Inventing Anna
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Inventing Anna
GenreCrime drama
Created byShonda Rhimes
Inspired by
"How Anna Delvey Tricked New York's Party People"
by Jessica Pressler
Starring
Music by
Country of originUnited States
Original languageEnglish
No. of episodes9
Production
Executive producers
Producers
  • Jess Brownell
  • Holden Chang
  • Jessica Pressler
Cinematography
Editors
  • Kayla M. Emter
  • Gregory T. Evans
  • Matt Pevic
  • Andrew Hellesen
  • Kyle Bond
  • Christal Atossa Khatib
  • Michael Hathaway
Running time59–82 minutes
Production companyShondaland
Original release
NetworkNetflix
ReleaseFebruary 11, 2022 (2022-02-11)

Inventing Anna is an American crime drama television miniseries created by Shonda Rhimes, inspired by the story of Anna Sorokin and the article in New York titled "How Anna Delvey Tricked New York's Party People"[1] by Jessica Pressler. It was produced by Shondaland. Netflix released the miniseries on February 11, 2022.[2][3]

The miniseries stars Julia Garner in the title role. Critics praised its performances (particularly Garner) but criticized its inconsistent tone.

Premise

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Under the assumed name Anna Delvey, Russian-born Anna Sorokin infiltrated New York's high society by convincing them she was a German socialite and an heiress to a massive fortune, all while scheming and scamming them out of millions.

Cast and characters

[edit]

Main

[edit]

Recurring

[edit]

Guest

[edit]

Episodes

[edit]
No.TitleDirected byWritten byOriginal release date
1"Life of a VIP"David FrankelShonda RhimesFebruary 11, 2022 (2022-02-11)
2"The Devil Wore Anna"Tom VericaMatt ByrneFebruary 11, 2022 (2022-02-11)
3"Two Birds, One Throne"Daisy von Scherler MayerJess BrownellFebruary 11, 2022 (2022-02-11)
4"A Wolf in Chic Clothing"David FrankelAbby AjayiFebruary 11, 2022 (2022-02-11)
5"Check Out Time"Ellen KurasCarolyn Ingber Lewinsky and Abby AjayiFebruary 11, 2022 (2022-02-11)
6"Friends in Low Places"Nzingha StewartJess BrownellFebruary 11, 2022 (2022-02-11)
7"Cash on Delivery"Nzingha StewartAbby AjayiFebruary 11, 2022 (2022-02-11)
8"Too Rich for Her Blood"Tom VericaNicholas NardiniFebruary 11, 2022 (2022-02-11)
9"Dangerously Close"Ellen KurasMatt ByrneFebruary 11, 2022 (2022-02-11)

Production

[edit]

In June 2018, Netflix and Shondaland acquired the rights to the life story of Anna Sorokin and the New York article "How Anna Delvey Tricked New York's Party People" by Jessica Pressler, with plans to turn it into a television series with Shonda Rhimes serving as producer and writer, alongside Betsy Beers. Sorokin received $320,000, which was used to pay restitution and legal fees.[6] David Frankel was named as director and executive producer of two episodes of the series, including the first.[7]

In October 2019, Julia Garner, Anna Chlumsky, Katie Lowes, Laverne Cox, and Alexis Floyd joined the cast of the series.[8] Madeline Brewer was set to portray the role of Anna Delvey but had to pass due to scheduling conflicts.[9] Also in October 2019, principal photography began in New York and Los Angeles.[10]

In November 2019, Arian Moayed, Anders Holm, Anna Deavere Smith, Jeff Perry and Terry Kinney joined the cast of the series.[11] In February 2020, Jennifer Esposito joined the cast of the series, but she never appeared and the part of Talia was played by Marika Dominczyk.[12][13]

On February 11, 2022, Inventing Anna premiered on Netflix.[3]

Reception

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Reviews

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On review aggregator website Rotten Tomatoes, the series holds a 64% approval rating based on 87 reviews, with an average rating of 6.2/10. The website's critics consensus reads, "While Inventing Anna is as tonally wobbly as Julia Garner's intentionally daffy accent, her committed performance and the salacious story make for juicy entertainment."[14] On Metacritic, the series has a score of 57 out of 100, based on 34 reviews, indicating "mixed or average reviews".[15]

Saloni Gajjar of The A.V. Club gave the limited series a B− and said, "Despite its more evocative performances, Inventing Anna demands patience that doesn't pay off, squandering its promising potential along the way."[16] Reviewing the series for Rolling Stone, Alan Sepinwall gave a rating of 2/5 and described it as "an overly long muddle, never quite sure what it wants to say about its title character, or how to say it."[17]

Mike Hale, television critic at the New York Times, praised some elements of the series and criticized others. Notably, he compared the original thrilling nature of the article to the slower pace of the television series: "Pressler's article was like a speeding car, a thrill ride that kept your pulse up right until it went off a cliff. Inventing Anna is a long, pokey road trip with no G.P.S. All of Pressler's most colorful anecdotes and appalling details have been squeezed in, sometimes tweaked to fit better within what is now a fictional narrative. But the thrill is gone."[18]

Hayley Maitland of Vogue faulted the series for misrepresenting a "Celine-obsessed grifter" as a "21st-century Jay Gatsby, with 281 Park Avenue standing in for Daisy Buchanan". She also noted that the series identified real person Rachel Deloache Williams by full name, real employer, real apartment location, and real alma mater but showed major falsehoods about her, including wearing expensive designer clothes given to her by Anna Delvey, even though Delvey never gave her any clothes; being fired for putting the unexpected $62,000 cost of the trip on her company credit card, even though she transferred the full amount to her personal credit card; and admitting at the courthouse right after giving her testimony that the credit card company had forgiven the debt, even though that did not happen until after the trial was over. Maitland also faults the series for demonizing Williams for doing essentially the same thing a sympathetic character does and points out that Williams is the victim most injured by Delvey.[19]

Audience viewership

[edit]

According to Samba TV, 1.6 million US households watched the Netflix series in its first 4 days of streaming.[20]

The series is among Netflix's all-time most watched English language TV series, with 511.92 million hours watched in the first 28 days of release.[21]

Accolades

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Year Award Category Nominee(s) Result Ref.
2022
 Hollywood Music in Media Awards Best Music Supervision – TV Show/Limited Series Alexandra Patsavas Nominated [22]
Location Managers Guild International Awards Outstanding Locations in a Television Serial Program, Anthology or Limited Series Kristin Dombroski, John Cefalu, Youssef Abbagourram, Markus Bensch, Damon Gordon, and Maya Reid Nominated [23]
MTV Movie & TV Awards Best Show Inventing Anna Nominated [24]
Primetime Emmy Awards Outstanding Limited or Anthology Series Shonda Rhimes, Betsy Beers, Tom Verica, Matt Byrne, Kathy Ciric, Scott Collins, Alison Eakle, Sara Fischer, Abby Ajayi, Jess Brownell, Holden Chang, and Jessica Pressler Nominated [25]
Outstanding Lead Actress in a Limited or Anthology Series or Movie Julia Garner Nominated
Primetime Creative Arts Emmy Awards Outstanding Casting for a Limited or Anthology Series or Movie Linda Lowy, Jamie Castro, Allison Estrin, Henry Russell Bergstein, Juliette Ménager, Simone Bär, and Alexandra Montag Nominated [26]
2023
 AARP Movies for Grownups Awards Best TV Movie/Limited Series Inventing Anna Nominated [27]
Artios Awards Limited Series Linda Lowy, Henry Russell Bergstein, Allison Estrin, Jamie Castro, Simone Bär, Juliette Menager, and Dayna Katz Nominated [28]
Critics' Choice Television Awards Best Actress in a Limited Series or Movie Made for Television Julia Garner Nominated [29]
Directors Guild of America Awards Outstanding Directorial Achievement in Movies for Television and Limited Series Tom Verica (for "The Devil Wore Anna") Nominated [30]
Golden Globe Awards Best Actress in a Limited Series, Anthology Series or Motion Picture Made for Television Julia Garner Nominated [31]
Producers Guild of America Awards David L. Wolper Award for Outstanding Producer of Limited or Anthology Series Television Inventing Anna Nominated [32]
Screen Actors Guild Awards Outstanding Performance by a Female Actor in a Television Movie or Limited Series Julia Garner Nominated [33]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Inventing Anna

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from Grokipedia
Inventing Anna is a 2022 American drama miniseries created by Shonda Rhimes for Netflix, loosely inspired by the true story of Anna Sorokin, a Russian-born con artist who assumed the alias Anna Delvey to pose as a wealthy German heiress and deceive New York City's elite social circles out of hundreds of thousands of dollars.[1] The nine-episode series, which premiered on February 11, 2022, stars Julia Garner in the titular role, portraying Sorokin as a bold and enigmatic figure navigating high society through fabricated wealth and connections.[2] The narrative intertwines Sorokin's elaborate scams—with the goal of opening a private arts club called the Anna Delvey Foundation—with the perspective of investigative journalist Vivian Kent, played by Anna Chlumsky, a fictionalized stand-in for real-life reporter Jessica Pressler, who uncovers the story amid her own career struggles.[3] Produced under Rhimes' Shondaland banner, the series draws from Pressler's 2018 New York magazine article "How Anna Delvey Tricked New York’s Party People," blending factual events with dramatized elements to explore themes of ambition, deception, and privilege in contemporary Manhattan.[1] Supporting cast includes Arian Moayed as a prosecutor, Terry Kinney as Vivian's editor, and notable guest appearances by actors such as Laverne Cox and Anna Deavere Smith, enhancing the portrayal of the interconnected world of finance, fashion, and media.[4] Upon release, Inventing Anna achieved significant viewership success, amassing approximately 273 million hours watched globally during its first two weeks and topping Netflix charts in over 30 countries.[5] Critics offered mixed responses, praising Garner's transformative performance and the series' stylish production design while critiquing its length, pacing, and occasional glorification of its antiheroine.[6] The show garnered multiple nominations, including for the Primetime Emmy Awards for Outstanding Lead Actress in a Limited or Anthology Series (Garner) and Outstanding Casting for a Limited or Anthology Series or Movie, as well as Golden Globe and Critics' Choice nominations for Garner's role.[7]

Background

Real-life inspiration

Anna Sorokin, born on January 23, 1991, in Domodedovo, Russia, grew up in a working-class family; her father was a truck driver who later started a heating and cooling business, and her mother worked in retail.[8] In 2007, at age 16, her family relocated to Eschweiler, Germany, where she attended school and later studied fashion at the University of the Arts Bremen before interning in Paris and London.[9] Sorokin arrived in New York City in 2013, initially interning for the fashion magazine Purple, and by 2016, she had adopted the alias "Anna Delvey," presenting herself as a wealthy German heiress with access to a €60 million family trust fund.[10][11] Under this persona, Sorokin engaged in a series of confidence schemes between 2013 and 2017, defrauding individuals, businesses, and financial institutions of approximately $275,000.[12] She forged bank statements and wire transfer documents to secure a $100,000 line of credit from City National Bank, which she used for personal expenses without repayment.[13] Sorokin also accrued unpaid bills at luxury hotels, including over $30,000 at the 11 Howard in SoHo—where she resided for nearly a year—and more than $11,000 at the Beekman Hotel in downtown Manhattan, often promising payment via fraudulent checks or wire transfers that never materialized.[11][14] Additionally, she attempted to obtain a $22 million loan from Fortress Investment Group to fund the Anna Delvey Foundation, a proposed private arts club in Manhattan, again using fabricated financial proofs of her supposed inheritance.[15] Sorokin further exploited personal relationships, scamming acquaintances such as photo editor Rachel DeLoache Williams out of $62,000 for a lavish group trip to Morocco and leaving unpaid tabs and loans totaling tens of thousands from friends and associates in New York's social scene.[11][16] Sorokin's deceptions unraveled in 2017 amid mounting complaints from hotels and victims. In July 2017, she was briefly arrested in New York for theft of services after failing to pay bills at the Beekman and W New York hotels, but she was released on bail.[17] Fleeing to California, she was apprehended on October 3, 2017, in Los Angeles through a sting operation orchestrated by the Manhattan District Attorney's office, where undercover officers posed as potential employers to lure her out.[18] Extradited to New York, Sorokin faced charges including grand larceny, attempted grand larceny, and theft of services. Her 2019 trial in Manhattan Supreme Court resulted in convictions on eight counts—four for theft of services, three for grand larceny, and one for attempted grand larceny—leading to a sentence of four to twelve years in prison, a $24,000 fine, and an order to pay $199,000 in restitution to her victims.[19][20] The story gained widespread attention through journalist Jessica Pressler's May 2018 New York magazine article, "Maybe She Had So Much Money She Just Lost Track of It," which detailed Sorokin's schemes after Pressler received tips from a former acquaintance, Rachel DeLoache Williams, and conducted interviews with Sorokin at Rikers Island, her family in Germany, and multiple victims.[11] The piece, which went viral and was named a finalist for the National Magazine Award, inspired a book deal and the Netflix series adaptation, though Pressler received no compensation from Sorokin for her reporting.[21] In 2019, Sorokin sold the life rights to her story to the series' creators for $320,000, a portion of which—$199,000—was applied toward her court-ordered restitution, with the remainder covering fines and legal fees.[22][23]

Post-series developments

Anna Sorokin, known as Anna Delvey, was released from prison on February 11, 2021, after serving nearly four years for her fraud convictions, having been granted early release on good behavior and after paying full restitution using proceeds from the Netflix series Inventing Anna. Six weeks later, in March 2021, she was detained by U.S. Immigration and Customs Enforcement (ICE) for overstaying her visa, remaining in immigration custody for 18 months until October 7, 2022, when she posted a $10,000 bond and was transferred to 24-hour house arrest in a one-bedroom East Village apartment in New York City, required to wear an electronic ankle monitor.[24][25][26] Throughout 2023 and into 2025, Sorokin continued to contest her deportation to Germany, where her family resides, arguing against removal due to potential risks and her established U.S. ties; by 2024, she received work authorization from the Department of Homeland Security, enabling employment opportunities despite the ongoing proceedings. In September 2024, Sorokin participated in season 33 of Dancing with the Stars, performing two dances while wearing her ankle monitor; she was the first contestant eliminated and later described the experience as "predatory" and exploitative for ratings.[27] As of May 2025, she relocated to a luxury Manhattan apartment in the same high-rise building housing Elon Musk's young son and his mother, Ashley St. Clair, while remaining under ICE supervision with restrictions on travel beyond New York City limits. Her deportation case persisted into late 2025, with no final resolution by November, allowing her to stay in the U.S. temporarily but facing continued legal oversight and no new criminal charges tied to her prior offenses.[28][29][30] Sorokin maintained a visible public presence, actively posting on her Instagram account (@theannadelvey), which amassed over 1 million followers and featured updates through November 2025, including fashion and personal content that capitalized on her notoriety amplified by the series. In September 2024, she walked the runway for designer Shao Yang's Spring/Summer 2025 collection at New York Fashion Week, visibly sporting her ankle monitor as a stylistic element. By March 2025, following the easing of her house arrest restrictions, she described her post-confinement life as "exciting" in an interview, highlighting newfound freedoms like daily outings and social engagements. In September 2025, Sorokin revealed a 40-pound weight loss achieved through consistent four-mile walks, healthier eating, and wellness treatments, sharing her transformed appearance in media appearances and social posts.[31][32][33][34] To sustain herself financially, Sorokin pursued ventures including the sale of her artwork—such as paintings and drawings often depicting herself—which generated over $340,000 by December 2022 and continued to sell through galleries into 2025. She obtained a Social Security number in 2024, facilitating legitimate work amid deportation threats, and explored media opportunities like a planned memoir, television projects, and influencer partnerships in public relations. These efforts, bolstered by her enduring fame from Inventing Anna, positioned her toward building a personal brand focused on lifestyle and redemption narratives.[35][36][37]

Synopsis

Premise

Inventing Anna is a nine-episode miniseries that centers on journalist Vivian Kent's investigation into Anna Delvey, a young woman who poses as a wealthy German heiress while perpetrating elaborate scams against New York's social elite.[38] The narrative explores Anna's rise through high society, her relationships with influential figures, and her eventual arrest and trial, all presented through a non-linear structure that interweaves Vivian's present-day reporting with flashbacks to Anna's past deceptions.[39] Vivian's pursuit of the story is complicated by her own professional pressures and personal life, including her pregnancy, as she seeks to uncover the truth behind Anna's fabricated identity.[2] The series depicts specific cons orchestrated by Anna, such as extended unpaid stays at luxury hotels, chartering private jets under false pretenses, and soliciting funds for her proposed art foundation, the Anna Delvey Foundation.[39] These schemes culminate in her arrest for grand larceny and the ensuing courtroom drama, where witnesses from her social circle testify against her.[38] Narrated primarily from Vivian's perspective, the storyline balances the journalist's quest for accuracy with the moral ambiguities of profiling a charismatic fraudster.[40] Key themes include deception and the ease with which ambition can blur into fabrication, particularly within privileged circles where appearances hold sway.[2] The series also examines the blurred lines between truth and invention in journalism, alongside gender dynamics in both fraud and media, portraying how societal expectations influence women's paths to power.[40] The tone blends glamour and tension with ironic undertones, capturing the opulent yet precarious world of New York's elite through stylish visuals and sharp dialogue.[39] Stylistic elements like fourth-wall breaks and on-screen text annotations distinguish factual elements from dramatized fiction, enhancing the meta-commentary on storytelling itself.[2]

Episodes

Inventing Anna is a nine-episode miniseries that was released in its entirety on Netflix on February 11, 2022.[38] Each episode runs between 59 and 82 minutes, contributing to a total runtime of approximately 602 minutes (10 hours and 2 minutes).[38] The series utilizes a split-timeline format, interweaving journalist Vivian Kent's contemporary investigation with flashbacks detailing Anna Delvey's schemes in New York City.[41]

Episode list

No.TitleDirected byWritten byOriginal release dateSummary
1Life of a VIPDavid FrankelShonda RhimesFebruary 11, 2022Reporter Vivian Kent defies her editor to pursue the story of Anna Delvey, an alleged German heiress indicted for grand larceny and jailed without bail.[38][42]
2The Devil Wore AnnaTom VericaMatt ByrneFebruary 11, 2022Anna's glamorous lifestyle comes into focus as her former friends share details with Vivian, from a yacht off Ibiza to a suite at Paris Fashion Week.[38][43]
3Two Birds, One ThroneDaisy von Scherler MayerJess BrownellFebruary 11, 2022With Anna uncooperative, Vivian seeks out Anna’s ex-boyfriend Chase and wealthy entrepreneur Nora to fill in the blanks.[38][44]
4A Wolf in Chic ClothingDavid FrankelAbby AjayiFebruary 11, 2022Vivian investigates how Anna persuaded Manhattan lawyer Alan Reed to help her secure millions for her business venture.[38][45]
5Check Out TimeEllen KurasCarolyn IngberFebruary 11, 2022Vivian explores Anna’s stay at a swanky hotel, where she befriended and tipped concierge Neff, while grappling with a past mistake.[38][46]
6Friends in Low PlacesNzingha StewartJess BrownellFebruary 11, 2022Vivian obtains footage of Anna’s chaotic Morocco trip with Rachel, Kacy, and a videographer.[38][47]
7Cash on DeliveryNzingha StewartAbby AjayiFebruary 11, 2022Pressured to finish her article and nearing her due date, Vivian tries to contact Rachel about the Marrakech fiasco.[38][48]
8Too Rich for Her BloodTom VericaNicholas NardiniFebruary 11, 2022Post-publication, Vivian digs into Anna’s German roots and her stay at L.A.’s Chateau Marmont.[38][49]
9Dangerously CloseEllen KurasMatt ByrneFebruary 11, 2022Anna focuses on her trial style as Vivian covers the proceedings, Rachel testifies, and defense lawyer Todd urges cooperation.[38][50]

Cast and characters

Main

Julia Garner stars as Anna Delvey, the enigmatic con artist at the heart of the series who poses as a wealthy German heiress to infiltrate New York's elite social circles.[51] Portraying both the protagonist and antagonist, Delvey's character embodies calculated charm and manipulative charisma, driving the narrative through her schemes to secure funding for a private arts club. Garner prepared extensively for the role by studying real-life con artist Anna Sorokin's mannerisms, visiting her in prison, and developing the character's distinctive thick German accent, while wearing custom-designed costumes to capture Delvey's fashion-forward persona.[52][53] Anna Chlumsky portrays Vivian Kent, a fictionalized journalist loosely inspired by real-life reporter Jessica Pressler, who investigates Delvey's fraudulent world.[54] Kent serves as the series' investigative anchor, navigating ethical dilemmas in her reporting while balancing her career ambitions against the personal strains of her pregnancy. Her arc highlights the tension between journalistic integrity and the allure of a high-profile story, as she uncovers Delvey's deceptions and grapples with the moral complexities of profiling a charismatic fraudster.[55] Arian Moayed plays Todd Spodek, Anna Delvey's defense attorney who represents her during her legal proceedings.[51] Anders Holm plays Jack Mercer, Vivian's supportive husband and a lawyer who becomes strained by her workaholic tendencies and obsession with the Delvey story.[51] The series' core dynamics revolve around Delvey's manipulative relationships with her inner circle, such as her personal assistant Neff and former friend Rachel, which illustrate her ability to exploit trust for financial gain. Meanwhile, Kent's personal life, including tensions with her husband Jack, mirrors her professional challenges, amplifying themes of ambition and consequence. Delvey's arc traces her audacious rise in high society and inevitable downfall through legal troubles, while Kent confronts ethical quandaries in humanizing a criminal whose deceptions blur lines between victim and villain.[51]

Recurring

Alexis Floyd portrays Neff Davis, Anna Delvey's loyal friend and the concierge at the 11 Howard hotel, who becomes entangled in Anna's fraudulent activities while offering moments of comic relief through her enthusiastic support and witty banter.[51][56] Neff appears in seven episodes, highlighting her role as one of the few who remains by Anna's side even after her arrest, providing insight into the personal loyalties that enabled Anna's deceptions.[57] Anna Deavere Smith plays Maud, a colleague and writer at Manhattan Magazine who provides emotional support and assists Vivian in her investigation. Featured in four episodes, Maud's character contributes generational perspectives to Vivian's professional arc.[51][57] Laverne Cox embodies Kacy Duke, a celebrity life coach and personal trainer who is conned by Anna into believing in her heiress persona, becoming a key figure in Anna's social manipulations.[51][58] Kacy appears in six episodes, illustrating how Anna exploited professional relationships for financial gain and lifestyle validation.[57] Peter Hennecke is the fictional German banker invented by Anna to bolster her claims of wealth, serving as a voice on phone calls to deceive potential investors and associates. Recurring in three episodes, the role emphasizes Anna's elaborate fabrications involving international finance.[2][57] These recurring characters expand Anna's deceptive social network and Vivian's surrounding professional and personal world, adding depth to subplots involving loyalty, rivalry, and deception without advancing the central narrative of the con.[51]

Guest

Katie Lowes portrays Rachel DeLoache Williams, a real-life Vanity Fair photo editor and close friend of Anna who becomes a victim of the Morocco trip scam and ultimately helps expose her, appearing in Episodes 2 through 4 to highlight the personal toll of Anna's deceptions.[51] Marika Dominczyk plays Talia Mallay, a affluent lifestyle brand executive and early target of Anna's charm offensive, appearing in Episode 1 to illustrate the initial stages of Anna's social engineering.[59] Saamer Usmani appears as Chase Sikorski, a banker at JPMorgan Chase targeted in one of Anna's fraudulent loan schemes, in a key scene in Episode 3 that underscores the financial cons at the heart of the series.[60] Armand Schultz portrays Landon Bloom, the editor-in-chief of Manhattan Magazine who greenlights Vivian's assignment on Anna's story, featuring in Episode 1 to frame the journalistic investigation.[61] Ben Rappaport guest stars as Billy McFarland, the Fyre Festival founder, in a cameo in Episode 5 that connects Anna to broader New York scam culture and adds satirical depth to her elite networking.[51] These guest performances, often drawing from Shondaland alumni and real-life inspirations, lend credibility and intensity to episodic moments like the execution of scams and witness testimonies, elevating the drama's exploration of deception without overshadowing the core narrative.[62]

Production

Development

The limited series Inventing Anna originated from journalist Jessica Pressler's 2018 New York magazine article "How Anna Delvey Tricked New York's Party People," which detailed the real-life con artist Anna Sorokin (also known as Anna Delvey). In June 2018, Shonda Rhimes' production company Shondaland acquired the rights to adapt the article into a television project, marking Rhimes' first original series for Netflix following her overall deal with the streamer. The project was initially announced as a drama series centered on Sorokin's scheme to pose as a wealthy German heiress while defrauding New York City's elite.[63][64] Shonda Rhimes served as the creator, showrunner, writer, and executive producer, overseeing the project's creative direction alongside executive producers Betsy Beers and others from Shondaland. David Frankel directed the first two episodes and also executive produced, bringing his experience from films like The Devil Wears Prada. The writing team included Rhimes, Matt Byrne, Jess Brownell, Abby Ajayi, and Nick Nardini, who contributed to scripting the nine-episode arc.[65][66][67] Key adaptation decisions emphasized fictionalization to navigate legal and ethical concerns, such as introducing the character Vivian Kent—a composite stand-in for Pressler herself—to shield real individuals from direct portrayal and potential lawsuits. The narrative adopted a non-linear structure, interweaving timelines to echo the investigative process of unraveling Sorokin's deceptions, which allowed for dramatic tension while highlighting themes of ambition and deception in elite social circles. Rhimes prioritized female perspectives, centering the story on women's experiences in power dynamics, fraud, and journalism, aligning with her signature style in shows like Scandal. The format was set as a limited miniseries of nine episodes to fully encapsulate the story without committing to ongoing seasons, ensuring a self-contained exploration of Sorokin's rise and fall.[1][68][69] Development faced controversies, particularly around the series' potential to glamorize fraud and Sorokin's criminal actions, with critics arguing it romanticized her as an anti-heroine rather than condemning her victims' losses. Netflix's payment of $320,000 to Sorokin for life rights further fueled debates on whether criminals should profit from their stories, especially under New York's Son of Sam law, though the deal was structured to allow restitution payments to victims totaling nearly $200,000. No significant production disputes emerged during the pre-production phase.[70][22][71] The overall development spanned from 2018, when rights were acquired, through 2021, with scripts largely finalized by mid-year to align with filming schedules amid the COVID-19 pandemic.[72][67]

Filming

Principal photography for Inventing Anna commenced in October 2019 across New York City and Los Angeles, with additional shoots in locations such as Marrakech, Morocco.[73] Production was significantly disrupted by the COVID-19 pandemic, leading to a halt after initial filming; it resumed on September 29, 2020, under strict health protocols that included limited crew sizes and location adjustments, such as substituting San Pedro, California, for South of France yacht scenes.[74] Further filming occurred in July 2021 in Los Angeles, extending the schedule into late 2021 to accommodate these challenges.[75] Key filming locations captured the opulent New York elite lifestyle central to the series, blending real sites with constructed sets. Exteriors for the fictional 12 George Hotel, a stand-in for the real 11 Howard Hotel in SoHo, were shot in various Manhattan and Brooklyn spots, while interiors drew from The Beekman, a Doubledutch hotel in Lower Manhattan.[76] Restaurant scenes recreated high-end venues like Morimoto in Chelsea, with Hamptons sequences filmed on Long Island to evoke the affluent summer escapes.[77] Courtroom proceedings were staged at a New York City courthouse, emphasizing authenticity in legal settings.[78] Some jail scenes were filmed on location at Rikers Island, navigating pandemic-era restrictions at the active facility.[79] Production design by Henry Dunn focused on "richer" versions of real New York spaces to reflect social strata, using soundstages at Steiner Studios in Brooklyn for elaborate sets like private jets and luxury suites that underscored the protagonist's fabricated world.[80] Costume design, led by Lyn Paolo and Laura Frecon, featured hundreds of wardrobe pieces emphasizing aspirational luxury with a mix of authentic high-end items and subtle fakes to mirror the con artist's deceptions; notable examples include Anna Delvey-inspired Celine bags and Monse blazers sourced from Instagram research on Sorokin's real style.[81] Cinematography was handled by a team including Maryse Alberti, Ellen Kuras, and Manuel Billeter, employing Sony Venice cameras to evolve the visual tone across episodes, adapting to the non-linear narrative and pandemic-induced shifts.[82] The original score was composed by Kris Bowers, blending orchestral elements with modern electronic motifs to heighten tension and glamour.[83] Post-production, including editing and sound design, took place primarily in Los Angeles at Shondaland facilities, wrapping by late 2021 to meet the February 2022 release.[84] Filming faced logistical hurdles beyond COVID protocols, such as recreating the pre-2010s New York aesthetic amid evolving city restrictions and capturing the 2010s fashion era's blend of bold patterns and minimalism.[85] Lead actress Julia Garner's portrayal of Anna Delvey required intensive accent work, blending German, Russian, and American influences; Garner described it as her most challenging role, involving months of vocal preparation to embody the character's elusive persona without on-set dialect coach assistance during principal shoots.[86]

Release

Marketing and premiere

The marketing campaign for Inventing Anna began with a teaser trailer released on November 22, 2021, introducing the series as "inspired by the true story of a total fake" and announcing its premiere date of February 11, 2022.[87] This was followed by the full official trailer on January 14, 2022, which highlighted Julia Garner's portrayal of Anna Delvey in opulent settings, emphasizing the tension between her glamorous facade and fraudulent schemes.[88] Promotional posters and first-look images, unveiled in October 2021, featured Garner in elegant, high-fashion attire such as designer dresses and accessories, capturing Delvey's sophisticated yet deceptive persona to draw viewers into the true-crime narrative.[89] Netflix's promotional efforts included extensive features on its Tudum platform, with cast interviews detailing the challenges of embodying real-life figures; for instance, Garner discussed mastering Delvey's distinctive accent and mannerisms in a video released ahead of the premiere.[90] The campaign tied into the original source material through collaborations with New York magazine, which resurfaced Jessica Pressler's 2018 article "How Anna Delvey Tricked New York's Party People" in early February 2022, alongside new interviews with Pressler exploring the blend of fact and fiction in the adaptation.[11] Social media promotions emphasized the series' roots in reality, with Netflix sharing graphics and posts dissecting "fact vs. fiction" elements, such as Delvey's actual scams versus dramatized scenes, to engage audiences interested in journalistic accuracy and true-crime intrigue.[1] The series premiered globally on Netflix on February 11, 2022, without a traditional theatrical world premiere event, but promotional screenings and virtual panels were held in Los Angeles through Netflix's FYSEE space to build industry buzz.[91] A New York City screening took place at the Paris Theater shortly after launch, attended by cast members including Garner, creator Shonda Rhimes, and Pressler, with red carpet appearances showcasing fashion inspired by the show's luxurious aesthetic.[92] These events focused on highlighting the production's authenticity in recreating 2010s New York elite culture. To enhance realism, the marketing incorporated brand collaborations for costumes and props, notably using authentic Celine eyeglasses—a signature item from Delvey's real trial wardrobe—to underscore the character's obsession with high-end fashion.[93] Viral elements included coverage of Anna Sorokin's reactions, initially from ICE detention in February 2022 where she stated no interest in watching the series, and later after her release on October 7, 2022, when she viewed episodes and offered mixed feedback, praising aspects like the portrayal of her resilience while critiquing fictionalized details; these comments, shared via interviews, amplified online discussions and drew media attention.[94][95][26] Netflix's strategy centered on digital advertising targeted at true-crime enthusiasts, leveraging social media algorithms and email campaigns to promote the series' investigative thriller elements and Shondaland prestige, while positioning it for awards consideration amid its February release timing.[70] This approach generated significant pre-launch hype, contributing to Emmy nominations for Garner's performance and casting later that year.[96]

Distribution and availability

Inventing Anna premiered globally on Netflix on February 11, 2022, with all nine episodes released simultaneously for binge-watching worldwide.[97] As a Netflix original series, it is exclusively available for streaming on the platform across its service areas, which encompass over 190 countries. The series supports dubbing and subtitles in multiple languages to facilitate international accessibility, including English (original audio with audio description), German, Spanish (Latin America), French, Italian, Chinese (Simplified), and Chinese (Traditional).[38] This multilingual approach enables viewers in diverse regions to engage with the content in their preferred language, contributing to its broad global reach.[38] No physical home media releases, such as DVD or Blu-ray, have been produced or distributed for Inventing Anna.[98] Viewers access the series digitally through the Netflix app on supported devices, including smart televisions, mobile phones, tablets, and computers, with the option to download episodes for offline viewing.[38] As of November 2025, Inventing Anna continues to be available exclusively on Netflix, with no reported syndication deals for broadcast television or other streaming services.[38] The series includes accessibility features such as closed captions and audio descriptions in select languages, and it carries a TV-MA rating due to mature themes, language, and content.[38][41]

Reception

Critical reviews

Inventing Anna received mixed reviews from critics, with aggregate scores reflecting a generally positive but divided reception. On Rotten Tomatoes, the series holds a 64% approval rating based on 86 reviews, with an average score of 7.2/10.[99] On Metacritic, it scores 57 out of 100 from 34 critics, indicating mixed or average reviews, with 44% positive, 50% mixed, and 6% negative.[100] Critics widely praised Julia Garner's portrayal of Anna Delvey, highlighting her mesmerizing and charismatic performance that captured the character's enigmatic allure.[101][40] The series' stylish production and exploration of themes like class privilege and media ethics were also commended, with some reviewers appreciating its pacy, multilayered storytelling as a modern soap opera.[101] Variety noted the snappy banter reminiscent of Shonda Rhimes' earlier works, contributing to its entertaining, if flawed, appeal.[40] However, the series faced significant criticism for its overlong episodes, often running over an hour, which led to pacing issues, particularly in the trial arcs that felt drawn out and meandering.[102][40][103] Reviewers accused it of shallow social commentary, failing to deeply analyze the scam's emotional or societal implications despite its glitzy facade.[104][105] It was also faulted for glamorizing fraud and sympathizing with the criminal protagonist, portraying her actions in a way that romanticized white-collar crime without sufficient critique.[106][107] Notable reviews included The New York Times, which gave it a B- and praised its authenticity in depicting the SoHo scam but criticized the pokey pacing that diluted the original article's thrill.[102] The Guardian awarded 4/5 stars in one review for Garner's performance and gleeful narrative, while another gave 3/5, noting feminist angles but decrying its superficiality and underwhelming execution.[101][104] Variety described it as a frustrating mix, lauding the acting but lamenting the lack of depth in its knotty antiheroine.[40] Vox critiqued its ethically muddled sympathy for Delvey, questioning the purpose of such scammer stories.[106] Overall, Inventing Anna was seen as solid entertainment with strong performances but divisive due to its length, superficial themes, and perceived glamorization of crime, making it compulsively watchable yet ultimately uneven.[99][100]

Viewership

Upon its release in February 2022, Inventing Anna amassed 511.92 million viewing hours in its first 28 days, marking it as Netflix's second-most-watched English-language series debut of the year behind only later releases like Stranger Things season 4.[108][109] The limited series quickly gained international traction, reaching the top spot on Netflix's English TV list and appearing in the global Top 10 in up to 94 countries during its peak weeks.[110] The show dominated Netflix's weekly charts, securing the #1 position on the English-language TV rankings for three consecutive weeks following its premiere.[111][110][112] In its debut week (February 7–13), it logged 77.31 million hours viewed globally, followed by a record-breaking 195.97 million hours the next week—the highest single-week total for an English-language series at the time—and 130.8 million hours in its third week.[111][110][112] This performance sustained it in Netflix's global Top 10 for over a month, with strong weekly holds in dozens of markets.[113] Demographically, Inventing Anna resonated strongly with viewers aged 18–34, aligning with Netflix's core young adult audience for prestige dramas, while approximately 60% of its viewers were female, reflecting the series' focus on themes of ambition and social dynamics appealing to women.[114] The show also boasted a high completion rate, with over 70% of accounts that started the series finishing all nine episodes, indicating robust viewer retention.[115] It continued to chart in Netflix's Top 10 reruns periodically through 2023, maintaining relevance amid true-crime genre popularity. In comparisons to other Shondaland productions, Inventing Anna outperformed Bridgerton in its debut week metrics, setting a then-record 195.97 million hours for an English-language series single week upon surpassing the prior benchmark of 166 million hours established by Bridgerton season 1.[116] This strong opening underscored Shondaland's ability to drive immediate global engagement for limited series formats.[5]

Accolades

Inventing Anna received recognition from several major awards bodies, primarily for the performances of its cast and production elements, though it did not secure any wins in the principal categories. The series earned three nominations at the 74th Primetime Emmy Awards in 2022: for Outstanding Limited or Anthology Series, Outstanding Lead Actress in a Limited or Anthology Series or Movie (Julia Garner as Anna Delvey), and Outstanding Casting for a Limited or Anthology Series or Movie (Linda Lowy and Jamie Castro).[117] Julia Garner's portrayal of the titular con artist garnered further acclaim, earning her a nomination for Best Performance by an Actress in a Limited Series, Anthology Series, or Motion Picture Made for Television at the 80th Golden Globe Awards in 2023.[118] The series itself was not nominated in the Best Limited or Anthology Series category at the Golden Globes.[118] At the 29th Screen Actors Guild Awards in 2023, Garner received a nomination for Outstanding Performance by a Female Actor in a Television Movie or Limited Series.[119] Similarly, she was nominated for Best Actress in a Limited Series or Movie Made for Television at the 28th Critics' Choice Television Awards in 2023, highlighting her transformative depiction of Anna Sorokin. Overall, Inventing Anna accumulated nominations across prestigious ceremonies, with Garner's performance as the central focus of the accolades, underscoring the series' impact on limited series storytelling despite no major wins.[96]

Cultural impact

The release of Inventing Anna sparked a wave of additional media exploring Anna Sorokin's story, including the official companion podcast hosted by Shonda Rhimes and Jessica Pressler, which delved into the production and real events behind the series.[120] This surge in content extended to renewed attention on Pressler's original 2018 New York magazine article, which was republished in February 2022 amid the show's popularity, driving further public interest in the journalistic roots of the narrative.[11] The series fueled widespread social media discussions critiquing the glamorization of true crime, particularly how it portrays affluent white women like Sorokin as charismatic antiheroes rather than perpetrators of harm.[121] On TikTok, the hashtag #AnnaDelvey trended extensively, amassing millions of views through user-generated cosplay videos, memes mimicking her accent and demeanor, and satirical takes on her lifestyle.[122] In fashion and pop culture, Inventing Anna inspired the "Delveycore" aesthetic, characterized by faux-luxury outfits blending high-end minimalism with accessible knockoffs, as seen in social media recreations of Sorokin's wardrobe. The show was parodied in a March 2022 Saturday Night Live sketch featuring Chloe Fineman as an exaggerated Anna Delvey, highlighting the character's cultural permeation.[123] Julia Fox, a New York fashion figure with ties to the downtown scene, publicly supported elements of the portrayal, noting in interviews her familiarity with Sorokin's world and even collaborating on related projects post-release.[124] The series significantly amplified Sorokin's public profile, transforming her from a convicted fraudster into a reluctant celebrity and enabling ventures such as art exhibitions and media appearances in 2024 and 2025, including her controversial participation in season 33 of Dancing with the Stars in 2024, where she was the first contestant eliminated and accused the show of exploitation, as well as her release from house arrest in August 2024 allowing greater public engagement.[125][27][126] However, this boost drew criticism for downplaying the harm inflicted on victims, including financial losses and emotional distress, with one key victim arguing that the show's focus on Sorokin's allure overshadowed the real consequences of her scams.[121][127] On a broader scale, Inventing Anna contributed to the 2020s proliferation of streaming series about scammers, exemplified by parallels with Hulu's The Dropout about Elizabeth Holmes, reflecting a cultural fascination with ambition gone awry in late-capitalist settings.[106][128] It also spotlighted ethical dilemmas in journalism during the streaming age, as the narrative's blend of fact and dramatization raised questions about how real stories are commodified for entertainment.[129] As of November 2025, Sorokin's social media presence remains active, with Instagram posts showcasing fashion and art that echo themes from the series, sustaining its cultural echo through her ongoing self-reinvention.[31]

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  128. Seen 'Inventing Anna'? Here's What It Gets Right (and Wrong)
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