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Jamie DeWolf
Jamie DeWolf (born October 28, 1977) is an American slam poet, film director, writer, spoken word artist, and circus ringmaster from Oakland, California.
DeWolf is known for his career as a slam poetry champion, his award-winning films for the Youth Speaks Bigger Picture Project, live tours with the performance trio The Suicide Kings, hosting the monthly variety show Tourettes Without Regrets in Oakland, and for his work as a producer and performer on NPR's Snap Judgment. DeWolf has appeared on HBO's Def Poetry, 60 Minutes, UPN, Inside Edition, and CBS. He directed, wrote, and starred in the feature film Smoked. The Movie (2012).
He is the great-grandson of author and Scientology founder L. Ron Hubbard and an outspoken critic of the Church of Scientology. In 2000 he hosted the first ever anti-Scientology summit in Clearwater, Florida. He was named one of the "Top 25 People Crippling Scientology" by The Village Voice in 2011.
DeWolf was born in Eureka, California. Raised Baptist, DeWolf was a "hardcore Christian kid" who hoped to become a minister. At the age of six, his pastor handed him a book titled The Kingdom of the Cults. It referred to contemporary religious movements, one of which stuck out: Scientology, founded to his surprise by his own great-grandfather, L. Ron Hubbard. Since that point, DeWolf became fascinated with his ancestor's legacy, reading his books, and citing Hubbard's legacy as his inspiration to become an artist. "I remember idolizing L. Ron as a kid, and I remember asking my mom all the time why couldn't I meet him," admits DeWolf. "I didn't know at that point that he had created a religion, I just knew when I went into a bookstore I could find books by him—he was evidence to me that you could be a writer simply by your will alone. Outside of this man running this crazy church and brainwashing millions of people, at the same time he was just another family member."
DeWolf calls his great-grandfather "one of the greatest con men of the last century." "I wanted to meet him," DeWolf said of Hubbard. "But he was already in hiding by the time I was born. I was told not to ask my grandfather, L. Ron, Jr., about him," DeWolf said. "L. Ron and L. Ron, Jr. were locked in this dangerous end-game, where Junior was trying to flush him out of hiding." DeWolf's grandfather, L. Ron Hubbard Jr., was born in 1934 into a front-row seat for the creation of Scientology. He helped with that family business for a while, but later told Penthouse that "99% of anything my father ever wrote or said about himself is untrue," and compared Scientology's inner sanctum, the "Sea Org," with the Hitler Youth. "I was incredibly religious. Super devout," said DeWolf. "I would stand on street corners passing out pamphlets warning about the apocalypse." Yet he entered adolescence feeling alone and troubled, as if a "toxic Molotov cocktail" simmered inside him.
"Ever since I was young I would often get sent to the school psychiatrist for what I was writing. A lot of it was just too macabre, in retrospect. But I realized, even when I was a Christian kid, that a lot of what drew me into Christianity—and what they were certainly exploiting—was my fascination with demonology and the apocalypse, the Antichrist and the Whore of Babylon. I must have read the Book of Revelation 10,000 times by the time I was ten years old." He began reciting more poetry at the microphones that were just opening up in the bedroom communities of Benicia and Vallejo in the late 1990s. "I would come in with this fire and blood," DeWolf said. "And they did not want that."
He found himself going to open-mic sessions but it was only when he found poetry slams that he came into his own. "The first time I went to a poetry slam, it was the only place that people wouldn't kick me out; they would just give me low scores." "The competition made me better. It also made me aware of how my words could set the mood of an entire room." "I started in Vallejo and Benicia so I have a lot of love for people who just completely are defiant in the space of small towns who create a space for people to speak and to create an open forum. It's like flame throwers for moths. There's a lot of magic that can happen with that. It certainly changed my life." "Poetry and spoken word became an outlet for everything that was naked and confessional. There's something raw about simply telling your story without pretense, without props, just you and a microphone. There's no hiding up there, it's just you and your ghosts."
Since his first slam in 1999, DeWolf won his way onto seven slam teams, competing on the finals stage at the National Poetry Slam on his first team. He has since become a National Poetry Slam Champion, the Berkeley Grand Slam Champion, a YouthSpeaks Mentor, a featured performer on HBO's Def Poetry Jam hosted by Mos Def, appearing in Season Three with his poem "Grim Fairy Tale", and taping for Season Five with Dave Chappelle and Lauryn Hill. DeWolf's style has been described as "raw and raucous." "He brings that same inimitable, avant-garde style to everything he does—poetry, playwriting, performance and his latest endeavor, filmmaking."
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Jamie DeWolf
Jamie DeWolf (born October 28, 1977) is an American slam poet, film director, writer, spoken word artist, and circus ringmaster from Oakland, California.
DeWolf is known for his career as a slam poetry champion, his award-winning films for the Youth Speaks Bigger Picture Project, live tours with the performance trio The Suicide Kings, hosting the monthly variety show Tourettes Without Regrets in Oakland, and for his work as a producer and performer on NPR's Snap Judgment. DeWolf has appeared on HBO's Def Poetry, 60 Minutes, UPN, Inside Edition, and CBS. He directed, wrote, and starred in the feature film Smoked. The Movie (2012).
He is the great-grandson of author and Scientology founder L. Ron Hubbard and an outspoken critic of the Church of Scientology. In 2000 he hosted the first ever anti-Scientology summit in Clearwater, Florida. He was named one of the "Top 25 People Crippling Scientology" by The Village Voice in 2011.
DeWolf was born in Eureka, California. Raised Baptist, DeWolf was a "hardcore Christian kid" who hoped to become a minister. At the age of six, his pastor handed him a book titled The Kingdom of the Cults. It referred to contemporary religious movements, one of which stuck out: Scientology, founded to his surprise by his own great-grandfather, L. Ron Hubbard. Since that point, DeWolf became fascinated with his ancestor's legacy, reading his books, and citing Hubbard's legacy as his inspiration to become an artist. "I remember idolizing L. Ron as a kid, and I remember asking my mom all the time why couldn't I meet him," admits DeWolf. "I didn't know at that point that he had created a religion, I just knew when I went into a bookstore I could find books by him—he was evidence to me that you could be a writer simply by your will alone. Outside of this man running this crazy church and brainwashing millions of people, at the same time he was just another family member."
DeWolf calls his great-grandfather "one of the greatest con men of the last century." "I wanted to meet him," DeWolf said of Hubbard. "But he was already in hiding by the time I was born. I was told not to ask my grandfather, L. Ron, Jr., about him," DeWolf said. "L. Ron and L. Ron, Jr. were locked in this dangerous end-game, where Junior was trying to flush him out of hiding." DeWolf's grandfather, L. Ron Hubbard Jr., was born in 1934 into a front-row seat for the creation of Scientology. He helped with that family business for a while, but later told Penthouse that "99% of anything my father ever wrote or said about himself is untrue," and compared Scientology's inner sanctum, the "Sea Org," with the Hitler Youth. "I was incredibly religious. Super devout," said DeWolf. "I would stand on street corners passing out pamphlets warning about the apocalypse." Yet he entered adolescence feeling alone and troubled, as if a "toxic Molotov cocktail" simmered inside him.
"Ever since I was young I would often get sent to the school psychiatrist for what I was writing. A lot of it was just too macabre, in retrospect. But I realized, even when I was a Christian kid, that a lot of what drew me into Christianity—and what they were certainly exploiting—was my fascination with demonology and the apocalypse, the Antichrist and the Whore of Babylon. I must have read the Book of Revelation 10,000 times by the time I was ten years old." He began reciting more poetry at the microphones that were just opening up in the bedroom communities of Benicia and Vallejo in the late 1990s. "I would come in with this fire and blood," DeWolf said. "And they did not want that."
He found himself going to open-mic sessions but it was only when he found poetry slams that he came into his own. "The first time I went to a poetry slam, it was the only place that people wouldn't kick me out; they would just give me low scores." "The competition made me better. It also made me aware of how my words could set the mood of an entire room." "I started in Vallejo and Benicia so I have a lot of love for people who just completely are defiant in the space of small towns who create a space for people to speak and to create an open forum. It's like flame throwers for moths. There's a lot of magic that can happen with that. It certainly changed my life." "Poetry and spoken word became an outlet for everything that was naked and confessional. There's something raw about simply telling your story without pretense, without props, just you and a microphone. There's no hiding up there, it's just you and your ghosts."
Since his first slam in 1999, DeWolf won his way onto seven slam teams, competing on the finals stage at the National Poetry Slam on his first team. He has since become a National Poetry Slam Champion, the Berkeley Grand Slam Champion, a YouthSpeaks Mentor, a featured performer on HBO's Def Poetry Jam hosted by Mos Def, appearing in Season Three with his poem "Grim Fairy Tale", and taping for Season Five with Dave Chappelle and Lauryn Hill. DeWolf's style has been described as "raw and raucous." "He brings that same inimitable, avant-garde style to everything he does—poetry, playwriting, performance and his latest endeavor, filmmaking."