Community hub
0 subscribers7 pages, 0 posts
Recent from talks
All channels
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something
Welcome to the community hub built to collect knowledge and have discussions related to Kit Hain.
Nothing was collected or created yet.
Kit Hain
View on Wikipediafrom Wikipedia
 |
Key Information
Keturah V Hain (born 15 December 1952) is an English singer, songwriter, musician and writer.[1] She was a member of the pop rock duo Marshall Hain and had a solo career as a performer and songwriter.
Musical career
[edit]Hain met Julian Marshall while they were pupils at Dartington Hall School,[2] and together they formed the pop rock duo Marshall Hain. Marshall played keyboards, while Hain performed lead vocals and bass guitar. Their 1978 single "Dancing in the City" reached No. 3 on the UK singles chart. However, the band broke up when Julian Marshall found the pressure too much.[1]
Hain's first release after the duo break-up was "The Joke's on You", for Harvest Records. She then signed to Deram Records and subsequently Mercury Records for several singles and studio albums.[1] Hain moved to the United States in 1985 and forged a successful career as a songwriter. Her portfolio includes "Fires of Eden" (Judy Collins, Cher), "Back to Avalon" (Heart), "Rip in Heaven" and "Crash and Burn" ('Til Tuesday), "Further from Fantasy" (Annie Haslam), "Remind My Heart" and "Every Time We Fall" (Lea Salonga).[1]
Her songs have also been recorded by Roger Daltrey,[3] Kiki Dee,[1] Barbara Dickson,[1] Fleetwood Mac, Kim Criswell,[1] Conchita Wurst, Milow and Stan Van Samang.
Writer
[edit]Under her married name Kit Grindstaff she writes novels for teens and pre-teens. Her debut, The Flame in the Mist (2013) is a dark fantasy, published by Delacorte Press and Random House Children's Books.[4]
Discography
[edit]- Spirits Walking Out (US title: Looking for You) (1981)
- School for Spies (1983)
- Cry Freedom (1995)
References
[edit]- ^ a b c d e f g Colin Larkin, ed. (2003). The Virgin Encyclopedia of Eighties Music (Third ed.). Virgin Books. p. 231. ISBN 1-85227-969-9.
- ^ "Kit Hain's Disco Fever". Stereosociety.com. Retrieved 3 October 2019.
- ^ "Review of Under a Raging Moon by Roger Daltrey". New Straits Times. 17 September 1989.
The songs, by various hands including Pete Townsend, Russ Ballard, Brian Adams/Jim Vallance and Kit Hain...
- ^ "Kit Hain – Bio". Kittusmusic.com.
External links
[edit]
| International | |
|---|---|
| National | |
| Artists | |
Kit Hain
View on Grokipediafrom Grokipedia
Early life and education
Family background
Kit Hain was born Keturah V. Hain on December 15, 1956, in Cobham, Surrey, England.[1] Her mother was a professional opera singer, exposing Hain to classical music and vocal performance from a young age.[9] Hain grew up in a musically inclined family; her father was a concert baritone singer, and she shared artistic pursuits with her siblings, including brother Tim Hain, a guitarist and songwriter, and sister Mim Hain, a harpist.[10] This environment sparked her early interest in music, with her first musical memory being singing "Baa Baa Black Sheep" into a reel-to-reel tape recorder at age two.[4] Hain's upbringing in the English countryside profoundly shaped her artistic inclinations and later creative inspirations. She briefly attended Dartington Hall School amid the Devonshire landscapes near Dartington, surrounded by old villages and misty moors, where the natural surroundings left a lasting impression.[11]Schooling
Kit Hain attended Dartington Hall School, a progressive coeducational boarding school in Devon, England, during the 1960s. Founded in 1926 by Leonard and Dorothy Elmhirst, the institution emphasized an innovative curriculum that integrated creative, spiritual, and practical pursuits, with a strong focus on the arts to foster holistic development.[12] The school's environment provided Hain with significant exposure to music, theater, and creative arts, aligning with its mission to advance performing disciplines such as music and dance as central to education.[13] This arts-centric approach during her formative years helped cultivate her early musical interests, encouraging participation in expressive and collaborative activities that built foundational creative skills.[14] Through involvement in Dartington's school activities, Hain developed proficiency in guitar, bass, keyboards, and vocals, instruments she later employed in her professional career.[4] It was also at the school that she met Julian Marshall, with whom she began initial musical collaborations that would eventually form the basis of their pop rock duo.[9] Hain later studied psychology at Durham University.[9]Musical career
Marshall Hain
Marshall Hain was a British pop rock duo formed in the mid-1970s by Kit Hain and Julian Marshall, her partner at the time, shortly after they completed their schooling.[4][15] The pair, who had first met as pupils at Dartington Hall School, collaborated closely on songwriting and performance.[4] They signed with Harvest Records, an imprint of EMI, and released their debut single "Dancing in the City" in May 1978.[16] The track, co-written by Hain and Marshall, quickly became a commercial success, peaking at No. 3 on the UK Singles Chart and spending 15 weeks in the top 40.[17] In the duo, Hain provided lead vocals and played bass guitar, while Marshall handled keyboards and contributed to the arrangements.[18] "Dancing in the City" also achieved strong international performance, reaching No. 1 in South Africa and Germany, No. 3 in Australia, No. 43 on the US Billboard Hot 100, and charting in several other European countries including Belgium (No. 7).[19][20] The single's upbeat, calypso-influenced sound captured the era's pop sensibilities and helped establish the duo's brief but notable presence in the music scene.[21] The duo followed up with the ballad "Coming Home" later in 1978, which peaked at No. 39 on the UK Singles Chart and spent four weeks there.[22] Despite this modest success, Marshall Hain's momentum waned, and the group disbanded in 1979 following the end of Hain and Marshall's personal relationship.[23] Their sole album, Free Ride, released in 1978 on Harvest, included both singles but did not sustain the initial breakthrough.[18] The duo's short career highlighted Hain's vocal talents and their joint songwriting prowess during a vibrant period for British pop.[15]Solo work
Following the success of Marshall Hain's 1978 hit "Dancing in the City," Kit Hain launched her solo career with the single "The Joke's on You," released on Harvest Records in 1979.[24] Hain signed with Deram Records, a subsidiary of Decca, for her debut solo album Spirits Walking Out in 1981, produced by Tony Visconti.[25] The album, retitled Looking for You in the US, featured polished pop rock arrangements and tracks such as "Looking for You," "Uninvited Guests," and "Danny," all issued as singles that year; "Danny" peaked at No. 26 on the Dutch Singles Chart.[5] Despite positive attention for its sophisticated production, the release achieved limited commercial success.[26] Hain transitioned to Mercury Records, releasing her second solo album School for Spies in 1983, which included singles "Perfect Timing" and "Fire in His Eyes."[27] The record showcased her evolving songcraft with melodic hooks and introspective lyrics, though it similarly struggled to gain widespread traction in the UK market.[26] In the mid-1990s, she released her third solo album, Cry Freedom, in Belgium on Tempo/EMI.[4] In 1985, Hain relocated to the United States, where the experience influenced a stylistic shift toward adult-oriented rock (AOR) and polished pop rock in her subsequent work.[28] Her solo albums were praised by industry observers for their strong melodies and vocal delivery but remained underappreciated commercially, particularly in the competitive US landscape.[26]Songwriting
After relocating to the United States in 1985, Kit Hain shifted her focus to a full-time songwriting career, building a portfolio of compositions in the pop and adult-oriented rock (AOR) genres.[29] Her work often explored themes of love, emotional resilience, and human connection, drawing from personal experiences to craft introspective yet accessible lyrics.[4] Hain signed with prominent publishers including Warner Chappell, which facilitated placements with major artists and contributed to her growing reputation in the industry.[30] Several of Hain's songs achieved notable covers by prominent performers during this period. "Fires of Eden," co-written with Mark Goldenberg, was recorded by Judy Collins on her 1990 album of the same name, reaching No. 31 on the Billboard Adult Contemporary chart, and later by Cher on her 1991 album Love Hurts.[31][32] "Back to Avalon," co-written with Ann and Nancy Wilson, appeared on Heart's 1990 self-titled album and was published through Warner/Chappell Music.[33] Hain's collaboration with Goldenberg continued on "Feels Like Heaven," a duet recorded by Peter Cetera and Chaka Khan on Cetera's 1992 album World Falling Down, which peaked at No. 5 on the Billboard Adult Contemporary chart and No. 71 on the Hot 100.[34][35] Hain's compositions have been interpreted by a diverse array of artists, including Roger Daltrey, who covered "Fallen Angel" on his 1985 album Under a Raging Moon; Kiki Dee on "Perfect Timing" (1981, reissued in later collections); Barbara Dickson; Lea Salonga on "Rip It Up" (2006); and Fleetwood Mac, among others.[6][36] These recordings span pop, rock, and musical theater formats, amassing numerous credits that underscore her versatility.[4] Her songs have charted internationally and on Billboard lists, enhancing her profile as a behind-the-scenes contributor beyond her earlier performing endeavors.[31]Writing career
Transition to authorship
Following her career in music, Kit Hain decided to pivot toward full-time authorship in the late 2000s, building on her longstanding foundation in storytelling through lyrics. This shift was motivated by a desire to expand beyond the constraints of song structure into longer-form narratives, drawing from her early experiences with poetry and prose that dated back to her teenage years. Hain's move to writing was also influenced by her time assisting in primary school education, which reignited her passion for creating stories aimed at younger audiences.[37][38][39] To distinguish her literary identity from her musical persona, Hain adopted her married name, Kit Grindstaff, for her authorship endeavors. Her initial forays into writing included composing short stories and several unpublished manuscripts, which gradually honed her skills and led her to specialize in middle-grade fiction. These early efforts were supported by occasional workshops, culminating in a dedicated children's writing course at the Gotham Writers Workshop in New York, which solidified her commitment to the craft.[37][38][39] Grindstaff's genre choice gravitated toward dark fantasy, shaped by her upbringing in the misty, historic English countryside—complete with ancient villages and castles—and personal reflections on themes of resilience amid adversity. This atmospheric influence echoed the gothic elements of classic British literature she admired, such as works by Charles Dickens and Philip Pullman. By around 2012, her persistence paid off with a publication deal from Delacorte Press, an imprint of Random House, marking her professional debut as a novelist and transitioning her from musical collaborator to established author.[40][37][39]Published novel
Kit Hain published her debut novel, The Flame in the Mist, in 2013 under the pen name Kit Grindstaff. Issued by Delacorte Press, an imprint of Random House Children's Books, the middle-grade dark fantasy targets readers aged 9-12 with its blend of adventure, mystery, and emotional introspection.[41] The story centers on 13-year-old Jemma Agromond, the youngest resident of the oppressive Agromond Castle in the mist-enshrouded kingdom of Anglavia, a reimagined version of England. Orphaned and raised by tyrannical guardians, Jemma discovers she possesses latent magical abilities tied to an ancient prophecy, including the power to communicate with animals like telepathic rats. As dark forces threaten the realm, she uncovers secrets about her true heritage, embarks on a perilous quest to evade capture, and rallies unlikely allies to challenge the ruling Order and restore balance. The narrative unfolds through Jemma's journey of self-discovery, weaving elements of folklore such as enchanted stones, prophetic books, and mystical mists into a dystopian backdrop of rebellion against authoritarian control.[41][42] Key themes include identity and self-realization, as Jemma grapples with her obscured past and emerging powers; rebellion against oppressive structures, symbolized by the fight against the Order's iron rule; and the integration of folklore-inspired magic, drawing from English myths to infuse the dystopian world with wonder and peril. These elements highlight emotional depth, portraying the protagonist's growth amid adventure and moral dilemmas.[42][43] The novel received positive critical reception for its vivid prose, strong character development, and atmospheric world-building, with reviewers praising the deft plotting and whimsical yet dark tone. It earned the 2014 Society of Children's Book Writers and Illustrators (SCBWI) Crystal Kite Award in the Atlantic Region, a peer-voted honor recognizing excellence in children's literature. As of November 2025, The Flame in the Mist remains Hain's sole published novel, establishing it as her primary literary contribution.[44][42][45][7]Discography
Studio albums
Kit Hain released her debut solo studio album, Spirits Walking Out, in 1981 through Deram Records in the UK and as Looking for You via Mercury Records in the US the following year.[46][47] The 10-track album was produced by Mike Thorne and features an AOR style infused with rock and synth-pop elements, with contributions from session musicians including bassist Brian Holloway, drummer Bob Jenkins, and percussionist Martin Ditcham.[48] Key tracks include the Dutch chart hit "Danny," and the introspective title track "Spirits Walking Out," which highlight Hain's vocal range and songwriting.[49] Despite positive critical reception for its polished production, the album achieved limited commercial success, gaining a cult following among AOR enthusiasts but failing to chart significantly.[47] Her second solo effort, School for Spies, came out in 1983 on Mercury Records, comprising 10 tracks also co-produced by Mike Thorne alongside Hain herself.[50][51] Recorded at Mediasound Studios in New York City, it maintained a pop-rock orientation with influences aimed at the US market, featuring collaborators such as bassist Anthony Jackson, string arranger James Biondolillo, and synthesizer work by Thorne.[27] Standout songs include the title track "School for Spies," "Fallen Angel" (later covered by Roger Daltrey on his 1985 album Under a Raging Moon), and "Perfect Timing," emphasizing Hain's melodic hooks and thematic depth.[50] Like its predecessor, the album received praise for its sophisticated sound but saw modest sales and no major chart placements, contributing to Hain's niche appeal in the 1980s pop scene.[51] Hain's third and most recent solo studio album, Cry Freedom, was issued in 1995 by Femmes Fatales in Europe (and Tempo/EMI in Belgium), marking a shift toward more introspective, folk-inflected pop across its 11 tracks.[52][4] Notable songs include "Voices," "Let the Water," and "Her Place in This World," co-written with influences from her evolving songwriting style post-relocation to the US.[52] Production details are sparse, but it reflects Hain's transition toward a less commercial, more personal sound without major session credits documented.[52] The release had even more limited distribution, primarily in Europe, and did not achieve commercial breakthroughs, though it solidified her enduring cult status among fans of her earlier work.[4] No major unreleased or compilation albums have surfaced as of 2025.[29]Singles
Kit Hain's singles career began with her work in the duo Marshall Hain, whose releases achieved notable success on the UK charts. The duo's debut single, "Dancing in the City," released in 1978 on Harvest Records, peaked at number 3 on the UK Singles Chart and spent 15 weeks in the top 100.[17] This uptempo pop track, co-written by Hain and Julian Marshall, marked their breakthrough and was issued in various international formats, including 7-inch vinyl in Europe and Australia. Their follow-up, "Coming Home," also on Harvest in 1978, reached number 39 on the UK chart after a four-week run.[53] Released as a 7-inch vinyl single with "Dancing in the City" as the B-side in some markets, it showcased a softer ballad style but received less commercial attention. The duo's third single, "Take My Number," appeared in 1979 on Harvest, available primarily as a 7-inch vinyl release, though it did not enter the UK top 100. Transitioning to her solo career, Hain's early releases maintained a focus on 7-inch vinyl formats through major labels. Her debut solo single, "The Joke's on You," issued in October 1979 on Harvest (catalog HAR 5191), featured "Beyond the Pale" as the B-side and drew from her pop-rock sensibilities, but it failed to chart in the UK. In 1981, under Decca Records, she released "Uninvited Guests" (January, catalog F 13900) with "Talk to Me" on the B-side, followed by "Danny" (April, catalog F 13903) backed by "Inner Ring"; neither charted in the UK, though "Danny" peaked at #28 in the Netherlands, and both were promoted in the UK market.[5] Later that year, "Looking for You" debuted on Deram (November, catalog DM 445, B-side "Hundreds and Thousands"), with a reissue in 1982 on Mercury (catalog KH 1, B-side "Lost Domain"), tying into her album Spirits Walking Out; it saw limited airplay but no UK chart entry. Hain's mid-1980s singles, released via Mercury Records, emphasized her evolving AOR sound and were distributed internationally in vinyl formats, including variants for Europe and Japan. "Fire in His Eyes" (August 1983, catalog KH 2) included "You Are the One" as B-side, while "Perfect Timing" (November 1983, catalog KH 3) was backed by "Fly by Night"; both supported her album School for Spies but did not chart prominently in the UK, though "Perfect Timing" received some radio play. "Slow Moves" followed in February 1984 (catalog MER 153, B-side "Fallen Angel"), marking her final major-label single of the decade and gaining minor traction on specialist UK radio charts without broader commercial impact. Chart performance for Hain's solo work remained UK-centric, with no entries in the official top 100, though tracks like "Looking for You" garnered occasional US airplay on AOR stations.[29] Post-1989, Hain's single output shifted toward independent and promotional releases, with limited documentation available as of 2025. Her 1995 single "Cry Freedom," a CD release on Femmes Fatales tied to the album of the same name, represented a return to recording but did not chart; it was issued in digital and physical formats primarily for promotional purposes in the UK and US. Earlier discographies, such as those on specialized vinyl archives, note the incompleteness of full single listings, particularly for international variants and B-sides, with some rarities like promo pressings remaining uncompiled.[54]| Single | Year | Label | Format | UK Peak | B-Side/Notes |
|---|---|---|---|---|---|
| "Dancing in the City" (Marshall Hain) | 1978 | Harvest | 7" Vinyl | 3 | International variants; 15 weeks on chart. |
| "Coming Home" (Marshall Hain) | 1978 | Harvest | 7" Vinyl | 39 | B-side often "Dancing in the City" in reissues. |
| "Take My Number" (Marshall Hain) | 1979 | Harvest | 7" Vinyl | - | No chart entry. |
| "The Joke's on You" | 1979 | Harvest | 7" Vinyl | - | B-side: "Beyond the Pale". |
| "Uninvited Guests" | 1981 | Decca | 7" Vinyl | - | B-side: "Talk to Me". |
| "Danny" | 1981 | Decca | 7" Vinyl | - | B-side: "Inner Ring"; #28 in Netherlands. |
| "Looking for You" | 1981/1982 | Deram/Mercury | 7" Vinyl | - | B-sides: "Hundreds and Thousands"/"Lost Domain"; reissue. |
| "Fire in His Eyes" | 1983 | Mercury | 7" Vinyl | - | B-side: "You Are the One". |
| "Perfect Timing" | 1983 | Mercury | 7" Vinyl | - | B-side: "Fly by Night". |
| "Slow Moves" | 1984 | Mercury | 7" Vinyl | - | B-side: "Fallen Angel"; minor radio play. |
| "Cry Freedom" | 1995 | Femmes Fatales | CD Single | - | Promotional; album tie-in. |