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The International Center of Photography (ICP) is a photography museum and school at 84 Ludlow Street on the Lower East Side of Manhattan in New York City.[1] ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey.[2] The organization was founded by Cornell Capa in 1974.[3] It is located at 84 Ludlow Street, within the Lower East Side.
ICP is the host of the Infinity Awards, inaugurated in 1985 "to bring public attention to outstanding achievements in photography by honoring individuals with distinguished careers in the field and by identifying future luminaries."
Since its founding in 1974 by Cornell Capa with help from Micha Bar-Am in Willard Straight House, on Fifth Avenue's Museum Mile, ICP has presented over 500 exhibitions, bringing the work of more than 3,000 photographers and other artists to the public in one-person and group exhibitions and provided various classes and workshops for students.[4]
ICP was founded to keep the legacy of "Concerned Photography" alive. After the untimely deaths of his brother Robert Capa and his colleagues Werner Bischof, Chim (David Seymour), and Dan Weiner in the 1950s, Capa saw the need to keep their humanitarian documentary work in the public eye. In 1966 he founded the International Fund for Concerned Photography. By 1974 the Fund needed a home, and the International Center of Photography was created.
In 1985, a satellite facility, ICP Midtown, was created. Plans were also made for redesigning and reconstructing the Midtown location.[5]
In 1999, the headquarters building at 1130 Fifth Avenue was sold. The expanded galleries at 1133 Avenue of the Americas at 43rd Street were designed by Gwathmey Siegel & Associates Architects for the display of photography and new media. The reopening in the fall of 2000 of the 17,000-square-foot (1,600 m2) site, previously used as a photo gallery for Kodak,[6] provided in one location the same amount of gallery space as the two previous sites combined and became the headquarters of ICP's public exhibitions programs, and also housed an expanded store and a café.
The expansion of the school of the International Center of Photography in the fall of 2001 created a Midtown campus diagonally across from the museum in the Grace Building at 1114 Avenue of the Americas. Designed by the architecture firm Gensler, the 27,000-square-foot (2,500 m2) school facility doubled ICP's teaching space and allowed ICP to expand both its programming and community outreach.[7]
In 2014, ICP's board approved a plan to buy a building on the Bowery near the New Museum and relocate there. The center's school, whose lease continued through 2018, remained in Midtown, but was expected to eventually move downtown to consolidate operations.[8] The midtown museum closed on January 11, 2015, when its lease ended. The ICP museum at 250 Bowery opened on June 23, 2016.[9] In 2017, ICP signed a deal with Delancey Street Associates to house its museum and school at Essex Crossing on the Lower East Side. In 2019, ICP sold its space at 250 Bowery and purchased its new home at 79 Essex Street at Essex Crossing.[10]
In January 2020, ICP opened its new integrated center at 79 Essex Street. Designed by architecture firm Gensler, the 40,000 sq ft (3,700 m2) building has galleries, media labs, classrooms, darkrooms, shooting studios, a shop, café, research library and public event spaces. The new space is the cultural anchor of the $1.9 billion six-acre Essex Crossing development.[11][12]
This section needs additional citations for verification. (July 2024) |
ICP's school serves more than 3,500 students each year,[13] offering courses in a curriculum that ranges from darkroom classes to certificate and master's degree programs. Other educational programming includes a lecture series, seminars, symposia, and workshops hosted by professional photographers.[14] In 2023, educator, artist, and photographer Colette Veasey-Cullors became the Dean and Deputy Director of ICP's school, joining from the Maryland Institute College of Art (MICA) where she served as Interim Vice Provost for Undergraduate Studies.[15]
Opened in 2001, the School was previously at a 27,000-square-foot (2,500 m2) facility at 1114 Avenue of the Americas. Designed by Gensler, it was across the street from the former ICP Museum. ICP's school and museum are now located in a unified center on Manhattan's Lower East Side at 84 Ludlow Street.
The school offers a year-round selection of continuing education classes; three one-year Certificate programs (Creative Practices in Photography, Documentary Practice and Visual Journalism, and New Media Narratives); and the ICP-Bard Program in Advanced Photographic Studies, a two-year graduate program leading to a master of fine arts degree.
Public programs address issues in photography and its relationship to art, culture, and society and promote the interpretation of ICP's exhibitions and collections. The Photographers Lecture Series invites photographers to present their work while sharing ideas and concerns about the medium. Other seminars, symposia, and panel discussions feature artists, critics, scholars, and historians.
Community programs relate to the exhibitions. Programs include interactive tours, family day events, workshops, long-term photography programs in four New York City public schools, summer photography programs in community centers, and a high school internship program designed to promote youth leadership.
The ICP hosts the Infinity Awards, which were inaugurated in 1985 "to bring public attention to outstanding achievements in photography by honoring individuals with distinguished careers in the field and by identifying future luminaries".
In 2000, the Cornell Capa Award was introduced, which later merged with the Lifetime Achievement award into the Cornell Capa Lifetime Achievement, later renamed back to Lifetime Achievement.
Year | Cornell Capa Award | Lifetime Achievement | Applied/Fashion/Advertising | Art | Photojournalism | Publication | Writing | Young Photographer | Trustee Award | Contemporary Photography and New Media | Commercial and Editorial Photography |
---|---|---|---|---|---|---|---|---|---|---|---|
2000 | Robert Frank | Nathan Lyons | Hubble Heritage Project | Adam Fuss | James Nachtwey | Manfred Heiting Helmut Newton Work |
Andy Grundberg | Zach Gold | No award given | No award given | No award given |
2001 | Mary Ellen Mark | Roger Thérond | Philip-Lorca diCorcia | Andreas Gursky | Luc Delahaye | Jeff L. Rosenheim Douglas Eklund Unclassified: A Walker Evans Anthology |
Eugenia Parry | Elinor Carucci | |||
2002[SP2] | Here is New York: a democracy of photographs | Michael E. Hoffman | RJ Muna | Shirin Neshat | Tyler Hicks | Robert Lebeck Bodo von Dewitz Kiosk: A History of Photojournalism |
Ariella Azoulay | Lynsey Addario | |||
2003 | Marc Riboud | Bernd Becher Hilla Becher |
Thái Công | Zarina Bhimji | Alex Majoli | Deirdre O'Callaghan Hide That Can |
Sara Stevenson | Jonas Bendiksen | |||
2004 | Josef Koudelka | William Eggleston | Alison Jackson | Fiona Tan | Simon Norfolk | Doon Arbus Elisabeth Sussman Diane Arbus: Revelations |
Susan Sontag | Tomoko Sawada | |||
2005 | Susan Meiselas | Bruce Weber | Deborah Turbeville | Loretta Lux | The New Yorker | Henryk Ross Łódź Ghetto Album |
Vince Aletti | Tomás Munita | |||
2006 | Don McCullin | Lee Friedlander | Steven Meisel | Thomas Ruff | Yuri Kozyrev | Mary Panzer Christian Caujolle Things As They Are: Photojournalism in Context Since 1955 |
Geoff Dyer | Ahmet Polat | Getty Images | ||
2007 | Milton Rogovin | William Klein | No award given | Tracey Moffatt | No award given | Tendance Floue Sommes-Nous? |
David Levi Strauss | Ryan McGinley | Karl Lagerfeld | ||
2008 | No award given | Malick Sidibé | Craig McDean | Edward Burtynsky | Anthony Suau | Taryn Simon An American Index of the Hidden and Unfamiliar |
Bill Jay | Mikhael Subotzky | Diane Keaton | ||
2009 | Letizia Battaglia | Annie Leibovitz | Tim Walker | Rinko Kawauchi | Geert van Kesteren | Aglaia Konrad Desert Cities |
Aveek Sen | Lieko Shiga | Gayle G. Greenhill | ||
2010 | Peter Magubane | John G. Morris | Daniele Tamagni | Lorna Simpson | Reza | Sarah Greenough Looking In: Robert Frank's "The Americans" |
Lucy Sante | Raphaël Dallaporta | Gilbert C. Maurer | ||
2011 | Ruth Gruber | Elliott Erwitt | Viviane Sassen | Abelardo Morell | Adrees Latif | Alec Soth | Gerry Badger | Peter van Agtmael | The Durst Family | ||
2012 | Ai Weiwei | Daido Moriyama | Maurice Scheltens Liesbeth Abbenes |
Stan Douglas | Benjamin Lowy | Museo Nacional Centro de Arte Reina Sofía The Worker Photography Movement [1926–1939] |
David Campany | Anouk Kruithof | John "Launny" Steffens | ||
2013[SP3] | David Goldblatt[CCLA] | Erik Madigan Heck | Mishka Henner | David Guttenfelder | Cristina de Middel The Afronauts |
No award given | Kitra Cahana | Pat Schoenfeld | |||
2014 | Jürgen Schadeberg[CCLA] | Steven Klein | James Welling | Stephanie Sinclair Jessica Dimmock |
Adam Broomberg Oliver Chanarin Holy Bible |
Samuel James | No award given | ||||
2015[SP4] | Graciela Iturbide[CCLA] | No award given | Larry Fink | Tomas van Houtryve | LaToya Ruby Frazier The Notion of Family |
Evgenia Arbugaeva | Getty Images The Lean In Collection |
Question Bridge[NM] Black Males | |||
2016 | No award given | David Bailey | No award given | Walid Raad | Zanele Muholi[DP] | Matthew Connors Fire in Cairo[AB] |
Susan Schuppli[CWR] | No award given | Artur Walther The Walther Collection |
Jonathan Harris Gregor Hochmuth Network Effect[OPNM] | |
2017 | Harry Benson | No award given | Sophie Calle | Edmund Clark Crofton Black Negative Publicity[DP] |
Michael Christopher Brown Libyan Sugar[AB] |
Michael Famighetti Sarah Lewis Vision & Justice Aperture (no. 223, summer 2016)[CWR] |
Vasantha Yogananthan[EP] | No award given | For Freedoms[OPNM] | ||
2018[SP5][16] | Bruce Davidson | Alexandra Bell[A] | Samuel Fosso | Amber Bracken[DP] | Dayanita Singh Museum Bhavan[AB] |
Maurice Berger Race Stories New York Times[CWR] |
Natalie Keyssar[EP] | Thomson Reuters | Women Photograph[OPNM] | ||
2019[SP6][17] | Rosalind Fox Solomon | No award given | Dawoud Bey | No award given | No award given | Zadie Smith Deana Lawson’s Kingdom of Restored Glory The New Yorker[CWR] |
Jess T. Dugan[EP] | No award given | No award given | ||
2020[18] | Don McCullin | Nadine Ijewere[A] | Dawoud Bey | Hannah Reyes Morales[DPVJ] | No award given | No award given | The 1619 Project New York Times[OPNM] | ||||
2021 | No award ceremony | ||||||||||
2022 | No award given | Sebastião Salgado | No award given | Sky Hopinka | Acacia Johnson[DPP] | No award given | No award given | Esther Horvath[EP] | Gabriela Hearst | No award given | No award given |
2023[19] | Ming Smith | No award given | Zora J. Murff[DPVJ] | Ariella Aïsha Azoulay[CWRT] | No award given | Joyce Cowin | Poulomi Basu[CPNM] | ||||
2024[20] | Shirin Neshat | Lynsey Addario[DPVJ] | No award given | Caryl S. Englander | Wendy Red Star[CPNM] | Renell Medrano |
The permanent collection at ICP contains more than 200,000 photographs and related materials from the earliest forms of photography to contemporary work.[21] Since its opening in 1974, ICP has acquired important historical and contemporary images through an acquisitions committee and through donations and bequests from photographers and collectors. The collection spans the history of photography, including daguerrotypes, gelatin silver and digital chromogenic prints.
The collection is strongest in its holdings of American and European documentary photography of the 1930s to the 1990s. It comprises large bodies of work by W. Eugene Smith, Henri Cartier-Bresson, Robert Capa, the Farm Security Administration photographers, Alfred Eisenstaedt, Lisette Model, Gordon Parks, James VanDerZee, Louise Ozelle Martin, and Garry Winogrand. More recent purchases have included work by contemporary photographers such as Carrie Mae Weems, Justine Kurland, Katy Grannan, Vik Muniz, and Susan Meiselas.
Another component of the collection is a significant group of photographically illustrated magazines, particularly those published between World War I and II, such as Vu, Regards, Picture Post, Lilliput, Berliner Illustrirte Zeitung, Arbeiter-Illustrierte-Zeitung, and Life.
Opened in 2015, the International Center of Photography at Mana Contemporary is a 15,000-square-foot space that houses the permanent collection, a media lab, areas for research, and a gallery.
In 2003 the ICP joined with the publisher Steidl of Göttingen, Germany to launch the photography imprint ICP/Steidl.
The Library of the International Center of Photography serves more than 6,000 visitors a year. The information and bibliographic resources it provides are used by ICP staff, patrons, and researchers. As of 2008, the Library receives 75 periodicals and serials, and its collection of approximately 20,000 volumes and 2,000 files is available for on-site perusal.[22]
Library materials are searchable on ICP's online catalog. The ICP Library no longer has any library staff.
In 2000, George Eastman House (GEH) and ICP launched the GEH–ICP Alliance, whose fundamental aim is to enhance public understanding and appreciation of photography, through exhibitions, publications, research, scholarship, collection sharing, and the joint website Photomuse.org.[23]
In this collaboration, the staffs of the International Center of Photography and George Eastman House share resources, pool their expertise, and dovetail their collections for a series of exhibitions called "New Histories of Photography".