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Karnivool
Karnivool
Karnivool
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Karnivool is an Australian rock band formed in Perth in 1998. Since 2004, the group has consisted of Ian Kenny on vocals, Drew Goddard and Mark Hosking on guitar, Jon Stockman on bass, and Steve Judd on drums. The band has released three studio albums to date: Themata (2005), Sound Awake (2009) and Asymmetry (2013). A fourth, In Verses, is slated for release in 2026.

Key Information

History

[edit]

1997–2003: Early years

[edit]

Karnivool developed from a high school band formed in 1997 in Perth, Western Australia, which played parties using a set of cover versions of Nirvana and Carcass songs, with some original compositions also included. In 1998, lead singer Ian Kenny changed their set to entirely original songs, removed all of the early band members and officially named the band Karnivool, derived from a local anecdotal description that the original members were "a bunch of clowns".[1][2]

Between 1998 and 2004, the band underwent a number of line-up changes. The original incarnation of Karnivool consisted of Kenny on lead vocals, Andrew 'Drew' Goddard on lead guitar, Andrew Brown on bass and Brett McKenzie on drums. In 2000, Brown was replaced by Jon Stockman and, shortly after, McKenzie also left and Ray Hawking joined on drums. Mark Hosking joined as rhythm guitarist in 2003 and in late 2004 Steve Judd replaced Hawking. The band's line-up remained unchanged thereafter.

In 1999 the band released its debut self-titled EP Karnivool. This consisted of four tracks: "Fool Me", "Konkrete Seed", "Box" and "Some More of the Same". This EP did not receive a significant amount of recognition, with many stores and archives listing their second EP Persona, released in March 2001, as their first record. Persona consists of four new tracks and a re-release of the song "Some More of the Same" from the first EP.

After releasing Persona, the band won the Western Australian State Final of the National Campus Band Competition and competed in the National Finals held in Hobart, Tasmania. In October 2001, the band were chosen to support the Rollins Band but, due to the Ansett collapse, Henry Rollins and his band were forced to cancel their Perth show. At the end of 2001, the band played a support set for Fear Factory.

2004–2007: Themata

[edit]

Goddard wrote the tracks for Karnivool's first album Themata and he stated that they played songs from Themata together as a band only after it was recorded.[3] Produced by Forrester Savell, Goddard not only wrote all of the album's songs and played guitar, but also played drums on every track except "L1fel1ke", as Judd had not yet joined the band.[4] Themata was released independently on 7 February 2005, and was distributed via MGM Distribution. On 23 August 2006, Karnivool signed a licensing deal with Bieler Bros. Records, a US indie label. The album was issued in the US on 10 April 2007 and in the UK on 7 May. The band also re-released the Persona EP on 12 December 2007, following the success of Themata.

Karnivool completed the 'Homeland Security Tour' shortly after the release of Themata. In late 2007, they played with the 'Great American Rampage Tour' in North America. During this time frame, Karnivool also contributed a cover of Gotye's song "The Only Way" to the album Mixed Blood, which contains covers and remixes of songs from Gotye's Boardface and Like Drawing Blood albums.[5] It does not feature on any Karnivool albums. Goddard and Stockman also played guitar and bass respectively on the title track of the 2005 album Hold Your Colour, by Perth group Pendulum.[6]

2008–2010: Sound Awake

[edit]

After touring in the US, Karnivool returned to Australia in 2008 and subsequently entered the studio to write their follow-up to Themata. Goddard stated that the new album Sound Awake would be a huge progression from Themata, while Stockman stated that the writing process of the new record was a collaborative effort by the band, in contrast to their previous work. Karnivool disclosed their new recording strategy for the second album: try to focus less on minute details and record a more natural-sounding album.[7] The album was again produced and mixed by Savell.

In an interview with Rock photographer and writer Stephen Lane, guitarist Mark Hosking said the band had mixed the album at Sing Sing Studios in Melbourne, however, had recorded the tracking at locations all over Perth. This was done to save money, but also out of convenience due to other projects each band member had going at the time.[8] The interview also revealed that the band had recorded drums first, then guitars, then bass, then synths, layers and so on. This was a diversion from the usual Drums, Bass, Guitar method in the past.[9]

The band continued to tour Australia, including the Big Day Out tour, Pyramid Rock Festival, Southbound and Homebake. During their live performances for the Aeons Tour, they played some of the new songs from the album, such as "Goliath", "Deadman", "Pearogram" (All I Know) and "New Day". At Homebake in 2008 they debuted a fifth new song entitled "Set Fire to the Hive", which was confirmed as the first single from the album. The new songs were considered more mature, while still bearing resemblance to the band's previous work.[10]

On 26 April 2009, the video for "Set Fire to the Hive" was released and on 9 May peaked at No. 11 on the AIR Top 20 singles charts.[11] The album was released on 5 June 2009 and debuted at No. 2 on the ARIA Album Charts.[12] and No. 1 on the AIR Charts.[13] In October 2009, the album received Gold certification for sales in Australia.[citation needed]

The band toured Australia in support of Sound Awake, followed by shows in New Zealand skipping regional towns, and they took Perth band Sugar Army with them as support,[14] and then the US to headline 'Third Eye Gathering' in Los Angeles. The band then toured the UK in September and October 2009.[15] On 9 November 2009, Karnivool published a music video on YouTube for their second single "All I Know".

Sound Awake was released by Sony Music Independent Network/RED in the US and Canada on 16 February 2010. Karnivool followed the release with a co-headlining US tour with Fair to Midland.

After a successful tour of Europe and the US, Karnivool returned to Australia and announced the national 'New Day Tour'. Two Melbourne shows and a Sydney show quickly sold out, unprecedented in Karnivool's history, and further shows in Sydney, Melbourne, Brisbane and Perth were consequently announced. The band then temporarily ceased touring so that Kenny could tour with his other band Birds of Tokyo;[16] however, touring resumed by December 2010.[17]

On the back of Internet-based popularity, the band played its first ever show in India in 2010. The performance in Mumbai attracted 10,000 people and, as of July 2013, is the band's biggest show, with "fireworks and confetti cannons going off, and big movie screens on either side of the stage in this big amphitheatre and people singing along." Goddard explained the Indian experience, a result of file sharing and word-of-mouth, in a July 2013 interview:

That was incredible. We've played a lot of Western countries but to go to a place like India, you know, all we thought we had in common was cricket but I was very wrong. That was our first show there. We didn't even have a release or anything. We didn't even realise we had a following there, then we announced the show and all these messages started coming back through social media ... Having a beer in the hotel room afterwards, we were like "What the hell? Did that actually happen?"[18]

2011–2018: Asymmetry

[edit]
Karnivool performing in Budapest (2013)

Sometime after returning to Australia in September, the band planned to begin writing material for a third album.[19] Hosking reiterated this, stating the band plans on demoing songs for the third album at this time, and described the material as, "...a departure from Sound Awake whilst still holding all the principles that make for a Karnivool album."[20]

In March 2011, Karnivool announced three shows in their native Western Australia, commenting: "These shows will be the last of the Sound Awake era, as well as a possible pointer of things to come."[17] At these shows they debuted a new song "The Refusal" and Goddard stated that the band was working in the studio on their third album.[21] The tour continued throughout the rest of Australia, and later in the year the band toured India for the IIT Bombay cultural festival Mood Indigo in December 2011.[22]

On 21 March 2012, the "Melodias Frescas" Australian tour was announced and the band confirmed that new material would be played during the tour.[23] The band played 16 sold-out theatre shows around Australia, with support from Melbourne's Redcoats and Sydney instrumental group sleepmakeswaves.[24]

The band returned to India in November 2012 for some additional shows and, during the same period, announced that they were recording their third album at 301 studios in Byron Bay, Australia.[25] The band toured Australia again in December 2012, performing shows in Wollongong and Sydney before the Pyramid Festival for New Year's Eve.[26]

In April 2013, the band announced that they had entered the mixing phase of the third album with producer Nick Didia,[27] while on 16 May 2013, the band's management Fidelity Corporation stated: "Spending the night watching the new Karnivool doco and listening to the new Karnivool album."[28]

On 19 May 2013, the studio version of "The Refusal" was premiered on Australian radio station Triple J—the song became available as a free download on the radio station's website the following day and members of the band's mailing list received the download later in the week.[29] The band's first Australian show for the year was at Western Australia's "State of the Art" festival on 2 June 2013 at the Perth Concert Hall, and the festival's promotional material stated that a "global premiere" of the band's new single would occur at the event.[30]

A music video directed by Chris Frey was filmed in April 2013, but the name of the song was not disclosed at the time that the production information was made available.[31] On 14 June 2013, the Frey-directed music video was released and the song is called "We Are". The band also revealed the title, track list and cover art for their third album, entitled Asymmetry. Triple J aired the radio debut of the six-minute-long "We Are" on the "Doctor" programme[32] and Kenny explained to one of the station's announcers: "Asymmetry really harks to what we try to do musically as a band. Light and dark. Exploration. Sometimes we go too far and we get lost, so we backtrack a bit and find exactly what we're looking for."[33]

Speaking with Simon Collins of The West Australian newspaper, Goddard explained that the recording process is difficult for the band and despite efforts to try and shorten the duration between albums, the band has managed to release three albums in fifteen years:

It's something we grapple with all the time. We try to speed it up and make the frequency of album releases a lot faster. We're completely mystified by the songwriting process, and that's the bottom line for us - we don't know what we're doing. We don't. It feels like it's out of our control a lot of the time.[18]

Asymmetry was released on 19 July 2013[34] and a deal was secured with Density Records for the US region.[35] The album debuted in the number 1 position of the Australian ARIA chart.[36]

Following the receipt of an ARIA award for Asymmetry (the first time the band has won an ARIA award), Goddard stated in a January 2014 interview that "it's [the ARIA award] just one of those things where it's almost like it validates us in other people's eyes." Goddard further explained that the album was created as a reaction to his perception of a current musical trend, whereby "even heavy progressive music to me is losing a lot of the human characteristics, gridlocking everything and cutting out all the air between the guitar, the strums, and all that". Goddard announced that the band would undertake a national Australian tour with Dead Letter Circus and sleepmakeswaves during January 2014. He and Mark Hosking appear in the 2014 documentary film Metal Down Under.

In January 2015, Karnivool played three festivals in India.[37] Following that, the band embarked on their biggest ever headline tour of the UK and Europe in March/April 2015, with support from English act Monuments.[38] In March 2015, the band announced the 'Themata Decade tour' celebrating 10 years since the release of their debut album, with 16 shows around Australia in April and May. Cairo Knife Fight was announced as the opening act.[39]

2019–present: In Verses

[edit]

In May 2019, Karnivool revealed that they had been in the process of recording their fourth album.[40][41] In February 2020, they announced an April tour for the 10th anniversary of Sound Awake,[42] which was later postponed to March 2021 due to the COVID-19 pandemic. However, all tour dates outside of Western Australia were cancelled in February 2021, instead opting to livestream the remaining concerts.[43][44]

On 10 of December 2021, Karnivool released the single "All It Takes", produced by Forrester Savell. It is the band's first studio release since Asymmetry in 2013.[45] In 2022, they headlined the Monolith Festival in Australia alongside Cog and were supported by acts such as Ocean Grove, Plini, Sleepmakeswaves, Reliqa and Yomi Ship.

In late June 2025 Karnivool released the stand-alone single "Drone", their first new music since 2021's "All It Takes".[46] The track was produced by longtime collaborator Forrester Savell and described by the band as “the sound of Karnivool entering a new era — a slow-cooked journey forged in the studio’s heat, where every note was tested and tempered”.[47] Issued ahead of the band’s Ad Complementum Australian tour, "Drone" was promoted as the first preview of their long-gestating fourth studio album.[48][49] Said album, In Verses, was officially announced in September 2025.[50]

Musical style and influences

[edit]

Influenced by Deftones and Tool,[51] Karnivool originally formed as "a nu-metal inclined" project which was "melodically-inclined but blisteringly-technical" and categorized by "head-spinning time signatures and downtuned riff wizardry", before they reinvented themselves and expanded their sound.[52] AllMusic said that Karnivool's sound combines "progressive rock, alternative rock, and metal influences".[1] Metal Hammer said that Karnivool "pushed [Australian progressive metal] into the world's gaze. Their debut album, 2005’s Themata, clicked with a subculture that was barely post-nu metal, resurrecting [the progressive metal genre] for one last gasp with a Tool-inspired twist".[53] Rolling Stone India classified Karnivool as a progressive rock band, defined by "odd-time signatures, buzzing riffs and jagged guitar lines, soaring and harmonized vocals [and] cerebral writing."[54] AltSounds stated that Karnivool plays "semi progressive, alt-metal and have drawn comparisons with Tool due to this."[55]

Personnel

[edit]

Current members

  • Ian Kenny – lead vocals (1998–present)
  • Drew Goddard – guitar, backing vocals (1998–present)
  • Jon Stockman – bass, unclean vocals (2000–present)
  • Mark Hosking – guitar, backing vocals (2003–present)
  • Steve Judd – drums (2004–present)

Past members

  • Andrew Brown – bass (1998–2000)
  • Brett McKenzie – drums (1998–2000)
  • Ray Hawking – drums (2000–2004)

Timeline

Discography

[edit]

Albums

[edit]
Title Details Peak chart positions Certification
AUS
[56] 		FIN
[57] 		GER
[58] 		NZ
[59] 		SWI
[60]
Themata 41 — — — —
Sound Awake
  • Released: 5 June 2009
  • Label: Cymatic/Sony (KARN004)
  • Format: CD, DD
 2 — — — —
Asymmetry
  • Released: 19 July 2013
  • Label: Density/Cymatic/Sony (KARN006)
  • Format: CD, DD, LP
 1 37 44 32 45
In Verses
  • To be released: 6 February 2026
  • Label: Cymatic/Sony
  • Format: CD, DD, LP
 TBA TBA

EPs

[edit]
Title Details
Karnivool
  • Released: 1999
  • Label: Karnivool
  • Format: CD
Persona
  • Released: March 2001
  • Label: Sic Squared (Sic003)
  • Format: CD

Singles

[edit]
Title Year Album
"L1fel1ke" 2002 Themata
"Roquefort" 2005
"Themata"
"Set Fire to the Hive" 2009 Sound Awake
"All I Know" 2010
"We Are" 2013 Asymmetry
"Eidolon"
"All It Takes"[64] 2021 In Verses
"Drone"[65] 2025
"Aozora"

Videography

[edit]

Video albums

[edit]
List of video albums
Title Album details
Decade of Sound Awake
  • Released: 10 December 2021
  • Label: Cymatic/Sony
  • Format: Blu-ray

Awards and nominations

[edit]

AIR Award

The Australian Independent Record Awards (commonly known informally as AIR Awards) is an annual awards night to recognise, promote and celebrate the success of Australia's independent music sector.

Year Nominee / work Award Result
2006[66] "Persona" Best Performing Independent Single/EP Nominated
themselves Most Outstanding New Independent Artist Nominated

APRA Awards

The APRA Awards are presented annually from 1982 by the Australasian Performing Right Association (APRA), "honouring composers and songwriters". They commenced in 1982.[67]

Year Nominee / work Award Result Ref.
2010 "All I Know" (Andrew Goddard / Mark Hosking /Stephen Judd / Ian Kenny / Jonathan Stockman) Song of the Year Shortlisted [68]
"Set Fire to the Hive" (Andrew Goddard / Mark Hosking /Stephen Judd / Ian Kenny / Jonathan Stockman) Shortlisted
2014 "We Are" (Andrew Goddard / Mark Hosking / Stephen Judd / Ian Kenny / Jonathan Stockman) Song of the Year Shortlisted [69]

ARIA Music Awards

The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music.

Year Nominee / work Award Result
2009[70] Forrester Savell for Sound Awake Producer of the Year Nominated
2013[71][72] Asymmetry Best Hard Rock/Heavy Metal Album Won
Asymmetry Tour Best Australian Live Act Nominated

J Award

The J Awards are an annual series of Australian music awards that were established by the Australian Broadcasting Corporation's youth-focused radio station Triple J. They commenced in 2005.

Year Nominee / work Award Result
2009 Sound Awake Australian Album of the Year Nominated
2013[73] Asymmetry Australian Album of the Year Nominated

National Live Music Awards

The National Live Music Awards (NLMAs) are a broad recognition of Australia's diverse live industry, celebrating the success of the Australian live scene. The awards commenced in 2016.

Year Nominee / work Award Result
2016[74] Steve Judd (Karnivool) Live Drummer of the Year Nominated

West Australian Music Industry Awards

The Western Australian Music Industry Awards (commonly known as WAMis) are annual awards presented to the local contemporary music industry, put on by the Western Australian Music Industry Association Inc (WAM). Karnivool have won seventeen awards.[75][76]

Year Nominee / work Award Result (wins only)
2001 Karnivool Most Popular Original Metal Act Won
2002 Karnivool Most Popular Local Original Metal Act Won
2003 Karnivool Most Popular Local Original Live Act Won
Most Popular Local Original Heavy Rock Act Won
2005 Karnivool Best Hard Rock/Metal Act Won
2006 Karnivool Best Hard Rock/Metal Act Won
Drew Goddard (Karnivool) Best Guitarist Won
2007 Karnivool Most Popular Act Won
Most Popular Live Act Won
Best Hard Rock Act Won
Ian Kenny (Karnivool) Best Male Vocalist Won
Andrew Goddard (Karnivool) Best Guitarist Won
2008 Karnivool Most Popular Live Act Won
Best Hard Rock/Metal Act Won
2010 Karnivool Most Popular Live Act Won
Sound Awake Most Popular Album Won
2013 Karnivool Best Metal / Heavy Act Won

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Karnivool

View on Grokipedia
from Grokipedia
Karnivool is an Australian progressive rock band formed in Perth, Western Australia, in 1997. The band, known for its complex song structures and alternative metal influences, currently consists of vocalist Ian Kenny, guitarists Drew Goddard and Mark Hosking, bassist Jon Stockman, and drummer Steve Judd, a lineup stable since 2004. Karnivool rose to prominence in the Australian music scene with their debut studio album Themata in 2005, followed by the critically acclaimed Sound Awake in 2009, which peaked at number two on the ARIA Albums Chart, and Asymmetry in 2013. They have earned recognition including five Western Australian Music Industry (WAMi) Awards in 2007, including Most Popular Act, Most Popular Live Act, Best Male Vocalist, Best Guitarist, and Best Hard Rock Act. After a 13-year hiatus from full-length releases, Karnivool announced their fourth studio album, In Verses, set for release on February 6, 2026, via Cymatic Records and .

History

1997–2003: Formation and early years

Karnivool was formed in 1997 in Perth, , by vocalist Ian Kenny while he was still in high school. The band initially operated under the name B-Side and focused on performing cover versions of songs by artists such as Nirvana and Carcass at local parties and high school events. In 1998, the group rebranded as Karnivool, a name inspired by local fans who had dubbed the early incarnation "a bunch of clowns." The original lineup featured Ian Kenny on vocals and guitar, on guitar, Andrew Brown on bass, and Brett McKenzie on drums. With this configuration, Karnivool began transitioning to original material and secured early gigs at parties and small local venues around Perth, building a following in the city's burgeoning music scene. The band recorded their first demo, a self-titled EP, in 1999, which showcased their evolving sound and helped generate initial buzz among local audiences. Between 1999 and 2000, they continued honing their live performances, often supporting regional acts and playing informal shows that highlighted their blend of and heavier influences. Around 2000, bassist Andrew Brown and drummer Brett McKenzie departed and were replaced by Jon Stockman on bass and Ray Hawking on drums. Karnivool prepared for their next phase of independent releases, including the 2001 EP , which earned them the 2001 WAMi Award for Best Original Metal Act and a nomination for "Most Popular Local Original Song" for the track "Fade." These efforts solidified their reputation in Perth, with support slots for bands like Superheist, Frankenbok, Dreadnaught, and the Mark of Cain, as well as a performance alongside in 2001, paving the way for lineup stabilization leading into their debut album era.

2004–2007: Themata

In 2004, Karnivool solidified their lineup with the addition of drummer Steve Judd, who replaced Ray Hawking, and guitarist Mark Hosking who had joined the previous year in 2003. This period allowed the group to focus on , drawing from their earlier songwriting foundations to craft material for their debut full-length album. During the recording of Themata, also contributed on drums. The band recorded Themata throughout 2004 across multiple locations, including Planet Studios in Perth and Metropolis Audio in , with additional sessions at members' homes and other sites in . Forrester Savell served as producer, engineer, mixer, and mastering engineer, alongside contributions from the band itself, while guitarist handled additional recording duties. Released independently on February 7, 2005, and distributed by , the album featured 12 tracks, including standout pieces like the title track "Themata," the atmospheric "," and the dynamic "Shutterspeed." Promotion for Themata began with an extensive Australian headline tour in support of the release, complemented by opening slots for Cog on their Stay? tour, which helped expose the band to larger audiences. The album gained international traction through airplay on , where the "Themata"—released in July 2005 with an accompanying music video—charted at number 97 on the Hottest 100 countdown. A second single, "Liar," followed later that year, further boosting visibility with its own video. Commercially, Themata achieved gold certification from for shipments exceeding 35,000 units, establishing Karnivool as a rising force in the Australian progressive scene.

2008–2010: Sound Awake

Following the success of their debut album Themata, which provided a stronger financial foundation, Karnivool began work on their second full-length record in 2008. The band recorded at Blackbird Sound Studios and Kingdom Studios in Perth, , with production handled by Forrester Savell, who had also worked on Themata. Self-produced elements were incorporated alongside Savell's contributions, resulting in an album that expanded the band's sound with intricate rhythms, atmospheric textures, and dynamic song structures. Key tracks include the lead single "All I Know," the epic "Goliath," and the brooding "Aeons," which highlight vocalist Ian Kenny's versatile delivery and the interplay between guitarists and Mark Hosking. Sound Awake was released in on June 5, 2009, via Sony Music Independent Network/, debuting at No. 2 on the ARIA Albums Chart and achieving gold certification in the . The saw international distribution, with European editions through in late 2009 and a U.S. release via in 2010. To promote the record, Karnivool embarked on an extensive touring schedule, including a national Australian headline run in mid-2009 and a co-headlining spot at the 2010 festival across multiple cities. Later that year, they undertook a 55-day international trek, performing in —starting in and including stops in —and the , where they played showcases like SXSW in Austin. The singles "All I Know" (September 2009) and "Goliath" (January 2010) received music videos directed by Chris Frey, further boosting the album's visibility through radio play and online streaming.

2011–2013: Asymmetry

In early 2011, Karnivool began developing material for their third studio album, drawing from the exhaustion of extensive international touring in support of Sound Awake. The band spent much of 2011 and 2012 writing and demoing songs at their own studio in Perth, aiming for a more raw and human sound compared to previous efforts. Recording sessions officially started in 2012 at Studio 301 in Byron Bay, Australia, under the production of Nick DiDia, with additional work completed at the band's Perth facility. The process, which lasted approximately two years, emphasized experimentation with dynamics and textures to reflect the album's core concept of imbalance. Asymmetry was officially announced on June 14, 2013, and released on July 19 in Australia through Cymatic Records/Sony Music, with a digital international rollout on July 23 and physical U.S. edition on August 6 via Density Records. The 14-track album, clocking in at over 67 minutes, features extended progressive compositions like the seven-minute-plus "Aeons" and "Sky Machine," alongside shorter interludes such as "Aum" and "Asymmetry." Key tracks include the atmospheric "A Mote of Dust," the anthemic "We Are," and the aggressive "The Refusal," which showcase the band's blend of intricate rhythms, soaring melodies, and electronic accents. Thematically, the record delves into personal and societal asymmetry, exploring contrasts between light and dark, chaos and resolution, and individual turmoil amid broader existential imbalance, as articulated by guitarist Drew Goddard in interviews. Promotion centered on live performances to highlight the album's depth. The band launched an Australian headline tour in late July 2013, supported by , playing major venues in cities including , , , , and Perth, with shows extending into August at iconic spots like . This was followed by a 25-date European headline run in November 2013, including stops in the UK, , and the , co-headlining with in some markets. Limited U.S. appearances were included as part of the broader world tour, though focused more regionally due to logistical constraints. Critics lauded Asymmetry for its ambitious complexity, emotional intensity, and refusal to conform to genre expectations, with Louder magazine awarding it 4.5 out of 5 stars for its "scintillating, widescreen rock" and hypnotic shifts. The album debuted at No. 1 on the ARIA Albums Chart, selling 15,176 copies in its first week—the fourth-highest debut of 2013—and was certified gold for exceeding 35,000 units in Australia. On streaming platforms like Spotify, it has amassed millions of plays over the years, underscoring its enduring appeal in progressive rock circles. It also earned the 2013 ARIA Award for Best Hard Rock/Heavy Metal Album. Singles from the album included "The Refusal," premiered on May 20, 2013, as the lead track to tease the heavier direction, and "We Are," released on June 14 with an official directed by Christopher Frey. "Aeons" followed as a promotional single on July 23, 2013, accompanied by a video, while a version of "Aeons" surfaced later in the year for digital platforms. These releases helped build anticipation, emphasizing the album's progressive evolution.

2014–present: Hiatus and upcoming material

Following the release of in 2013, Karnivool entered a period of reduced activity as a band, with members pursuing individual projects while maintaining sporadic live performances. The group conducted the Themata 10th anniversary tour across and in 2015, celebrating their debut album with full-set performances, but subsequent years saw fewer commitments as the focus shifted away from new studio work. By 2016–2018, activity dwindled to occasional headline shows and festival appearances, marking the onset of an extended hiatus from recording. Between 2019 and 2023, Karnivool's engagements remained limited, primarily consisting of select live outings amid global disruptions from the COVID-19 pandemic. Key events included the delayed "Decade of Sound Awake" livestream concert in 2021, where the band performed their 2009 album in full, and headline spots at festivals such as Australia's Monolith Festival in 2022. No new studio material emerged during this time, though interviews revealed ongoing but intermittent songwriting efforts, with vocalist Ian Kenny noting in early 2023 that the band was exploring ideas for a fourth album without a firm timeline. These years underscored the hiatus's emphasis on personal endeavors over collective output. Development of the band's fourth studio album began gaining momentum with teasers in late 2023 and 2024, as members reconvened to refine material accumulated over the decade. The project, produced by longtime collaborator Forrester Savell, culminated in a full announcement on September 16, 2025, for In Verses, slated for release on February 6, 2026, via Cymatic Records/. The album's thematic core revolves around completion, encapsulated in the Latin phrase "Ad Complementum," symbolizing the band's resolve to conclude this long chapter. The , "Aozora," was released alongside the announcement, accompanied by artwork revealing a stark, introspective visual style, with further singles expected in late 2025. To promote the upcoming release, Karnivool launched the "Ad Complementum" tour in starting July 2025, road-testing new tracks like "Drone" (released June 2025) across major cities and regional venues. Plans for Asian dates followed in late 2025, building anticipation ahead of the album launch. As of November 2025, the band remains actively engaged in promotional activities, with no changes to the core lineup of Ian Kenny, Drew Goddard, Mark Hosking, Jon Stockman, and Steve Judd.

Musical style and influences

Musical style

Karnivool's music is primarily classified as , blending elements of and with intricate compositions that emphasize emotional depth over technical virtuosity. Their sound features complex time signatures, dynamic shifts between heavy riffs and atmospheric passages, and a rejection of conventional verse-chorus structures in favor of fluid, evolving song forms. This approach creates a sense of musical tension and release, often prioritizing groove and feel even within irrational meters. The band's style has evolved significantly across their albums, beginning with the more straightforward, riff-driven alternative metal of their 2005 debut Themata, which showcased accessible melodies and dynamic contrasts rooted in post-grunge aggression. By Sound Awake in 2009, Karnivool incorporated greater atmospheric layers and collaborative songwriting, resulting in energetic progressive heavy rock that balanced catchiness with experimental textures. Asymmetry (2013) marked a further shift toward extended, band-centric jams and organic expression, with uncharted structural explorations that highlighted raw emotional interplay. In Verses, announced in September 2025 and set for release in 2026, continues this evolution through ten tracks exploring themes of frustration, catharsis, and rediscovery of identity. Central to Karnivool's sound are vocalist Ian Kenny's versatile performances, ranging from clean, melodic lines to raw screams and venomous aggression, which serve as the emotional core of their tracks. The dual guitar work of and Mark Hosking provides rich textures through mournful leads, atmospheric tones, and layered riffs that balance and elements, often developed from jam sessions. The rhythm section, featuring bassist Jon Stockman and drummer Steve Judd, delivers intricate yet driving interplay, with bass lines adding emotional weight and drums propelling grooves amid complex polyrhythms. Production in Karnivool's work emphasizes a live, organic feel, particularly in later albums like , recorded in a room setting at Studio 301 in with minimal microphones and post-editing to capture natural band dynamics and reverb for depth. Earlier efforts incorporated heavier effects for polish, but the band has increasingly favored sparse, collaborative techniques that reflect their jam-based origins. In live settings, Karnivool distinguishes their performances through extended improvisations and a raw energy that bridges studio separation, often spanning their catalog to showcase evolving interpretations at major festivals. As Mark Hosking noted, this progression is subconscious, mirroring the band's appreciation for pushing musical boundaries.

Influences

Karnivool's early sound was heavily shaped by the grunge and scene in Perth, , where the band's members grew up immersed in the local music environment. Guitarist has cited Nirvana's "Smells Like Teen Spirit" as a pivotal moment that ignited his passion for music during his teenage years, stating, "That was hearing Nirvana for the first time as a teenager. I heard ‘Smells Like Teen Spirit’ and I thought: ‘That’s what I wanna do!’" Similarly, influences from and provided the foundation for the band's initial raw energy and melodic structures, reflecting the isolation and DIY ethos of Perth's rock community at the time. As Karnivool evolved, and metal bands became central to their development, particularly Tool, whose rhythmic complexity and visual artistry profoundly impacted the group. Goddard emphasized Tool's role, noting, "Tool are an amazing band. They were a big influence, more so in the early days. I think it was the Aenima record that I really connected with." This inspiration is evident in Karnivool's adoption of epic song structures and esoteric themes, with Tool's influence extending to their operational approach as a band focused on artistic depth over commercial trends. The shift from roots to progressive dominance is highlighted in a band member's reflection on the band's trajectory: starting with Nirvana and , then incorporating Tool and heavier acts like , leading to a more intricate sound by their second album. Other key influences include , whose experimental structures and atmospheric innovation resonated with Karnivool's members. Guitarist described as a prime example of a band whose evolution and storytelling inspired him, praising their journey from massive rock anthems to boundary-pushing work. He further elaborated on broader tastes encompassing alongside soulful acts, underscoring a desire for music with emotional depth and authenticity. Australian progressive peers like Cog also played a role in the local scene, fostering a shared creative environment that encouraged Karnivool's growth, though their relationship is more collaborative than directly imitative.

Band members

Current members

The current lineup of Karnivool has remained stable since , providing the foundation for the band's sound through collaborative creativity and technical prowess. Ian Kenny serves as the and occasional , having co-founded the band in 1997 and remained a core member since its official formation in 1998. Known for his dynamic frontman presence and multi-instrumental abilities, Kenny's soaring melodies and emotive delivery have defined Karnivool's atmospheric style across all albums. Drew Goddard handles and backing vocals as a founding member from 1998, contributing intricate riffs and harmonic structures that drive the band's compositions. As the primary songwriter on the debut album Themata, Goddard has since embraced a more collaborative approach, shaping the evolving complexity of Karnivool's music. Mark Hosking joined on and backing vocals in 2003, becoming a full-time member by 2004 to add layered textures and vocal depth to the sound. His integration has enhanced the band's dual-guitar interplay, particularly in live performances and studio arrangements. Jon Stockman has anchored the low end on bass since 2000, emphasizing groovy rhythms and dynamic low-frequency elements that underpin Karnivool's polyrhythmic foundations. His contributions to the band's groove-oriented progressions are evident in tracks like those on and . Steve Judd provides drums since 2004, delivering signature polyrhythms and high-energy live execution that propel the band's intricate time signatures. Judd's rhythmic innovations, blending precision with intensity, have been pivotal in Karnivool's evolution toward more experimental structures. Since the Asymmetry era, songwriting has been a collective effort among all members, fostering a democratic process that influences production on recent and upcoming releases like In Verses. This stability in personnel has allowed the band to focus on refined, high-impact contributions without major disruptions.

Former members

Karnivool's lineup underwent several changes during its formative years, with three key members departing amicably as the band transitioned from covers to original material. The original consisted of Andrew Brown and Brett McKenzie, both of whom joined in 1998 alongside vocalist Ian Kenny and guitarist . Brown contributed to the band's earliest recordings, including the self-titled debut EP released in 1999, which featured a raw, sound influenced by covers of acts like Nirvana. McKenzie similarly played on this EP, helping establish the foundational groove for Karnivool's initial live performances at local Perth parties. Both left in 2000, allowing the band to refine its progressive direction without reported conflicts. Drummer Ray Hawking joined shortly after in 2000, providing stability through the development of the band's debut album. He performed on the 2005 album Themata and subsequent early tours, contributing to the intricate percussion that defined Karnivool's evolving progressive style during the 2004–2007 era. Hawking departed in 2004, coinciding with the addition of a second and a shift toward more complex compositions that carried into (2009). These lineup adjustments in the early 2000s were pivotal, enabling Karnivool to solidify its core sound while maintaining strong relationships with former members. Limited public details exist on their post-departure activities, though the departures preserved collaborative ties within Perth's music scene.

Other projects

Ian Kenny's projects

Ian Kenny co-founded the alternative rock band Birds of Tokyo in 2004 in Perth, Western Australia, initially as a collaborative side project alongside his commitments to Karnivool, where he serves as lead vocalist and guitarist. The band emerged from a songwriting partnership involving members of local acts Tragic Delicate and Karnivool, with Kenny contributing vocals and guitar from the outset. Birds of Tokyo quickly gained traction, releasing their debut EP Brace in 2006 and full-length album Day One in 2007, which was produced by Forrester Savell and charted on the ARIA Albums Chart. The band's self-titled second album in 2010 marked a commercial breakthrough, earning the ARIA Award for Best Rock Album and achieving double-platinum status in Australia. Follow-up releases solidified their success, including March Fires in 2013, which debuted at number one on the ARIA Albums Chart and received nominations for Album of the Year and Best Group at the ARIA Awards. Subsequent albums like Playlist (2016) and Human Design (2020) continued to chart highly, with the latter also reaching number one, and the band accumulating 17 ARIA nominations overall. Birds of Tokyo remained active into the 2020s, releasing singles such as "Heartbreakers Bar" in 2024 and embarking on tours, including performances with orchestras in 2023 and a national Australian tour in 2025. Kenny has pursued additional ventures outside his band commitments, including guest vocal appearances on tracks by other Australian acts, such as Northlane's "" in 2024. He has also performed solo acoustic renditions of his songs, as showcased in promotional sessions for Birds of Tokyo's . Significant overlaps exist between Kenny's projects and Karnivool, notably through shared producer Forrester Savell, who helmed early recordings for both bands, including Birds of Tokyo's Day One (2007) and Karnivool's Sound Awake (2008). Karnivool's extended hiatus since 2014 enabled Kenny to prioritize , allowing him to refine his vocal dynamics in a more accessible rock context. In 2025, with the announcement and promotion of Karnivool's fourth studio album In Verses—set for release in February 2026—Kenny shifted focus back to the band, including road-testing new material on an Australian tour.

Other members' projects

During Karnivool's extended hiatus following the 2013 release of Asymmetry, several non-vocalist members engaged in side projects and collaborations that allowed them to explore diverse musical styles while maintaining their instrumental expertise. Mark Hosking joined as a touring for their 2024 "Whatever, Whenever, Wherever" Australian tour, contributing to live performances alongside the band's core members and bringing his sensibilities to their sets. Bassist Jon Stockman participated in multiple endeavors outside Karnivool, including the short-lived supergroup Floating Me in the early 2010s, where he provided bass alongside drummer Lucius Borich of Cog and members of Scarymother, resulting in the 2011 self-titled album that blended atmospheric and heavy elements. More recently, Stockman co-founded the astro-ambient rock project Lune Asea in the late 2010s with drummer Steve Judd and additional collaborators Leigh Davies, Ben Elphick, and Adam Perry, releasing the single "" in 2023, which featured Stockman's bass and work in a spacey, experimental produced by Forrester Savell. Drummer Steve Judd, who has been with Karnivool since 2004, has maintained an active profile through endorsements and educational outreach in addition to his role in Lune Asea. Judd is endorsed by , Zildjian cymbals, sticks, and heads, using this gear in both his Karnivool performances and side work to achieve his signature dynamic, polyrhythmic style. He has also conducted drum clinics, such as a 2016 session in Perth where he demonstrated techniques from Karnivool tracks and discussed his approach to groove and setup. These activities, along with Judd's contributions to Lune Asea, helped refine his playing during the hiatus period. Guitarist focused on local performances and behind-the-scenes production during this time, including solo acoustic gigs in to stay connected with audiences on a smaller scale. Goddard's production experience, honed through co-producing Karnivool's with Nick DiDia, extended to exploratory work that emphasized electronic textures in the , though specific external credits remain limited. These individual pursuits during the 2014–2023 hiatus fostered skill development and fresh perspectives, with members like Stockman and Judd noting in interviews that the creative freedom from projects like Lune directly informed the evolving, layered sound of Karnivool's forthcoming album In Verses, set for release in 2026.

Discography

Studio albums

Karnivool's studio albums are characterized by their and sound, with each release showcasing evolving production and thematic depth. Initially self-released through the band's own Breath of Records imprint or independent distribution, the albums have been reissued in various formats including , vinyl, and digital streaming. They have achieved notable commercial success in , with strong chart performances and certifications reflecting their dedicated fanbase. Themata (2005) is the band's debut studio album, released independently on 7 February 2005 via Breath of Records with distribution by MGM Distribution. It features 12 tracks with a total runtime of 53 minutes, including standout songs like "Themata" and "Cote." The album peaked at No. 41 on the Albums Chart following its 2008 re-release and has sold over 35,000 copies in , earning a certification from . International editions followed in 2007 through Bieler Bros. Records in the and . Sound Awake (2009), the second studio album, was released on 5 June 2009 through Breath of Records/Cymatic Records. Comprising 11 tracks over 64 minutes, it includes extended compositions such as "New Day" (8:20) and explores introspective themes through dynamic arrangements. The album debuted and peaked at No. 2 on the Albums Chart, marking the band's breakthrough, and was certified Gold for shipments of 35,000 units in . International editions were issued in via and in the via Bieler Bros. Records. Asymmetry (2013), the third studio album, arrived on 19 July 2013 via Breath of Records/Cymatic Records, with worldwide distribution through . It contains 10 tracks totaling 67 minutes, highlighted by progressive epics like "Aeons" (7:18) and "Amusia" (8:51), emphasizing in structure and emotion. The album debuted at No. 1 on the ARIA Albums Chart, the band's highest position to date, and received a certification for over 35,000 units shipped in . Limited editions included bonus DVDs with live footage, and vinyl reissues were released in 2020 via InsideOut Music. In Verses (2026) is the band's upcoming fourth studio album, scheduled for release on 6 February 2026 through Cymatic Records/. It features 10 tracks, with pre-release singles "Aozora" and "Drone" issued in 2025, and "All It Takes" (originally released in 2021, remastered for this album), and delves into themes of frustration, catharsis, resolution, and rediscovery of . The album will be available in CD, double vinyl (including limited red variant), and digital formats, building on over a decade of development with producer Forrester Savell.

Extended plays

Karnivool's extended plays primarily consist of early releases that allowed the band to refine their sound and test new material before their full-length albums. The band's second EP, , was released on 1 March 2001 through independent label Sic Squared Records. This four-track effort runs for approximately 25 minutes and features "Fade" (4:51), "Da-Reka" (6:18, with guest vocals by Grant McCulloch), "Headcase" (5:13), and "" (8:20). It served as a bridge between their initial demo recordings and debut album Themata, showcasing evolving song structures and heavier nu-metal influences blended with progressive elements. The EP was produced independently and sold around 2,000 copies initially, later reissued in 2005 to wider distribution. Persona received recognition in the Australian independent music scene, earning a nomination for Best Performing Single/EP at the inaugural Australian Independent Record Labels Association (AIR) Awards in 2006. Critics noted its role in building the band's local following, with tracks like "Da-Reka" highlighting Ian Kenny's dynamic vocals and the rhythm section's technical prowess. The release was available in physical CD format and digital platforms post-reissue, contributing to Karnivool's grassroots momentum. No other major EPs followed in the band's catalog, as their focus shifted to ; early 1999 demos, such as the self-titled tape with tracks like "" and "Konkrete ," remained informal and unreleased commercially. A promotional package titled Set Fire to the Hive EP, tied to , included the single, a remix of "," a live "Deadman," and "Themata," but functioned more as a single extension than a standalone EP.

Singles

Karnivool has released several singles throughout their career, primarily drawn from their studio albums and used to promote new material. These tracks often feature radio edits for airplay and have garnered attention through Australian radio stations like , though the band has achieved limited commercial chart success on the ARIA Singles Chart. Early singles like "Themata" helped establish their presence in the progressive rock scene, while later releases such as "" received notable recognition in annual listener polls. The band's singles typically appear in digital and physical formats, including enhanced CDs with B-sides or live recordings, and have been tied to album cycles for promotional purposes. For instance, tracks from Sound Awake emphasized the album's thematic depth, focusing on introspection and sound design. Recent singles in 2025 mark a return after an extended hiatus, building anticipation for their fourth studio album.
Single TitleRelease DateAlbumChart Performance
ThemataJuly 2005ThemataNo major chart entry; promoted debut album release.
All I KnowNovember 2009Sound Awake#63 on Triple J Hottest 100 (2009).
Set Fire to the HiveJanuary 2010Sound AwakeNo ARIA chart entry; radio promotion.
The RefusalMay 2013AsymmetryPromotional single; no chart entry; first preview of album.
All It TakesDecember 2021In VersesNo ARIA chart entry; standalone digital release (remastered for album).
DroneJune 2025In VersesDigital single; builds post-hiatus momentum.
AozoraSeptember 2025In VersesLead single for upcoming album; no chart data as of November 2025.

Videography

Music videos

Karnivool's official music videos have served as key promotional tools for their singles, typically blending band performance footage with narrative or abstract elements to reflect the band's complex aesthetic. The band's early video for "Lifelike," released in 2003 to promote the upcoming album Themata, marked their initial foray into visual media. This was followed by the "Themata" video in 2005, which features the band in a studio setting with stylized lighting and effects. In 2008, Karnivool released a video for "Shutterspeed" from Themata, emphasizing high-energy performance shots. The 2009 video for "All I Know" from Sound Awake was directed by Chris Frey and incorporates performance elements enhanced by visual effects. For "Goliath," also from Sound Awake, the 2010 promo video integrates cinematic clips from the film Saw 3D, creating a tense narrative of personal struggle synced to the track's dynamics. The 2013 video for "," the lead single from , was directed by Chris Frey and utilizes moody, atmospheric visuals. That same year, the "We Are" video, also helmed by Christopher Frey, presents a narrative storyline starring actress as a young girl confronting identity and growth. Additionally, an official video for "" from was released in 2013, focusing on surreal, dream-like sequences. In support of their 2026 album In Verses, the "Aozora" premiered with a 2025 visualiser video employing modern CGI to evoke themes of escape and . Over time, Karnivool's videos have evolved from straightforward performance clips to more elaborate productions, mirroring the band's growing artistic ambition.

Concert films and live releases

Karnivool has released two official concert films, both capturing full live performances from key periods in their career, though the band has not issued any full-length live audio albums to date. Audio excerpts from live shows have appeared in limited editions of EPs and anniversary releases, but comprehensive video documentation remains the primary format for their official live output. These releases highlight the band's improvisational style and high-energy performances, often featuring extended jams and intricate instrumentation. The first official concert film, Live at the Forum, was released on July 19, 2013, as a bonus DVD included in the limited edition of the band's third studio album, Asymmetry. Recorded at The Forum in Melbourne, Australia, during a tour supporting their Sound Awake era, the 93-minute film features a 15-track setlist spanning their early catalog, including "Simple Boy," "Goliath," "Aeons," "Set Fire to the Hive," "Roquefort," and "Change (Parts I & II)." Directed by band collaborator Forrester Savell, the production emphasizes the group's dynamic stage presence and visual effects, with multi-camera footage capturing the crowd's enthusiasm. Distributed by BMG through Sharpened Records, the release received praise for its sound quality and ability to convey the intensity of Karnivool's live shows, though it was limited to physical bundles and not widely available standalone. In 2021, Karnivool issued The Decade of Sound Awake, a Blu-ray recording of an exclusive livestream held on May 12 at the Heath Ledger Theatre in Perth, . This 100-minute release celebrates their platinum-selling album on what was originally planned as its 10-year anniversary, though delayed by the , with a reimagined performance featuring tracks such as "New Day," "Umbra," "The Caudal Lure," "Illumine," and "Deadman," followed by encores of "Fade," "Roquefort" (featuring guest brass section Brendan Scott Grey on , Sam Hadlow on , and Matt Smith on ), "Aeons," and the new track "All It Takes." Produced in high-definition with audio, the film includes behind-the-scenes footage and highlights the band's improvisational elements, including guest Sam Pilot Kickett on yidaki for "Change." Released on December 10 by (an imprint under /BMG), it was lauded by critics for faithfully capturing the emotional depth and technical prowess of the performance, making it accessible to global audiences amid restrictions. Additional official clips from the band's 2015 "Themata Decade Tour"—celebrating the 10th anniversary of their debut album—have been shared online, including promotional videos and select song performances, but no full concert film emerged from that run. As of late 2025, with the upcoming In Verses tour supporting their fourth studio album (set for release in February 2026), no live recording plans have been announced, though the band has expressed interest in documenting future shows.

Awards and nominations

ARIA Music Awards

Karnivool first received recognition in 2009 for their second studio Sound Awake, which earned a in the Producer of the Year category for producer Forrester Savell. The debuted at number 2 on the ARIA Albums Chart and was certified gold within weeks of release, reflecting the band's growing commercial success and critical acclaim in the Australian scene. The band's most notable ARIA achievements came in with their third album . Karnivool won the award for Best Hard Rock/Heavy Metal Album and were nominated for Best Live Act for their accompanying Asymmetry Tour. debuted at number 1 on the Albums Chart, outselling all other Australian top 10 albums combined that week and marking a career high point tied to their intricate songwriting and live performances. This victory represented Karnivool's sole win to date and affirmed their influence within Australia's music industry.

WAM Song of the Year

Karnivool has not received any wins or nominations in the WAM Song of the Year competition.

Other awards

Karnivool has garnered recognition from several Australian music awards beyond the and WAM Song of the Year, primarily through nominations and wins in independent, songwriting, and regional categories that underscore their influence in rock and live performance spheres. At the 2009 J Awards, presented by national broadcaster , the band's second studio album received a for Australian Album of the Year, acknowledging its impact within the independent music landscape. The following year, at the 2010 APRA Awards, their track "All I Know" from the same album was nominated for Song of the Year, highlighting the songwriting contributions of band members Andrew Goddard, Mark Hosking, Stephen Judd, Ian Kenny, and Jonathan Stockman. The band has enjoyed particular success at the West Australian Music Industry Awards (WAMi), earning multiple honors that reflect their Perth origins and strong local following. In 2007, Karnivool secured five s: Most Popular Act, Most Popular Live Act, Best Male Vocalist for Ian Kenny, Best Guitarist for Andrew Goddard, and Best /Heavy Metal Act. They followed this with a win for Most Popular Live Act in 2010. These achievements, totaling more than five wins and nominations across these events, demonstrate Karnivool's enduring prominence in Australia's independent and regional music circuits, without notable international recognition to date.

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  89. https://www.discogs.com/release/17424769-Karnivool-Themata
  90. https://www.discogs.com/master/440356-Karnivool-Sound-Awake
  91. https://tonedeaf.thebrag.com/karnivool-make-aria-history-with-chart-topping-debut/
  92. https://karnivool.tmstor.es/product/in-verses-black-double-vinyl
  93. https://www.discogs.com/release/6235369-Karnivool-Persona
  94. https://music.apple.com/au/album/persona/320727712
  95. https://www.discogs.com/release/2475111-Karnivool-Persona
  96. https://www.theaudiodb.com/album/2280989-Karnivool-Persona
  97. https://genius.com/albums/Karnivool/Karnivool-ep
  98. https://music.apple.com/gb/album/set-fire-to-the-hive-ep/332801939
  99. https://www.abc.net.au/triplej/hottest100/09/countdown/cd_list.htm
  100. https://australian-charts.com/showinterpret.asp?interpret=Karnivool
  101. http://www.muzikdizcovery.com/2013/05/jukebox-karnivool-refusal.html
  102. https://www.discogs.com/release/34508761-Karnivool-Drone
  103. https://www.metalunderground.com/news/details.cfm?newsid=160063
  104. https://www.youtube.com/watch?v=GNxJQjJMxcg
  105. https://www.youtube.com/watch?v=Z9fwkH_BSzI
  106. https://www.youtube.com/watch?v=jlxm3GdpjYE
  107. https://genius.com/Karnivool-all-i-know-lyrics
  108. https://bloody-disgusting.com/news/119903/karnivool-release-video-for-goliath-for-saw-3d/
  109. https://www.youtube.com/watch?v=C2ejlJuzZD8
  110. https://www.imdb.com/title/tt6326460/
  111. https://www.youtube.com/watch?v=V_E5ae9ZTwk
  112. https://www.youtube.com/watch?v=q_XQSdf8GH4
  113. https://www.youtube.com/watch?v=_d6IzufBUOE
  114. https://libel.co.nz/reviews/2013/7/19/karnivool-aa9yf
  115. https://www.discogs.com/release/4746910-Karnivool-Asymmetry
  116. https://www.theprp.com/2013/06/14/news/karnivool-debut-we-are-music-video-and-detail-new-album-asymmetry/
  117. https://www.ultimate-guitar.com/reviews/compact_discs/karnivool/live_at_the_forum_dvd/22728/
  118. https://www.discogs.com/release/21352429-Karnivool-Decade-Of-Sound-Awake
  119. https://www.metalepidemic.com/karnivool-the-decade-of-sound-awake/
  120. https://distortedsoundmag.com/dvd-review-decade-of-sound-awake-karnivool/
  121. https://www.theprp.com/2021/04/27/news/karnivool-announce-the-decade-of-sound-awake-livestream/
  122. https://www.aria.com.au/awards/past-winners/2009
  123. https://www.aria.com.au/awards/news/aria-noms-fine-arts-and-artisan-winners
  124. https://themusic.com.au/news/karnivool-announce-national-tour/Kyo3Pz4hICM/07-08-09
  125. https://musicfeeds.com.au/news/voting-now-open-for-apras-song-of-the-year-award/
  126. https://www.newcastleherald.com.au/story/3016646/dont-stop-the-karnivool/
  127. https://submergemag.com/music/its-a-karnivool-out-there/
  128. http://www.procopy.com.au/audio-video-cd-dvd-news-perth/2010/5/21/2010-wami-award-nominees-winners-announced-at-capitol-bar.html
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