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No Fences
Studio album by
Garth Brooks
ReleasedAugust 27, 1990
Recorded1989–1990
StudioJack's Tracks (Nashville, Tennessee)
Genre
Length34:32
LabelCapitol Nashville
ProducerAllen Reynolds
Garth Brooks chronology
Garth Brooks
(1989) 		No Fences
(1990) 		Ropin' the Wind
(1991)
Singles from No Fences
  1. "Friends in Low Places"
    Released: August 6, 1990
  2. "Unanswered Prayers"
    Released: October 12, 1990
  3. "Two of a Kind, Workin' on a Full House"
    Released: January 1991
  4. "The Thunder Rolls"
    Released: April 30, 1991
  5. "Wild Horses"
    Released: November 20, 2000
Professional ratings
Review scores
SourceRating
About.comStarStarStarStar[1]
AllMusicStarStarStarStarStar[2]
Christgau's Consumer Guide(2-star Honorable Mention)(2-star Honorable Mention)[3]
Entertainment WeeklyA[4]
The Rolling Stone Album GuideStarStarStarStar[5]

No Fences is the second studio album by the American country music artist Garth Brooks. It was released on August 27, 1990, and reached No. 1 on Billboard's Top Country Albums chart. The album also reached No. 3 on the Billboard 200. On the latter chart, it stayed in the top 40 for 126 weeks.[6] No Fences remains Brooks' best-selling studio album to date with 18 million copies shipped in the US,[7] and is the album that made him an international star. It was his first album issued in Europe (the original European release contained the four singles from his US debut as bonus tracks).

Musical style and composition

[edit]

No Fences has been described as a country pop and neotraditional country album,[8][9][2] that expanded further on the pop elements of Brooks' self-titled debut album, and focused more on the fusion of the soft rock, arena rock, and hard rock styles of artists such as Dan Fogelberg, James Taylor, the Eagles, Journey, and Aerosmith, and traditional country artists such as George Strait.[10][9] It is considered the turning point when Garth Brooks established and followed the "stadium country" country-pop sound that grew in popularity for the rest of the 1990s, departing the neo-traditionalist sound that he started with in his career.[8]

Singles

[edit]

Some of Brooks' most famous songs appear on No Fences, including: "The Thunder Rolls" (CMA's 1991 Video of the Year), "Friends in Low Places" (Academy of Country Music's 1990 Single of the Year), "Unanswered Prayers" and "Two of a Kind, Workin' on a Full House". A cover version of The Fleetwoods' "Mr. Blue" appears on the album. The album itself was named Album of the Year by the ACM in 1990. It reached Number 1 on the British country music charts (earning Brooks his first gold album in that country) and remained charted for over five years.

The track "Victim of the Game" was later covered by Brooks's friend and future wife Trisha Yearwood for her 1991 eponymous debut album.

Brooks later re-recorded the track "Wild Horses", and released the new recording as a single in early 2001, reaching #7 on the country chart.

25th anniversary reissue

[edit]

In September 2015, it was announced No Fences would be reissued later in the year to commemorate its 25-year release anniversary. The release would include a new version of "Friends in Low Places", featuring George Strait, Jason Aldean, Florida Georgia Line, and Keith Urban singing along with Brooks. The album release has since been delayed due to royalty disputes.[11]

Track listing

[edit]
No.TitleWriter(s)Length
1."The Thunder Rolls"Pat Alger, Garth Brooks3:43
2."New Way to Fly"Brooks, Kim Williams3:55
3."Two of a Kind, Workin' on a Full House"Bobby Boyd, Warren Haynes, Dennis Robbins2:33
4."Victim of the Game"Brooks, Mark D. Sanders3:09
5."Friends in Low Places"Dewayne Blackwell, Earl Bud Lee4:18
6."Wild Horses"Bill Shore, David Wills3:12
7."Unanswered Prayers"Alger, Larry Bastian, Brooks3:26
8."Same Old Story"Tony Arata2:53
9."Mr. Blue"Blackwell3:17
10."Wolves"Stephanie Davis4:06
Total length:34:32

Personnel

[edit]

The following credits are sourced from liner notes included with the album's release.[12]

Musicians

  • Pat Alger – acoustic guitar, harmony and backing vocals
  • Bruce Bouton – pedal steel guitar, harmony and backing vocals
  • Tim Bowers – bass guitar, harmony and backing vocals
  • Garth Brooks – lead, harmony and backing vocals, acoustic guitar
  • Mark Casstevens – acoustic guitar
  • Mike Chapman – bass guitar, harmony and backing vocals
  • Johnny Christopher – acoustic guitar
  • Ty England – acoustic guitar, harmony and backing vocals
  • Dave Gant – piano, keyboard, organ, fiddle, harmony and backing vocals
  • James Garver – electric guitar, harmony and backing vocals
  • Rob Hajacos – fiddle, harmony and backing vocals
  • Chris Leuzinger – electric guitar
  • Steve McClure – electric and pedal steel guitars
  • Edgar Meyer – double bass
  • Mike Palmer – drums, percussion
  • Brian Petree – harmony and backing vocals
  • Milton Sledge – drums
  • Bobby Wood – piano, keyboards, organ, harmony and backing vocals
  • Nashville String Machine – string orchestra

Backing and harmony vocalists

Recording

  • Denny Purcell – mastering engineer
  • Mark Miller – recording and mixing engineer
  • Dan Heins – harmony and backing vocals, audio engineer

Charts

[edit]

Certifications

[edit]
Region Certification Certified units/sales
Australia (ARIA)[28] Platinum 70,000^
Canada (Music Canada)[29] 7× Platinum 700,000^
Ireland (IRMA)[30] 5× Platinum 75,000^
United States (RIAA)[31] 18× Platinum 18,000,000‡

^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

See also

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

No Fences

View on Grokipedia
from Grokipedia
No Fences is the second studio by American singer-songwriter , released on August 27, 1990, through Capitol Nashville Records. Produced by and recorded at Jack's Tracks Recording Studios in , the album features ten tracks blending traditional country with rock and pop influences, marking a pivotal point in Brooks' career as he transitioned from regional success to national stardom. The album's lead single, "," became a No. 1 hit on the chart. "," a subsequent single, was initially released without its controversial third verse depicting , but the full version later became a No. 1 hit on the chart in 1991. Other singles "" and "Two of a Kind, Workin' on a Full House" also topped the country charts, with "" earning the () Single of the Year award in 1991. These tracks, along with others like "New Way to Fly" and "Victim of the Game," showcased Brooks' songwriting versatility and emotional depth, contributing to the album's crossover appeal. No Fences debuted at No. 13 on the chart and ascended to No. 1, where it remained for a total of 41 non-consecutive weeks, the longest reign for any album at the time. It also peaked at No. 3 on the , becoming Brooks' first top-10 pop album and solidifying his role in revitalizing music's mainstream popularity in the early . The album won the CMA Album of the Year in 1991 and secured six (ACM) Awards, including Album of the Year. Commercially, No Fences has been certified 18× Platinum by the (RIAA) for shipments exceeding 18 million units in the United States as of February 14, 2020, making it Brooks' best-selling studio album and one of the highest-certified country releases ever. It has sold over 18 million copies in the United States, with worldwide sales exceeding 18 million, underscoring Brooks' influence as one of the best-selling solo artists in U.S. history with over 162 million album equivalents as of 2025. Its enduring legacy includes reissues and its role in launching Brooks into superstardom, with tracks like becoming country anthems performed at events worldwide.

Background and Development

Album Conception

Following the modest success of his self-titled debut album released in April 1989, which peaked at No. 13 on the Billboard Top Country Albums chart, Garth Brooks aimed to broaden his musical scope with his sophomore project, seeking to infuse more dynamic energy while building on the storytelling foundation established in his initial release. This transition came after Brooks signed with Capitol Nashville on June 17, 1988, for a $10,000 advance, marking a pivotal step in his career following rejections from other labels and an impressive live audition that convinced executives of his potential. Brooks drew key inspirations from his high-octane live performances, where he often incorporated rock elements to engage diverse crowds beyond traditional audiences, blending the genre's narrative depth with arena-rock vigor influenced by artists like , , , and . This approach reflected his desire to create an album that captured the communal thrill of his shows, appealing to a wider demographic while honoring country's roots. In the lead-up to production beginning in 1989, Brooks collaborated closely with Nashville songwriters including Pat Alger, with whom he co-wrote "The Thunder Rolls" and "Unanswered Prayers" to emphasize emotional narratives and personal introspection. These partnerships focused on selecting tracks that prioritized vivid storytelling and heartfelt themes, ensuring a mix of vulnerability and vitality. To balance the album's introspective ballads, Brooks opted to include high-energy anthems like "Friends in Low Places," a rowdy barroom staple originally pitched to George Strait, which he adopted after the track was passed over, providing an exuberant counterpoint to the more reflective material. The overall production was led by , who had helmed Brooks' debut and continued to shape the sound at Jack's Tracks Recording Studios.

Recording Process

The recording sessions for No Fences took place over a period spanning late 1989 to early 1990 at Jack's Tracks Recording Studio in , where the album was both recorded and mixed. This timeline allowed the project to build directly on song selections developed during the album's conception phase, incorporating tracks like "Friends in Low Places" and "The Thunder Rolls" into the studio work. Key technical aspects included capturing live band performances to preserve the raw energy and spontaneity of the musicians, a method that contributed to the album's dynamic sound. Additional layers, such as string arrangements, were added through overdubs performed by the Nashville String Machine, led by violinist Carl Gorodetzky and featuring players like Dennis Molchan and Gary Vanosdale, enhancing the emotional depth of several tracks without overpowering the core instrumentation. One notable challenge during the sessions was ' commitment to authenticity, which led him to push for multiple takes on various songs, including extended efforts on "" to refine the intensity and timing. This approach, while demanding, extended the duration of some recording days but ensured the final product reflected genuine emotional delivery. By spring 1990, the core tracks were completed, with final mixes finalized over the summer to prepare for the album's August release.

Musical Style and Composition

Genre and Influences

No Fences is primarily classified as a neotraditional country album that incorporates elements of country pop, soft rock, and arena rock, building on the traditionalist leanings of Garth Brooks' self-titled debut while amplifying crossover appeal through polished production and dynamic arrangements. This blend marked a shift toward a more expansive sound, often described as "stadium country," which combined the storytelling roots of country with the anthemic energy of rock to suit large-scale performances. The album's style emerged in the post-urban cowboy era of the early 1990s, a period when country music reacted against the glossy, pop-infused trends of the 1980s by reviving traditional elements while integrating broader influences to attract wider audiences. Brooks drew significant influences from country legends like for the heartfelt ballads and introspective narratives, evident in tracks that emphasize emotional depth and phrasing. Simultaneously, and aesthetics from shaped the album's melodic introspection, particularly in slower, reflective songs that prioritize lyrical vulnerability over ornate instrumentation. Rock influences, including anthemic structures from and suspenseful, narrative-driven builds reminiscent of storytelling, infused high-energy cuts with dramatic tension, as seen in "The Thunder Rolls," where heavy drums and escalating orchestration evoke rock opera-like intensity. Overall, played a pivotal role in the evolution of , bridging neotraditional purity with pop-rock accessibility to pioneer a hybrid genre that expanded country's commercial footprint beyond niche markets. This fusion not only highlighted Brooks' versatility but also set a template for subsequent artists seeking mainstream breakthrough while honoring genre heritage.

Instrumentation and Arrangements

The album No Fences prominently features provided by Bruce Bouton, which adds a signature twang to several tracks, contributions from that infuse traditional bluegrass elements, and driving drum rhythms handled primarily by Milton Sledge, contributing to the energetic pulse across the 10 tracks. These core instruments are supported by a core band including acoustic and electric guitars from Chris Leuzinger, Mark Casstevens, and others, bass from Tim Bowers, and keyboards by , creating a solid foundation that blends sounds with pop accessibility. Arrangements on No Fences emphasize dynamic contrasts, with ballads like "" incorporating layered string sections arranged by Charles Cochran to heighten emotional depth without overpowering the acoustic intimacy. In contrast, uptempo tracks such as "" adopt a raw, bar-band aesthetic driven by strums and harmonica accents, evoking a live atmosphere that prioritizes rhythmic drive over ornate production. The standout track "" builds tension through escalating percussion layered with thunderstorm sound effects sourced from a previous recording session on "Delta Rain" by the Memphis Boys and integrated by and producer , culminating in a dramatic orchestral swell. Producer ' approach on the album, recorded at Jack's Tracks Recording Studios between 1989 and 1990, masterfully balances the raw energy of live band performances with selective polished overdubs, allowing the musicians' spontaneous interplay to shine while refining the overall sonic clarity. This technique results in a total runtime of 34:32, where the 10 tracks maintain a cohesive yet varied texture that captures both intimate moments and arena-ready anthems.

Release and Singles

Initial Release and Promotion

No Fences was released on August 27, 1990, by Capitol Nashville Records. The album's launch was supported by the lead single "," released three weeks earlier on August 6, which helped generate early momentum through widespread radio airplay. Promotion centered on Brooks' high-energy live performances in 1990, including shows at fairs, festivals, and clubs to connect with audiences. Key tracks received music videos, including "" directed by David Hogan and "" directed by Bud Schaetzle, which aired on networks and amplified the album's themes. The album generated immediate sales buzz, entering the Top Country Albums chart in September 1990 and quickly climbing to No. 1, propelled by strong radio support for its singles. Its packaging featured a straightforward cover image of Brooks leaning against a wooden fence in an open rural field, evoking the everyday authenticity of country life and reinforcing the album's accessible roots.

Singles and Their Impact

The album No Fences spawned four major singles during its initial release period, all of which achieved significant success on the Billboard Hot Country Songs chart, contributing to its sustained chart presence. The lead single, "Friends in Low Places," released in August 1990, topped the chart for four weeks, becoming one of Garth Brooks' signature songs. Subsequent releases included "Unanswered Prayers" in October 1990, which held the No. 1 position for two weeks; "Two of a Kind, Workin' on a Full House" in January 1991, another No. 1 hit; and "The Thunder Rolls" in April 1991, also reaching No. 1 for two weeks after an edited version was prepared for radio play to omit its controversial third verse. Capitol Records employed a staggered release strategy for the singles, spacing them out over more than a year to maintain album momentum and capitalize on Brooks' rising popularity. This approach included pairing singles with B-sides such as "New Way to Fly" and occasional remixes to refresh , ensuring No Fences remained a radio staple well into 1992. Among these, "" had the most enduring cultural resonance, evolving into a staple and ubiquitous party anthem that captured the spirit of camaraderie and irreverence in . Its infectious chorus and appeal reflected its widespread commercial and social impact. "," meanwhile, sparked significant controversy due to its unflinching portrayal of in the original , which depicted a woman defending herself against her abusive husband; the video was banned from networks like The Nashville Network (TNN), prompting a censored version without the violent scene to be aired instead. Despite the backlash—or perhaps because of it—the song's raw storytelling amplified discussions on social issues within , solidifying Brooks' reputation for bold narratives.

Commercial Performance

Chart Achievements

No Fences entered the chart at No. 15 on the week of September 29, 1990. It subsequently reached No. 1 on that chart, where it spent a total of 41 weeks at the summit across multiple runs, including 23 consecutive weeks. The album peaked at No. 3 on the all-genre chart. Internationally, No Fences reached No. 1 on the Irish Albums Chart. It reached No. 2 on Canada's RPM Country Albums chart and No. 49 on the RPM Top Albums chart, marking a top-10 position in the genre. In Australia, the album peaked at No. 11 on the Albums Chart. On year-end charts, No Fences ranked No. 1 on Billboard's for 1991. For the decade, it placed No. 4 on the year-end chart for the , underscoring its crossover endurance.

Sales and Certifications

No Fences achieved massive commercial success, becoming one of the best-selling country albums of all time. In the United States, the album was certified 18× by the (RIAA) on February 14, 2020, representing shipments of 18 million units. This certification includes both physical sales and streaming equivalents, reflecting ongoing digital consumption into the 2020s. Internationally, the album received strong certifications, contributing to worldwide sales of over 34 million units as of September 2025. In , it earned 7× Platinum status from for 700,000 units. awarded it Platinum certification by the for 70,000 units, while in Ireland, it attained 5× Platinum from the for 75,000 units. Key sales milestones underscore its rapid ascent. Released on August 27, 1990, No Fences escalated through multi-Platinum levels in the 1990s. It became the first country album certified for shipments of 5 million copies on October 24, 1991.
CountryCertifying BodyCertificationUnits Sold/ShippedDate
RIAA18× Platinum18,000,000February 14, 2020
7× Platinum700,000-
Platinum70,000-
IRMA5× Platinum75,000-

Critical Reception

Contemporary Reviews

Upon its release in August 1990, No Fences was met with enthusiastic acclaim from music critics, who celebrated its vibrant energy and ' dynamic vocal delivery across a range of emotional tones. awarded the album 5 out of 5 stars, lauding its infectious energy and Brooks' versatility in blending traditional with broader appeal. gave it an A grade, emphasizing the album's strong crossover potential that bridged roots with pop sensibilities. Reviewers frequently praised Brooks' song choices for their raw emotional authenticity that resonated with working-class themes. The album was widely viewed as a , solidifying Brooks as a transformative force in by expanding its audience beyond traditional boundaries. Media outlets like and magazine featured the album prominently, highlighting its synergy with Brooks' high-energy live shows that amplified its anthemic qualities and fan engagement.

Retrospective Assessments

In the 2000s and , No Fences received renewed acclaim in major rankings and retrospectives that highlighted its transformative role in country music. The album was included in Rolling Stone's 500 Greatest Albums of All Time, ranking at number 437 in the updated edition, where it was praised for blending rock energy with country to create anthems suited for massive audiences. rated it 4 out of 5 stars, noting the effective rock infusions that added edge to tracks like "The Thunder Rolls." Similarly, in 2010s analyses, critics lauded it for pioneering "arena country," with songs like and designed to resonate in stadium settings while maintaining intimate emotional depth, marking a shift from traditional to spectacle-driven performances. Scholarly examinations in the further contextualized No Fences as a pivotal force in the commercialization of . In The Oxford Handbook of Country Music (2017), edited by Travis D. Stimeling, contributors analyze ' work, including this album, as emblematic of the genre's expansion into mainstream pop markets during the 1990s, emphasizing how its crossover hits accelerated Nashville's shift toward broader demographic appeal and production strategies. In the , the album's enduring popularity is evident in its expanded streaming availability; in January 2025, No Fences was added to for the first time, broadening access beyond its prior exclusivity to and allowing millions more streams of its timeless tracks. This ongoing reevaluation builds on its 1991 ACM Album of the Year win, which continues to symbolize its foundational acclaim in industry circles.

Legacy and Reissues

Cultural and Industry Impact

The release of No Fences in 1990 propelled to superstardom, marking a pivotal moment in his career as the album has been certified 18× Platinum by the RIAA for shipments exceeding 18 million units . This success contributed to the broader boom, where expanded dramatically under Brooks' influence, as noted in Billboard's annual tallies that credited him with leading the explosion in popularity and crossover appeal. Brooks' blend of traditional country storytelling with rock energy and large-scale production inspired subsequent artists, including , who adopted similar crossover strategies to blend country with pop elements, further mainstreaming the . Culturally, No Fences generated enduring phenomena through its singles, particularly "Friends in Low Places," which emerged as a staple anthem at weddings, parties, and sports events, symbolizing camaraderie and resilience among diverse audiences. The track's rowdy, sing-along appeal has made it a fixture in stadiums, including games where it energizes crowds during key moments. Similarly, "" ignited national conversations on through its music video, which depicted an abusive relationship culminating in the victim's ; the video's graphic content led to bans by networks like CMT and TNN in 1991 but garnered support from women's shelters for raising awareness. Despite the controversy, it won the CMA Video of the Year award and received a Grammy nomination, amplifying its role in spotlighting the issue. In terms of legacy metrics, No Fences helped drive a surge in country music consumption during the early , with the genre's album sales climbing as Brooks' records dominated charts and introduced millions to the format via pop crossover. The album's blockbuster performance also normalized stadium tours as a standard for top country acts, as Brooks' high-energy live shows in massive venues set a template for the era's production scale and fan engagement. As of 2025, No Fences maintains relevance through its featured role in the 2019 A&E documentary series Garth Brooks: The Road I'm On, which chronicles Brooks' rise and highlights the album's transformative impact on his career and the genre, alongside ongoing 35th anniversary acknowledgments. The record continues to receive substantial radio airplay on country stations, underscoring its lasting appeal amid Brooks' ongoing tours and the album's 35th anniversary celebrations.

Special Editions and Reissues

In 2000, Capitol Nashville released No Fences (Tenth Anniversary Special Edition) as a digitally remastered CD, enhancing audio quality from the original 1990 analog masters while preserving the track listing. This edition, produced by Denny Purcell at Georgetown Masters, celebrated the album's commercial success and was distributed through major retailers. The album saw further reissues in the as digital formats proliferated. It became available on platforms like in the mid-2000s, followed by streaming services such as and by the early , with enhancements for higher bitrate audio in subsequent years. In 2019, No Fences was included in ' The Legacy Collection on his Pearl Records label, featuring remixed and remastered versions on both vinyl and , accompanied by bonus tracks across the collection's albums. This limited-edition set, individually numbered for collectors, bundled No Fences with four other albums and a live set, emphasizing Brooks' career milestones, and was primarily sold through his official website. A standalone vinyl reissue followed in 2020 on Pearl Records, a limited edition pressing from original analog sources, targeting audiophiles and fans seeking high-fidelity playback. Distributed exclusively via Brooks' online store and tied to his ongoing tours, this edition featured updated packaging but no alterations to the original tracks. No major physical reissues or remasters have occurred since 2020 beyond streaming optimizations.

Production Credits

Track Listing

The original No Fences album, released in 1990, features 10 tracks with a total runtime of 34:48. co-wrote four of the songs: "," "New Way to Fly," "Victim of the Game," and "." The original release contained no bonus tracks, and there were no significant variations in the track listing across international editions. On vinyl and early CD formats, the tracks were divided between Side A (tracks 1–5) and Side B (tracks 6–10).
No.TitleDurationWriter(s)
13:42, Pat Alger
2New Way to Fly3:54, Kim Williams
3Two of a Kind, Workin' on a 2:31Bobby Boyd, , Dennis Knutson
4Victim of the Game3:36,
54:18, Earl "Bud" Lee
6This Ain't Tennessee4:07, Jim Rushing
7Wild Horses3:09Bill Shore, David Wills
83:23, Pat Alger, Larry Bastian
9Same Old Story2:52Tony Arata
103:16

Personnel

The personnel for No Fences consisted of a core group of Nashville session musicians, backing vocalists, and a renowned string ensemble, under the production oversight of . The album features no guest artists on the original release, emphasizing Brooks' established collaborators for its blend of country and rock elements.
RolePersonnel
Lead Vocals, , Backing Vocals
Chris Leuzinger, , Mark Casstevens, Pat Alger
Chris Leuzinger
GuitarTy England, Steve McClure (also )
Bruce Bouton, Steve McClure
Bass
Upright BassEdgar Meyer
Drums, PercussionMilton Sledge
Rob Hajacos
StringsNashville String Machine (Carl Gorodetzky, Dennis Molchan, Gary Vanosdale, George Binkley III, John Borg, and others)
Backing VocalsCurtis Young, Hurshel Wiginton, , Rob Hajacos
Production and technical credits included as producer, responsible for the album's overall sound at Jack's Tracks Recording Studios in Nashville. Mark Miller handled recording and mixing, with additional engineering by Dan Heins and mastering by Denny Purcell at Georgetown Masters. Additional contributors encompassed over 20 individuals in total, including harmony vocal support and string arrangements that enhanced tracks like "."

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  48. https://abcnews.go.com/Sports/wireStory/garth-brooks-killers-tom-petty-stars-college-football-127299137
  49. https://www.billboard.com/music/pop/garth-brooks-best-pop-star-sidebar-1991-1235824825/
  50. https://www.treblezine.com/garth-brooks-country-explosion-mainstream/
  51. https://www.imdb.com/title/tt10095402/
  52. https://www.discogs.com/release/1862051-Garth-Brooks-No-Fences-Tenth-Anniversary-Special-Edition
  53. https://www.walmart.com/ip/No-Fences-Tenth-Anniversary-Special-Edition/1042199
  54. https://www.amazon.com/No-Fences-Garth-Brooks/dp/B000002UWA
  55. https://www.garthbrooks.com/music/the-legacy-collection
  56. https://www.discogs.com/release/14737599-Garth-Brooks-Legacy-The-Limited-Edition-The-Numbered-Series
  57. https://www.discogs.com/release/18862387-Garth-Brooks-No-Fences
  58. https://www.garthbrooks.com/vinyl
  59. https://www.discogs.com/release/1256705-Garth-Brooks-No-Fences
  60. https://rateyourmusic.com/release/album/garth-brooks/no-fences-10/
  61. https://okma.fandom.com/wiki/No_Fences
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