Hubbry Logo
Bob HopeBob HopeMain
Open search
Bob Hope
Community hub
Bob Hope
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Bob Hope
Bob Hope
from Wikipedia

Lester Townes "Bob" Hope ( Leslie Townes Hope; May 29, 1903 – July 27, 2003) was an American comedian, actor, entertainer and producer with a career that spanned nearly 80 years and achievements in vaudeville, network radio, television, and USO Tours. He appeared in more than 70 short and feature films, starring in 54, including a series of seven Road to ... musical comedy films with Bing Crosby as his partner.

Key Information

Hope hosted the Academy Awards ceremony a record 19 times. He also appeared in many stage productions and television roles and wrote 14 books. The song "Thanks for the Memory" was his signature tune. He was praised for his comedic timing, specializing in one-liners and rapid-fire delivery of jokes that were often self-deprecating. Between 1941 and 1991, he made 57 tours for the United Service Organizations (USO), entertaining military personnel around the world. In 1997, Congress passed a bill that made him an honorary veteran of the Armed Forces.[2]

Hope was born in the Eltham district of southeast London. He arrived in the United States with his family at the age of four, and grew up near Cleveland, Ohio. He became a boxer in the 1910s but moved into show business in the early 1920s, initially as a comedian and dancer on the vaudeville circuit before acting on Broadway. He began appearing on radio and in films starting in 1934. Hope retired from public life in 1999 and died in 2003, at 100.

Early years

[edit]

Leslie Townes Hope was born on May 29, 1903, in Eltham, County of London[1] (now part of the Royal Borough of Greenwich), in a terraced house at 44 Craigton Road in Well Hall,[3][4] where there is now a British Film Institute 'Centenary of British Cinema' commemorative plaque in his memory.[5] He was the fifth of seven sons of William Henry Hope, a stonemason from Weston-super-Mare, Somerset, and Welsh mother Avis (née Townes), a light opera singer from Barry, Vale of Glamorgan,[6] who later worked as a cleaner. William and Avis married in April 1891 and lived at 12 Greenwood Street in Barry before moving to Whitehall, Bristol, and then to St George, Bristol. The family emigrated to the United States aboard the SS Philadelphia, passing through Ellis Island, New York on March 30, 1908, before moving on to Cleveland.[7]

From age 12, Hope earned pocket money by singing, dancing, and performing comedy on the street.[8] He entered numerous dancing and amateur talent contests as Lester Hope, and won a prize in 1915 for his impersonation of Charlie Chaplin.[9] For a time, he attended the Boys' Industrial School in Lancaster, Ohio, and as an adult donated sizable sums of money to the institution.[10] He had a brief career as a boxer in 1919, fighting under the name Packy East. He had three wins and one loss, and he participated in a few staged charity bouts later in life.[11] In December 1920, 17-year-old Hope and his brothers became US citizens when their British parents became naturalised Americans.[12] He legally changed his name from Leslie to Lester.[13]

In 1921, while working as a lineman for a power company, Hope was assisting his brother Jim in clearing trees when a tree crashed to the ground, crushing his face; the accident required reconstructive surgery, which contributed to his later distinctive appearance.[14] In his teens, he had also worked as a butcher's assistant as well as a brief stint at Cleveland's Chandler Motor Car Company in his early 20s.

Hope and his girlfriend later signed up for dancing lessons, encouraged after they performed in a three-day engagement at a club. Hope then formed a partnership with Lloyd Durbin, a friend from the dancing school.[15] Silent film comedian Fatty Arbuckle saw them perform in 1925 and found them work with a touring troupe called Hurley's Jolly Follies. Within a year, Hope had formed an act called the "Dancemedians" with George Byrne and the Hilton Sisters, conjoined twins who performed a tap-dancing routine on the vaudeville circuit. Hope and Byrne also had an act as Siamese twins; they sang and danced while wearing blackface until friends advised Hope that he was funnier by himself.[16]

In 1929, Hope informally changed his first name to "Bob". In one version of the story, he named himself after racecar driver Bob Burman.[17] In another, he said that he chose the name because he wanted a name with a "friendly 'Hiya, fellas!' sound" to it.[18] In a 1942 legal document, his legal name appears as Lester Townes Hope.[19] After five years on the vaudeville circuit, Hope was "surprised and humbled" when he failed a 1930 screen test for the RKO-Pathé short-subject studio at Culver City, California.[20]

Career

[edit]

1927–1937: Early theatre and film roles

[edit]
Bob Hope

In the early days, Hope's career included appearances on stage in vaudeville shows and Broadway productions.[21] Hope's first Broadway appearances, in 1927's The Sidewalks of New York and 1928's Ups-a-Daisy, were minor walk-on parts.[22] He returned to Broadway in 1933 to star as Huckleberry Haines in the Jerome Kern and Dorothy Fields musical Roberta.[23] Stints in the musicals Say When, the 1936 Ziegfeld Follies with Fanny Brice, and Red, Hot and Blue with Ethel Merman and Jimmy Durante followed.[24]

He began performing on the radio in 1934 mostly with NBC radio, and switched to television when that medium became popular in the 1950s. He started hosting regular TV specials in 1954,[25] and hosted the Academy Awards nineteen times from 1939 through 1977.[26] Overlapping with this was his movie career, spanning 1934 to 1972, and his USO tours, which he conducted from 1941 to 1991.[27][28]

Hope signed a contract with Educational Pictures of New York for six short comedies. The first was a comedy, Going Spanish (1934). He was not happy with it, and told newspaper columnist Walter Winchell, "When they catch [bank robber] Dillinger, they're going to make him sit through it twice."[29] Educational Pictures took umbrage at the remark and canceled Hope's contract after only the one film. He soon signed with the Vitaphone short-subject studio in Brooklyn, New York, making musical and comedy shorts during the day and performing in Broadway shows in the evenings.[30]

1938–1949: Hollywood contract and stardom

[edit]
Bob Hope in The Ghost Breakers trailer (1940)

Hope moved to Hollywood when Paramount Pictures signed him for the 1938 film The Big Broadcast of 1938, also starring W. C. Fields. The song "Thanks for the Memory", which later became his trademark, was introduced in the film as a duet with Shirley Ross, accompanied by Shep Fields and his orchestra.[31] The sentimental, fluid nature of the music allowed Hope's writers—he depended heavily upon joke writers throughout his career[32]—to later create variations of the song to fit specific circumstances, such as bidding farewell to troops while on tour or mentioning the names of towns in which he was performing.[33]

Hope and Bing Crosby sing and dance during the number "Chicago Style" in Road to Bali (1952)

As a film star, Hope was best known for such comedies as My Favorite Brunette and the highly successful "Road" movies in which he starred with Bing Crosby and Dorothy Lamour. The series consists of seven films made between 1940 and 1962: Road to Singapore (1940), Road to Zanzibar (1941), Road to Morocco (1942), Road to Utopia (1946), Road to Rio (1947), Road to Bali (1952), and The Road to Hong Kong (1962). At the outset, Paramount executives were amazed at how relaxed and compatible Hope and Crosby were as a team. What the executives didn't know was that Hope and Crosby had already worked together (on the vaudeville stage in 1932), and that working so easily in the "Road" pictures was just an extension of their old stage act.

Hope had seen Lamour performing as a nightclub singer in New York,[34] and invited her to work on his United Service Organizations (USO) tours of military facilities. Lamour sometimes arrived for filming prepared with her lines, only to be baffled by completely rewritten scripts or ad-libbed dialogue between Hope and Crosby.[35] Hope and Lamour were lifelong friends, and she remains the actress most associated with his film career although he made movies with dozens of leading ladies, including Katharine Hepburn, Paulette Goddard, Hedy Lamarr, Lucille Ball, Rosemary Clooney, Jane Russell, and Elke Sommer.[36]

Hope and Crosby teamed not only for the "Road" pictures, but for many stage, radio, and television appearances and many brief movie appearances together over the decades[37] until Crosby died in 1977. Although the two invested together in oil leases and other business ventures, worked together frequently, and lived near each other, they rarely saw each other socially.[38] After the release of Road to Singapore (1940), Hope's screen career took off, and he had a long and successful run. After an 11-year hiatus from the "Road" genre, he and Crosby reteamed for The Road to Hong Kong (1962), starring the 28-year-old Joan Collins in place of Lamour, whom Crosby thought was too old for the part.[39] They had planned one more movie together in 1977, The Road to the Fountain of Youth, but filming was postponed when Crosby was injured in a fall, and the production was canceled when he suddenly died of heart failure that October.[40]

Hope starred in 54 theatrical features between 1938 and 1972,[41] as well as cameos and short films. Most of his later movies failed to match the success of his 1940s efforts. He was disappointed with his appearance in Cancel My Reservation (1972), his last starring film; critics and filmgoers panned the movie.[42] Though his career as a film star effectively ended in 1972, he did make a few cameo film appearances into the 1980s.

Jerry Colonna and Hope, as caricatured by Sam Berman for NBC's 1947 promotional book

Hope's career in broadcasting began on radio in 1934. His first regular series for NBC Radio was the Woodbury Soap Hour in 1937, on a 26-week contract. Serving as the master of ceremonies for these Rippling Rhythm Revue radio broadcasts, Hope collaborated with the big band leader Shep Fields during this period of transition from vaudeville to radio.[43][44][45] A year later, The Pepsodent Show Starring Bob Hope began, and Hope signed a ten-year contract with the show's sponsor, Lever Brothers. He hired eight writers and paid them out of his salary of $2,500 a week. The original staff included Mel Shavelson, Norman Panama, Jack Rose, Sherwood Schwartz, and Schwartz's brother Al. The writing staff eventually grew to fifteen.[46] The show became the top radio program in the country. Regulars on the series included Jerry Colonna and Barbara Jo Allen as spinster Vera Vague. Hope continued his lucrative career in radio into the 1950s, when radio's popularity began being overshadowed by the upstart television medium.[47][48]

1950–1979: Television specials

[edit]

Hope did many specials for the NBC television network in the following decades, beginning in April 1950. He was one of the first people to use cue cards. The shows often were sponsored by Frigidaire (early 1950s), General Motors (1955–61), Chrysler (1963–73), and Texaco (1975–85).[49] Hope's Christmas specials were popular favorites and often featured a performance of "Silver Bells"—from his 1951 film The Lemon Drop Kid—done as a duet with an often much younger female guest star such as Barbara Mandrell, Olivia Newton-John, Barbara Eden, and Brooke Shields,[50] or with his wife Dolores, a former singer with whom he dueted on two specials.

On April 26, 1970, CBS released the Raquel Welch television special Raquel!; in it Hope appears as a guest.[51] Hope's 1970 Christmas special for NBC—filmed in Vietnam in front of military audiences at the height of the war—is on the list of the highest-rated broadcasts in U.S. history. It was seen by more than 60 percent of the U.S. households watching television.[52] Likely the most unusual of his television specials was Joys!, a parody of murder mystery narratives, where the audience discovers at the end of the broadcast that Johnny Carson was the villain.[53][54]

Beginning in early 1950, Hope licensed rights to publish a celebrity comic book titled The Adventures of Bob Hope to National Periodical Publications, alias DC Comics. The comic, originally featuring publicity stills of Hope on the cover, was entirely made up of fictional stories, eventually including fictitious relatives, a high school taught by movie monsters, and a superhero called Super-Hip.[55] It was published intermittently and continued publication through issue No. 109 in 1969. Writers included Arnold Drake, and illustrators included Bob Oksner and (for the last four issues) Neal Adams.[55] Hope reprised his role as Huck Haines in a 1958 production of Roberta at The Muny Theater in Forest Park in St. Louis, Missouri.[56] Additionally, Hope rescued the Eltham Little Theatre in England from closure by providing funds to buy the property. He continued his interest and support, and regularly visited the facility when in London. The theater was renamed in his honor in 1982.[57]

1980–1996: Later appearances

[edit]

Hope made a guest appearance on The Golden Girls, season 4, episode 17 (aired February 25, 1989) called "You Gotta Have Hope" in which Rose is convinced Bob Hope is her father. In 1992, Hope made a guest appearance as himself on the animated Fox series The Simpsons in the episode "Lisa the Beauty Queen" (season 4, episode 4).[58] His 90th birthday television celebration in May 1993, Bob Hope: The First 90 Years, won an Emmy Award for Outstanding Variety, Music Or Comedy Special.[59] Toward the end of his career, worsening vision problems rendered him unable to read his cue cards.[60] In October 1996, he announced he was ending his 60-year contract with NBC, joking that he "decided to become a free agent".[61] His final television special, Laughing with the Presidents, was broadcast in November 1996, with host Tony Danza helping him present a personal retrospective of presidents of the United States known to Hope, a frequent White House visitor over the years.[62] The special, though different from his usual specials, received high praise from Variety,[62] as well as other reviews.[63] Following a brief appearance at the 50th Primetime Emmy Awards in 1997, Hope made his last TV appearance in a 1997 commercial about the introduction of Big Kmart, directed by Penny Marshall.[64]

Hope continued an active entertainment career past his 90th birthday, concentrating on his television specials and USO tours. Although he had given up starring in feature films after Cancel My Reservation, he made several cameos in various films and co-starred with Don Ameche in the 1986 television film A Masterpiece of Murder.[65] A television special created for his 80th birthday in 1983 at the Kennedy Center in Washington, D.C., featured President Ronald Reagan, actress Lucille Ball, comedian-actor-writer George Burns, and many others.[66] In 1985 he was presented with the Life Achievement Award at the Kennedy Center Honors,[67] and in 1998 he was appointed an honorary Knight Commander of the Most Excellent Order of the British Empire (KBE) by Queen Elizabeth II. Upon accepting the appointment, Hope quipped, "I'm speechless. 70 years of ad lib material and I'm speechless."[68]

Other ventures

[edit]

Academy Awards host

[edit]

Hope was host of the Academy Awards ceremony 19 times between 1939 and 1977. His supposedly feigned desire for an Oscar became part of his act.[69] While introducing the 1968 telecast, he quipped, "Welcome to the Academy Awards, or, as it's known at my house, Passover."[70] Although he was never nominated for an Oscar, the Academy of Motion Picture Arts and Sciences honored him with four honorary awards, and in 1960 presented him with the Jean Hersholt Humanitarian Award, given each year as part of the Oscars ceremony.

USO Involvement

[edit]
Hope at a USO show

While aboard RMS Queen Mary when World War II began in September 1939, Hope volunteered to perform a special show for the passengers, during which he sang "Thanks for the Memory" with rewritten lyrics.[71] He performed his first USO show on May 6, 1941, at March Field in California,[72] and continued to travel and entertain troops for the rest of World War II, later during the Korean War, the Vietnam War, the third phase of the Lebanon Civil War, the latter years of the Iran–Iraq War, and the Persian Gulf War.[28] His USO career lasted a half-century during which he headlined 57 times.[28]

He had a deep respect for the men and women who served in the armed forces, and this was reflected in his willingness to go anywhere to entertain them.[73] However, during the highly controversial Vietnam War, Hope had trouble convincing some performers to join him on tour, but he was accompanied on at least one USO tour by Ann-Margret. Anti-war sentiment was high, and his pro-troop stance made him a target of criticism from some quarters. Some shows were drowned out by boos; others were listened to in silence.[74]

The tours were funded by the U.S. Department of Defense, Hope's television sponsors, and by NBC, the network that broadcast the television specials created after each tour from footage shot on location. However, the footage and shows were owned by Hope's own production company, which made them very lucrative ventures for him, as outlined by writer Richard Zoglin in his 2014 biography Hope: Entertainer of the Century.

Hope sometimes recruited his own family members for USO travel. His wife, Dolores, sang from atop an armored vehicle during the Desert Storm tour, and granddaughter Miranda appeared alongside him on an aircraft carrier in the Indian Ocean.[73] Of Hope's USO shows in World War II, novelist John Steinbeck, who then was working as a war correspondent, wrote in 1943:

When the time for recognition of service to the nation in wartime comes to be considered, Bob Hope should be high on the list. This man drives himself and is driven. It is impossible to see how he can do so much, can cover so much ground, can work so hard, and can be so effective. He works month after month at a pace that would kill most people.[75]

Hope at Lackland Air Force Base in Texas in 1990

Along with his best friend Bing Crosby, Hope was offered a commission in the United States Navy as lieutenant commander during World War II, but FDR intervened, believing it would be better for troop morale if they kept doing what they were doing by playing for all branches of military service.[76]

For his service to his nation through the USO, he was awarded the Sylvanus Thayer Award by the United States Military Academy at West Point in 1968, the first entertainer to receive the award.[77][78] A 1997 act of Congress signed by President Bill Clinton named Hope an "Honorary Veteran". He remarked, "I've been given many awards in my lifetime, but to be numbered among the men and women I admire most is the greatest honor I have ever received."[79] In an homage to Hope, comedian/TV host Stephen Colbert carried a golf club on stage during the week of USO performances he taped for his TV show The Colbert Report during the 2009 season.[80]

Dear Bob...: Bob Hope's Wartime Correspondence with the G.I.s of World War II, written by Martha Bolton (first woman staff writer for Bob Hope) and Linda Hope (his eldest daughter), is a collection of some of his letter to the troops.[81]

Sports car racing

[edit]

During a short stint in 1960, Hope became a part owner of the Riverside International Raceway in Moreno Valley, California, along with Los Angeles Rams co-owner Fred Levy Jr.[82] and oil tycoon Ed Pauley for $800,000 (adjusted to $7.0 million in 2020). Les Richter was made president of the raceway.[83]

Influence

[edit]

In an interview on NPR, Terry Gross said, "Woody Allen and Conan O'Brien are two of the people who have referred to Bob Hope as influences. And I think influences in part on their own personas as not being this suave, handsome, macho guy." Hope biographer Zoglin agreed saying, "Woody continually said, this was the guy who influenced me more than anyone else. And that character - that kind of scared character, the guy talk - nervous, talking his way through, you know, bad times and scary times. That was Woody Allen's character in Sleeper (1973) and Love and Death (1975). He always said that he and Diane Keaton in those films were basically like Hope and Crosby".[84]

Conan O'Brien also cited Hope as an influence saying, "I loved Woody Allen. And Woody Allen says, oh, I love Bob Hope really influenced me. And I thought, what are you talking about? How did Bob Hope influence you in any way?...Then I went back and I started looking at seeing some of the movies. And you see it, you see that that the character that Woody Allen does is a character that I think was really, to a large extent invented by Bob Hope."[85]

Artistry and legacy

[edit]
Douglass Montgomery, Bob Hope, Paulette Goddard and John Beal in The Cat and the Canary (1939)

Hope helped establish modern American comedy.[21] He was widely praised for his comedic timing and his specialization in the use of one-liners and rapid-fire delivery of jokes. He was known for his style of self-deprecating jokes, first building himself up and then tearing himself down. He performed hundreds of times per year.[86] Such early films as The Cat and the Canary (1939) and The Paleface (1948) were financially successful and praised by critics,[87] and by the mid-1940s, with his radio program getting good ratings as well, he was one of the most popular entertainers in the United States.[88] When Paramount threatened to stop production of the "Road" pictures in 1945, they received 75,000 letters of protest.[89]

Hope and his comic sidekick, Jerry Colonna, sporting his trademark handlebar mustache in 1940

Hope had no faith in his skills as a dramatic actor, and his performances of that type were not as well received.[90] He had been well known in radio until the late 1940s; however, as his ratings began to slip in the 1950s, he switched to television and became an early pioneer of that medium.[50][91] He published several books, notably dictating to ghostwriters about his wartime experiences.[88]

Although Hope made an effort to keep his material up to date, he never adapted his comic persona or his routines to any great degree. As Hollywood began to transition to the "New Hollywood" era in the 1960s, he reacted negatively, such as when he hosted the 40th Academy Awards in 1968 and voiced his contempt by mocking the show's delay because of the assassination of Martin Luther King Jr. and condescendingly greeted attending younger actors on stage—such as Dustin Hoffman, who was 30 at the time—as children.[92] By the 1970s, his popularity was beginning to wane with military personnel and with the movie-going public in general.[93] However, he continued doing USO tours into the 1980s[94] and continued to appear on television into the 1990s. Former First Lady Nancy Reagan, a close friend and frequent host to him at the White House, called Hope "America's most honored citizen and our favorite clown".[95]

Hope, a golf fan, putting a golf ball into an ashtray held by President Richard Nixon in the Oval Office in 1973

Hope was well known as an avid golfer, playing in as many as 150 charity tournaments a year.[96] Introduced to the game in the 1930s while performing in Winnipeg, Canada,[97] he eventually played to a four handicap. His love for the game—and the humor he could find in it—made him a sought-after foursome member. He once remarked that President Dwight D. Eisenhower gave up golf for painting: "Fewer strokes, you know."[98] He also was quoted as saying, "It's wonderful how you can start out with three strangers in the morning, play 18 holes, and by the time the day is over you have three solid enemies."[99]

A golf club became an integral prop for Hope during the standup segments of his television specials and USO shows. In 1978 he putted against the then-two-year-old Tiger Woods in a television appearance with the actor Jimmy Stewart on The Mike Douglas Show.[100]

The Bob Hope Classic, founded in 1960, made history in 1995 when Hope teed up for the opening round in a foursome that included presidents Gerald Ford, George H. W. Bush, and Bill Clinton, the only time three U.S. presidents played in the same golf foursome.[101] The event, now known as the CareerBuilder Challenge, was one of the few PGA Tour tournaments that took place over five rounds, until the 2012 tournament when it was cut back to the conventional four.[102]

Hope had a heavy interest in sports beyond golf and his brief fling as a professional boxer in his youth. In 1946, he bought a small stake in the Cleveland Indians professional baseball team[103] and held it for most of the rest of his life.[104] He appeared on the June 3, 1963, cover of Sports Illustrated magazine wearing an Indians uniform,[105] and sang a special version of "Thanks for the Memory" after the Indians' last game at Cleveland Stadium on October 3, 1993.[106] He also bought a share with Bing Crosby of the Los Angeles Rams football team in 1947, but sold it in 1962.[107] He frequently used his television specials to promote the annual AP College Football All-America Team. The players would come onstage one by one and introduce themselves, then Hope, often dressed in a football uniform, would give a one-liner about the player or his school.[108]

Acting credits and accolades

[edit]
Hope and his wife Dolores on Capitol Hill as he received an award in 1978

Hope was awarded more than 2,000 honors and awards, including 54 honorary university doctorates. In 1963 President John F. Kennedy awarded him the Congressional Gold Medal for service to his country.[109] President Lyndon Johnson bestowed the Presidential Medal of Freedom in 1969 for his service to the armed forces through the USO.[110] In 1982 he received the S. Roger Horchow Award for Greatest Public Service by a Private Citizen, an honor given annually by Jefferson Awards.[111] He was presented with the National Medal of Arts in 1995[112] and received the Ronald Reagan Freedom Award in 1997.[113] On June 10, 1980, he became the 64th—and only civilian—recipient of the United States Air Force Order of the Sword which recognizes individuals who have made significant contributions to the enlisted corps.[114]

Nancy Reagan prepares to present Hope (then aged 94) with the Ronald Reagan Freedom Award, July 1997

Several buildings and facilities were renamed for Hope, including the historic Fox Theater in downtown Stockton, California,[115] and the Bob Hope Airport in Burbank, California.[116] There is a Bob Hope Gallery at the Library of Congress.[117] In memory of his mother, Avis Townes Hope, Bob and Dolores Hope gave the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C., a chapel called the Chapel of Our Lady of Hope.[118] USNS Bob Hope (T-AKR-300) of the U.S. Military Sealift Command was named for the performer in 1997. It is one of very few U.S. naval ships that were named after living people.[119] The Air Force named a C-17 Globemaster III transport aircraft the Spirit of Bob Hope.[120]

In 1965, he was awarded an honorary Doctor of Humane Letters (L.H.D.) degree from Whittier College.[121]

In 1978, Hope was invited to dot the "i" in the Ohio State University Marching Band's "Script Ohio" formation, an honor only given to non-band members on 14 occasions from 1936 through 2016.[122] Woody Allen wrote and narrated a documentary honoring him, My Favorite Comedian, shown at Lincoln Center.[123] In Hope's hometown of Cleveland, the refurbished Lorain-Carnegie Bridge was renamed the Hope Memorial Bridge in 1983, though differing claims have been made as to whether the bridge honors Hope himself, his entire family, or his stonemason father who helped in the bridge's construction. Also, East 14th Street near Playhouse Square in Cleveland's theater district was renamed Memory Lane-Bob Hope Way in 2003 in honor of the entertainer's 100th birthday.[124]

In 1992, Hope was honored with the "Lombardi Award of Excellence" from the Vince Lombardi Cancer Foundation. The award was created to honor the football coach's legacy, and is awarded annually to an individual who exemplifies his spirit. He was also inducted into Omicron Delta Kappa, the National Leadership Honor Society, in 1992 at Ferris State University. On May 28, 2003, President George W. Bush established the Bob Hope American Patriot Award.[125]

Bob Hope's four stars for Radio broadcasting, Television, Live performance, and Motion pictures on Hollywood Walk of Fame in Los Angeles

Academy Awards Although he was never nominated for a competitive Oscar, Hope was given five honorary awards by the Academy of Motion Picture Arts and Sciences:[126]

Personal life

[edit]

Marriage and relationships

[edit]
The Hope family; Back, from left: Tony, Dolores, and Linda; Front, from left: Kelly, Bob, and Nora

Hope was briefly married to vaudeville partner Grace Louise Troxell (1912–1992), a secretary from Chicago, Illinois. They were married on January 25, 1933, in Erie, Pennsylvania.[127] They divorced in November 1934.[128]

The couple had shared headliner status with Joe Howard at the Palace Theatre in April 1931, performing "Keep Smiling" and the "Antics of 1931".[129] They worked together at the RKO Albee, performing the "Antics of 1933" along with Ann Gillens and Johnny Peters in June of that year.[130] The following month, singer Dolores Reade joined Hope's vaudeville troupe and was performing with him at Loew's Metropolitan Theater. She was described as a "former Ziegfeld beauty and one of society's favorite nightclub entertainers, having appeared at many private social functions at New York, Palm Beach, and Southampton".[131]

His marriage to Reade was fraught with ambiguities. As Richard Zoglin wrote in his 2014 biography Hope: Entertainer of the Century,

Bob and Dolores always claimed that they married in February 1934 in Erie, Pennsylvania. But at that time, he was secretly married to his vaudeville partner Louise Troxell, after three years together on and off. I found divorce papers for Bob and Louise dated November 1934, so either Bob Hope was a bigamist, or he lied about marrying Dolores in February that year. He had actually married Louise in January 1933 in Erie when they were traveling on the vaudeville circuit. When he claimed he had married Dolores in Erie he was miles away in New York, on Broadway. More intriguing, there is no record anywhere of his marriage to Dolores, if it happened. And there are no wedding photos, either. But he never forgot Louise and quietly sent her money in her later years.[128]

Dolores had been one of Hope's co-stars on Broadway in Roberta. The couple adopted four children: Linda (in 1939), Anthony "Tony" (1940–2004),[132] Kelly (1946), and Eleanora "Nora" (1946).[133] Bob and Dolores were also the legal guardians of Tracey, the youngest daughter of famous New York City bar owner Bernard "Toots" Shor and his wife, Marion "Baby" Shor.[134] In 1935, the couple lived in Manhattan. In 1937, they moved to 10346 Moorpark Street in the Toluca Lake neighborhood of Los Angeles, where they would reside until their respective deaths.[135][136]

Hope had a reputation as a womanizer and continued to see other women throughout his marriage.[137] Zoglin wrote that Hope had several "affairs with chorus girls, beauty queens, singers and showbiz wannabes". Women who have claimed to have been romantically linked to Hope include Barbara Payton, Marilyn Maxwell, and Rosemarie Frankland.[138][139][140][141][141][142]

Politics and beliefs

[edit]
From left to right: Spiro and Judy Agnew, Bob and Dolores Hope, Richard and Pat Nixon, Nancy and Ronald Reagan during a campaign stop for the Nixon-Agnew ticket in California, 1971

Hope had extensive relationships with US presidents from Franklin D. Roosevelt to Bill Clinton and often made topical political jokes in his comedic material. He hosted the White House Correspondents Dinner three times in 1944, 1953, and 1976.[143][144][145] Hope was supportive politically of conservative presidents such as Richard Nixon and Ronald Reagan.[146][147]

In an interview with Hope biographer Richard Zoglin on NPR he stated that "Bob Hope was the establishment. Bob Hope was friends with Nixon. Bob Hope was speaking in favor of the Vietnam War. Bob Hope was expressing that kind of backward, suburban, WASP view of minorities, homosexuals, the women's movement."[148] Hope's beliefs and attitudes of the social issues are a part of the plot of the 2020 film Misbehaviour, which follows the Women's Liberation protests at the Miss World 1970 competition that Hope hosted; Greg Kinnear plays Hope.[149]

Hope (left) with Nancy Reagan and President Ronald Reagan in 1981

After the shootings of President Ronald Reagan and Pope John Paul II in 1981, Hope advocated for gun control. Hope told Tom Shales of The Washington Post, "I'm for gun registration. I don't think any jerk that's coked up or anything should be allowed to walk in a store and buy a gun and turn around and shoot 19 people, you know? ... And what the hell, hunters can have their guns, they're registered. I've got a gun in each house for a warning thing; that can be registered ... They gotta tell me what's wrong with having them registered. That's all I wanna hear."[150] When Hope shared these views during an ABC Radio interview, he quickly realized the repercussions. Vice President George H.W. Bush, who was visiting West Point the same day Hope taped a special there, had declined to meet with him. Additionally, at a luncheon in Washington that same week, Hope had planned to sit with Nancy Reagan, but she canceled at the last minute.[151]

Hope's views on the gay community also evolved. At the height of Anita Bryant's campaign to reverse the progress of gay rights and anti-discrimination legislation in Florida in 1977, he, as well as many other comedians, ridiculed her in their routines, but also expressed his disagreement with Bryant: "We're all entitled to our own sexual habits [and] I believe what these people do behind closed doors is their business ... Most of us today are aware of Anita Bryant's stand [but] I still think jobs should be based on talent, not whether a person is homosexual or heterosexual."[152] However, Texaco and Chrysler, sponsors for many of his TV specials, asked him to refrain from making further jokes about the subject.[153] In February 1986, he joined Elizabeth Taylor, to cohost a benefit for American Foundation for AIDS Research and the Arizona AIDS Fund Trust in Scottsdale, AZ.[154] Though expressing these supportive views, he occasionally used epithets and told jokes at the expense of the community yet showed remorse when called on it. During a performance at Liberty Weekend in 1986, Hope remarked, "I just heard that the Statue of Liberty has AIDS, but she doesn't know if she got it from the mouth of the Hudson or the Staten Island Ferry."[155] Two months later, Hope took responsibility for telling the joke and apologized, explaining that he overheard the joke and thought it was funny.[156] When Hope used the word "fag" on a 1988 Tonight Show appearance, GLAAD asked for a statement apologizing for the slur. He agreed to tape a public service announcement opposing "bigotry" on their behalf.[157]

Philanthropy and estate

[edit]

Hope, who suffered from vision problems for much of his adult life, served as an active honorary chairman on the board of Fight for Sight, a nonprofit organization in the United States which funds medical research in vision and ophthalmology. He hosted its Lights On telecast in 1960 and donated $100,000 ($1.04M in 2024) to establish the Bob Hope Fight for Sight Fund.[158] Hope recruited numerous top celebrities for the annual "Lights On" fundraiser. As an example, he hosted boxing champion Joe Frazier, actress Yvonne De Carlo, and singer-actor Sergio Franchi as headliners for the April 25, 1971, show at Philharmonic Hall in Milwaukee.[159]

Hope settled into a home custom built for him in 1939 on an 87,000-square-foot (8,083 m2) lot in the Toluca Lake section of Burbank in the San Fernando Valley. It was put on the market in late 2012.[160]

His Modernist Palm Springs 23,366-square-foot (2,171 m2) home, built to resemble a volcano, was designed in 1973 by John Lautner. It is located above the city, with panoramic views of the Coachella Valley and the San Jacinto Mountains. It was put on the market for the first time in February 2013 with an asking price of $50 million.[161] The Palm Springs house sold in November 2016 for $13 million to investor Ron Burkle, far below its 2013 asking price.[162]

Advanced age and death

[edit]

At the age of 93, seven years before his death, Hope converted to Catholicism, his wife’s faith.[163][164]

In July 1997 at age 94, he attended the funeral of James Stewart, where many pointed out his frail appearance.[165] At the age of 95, Hope made an appearance at the 50th anniversary of the Primetime Emmy Awards with Milton Berle and Sid Caesar. Contemporaries Fay Wray and Gloria Stuart were also present.[166] Two years later, he was present at the opening of the Bob Hope Gallery of American Entertainment at the Library of Congress. The Library of Congress has presented two major exhibitions about Hope's life: "Hope for America: Performers, Politics and Pop Culture" and "Bob Hope and American Variety".[167][168] He last made an appearance at the Hope Classic in 2000, where he hugged Swedish golfer Jesper Parnevik.[169]

Graves of Bob and Dolores Hope, on the grounds of the Mission San Fernando Rey de España

In 1998, five years before his death, a prepared obituary written by the Associated Press was inadvertently released, resulting in Hope's death being announced on the floor of the U.S. House of Representatives.[170][171] However, aside from increasing frailty, Hope remained in relatively good health until late in his old age.[172] In June 2000 at age 97, he spent nearly a week in a California hospital being treated for gastrointestinal bleeding.[173] In August 2001 at age 98, he spent close to two weeks in a hospital recovering from pneumonia.[174][175]

Hope celebrated his 100th birthday on May 29, 2003.[176] To mark this event, the intersection of Hollywood and Vine in Los Angeles was named "Bob Hope Square" and his centennial was declared "Bob Hope Day" in 35 states. Even at 100, Hope maintained his self-deprecating sense of humor, quipping, "I'm so old, they've canceled my blood type."[177]

On July 27, 2003, Hope died of pneumonia at his home in Toluca Lake, California.[177] His grandson Zach Hope told Soledad O'Brien in an interview that, when asked at the end of his life where he wished to be buried, he said, "Surprise me".[178] His remains were temporarily placed in a mausoleum vault at the San Fernando Mission Cemetery before the construction of the Bob Hope Memorial Garden at the San Fernando Mission, located next door to the cemetery, in Los Angeles. Dolores died in 2011, aged 102.[179][180] After his death, newspaper cartoonists worldwide paid tribute to his work for the USO, and some featured drawings of Bing Crosby, who had died in 1977, welcoming Hope to Heaven.[181]

Discography

[edit]

Singles

Year Single US Pop
Chart
[182]
1936 "De-Lovely" (eponym of 2004 film biography of Cole Porter) --
1938 "Thanks for the Memory" (Oscar for Best Original Song) (Bob Hope and Shirley Ross) --
1939 "Two Sleepy People" (B-side) (Bob Hope and Shirley Ross) 15
1945 "(We're Off on the) Road to Morocco" (Bing Crosby and Bob Hope) 21
1948 "Buttons and Bows" (Oscar for Best Original Song) --
1950 "Blind Date" (Margaret Whiting and Bob Hope) 16
1951 "Silver Bells (Christmas song) --

See also

[edit]

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Leslie Townes Hope (May 29, 1903 – July 27, 2003), professionally known as Bob Hope, was an English-born American comedian, actor, singer, dancer, radio and television personality, and author whose career spanned nearly eight decades in , radio, , television, and live stage performances. Born in , , Hope immigrated with his family to , , in 1907 and became a U.S. citizen in 1920, beginning his entertainment journey in after early jobs including shoe salesman and pool hustler. Hope achieved national prominence in the late 1930s through radio, starring in the top-rated Pepsodent Show from 1938 to 1948, which featured his signature rapid-fire one-liners, monologues, skits, and guest stars, solidifying his comedic style of self-deprecating humor and topical jokes. In film, he appeared in over 50 features and 15 cameos, introducing Oscar-winning songs like "Thanks for the Memory" (1938) and "Buttons and Bows" (1948), but his most enduring cinematic legacy lies in the seven "Road to..." musical comedies co-starring and , starting with (1940) and concluding with Road to Hong Kong (1962), known for their ad-libbed banter, breaking of the , and box-office success. Transitioning to television in 1950 with specials that numbered 284 over six decades, Hope maintained his status as a icon while prioritizing morale-boosting efforts for U.S. troops via USO tours initiated in 1941 at March Field, California, and extending over 50 years through , the , , and Operation Desert Shield, performing in remote outposts, battle zones, and aboard ships to deliver laughter and a connection to home for millions of service members. His humanitarian contributions garnered extraordinary recognition, including five (two honorary Oscars, two special awards, and the ), the , honorary knighthood from Queen Elizabeth II, and designation as an honorary veteran by in 1997. Married to singer Dolores Reade from 1934 until his death, Hope adopted four children and amassed over 2,000 awards, including 54 honorary doctorates, cementing his role as one of the most honored entertainers in history.

Early Life and Formative Years

Birth, Immigration, and Family Background

Leslie Townes Hope was born on May 29, 1903, in , a suburb in southeast , . He was the fifth of seven sons to William Henry Hope, a stonemason originally from in , , and Avis Townes Hope, an aspiring light opera singer of Welsh descent who later worked as a cleaner. The Hope family resided in multiple locations across , including and , as William sought steady employment amid economic pressures common to working-class households of the era. Seeking better opportunities, the family immigrated to the in 1908, when Leslie was four years old. Avis and her five youngest sons, including Leslie, traveled in third class aboard the steamship , departing from and arriving at New York's [Ellis Island](/page/Ellis Island) immigration station on March 30, 1908. William had preceded them by about a year to establish work as a stonemason in , , where the family eventually reunited and settled in the Doan's Corners neighborhood. This move reflected broader patterns of early 20th-century British emigration driven by industrial job scarcity and the promise of American labor markets, though the Hopes faced initial hardships in their new urban environment.

Initial Performances and Vaudeville Entry

Hope dropped out of high school at age 16 in 1919 and began studying dance with professional entertainers, including King Rastus Brown and performer Johnny Root, eventually taking over some of their classes. He entered local amateur contests in , winning prizes for impressions such as , which honed his comedic timing alongside dance routines. In the early 1920s, Hope transitioned to professional as a dancer and , initially forming a two-man act with friend Lloyd "Lefty" Durbin from his school. Their partnership debuted in 1924 on the small-time Gus Sun circuit in , performing abbreviated "tabloid" versions of musicals in working-class theaters, where they combined tap dancing with emerging bits to appeal to modest audiences. Durbin's sudden death from food poisoning in 1925 ended the duo, prompting Hope to partner with George Byrne for similar tab shows, refining acts that included singing, dancing, and novelty routines like a mock Siamese twins performance. Hope and Byrne toured extensively in the mid-1920s across houses, gradually incorporating more monologue-style jokes and one-liners into their dance-focused sets, which helped Hope develop his signature rapid-fire delivery. He adopted the stage name "Bob Hope" during this period, moving away from his Leslie, to better suit the comedic he was cultivating. Later pairings, such as with dancer Louise Troxell, further diversified his routines but maintained the vaudeville emphasis on versatile, audience-pleasing entertainment amid the circuit's competitive, low-pay environment. These early experiences on the "small-time" vaudeville ladder, far from major urban palaces, built Hope's resilience and adaptability before his ascent to larger stages.

Rise in Radio, Film, and Early Stardom

Breakthrough on Radio with "The Pepsodent Show"

Bob Hope achieved his radio breakthrough with [The Pepsodent Show](/page/Pepsodent Show), which premiered on September 27, 1938, on as a Tuesday evening variety program sponsored by the toothpaste manufacturer. Following guest appearances and a short-lived series on The Woodbury Soap Hour in 1937, Hope's rising profile from the film led to his selection as host, marking his first long-term starring role in network radio. The format centered on Hope's monologue of topical jokes, comedic sketches often involving his fictional cowardice, banter with announcer Jerry Colonna—who evolved into a key sidekick with exaggerated characterizations—and performances by singer alongside the orchestra led by Harry Salter. Hope employed eight writers, including veterans from New York, to produce timely scripts that blended current events with self-deprecating humor, setting it apart from competitors. Guest stars such as and frequently appeared, enhancing its appeal during the program's initial 30-minute episodes that later expanded. By 1942, The Pepsodent Show topped the radio ratings, holding the number one position through 1944 amid , with audiences exceeding 40 million weekly listeners at its peak. This success stemmed from Hope's versatile delivery and the show's integration of patriotic themes, which boosted morale without overt propaganda, distinguishing it in an era dominated by soap operas and dramas. The series continued under until 1948, after which sponsorship shifted, but it established Hope as radio's preeminent comedian for a decade.

Hollywood Transition and "Road" Film Series

Hope transitioned to Hollywood following his radio stardom, signing a long-term contract with in and relocating from New York. His feature film debut came in , a musical where he performed the duet "" with , which became his signature tune and earned an Academy Award nomination for Best Original Song. The film's success, grossing over $1 million domestically amid the , solidified Paramount's investment in Hope as a leading comedian. Subsequent solo vehicles showcased Hope's rapid evolution into a star of light and spoof horror. In , he starred in The Cat and the Canary, a comedic of the silent film, playing a cowardly heir in a haunted mansion, which capitalized on his radio-honed timid persona and paired him with . This was followed by The Ghost Breakers (1940), another haunted-house farce with , blending scares with and earning praise for Hope's verbal timing alongside supernatural gags. These early Paramount productions, directed by Elliott Nugent and others, established Hope's formula of self-deprecating humor and established him as a box-office draw, with The Ghost Breakers alone profiting significantly from its $400,000 budget. The pivotal shift occurred in 1940 when Hope was teamed with singer for Road to Singapore, the first in a series of seven improvisational adventure spoofs co-starring as a romantic foil. Released on March 14, 1940, the film depicted two playboys fleeing responsibility to exotic locales, laced with ad-libbed banter, fourth-wall breaks, and satirical jabs at Hollywood tropes, grossing $2 million and spawning sequels due to audience demand. The series continued with (February 10, 1941), (November 10, 1942; Oscar-nominated for Best Original Song "Oscar"), (February 20, 1946), Road to Rio (December 25, 1947), (November 19, 1952), and Road to Hong Kong (1962, produced by after Paramount). These films, blending musical numbers with escalating absurdity—such as invisible camels in or genies in —collectively earned over $50 million, revolutionizing by prioritizing star chemistry over rigid scripts and influencing later buddy films. Hope's cowardly foil to Crosby's drove the humor, with the duo's unscripted rivalry boosting replay value in theaters.

Wartime Entertainment and Patriotic Service

World War II USO Tours and Morale Boosting

Bob Hope initiated his military entertainment efforts with his first USO performance on May 6, 1941, at in , broadcasting his radio show live for troops shortly before the entered . During the war, Hope conducted 144 radio broadcasts, with only nine recorded in a studio; the remaining 135 were performed directly for servicemen across various fronts, integrating routines tailored to life. In 1943, Hope undertook a major tour of the European and Mediterranean theaters, visiting , , and , where he met General George Patton on August 21 in amid ongoing operations. His troupe, including singer and others, performed under hazardous conditions, such as in , , where German bombers interrupted shows, yet Hope persisted to deliver relief through humor addressing troops' boredom and homesickness. described Hope as a "one-man morale machine" for his relentless pace and effectiveness in uniting service members through laughter during this period. The following year, in 1944, Hope's Pacific tour spanned over 13,000 miles in 52 days, from the to , encompassing more than 80 performances on makeshift stages, in hospital wards, and via transport on cargo planes, PT-boats, and jeeps. These efforts, often in remote and combat-adjacent areas like the , provided a vital sense of home and normalcy, boosting troop morale by offering temporary escape from the rigors of through variety shows blending comedy, music, and celebrity presence. Hope's commitment extended to personal correspondence with troops, such as a 1945 letter recalling visits to North African hospitals, reinforcing emotional support beyond performances.

Post-WWII Military Engagements through Korea and Vietnam

Following , Bob Hope resumed his USO performances during the , traveling to combat zones in the fall of 1950 to entertain U.S. troops amid harsh frontline conditions. These shows featured Hope's signature comedy routines adapted for military audiences, often broadcast via radio to reach more personnel, and helped sustain morale during the conflict's early phases. By 1953, as the approached, Hope's efforts contributed to the USO's revival and expansion, with his tours emphasizing patriotic humor and celebrity guests to counter the war's grueling realities. Hope's commitment extended into the Vietnam War era, where he conducted nine consecutive USO tours from 1964 to 1972, recording special holiday episodes amid escalating U.S. involvement. These performances occurred at bases like in 1965, Lai Khe and Phan Rang in 1967, and aboard carriers such as the USS Coral Sea, drawing audiences of thousands of service members. Guests including , , and joined Hope for skits and songs tailored to troop experiences, with the 1970 broadcast becoming one of television's most-viewed events that year. Despite logistical challenges like monsoons and security threats, Hope's shows provided brief respites, reinforcing his role as a steadfast supporter of American forces through undimmed optimism and topical jests. ![Bob Hope USO performance][float-right]
Overall, these post-WWII engagements solidified Hope's legacy in military entertainment, spanning from Korea's frozen hills to Vietnam's jungles, as part of his 57 total USO tours across major conflicts. His persistence, often self-funded in early postwar years, underscored a dedication to boosting esprit de corps without regard for domestic political divides.

Television Career and Hosting Roles

NBC Specials and Variety Shows

Bob Hope's national television debut occurred on with the variety special Star Spangled Revue on April 9, 1950, sponsored by and featuring guest performers including , Douglas Fairbanks Jr., , Hal Leroy, and . This 90-minute program marked the beginning of Hope's extensive television output on the network, which included five additional specials during the 1950-1951 season, each incorporating his signature comedy monologues, sketches, and musical segments with celebrity guests. From 1952 to 1953, The Bob Hope Show rotated within 's Sunday night block alongside other variety programs like The Colgate Comedy Hour, maintaining a format centered on Hope's topical humor and ensemble performances. In 1953, aired the inaugural Bob Hope Special, a tradition that continued annually and often incorporated footage from Hope's USO tours to entertain troops overseas, blending holiday themes with patriotic content and guest stars such as singers and fellow comedians. Hope's NBC specials emphasized variety entertainment, featuring recurring elements like golf-themed sketches reflecting his personal interest in the sport, interactions with athletes, and appearances by Hollywood contemporaries, which sustained high viewership through the and . These productions earned multiple Primetime Emmy nominations, including for outstanding directorial achievement in comedy during the early , recognizing the technical and creative execution of the shows' fast-paced routines. By the mid-, the specials had evolved to include themed episodes, such as the Bob Hope Buick Sports Awards Show on February 15, 1961, highlighting sports figures alongside comedic bits. Throughout the ensuing decades, Hope continued producing irregular but frequent NBC variety specials until 1996, amassing a catalog that underscored his adaptability from live broadcasts to taped formats while preserving a light-hearted, audience-engaging style unburdened by scripted controversy. The specials' reliance on Hope's ad-libbed commentary and guest rotations contributed to their status as television staples, with later entries occasionally tying into his military support efforts or milestone celebrations.

Academy Awards Hosting and Longevity

Bob Hope hosted the ceremony a record 19 times between 1940 and 1978, more than any other individual. Of these appearances, he served as the sole host for 14 ceremonies and shared duties with co-hosts on five occasions. His debut came at the on February 23, 1940, where he emceed the event at the Ambassador Hotel in . Hope's hosting tenure spanned nearly four decades, bridging the pre-television era of radio dominance and the rise of broadcast spectacles, during which he adapted his vaudeville-honed timing to live audiences and later camera-aware delivery. Hope's style emphasized rapid-fire monologues, topical satire on Hollywood figures, and self-mocking routines about his own lack of competitive wins despite seven nominations and two honorary Oscars (in 1940 for contributions to and 1952 for ). This persona—portraying himself as eternally snubbed by voters—became a signature gag, reiterated across broadcasts to underscore the event's glamour while poking at its pretensions. He hosted the inaugural televised Oscars on March 19, 1953, from the RKO Pantages Theatre, marking a shift to national viewership that amplified his role as a stabilizing, apolitical emcee amid evolving production formats. His final solo stint occurred at the 50th ceremony on April 3, 1978, after which younger hosts like assumed primacy, reflecting generational turnover. This extended Oscar involvement exemplified Hope's broader professional longevity, with an active career exceeding 70 years from debuts in the through USO tours into the . His persistence stemmed from consistent audience draw via affiliations, where ratings for his specials often topped charts for six decades, enabling repeated invitations despite stylistic critiques of formulaic material in later years. Unlike peers who faded post-peak, Hope's adaptability—integrating guest stars, musical segments, and wartime anecdotes—sustained relevance across cultural shifts, from morale to optimism, until age limited physical demands around his centenarian milestone in 2003.

Later Professional Activities and Ventures

Sports Car Racing and Golf Involvement

In 1960, Bob Hope, alongside oilman Ed Pauley and investor Fred Levy, acquired control of Riverside International Raceway, a California venue pivotal to early sports car racing, for an estimated $800,000. This short-term ownership stake facilitated the track's expansion and operations during a period when professional sports car events, including those sanctioned by the Sports Car Club of America, gained prominence in the region. Hope's role emphasized financial investment over direct participation in racing activities, aligning with his broader pattern of backing entertainment-adjacent ventures rather than competitive driving. Hope maintained a lifelong passion for golf, competing as a skilled amateur who entered the British Amateur Championship and routinely joined charity pro-am events nationwide. From 1960 onward, he hosted the Bob Hope Desert Classic, a PGA Tour tournament in California's Coachella Valley that drew celebrity players and generated substantial charitable proceeds—exceeding $47 million by 2008, primarily benefiting Eisenhower Medical Center and other local causes. The event, held at courses like Indian Wells Country Club, underscored Hope's integration of golf with philanthropy, often featuring his personal participation alongside professionals. He further aided blind golfers by co-organizing fundraising tournaments with the United States Blind Golf Association, enhancing visibility and resources for adaptive play.

Business Enterprises and Late-Career Appearances

Hope established Hope Enterprises to manage his professional activities, including personal appearance tours that generated significant revenue, such as one early venture netting $200,000 after taxes from $500,000 in gross proceeds. The company oversaw diverse investments, including part ownership in the Cleveland Indians baseball team, as well as stakes in Hope Metal Products and United Provision. By 1980, Hope's real estate holdings under these enterprises were valued at approximately $25 million if liquidated, reflecting his strategy of acquiring large tracts of California land, including 10,000 acres in the San Fernando Valley and 8,000 acres in the desert regions. Additional ventures included oil leases pursued with partners like Bing Crosby for tax-advantaged income, allowing deductions against high entertainment earnings. In 1985, Hope purchased nearly 80 acres in south Orange County, Florida, potentially for a museum site, though plans did not materialize. At his death in 2003, remaining land assets were appraised at $85 million, with miscellaneous investments adding $30 million, debunking exaggerated estimates of billionaire status. Into his later years, Hope sustained an active performance schedule, producing NBC television specials through 1996, including holiday editions like the 1985 special featuring guests such as and the 1987 USO-linked broadcast. He conducted USO tours into the , with his 57th and final tour in 1990 supporting Operation Desert Shield in and , where he performed alongside at age 87. His last major NBC special, "Laughing with the Presidents," aired on November 23, 1996, marking a farewell to the network after 272 variety programs spanning four decades. Hope made a rare public appearance on May 10, 1996, at the for a swing music concert celebrating Les and His Band of Renown's 60th anniversary, delivering the line "I'm available" at age 93. Post-1996 engagements were sparse due to frailty, though his centennial in 2003 prompted tributes, with no further on-stage performances before his death on July 27, 2003.

Political Views and Public Stance

Republican Support and Anti-Communist Positions

Bob Hope identified as a Republican supporter from the 1960s onward, maintaining close personal and professional ties with several GOP presidents. He developed a longstanding friendship with Richard Nixon during Nixon's vice presidency, frequently corresponding and participating in campaign events, including a 1968 fundraiser alongside Ronald Reagan. Hope golfed regularly with Presidents Nixon and Gerald Ford, and enjoyed a particularly warm relationship with the Reagans, whom he supported in Ronald Reagan's transition from Hollywood to politics. Hope's political alignment extended to public endorsements and performances that bolstered Republican causes, though he avoided overt partisanship in his comedy routines. He attended GOP fundraisers and leveraged his celebrity to aid candidates, reflecting his identification with the party. Despite ribbing politicians across aisles, his consistent associations and activities underscored a preference for Republican leadership, particularly on and patriotic matters. Regarding , Hope's positions aligned with Cold War-era opposition to Soviet influence through his unwavering support for U.S. military engagements against communist forces. In 1950, he entertained troops in Korea shortly after Chinese communist intervention escalated the conflict, boosting morale amid direct confrontation with communist armies. During the , Hope's annual USO tours from 1964 to 1972 positioned him as a vocal proponent of the anti-communist effort, earning him labels of "hawkish" from critics amid rising domestic opposition. He defended the war's objectives in specials and statements, emphasizing the fight against communist expansion despite personal struggles with the conflict's unpopularity. Hope navigated Hollywood's tense atmosphere during the McCarthy era with caution, joking lightly about Senator Joseph McCarthy's tactics in 1954 routines, which prompted a Wisconsin newspaper to briefly label him a communist sympathizer—an accusation McCarthy himself dismissed. Unaffected by the blacklist that targeted suspected communists in the industry, Hope's career thrived, consistent with his pro-military stance that implicitly rejected communist ideologies. His overall advocacy prioritized American interests over ideological crusades, focusing on practical support for containment policies through entertainment and public morale-building.

Pro-Military Advocacy and Responses to Criticisms


Bob Hope demonstrated unwavering pro-military advocacy through his extensive USO performances, spanning from World War II to Operation Desert Shield in 1990, with a total of 57 tours entertaining over 11 million service members across major U.S. conflicts. His efforts included annual Christmas shows, such as nine consecutive holiday tours in Vietnam from 1964 to 1972, where he performed under hazardous conditions to boost troop morale despite logistical challenges and security risks. Hope explicitly endorsed specific military strategies, including President Richard Nixon's 1972 bombing of North Vietnam to compel peace negotiations, for which he received South Vietnam's highest civilian honor recognizing his anti-communist stance.
Hope's military support drew sharp criticisms, particularly during the , when anti-war activists and some media outlets accused him of endorsing U.S. policy rather than merely entertaining troops; for instance, during his 1969 Christmas show, soldiers booed references to President Nixon, reflecting internal divisions. In response, Hope consistently argued that his role was to uplift those in uniform regardless of political disagreements, stating he supported the troops wherever they were deployed and rejecting the notion that entertainment equated to policy endorsement. He persisted with tours amid protests and personal risks, prioritizing service member welfare over public backlash, as evidenced by his continued appearances even as domestic opposition peaked. For his lifelong dedication, Hope garnered numerous military honors, including the U.S. Military Academy's Award on October 10, 1968, for exemplary service to the nation, and designation as an honorary by the Department of Defense in 1997, affirming his contributions as integral to military morale. These recognitions underscored his principled stance against criticisms, positioning his advocacy as a commitment to causal support for those bearing arms rather than abstract political alignment.

Personal Life

Marriage to Dolores and Family Dynamics

Bob Hope married singer Dolores Reade (born Dolores DeFina) on February 19, 1934, in . The union lasted 69 years until Hope's death in 2003, marking one of Hollywood's longest marriages. Dolores, who had worked as a singer and model in New York during the early , met Hope through connections, including a introduction during the musical . Following the marriage, she largely transitioned from performing to supporting Hope's career and managing family responsibilities, occasionally accompanying him on tours but prioritizing domestic stability amid his frequent travels. The Hopes adopted four children from The Cradle orphanage in : daughters Linda and Nora (Eleanora), son Anthony (known as Tony, born 1940), and son Kelly (William). Dolores focused on child-rearing, singing lullabies to the children and fostering a private family life that contrasted with Hope's public persona. The family resided primarily in , where Dolores provided a grounding influence, helping to balance Hope's demanding schedule of performances, films, and USO commitments. Tony Hope pursued entertainment production, including roles in his father's shows, while the others maintained lower profiles. Family dynamics emphasized loyalty and endurance, with Dolores described by contemporaries as the "smartest thing" Hope did in marrying her for her stabilizing role. The couple's Catholic faith influenced their commitment to and family unity, avoiding the marital instability common in entertainment circles. Dolores advocated for causes, serving on boards like Adoption Services, reflecting the personal significance of their family choices. Despite Hope's absences due to work, the household remained cohesive, with Dolores handling and home management into her later years.

Rumored Extramarital Affairs and Private Conduct

Bob Hope's marriage to , which lasted from February 19, 1934, until his death on July 27, 2003, was publicly portrayed as a model of and endurance, spanning 69 years and producing four adopted children. However, multiple biographers and contemporaries alleged persistent extramarital affairs throughout his career, attributing them to his womanizing tendencies amid frequent travels for USO tours and Hollywood engagements. These claims, drawn from unauthorized accounts rather than Hope's own sanitized narratives or his materials, suggest he maintained discreet arrangements, including rented apartments near his Toluca Lake home for clandestine meetings. A prominent rumor centered on actress , with whom Hope reportedly conducted a long-term affair starting in the 1940s that was sufficiently overt within Hollywood circles to earn her the nickname "Mrs. Hope" among insiders. Biographers claimed this relationship endured for decades, overlapping with Hope's professional collaborations and road shows, though no legal or documentary evidence beyond anecdotal reports from industry figures has surfaced. Similarly, accounts allege involvements with in the early 1950s, where Hope allegedly provided financial support to maintain discretion after ending the liaison. Actress later described Hope as engaging in multiple such entanglements, portraying him as habitually unfaithful despite his wholesome public persona. Dolores Hope reportedly tolerated these rumored indiscretions, prioritizing family stability and her Catholic faith over confrontation, though sources indicate she was privately "haunted" by the infidelity. An unauthorized 1993 biography further asserted that Hope and close associate exchanged girlfriends as part of a shared extracurricular social life, framing it as commonplace among mid-20th-century entertainers but unsubstantiated by primary records. Hope himself never publicly acknowledged these allegations, and official biographies like Faith's 1982 account, penned by a former , omitted detailed scrutiny of his personal conduct, focusing instead on professional achievements. The persistence of such rumors, often sourced from disgruntled associates or posthumous tell-alls rather than contemporaneous evidence, underscores the contrast between Hope's curated image and the less verifiable undercurrents of his private life.

Health Challenges, Longevity, and Death

In his mid-90s, Bob Hope faced multiple hospitalizations for age-related ailments. On June 1, 2000, at age 97, he was admitted to in , for emergency treatment of intestinal bleeding, a condition described by his publicist as common among the elderly but treatable and not life-threatening. He had become wheelchair-bound in his later years, limiting his mobility after decades of active performing. Hope encountered respiratory issues in 2001, entering St. John's Health Center in Santa Monica on August 26 for difficulty breathing, later diagnosed as mild ; he received antibiotics and was discharged on September 5 after recovery. By this period, observers noted emerging signs of alongside declining hearing and eyesight, contributing to his withdrawal from public appearances after 1999. Hope achieved exceptional longevity, reaching his 100th birthday on May 29, 2003, as one of the longest-lived prominent entertainers of the 20th century. He died on July 27, 2003, at his Toluca Lake home in Los Angeles from pneumonia, with family present; his publicist confirmed the cause at 9:28 p.m. local time. Despite advanced age and cumulative health declines, no evidence indicates chronic diseases like cancer or heart failure as primary factors in his death.

Philanthropy and Charitable Efforts

Founding of Medical Facilities

In the mid-1960s, entertainer Bob Hope and his wife Dolores became instrumental in establishing a major medical facility in the region of , responding to local needs for advanced healthcare amid rapid . The initiative stemmed from a 1966 request to Hope to support fundraising for a , leading to the creation of what became the in Rancho Mirage. Dolores Hope played a pivotal role by envisioning and advocating for the project after a friend's appeal, while Bob Hope leveraged his celebrity status to mobilize donors and resources. By the late , the Hopes donated 80 acres of their land to serve as the site for the facility, initially named Eisenhower Memorial Hospital in honor of former President Dwight D. , with the Eisenhower family's consent. Bob Hope assumed the position of president of the board of trustees and emceed the groundbreaking ceremony on November 23, 1969, which drew over 4,000 attendees, including Eisenhower himself. The Hopes also contributed significantly to private fundraising efforts, helping secure the $7.5 million needed for the initial 140-bed hospital structure. The hospital opened on November 27, 1971, with President delivering the dedication address, marking it as a nonprofit focused on comprehensive care, including and emergency services. As a founding , Bob Hope remained actively involved in its early governance, ensuring its development into a full medical center with expanded facilities over subsequent decades. This effort exemplified the Hopes' commitment to healthcare , distinct from their broader charitable activities, and established a lasting regional asset without reliance on government funding at inception.

Broader Donations and Legacy of Giving

Hope engaged in extensive philanthropic activities beyond his foundational role in medical institutions, performing up to 200 charitable functions annually during the height of his career. In many years, this included 100 to 150 benefits, encompassing live performances, fundraisers, and personal appearances that supported a diverse array of causes. These efforts extended to youth programs such as Burbank Little League and the Boys & Girls Clubs of America, as well as health-related organizations including the , Parkinson Foundation, Alzheimer's Foundation, , Easter Seals, and the MedicAlert Foundation, for which he appeared in promotional advertisements. Specific donations highlighted his direct financial and resource commitments. In 1951, he organized a benefit that raised 20,000 pounds for Clubland, a London-based boys' center. Since 1963, he hosted annual fundraisers for Bob Hope House in , a facility aiding children. He contributed $1 million to the Academy of Motion Picture Arts and Sciences' endowment fund and sold over 7,000 acres of land to the Santa Monica Mountains Conservancy at below-market value to preserve parkland. Additional support went to organizations like , , , National Eye Foundation, American Diabetes Association, and Children's Miracle Network, often through personal checks ranging into hundreds of thousands of dollars or event-driven raises. Hope's legacy of giving persisted through the Bob and Dolores Hope Foundation, established by him and his wife to aid those in need and military personnel. The foundation has continued his pattern of targeted grants, such as a $250,000 challenge to Operation Homefront in 2020 for military families and $4 million to the in 2025 for at-risk tenants, reflecting ongoing emphasis on practical support for vulnerable populations. His approach influenced Hollywood's perception of celebrity responsibility, prioritizing tangible aid over publicity.

Artistry, Influence, and Legacy

Comedy Techniques and Collaborations

Bob Hope's comedy relied on self-deprecating humor, where he would inflate his own ego before puncturing it with witty asides, a technique that endeared him to audiences through relatable vulnerability. His rapid-fire delivery and precise timing allowed for seamless punchlines, often incorporating topical references to current events, making his monologues feel fresh and improvisational. This style evolved from roots, emphasizing ad-libs and quick wit over scripted rigidity, setting him apart in stand-up by blending song-and-dance elements with narrative setups. In radio, Hope's primary collaboration was with Jerry Colonna, his manic sidekick on The Pepsodent Show starting in 1938, whose exaggerated exclamations like "Oh, Buuuddy!" and over-the-top persona provided comic foil to Hope's straight-man delivery. Colonna, a former trombonist, amplified the show's energy through zany interruptions, contributing to routines that aired weekly and influenced Hope's film work; their partnership lasted over three decades. Vocalist also featured regularly, adding musical segments that complemented the banter. Hope's most iconic film collaborations were the "Road to..." series with , beginning with in 1940 and spanning seven pictures through Road to Hong Kong in 1962, including (1942) and Road to Rio (1947). These vehicles showcased their buddy dynamic—Hope as the cowardly schemer contrasting Crosby's laid-back charm—filled with breaking-the-fourth-wall gags, spontaneous songs, and meta-humor that subverted adventure tropes. co-starred as the romantic interest in most entries, enhancing the trio's chemistry across exotic locales. The series grossed millions and defined Hope's screen persona, blending scripted comedy with improvisational flair.

Cultural Impact and Enduring Recognition

Hope's rapid-fire delivery, self-deprecating style, and integration of current events into monologues in the 1930s helped pioneer modern and late-night formats, directly influencing hosts like , , and . His seven "Road to..." films with and (1940–1962) popularized the buddy comedy subgenre by combining scripted adventure with spontaneous ad-libs and musical numbers, shaping subsequent duos such as and , as well as later films like those starring and . Across , radio, , , and live events—including a syndicated column and annual golf tournament—Hope embodied versatile mass entertainment, inspiring multi-hyphenate performers like , , and . Hope's 57 USO tours from 1941 to 1991, spanning through the Persian Gulf War, entertained troops in every major U.S. conflict and reached an estimated 10 million service members, embedding celebrity morale-boosting performances into military culture and earning him the nickname "America’s No. 1 Soldier in Greasepaint." This tradition persists, with successors including and adopting similar frontline engagements. Posthumously, Hope's legacy endures through honors like five honorary (including 1965 for "unique and enduring contributions"), the (1997), and the naming of the Television Academy's Bob Hope Humanitarian Award (established 2002). He received stars on the for motion pictures, television, radio, and live performance, and institutions such as the have mounted exhibits showcasing his artifacts, underscoring his role in bridging with national morale.

References

Add your contribution
Related Hubs
User Avatar
No comments yet.