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Nithyasree Mahadevan
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Nithyasree Mahadevan (born 25 August 1973) is an Indian Carnatic musician and playback singer. A prominent vocalist, she has performed at all major sabhas (music organisations) in India and has released over 500 albums. Mahadevan is also known for her work as a playback singer in Indian cinema, particularly for her debut song, "Kannodu Kaanbadhellam," composed by A. R. Rahman for the 1998 film Jeans.[1]
Key Information
Early life and background
[edit]Nithyasree was born to Lalitha Sivakumar and Iswaran Sivakumar. She comes from a distinguished musical lineage. Her paternal grandmother, D. K. Pattammal,[2] and grand-uncle, D. K. Jayaraman,[3] were celebrated Carnatic vocalists. Her maternal grandfather was the legendary mridangam virtuoso, Palghat Mani Iyer.[4]
Nithyasree's initial musical training was under her mother, Lalitha Sivakumar.[3] She later trained under her grandmother, D. K. Pattammal,[5] and frequently accompanied both her mother and grandmother in their concerts.[6] Her father, a skilled mridangam player, also accompanied her in performances.[7]
Musical career
[edit]Carnatic music
[edit]Nithyasree gave her first public concert at the age of 14 for the Youth Association For Classical Music on 10 August 1987.[6] The performance was attended by prominent musicians including D. K. Pattammal, D. K. Jayaraman, and the chief guest, K. V. Narayanaswamy.[8]
Throughout her career, Nithyasree has performed extensively across India and internationally, with concerts in the United States, Canada, the United Kingdom, Australia, and Singapore, among other countries.[7] She is known for her thematic presentations, continuing her family's tradition of popularising compositions by poets such as Papanasam Sivan and Gopalakrishna Bharathi. She has also performed unique concerts, such as a three-hour performance in 1994 consisting entirely of 17 compositions in the raga Bhairavi.[9] To commemorate the 50th year of Indian Independence, she performed several concerts featuring only patriotic songs.
Playback singing
[edit]Nithyasree's career as a playback singer began in 1998 when A. R. Rahman invited her to record "Kannodu Kaanbadhellam" for the film Jeans. The song was an immediate success and earned her the Tamil Nadu State Film Award for Best Female Playback Singer.[10]
She continued to collaborate with Rahman on several popular songs, including "Minsara Kanna" for Padayappa (1999) and "Sowkiyama Kannae" for Sangamam (1999).[11] Her other notable film songs include "Thaai Thindra Mannae" from Aayirathil Oruvan (2010) and "Kana Kaangiren" from Ananda Thandavam (2009).[11] She has also recorded songs for films in other South Indian languages, including Kannada, Telugu, and Malayalam.
Personal life
[edit]Nithyasree was married to V. Mahadevan until his death in 2012.[12] They have two daughters, Tanujashree and Tejashree,[4][13] who have occasionally accompanied her in concerts.[14]
Discography
[edit]List of songs recorded by Nithyasree.
| Year | Film | Language | Song title | Music director | Co-singer |
|---|---|---|---|---|---|
| 1998 | Jeans | Tamil | Kannuodu Kaanbadhalam | A. R. Rahman | |
| Telugu | Kannulatho Choseve | ||||
| 1999 | Padayappa | Tamil | Minsara Poove | A. R. Rahman | Srinivas & Palakkad Sreeram |
| Telugu | Meriseti Puvvaa | ||||
| Sangamam | Tamil | Sowkiyama Kannae | A. R. Rahman | ||
| Poovellam Kettuppar | Poove Poove (Female) | Yuvan Shankar Raja | |||
| 2000 | Kshemamga Velli Labhamga Randi | Telugu | Joru Joruga | Vandemataram Srinivas | Sukhwinder Singh |
| Manasunna Maaraju | Eddulabandi Ekki | ||||
| Moodu Mukkalaata | Chinavaada Chinavaada | M. M. Srilekha | Mano | ||
| Pennin Manathai Thottu | Tamil | Thiyagarajarin | S. A. Rajkumar | P. Unni Krishnan | |
| Sri Srimati Satyabhama | Telugu | Ice Cream Cuppulo | S. V. Krishna Reddy | ||
| 2001 | Chandu | Telugu | Prema Nee Chirunama | K.Veeru | Jojo & Ramu |
| Grama Devathe | Kannada | Shivaraja | Dhina | Shankar Mahadevan | |
| Telugu | Shankaruni Charithanni | Harish Raghavendra | |||
| Love Channel | Tamil | Desingu Raja | Deva | ||
| Paarthale Paravasam | Tamil | Manmadha Masam | A. R. Rahman | Shankar Mahadevan | |
| Telugu | Manmadha Masam | ||||
| 2002 | Panchathantiram | Tamil | Vandhaen Vandhaen | Deva | Sujatha & Kamal Haasan |
| Samurai | Oru Nadhi Oru Pournami | Harris Jayaraj | Tushara | ||
| Sri Bannari Amman | Kallaanalum Kanavanthan | T. Rajendar | Swarnalatha | ||
| Villain | Orae Manam | Vidyasagar | Hariharan | ||
| 2003 | Parasuram | Tamil | Jack And Jill | A. R. Rahman | Surjo Bhattacharya & Mathangi |
| Sena | Thirathathu Kathal | D. Imman | Unni Menon | ||
| 2004 | Apthamitra | Kannada | Raa Raa | Gurukiran | Rajesh Krishnan |
| Ennavo Pudichirukku | Tamil | Iru Vizhi | Subhash Jawahar | ||
| New / Naani | Kumbakonam Sandhaiyile | A. R. Rahman | Shankar Mahadevan & Manikka Vinayagam | ||
| Telugu | Markandeya | ||||
| 2005 | ABCD | Tamil | Thavam Ondru | D. Imman | P. Balram |
| Chandramukhi | Telugu | Vaarai Naan Unnai Thedi | Vidyasagar | ||
| Kannadi Pookal | Tamil | Hey Silu Silu | S. A. Rajkumar | Sirkazhi G. Sivachidambaram | |
| Mogudu Pellam O Dongodu | Telugu | Sata Koti Manmadha | Kabuli | ||
| 2006 | Gandugali Kumara Rama | Kannada | Sarasake Baaro | Gurukiran | Hariharan |
| Kalabha Kadhalan | Tamil | Pattuselai | Niru | Krishnaraj & Sriram | |
| 2008 | Vallamai Tharayo | Tamil | Aayiram Yaanai | Bharadwaj | |
| 2009 | Ananda Thandavam | Tamil | Kana Kaangiren | G. V. Prakash Kumar | Shubha Mudgal & Vinitha |
| Naan Avanillai 2 | Manmadha Leelai | D. Imman | Shail Hada & Benny Dayal | ||
| 2010 | Aayirathil Oruvan | Tamil | Thaai Thindra Mannae | G. V. Prakash Kumar | Vijay Yesudas & Shri Krishna |
| Super Cowboy | Telugu | Kanna Namora Alakinchara | Navin Iyer & D.A.Srinivas | ||
| Yuganiki Okkadu | Singaarinchina | Vijay Yesudas | |||
| 2012 | Arike | Malayalam | Varavayi Thozhi Vadhuvayi | Ouseppachan | |
| 2015 | Panjumittai | Tamil | Kaattu Karuvamulla | D. Imman | T. L. Maharajan |
| 2018 | Mohini | Tamil | Mohini's Rage | Melvin | |
| NOTA | Telugu | Raja Raja Kula | Sam C. S. | Abhay Jodhpurkar | |
| 2021 | Udanpirappe | Tamil | Karambakudi Kanaga | D. Imman | Jayamoorthy |
Music Director and Composer
[edit]Nithyasree Mahadevan has composed music for songs,[11] and has composed background scores for studio album recordings.
Semmozhi Anthem
[edit]Nithyasree Mahadevan was one among the singers who sang the "Semmozhiyaana Thamizh Mozhiyaam" song for the World Classical Tamil Conference 2010. She also appeared on the screen after Aruna Sayeeram and was followed by S. Sowmya.
Television works
[edit]Nithyasree has appeared as a guest judge in various reality TV music talent shows, often aired on Tamil language TV channels. She first appeared as a guest judge in Sun TV's Sapthaswarangal. She later appeared as a guest judge in several episodes and rounds of Zee Tamil's Sa Re Ga Ma Pa 2009 Challenge,[15][16] before appearing as a judge for STAR Vijay in seasons 2, 3, and 4 of Airtel Super Singer Junior, seasons 3, 4, and 5 of Airtel Super Singer,[17] the debut episode of Super Singer Celebrity Season,[18] and Nippon Paint Super Singer Junior season 5. She also appeared as a guest judge on episodes 22 and 23 of Indian Voice which was aired in October 2012 on Mazhavil Manorama, a Malayalam language TV channel, and as a guest judge for the finals of season 6 of Raj TV's Raja Geetham,[19] which was held on 6 August 2015 at Kamarajar Arangam,[20] and subsequently aired on 15 August 2015.[20] Nithyashree appeared as a special guest for the debut season of Zee Tamil's Sa Re Ga Ma Pa Lil Champs. In March 2018, she returned as a special guest in the classical round of Sa Re Ga Ma Pa Seniors, a week after the tribute round to music director M. S. Viswanathan featuring special guests Vani Jairam and P. Susheela was telecast. During March 2018, Nithyashree also made her first appearance as a special guest judge in Sun TV's Sun Singer.
Nithyasree was also a permanent judge in reality TV music talent shows. In 2014, Nithyasree was a permanent judge in season 3 of Raj TV's Carnatic music reality-talent show, Tanishq Swarna Sangeetham,[21][22] having previously appeared as a guest judge at various levels in earlier seasons of the show.[23] Nithyasree also appeared as a permanent judge in the debut season of Jaya Super Singer South India which was aired on Jaya TV between 2014 and 2015.
She sang several advertisement jingles for various companies, including more recently Sree Kumaran Thangamaligai which was recorded and aired on various Tamil language TV channels. Nithyasree has also sung title songs for various TV serials which were recorded and telecast in South India, including Chithi - a mega serial originally aired on Sun TV.[24]
| Serial name | Music director | Channel(s) |
|---|---|---|
| Chithi | Dhina | Sun TV |
| Krishnadasi | D. Imman | Sun TV & Raj TV |
| Metti Oli | Dhina | Sun TV |
| Buvaneshwari | Ramesh | Sun TV |
| Arasi | Kiran | Sun TV |
| Mythili | S. P. Venkatesh | Kalaignar TV |
| Uravugal | D. Imman | Sun TV |
| Kanchana | STAR Vijay | |
| Anni | Jaya TV | |
| Engirundho Vandhal | Jaya TV | |
| Kakka Kakka | Raj TV |
Titles, awards and other recognition
[edit]Nithyasree is a "Top Rank" graded artist of Akashvani,[6] and All India Radio, Chennai.[5] She received the "Best Concert Award" for 6 years from the Madras Music Academy,[6] and won the Kalaimamani award from the Government of Tamil Nadu, who subsequently appointed her as a member in the Expert Committee panel in the "IYAL ISAI NATAKA MANDRAM". During her career, Nithyasree has been bestowed with numerous other titles, and won numerous other awards and prizes.
| Year | Honour | Honouring bestowed or presented by | Ref |
|---|---|---|---|
| 1987 | Best Main Artist Award | YACM | |
| 1989 | Papanasam Sivan Tambura Prize | [25] | |
| 1990 | First Prize in AIR music competition (Indian National Level) | All India Radio | |
| 1990 | "Best Promising Artiste" | Mohanam Maharajapuram Santhanam Trust | |
| 1994 | "Yuva Kala Bharathi" | Bharath Kalachar | [5] |
| 1994 | "Innisai Mamani" | Tamil Nadu Goodwill and Welfare Association | [5] |
| National Unity Centre Award | [25] | ||
| Best Pallavi Music Reciter Award | [25] | ||
| 1996 | M. L. Vasanthakumari Memorial Award | Mylapore Academy | |
| 1999 | "Naadha Bhooshanam" | Shanmukhanandha Sangeetha Sabha (Delhi) | |
| 1999 | "Ugadhi Puraskar" | Madras Telugu Academy | |
| 1999 | "Sunadhavinodhini" | Swami Omkaaraananda | |
| 1999 | "Bala Ratna" | Bala Tripura Sundari Trust Nemili | |
| 1999 | "Gaanaamrutha Vaani" | All Ceylon Hindu Congress (Colombo) | |
| 1999 | Kannadhasan Award | [25] | |
| 1999 | Kalaignar Award | [25] | |
| 2000 | Kalaimamani | Government of Tamil Nadu | [26] |
| 2000 | Melvin Jones Award for Extraordinary Person | Lions Club Chennai | |
| 2000 | "Sangeetha Shikhamani" | Madras Telugu Association | |
| 2001 | "Isai Peroli" and award | Karthik Fine Arts | [27] |
| 2001 | Vani Kala Sudhakara Award | Sri Thyaga Brahma Gana Sabha, presented on 10 December 2001 | [28] |
| 2001 | Desiya Orumaipadu Maiyam Award | ||
| 2001 | "Navarasa Gana Nayaki" | Tamil Aanmeega Peravai | |
| 2002 | "Udhavum Oli" | Vasantha Memorial Trust Coimbatore | |
| 2002 | Sivaji Award | ||
| 2002 | "Sangeetha Parambarya Rathna" | Kanchi Kamakoti Peetham | [25] |
| 2003 | Shanmuka Shikamani Award | Shanmukanandha Fine Arts (Mumbai) | |
| 2003 | Excellence Award | Rotary Club | |
| 2004 | "Isai Mani Makutam" | Rajalakshmi Fine Arts Coimbatore | |
| 2004 | "Padma Sadhana" (Title) | Padma Sarangapani Cultural Association (conferred by Madras High Court judge, Justice T.V.Masilamani on 3 January 2004 in Virugambakkam, Chennai) | [29] |
| 2006 | "Tamil Isai Vani" | Dubai Tamil Kudumbam | |
| 2006 | "Isai Kalai Tharakai" | Canberra Music Association | |
| 2006 | "Naadha Kovidha" (Title) | Naadhabrahmam (conferred by Madras High Court judge, Justice M. Chockalingam on 26 December 2006 in Chennai) | [30] |
| 2008 | Jayarathna Virudhu Award | Jayadhaarini Trust (conferred on 22 October 2008 in Chennai) | [31] |
| 2008 | Honorary Doctorate of Literature | Sathyabama Autonomous University on 19 April 2008 | [32] |
| 2008 | "Sangeetha Kala Shironmani" | Nungambakkam Cultural Academy | |
| 2010 | "Gaana Padmam" Award (and Title) | Brahma Gana Sabha, presented on 3 December 2010 in Chennai | [33][34] |
| 2010 | "Sangeetha Kalasarathy" Award (and Title) | Parthasarathy Swami Sabha, presented on 15 December 2010 in Chennai | [35] |
| 2010 | Acharya Award | Naradha Gana sabha (Celebrating Teachers Day) | |
| 2011 | Sangeetha Hamsa Award | Hamsavinodhini, presented on 1 December 2011 at Arulmigu Kasi Viswanathar Temple, West Mambalam. | [36] |
| 2011 | "Isai Mamani" Award | Shri Rama Bhaktha Jana Samaj, presented on 20 December 2011 | [37] |
| 2011 | P. Obul Reddy Award of Excellence | Bharathiya Vidya Bhavan, Chennai | |
| 2012 | "M. S. Subbulakshmi Puraskar" | Visakha Music Academy, presented on 12 January 2012 | [38] |
| 2012 | Award Of Proficiency | Tamil Nadu Brahmins Association (TAMBRAS) | |
| 2013 | "Sangeetha Ulagin Naayaki" | Aadhi Shankarar Aanmeega Peravai at Kutthalam | |
| 2013 | "Sivan Isai Selvi" (Title) | Papanasam Sivan Rasigar Manram (conferred by vocalist P. S. Narayanaswamy in September 2013 at Narada Gana Sabha in Chennai) | [39] |
| 2014 | Isai Selvam Award | Presented by Karunanidhi under the banner of Muthamizh Peravai on 24 January 2014 in Chennai | [40] |
| 2017 | "Tamil Isai Thilakam" (Title) | Presented by New York Tamil Sangam on 28 May 2017 | |
| 2017 | Sangeetha Choodamani Award | Sri Krishna Gana Sabha, conferred by E. S. L. Narasimhan) on 5 August 2017 | [41] |
| 2018 | Viswa Kala Bharathi Award | Bharat Kalachar | [42][43] |
| 2022 | “Excellence in music” | Just for women(JFW achievers award-2022) | [44] |
References
[edit]- ^ Methil Renuka (2000). "Keeping tune with times". India Today. 25. Thomson Living Media India Limited: 292.
- ^ "Tamil Nadu / Coimbatore News : D.K. Pattammal's biography to be released". The Hindu. 20 November 2007. Archived from the original on 1 December 2007. Retrieved 6 May 2010.
- ^ a b Aruna Chandaraju (20 May 2005). "Entertainment Bangalore / Music : Proud pedigree is not all". The Hindu. Archived from the original on 16 April 2014. Retrieved 14 April 2014.
- ^ a b "Singer Nithyasree's husband ends life by jumping in river – The Times of India". Times of India. 21 December 2012. Retrieved 18 April 2014.
- ^ a b c d "The Hindu : Retail Plus Hyderabad : Audio Release". The Hindu. 17 October 2008. Retrieved 16 April 2014.
- ^ a b c d M.K.Balagopal (6 November 2003). "A masterly performance". The Hindu. Archived from the original on 31 December 2003. Retrieved 21 April 2014.
- ^ a b Rayan Rozario (30 June 2003). "The Hindu : Singing soothing notes". The Hindu. Archived from the original on 11 August 2010. Retrieved 16 April 2014.
- ^ "Jaya TV's Margazhi Mahautsavam". Season 2007. 31 December 2007. Jaya TV. Maximum Media.
{{cite episode}}: Missing or empty|series=(help) - ^ "Three Hours of Bhairavi". Sruti, india's premier music and dance magazine (122): 13. November 1994.
- ^ S.Aishwarya (9 June 2007). "Steeped in tradition - The Hindu". The Hindu. Retrieved 2 January 2015.
- ^ a b c Sangeetha (31 July 2009). "Friday Review Thiruvananthapuram / Interview : Musical legacy". The Hindu. Archived from the original on 3 August 2009. Retrieved 16 April 2014.
- ^ Petlee Peter; R. Sujatha (21 December 2012). "A big shock to music lovers – The Hindu". The Hindu. Retrieved 16 April 2014.
- ^ Rajagopalan Venkataraman (21 December 2012). "Pall of gloom descends on Kotturpuram – The New Indian Express". New Indian Express. Archived from the original on 24 December 2012. Retrieved 16 April 2014.
- ^ B. Ramadevi (21 December 2012). "The Hindu : Friday Review Chennai / Music : Deluge of ragas and songs". The Hindu. Archived from the original on 22 August 2010. Retrieved 16 April 2014.
- ^ "Miss & Mrs: En Manadhai Nee Arivai - The Hindu". The Hindu. 31 July 2009. Retrieved 12 April 2015.
- ^ "'SaReGaMaPa 2009 Challenge' - Zee TV Finals". Dinamalar (in Tamil). Chennai, Tamil Nadu. 31 October 2009.
- ^ G. Prasad (17 October 2011). "Children pitch it right at audition - The Hindu". The Hindu. Retrieved 8 November 2014.
- ^ "TV Stars turn Super Singers – The Times of India". Times of India. 20 February 2014. Retrieved 18 April 2014.
- ^ "A Night of Melodious Music". New Indian Express. 12 August 2015. Archived from the original on 15 November 2015. Retrieved 22 August 2015.
- ^ a b "Independence Day double bonanza on Raj TV – The Times of India". Times of India. 14 August 2015. Retrieved 22 August 2015.
- ^ "Rhythm Divine – The Hindu". The Hindu. 14 March 2014. Retrieved 16 April 2014.
- ^ "Tribute to the Trinity – The Hindu". The Hindu. 11 April 2014. Retrieved 16 April 2014.
- ^ "Swarna Sangeetham, a talent hunt for Carnatic singers – The Hindu". The Hindu. 5 February 2012. Retrieved 16 April 2014.
- ^ "Drama & TV awards". The Hindu. 14 September 2001. Archived from the original on 2 March 2003. Retrieved 16 March 2015.
- ^ a b c d e f Sarath Malalasekera (24 August 2002). "Online Edition of Daily News". The Associated Newspapers of Ceylon Ltd. Retrieved 28 December 2014.
- ^ SVK (4 February 2000). "An atmosphere of tranquillity". The Hindu. Archived from the original on 19 April 2014. Retrieved 18 April 2014.
- ^ "Nithyashree awarded 'Isai Peroli'". The Hindu. 2 December 2001. Archived from the original on 21 April 2014. Retrieved 20 April 2014.
- ^ "Nithyashree honoured again". Kutcheri Buzz. 11 December 2001. Retrieved 26 March 2003.
- ^ "'Padma Sadhana' conferred on Nithyasree". The Hindu. 4 January 2004. Archived from the original on 16 January 2004. Retrieved 18 April 2014.
- ^ "Title conferred on Nithyasree – The Hindu". The Hindu. 27 December 2006. Retrieved 18 April 2014.
- ^ "JAYADHARINI TRUST". Jayarathna Awardees. Jayadharini Trust. Archived from the original on 9 October 2013. Retrieved 18 April 2014.
- ^ "Awards". Sathyabama University. Retrieved 21 April 2014.
- ^ "Award for Nithyashri Mahadevan". Lakshman Shruthi. 4 December 2010. Archived from the original on 21 April 2014. Retrieved 21 April 2014.
- ^ Chennai December Season 2010 : Brahma Gana Sabha opens its new 'season'
- ^ "Tamil Nadu / Chennai News : Awards humble me, says Nithyasree Mahadevan". The Hindu. 18 December 2010. Archived from the original on 21 December 2010. Retrieved 21 April 2014.
- ^ "Hamsavinodhini Award for Nithyasree" (PDF). Mambalam Times. 26 November 2011. p. 3. Retrieved 18 April 2014.
- ^ "Music Season 2010–2011 – Sri Rama Bhaktha Jana Samaj". Indian Heritage – December Madras (Chennai) Music Season. Saigan Connection. Retrieved 18 April 2014.
- ^ "Visakha Awards". Sruti, india's premier music and dance magazine (329): 49. February 2012.
- ^ B. Vijayalakshmi (19 September 2013). "Nithyasree 'blessed' by saint-composer". Deccan Chronicle. Archived from the original on 18 April 2014. Retrieved 18 April 2014.
- ^ "Navigating party through tempests: Karunanidhi – The Hindu". The Hindu. 24 February 2014. Retrieved 21 April 2014.
- ^ "Nithyashree, Padmavathy, presented with awards – The Hindu". The Hindu. 6 August 2017. Retrieved 6 August 2017.
- ^ "Singer Nithyashree to be honoured with Viswa Kala Bharathi award". News Today. 5 December 2018. Retrieved 4 August 2021.
- ^ "Bharat Kalachar Awardees". Bharat Kalachar. 2018. Retrieved 4 August 2021.
- ^ "JFW ACHIEVERS AWARDS 2022- HIGHLIGHTS". JFW Just for women. Retrieved 9 February 2023.
Nithyasree Mahadevan
View on GrokipediaEarly life
Family background
Nithyasree Mahadevan was born on 25 August 1973 in Thiruvaiyaru, Tamil Nadu, to parents Lalitha Sivakumar and Iswaran Sivakumar.[6] She grew up in Chennai. Her mother, Lalitha Sivakumar, a trained Carnatic musician and disciple of D. K. Pattammal, played a pivotal role in transmitting musical knowledge within the family, fostering an environment rich in rhythmic and melodic traditions.[2] Her father, Iswaran Sivakumar, a mridangam vidwan, provided steadfast support and critical feedback that shaped her early musical sensibilities, emphasizing precision and discipline in performance.[2] Mahadevan hails from a distinguished lineage of Carnatic music exponents, being the granddaughter of the legendary vocalist D. K. Pattammal on her paternal side and the mridangam maestro Palghat Mani Iyer on her maternal side.[7] This heritage underscores a multi-generational commitment to Carnatic traditions, with her grandparents pioneering vocal and percussive excellence that influenced subsequent artists.[8] She is also the grand-niece of Carnatic musician D. K. Jayaraman, her grandmother's brother, whose close collaboration with Pattammal further exemplified the family's deep-rooted legacy in preserving and advancing the art form.[8] The D. K. Pattammal family's enduring impact on Carnatic music is evident in their oral transmission of repertoire and emphasis on authenticity, which permeated Mahadevan's upbringing and provided her with unparalleled exposure to the genre's core principles from infancy.[9]Musical training
Nithyasree Mahadevan began her formal musical training in Carnatic music at the age of five, under the tutelage of her mother, Lalitha Sivakumar, who served as her primary guru.[10] Her initial lessons emphasized foundational elements such as basic swaras (musical notes) and kritis (compositions), which formed the core of her early pedagogical approach.[11] This training was complemented by direct guidance from her grandmother, the legendary vocalist D. K. Pattammal, whose rigorous methods instilled in her a deep appreciation for traditional repertoire and vocal technique.[9] As her skills advanced, Mahadevan continued to draw influences from her family's musical legacy, including her father, the accomplished mridangam artist Iswaran Sivakumar, who provided rhythmic insights that enriched her understanding of laya (tempo).[11] She balanced this intensive musical regimen with regular schooling in Chennai, ensuring a well-rounded academic background alongside daily practice sessions that honed her artistry.[12] Key milestones in her training culminated in professional recognition by 1990, when she achieved 'A' grade status as an artist with All India Radio, a prestigious classification denoting exceptional proficiency.[12] That same year, she won the AIR Prize in a national-level music competition, affirming her rapid progress and mastery.[13]Carnatic music career
Debut and early concerts
Nithyasree Mahadevan gave her first public concert at the age of 14 for the Youth Association for Classical Music (YACM) on 10 August 1987 during the Madras Music Season.[14][15] This maiden performance, lasting one hour and scheduled between 6:00 p.m. and 7:00 p.m., was well-received and attended by prominent figures in the Carnatic music community.[14] For this debut, she was awarded the Best Main Artiste Award by YACM in 1987, recognizing her as the outstanding performer among young artists.[3] Following her promising start, Nithyasree progressed to regular performances at major sabhas in Chennai, including the Madras Music Academy, by the late 1980s.[3][2] Her early concerts adhered closely to the traditional Carnatic repertoire, emphasizing classic ragas such as Bhairavi, reflecting the disciplined training she received under her grandmother D.K. Pattammal.[2]Thematic presentations
Nithyasree Mahadevan developed thematic presentations in Carnatic music during the 1990s, structuring her concerts around specific ragas or composers to create narrative depth and engage listeners beyond conventional formats. These innovations allowed her to highlight the emotional and structural nuances of Carnatic compositions, drawing from her strong traditional foundation while introducing accessibility for diverse audiences. Her approach evolved to blend rigorous classical elements with thematic coherence, making complex musical concepts more relatable. A landmark example was her 1994 concert dedicated exclusively to the raga Bhairavi, featuring 17 compositions performed over three hours, which demonstrated her mastery and creativity in sustaining a single raga's exploration. This performance contributed to her receiving the Yuva Kala Bharathi award from Bharath Kalachar in 1994, recognizing her innovative contributions to Carnatic presentations.[3] In the 2000s, Mahadevan expanded her thematic work through composer-specific and raga-based presentations, weaving stories through selected kritis and varnams to evoke thematic unity. This work exemplified her ability to curate performances that traced the evolution of particular musical idioms, such as the devotional themes in Tyagaraja's works or the melodic contours of rare ragas. Complementing her concerts, Mahadevan released numerous thematic Carnatic albums, contributing to her extensive discography of over 500 recordings. Early 2000s releases included composer-specific compilations like those on Papanasam Sivan songs and Muthiah Bhagavathar songs, as well as theme-based collections such as Vinayaka Krithis, Bharathiyar Songs, Thiruppavai, Pancharatna Kritis, Murugan Songs Vol I, and Devi Darshanam, which emphasized devotional and regional narratives.[16] Over time, her style evolved to integrate traditional Carnatic rigor with contemporary accessibility, incorporating multimedia elements in later thematic concerts like "Confluence," a fusion exploration of multiple genres rooted in Carnatic foundations, to attract younger and global listeners while preserving the genre's devotional essence. This progression has solidified her role as a bridge between classical heritage and modern interpretation.International touring
Nithyasree Mahadevan has performed extensively abroad throughout her career, with concerts in the United States, Canada, the United Kingdom, Australia, the United Arab Emirates, Germany, France, Singapore, and Malaysia, among other countries.[17] Her international engagements include regular tours featuring Carnatic vocal recitals at major festivals and venues, contributing to the global dissemination of the genre.[18] These performances often draw large audiences of the Indian diaspora and music enthusiasts, showcasing her mastery of intricate ragas and compositions by composers such as Tyagaraja and Muthuswami Dikshitar.[17] To engage diverse international listeners, Mahadevan has adapted her presentations by providing contextual introductions to pieces, facilitating appreciation among non-native audiences unfamiliar with Carnatic conventions.[17] She has also participated in collaborative events that bridge Carnatic music with global traditions, enhancing cross-cultural exchanges.[18] In recent years, her touring has encompassed a spring concert series in the United States in 2024, underscoring her continued outreach amid evolving global performance landscapes.[19]Playback singing
Film debut and notable songs
Nithyasree Mahadevan made her playback singing debut in 1998 with the song "Kannodu Kaanbathellam" from the Tamil film Jeans, composed by A. R. Rahman. This track, featuring her distinctive Carnatic-infused vocals, marked a significant transition from her classical roots to the film industry and became an instant hit, earning her the Tamil Nadu State Film Award for Best Female Playback Singer.[20][21] Following her debut, Mahadevan delivered several early hits that showcased her ability to blend emotional depth with melodic precision. In 1999, she sang "Minsara Poove" for the film Padayappa, again under A. R. Rahman's composition, a duet with Srinivas that highlighted her versatile range in romantic numbers. Another notable contribution came with "Sowkiyama Kannae" from Sangamam that same year, where her rendition added a layer of soulful intensity to the film's narrative. These songs established her as a sought-after voice for heartfelt, melody-driven tracks in Tamil cinema. In the early 2000s, Mahadevan expanded her playback career beyond Tamil films to include Telugu, Kannada, and Malayalam cinema, adapting her classical style to regional sensibilities. A prominent example is her work on "Meriseti Puvvaa" from the 2001 Telugu film Narasimha, composed by A. R. Rahman, which featured her vocals alongside Srinivas and Sriram Parthasarathy in a celebratory ensemble. This period saw her contributing to emotional and melodic songs across languages, amassing a body of work that emphasized lyrical expression and vocal nuance. Later notable songs include "Kanaa Kaangiren" from Ananda Thandavam (2009) and "Thaai Thindra Mannae" from Aayirathil Oruvan (2010). By 2025, she had sung over 100 film songs across more than 100 films, primarily focusing on poignant, tune-centric compositions that resonated with audiences.[22][23]Collaborations with composers
Nithyasree Mahadevan's playback singing career is marked by extensive collaborations with composer A. R. Rahman, starting with her debut in the 1998 film Jeans and continuing through the 2000s. She contributed vocals to multiple tracks across several Rahman-scored films, blending her Carnatic roots with his innovative fusion style, resulting in over a dozen songs that highlighted her versatility in semi-classical and melodic compositions. Notable examples include "Kannodu Kaanbathellam" from Jeans (1998), which earned her the Tamil Nadu State Film Award for Best Female Playback Singer, as well as "Minsara Poove" from Padayappa (1999), "Sowkiyama Kannae" from Sangamam (1999), "Kannamoochi Yenada" from Kandukondain Kandukondain (2000), "Kanaa Kaangiren" from Rhythm (2000), and "Anbe Sugama" from Paarthale Paravasam (2001).[20] These partnerships often featured duets or group vocals that showcased Mahadevan's emotive range, such as in "Manmadha Masam" from Paarthale Paravasam (2001), contributing to the commercial success of Rahman's soundtracks during this period.[24][25] Beyond Rahman, Mahadevan worked with Harris Jayaraj on the poignant track "Oru Nadhi Oru Pournami" from Samurai (2002), a duet that incorporated folk elements with her classical timbre. She also collaborated with Deva on "Vandhaen Vandhaen" from Panchatanthiram (2002), a lively ensemble piece featuring multiple singers including Kamal Haasan. In later years, she worked with G. V. Prakash Kumar on "Kanaa Kaangiren" from Ananda Thandavam (2009).[26][27] In the 2010s and beyond, Mahadevan shifted toward select contemporary projects, such as in the Malayalam film Arike (2012), maintaining her selective approach to playback while prioritizing live performances, though specific composer partnerships in this era remain more sporadic in film soundtracks.[28][29]Other works
Television appearances
Nithyasree Mahadevan has made significant contributions to Indian television through her roles as a judge and performer on music reality shows, leveraging her expertise in Carnatic music and playback singing to guide aspiring artists. She appeared as a judge and frequent guest judge on the Tamil singing competition Airtel Super Singer for seasons 2 through 5, spanning 2007 to 2010, where she evaluated contestants alongside other prominent musicians.[30][31] She served as a permanent judge on the debut season of Jaya TV's Jaya Super Singer South India from 2014 to 2015, alongside Bharadwaj and S. P. Sailaja. Additionally, in 2014, she was a permanent judge for season 3 of Raj TV's Carnatic music reality show Tanishq Swarna Sangeetham. In addition to her work on Airtel Super Singer, Mahadevan appeared as a judge on Zee Tamil's Sa Re Ga Ma Pa Challenge in 2009, providing feedback during key performances and finals alongside veterans like Vani Jairam and M. S. Viswanathan. She also judged episodes of Sun TV's Sun Singer starting from 2014, including special guest judging duties in later seasons such as 2018.[31] Beyond judging, Mahadevan made guest appearances on shows like Airtel Super Singer Junior, where she performed and offered insights to young contestants in seasons including 3 and 5. She contributed vocally by singing title tracks for popular Tamil serials, notably the iconic "Kanninmani Kanninmani" for Chithi in 1999, composed by Dhina.[32] Mahadevan's television involvement extended to jingles, promotional specials, and performances, such as her Carnatic recitals during Jaya TV's Margazhi Utsavam in 2020, continuing her media presence into the 2020s.[33] Through these roles, she has mentored emerging singers, with many crediting her constructive critiques for shaping their careers in competitive music environments.[34]Compositions and anthems
Nithyasree Mahadevan made notable contributions to cultural anthems through her vocal performances in the 2010s. She was one of the featured singers in the Semmozhiyaana Thamizh Mozhiyaam, the official theme song for the World Classical Tamil Conference held in Coimbatore in 2010, composed by A. R. Rahman with lyrics penned by M. Karunanidhi.[35] The multilingual anthem, which celebrated the heritage and classical status of the Tamil language, included a ensemble of prominent artists such as T. M. Soundararajan, P. Susheela, Hariharan, and others, and was performed live at the conference's inauguration. Beyond this, Mahadevan has lent her voice to Tamil heritage-themed songs and devotional tracks for cultural events and albums throughout the 2010s and 2020s, often drawing from traditional Carnatic and bhakti repertoires to highlight linguistic and spiritual traditions.[36] In recent years, she released singles such as "Thannenjarivadhu - Kural No. 293" in 2025 as part of The Thirukkural 1330 project, a musical interpretation of Thiruvalluvar's ancient Tamil couplets, composed by Lydian Nadhaswaram and distributed on platforms like Apple Music and Spotify. These works reflect her ongoing engagement with Tamil literary heritage outside formal film contexts, frequently performed at live cultural gatherings.Discography
Carnatic albums
Nithyasree Mahadevan has produced a prolific body of Carnatic music recordings since the 1990s, with her output encompassing classical kritis, devotional hymns, and thematic explorations of composers like Tyagaraja and Muthuswami Dikshitar. Her albums emphasize the intricate ragas and talas of Carnatic tradition, often highlighting her expansive vocal range and emotional depth in renditions of krithis such as those in the Pancharatna series or Dikshitar's Navavarana cycle. While exact counts vary, her total discography across genres exceeds 500 releases, with Carnatic and devotional works forming a core segment released through specialized labels and digital platforms.[37] Early albums from the 2000s established her as a leading voice in studio Carnatic recordings, focusing on structured compositions that blend tradition with accessibility. Notable among these is Sanmargam (2004), a collection of classical pieces rendered with accompaniment on violin and mridangam, showcasing her interpretive style in ragas like Kalyani and Bhairavi. Another key release, Bhakthi Manjari (2011), compiles devotional kritis dedicated to deities like Rama and Krishna, drawing from the Trinity's repertoire and emphasizing bhakti rasam through gamakas and alapana segments. These works, often produced in collaboration with ensembles featuring artists like Embar Kannan on violin, reflect her commitment to preserving Carnatic essence in album formats. Mahadevan's associations with labels such as Saregama Carnatic have facilitated widespread distribution, with many albums initially on CD transitioning to digital streaming post-2010 for broader global reach.[38] The Sri Devi Yagna series, spanning volumes from 2009 to 2018, exemplifies this shift, offering multi-disc sets of Lakshmi stotras and related kritis in Telugu and Sanskrit, performed with traditional instrumentation. Recent releases up to 2025 include thematic compilations like Gaanopasana (2022), which features post-pandemic studio recordings of Tyagaraja krithis amid virtual collaboration trends in the music industry, and Carnatic Classics (2017, reissued digitally), a curated selection of her live-inspired studio takes on rare compositions. These later works incorporate modern production while maintaining classical fidelity, often inspired by her thematic concert presentations.[39]| Album Title | Year | Focus |
|---|---|---|
| Sanmargam | 2004 | Classical kritis in major ragas |
| Bhakthi Manjari | 2011 | Devotional hymns to Rama and Krishna |
| Sri Devi Yagna (Vols. 5-8) | 2009-2018 | Lakshmi stotras and Navavarana kritis |
| Gaanopasana | 2022 | Tyagaraja compositions, studio renditions |
Film songs
Nithyasree Mahadevan has made significant contributions as a playback singer in South Indian cinema, particularly in Tamil films, where she has rendered over 100 songs spanning from her debut in 1998 to recent projects. Her work often blends Carnatic nuances with film compositions, earning acclaim for its emotive depth and classical resonance. During the late 1990s and 2000s, she peaked with collaborations alongside composer A.R. Rahman, featuring in high-profile Tamil films that showcased her versatile voice in romantic and devotional tracks. In Tamil cinema, Mahadevan's discography includes iconic tracks from landmark films. Her breakthrough came with the song "Kannodu Kaanbathellam" from Jeans (1998), a melodic duet that highlighted Rahman's fusion style and her soaring vocals. Subsequent highlights from the same era include "Sowkiyama Kannae" from Sangamam (1999), a soulful piece evoking rural sentiments, and "Thaai Thindra Mannae" from Aayirathil Oruvan (2010), composed by G.V. Prakash Kumar, which captured historical grandeur. Other notable contributions encompass "Oru Nadhi Oru Pournami" from Samurai (2002) with Harris Jayaraj, blending rhythm and melody, and "Markandeya" from New (2004), a Rahman composition infusing mythological elements. In the 2010s and beyond, her selections became more discerning, focusing on meaningful narratives; examples include "Karambakudi Kanaga" from Udanpirappe (2021), a folk-inspired track by D. Imman that celebrates maternal bonds, and "Gopura Poove Va" from Deiva Machan (2023), adding to her enduring legacy in contemporary Tamil soundtracks.[40][41] Beyond Tamil, Mahadevan has lent her voice to a smaller but impactful selection of songs in other South Indian languages, primarily during the early 2000s. In Telugu films, she featured prominently in Nuvvu Naaku Nachav (2001) with "Kannulatho Choseve," a Rahman-adapted romantic number from the Telugu version of Jeans, and "Meriseti Puvvaa" from Narasimha (1999), noted for its lyrical tenderness. Her Kannada contributions include "Sarasake Baaro" in Gandugali Kumara Rama (2006), where her classical timbre suited the film's devotional themes. In Malayalam, she sang "Varavaay Thozhi" for Arike (2012), a gentle melody composed by Jassie Gift that complemented the film's introspective tone. These cross-language ventures underscore her adaptability while maintaining a focus on Tamil cinema.[42]| Year | Film | Language | Song Title | Composer |
|---|---|---|---|---|
| 1998 | Jeans | Tamil | Kannodu Kaanbathellam | A.R. Rahman |
| 1999 | Sangamam | Tamil | Sowkiyama Kannae | A.R. Rahman |
| 1999 | Narasimha | Telugu | Meriseti Puvvaa | A.R. Rahman |
| 2001 | Nuvvu Naaku Nachav | Telugu | Kannulatho Choseve | A.R. Rahman |
| 2002 | Samurai | Tamil | Oru Nadhi Oru Pournami | Harris Jayaraj |
| 2004 | New | Tamil | Markandeya | A.R. Rahman |
| 2006 | Gandugali Kumara Rama | Kannada | Sarasake Baaro | Gurukiran |
| 2010 | Aayirathil Oruvan | Tamil | Thaai Thindra Mannae | G.V. Prakash Kumar |
| 2012 | Arike | Malayalam | Varavaay Thozhi | Jassie Gift |
| 2021 | Udanpirappe | Tamil | Karambakudi Kanaga | D. Imman |
| 2023 | Deiva Machan | Tamil | Gopura Poove Va | Godwin J. Kodan |