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Maria Ruby Neilam Arrastia y Salvador[1] (born July 10, 1932), known as Neile Adams, is a Filipina-American actress, singer, and dancer who made more than 20 appearances in films and television series between 1952 and 1991.

Key Information

Early life and family

[edit]

Adams was born in Manila, of Chinese, Japanese, Mongolian, Polynesian, Spanish Basque, English, and German descent,[1] on July 10, 1932, the daughter of José Arrastia, of Eurasian descent.[2] Her half-sister was Maria Beatriz Arrastia y Reinares, mother of socialite and television host Isabel Preysler, who in turn was the mother of Enrique Iglesias and Julio Iglesias Jr.[3][4] She reportedly never met her father.[5] Her mother, Carmen "Miami" Salvador, was a hula dancer of Spanish and German descent.[6][5]

In her early teens, during the Japanese army's occupation of Manila during World War II, Adams became a spy for the Philippine resistance, carrying messages between guerrilla groups. She later was wounded by shrapnel during the Allied liberation of the island.[6] She moved to the United States in 1948 and attended Rosemary Hall, a private school in Connecticut. She then went to New York to study dancing where she got a scholarship at the Katherine Dunham School of Dance. To avoid typecasting because of her name, she became known as Neile Adams.[6]

Career

[edit]
Dancer posing expressively in an ornate leotard and sheer fabric costume, one knee resting on an upholstered bench
Publicity photo (1960)

In 1958, producer George Abbott offered Adams a role in the Broadway production of Damn Yankees. She was unable to accept because the Versailles Club would not release her from her contract as a dancer.[7] Her Broadway credits include performing in Kismet and The Pajama Game.[8] She also performed in Broadway Bound at The Grand opposite Paul Muni. She married then-struggling actor Steve McQueen four months after their meeting in 1956 while filming MGM’s This Could Be the Night (1957) where she was under contract. She opened the Tropicana Hotel in Las Vegas in 1958 with Dick Shawn and Vivian Blaine.[citation needed]

Her other screen credits include Women in Chains (1972), Fuzz (1972), So Long, Blue Boy (1973), Chu Chu and the Philly Flash (1981), and Buddy Buddy (1981). Her television credits include: The Perry Como Show, two Bob Hope Christmas specials, The Eddie Fisher Show, The Patrice Munsel Show, The Pat Boone Show and The Hollywood Palace. Her dramatic television roles include a 1960 episode of Alfred Hitchcock Presents, titled "Man from the South", with McQueen and Peter Lorre. Two more Alfred Hitchcock episodes followed: a half-hour show directed by Arthur Hiller in which she starred, "One Grave Too Many", and an Alfred Hitchcock Hour episode titled "Ten Minutes from Now". She also appeared on episodes of television series such as The Man from U.N.C.L.E., The Rockford Files, The Bionic Woman, Fantasy Island, and Vega$.[9]

Filmography

[edit]

Film

[edit]
Year Title Role Notes
1952 Grubstake Western film
1957 This Could Be the Night Patsy St. Clair Comedy film
1972 Fuzz Teddy Carella Action film
1973 So Long, Blue Boy Julie Stevens (as Neile Adams McQueen) Horror film
1981 Chu Chu and the Philly Flash Car Woman (as Neile McQueen) Comedy film
Buddy Buddy Saleswoman (as Neile McQueen) Farce comedy film

Television

[edit]
Year Title Role Notes
1959 Westinghouse Desilu Playhouse Lupe Episode: "Border Justice" (2.6)
1960 Alfred Hitchcock Presents Woman Episode: "Man from the South" (5.15)
Five Fingers Rita Juan Episode: "A Shot in the Dark" (1.15)
Alfred Hitchcock Presents Irene Helmer Episode: "One Grave Too Many" (5.32)
1972 Women in Chains Connie tv movie
Love, American Style Peggy Fox (segment "Love and the Out-of-Town Client) (4.13) Episode: "Love and the Ghost / Love and the Out-of-Town Client / Love and the Secret Habit"
1976 Police Woman Denise (as Neile Adams-McQueen) Episode: "Generation of Evil" (2.20)
1977 The Bionic Woman Valerie Breuer (as Neile Adams-McQueen) Episode: "Max" (3.10)
1978 Operation Petticoat Mrs. Lawson (as Neile Adams-McQueen) Episode: "The Best of Enemies" (1.16)
The Rockford Files Joyce Brauder (as Neile McQueen) Episode: "The Competitive Edge" (4.19)
1980 Fantasy Island Trish (as Neile McQueen) Episode "The Invisible Woman / The Snowbird" (4.7)
1981 Vega$ Monique Duvalier (as Neile McQueen) Episode: "French Twist" (3.21)
1985 Hotel Madelyn Rogers (as Neile McQueen) Episode: "Saving Grace" (3.6)
1990 Nightmare on the 13th Floor Saleswoman (as Neile McQueen) tv movie
1991 Dead on the Money tv movie

Personal life

[edit]
With husband Steve McQueen in Alfred Hitchcock Presents, 1960

Adams met and married American film and television actor Steve McQueen in 1956.[6] The couple had two children together: a daughter, Terry Leslie McQueen, and a son, Chad McQueen. The marriage ended in divorce in 1972. She is the grandmother of actor Steven R. McQueen. She later married Alvin Toffel, a political campaign manager and president of the Norton Simon Museum;[10] they were married until Toffel's death in 2005.[10]

Adams would outlive both of her children, with her daughter Terry dying March 19, 1998 and her son Chad dying on September 11, 2024.[11][12][13]

Archive

[edit]

The Academy Film Archive houses the Steve McQueen-Neile Adams Collection, which consists of personal prints and home movies.[14]

Selected filmography

[edit]

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Neile Adams

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from Grokipedia
Neile Adams, born María Ruby Neilam Arrastia y Salvador on July 10, 1932, in , , is a Filipina-American actress, singer, dancer, and model of Eurasian descent who rose to prominence in the mid-20th century entertainment industry through her multifaceted career in film, television, Broadway, and cabaret performances. Adams endured the hardships of World War II in Japanese-occupied Manila before emigrating to the United States in 1948 with her mother, eventually graduating from the prestigious Choate Rosemary Hall boarding school in Greenwich, Connecticut, attending Marjorie Webster Junior College in Washington, D.C., and receiving a scholarship to the Katherine Dunham School of Dance in New York. Her professional breakthrough came on Broadway, where she served as a featured dancer in the hit musical Kismet and later took on a lead role in The Pajama Game, showcasing her talents as a performer. In Hollywood, Adams signed a seven-year contract with Metro-Goldwyn-Mayer (MGM), debuting in the 1957 film This Could Be the Night alongside Jean Simmons and Paul Douglas, and went on to appear in notable pictures such as the 1972 crime thriller Fuzz with Burt Reynolds and the 1981 comedy Chu Chu and the Philly Flash featuring Carol Burnett. Her television career was equally prolific, with guest starring roles in over 20 series, including three episodes of Alfred Hitchcock Presents and multiple appearances on The Bob Hope Christmas Special, highlighting her versatility as a character actress and singer. Beyond acting, she modeled for Pablo Picasso's provocative Picasso Erotic series, now housed in the Picasso Museum in Barcelona, and has continued performing autobiographical cabaret shows internationally into her later years. Adams is perhaps best known personally for her 15-and-a-half-year marriage to iconic from 1956 to 1972, with whom she had two children: daughter Terry Leslie McQueen (1959–1998) and son Chadwick Steven McQueen (1960–2024), the latter of whom became a professional race car driver and , and together they share four grandchildren. Following her divorce from McQueen, she married Alvin Toffel in 1980, remaining with him until his death in 2005. Adams chronicled her life and marriage in the 1986 memoir My Husband, My Friend, which is currently being adapted into a , and she has been involved in a forthcoming documentary about her experiences. A committed philanthropist, she is a member of the SHARE organization and serves on the board of , a youth rehabilitation facility in .

Early life and education

Family background and childhood

Neile Adams was born on July 10, 1932, in , , with the full name María Ruby Neilam Arrastia y Salvador. She later adopted the professional name Ruby Neilam Salvador Adams, shortening it to Neile Adams to avoid . Her father was José Arrastia, a Filipino of Spanish descent from the prominent Arrastia-Salgado family in , . Her mother, "Miami" Salvador, was a professional and stage dancer of mixed German, Spanish, and Filipino heritage. Adams' Eurasian background is confirmed by testing, revealing approximately 67% Spanish Basque and English ancestry, 26% Chinese, Japanese, and Mongolian, and 7% Polynesian. She reportedly never met her father, as he was not involved in her upbringing. Adams had a half-sister, Maria Beatriz Arrastia y Reinares, from her father's marriage to Teodorica Reinares. This connected her to extended , including socialite , the daughter of her half-sister and thus her niece. Through her father, she was also related to as a great-aunt. During her early childhood in pre-World War II , Adams was primarily raised by a family friend, as her was frequently away performing. The enjoyed a relatively stable life in the bustling city, where Adams' initial exposure to the came through observing and participating in her 's dance rehearsals and performances. This environment fostered her early interest in dance, blending Filipino cultural traditions with international influences.

World War II experiences and relocation

During the from 1942 to 1945, a young Neile Adams lived in amid the hardships of war, including food shortages and constant fear of violence. She and her mother were interned at Santo Tomas University Internment Camp for 18 months, where they faced severe deprivation and the threat of execution, an experience that profoundly shaped Adams' resilience. The family's ordeal intensified during the Battle of Manila in February 1945, when Allied forces liberated the city in a brutal campaign that left over 100,000 civilians dead and much of the capital in ruins. Adams sustained shrapnel wounds from an during the fighting, an injury that required medical attention and highlighted the chaos engulfing her home. This event devastated her family, killing relatives and destroying their property, leaving them in a state of trauma and poverty. Post-war, the Salvador family struggled with the economic devastation and instability in the , including and limited opportunities in the war-torn country. In , seeking better prospects, they emigrated to the , settling initially in , where Adams began adapting to a new life and culture at age 16. The relocation marked a turning point, allowing the family to rebuild amid the challenges of and starting anew in America.

Formal education

Following her family's relocation from the to the in 1948, Neile Adams attended Rosemary Hall, an elite for girls in , where she completed her high school education in 1949. This preparatory schooling provided a structured academic foundation amid her adjustment to American life, emphasizing discipline and cultural immersion that later supported her artistic pursuits. After high school, Adams enrolled at Marjorie Webster Junior College in , a two-year institution focused on business and liberal arts, which she attended briefly to further her general education before shifting toward performance training. Determined to pursue dance professionally, Adams moved to and secured a to the Katherine Dunham School of Dance, where she underwent intensive training in the mid-1950s. The school's curriculum, centered on Katherine Dunham's innovative technique—a fusion of African and Caribbean rhythms with elements, principles, and body isolations—sharpened Adams' skills in expressive movement, polyrhythmic coordination, and versatile jazz dancing, equipping her for Broadway and stage performances. Prior to this formal enrollment, Adams had engaged in informal self-study through daily and exercise routines, which built her physical discipline and bridged her early interest in movement to structured professional development.

Career

Broadway and stage debut

Neile Adams made her Broadway debut in the musical Kismet, which opened on December 3, 1953, at the Ziegfeld Theatre in and ran for 583 performances until April 23, 1955. She was cast as a dancer and singer in the ensemble, performing roles including Diwan Dancer and later as a replacement for Princess of Ababu, under the choreography of Jack Cole. The production, with music and lyrics adapted by Robert Wright and George Forrest from themes by , featured a book by and Luther Davis, and starred as the Poet Hajj. Adams' contributions as a lead dancer highlighted her training, adding to the show's exotic Arabian Nights spectacle through intricate ensemble numbers like "Fate." Following Kismet's closure, Adams joined the long-running musical The Pajama Game at the St. James Theatre, which premiered on May 13, 1954, and continued until November 24, 1956, for 1,063 performances. She initially performed as Gladys in the ensemble before taking over the featured role originally played by Carol Haney in 1955, opposite leads John Raitt and Eddie Foy Jr., after being scouted by director George Abbott and choreographer Bob Fosse during a nightclub appearance. In this role, Adams showcased her singing and dancing talents in numbers such as "Hey There" and "Steam Heat," contributing to the show's satirical portrayal of labor tensions in a pajama factory through vibrant ensemble work and brief solo moments. The production, with music and lyrics by Richard Adler and Jerry Ross and a book by George Abbott and Richard Bissell, earned a Tony Award for Best Musical. In 1958, Adams transitioned to nightlife, opening the Tropicana Hotel's showroom as a singer-dancer in a that ran for six months, sharing the bill with performers like and . This engagement marked a pivotal shift toward and variety performances, building on her Broadway experience with high-energy acts that blended song, dance, and charisma.

Film roles

Neile Adams made her film debut in the 1952 Western Grubstake, directed by Larry Buchanan, where she played the supporting role of Lynn Shubert in a story set during the Alaskan gold rush involving prospectors and intrigue. This low-budget production marked her entry into cinema alongside future stars like Jack Klugman, though it received limited distribution and attention. Early in her career, Adams took on supporting roles in various features, often leveraging her dance background to portray vibrant, energetic characters, but opportunities were sporadic as she balanced stage work. Adams achieved a breakthrough with her role as Patsy St. Clair in the 1957 MGM drama This Could Be the Night, directed by Robert Wise, where she portrayed an ambitious young nightclub performer under the guidance of her stage-mother character played by Joan Blondell. Co-starring with Jean Simmons as a schoolteacher navigating the seedy underworld of a mob-run club and Anthony Franciosa as a charming gangster, Adams' character added a layer of youthful exuberance and musical flair to the film's exploration of moral contrasts in urban nightlife. This performance, highlighted by her singing and dancing sequences, showcased her versatility and helped secure her MGM contract, positioning her as a rising starlet in Hollywood. In the 1970s, Adams returned to films with the role of Teddy Carella in Richard A. Colla's 1972 crime comedy Fuzz, where she played the supportive wife of detective Frank Carella () amid a series of bizarre killings by a mysterious figure in . She also appeared as Julie Stevens in the 1973 horror film So Long, Blue Boy. Her character provided emotional grounding in the ensemble-driven plot, which blended humor with procedural elements involving a quirky . Later, in Billy Wilder's 1981 farce Buddy Buddy, Adams appeared as a saleswoman in a brief but memorable supporting turn, contributing to the chaotic comedy revolving around a hitman () and a suicidal man () in a setting. She also played Car Woman in the 1981 comedy Chu Chu and the Philly Flash with . These roles demonstrated her ability to infuse scenes with poise and subtle wit, even in smaller parts. Adams' film career spanned from 1952 to 1981, encompassing about a dozen features amid a broader portfolio heavy on television and stage, reflecting the era's limited opportunities for Asian-American actresses who often faced in ethnic or exotic roles. To counter this, she adopted the stage name "Neile Adams" early on, distancing herself from expectations of "señorita" stereotypes tied to her Filipino heritage and Ruby Neilam Salvador. Her style emphasized graceful physicality from her training, allowing her to bring authenticity to multifaceted women in both dramatic and comedic contexts, though Hollywood's biases constrained her to supporting positions despite critical nods for her charisma.

Television appearances

Neile Adams began her television career in the early , initially appearing as a dancer and singer on variety shows that showcased her performing talents following her Broadway debut. Her early credits included guest spots on The Pat Boone Show in 1958, The Eddie Fisher Show and The Patrice Munsel Show in 1959, and The Bob Hope Show in 1959 and 1960, where she performed in revues and specials that highlighted her versatility in musical entertainment. These appearances marked her transition from stage work to the burgeoning medium of television, capitalizing on the demand for live variety programming during the decade. A notable highlight in Adams' television work came in 1960 with two episodes of . In the January 3 episode "Man from the South," adapted from a story, she portrayed a woman encountered by a young gambler (played by her husband ) in a bar, setting the stage for the central wager where an eccentric man () bets his convertible against the gambler's left pinky if he can flick his cigarette lighter ten consecutive times without failure. Later that year, on May 22, she appeared in "One Grave Too Many," playing a supporting role in a suspenseful involving financial troubles and moral dilemmas for an unemployed couple. These dramatic turns demonstrated her adaptability beyond variety formats, blending her personal life with professional opportunities in anthology television. Throughout the and , Adams shifted toward guest roles in popular dramatic series, reflecting evolving opportunities for character-driven performances after her stage prominence. She appeared in episodes of shows like The Man from U.N.C.L.E. (1965) and (1972), often in supporting capacities that utilized her poise and expressiveness. In 1977, she guest-starred as Valerie Breuer in episode "Max," where her character is connected to the kidnapping of a bionic dog by foreign agents amid Jaime Sommers' recovery. Adams continued this trajectory into the 1980s, notably as Monique Duvalier in the 1981 Vega$ episode "French Twist," involving intrigue with male escorts and a French detective. Her television career spanned from 1952 to 1991, encompassing over 20 appearances that evolved from lively variety spots to nuanced dramatic cameos.

Filmography

Films

  • 1952: Grubstake - Role: Lynn Shubert (film debut)
  • 1957: This Could Be the Night - Role: Patsy St. Clair
  • 1972: Fuzz - Role: Teddy Carella (wife of Burt Reynolds' character)
  • 1973: So Long, Blue Boy - Role: Julie Stevens (credited as Neile Adams McQueen)
  • 1981: Buddy Buddy - Role: Saleswoman (directed by Billy Wilder)
  • 1981: Chu Chu and the Philly Flash - Role: Car Woman (credited as Neile McQueen)

1950s

  • 1956: The Walter Winchell Show - Self (dancer/singer)
  • 1957: The Pat Boone-Chevy Showroom - Self (performer)
  • 1958: The Eddie Fisher Show - Self (performer)
  • 1958: The Patrice Munsel Show (episode: Buddy Hackett, Neile Adams) - Self (performer)
  • 1959: The Bob Hope Show (Christmas special) - Self (performer)

1960s

  • 1960: Alfred Hitchcock Presents (episode: "Man from the South") - Woman
  • 1960: Alfred Hitchcock Presents (episode: "One Grave Too Many") - Irene Helmer
  • 1960: Perry Como's Kraft Music Hall - Self (performer)
  • 1965: The Man from U.N.C.L.E. (episode: "The Yellow Scarf Affair") - Sita Chandi
  • 1964: The Alfred Hitchcock Hour (episode: "Ten Minutes from Now") - Sgt. Louise Marklen

1970s

  • 1972: (episode: "Love and the Out-of-Town Client") - Peggy Fox
  • 1972: Women in Chains (TV movie) - Connie
  • 1976: Police Woman (episode: "Generation of Evil") - Denise (as Neile Adams-McQueen)
  • 1977: (episode: "Max") - Valerie Breuer (as Neile Adams-McQueen)
  • 1978: (episode: "The Competitive Edge") - Joyce Brauder (as Neile McQueen)

1980s

  • 1980: (episode: "The Invisible Woman/The Snowbird") - Trish (as Neile McQueen)
  • 1981: Vega$ (episode: "French Twist") - Monique Duvalier (as Neile McQueen)
  • 1985: (episode: "Saving Grace") - Madelyn Rogers (as Neile McQueen)

1990s

  • 1990: Nightmare on the 13th Floor (TV movie) - Saleswoman (as Neile McQueen)
  • 1991: Dead on the Money (TV movie) - (minor role)

Personal life

Marriage to Steve McQueen

Neile Adams married actor on November 2, 1956, in , , shortly after meeting him in New York while she was performing on Broadway. As a more established performer at the time, Adams supported McQueen's burgeoning career by introducing him to her agent at the and encouraging him to take on key roles that propelled his rise to stardom. The couple settled into a vibrant Hollywood life together, often seen as a glamorous pair vacationing in places like with figures such as Princess Grace and sharing a passion for adventure, including McQueen's love of . Their early years were marked by mutual encouragement, with Adams managing aspects of McQueen's professional decisions amid the pressures of his increasing fame. The marriage produced two children: daughter Terry Leslie McQueen, born on June 5, 1959, and son Chadwick Steven "Chad" McQueen, born on December 28, 1960. Both children grew up immersed in the couple's Hollywood environment, with later briefly pursuing and developing an interest in , echoing his father's passions during the family's shared experiences. Adams and McQueen also made joint public appearances, including on television variety shows such as The Show and The Show in 1960, where they presented as a united front amid McQueen's rising profile. The union faced mounting strains from McQueen's demanding career schedule, which often kept him away from home, compounded by his infidelity and growing involvement with drugs during the countercultural shifts of the late and early . These issues culminated in their in 1972, after 16 years together, though Adams later reflected on their bond as enduring despite the challenges.

Later marriage and family

Following her divorce from in 1972, Adams married Alvin E. Toffel, a native and UCLA graduate who had served in the U.S. from 1958 to 1963, worked as a consultant during President Richard Nixon's first term, and managed political campaigns including Rep. Paul N. "Pete" McCloskey's 1972 presidential bid. Toffel later served as president of the from 1977 to 1980 and pursued business ventures in , , and thoroughbred horse breeding. The couple wed in 1980 and shared a stable, 25-year marriage marked by mutual support, with Toffel providing a contrast to Adams' previous high-profile union; he died of a in 2005 at age 69 while the pair vacationed in . From her marriage to McQueen, Adams had two children: daughter Terry Leslie McQueen (born 1959) and son (born 1960). Tragically, she outlived both; Terry died on March 19, 1998, at age 38 from shortly after a liver transplant at UCLA Medical Center. Chad, an actor known for roles in films and a professional race car driver, passed away on , 2024, at age 63 in , from progressive organ failure stemming from injuries sustained in a 2020 fall. Adams is the grandmother of four: actor (born July 13, 1988), the son of and his first wife, Sharon Hale; and Chad's other children with subsequent partners, Molly McQueen, Chase McQueen, and Madison McQueen. In her later years, Adams has remained close to her extended family, attending events and supporting her grandson's career in entertainment, while balancing occasional family-oriented pursuits amid personal reflections on her losses.

Legacy and archives

Archival collections

The Steve McQueen-Neile Adams Collection is housed at the Academy Film Archive of the Academy of Motion Picture Arts and Sciences and comprises 67 items spanning 1950 to 1976, primarily consisting of personal film prints and home movies that document aspects of McQueen's career and the couple's family life during their marriage from 1956 to 1972. This includes 16mm prints of feature films such as The Great Escape (1963), Bullitt (1968), Papillon (1973), and The Towering Inferno (1974), along with over twenty prints of the documentary On Any Sunday (1971) and two 35mm prints of An Enemy of the People (1978); additionally, it features 22 reels of home movies shot by Adams herself, capturing personal moments like family activities and behind-the-scenes glimpses. Access to these materials is available to researchers through a viewing request form submitted to the Academy Film Archive, providing valuable visual records for studying mid-20th-century Hollywood stardom and private celebrity life. Complementing the film holdings, the Steve McQueen and Neile Adams papers are preserved at the Margaret Herrick Library, also part of the Academy of Motion Picture Arts and Sciences, encompassing approximately 38.7 linear feet of materials from 1955 to 2007 (bulk 1955–1973) that were donated by Adams (later Neile McQueen Toffel) following their divorce. These papers include nearly three dozen scrapbooks chronicling their married life, production materials from McQueen's company Solar Productions, scripts, correspondence, photographs (13.7 linear feet, including prints from motion pictures, stage productions, and biographical images), memorabilia, and family documents such as Adams's memoir manuscript. Researchers can access the collection by contacting the library at its Beverly Hills location, where it offers critical primary sources for examining the professional trajectories of Adams and McQueen in 1950s–1970s Hollywood, including McQueen's Academy Award-nominated performance in The Sand Pebbles (1966) and the dynamics of their partnership.

Later years and influence

After retiring from acting in film and television in 1991, Neile Adams pursued cabaret performances, creating and presenting her own shows in cities including , , , and New York. In 2022, she released the book Miyami-San (A Love Story), a exploring themes of and resilience. As of November 2025, Adams remains alive at age 93. Adams' career as one of Hollywood's early Filipina-American performers has influenced Asian-American representation by exemplifying the challenges of racial prejudice and faced by performers of color in mid-20th-century entertainment. Her breakthrough roles, alongside her experiences as a Eurasian navigating a predominantly white industry, helped highlight the need for authentic portrayals, inspiring later generations of Asian-American actors and dancers to advocate for greater visibility and diversity. Adams' cultural legacy is intertwined with her association with Steve McQueen, through which she contributed to narratives of Hollywood glamour and resilience, as well as her personal WWII experiences in Japanese-occupied Manila, where she and her mother were interned in the Santo Tomas University internment camp and she served as a teenage spy for the Philippine resistance. However, coverage of her post-1991 activities remains limited, with sparse details on recent professional endeavors such as potential additional writing or advocacy, and family updates are unavailable beyond 2024.

References

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  58. https://m.facebook.com/pinoyhistory/photos/neile-adams-born-july-10-1932-is-an-actress-singer-and-dancer-who-made-more-than/427608194116889/?locale=ko_KR
  59. https://www.broadwayworld.com/bwwbooks/article/Neile-Adams-McQueen-Releases-New-Book-MIYAMI-SAN-A-Love-Story-20220307
  60. https://www.reddit.com/r/classicfilms/comments/1lw8kod/neile_adams_turns_93/
  61. https://goldenglobes.com/vertical-gallery/asian-actresses-struggled-racism-prejudice-pave-way-next-generations/
  62. https://www.facebook.com/DonsAmericanSongbook/posts/july-10-1932-filipino-american-actress-singer-and-dancer-neile-adams-was-born-on/1056202499953023/
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