPherson expanded his creative output through a collaboration with Dutch Americana artist TuskHead on the track "One Night Show," blending rock and Americana elements in a well-received guest vocal performance. InMe continues to be active, with the Demons era representing a pivotal evolution in their career.

Band members

Current members

The current lineup of InMe, as of 2025, features a core group of musicians who have contributed to the band's evolving sound in recent years. Dave McPherson – lead vocals, guitar (1996–present); the band's founder and principal songwriter. Gazz Marlow – lead guitar (2010–present); recognized for his technically proficient solos that add melodic depth to the band's compositions. Tom Dalton – drums (2017–present); contributes dynamic percussion that supports the band's progressive-leaning arrangements. John O'Keeffe (2019–present); bolsters the group's live performances with enhanced stage energy and interplay. Mike Garrett – bass (2021–present); emphasizes groove-driven basslines that anchor the band's rhythmic foundation.

Former members

Joe Morgan served as InMe's bassist and backing vocalist from the band's formation in 1996 until July 2006, contributing to their debut album Overgrown Eden (2003) and second album White Butterfly (2005). As an original member, he helped shape the band's early sound during their initial years and signing with the independent label . Morgan left the band after a decade to pursue a different career. Simon Taylor was InMe's drummer and percussionist from 1996 to 2017, making him the longest-serving member alongside frontman Dave McPherson. He provided the rhythmic foundation for all albums up to Trilogy: Dawn (2015), including key releases like Daydream Anonymous (2007) and Herald Moth (2009), and participated in extensive touring throughout the band's career. Taylor announced his departure in October 2017 after over 20 years, citing a desire to move on from the band. Greg McPherson, brother of Dave McPherson, joined InMe in 2006 initially on bass and later transitioned to guitar and backing vocals, remaining until July 2021. He contributed to albums starting with Daydream Anonymous (2007) through Jumpstart Hope (2020), adding familial synergy and supporting the band's shift toward more progressive elements during periods of lineup flux. His tenure spanned 15 years, during which he also handled bass duties on early post-Morgan recordings. Ben Konstantinovic played guitar for InMe from 2008 to 2009, marking the band's first foray into a four-piece configuration. His contributions were central to the album Herald Moth (2009), where his technical playing enhanced the record's complex arrangements and live performances during the subsequent European tour. The band parted ways with Konstantinovic in October 2009 due to his commitments to his brother's band.

Musical style and influences

Core elements and evolution

InMe's core sound is rooted in and metal, characterized by melodic vocals, heavy guitar riffs, and progressive structures that blend intensity with emotional depth. Frontman Dave McPherson's distinctive vocals provide a soaring, emotive layer, often alternating with rawer growls to convey vulnerability and power, while his multi-instrumentalism—encompassing guitar, , and occasional drumming—allows for intricate layering in compositions. This foundation draws from and nu-metal influences, creating a versatile palette that avoids genre constraints. The band's style has evolved significantly across their discography, shifting from the aggressive, nu-metal-infused energy of their 2003 debut Overgrown Eden, which featured chugging riffs and heaviness, to more experimental terrains. By the 2009 album Herald Moth, InMe incorporated atmospheric elements like spacey guitars, keyboard melodies, and emo-tinged introspection, expanding into broader sonic landscapes while retaining metallic edges. This progression culminated in the introspective rock of 2020's Jumpstart Hope, a mellower yet dynamic exploration marked by refined arrangements and emotional restraint, reflecting the band's maturation after decades of challenges. Recent singles from the upcoming 2025 album Demons, such as "" and "Prove Myself", continue this trajectory with raw, powerful emphasizing personal struggles and resilience. Songwriting in InMe centers on personal and relational narratives, frequently addressing struggles, , shame, and the fallout from toxic relationships, often drawn from McPherson's life experiences. Complex arrangements underscore these themes, incorporating shifts and progressive builds that mirror emotional turbulence, as seen in tracks with shifting rhythms and layered instrumentation to heighten lyrical intensity. Production has transitioned from polished major-label efforts in the early , under imprints like V2, to more intimate, self-produced works in recent years, allowing greater artistic control and raw authenticity—exemplified by Jumpstart Hope's crisp, self-released engineering on Killing Moon Records. This shift emphasizes the band's resilience, fostering a sound that feels personal and unfiltered.

Influences and comparisons

Band members have cited Queen as a key early influence, particularly for their harmonic complexity, noting growing up listening to the band alongside . Deftones have also shaped the band's dynamic shifts and edge, with them listed among formative acts in interviews, alongside Nirvana, Korn, and . This blend contributes to InMe's genre-blending uniqueness, as critics have noted their integration of nu-metal, , and elements into a distinctive sound. Critics have frequently compared InMe's early work to , highlighting similarities in melodic drama and intensity on albums like Overgrown Eden. Later releases, such as The Pride, draw parallels to for their melodic interludes and bold structures, with reviewers pointing to shared touring history as a contextual link. McPherson's admiration for , evident in his solo material where tracks evoke Buckley's emotive style, has influenced InMe's lyrical depth and vocal expressiveness. Fans and critics alike praise this evolution for creating a sound that defies easy categorization.

Discography

Studio albums

InMe's studio discography spans over two decades, beginning with their debut in the early and continuing through independent releases in recent years. The band's albums reflect a progression from major-label backing to self-funded projects, often incorporating themes of personal struggle and resilience that align with pivotal periods in their history, such as lineup shifts. All full-length releases are detailed below, focusing on key release information and production insights.
Album TitleRelease DateLabelUK Chart Position
Overgrown Eden27 January 2003Music for NationsNo. 15
White Butterfly20 June 2005V2 RecordsNo. 56
Daydream Anonymous10 September 2007Graphite RecordsNo. 71
Herald Moth14 September 2009Graphite RecordsNo. 68
The Pride19 February 2012Graphite RecordsNo. 60
Trilogy: Dawn4 May 2015Self-released-
Jumpstart Hope17 January 2020Self-released (Killing Moon Records)No. 10 UK Rock
DemonsUpcoming (2025/2026)Self-released (crowdfunded)-
Overgrown Eden, the band's breakthrough debut, was produced by at Wise Productions in , emphasizing a raw sound with layered vocals and aggressive riffs that captured InMe's early influences. White Butterfly marked a shift toward more melodic elements, recorded at The Planet in with producer , who brought a polished production that highlighted Dave McPherson's and the band's growing songwriting maturity. Daydream Anonymous was helmed by producer Mike Curtis at The Suburban Schoolhouse in , incorporating experimental structures and orchestral touches to explore , though it faced distribution challenges post-label transition. Herald Moth, also produced by Mike Curtis, delved into darker, progressive territories with sessions at the same studio, featuring guest contributions and a focus on dynamic shifts that tested the band's technical prowess amid internal changes. The Pride utilized crowdfunding via for its production, self-recorded by the band with mixing by Romesh Dodangoda, resulting in a heavier, more direct sound that reclaimed their aggressive roots after a period of uncertainty. Trilogy: Dawn, the first part of a planned conceptual series, was entirely self-produced by Dave McPherson at his home studio, emphasizing atmospheric prog-rock elements and fan involvement through direct funding, which allowed creative freedom without commercial pressures. Jumpstart Hope continued the independent ethos, recorded at McPherson's home setup with minimal external input, delivering concise, hope-infused tracks that peaked in the UK Rock chart, signaling a revitalized phase post-drummer departure. Demons, the band's eighth studio album, is currently in production through an crowdfunding campaign launched in 2025, with self-release planned and sessions featuring new lineup dynamics, including fresh singles like "" previewing its intense, personal themes.

EPs and compilations

InMe has released one , one , one live album, one live DVD, and a limited bootleg release as supplementary material to their studio . These works capture live performances, fan-driven projects, and career retrospectives, often self-released or through independent labels. The band's EP, The Destinations EP, was self-released on June 1, 2014, in digital and CD formats. It features four tracks: "," "Anthemusa," "Driftwood Figurines," and "Beached Whales," showcasing elements with atmospheric instrumentation. Caught: White Butterfly, a live album recorded at London's Astoria on December 17, 2005, was released on August 14, 2006, by Secret Records in CD and digital formats. The 17-track set includes performances of hits like "7 Weeks," "Neptune," "Underdose," and "White Butterfly," documenting the band's energetic post-hiatus tour. The compilation Phoenix: The Best of InMe was issued on September 27, 2010, by Graphite Records in CD and digital formats, drawing hits from the band's first four studio albums. Key tracks include "Safe in a Room," "Nova Armada," "Underdose," and "Bury Me Deep Beneath Your Skin," spanning their early alternative metal sound. Elysium: Overgrown Eden Live, a DVD of live footage from the band's November 2003 show at Highbury Garage, was re-released in by Graphite Records. It includes full performances of the debut album Overgrown Eden tracks such as "Underdose," "Firefly," and "Neptune," with bonus material from the pledge campaign. InMe's official bootleg series includes , a limited released in through a fan pledge campaign for The Pride. This independent release features raw, unreleased recordings like experimental tracks and demos, limited to supporters.

Singles

InMe's singles discography spans their career, with early physical releases achieving notable commercial success in the UK charts during the early . The band garnered eight Top 100 entries, primarily from their debut album Overgrown Eden and follow-up White Butterfly, before transitioning to digital-only formats post-2010 amid changes in the music industry. These later singles, often tied to independent releases, include "The Next Song" in 2019 and the 2025 offerings and "Prove Myself" from the forthcoming Demons album. B-sides on early singles frequently featured non-album tracks that showcased the band's raw, sound, such as "Gelosea" and "Ruins" accompanying their debut single "Underdose." The following table lists InMe's UK-charting singles chronologically, including release dates and peak positions:
TitleRelease DatePeak UK PositionFrom Album
UnderdoseJuly 200266Overgrown Eden
FireflySeptember 200243Overgrown Eden
Crushed Like FruitJanuary 200325Overgrown Eden
April 200346Overgrown Eden
Faster the ChaseJune 200431White Butterfly
7 WeeksJuly 200536White Butterfly
So You KnowOctober 200533White Butterfly
I Won't Let GoSeptember 200777Daydream Anonymous
"Underdose," the band's pre-debut single, marked their chart entry and included B-sides "Gelosea" and "," which highlighted introspective on youth and loss. Similarly, "Crushed Like Fruit" featured additional tracks like "," contributing to its strong radio play and peak at No. 25, the band's highest-charting single to date. Following the physical singles era, InMe's digital releases emphasized thematic depth; for instance, "" (released April 25, 2025) explores personal vulnerability, while "Prove Myself" (released October 31, 2025) addresses isolation and resilience, both supporting the band's ongoing Demons project.

References

  1. https://inme.[bandcamp](/page/Bandcamp).com/album/the-destinations-ep
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