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Natalie Merchant
Natalie Merchant
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Natalie Anne Merchant (born October 26, 1963) is an American singer-songwriter.[2] She joined the band 10,000 Maniacs in 1981 and was lead vocalist and primary lyricist for the group. She remained with the group for their first seven albums before leaving to begin her solo career in 1993. She has since released nine studio albums as a solo artist.

Key Information

Early life

[edit]

Natalie Merchant was born October 26, 1963, in Jamestown, New York,[2] the third of four children of Anthony and Anne Merchant (née Meyer).[3][4] Her paternal grandfather, who played the accordion, mandolin and guitar, emigrated to the United States from Sicily; his surname was "Mercante" before it was anglicized.[5] Her parents divorced when she was 7.[6] Merchant grew up Roman Catholic although she started drifting away from the faith as a teen but continues to believe in a God.[7]

When Merchant was a child, her mother listened to music (primarily Petula Clark but also the Beatles, Al Green, Aretha Franklin)[8] and encouraged her children to study music, but would not allow television after Merchant was 12.

"I was taken to the symphony a lot because my mother loved classical music. But I was dragged to see Styx when I was 12. We had to drive 100 miles to Buffalo, New York. Someone threw up next to me and people were smoking pot. It was terrifying. I remember Styx had a white piano which rose out of the stage. It was awe-inspiring and inspirational."[9]

"She [her mother] had show tunes, she had the soundtrack from West Side Story and South Pacific. And then eventually... she'd always liked classical music and then she married a jazz musician, so that's the kind of music I was into. I never really had friends who sat around and listened to the stereo and said 'hey, listen to this one', so I'd never even heard of who Bob Dylan was until I was 18."[10]

Merchant says she did not have a television set growing up: "I grew up in a house where no one watched the news on television and no one read the paper. I've been discovering these things as I get older, and the news has affected me more than it ever has before."[11]

Merchant started working in a health food store at age 16.[12] She considered a career in special education after taking part in a summer program for disabled children, but in 1981, she started singing for a band, Still Life, which became 10,000 Maniacs.[12]

Career

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10,000 Maniacs

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Merchant in 1984. Merchant became known for her swirling style of dancing and her simple dress while performing with 10,000 Maniacs.

Merchant was lead singer and primary lyricist for 10,000 Maniacs, joining in its infancy in 1981 while she was a student at Jamestown Community College.[2] The group recorded their first album Human Conflict Number Five, and recorded a corresponding music video at the Hotel Franklin and at Group W Westinghouse studios in Jamestown, New York, in 1982. Merchant sang lead vocals, and later played the piano as well on seven studio albums with 10,000 Maniacs. In 1993 she announced that she was leaving the group, citing a lack of creative control over the music she wrote with the band.[13] Her last recording with the band, a cover of Bruce Springsteen's and Patti Smith's "Because the Night" at the 10,000 Maniacs MTV Unplugged performance, reached No. 11 on the Hot 100 chart on February 18, 1994, becoming the band's highest-charting song in the U.S.[14][15][16]

Tigerlily (1995)

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Merchant in 1995 at Earth Day in Columbia, Maryland

After her split with 10,000 Maniacs, Merchant was so eager to begin writing her own material that she went home that very day and composed the song "I May Know the Word", which was originally meant to appear on the soundtrack to the Tom Hanks movie Philadelphia.[2] The song was eventually cut from the soundtrack, but it would go on to appear on Merchant's debut solo album, Tigerlily, which was released on the Elektra label in 1995.[17][18] The third song on the album, "Beloved Wife", was featured as the first song in the trailer for the film Message in a Bottle.[19]

Tigerlily was a critical and commercial success, spawning her first top-ten hit in the single "Carnival", and achieving top-40 success with subsequent singles "Wonder" and "Jealousy". The album would go on to sell over five million copies, and continues to be Merchant's most successful album to date. She did extensive touring for it and made numerous television appearances, including performances on Saturday Night Live, at the Rock and Roll Hall of Fame, and on late-night talk shows. The media's immediate and critical effect on culture and cultural icons was of particular interest to Merchant. In "River", a song from Tigerlily, Merchant defends River Phoenix as she castigates the media for systematically dissecting the child actor after his death.[20]

Ophelia (1998–1999)

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Three years passed before Merchant released her second solo album, Ophelia. While Tigerlily contained sparse instrumentation, the music on Ophelia had lusher arrangements. The reprise at the close of the album featured a symphonic arrangement composed and conducted by British composer Gavin Bryars with whom she would collaborate nine years later to put Shakespeare's sonnets to music.[21] Merchant treated the recording of Ophelia as a series of workshops, where she would invite various musicians she had met over the years into her home studio to collaborate and record. The name of the album and the title track are a literary reference to Shakespeare's Ophelia.[22]

The first single off the album was "Kind and Generous", which received extensive airplay on VH1 and which solidified Merchant's role as a solo artist. That summer, Sarah McLachlan invited Merchant to co-headline the year's biggest music festival with her, Lilith Fair. The exposure from the tour helped the album reach Platinum status in just under a year, with subsequent singles "Break Your Heart" and "Life Is Sweet" receiving moderate airplay on adult contemporary stations. No video was filmed for the latter, however, with a clip from Merchant's appearance on VH1 Storytellers being used instead. She would also go on to appear on PBS' Sessions at West 54th before the year's end, and VH1's Hard Rock Live in March of 1999. In 1998, Merchant also recorded George Gershwin's "But Not for Me" for the Red Hot Organization's compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.

The Ophelia tour ended in 1999 with the final few shows being performed and recorded on Broadway. The performance would be released as the album Natalie Merchant: Live in Concert with a companion video of the same name. The performance was notable in that it featured numerous covers including songs by David Bowie, Neil Young, and Katell Keineg.[1]

In 1998, Merchant collaborated on the making of the album Mermaid Avenue with Billy Bragg and Wilco, which set previously unreleased Guthrie lyrics to music by Bragg. She provided lead vocals for the song "Birds and Ships" and backing vocals for "Way Over Yonder in the Minor Key",[23][24] and returned for the second volume of the album, 2000s Mermaid Avenue Vol. II, providing vocals on the song "I Was Born".

American folk music tour (2000) and Motherland (2001)

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In 2000, Merchant embarked on a folk tour in the United States with many shows being supported by alt-country band Wilco.

Merchant's next studio album on the Elektra label was Motherland, released in 2001. Motherland saw Merchant at her most experimental musically. Motherland achieved Gold on the Billboard charts after debuting at No. 30 on the Billboard 200 and No. 13 on the Top Internet Albums of 2001, respectively. Rolling Stone favored this album with 3+12 stars, and also noticed a difference in Merchant's voice, which was more deep and gritty like that of Sade than her previous albums. Singles that were released from Motherland were "Just Can't Last", "Build a Levee" and "Tell Yourself".

Merchant embarked on a year-and-a-half-long world tour to promote Motherland. The first leg of the tour started in Minneapolis, Minnesota on October 17, 2001, with performances across the United States, and heading to Europe with some special acoustic shows in Europe. Merchant also participated in the Rock am Ring Festival and Rock im Park in 2002. In the summer of 2002, she was paired with Chris Isaak and played at stadiums and arenas.[25]

The House Carpenter's Daughter (2003)

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Merchant at the piano in 2005

After her contract with Elektra expired in August 2002, Merchant decided not to sign with them again, or any other major label.[26] Her next studio album, The House Carpenter's Daughter, was released in September 2003 on her own label, Myth America Records. To date this has been the only release on Myth America.

Leave Your Sleep (2010)

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In October 2009, the websites of Nonesuch Records and Natalie Merchant announced that she had signed with the label. Leave Your Sleep was released on April 13, 2010[27] and is a compilation of five years of inspiration from a "conversation" with her daughter over the "first 6 years of her life". The album debuted on the Billboard Top 200 at No. 17, Billboard Folk Albums at No. 1, Amazon.com at No.1, and iTunes, No. 3. The album was co-produced by Andres Levin.[28]

Merchant contributed a recording of Buddy Holly's "Learning the Game" to the tribute album Listen to Me: Buddy Holly, released September 6, 2011.

Natalie Merchant (2014)

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In February 2014, Merchant announced her eponymous album. The album consists of new works. It is her first collection of original material since 2001's Motherland. Natalie Merchant was released May 6, 2014, on Nonesuch Records and was named Album of the Week by The Daily Telegraph.[29] The album debuted at No. 20 on Billboard's Top 200 albums and No. 2 on Billboard's Folk Albums charts for the week of May 24, 2014. She toured from July 3, 2014, kicking off in Kingston, New York, concluding at the Pabst Theater in Milwaukee on July 25, 2014.[30]

Paradise Is There: The New Tigerlily Recordings (2015)

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In 2015, Merchant released an album of new recordings of the songs from her multi-platinum solo album. She enhanced many of the tracks with strings and stripped others bare. She says, "The distance this music traveled once it left my hands is humbling, and I am moved by how many lives it has touched along the way."[31]

Merchant performing with guitarist Erik Della Penna at Emmanuel United Reformed Church in Cambridge, England, in July 2018

Butterfly (2017)

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In 2017, Merchant released Butterfly, a collection of new songs and orchestral versions of previously recorded songs.

Keep Your Courage (2023)

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On April 14, 2023, Merchant released her eighth studio album, Keep Your Courage, via Nonesuch Records. It was her first album with new material since her 2014 eponymous album Natalie Merchant.[32]

In 2025, Merchant appeared in the feature documentary Lilith Fair: Building a Mystery – The Untold Story , which reflects on the legacy of the all-female music festival.[33]

Personal life

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Merchant met Michael Stipe of the band R.E.M. in 1983. The two became close friends and eventually had a romantic relationship. They credit each other as inspirations for some of their songwriting. In an interview with The Independent, Stipe said, "Natalie was really the reason my work became politicised in the late Eighties."[34]

In 2003, Merchant married Daniel de la Calle and had a daughter named Lucia. In an interview in 2012, she indicated that she was divorced. She currently lives in Rhinecliff, New York.[35][36][37]

Merchant enjoys gardening and painting.[38] Some of her paintings can be seen on her website. She has been a vegetarian since 1980,[39] except for the duration of her pregnancy, when she temporarily resumed eating meat.[36] In 1997, she said:

The '60s aesthetic has never really appealed to me, the tie-dyed Deadhead running barefoot through the forest on LSD. I don't think that's really me. But I've been a vegetarian for 17 years, and I consider myself an environmentalist inasmuch as I can be, considering the job that I have. I prefer living in the countryside rather than the city—I find it more sane and sustaining for myself.[40]

She now teaches arts and crafts to underprivileged children in New York state.[41]

After suffering ossification of the posterior longitudinal ligament in 2019, Merchant received surgery for the condition, leaving her unable to sing for several months.[42]

Activism

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In 2012, Merchant, along with actor and writer Mark Ruffalo, organized a concert to protest against oil and gas fracking in New York state. A documentary, written and directed by Jon Bowermaster, was made of the event and titled Dear Governor Cuomo.[43] She directed a short 2013 documentary titled Shelter: A Concert Film to Benefit Victims of Domestic Violence, that shone light on a group of women living in the mid-Hudson region of New York State responding to the crisis of domestic violence in their community with compassion and creativity. It was inspired by an event for One Billion Rising, a global campaign calling for an end to violence against women, held on February 14, 2013. Merchant presented a screening of the film at the Old Dutch Church in Kingston, New York, on the day of One Billion Rising for Justice.[44]

Merchant, an outspoken critic of then-President-elect Donald Trump, participated in an anti-Trump protest organized by Ruffalo and Michael Moore, held outside Trump International Hotel and Tower in New York City on January 19, 2017. Merchant performed her single "Motherland". She concluded the event with a group sing-along of Woody Guthrie's "This Land Is Your Land". The event was covered by CNN and broadcast live.[45]

Merchant is a member of the Canadian charity Artists Against Racism and has worked with them in the past on awareness campaigns.[46]

Awards and nominations

[edit]
Award Year Nominee(s) Category Result Ref.
ASCAP Pop Music Awards 1997 "Carnival" Most Performed Songs Won [47]
"Wonder" Won
"Jealousy" Won
1999 "Kind & Generous" Won [48]
Cash Box Year-End Awards 1994 10,000 Maniacs Top Alternative Crossover Artist Nominated [49]
MTV Unplugged Top Pop Album Nominated
1995 Herself Top Pop/Rock Female Artist Nominated [50]
Top Alternative Female Artist Nominated
Tigerlily Top Pop Album Nominated
Pollstar Concert Industry Awards 1990 10,000 Maniacs Small Hall Tour of the Year Nominated [51]
Surprise Hot Ticket Of The Year Nominated
Next Major Arena Headliner Nominated
1996 Herself Small Hall Tour Of The Year Nominated [52]

Discography

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Filmography

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Films

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Year Title Role Notes
1990 Time Capsule Herself (vocals, piano, organ) Video documentary
1996 One Fine Day Performer "One Fine Day" Soundtrack
1998 Ophelia Performer Short film
1999 Bringing Out the Dead Performer/writer: "These Are Days" Soundtrack
1999 Natalie Merchant: Live in Concert Herself (vocals, piano) Live concert video
2002 When in Rome Performer/writer: "These Are Days" Soundtrack
2003 Cheaper by the Dozen Performer/writer: "These Are Days" Soundtrack
2004 Purgatory House Performer/writer: "My Skin" Soundtrack
2005 Earthlings Composer Documentary
2006 Candida Performer/writer: "Motherland" Soundtrack

Television

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Year Title Role Notes
1985 The Tube Herself (as 10,000 Maniacs) (Channel 4) "My Mother the War" and "Can't Ignore the Train"
1988 Saturday Night Live Herself (as 10,000 Maniacs) (NBC) Aired February 27, 1988; "Peace Train" and "Like the Weather"
1989 The Arsenio Hall Show Herself (as 10,000 Maniacs) (CBS) "Eat for Two"
1990 MTV Unplugged Herself (as 10,000 Maniacs) (MTV)
1992 Saturday Night Live Herself (as 10,000 Maniacs) (NBC) "Candy Everybody Wants" and "These Are Days"
1993 MTV Unplugged Herself (as 10,000 Maniacs) (MTV) First artist to make second appearance
1993 Rock & Roll Inaugural Ball Herself (as 10,000 Maniacs)
1993 MTV Video Music Awards Herself – presenter (MTV) TV special
1995 Concert for Rock and Roll Hall of Fame Herself – performer "I Know How to Do It"
1995 Saturday Night Live Herself – performer (NBC) Host David Schwimmer
1996 Late Show with David Letterman Herself – performer (NBC) Host David Letterman "Wonder"
1997 Sessions at West 54th Herself – performer (PBS) "Planctus" with Philip Glass
1998 Saturday Night Live Herself – performer (NBC) Host Matthew Broderick
1998 Hard Rock Live Herself – performer (VH1)
1998 VH1 Storytellers Herself – performer (VH1) Later released as DVD
1998 Sessions at West 54th Herself – performer (NBC) Host David Byrne
1999 Man in the Sand Herself Video documentary
1999 Late Night with Conan O'Brien Musical guest (NBC) "Life Is Sweet"
1999 Lifetime's Intimate Portrait Herself (Lifetime) Biographical
2000 ABC 2000: The Millennium Herself – performer (ABC) "Kind and Generous"
2001 Come Together: A Night for John Lennon's Words & Music Herself – performer "Nowhere Man"
2001 Up Close and Personal Herself – performer (Oxygen)
2002 Austin City Limits Herself – performer (PBS)
2003 Go Further Herself Documentary
2010 Good Morning America Herself – performer (ABC News)
2015 The Today Show Herself – performer (NBC News)
2016 The Andrew Marr Show Herself – performer (BBC) "Where I Go"
2019 The Tonight Show Starring Jimmy Fallon Herself – performer (NBC) "These Are the Days"
Talk show Year
One Hour with Jonathan Ross 12 November 1989
The Arsenio Hall Show 1989
Late Show with David Letterman 1995, 1995, 1996, 1998, 1999, 2001, 2001, 2004
The Rosie O'Donnell Show 1996, 1996, 1998, 1998, 1999, 1999, 2001, 2002
The Tonight Show with Jay Leno 1992, 1993, 2001, 2002, 2010
The Katie Show 2014
The Tonight Show Starring Jimmy Fallon 2019

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia

Natalie Anne Merchant (born October 26, 1963) is an American singer-songwriter recognized for her distinctive voice, literate lyrics, and contributions to alternative rock and folk music.
She joined the band 10,000 Maniacs in 1981 as lead vocalist and primary lyricist, helping propel the group to commercial success with albums such as the platinum-certified In My Tribe (1987) and Our Time in Eden (1992), alongside four gold records including The Wishing Chair, Blind Man's Zoo, Hope Chest, and MTV Unplugged.
Merchant departed the band in 1994 to pursue a solo career, debuting with Tigerlily (1995), which achieved multi-platinum status and spawned hits like "Carnival" and "Wonder," followed by eight additional studio albums selling a combined seven million copies worldwide.
Her work extends to philanthropy and activism, earning honors such as the ASCAP Champion Award and the John Lennon Real Love Award for artistic excellence and social justice efforts.

Biography

Early Life

Natalie Anne Merchant was born on October 26, 1963, in , the third of four children to Anthony Merchant, a solicitor and amateur songwriter of Italian descent whose paternal grandfather had emigrated from , and Anne Merchant (née Meyer), a secretary. The family resided in the economically depressed region of during the , where Merchant grew up listening to her mother's record collection, which included artists such as , , , and . From an early age, Merchant demonstrated a strong affinity for music, receiving training in jazz, folk, and classical styles, and becoming an accomplished pianist. Her initial creative inclinations leaned toward poetry and drawing before music became her primary focus, influenced by the diverse sounds in her household environment. Disillusioned with high school bureaucracy by age 16, Merchant accelerated her education through advanced placement courses and enrolled in college early, where she worked as a disc jockey for the campus radio station. It was during this period that she connected with local musicians, leading to her joining the band 10,000 Maniacs in 1981 at age 17 as lead vocalist.

Personal Life and Family

Merchant married Spanish documentary filmmaker and photographer Daniel de la Calle in 2003. Later that year, the couple had a daughter named Lucia de la Calle. Merchant paused her solo recording career following Lucia's birth to focus on motherhood, describing it as a profound influence on her creative process. The marriage ended in divorce prior to 2012. Merchant has maintained a low public profile regarding her family life, emphasizing amid her professional commitments. As of 2023, she continued raising her daughter, then a teenager, while residing primarily in New York and spending summers in a village near , .

Musical Career

Tenure with 10,000 Maniacs (1981–1993)

Natalie Merchant co-founded the band in , in 1981, serving as and primary alongside , who provided much of the music. The group drew from folk-rock, new wave, and influences, with Merchant's introspective, socially conscious lyrics addressing themes like , , and personal . The band's debut album, Secrets of the , was released independently in 1983, followed by early EPs and live recordings that built a regional following in the Northeast U.S. college circuit. Their first major-label release, The Wishing Chair (1985) on , produced by , featured tracks like "Don't Talk" and "Like the Weather," establishing their jangly guitar sound and Merchant's distinctive, breathy vocal delivery. Commercial breakthrough came with In My Tribe (1987), which peaked at number 37 on the and included hits such as "Hey " and a cover of "These Are Days," blending folk elements with pop accessibility and selling over a million copies. Subsequent albums Blind Man's Zoo (1989), reaching number 13 on the , and (1992), Merchant's final studio effort with the band released on September 29, 1992, continued their rise, with singles like "Eat for Two" showcasing Merchant's maturing songwriting amid band tensions, including Lombardo's departure in 1989. The group recorded an session in April 1993, featuring acoustic renditions of catalog tracks and marking Merchant's last performances with the band before its release that October. Merchant announced her departure from in August 1993 to pursue a solo career, citing a desire for creative after over a decade of collaboration, though band members like keyboardist described it as anticipated given her growing prominence. Her tenure elevated the band from indie obscurity to mainstream alternative success, with crediting her exit as a pivotal shift rather than a dissolution.

Transition to Solo Career and Tigerlily (1994–1995)

In 1993, after 12 years as the and primary lyricist of , Natalie Merchant departed the band to pursue a solo career, citing a desire for greater artistic control and independence from the group's dynamics. Tensions had arisen from lifestyle differences, with Merchant favoring a more reserved approach amid the band's rock-oriented habits, as well as disputes over creative direction and her refusal to rebrand the group as "Natalie Merchant and 10,000 Maniacs" upon signing with . She announced her exit publicly that August, having informed bandmates of her intentions earlier, allowing the group to continue without her. Merchant assembled a new backing ensemble for her debut solo effort, including drummer Peter Yanowitz and bassist Barrie Maguire (both formerly of ) and guitarist Jennifer Turner, while self-producing the album at Bearsville Recording Studios in , with engineering by John Holbrook. The record, released on June 20, 1995, via , marked a shift toward introspective folk-rock arrangements, featuring contributions such as Welsh Katell Keineg on the track "." Tigerlily achieved commercial breakthrough, peaking at number 13 on the chart and generating three consecutive top-40 singles: "," "Wonder," and "." The album sold over five million copies in the United States, earning five-times platinum certification from the RIAA in 2001 for shipments exceeding that threshold. This success surpassed the sales of prior releases, establishing Merchant as a viable independent artist.

Mid-1990s to Early 2000s Albums and Tours

Following the release of Tigerlily, Natalie Merchant developed her second solo studio album, Ophelia, which Elektra Records issued on May 19, 1998. The album debuted at number 8 on the Billboard 200 chart. Merchant supported Ophelia with an extensive tour across North America and Europe in 1998 and 1999, featuring orchestral elements and guest musicians in select performances. Performances from this period, captured at the Neil Simon Theatre in New York City on June 12, 1999, formed the basis of her live album Live in Concert, released on November 2, 1999, by Elektra Records; the recording included 11 tracks spanning her solo catalog and covers such as David Bowie's "Space Oddity." In 2000, Merchant undertook a tour emphasizing , drawing on traditional songs and collaborations to explore regional musical heritage. Her third solo studio album, Motherland, followed on November 13, 2001, via , incorporating experimental elements like influences and production by T-Bone Burnett. Merchant promoted Motherland with a fall 2001 tour that expanded into 2002, including U.S. dates such as March 15 at Robinson Center Music Hall in , where setlists blended new material like the title track with earlier hits. The album's release coincided with post-9/11 reflections, as Merchant noted its themes of in contemporary interviews.

2010s Projects and Releases

In 2010, Merchant released , a comprising musical adaptations of 24 poems by classic children's poets including British Victorians such as and , as well as 20th-century American writers like and . The project, which spanned seven years of development, was produced by Merchant and Andres Levin at The Clubhouse in Rhinebeck, New York, and featured contributions from 135 musicians, including members of the Quintet and the . Issued on on April 13, it marked Merchant's return to recording after focusing on family in the preceding decade. A companion children's book illustrated by followed in 2012, incorporating poet biographies and archival images. Merchant's sixth solo studio album, self-titled Natalie Merchant, arrived on May 6, 2014, via , presenting her first collection of original songs in 13 years. Self-produced and recorded primarily at The Clubhouse in Rhinebeck with additional sessions at in , the 10-track effort explored themes of maturity, relationships, and introspection through folk-inflected arrangements. On November 6, 2015, Merchant issued Paradise Is There: The New Tigerlily Recordings, reinterpreting tracks from her 1995 debut with updated instrumentation and production reflecting two decades of artistic evolution. Produced by Merchant and recorded at The Clubhouse by George Cowan and Eli Walker, the album was bundled with a memoir-style DVD featuring live performances, archival footage from her era, and interviews with collaborators. In 2017, as part of the 10-disc retrospective box set The Natalie Merchant Collection on Nonesuch, Merchant released Butterfly, an album centered on arrangements, blending four new compositions ("Andalucía," "Butterfly," "Baby Mine," and others) with reinterpretations of prior material. The set also included a disc of rarities spanning 1998–2017, encompassing previously unreleased recordings and covers. Butterfly became available as a standalone digital release in 2020, highlighting Merchant's interest in formats during this period.

Recent Work Including Keep Your Courage and Ongoing Tours (2023–Present)

In April 2023, Natalie Merchant released Keep Your Courage, her ninth solo studio album and first collection of new original material since her self-titled 2014 record. Issued on April 14 via Nonesuch Records, the album comprises 10 tracks blending folk, rock, and orchestral elements, with production emphasizing lush arrangements and guest contributions such as Abena Koomson-Davis on the lead single "Come On, Aphrodite," released February 15. Other songs include "Big Girls," "Sister Tilly," and "Narcissus," drawing on themes of resilience and introspection; a cover of Lankum's "The Crow" appears as a bonus track on select editions. Announced November 29, 2022, the project followed a nine-year gap in original releases, during which Merchant focused on archival and interpretive works. The album's rollout coincided with a U.S. tour commencing April 2023, featuring Merchant backed by her band and occasional or orchestral ensembles to showcase the record's expansive sound. Performances emphasized material from alongside career-spanning selections, with venues including theaters and centers. Touring activity persisted into 2024 and extended into 2025, with a Northeast U.S. itinerary announced in June 2025, including multiple dates at Mahaiwe in (October 31, November 1, and November 2), followed by stops at Tarrytown in , and others through late November. Additional 2025 engagements encompass the Kimmel Center in on November 18 and Wolf Trap in , on November 20, often in duo format with collaborator Erik Della Penna. These outings reflect Merchant's commitment to live presentation of her evolving catalog, prioritizing intimate venues over large arenas.

Activism and Public Engagement

Environmental and Anti-Fracking Efforts

Natalie Merchant has been a prominent advocate against hydraulic fracturing, or fracking, particularly in New York State, where she expressed concerns over its potential to contaminate water supplies and devastate rural landscapes in the Catskills and Marcellus Shale regions. As a lifelong New Yorker residing near the affected areas, she described fracking as "a Pandora's box we should not open," emphasizing risks to aquifers and ecosystems that supply water to millions. In 2012, Merchant performed at a high-profile rally and concert in Albany organized by New Yorkers Against , alongside artists like , to urge Governor to ban the practice statewide. She spearheaded the production of Dear Governor Cuomo, a featuring multiple performers that raised awareness and funds for the anti- cause, directly contributing to the movement's momentum. Later that year, she joined efforts with former U.S. Representative to promote legislative bans on fracking leases and drilling. Merchant served on the advisory board of Americans Against Fracking and collaborated with groups like Catskill Mountainkeeper, which focused on preserving the region's watersheds threatened by gas extraction. Her activism aligned with broader environmental campaigns in the Hudson Valley and Catskills, where she headlined events such as the Taste of the Catskills fundraiser in 2014. In recognition of these efforts, Catskill Mountainkeeper awarded her the "Keeper of the Catskills Award" on October 11, 2014, honoring her role in safeguarding local water and land from industrial drilling. Following New York's fracking moratorium extension in 2014—effectively a ban under Cuomo—Merchant participated in celebratory events, leading activists in songs like "This Land Is Your Land" to mark the victory, though she warned of ongoing vigilance against regulatory reversals. Her involvement extended to supporting national anti-fracking initiatives, including benefit performances with artists like Michael Franti and the Indigo Girls in 2015.

Social Justice and Humanitarian Causes

Merchant has advocated for domestic violence prevention, producing the 2013 concert film Shelter: A Concert Film to Benefit Safe Harbors of the Hudson, which raised awareness and funds for shelters serving victims in the Hudson Valley region. She has also lent her voice to anti-racism efforts, though specific initiatives beyond general endorsement remain limited in public documentation. In arts education, Merchant served a five-year term on the New York State Council on the Arts after her 2007 appointment by Governor Eliot Spitzer, contributing to policy and funding decisions for cultural programs. Her work extended to underserved children through residency programs; from 2017 to 2019, she acted as artist-in-residence for the Head Start program in Troy, New York, developing The Mother Goose Project, a curriculum integrating music, poetry, dance, and visual arts for preschoolers from low-income families administered by the Commission on Economic Opportunity. She volunteered three days weekly at Head Start sites, performing songs and engaging directly with children to foster early literacy and creativity. Merchant's humanitarian support includes financial and awareness-raising contributions to organizations such as the Center for Constitutional Rights, which litigates civil liberties cases; Doctors Without Borders, providing medical aid in crises; the Southern Center for Human Rights, focused on indigent defense and capital punishment challenges; and Planned Parenthood, advocating reproductive health services. In May 2025, she partnered with the National Head Start Association to promote early childhood education and arts access for approximately 750,000 enrolled children, emphasizing programs that integrate creative expression to address developmental needs in economically disadvantaged communities. She has organized benefit concerts for various non-profits addressing social inequities, intertwining advocacy with her performances.

Effectiveness and Criticisms of Activism

Merchant's environmental activism, particularly against hydraulic fracturing in New York, involved organizing concerts and participating in rallies as part of the New Yorkers Against coalition, which amassed approximately 100,000 members and pressured state officials amid a multi-year moratorium. The coalition's efforts contributed to New York's statewide fracking ban, finalized in under , though this outcome stemmed from a broad environmental campaign involving scientists, local residents, and other celebrities like , rather than Merchant's involvement alone. No direct causal evidence links her specific actions, such as a 2012 Albany rally or initiatives, to pivotal policy shifts, as the ban aligned with prevailing concerns over contamination and seismic risks documented in state environmental reviews. In philanthropy, Merchant has raised tens of thousands of dollars for Greenpeace through tour partnerships and supported organizations like Scenic Hudson and Riverkeeper via awareness campaigns and direct donations, focusing on local Hudson Valley preservation. Her work with the Commission on Economic Opportunity, including artist residencies for early childhood education via Head Start programs, emphasizes hands-on music therapy for underserved children, but lacks published metrics on long-term outcomes like improved literacy or behavioral metrics beyond anecdotal participant testimonials. Overall, these initiatives have sustained modest funding streams—hundreds of thousands cumulatively through affiliated events over 15 years—but show no large-scale empirical impacts, such as reversed industrial projects or scaled policy adoptions, comparable to more resourced advocacy groups. Criticisms of Merchant's activism are sparse in public discourse, with her efforts often praised for authenticity over celebrity spectacle; however, some observers have characterized her socially themed songs, like those addressing or inequality, as exhibiting naive , potentially limiting broader persuasive appeal. Music critics have occasionally labeled her a "polemicist," suggesting an earnest but didactic tone that prioritizes over artistic subtlety, though this reflects subjective reception rather than systemic flaws in her non-musical engagements. Her "under-the-radar" approach, favoring direct community work over viral media campaigns, has drawn implicit critique for reduced visibility and influence in an era dominated by high-profile, metrics-driven , yet no verified accounts accuse her of performative or insincere motives.

Artistic Style, Influences, and Reception

Musical Style and Themes

Merchant's early work with featured a folk-rock style marked by jangly guitars, rhythmic drive, and her distinctive, emotive vocals layered over literate, socially aware lyrics addressing political and humanitarian issues. This approach aligned with the band's sound in the and early 1990s, where her songwriting often critiqued societal injustices and drew from literary influences, including the Beat Generation's emphasis on raw emotional expression and cultural observation. Transitioning to her solo career after departing the band in 1993, Merchant shifted toward stripped-down acoustic arrangements, orchestral elements, and a more introspective tone, emphasizing melodic introspection over band-driven energy. Her debut album Tigerlily (1995) exemplified this evolution, blending pop-folk sensibilities with themes of personal transformation, parenthood, and devotional love, as in tracks reflecting the "transformational experience" of raising children. Subsequent releases incorporated traditional folk motifs from American, Irish, Scottish, and British sources, alongside jazz standards and vintage musical theater, to explore grief, resilience, and relational dynamics—such as love portrayed as an enduring "battle" with risks of wounding. Recurring themes across her catalog include environmental advocacy, media critique, and human connection, often rendered through vivid, narrative-driven lyrics that invoke literary devices like biblical references for cultural weight rather than doctrinal endorsement. Songs like "Wonder" highlight compassionate activism against overlooked societal ills, while later works dissect romantic clichés—being "drunk and blind" or "weak in the knees"—to affirm love's complexities, including sisterly bonds and invocations to figures like Aphrodite. Critics have noted her style's haunting melodies and powerful delivery but occasionally faulted the lyrics for preachiness or sterility, attributing this to her unyielding focus on moral reflection over commercial polish.

Influences and Collaborations

Merchant's musical style draws from American roots music traditions, evident in her vocal inflections and use of colloquial phrasing in . Her early work with incorporated folk and elements, shaped by exposure to college radio and literary during her youth. Literary influences profoundly shaped her songwriting, particularly the writers. Songs like "Hey Jack Kerouac" reference 's family life and Allen Ginsberg's personal experiences, reflecting Merchant's engagement with their themes of rebellion and introspection. Later projects amplified this, as seen in the 2010 album , which adapted poems by 19th- and 20th-century authors including and into songs, prioritizing textual fidelity over commercial adaptation. She has described herself as a " of verse," underscoring poetry's role in her creative process. Merchant has engaged in notable collaborations across genres. In 1998, she contributed lead and backing vocals to "Birds and Ships" on , the album by and setting unpublished lyrics to music. Her partnership with frontman produced several live and recorded duets, including "Photograph" for a 1993 benefit compilation, "" at the 1993 MTV Inaugural Ball, and "Hello in There" (with Bragg) in 1990. These performances highlighted mutual artistic inspirations, with Stipe crediting Merchant's influence on his vocal style. In 2023, she collaborated with composer Jamie Bernstein and countertenor for a production at the Glimmerglass Festival, blending her folk sensibilities with operatic elements.

Critical and Commercial Reception

Merchant's transition to a solo career following her departure from in 1993 yielded substantial commercial success, particularly with her debut album (1995), which sold over five million copies in the United States and produced hit singles including and "Wonder." Her follow-up, (1998), debuted at number eight on the and achieved platinum certification for one million units sold in the U.S. Across nine solo studio albums released through 2023, Merchant's recordings have amassed combined sales of seven million copies worldwide. Critically, Tigerlily elicited mixed responses despite its sales; while some reviewers praised its introspective lyrics and Merchant's distinctive vocal delivery, a Rolling Stone critique labeled the album "blindly self-obsessed," highlighting perceived excesses in its personal storytelling. Ophelia fared better in evoking thematic depth through literary allusions and collaborations, though it drew occasional criticism for prioritizing narrative over musical dynamism. Later releases like Motherland (2001) received varied assessments, with Slant Magazine noting its soulful influences and emotional range but others, such as All About Jazz, faulting Merchant's temperament for diluting cohesion. Subsequent albums, including the self-titled Natalie Merchant (2014), have been characterized by as reflective of an artist ambivalent toward mainstream pop appeal, emphasizing meticulous craftsmanship over broad accessibility. Recent work, such as (2023), has garnered praise in outlets like Americana Highways for its layered emotional journeys and choral elements, though Merchant's solo output generally maintains a niche following rather than universal critical acclaim, often lauded for lyrical intelligence yet critiqued for earnestness bordering on solemnity.

Awards, Honors, and Recognition

Music Industry Awards

Natalie Merchant has received recognition from songwriting organizations for the performance and impact of her compositions, though she has not won major competitive awards such as the Grammy. In 1997, the American Society of Composers, Authors, and Publishers (ASCAP) awarded her Pop Music Awards for Most Performed Songs for three tracks from her debut solo album Tigerlily: "Carnival", "Wonder", and "Jealousy". These honors reflect airplay and usage data tracked by ASCAP, highlighting the songs' commercial endurance following the album's release on June 20, 1995, which sold over five million copies worldwide. In 1999, Merchant received another ASCAP Pop Music Award for Most Performed Song for "Kind & Generous" from her second solo album Ophelia, released on June 2, 1998. This accolade similarly recognized broadcast and performance metrics, underscoring the track's popularity as a radio staple.
YearAwardCategorySong(s)Result
1997ASCAP Pop Music AwardsMost Performed Songs"Carnival", "Wonder", "Jealousy"Won
1999ASCAP Pop Music AwardsMost Performed Songs"Kind & Generous"Won
In 2009, the Performing Songwriter Guild presented Merchant with its "Songwriter of the Decade" Award, acknowledging her contributions to songcraft over the prior ten years, including solo releases like Motherland (2001) and The House Carpenter's Daughter (2003). This peer-recognized honor emphasizes her lyrical depth and melodic innovation, distinct from chart-based metrics. During her tenure with 10,000 Maniacs from 1981 to 1993, the band achieved platinum and gold certifications for albums such as In My Tribe (1987) and Our Time in Eden (1992), but no equivalent songwriting awards were documented for that period.

Activism and Philanthropy Honors

In 2019, Natalie Merchant received the ASCAP Foundation Champion Award, recognizing her contributions as a multi-platinum recording artist and social justice activist whose work extends beyond music to advocacy efforts. The award, presented at the ASCAP Foundation Honors ceremony in New York City on December 11, highlights her lifelong commitment to humanitarian causes, including support for non-profit organizations focused on constitutional rights and social issues. That same year, Merchant was awarded the Real Love Award by , marking her as the sixth recipient for embodying the spirit of John Lennon's through artistic achievements and dedication to charitable endeavors. The honor included headlining a tribute concert to Lennon at Symphony Space in New York on October 9, with proceeds benefiting related humanitarian initiatives, underscoring her alignment with causes promoting peace and . Merchant earned the Library Lion Award from the in 2011, an honor grouped with her philanthropic activities for contributions that blend artistic output with support for cultural and charitable programs, such as benefit concerts for research. This recognition reflects her role in leveraging performance platforms for , though it primarily acknowledges broader impacts on arts and literacy preservation rather than isolated activist campaigns.

Discography and Media

Studio Albums and Key Singles

Natalie Merchant debuted as a solo artist with Tigerlily, released on June 20, 1995, through Elektra Records. The album peaked at number 13 on the Billboard 200 chart and achieved five-times platinum certification from the RIAA for over five million units sold in the United States. Key singles from Tigerlily included "Carnival," which reached number 10 on the Billboard Hot 100, "Wonder" at number 20, and "Jealousy" at number 23. Her second studio album, , followed on May 19, 1998, debuting at number 8 on the and earning platinum certification from the RIAA for one million copies sold domestically. Singles such as "" and "" received airplay but did not chart as highly as those from her debut. Motherland, released on October 16, 2001, marked a shift toward introspective themes influenced by personal loss, peaking at number 30 on the Billboard 200. The title track gained moderate radio play, though the album sold fewer copies than its predecessors, reflecting a commercial slowdown post-9/11. After a period of relative inactivity, Merchant issued The House Carpenter's Daughter on September 30, 2003, an album of reinterpreted traditional folk songs that did not achieve significant chart success but appealed to her core audience interested in Americana roots. Leave Your Sleep, a double studio album adapting 19th- and early 20th-century into original , was released on February 16, 2010, via , emphasizing narrative songcraft over pop accessibility. It featured collaborations with musicians like but prioritized artistic experimentation over commercial singles. The self-titled Natalie Merchant arrived on November 4, 2014, after a creative hiatus, incorporating electronic elements and addressing contemporary social issues, though it charted modestly outside the top 100 on the 200. Her most recent studio effort, , released on April 14, 2023, via Nonesuch, drew from gospel and orchestral influences amid the , with no major singles but positive reception for tracks like "Come to Me Now."
AlbumRelease Date Peak
June 20, 1995135× Platinum
May 19, 19988Platinum
MotherlandOctober 16, 200130None
September 30, 2003N/ANone
February 16, 2010N/ANone
Natalie MerchantNovember 4, 2014N/ANone
April 14, 2023N/ANone

Contributions with 10,000 Maniacs

Natalie Merchant joined the band in 1981 at age 17, serving as and primary lyricist during the group's formative years. Her involvement shaped the band's signature jangly folk-rock sound, blending literate lyrics with melodic instrumentation influenced by college radio aesthetics. As the band's chief songwriter, Merchant penned lyrics for the majority of tracks across their era, often drawing from personal observation and social critique, including themes of , , and interpersonal dynamics. Merchant's contributions extended to five studio albums with the band: Secrets of the I Ching (1983), The Wishing Chair (1985), In My Tribe (1987), Blind Man's Zoo (1989), and Our Time in Eden (1992). In My Tribe, certified double platinum by the RIAA in 2001 for sales exceeding 2 million units, marked their commercial breakthrough, peaking at number 37 on the Billboard 200 and featuring Merchant's compositions such as "Like the Weather," which addressed apathy toward social issues through ironic detachment. Blind Man's Zoo (1989), certified gold by the RIAA on July 11, 1989, reached number 13 on the chart and included tracks like "Trouble Me" and "What's the Matter Here?," the latter highlighting Merchant's focus on child abuse awareness via narrative-driven storytelling. Her songwriting credits dominated these releases, with Merchant authoring or co-authoring key singles that propelled the band from indie obscurity to mainstream alternative success, including collaborations with producer Peter Asher on polished arrangements. In her final contribution, Merchant fronted the band's album, recorded in 1993 and released posthumously that October, which peaked at number 13 on the Billboard 200. This acoustic set featured reinterpretations of her earlier compositions, such as "These Are Days" from , which became the band's highest-charting single at number 11 on the in 1994. Merchant announced her departure from in August 1993 to pursue solo work, citing a desire for creative independence after over a decade of collaborative output that had defined the band's identity and fanbase. Her exit did not immediately dissolve the group, but her vocal and lyrical presence remained central to their enduring catalog, influencing subsequent reissues and live performances.

Film and Television Appearances

Natalie Merchant's appearances in film and television have largely centered on musical performances, biographical documentaries, and narration rather than scripted acting roles. Her on-screen contributions often highlight her songwriting and vocal talents, with early exposure through band performances transitioning to solo features and specials. Her television debut occurred in 1982 alongside on SUNY Fredonia's student-run station WNYF-TV, marking the group's initial broadcast performance. With the band, she participated in the special recorded on April 21, 1993, at in , which served as her final recording with before departing the group. Transitioning to her solo career, Merchant performed and shared song stories on VH1 Storytellers, filmed on September 14, 1998, and aired on October 25, 1998. In 1999, Lifetime Television broadcast Intimate Portrait: Natalie Merchant, a biographical episode narrated by Janeane Garofalo that explored her life and career. She also appeared in the BBC documentary Man in the Sand (1999), discussing and contributing vocals to the Woody Guthrie-inspired Mermaid Avenue project led by Billy Bragg. Guest performances included a November 7, 2001, appearance on The Rosie O'Donnell Show, where she sang "Just Can't Last." In film and specials, Merchant provided voice narration for the Family presentation A Child's of (2011), adapting classic poems with animation and readings alongside narrators like and . More recently, she featured as herself in the 2021 Articulate episode "Making Her Way," reflecting on her artistic evolution, and in the self-produced documentary Paradise Is There: The New Recordings - A by Natalie Merchant (2023), revisiting her debut solo album. Her songs have been featured in soundtracks for films including One Fine Day (1996) and (1999), though these do not involve on-screen roles.

References

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