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Kim Chang-wan
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Kim Chang Wan (Korean: 김창완; born February 22, 1954) is a South Korean singer, actor, and writer.
Key Information
Early life and education
[edit]Kim along with his younger brothers Kim Chang-hoon and Kim Chang-ik, began composing music during their mid-teens, and formed the band Mui when they were college students.[citation needed]
Kim graduated from Seoul National University in 1975 with a bachelor's degree in Agricultural Studies, major in Natural Fiber.[citation needed]
Career
[edit]1975–1984: Debut Sanulrim and commercial success and disbandment
[edit]After Kim graduated in 1975, he and his brother went for professional career debut and changed their band's name to Sanulrim (산울림 meaning "Mountain Echo").[3] With Kim Chang-wan as lead vocalist and guitarist, Kim Chang-hoon on rhythm guitar, bass and keyboards, and Kim Chang-ik on drums.
In 1977, Sanulrim released their first album What, Already?, which became a critical and commercial success.[4] The band's psychedelic rock/hard rock sound was music Koreans hadn't heard before, and Sanulrim revitalized the Korean music scene, which was currently devastated after several major musicians were arrested for marijuana possession in the 1970s.
From 1977 to 1984, they released more than 10 albums and became one of the most influential and beloved figures in the Korean rock music scene.[5] With the K-pop retrospective boom during the 1990s, all of their albums were reissued and a tribute album was released. They held a 30th anniversary concert in 2007 and made plans to release a 14th album.
1982–present: Writing, disbandment of Sanulrim, eponymous band and acting career
[edit]His 1990 book I Want to Live Just Until 20 Years Old was adapted into a 1992 film.
On January 29, 2008, drummer Kim Chang-ik was killed in a traffic accident in Vancouver, British Columbia, Canada on January 29, 2008, and Sanulrim disbanded after his death.[6]
In 2008, he founded the eponymous Kim Chang-wan Band, with himself on vocals, keyboardist Lee Sang-hoon, bassist Choi Won-sik, drummer Kang Yoon-gi and guitarist Yeom Min-yeol. They have released one album, Bus, and several EPs.[7][8][9][10][11][12] Kim also contributes to soundtracks and collaborates with younger artists, such as IU.[13][14][15][16]
Having worked as a music director and film score composer in the early 1990s, Kim Chang-wan also began acting onscreen.[17] He has appeared in supporting roles in film and television, notably in dramedy The Happy Funeral Director, omnibus Beating Heart, medical drama Behind the White Tower, and romantic comedies Coffee Prince, Queen of Housewives, and My Love from the Star.[18][19][20][21][22][unreliable source?]
In 2013, he played the leading role of a psychopathic plastic surgeon in the slasher film Doctor.[23][24][25] The versatile Kim has also starred in a stage play (A Nap in 2010), hosted variety shows and radio programs, and written several books (some containing poetry).[26][27][28]
Discography
[edit]Studio albums
[edit]| Title | Details |
|---|---|
| I'm an Earthling |
track listing
|
Singles
[edit]| Title | Year | Peak chart positions | Sales | Album | |
|---|---|---|---|---|---|
| KOR [29] |
KOR Hot [30] | ||||
| "The Meaning of You" (너의 의미) (IU featuring Kim Chang-wan; Sanulrim cover) |
2014 | 3 | 2 |
|
A Flower Bookmark |
Promotional singles
[edit]| Title | Year | Album |
|---|---|---|
| "8th Grader (Respect Your Dreams)" (Kim Chang-wan and Seo Chang-bin) |
2024 | Non-album single |
Filmography
[edit]Television series
[edit]| Year | Title | Role |
|---|---|---|
| 1983 | MBC Bestseller Theater: "Windmills of My Mind" | Music director |
| 1985 | Song of the Sea | Kim Chang-soo |
| 1989 | Sleepless Tree | Chang-min |
| 1991 | Windmills of Love | Singer |
| 1995 | MBC Best Theater: "Report on Sex Mosaic" | |
| Drama Game: "Man Baking Yachae Sikppang" | Go Si-bong | |
| Love Formula | Jung Woon-hyun | |
| 1996 | MBC Best Theater: "Woman in the Antechamber" | Section chief Lee |
| Under the Seoul Sky | Go Geo-bong | |
| Garden with Golden Light | Jae-yong | |
| 1997 | Today's Sou'easter | |
| 1998 | Piano | |
| Memories | Seung-wan | |
| Eun-shil | Kim Byung-gook | |
| MBC Best Theater: "Mr. Gong Choon-taek's Contract Marriage" | ||
| 1999 | MBC Best Theater: "The Golden Era of Aenok" | |
| MBC Best Theater: "Goodbye Audrey Hepburn" | ||
| MBC Best Theater: "There is Nothing Wrong with the Yeouido Electric Line." | ||
| Half | ||
| KAIST | Professor Choi | |
| Sweet Bride | ||
| 2000 | MBC Best Theater: "A Woman I Want to Hit" | |
| Mr. Duke | ||
| 2001 | Sun-hee and Jin-hee | Detective Park Doo-man |
| Cummi, the Fairy | Oh Myung-tae's father | |
| Well Known Woman | Doctor Joo | |
| 2002 | MBC Best Theater | |
| Sunlight Upon Me | Joo Min-ho | |
| Since We Met | Jo Nam-sik | |
| To Be with You | Lee Deok-soo | |
| 2003 | Long Live Love | Lee Hyun-sik |
| While You Were Dreaming | ||
| Span Drama: "Waiting for Godot" | ||
| 2004 | MBC Best Theater: "Your Brother Is Back" | |
| First Love of a Royal Prince | Kim Yu-bin's father | |
| Ireland | Moon Jae-seok | |
| Love Story in Harvard | Jin-chul | |
| 2005 | Beating Heart | Kim Chang-wan |
| Rainbow Romance | Father of Eun-kyung, Eun-bi, and Jae-kyung | |
| 2006 | Love Truly | Kang San |
| The Vineyard Man | Lee Hyung-man | |
| 2007 | Behind the White Tower | Woo Yong-gil |
| Several Questions That Make Us Happy | Byung-ki | |
| Coffee Prince | Hong Gae-shik | |
| Cruel Love | Hwang In-soo | |
| 2008 | Iljimae | King Injo |
| Worlds Within | Park Hyun-seob | |
| 2009 | Queen of Housewives | Kim Hong-shik |
| Triple | Kim Bok-man (cameo) | |
| 2010 | Golden House | Kim Sang-chul |
| Queen of Reversals | Mok Young-chul | |
| 2011 | Miss Ripley | Director Choi |
| A Thousand Kisses | Jang Byung-shik | |
| What's Up | Park Tae-yi's father | |
| 2012 | Take Care of Us, Captain | Han Gyu-pil |
| The King's Doctor | Jung Sung-jo | |
| 2013 | The End of the World | Choi Soo-chul |
| Who Are You? | Choi Moon-shik | |
| Good Doctor | Chairman Jung | |
| My Love from the Star | Jang Young-mok | |
| 2014 | Secret Affair | Min Yong-ki |
| Secret Door | Kim Taek | |
| 2015 | Great Stories | Narrator |
| Splendid Politics | Yi Won-ik | |
| 2016–2017 | Hwarang: The Poet Warrior Youth | Park Yeong-shi |
| 2017 | Whisper | Lee Ho-beom |
| Children of the 20th Century | Sa Chang-wan | |
| Jugglers | Vice President Do Tae-geun | |
| 2018 | Something in the Rain | Seo Joon-hee's father |
| 2019 | One Spring Night | Kwon Gi-seok's father |
| 2020 | Find Me in Your Memory | Yoo Seong-hyeok |
| It's Okay to Not Be Okay | Oh Ji-wang | |
| 2020–2021 | Awaken | Gong Il-do |
| 2021 | One the Woman | Noh Hak-tae[32] |
| 2021 | Oh My Ladylord | Kim Chang-gyu |
| 2022 | Why Her | Baek Jin-gi[33] |
| Bad Prosecutor | Seo Hyun-gyu[34] | |
| 2023 | The Real Has Come! | Jang-ho[35] |
Film
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 1980 | Three Women Under the Umbrella | — | Music director |
| 1989 | Happiness Does Not Come in Grades | — | Music director |
| 1990 | I Stand Every Day | — | Music director |
| Well, Let's Look at the Sky Sometimes | — | Music director | |
| 1991 | Byung-pal's Diary | — | Music director |
| 1992 | I Want to Live Just Until 20 Years Old | — | Music director; Author of original book |
| 1993 | Young-gu and Princess Zzu Zzu | — | Music director |
| A Dangerous Woman 2 | — | Music director | |
| Young-gu Home Alone 2 | — | Music director | |
| 1996 | Jungle Story | Ji-woo | |
| 1997 | Repechage | — | Music director |
| 1999 | The Ring Virus | Reporter Kim | |
| 2000 | The Happy Funeral Director | Pan Cheol-gu | |
| 2001 | A Day | Dr. Jo | |
| Making Sun-dried Red Peppers | — | Sound department | |
| 2003 | Owl (short film) | Music director | |
| 2004 | 100 Days with Mr. Arrogant | Kang Ha-yeong's father | |
| Windstruck | Chief of police substation | ||
| Shinsukki Blues | Na In-cheol | ||
| 2008 | Antique | White beard | |
| 2009 | Heaven's Postman | Lee Moon-gyo | |
| 2010 | Blades of Blood | King Seonjo | |
| 2012 | Wonderful Radio | Himself (voice cameo) | |
| 2013 | Doctor | Choi In-beom |
Television and radio shows
[edit]| Year | Title | Notes |
|---|---|---|
| Memories of Pop Music with Kim Chang-wan | DJ | |
| Turn on the Radio with Kim Chang-wan | ||
| 1978 | 7:00 p.m. Date | |
| 1981 | 11 Pop | |
| 1990 | Between Dreams and Music | |
| 1996 | Golden Disk with Kim Chang-wan | |
| 1997 | Beautiful Morning with Shin Eun-kyung and Kim Chang-wan | MC |
| 1998 | 발명Q 원리를 찾아라 | |
| Three Stories with Kim Chang-wan | ||
| 2000–present | This Beautiful Morning, This Is Kim Chang-wan | DJ |
| 2006 | Science Cafe | MC |
| 2008–2010 | Music Travel Lalala | |
| 2009 | 목숨걸고 편식하다 | Documentary narrator |
| 2010–2011 | Global Education Issue | MC |
| 2013–2014 | Bookmark Culture |
Theater
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 2008 | Van Gogh and the Sunflower Boy (반 고흐와 해바라기 소년) | — | Composer |
| 2010 | A Nap (낮잠) | Han Young-jin |
Books
[edit]| Year | Title |
|---|---|
| 1982 | Love Is Too Bitter for Me (내게 사랑은 너무 써) |
| 1990 | I Want to Live Just Until 20 Years Old (스무살까지만 살고 싶어요) |
| 1995 | The Road Home (집에 가는 길) |
| 2001 | Dad's Gift (아빠의 선물) |
| 2004 | Brat (개구쟁이) |
| 2005 | 이제야 보이네 |
| 2008 | 네가 있어 다행이야 |
| 2009 | 사일런트 머신 길자 |
| 2011 | Soul Food (소울푸드) |
Awards and nominations
[edit]| Year | Award | Category | Nominated work | Result |
|---|---|---|---|---|
| 1978 | TBC Music Awards | Silver Prize, 중창 category | Won | |
| 1981 | KBS Music Awards | 중창 category | Won | |
| 1995 | MBC Drama Awards | Excellence Award, Radio category | Won | |
| 1997 | 10th 대한민국 동요대상 | 동요를 사랑하는 가수상 | Won | |
| 2007 | MBC Drama Awards | PD Award | Behind the White Tower, Coffee Prince |
Won |
| 2008 | 23rd Golden Disk Awards | Lifetime Achievement Award | — | Won |
| 2009 | MBC Drama Awards[36] | Golden Acting Award, Actor in a Miniseries | Queen of Housewives, Triple | Won |
| 2010 | The Voice of SBS Awards | Recipient | This Beautiful Morning, This Is Kim Chang-wan | Won |
| SBS Entertainment Awards[37] | Best Radio DJ | Won | ||
| 2011 | 23rd Korea PD Awards | Best Performer, Radio Host category | Won | |
| 2014 | 3rd APAN Star Awards | Best Supporting Actor | My Love from the Star | Nominated |
| SBS Drama Awards | Special Award, Actor in a Drama Special | Won | ||
| 2021 | SBS Drama Awards | Best Character Award, Actor | One the Woman | Nominated |
References
[edit]- ^ 김창완. Cinefox (씨네폭스) (in Korean). Archived from the original on January 3, 2024. Retrieved January 2, 2024.
- ^ "단조로운 일상이야말로 삶의 가장 중요한 캔버스죠". 다음 - jobsN. Archived from the original on July 28, 2024. Retrieved July 28, 2024.
- ^ "Rocking 70's-Resurrection of Korean Rock". Arirang News. January 20, 2014. Archived from the original on November 30, 2021. Retrieved November 10, 2014.
- ^ "Sanullim (산울림)". KBS World. Archived from the original on May 8, 2013. Retrieved November 10, 2014.
- ^ "Kim Chang-wan to Hold Rock Concert". The Chosun Ilbo. June 11, 2001. Archived from the original on December 25, 2014. Retrieved November 10, 2014.
- ^ Kwon, Mee-yoo (January 30, 2008). "Rocker Brothers' Youngest Passes Away in Canada". The Korea Times. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ Garcia, Cathy Rose A. (July 28, 2009). "Oasis, Weezer, Fall Out Boy Rock Out at Jisan Valley". The Korea Times. Archived from the original on November 10, 2014. Retrieved July 28, 2009.
- ^ Park, Min-young (March 17, 2011). "Kim quick to lead charity concerts". The Korea Herald. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ Surh, Jung-min (March 17, 2011). "Indie bands to hold benefit concert for Japan". The Hankyoreh. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ Choi, Eun-hwa (December 8, 2011). "Kim Chang Wan to Appear on SNL Korea". enewsWorld. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ Yi, Paul (July 30, 2012). "Olympic Fever Hits Korea". Arirang News. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ Russell, Mark (August 11, 2013). "Korean classic rock greats highlight festival lineup". Korea JoongAng Daily. Archived from the original on November 30, 2021. Retrieved November 10, 2014.
- ^ "Has Manufactured K-Pop Run Its Course?". The Chosun Ilbo. June 8, 2012. Retrieved November 10, 2014.
- ^ "IU collaborates with veteran singer". The Korea Times. May 8, 2014. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ Jin, Eun-soo (May 8, 2014). "IU pushes ahead with duet CD". Korea JoongAng Daily. Archived from the original on November 30, 2021. Retrieved November 10, 2014.
- ^ Hong, Grace Danbi (May 19, 2014). "IU Sings The Meaning of You with Original Singer Kim Chang Wan". enewsWorld. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ "Singers-Turned-Actors: the Best and the Worst". The Chosun Ilbo. December 2, 2006. Archived from the original on March 5, 2015. Retrieved November 10, 2014.
- ^ Hwang, Hye-rim; Heo, Moon-young (January 11, 2000). <행복한 장의사>의 두 주연배우 김창완·임창정 [The Two Lead Actors of The Happy Funeral Director, Kim Chang-wan and Im Chang-jung]. Cine21 (in Korean). Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ "Six Love Stories". MBC Global Media. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ Moon, Seok (March 20, 2007). <하얀거탑> 배우 인터뷰 2. 부원장 역 김창완: 안경 벗으니까 바로 악역이 되더라. Cine21 (in Korean). Archived from the original on March 13, 2014. Retrieved November 10, 2014.
- ^ "My Wife is a Superwoman". MBC Global Media. Archived from the original on August 20, 2014. Retrieved November 10, 2014.
- ^ "Man From the Stars Kim Chang Wan Talks About Kim Soo Hyun's Acting". Soompi. December 26, 2013. Archived from the original on June 27, 2016. Retrieved October 10, 2014.
- ^ Ji, Yong-jin (May 20, 2013). "Korea Will Be Frozen with Fear in June". Korean Film Biz Zone. Archived from the original on April 7, 2023. Retrieved November 10, 2014.
- ^ Lee, Sun-min (June 17, 2013). "Doctor star talks role, showcases guitar". Korea JoongAng Daily. Archived from the original on November 29, 2021. Retrieved June 17, 2013.
- ^ Kim, Seong-hun (July 1, 2013). 김창완: 악쓰지 않는 정교한 광기. Cine21 (in Korean). Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ "Filmmaker Hur Jin-ho tries his hand in directing a play". Asiae. February 12, 2010. Archived from the original on June 19, 2017. Retrieved November 10, 2014.
- ^ "JIMFF: Kim Chang-wan says "no need for tech for hearts to interact"". Asiae. August 13, 2010. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ Kim, Ji-yeon (December 16, 2011). "Eye To Eye To Feature on Kim Chang Wan's Project Album". enewsWorld. Archived from the original on November 10, 2014. Retrieved November 10, 2014.
- ^ Peaks on the Gaon Digital Chart:
- "The Meaning of You". Gaon Music Chart (in Korean). Archived from the original on January 3, 2019. Retrieved July 10, 2019.
- ^ Peaks on Billboard's K-pop Hot 100:
- "The Meaning of You". Billboard. May 21, 2014. Archived from the original on July 23, 2014. Retrieved January 26, 2020.
- ^ C., Daniel (September 12, 2018). Gaon's 관찰노트 [Gaon's Observation Notes]. Gaon Music Chart (in Korean). Archived from the original on November 9, 2019. Retrieved September 12, 2018.
- ^ Park Soo-in (August 4, 2021). 이하늬 이상윤 진서연 이원근 '원 더 우먼' 대본리딩부터 박수 터져나온 열연 [Lee Ha-nui Lee Sang-yoon Jin Seo-yeon Lee Won-geun 'One the Woman' script reading]. Newsen (in Korean). Archived from the original on April 4, 2023. Retrieved August 4, 2021 – via Naver.
- ^ Jang Jin-ri (December 17, 2021). 김창완, '왜 오수재인가' 출연...서현진·황인엽과 연기 호흡 [Kim Chang-wan to appear in 'Why Oh Soo-jae'... Seo Hyun-jin and Hwang In-yeop, acting and breathing]. SPOTV News (in Korean). Archived from the original on December 17, 2021. Retrieved December 17, 2021 – via Naver.
- ^ Jang Pil-gu (October 5, 2022). 드라마 '진검승부' 도경수X이세희, 시원하게 깨부수는 불량검사 액션수사극!...몇부작? [톱:프리뷰] [Drama 'True Sword Battle' Do Kyung-soo X Lee Se-hee, a rogue prosecutor action investigation drama that breaks cool! how many episodes? [the top: preview]]. Top Star News (in Korean). Archived from the original on October 5, 2022. Retrieved October 5, 2022.
- ^ Baek Ah-young (March 19, 2023). 진짜가 나타났다' 강부자-홍요섭-차화연-김혜옥-김창완, 중견 어벤져스 총출동 [The real one appeared' Kang Bu-ja - Hong Yo-seop - Cha Hwa-yeon - Kim Hye-ok - Kim Chang-wan, middle-aged Avengers all out] (in Korean). iMBC Entertainment News. Archived from the original on March 19, 2023. Retrieved March 19, 2023 – via Naver.
- ^ Park, So-yeon (December 31, 2009). "Ko Hyun-joung wins grand prize at MBC Acting Awards". 10Asia. Archived from the original on August 18, 2018. Retrieved November 10, 2014.
- ^ Hong, Lucia (December 31, 2010). "Kang Ho-dong scores grand prize at SBS Entertainment Awards". 10Asia. Archived from the original on September 20, 2018. Retrieved November 10, 2014.
External links
[edit]- Official website (in Korean)
- Kim Chang-wan at HanCinema
- Kim Chang-wan at IMDb
- Kim Chang-wan at the Korean Movie Database
Kim Chang-wan
View on GrokipediaEarly life and education
Childhood and family
Kim Chang-wan was born on February 22, 1954, in Heukseok-dong, Yeongdeungpo District, Seoul, South Korea.[8] He grew up as the eldest of three brothers in a working-class family with no prior musical background, which fostered a close-knit sibling dynamic centered on shared interests despite modest circumstances.[9] His younger brothers, Kim Chang-hoon (born 1956) and Kim Chang-ik (born 1958, died 2008), would later become integral to his musical endeavors, with Chang-hoon taking on bass and vocals, and Chang-ik handling drums. The Kim brothers' early life in Seoul was part of the evolving cultural landscape of post-war Korea, where Western music began to influence the local scene through various channels including U.S. military presence. In their mid-teens during the late 1960s, they started experimenting with instruments at home, forming a garage-style group that emphasized familial collaboration and creative freedom. This period marked the beginning of their musical bond, as the brothers pooled resources to practice and compose original material.[10] The siblings' mutual passion for music, honed through these early jam sessions, proved foundational to Kim Chang-wan's trajectory, instilling resilience and a rebellious spirit against conventional Korean entertainment norms of the era. Their interpersonal chemistry, rooted in brotherhood, enabled bold experimentation that distinguished their sound from the outset.[9]Education and early music influences
Kim Chang-wan enrolled at Seoul National University in 1971 at the age of 17, studying sericulture in the College of Agriculture, a field focused on silk production and natural fibers. He graduated in 1975 with a bachelor's degree in agricultural studies, majoring in sericulture, at a time when the department was declining due to reduced demand for traditional silk industries under modernization pressures.[11][12][13] Throughout his university years, Kim balanced rigorous academic demands with his burgeoning musical pursuits, often prioritizing the latter despite societal expectations to focus on studies. He continued performing and rehearsing with his brothers' band, originally named Mui, which he had formed during his freshman year to experiment with original compositions free from conventional structures. These sessions involved improvisational playing on guitars and makeshift drums, fostering a raw, exploratory approach to music that rebelled against formal norms.[9] Kim's early musical style drew from exposure to Western rock genres, particularly psychedelic and hard rock, accessed through limited channels like bootleg recordings and U.S. military base performances amid import restrictions. This influence manifested in bold, unconventional songwriting that incorporated social themes, using metaphorical lyrics to subtly critique censorship and societal constraints, laying the groundwork for the band's evolution. In 1975, coinciding with his graduation, the group renamed itself Sanulrim to signal a professional commitment to their craft.[9][14]Personal life
Marriage and family
Kim Chang-wan married Kang Gwi-bin, a pediatrician and Seoul National University College of Medicine graduate, in November 1978 following a five-year romance that began in a college reading group in Heukseok-dong, Seoul, where they reconnected as elementary school classmates and first loves.[15] Their partnership has been characterized by mutual independence, with separate daily schedules and meals, allowing Chang-wan the freedom to pursue his diverse career in music, acting, and writing without interference.[15] Kang, a practicing pediatrician and director of a private clinic, has been a steadfast supporter, enabling his creative endeavors; Chang-wan has credited her with essentially "raising" him as an adult, stating, "My mother gave birth to me, my wife raised me."[15][16] The couple has one son, born in 1980, who studied abroad, worked at Google Korea, and later founded an AI venture company as its CEO.[16][17] Family life has intersected with Chang-wan's touring and acting commitments through shared interests like mountain biking, where his son once won a junior grand prix, fostering bonding amid his busy professional schedule.[15] The band's disbandment in 2008 followed the death of his brother Kim Chang-ik. Despite his public persona, Chang-wan has maintained a low profile regarding his family, rarely sharing details in interviews to preserve their privacy.[15]Health issues
In July 2025, Kim Chang-wan publicly confessed to having battled serious alcohol dependence earlier in his life during an appearance on tvN's "Somehow Adult" program. He attributed the onset of his addiction to the intense pressures and anxiety he faced in the 1970s and 1980s, a period marked by Sanulrim's rapid rise to fame and the precarious job security typical of the Korean music industry at the time.[18][19] He has described recovering from these struggles through familial support and therapeutic interventions, gradually reducing his alcohol consumption over time.[20] His wife played a key role in this process by encouraging healthy alternatives like exercise without judgment, underscoring the value of external encouragement alongside personal resolve.[20] In his 2025 statements, Kim advocated for greater awareness of alcoholism's prevalence among Korean entertainers, noting that the industry's demanding environment often exacerbates such issues and stressing the importance of open communication, love, and professional help over solitary efforts to quit.[19][18] These health battles highlighted his resilience in maintaining a multifaceted career. As of July 2025, Kim reports ongoing successful management of his condition, with drinking significantly diminished due to age and lifestyle changes, and no major relapses documented in recent years.[18]Musical career
Sanulrim era (1975–2008)
Kim Chang-wan formed the band Sanulrim in 1971 with his younger brothers Kim Chang-hoon and Kim Chang-ik while they were university students, initially under the name Mui. The group gained attention at the 1977 MBC College K-pop Festival, where their initial band name Mui was nominated but disqualified in the preliminaries due to Kim Chang-wan's ineligibility as a prior graduate. They then changed their name to Sanulrim—meaning "mountain echoes." Despite facing heavy censorship under South Korea's authoritarian regime, which restricted Western-influenced music and scrutinized lyrics, the brothers persisted in developing their sound, blending psychedelic rock elements like fuzz guitar and harmonized vocals with Korean-language lyrics that often incorporated social commentary on everyday struggles and societal pressures.[21][9] Sanulrim officially debuted in late 1977 with their self-titled first album, Vol. 1: Already Now (also known as What, Already?), which introduced their innovative fusion of psychedelic and folk rock to the Korean audience and sold approximately 400,000 copies, marking a commercial breakthrough. As lead vocalist, guitarist, primary songwriter, and producer, Kim Chang-wan drove the band's creative direction, crafting lyrics that challenged norms through subtle critiques of urban alienation and personal resilience. The band reached its commercial peak by 1984, releasing ten albums in that span, including hits like "Spread the Silk in My Heart," "Don't Go," and "What Will Happen to Me," which captured widespread popularity and helped pioneer the Korean rock scene by popularizing guitar-driven rock with native themes over imported trot or foreign pop. Their success established Sanulrim as cultural icons, influencing subsequent generations of musicians and solidifying rock's place in South Korean popular music. The band released 13 studio albums during its active years, with additional compilations and reissues continuing to highlight their influence.[22][9][23][24][25][4] Internal creative differences led to a temporary split in 1984 following the release of their tenth album, halting the band's activities as Kim Chang-wan pursued solo endeavors. Amid the 1990s K-pop retrospective boom, Sanulrim reformed for live performances, including a notable Seoul concert in 1997, and saw their catalog reissued alongside a tribute album, reigniting interest in their legacy. The band continued sporadically until its final disbandment on January 29, 2008, after drummer Kim Chang-ik's death in a traffic accident involving a forklift he was driving during heavy snow in Vancouver, Canada. Throughout their run, Sanulrim's innovative approach and Kim Chang-wan's multifaceted contributions not only navigated political repression but also left an enduring mark on Korean rock, emphasizing authentic expression over commercial conformity.[9][26][27]Solo work and Kim Chang-wan Band (1982–present)
Kim Chang-wan began his solo endeavors in 1982 while continuing with Sanulrim, releasing the band's eighth album, Volume 8, which featured introspective lyrics and a more personal style compared to the band's earlier psychedelic rock sound, signaling his growing interest in individual expression amid group constraints. This period marked the start of his autonomous creative pursuits, even as it was credited to Sanulrim. His first official solo album, An Essay with a Guitar, followed in 1983, delving deeper into reflective themes through acoustic arrangements and poetic songwriting that explored everyday life and emotional depth.[28] In 2008, following Sanulrim's disbandment, Kim formed the Kim Chang-wan Band, a project that allowed him to revisit rock roots with a contemporary edge while maintaining creative control. The band debuted with the EP The Happiest that year, followed by their first full-length album, Bus, in 2009, which blended raw energy with mature storytelling. Subsequent releases included the tribute EP Reborn Sanulrim Track 8 in 2010, reinterpreting select Sanulrim tracks to bridge his past and present work, and the second studio album Pink Excavator in 2012, incorporating experimental elements like layered guitars and narrative-driven compositions. Throughout his solo career, Kim has collaborated with younger artists to infuse fresh perspectives into his music. A notable partnership came in 2014 with IU on the duet "The Meaning of You," a remake featured on her mini-album A Flower Bookmark, which peaked at number three on the Instiz chart and highlighted his enduring vocal timbre alongside modern pop sensibilities.[29] These collaborations, along with contributions to soundtracks and specials, have kept his output dynamic. Kim's solo discography spans over five albums, evolving from the hard rock foundations of his Sanulrim days toward folk-infused introspection, as seen in later works like Postscript (1995), Cadeau De Papa (2001), Gate (2020), and I'm an Earthling (2023), where acoustic elements and lyrical subtlety emphasize themes of aging, nature, and human connection. This progression reflects a broader shift in Korean rock toward personal narrative over high-energy performance. Recent highlights include the band's performance at New York's Lincoln Center on August 6, 2025, as part of the K-Music Night series, where they shared the stage with TOUCHED, drawing international attention to K-rock's revival through a set blending classics and new material.[5]Acting and media career
Film and television roles
Kim Chang-wan began his acting career in the 1980s with minor roles in television specials and musical productions, marking an initial foray into performance beyond his primary identity as a musician. His earliest credited appearance came in 1987 in the MBC special "Song of the Sea" (바다의 노래), where he portrayed a popular singer fleeing to an island, combining acting with musical elements from his Sanulrim background.[16] Throughout the late 1980s and early 1990s, he took on small supporting parts in dramas and films while working as a music director and composer, gradually building screen presence without overshadowing his musical commitments. This period represented a tentative transition, allowing him to explore dramatic expression in a low-stakes manner.[30] A significant breakthrough arrived in 2007 with his role as Hong Gae-shik, the skilled barista and co-manager in the popular MBC romantic comedy Coffee Prince. Portraying a taciturn yet supportive figure who trains the young staff and navigates interpersonal dynamics at the all-male cafe, Kim's performance added depth to the ensemble, earning praise for his natural chemistry and understated humor that highlighted his evolution from stage performer to screen actor. The series' success, with ratings peaking at 27.8%, helped solidify his reputation in mainstream television, drawing attention to his ability to blend authority with warmth.[31][32] This role marked a turning point, shifting him toward more prominent character parts in both film and TV. In television, Kim has delivered memorable supporting performances that often emphasize mentorship and familial wisdom. In the 2013–2014 SBS hit My Love from the Star, he played Jang Young-mok, the loyal lawyer and confidant to the centuries-old alien protagonist (played by Kim Soo-hyun), serving as a father-like mentor who provides emotional grounding amid supernatural romance and comedy; his nuanced portrayal contributed to the drama's global popularity, with over 1 billion views on streaming platforms.[33] He followed this in 2014 with Secret Love Affair on JTBC, embodying Dean Min Yong-ki, a principled music academy leader entangled in themes of ambition and forbidden romance, where his restrained intensity underscored the series' exploration of class and artistry. More recently, in the 2023 KBS2 family comedy The Real Has Come!, Kim portrayed Jang Ho, the steadfast father of a key character, offering comic relief and paternal insight across 50 episodes. In 2025, he made a special guest appearance as Park Rae-kyeong in episodes 5–6 of JTBC's The Art of Negotiation, injecting veteran gravitas into the corporate thriller's high-stakes mergers and acquisitions plot.[1] These roles showcase his versatility in blending humor, drama, and subtle emotional layers. On the film front, Kim has amassed over 20 credits since the late 1990s, frequently cast as authoritative yet relatable figures. A standout early effort was his lead role in the 2000 dramedy The Happy Funeral Director, where he starred as Pan Cheol-gu, a mortician who reinvents his life after a near-death experience, delivering a poignant mix of pathos and levity that highlighted themes of renewal and community; the film premiered at the Busan International Film Festival and remains a cult favorite for its quirky humanism.[34] In 2013's Doctor, he starred as Choi In-beom, a psychopathic plastic surgeon in the horror film. Other highlights include historical turns like King Seonjo in Blades of Blood (2010) and eccentric cameos in rom-coms such as Windstruck (2004) and Antique Bakery (2008), where his presence often grounds fantastical or lighthearted narratives.[35] Kim's acting style reflects a seamless evolution from his musician roots, where live performances honed his expressive timing and audience connection, into a character actor specializing in wise, eccentric elders who dispense advice with wry insight or quiet eccentricity. This archetype—seen in fatherly mentors, scholarly deans, and quirky patriarchs—leverages his real-life gravitas as a veteran artist, allowing him to infuse roles with authenticity and subtle rebellion drawn from his rock heritage, without relying on overt musical cameos. His contributions have earned consistent acclaim for elevating supporting dynamics in over 30 television series and films, establishing him as a reliable pillar in Korean entertainment.[36]Hosting and variety appearances
Kim Chang-wan has had a prominent career as a radio DJ, beginning in the late 1990s with shows on KBS Cool FM, where he hosted Kim Chang-wan's Night to Tomorrow from midnight to 2 a.m. for three years, focusing on music discussions and personal anecdotes.[37] In 2000, he transitioned to SBS Power FM, taking over the morning slot with Beautiful Morning, This Is Kim Chang-wan from 9 a.m. to 11 a.m., a program he led for over 23 years until stepping down in March 2024, during which he shared insights on music, life, and listener stories in a warm, comforting style.[38][39] He returned to radio shortly after, hosting I'm Kim Chang-wan at 6 p.m. (also known as Evening Wind) on SBS Love FM starting in July 2024, continuing his tradition of engaging audiences with reflective commentary.[40] On television, Kim debuted as a host with the cultural entertainment program I Really Wanted to Say This on tvN in June 2024, where he guides discussions on untold stories behind notable cases, drawing from his poetic and introspective background to facilitate emotional narratives.[41][42] His variety appearances include music-focused events, such as receiving the Lifetime Achievement Award at the 23rd Golden Disc Awards in 2009, where he performed and reflected on his rock legacy. He has also made guest spots on major networks, including interviews on KBS's Yu Hee-yeol's Sketchbook in 2020, sharing Sanulrim anecdotes and performing tracks like "Long Lost Memories Loom Beyond the Window," and on MBC's Radio Star in June 2024, discussing his radio farewell.[43][44] In October 2024, he attended the red carpet at the Korea Popular Culture and Arts Awards, receiving the Bogwan Order of Cultural Merit for his contributions to popular culture.[45][46] Through these unscripted roles, Kim has cultivated a public image as a venerable figure in Korean rock, often mentoring emerging artists via radio shoutouts and variety collaborations, such as with IU and Jannabi, thereby bridging generational gaps in the music scene.[38][47]Writing career
Books
Kim Chang-wan's literary output began with the poetry collection Love Is Too Bitter for Me (내게 사랑은 너무 써), published in 1992, which compiled his song lyrics into verses exploring the angst and innocence of youth.[48] The work reflected his early career struggles and emotional depth, drawing inspiration from his time with the band Sanulrim. It received positive attention for its lyrical quality and raw honesty, establishing him as a voice bridging music and literature in Korean popular culture.[49] A pivotal publication in his oeuvre is the 1990 autobiographical essay collection I Want to Live Just Until 20 Years Old (스무살까지만 살고 싶어요), which chronicled letters from a terminally ill teenage listener to his radio show, interwoven with his own reflections on life, loss, and resilience.[50] The book, co-authored with contributions from the listener Min Cho-hee and producer Lee Jang-su, became a cultural touchstone in Korea for addressing social issues like terminal illness and youth vulnerability, later inspiring a 1992 film adaptation that amplified its impact.[50] Critically acclaimed for its empathetic narrative, it sold thousands of copies and highlighted Kim's ability to transform personal correspondence into profound prose.[51] Over the years, Kim has published a total of nine books by 2025, evolving from poetry to introspective essays and memoirs that critique the music industry and explore social themes. Notable among these is his 1995 essay collection The Road Home (집에 가는 길), reissued in 2005 as Now I See (이제야 보이네) and again in an expanded 30th-anniversary edition in 2025 with new writings and illustrations, focusing on personal growth and daily epiphanies.[52] Other works include the novel Silent Machine, Gilja (사일런트 머신, 길자) and the children's poetry collection The Room Where the Rainbow Farted Pong Pong (무지개가 뀐 방이봉방방). In the 2000s, Dad's Gift (2001), a collection of children's poems and songs with accompanying CD, delved into family dynamics and paternal reflections, while his 2016 collection Hello, My Every Day (안녕, 나의 모든 하루) captured morning meditations on humility and urban life.[53] More recent publications, such as the 2024 essay compilation Even If It's Crushed, It's Still a Circle (찌그러져도 동그라미입니다), drawn from his long-running radio segments, address resilience amid societal pressures and achieved bestseller status, ranking sixth on K-Book Trends lists with widespread praise for its warm, relatable tone.[54][55] His books consistently weave personal reflections with critiques of the entertainment world and broader social concerns, such as mental health and intergenerational bonds, earning critical acclaim for their authenticity and accessibility in Korea. Sales figures for key titles, like the 2024 release exceeding initial print runs through strong reader engagement, underscore their enduring popularity.[56] This progression from poetic lyricism to narrative prose mirrors his multifaceted career, prioritizing emotional depth over commercial trends.Essays and other publications
Kim Chang-wan has produced numerous shorter-form writings, including serialized essays (수필) in various Korean media outlets, where he reflects on life, music, and societal issues. These pieces often stem from his personal experiences and observations, providing introspective commentary distinct from his longer book-length works. For instance, during his long-running radio program Beautiful Morning, Kim Chang-wan Desu (SBS Power FM, 2000–2024), he crafted daily opening remarks that blended philosophical musings with everyday wisdom, many of which were later serialized or adapted for publication.[57] His essays frequently explore themes of resilience amid adversity, drawing from pivotal life events such as the sudden death of his younger brother, Kim Chang-ik, in 2008 in a workplace accident involving a forklift in Canada.[58] In standalone pieces and anthologized contributions, Kim conveys grief and healing, offering solace to readers through raw, empathetic narratives that highlight familial bonds and loss. These writings extend to guest contributions in cultural outlets, where he discusses the evolution of Korean rock music and its cultural significance, enriching public understanding of the genre's history.[59] In recent years, Kim has addressed contemporary issues like alcoholism in the entertainment industry through op-eds and reflective pieces, sharing his own struggles with alcohol dependency and advocating for gradual recovery with communal support.[60] His total output of such non-book publications exceeds 50 pieces, spanning decades and influencing discourse on personal growth and Korean cultural heritage by blending artistic insight with accessible prose.Discography
Sanulrim releases
Sanulrim, led by Kim Chang-wan, released 13 studio albums from 1977 to 1997, defining Korean rock with psychedelic and hard rock elements. Kim Chang-wan contributed as lead vocalist and primary songwriter for most tracks, featuring fuzz guitar and harmonized vocals.[61][9] The debut album, Volume 1: Already Now (아니 벌써), arrived on December 15, 1977, introducing their innovative style and achieving commercial success, with estimates of sales between 400,000 and over 1 million copies.[62] Subsequent releases expanded their sound, with later albums in the 1990s reflecting continued activity until a hiatus. Remastered reissues of early albums, including Volumes 1-3 and compilations, were released in 2024 to celebrate their legacy.[63][4] Key singles from the 1970s and 1980s include "Already Now" from the debut and "Spread Silk on My Heart" from Volume 2, both reaching top positions on Korean charts. "Don't Go" (가지 마오) from Volume 7 in 1981 achieved acclaim, while "Night Journey" (밤길) from 1979 and "Dancing Night" (춤추는 밤) from Volume 10 in 1984 highlighted their versatility, often peaking in the top 10.[63][64] Post-hiatus compilations preserved their legacy, such as The Best of Sanulrim series from the late 1980s onward, and The Story of Sanullim: Complete Studio Recordings in 2008, collecting all studio material. These maintained chart presence in Asia.[61][65][66]| Album | Title (English/Korean) | Release Year |
|---|---|---|
| Volume 1 | Already Now (아니 벌써) | 1977 |
| Volume 2 | Spread Silk on My Heart (내 마음에 주단을 깔고) | 1978 |
| Volume 3 | My Heart (내 마음) | 1978 |
| Volume 4 | Express Train (특급열차) | 1979 |
| Volume 5 | Daytime Hourglass (한낮의 모래시계) | 1979 |
| Volume 6 | Wait A Little Longer (조금만 기다려요) | 1980 |
| Volume 7 | Don’t Go (가지마오) | 1981 |
| Volume 8 | Flying Bird (새야 날아) | 1982 |
| Volume 9 | Want To Keep It as a Smiling Memory (웃는 모습으로 간직하고 싶어) | 1983 |
| Volume 10 | The Meaning of You (너의 의미) | 1984 |
| Volume 11 | Will It Rain the Day You Leave? (그대 떠나는 날 비가 오는가?) | 1986 |
| Volume 12 | Dreaming Park (꿈꾸는 공원) | 1991 |
| Volume 13 | Rainbow (무지개) | 1997 |
Solo albums and singles
Kim Chang-wan's solo discography spans over four decades, beginning in the early 1980s with introspective folk-rock and evolving into reflective works blending acoustic elements with themes of aging and memory. His releases number more than five studio albums, focusing on lyrical depth.[67] His debut solo album, An Essay with a Guitar (1983), featured acoustic tracks like "Let's Walk On." Subsequent releases included Postscript (1995), Cadeau De Papa (2001), Gate (2020), and I'm an Earthling (2023), with songs such as "Moonlight" and "Youth."[68] In 2010, Kim released Reborn Sanwoolim Track 8, a tribute EP reinterpreting Sanulrim tracks.[69]| Album Title | Release Year | Key Themes/Notes |
|---|---|---|
| An Essay with a Guitar | 1983 | Poetic folk essays on daily life |
| Postscript | 1995 | Mature reflections on time |
| Cadeau De Papa | 2001 | Familial dedications |
| Gate | 2020 | Life transitions |
| I'm an Earthling | 2023 | Personal introspection, acoustic focus |
| Band Release | Type | Release Year | Notes |
|---|---|---|---|
| The Happiest | EP | 2008 | Debut, upbeat rock tracks |
| Bus | Album | 2009 | Full ensemble exploration |
| Darn It | EP | 2011 | Humorous, funky singles |
| Pink Excavator | Album | 2012 | Narrative-driven |
| Forgiveness | Album | 2015 | Reflective themes |