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Profile Records
Profile Records
Profile Records
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Profile Records was one of the earliest hip-hop labels. As well as hip-hop they released disco, dance, and electro records.

Key Information

History

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In 1980, Cory Robbins, who was 23 at the time and had worked briefly for MCA, wanted to start a record label. He invited his songwriter friend Steve Plotnicki to be a partner. They each borrowed $17,000 from their parents, purchased the little used Panorama Records subsidiary from MCA, and Profile Records was born.[citation needed] Their tiny office opened at 250 West 57th street in NYC on May 1, 1981.

With the success of “Genius Rap” by Dr. Jeckyll & Mr. Hyde, they escaped financial ruin by a mere $2,000.[1] From there it was Gidea Park's “Seasons of Gold” that brought more commercial and financial success, becoming Profile Records’ first hit to make the Billboard Hot 100. In 1982 the fledgling label gained international recognition with the club hit "I Specialize in Love", recorded by Sharon Brown,[2] licensed to Virgin Records in the UK. The label continued its commercial success, with gold and platinum sales with artists such as Dana Dane, Twin Hype, Run DMC, Poor Righteous Teachers, Nemesis, and Paul Hardcastle among others.

In 1985, the label moved to a headquarters at 740 Broadway in New York. The label had numerous sub-labels such as Smile Communications (which later became independent and continued to be controlled by Plotnicki after Profile was acquired), Sea Bright Records, and Robert Hill's Zakia Records, the label that launched the career of King Sun and hip hop legends Eric B. & Rakim.

Profile's biggest act was Run-D.M.C., which was introduced to Robbins when manager Russell Simmons sent him a demo cassette of "It's Like That".[citation needed] Robbins signed the group soon after.

The partners' less than amicable split severed not only all business ties but all personal ones too. Robbins, in 2008, said he had no regrets “except for an occasional loss, it was a good experience, a positive experience but I would not change a thing.”[3]

Profile was acquired by Arista Records in 1998, and its catalogue and artists were transferred to Arista.[4] Sony Music Entertainment (owner of Arista since 2004) now manages much of Profile's back catalog and master recordings. Most recordings are currently out of print except for the albums of DJ Quik, Rob Base and DJ E-Z Rock and Run-D.M.C.

Artists

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Hip hop

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Others

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References

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Profile Records

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Profile Records was an American founded in 1979 by Cory Robbins and Steve Plotnicki in , initially focusing on 12-inch dance singles before pivoting to hip-hop in 1981, and becoming one of the earliest labels to champion the genre alongside releases in disco, dance, and electro music. The label's breakthrough came with its first hip-hop single, "Genius Rap" by Dr. Jeckyll & Mr. Hyde, released in 1981, which sold over 150,000 copies and peaked at number 31 on the R&B chart, marking Profile's entry into the burgeoning rap scene. Over the next decade, Profile built a roster of influential artists, including Run-D.M.C., whose debut album in 1984 and subsequent hits like "" (1986), a groundbreaking collaboration with that received heavy rotation, propelled the label to mainstream success with multiple gold, platinum, and multi-platinum certifications. Other notable acts signed to Profile included , (known for the 1988 hit "It Takes Two"), , , Special Ed, Poor Righteous Teachers, Nine, and , contributing to the label's role in shaping the of hip-hop during the 1980s and early 1990s. At its peak, Profile Records achieved significant commercial milestones, including multimillion-dollar album sales that allowed Robbins to repay the initial $34,000 family used to start the venture, and it established itself as a key player in bridging underground rap to broader audiences. However, facing industry challenges, the label ceased operations in 1998 after its catalog was sold to in 1996, with rights later acquired by Sony Music Entertainment, preserving its legacy through reissues and anthologies like the 2012 release Giant Single: The Profile Records Rap Anthology.

History

Founding and Early Years

Profile Records was founded on April 14, 1981, in by Robbins and Steve Plotnicki as an . Robbins, then 23 years old and having briefly worked in promotion at , teamed up with his songwriter friend Plotnicki, who had experience in the scene including a mildly successful single of his own. Both young executives emerging from the late 1970s era, they self-financed the venture by each borrowing $17,000 from their parents, totaling $34,000 to launch the company. The label initially targeted the , , and electro markets, reflecting the founders' roots in New York's club music scene amid the transition. Operations began with a small team in a modest office at 250 West 57th Street in , starting May 1, 1981. Promotion was managed by Manny Bella for urban radio and Claudia Cuseta for clubs, helping to navigate the competitive landscape despite limited distribution deals initially confined to independent networks. Early releases included the debut single "I'm Starting Again" by British singer Grace Kennedy, a track that failed to but marked the label's entry into 12-inch singles. Another initial effort was "Seasons of Gold" by , which achieved modest club success and provided some financial breathing room. However, the label faced significant hurdles, including the sharp decline of the disco market following its backlash, intense competition from major labels like Atlantic and RCA, and challenges in securing broader distribution as the industry shifted toward emerging genres. These pressures prompted a pivot toward hip-hop in 1981, beginning with the release of "Genius Rap" by Dr. Jeckyll & Mr. Hyde, which sold over 150,000 copies and peaked at number 31 on the R&B .

Breakthrough and Growth

Building on its early foray into hip-hop, Profile Records achieved its first major commercial breakthrough with the release of Run-D.M.C.'s debut single "It's Like That" backed with "" in March 1983, which sold over 250,000 copies and established a raw, minimalist sound that contrasted with the more party-oriented rap of the era. The label signed Run-D.M.C. in 1983 for a modest $3,000 advance after A&R executive Steve Plotnicki heard their demo tape, positioning Profile as a key player in capturing the emerging New York hip-hop scene. The label's strategy emphasized scouting and developing unpolished, street-level talent from New York's boroughs, prioritizing authentic voices over the increasingly commercialized acts from major labels, which helped Profile stand out during hip-hop's golden age. Early signings beyond Run-D.M.C. included Brooklyn duo Audio Two, whose development began in the mid-1980s under the label's guidance, leading to their breakthrough single "Top Billin'" in 1987. Other foundational releases, such as "Whip Rap" by the Disco Four in 1982 and Rammellzee vs. K-Rob's influential "Beat Bop" in 1983, further solidified Profile's reputation for fostering innovative, gritty hip-hop from local artists. By 1984, the label's growing success prompted physical expansion to larger offices at 1775 Broadway in New York, reflecting surging sales from hip-hop releases that drove significant revenue growth. Profile secured international distribution deals, building on earlier licensing agreements like the 1982 partnership for non-hip-hop tracks, which extended Run-D.M.C.'s reach abroad. Key milestones included the 1985 single "King of Rock," which previewed the group's blockbuster album Raising Hell the following year and helped propel Profile's annual sales into multimillion-dollar territory by highlighting the label's focus on high-impact New York talent.

Peak and Expansion

During the late 1980s and early , Profile Records reached its commercial zenith, shipping hundreds of thousands of records monthly and generating tens of millions of dollars in annual revenue. This period built on the label's foundational success with acts like Run-D.M.C., transitioning into a broader embrace of hip-hop sound characterized by innovative sampling and mainstream crossover appeal. Profile positioned itself as a key hip-hop powerhouse, rivaling labels like Def Jam by nurturing artists who blended street credibility with radio-friendly production. Major hits underscored this expansion, including Rob Base & DJ E-Z Rock's "It Takes Two" in 1988, which became a defining party anthem and earned a platinum certification from the RIAA for over one million units sold. Special Ed's "I Got It Made" followed in 1989, showcasing youthful lyricism that resonated widely, while DJ Quik's "Born and Raised in Compton" in 1991 highlighted the label's reach into West Coast gangsta rap influences. These releases contributed to Profile earning numerous gold and plaques, solidifying its role in mainstreaming hip-hop beyond its New York roots. The roster grew significantly during this era, with key signings such as Special Ed, , , , and Nine, diversifying the label's sound across East and West Coast styles. This expansion reflected Profile's strategy to increase output, aiming for 5-8 new albums annually by the mid-1990s while venturing beyond rap into other genres. Business developments included partnerships with distributors like , enhancing global reach through U.K. operations and music . Co-founder Robbins played a pivotal role in these achievements but departed in , selling his stake to partner Steve Plotnicki amid plans for further growth, marking the end of an era for the label's original leadership. Profile's emphasis on aesthetic helped propel hip-hop into a cultural force, with its artists achieving mainstream visibility and influencing the genre's evolution.

Decline and Closure

By the mid-1990s, Profile Records faced significant challenges amid the growing oversaturation of the hip-hop market, where independent labels struggled to compete with major distributors and an influx of new acts diluted profitability. Internal shifts exacerbated these issues, particularly following co-founder Robbins' departure in January 1994, when he sold his stake to partner Steve Plotnicki due to frustrations over the label's limited genre focus on rap, , and , which restricted broader artistic exploration. Robbins subsequently founded Robbins Entertainment, leaving Plotnicki to lead as sole owner and president, with plans for expansion including 5-8 additional album releases annually and potential acquisitions of smaller labels, though output began to wane as the company navigated these transitions. Profile's release schedule slowed markedly by 1994, reflecting broader industry pressures and the label's shift toward sustaining its established catalog rather than aggressive growth. No new artist signings occurred after 1996, as the focus narrowed to managing existing roster commitments amid declining independent viability. Plotnicki retained control until the catalog was sold to Arista Records in 1996. The sale of the catalog to Arista in 1996 marked the beginning of the end for Profile's independent operations, which ceased in 1998. Under BMG/Arista oversight, Profile issued limited new material, primarily reissues of its back catalog with updated BMG numbering, while active artists were transitioned to the Arista roster but faced eventual drops as the imprint proved unviable. Profile Records, Inc. was effectively shut down in 1998, with its operations absorbed and staff integrated or let go as part of Arista's restructuring. In the aftermath, Profile's catalog passed to Sony Music Entertainment following the 2004 merger of BMG and to form , and 's full acquisition of the BMG music division in , ensuring continued availability of the label's historic recordings through . The sale period saw no major public disputes over artist royalties, though broader industry tensions around independent label transitions highlighted ongoing concerns for creators' compensation.

Artists

Hip-Hop Roster

Profile Records established itself as a pivotal force in early hip-hop by signing and developing a roster primarily composed of New York-based artists who emphasized street-oriented narratives, innovative production techniques, and lyrical prowess. Founded in , the label quickly pivoted toward hip-hop, amassing approximately 25 acts over its lifespan, many hailing from , , and . This focus on local talent helped shape the label's identity as a hub for raw, authentic East Coast rap during the old-school to new-school transition in the . The cornerstone of the roster was Run-D.M.C., signed in 1983 after impressing founder Cory Robbins with their demo tape; the trio remained with the label through their 1993 album Down with the King, releasing six studio albums that blended aggressive rhymes with rock-infused beats, defining the label's breakthrough sound and achieving the first platinum certifications for rap records. Supporting this flagship act were party-rap specialists , who joined in 1987 and delivered high-energy tracks emphasizing DJ scratching and crowd-pleasing hooks, contributing to Profile's reputation for accessible yet innovative hip-hop. Similarly, Brooklyn's Special Ed, signed as a teenage prodigy in 1988, brought youthful bravado and precise lyricism to the fold, releasing his debut in 1989 and exemplifying the label's knack for nurturing emerging voices. Other notable contributors included female pioneers like (with DJ Jazzy Joyce), signed in the mid-1980s, whose work highlighted gender diversity in a male-dominated scene through confident flows and beat-driven tracks; , active from 1985 to 1987, who infused storytelling with humorous, narrative-driven rhymes; and early acts such as Dr. Jeckyll & Mr. Hyde, the label's inaugural hip-hop signing in 1981, known for their electro-infused party anthems. In the early , the roster expanded to include harder-edged groups like and , as well as West Coast act , New York rappers Nine and , maintaining Profile's commitment to street authenticity while experimenting with denser production layers. These artists collectively propelled the label's output, fostering a legacy of lyrical innovation and cultural relevance in hip-hop's formative years.

Non-Hip-Hop Roster

Profile Records maintained a modest non-hip-hop roster during its formative years, consisting of approximately 5–6 artists across , , and electro genres, often involving one-off or short-term deals rather than long-term commitments. This small selection reflected the label's origins in the era, as founders Cory Robbins and Steve Plotnicki drew from their experiences in the boom of the late while navigating the shifting music landscape. Key artists included the British jazz-funk ensemble 52nd Street, which released albums such as Children of the Night (1982) and Clubland (1983), blending funk rhythms with dance-oriented grooves suited to the early 1980s club circuit. The label also signed rock outfit The Accelerators for their self-titled debut album in 1983, marking a brief foray into straightforward rock amid its dance-focused beginnings. Similarly, new wave group The Cucumbers debuted with their 1983 album on Profile, offering quirky, synth-infused pop that aligned with emerging dance trends. These releases, tied to the vibrant New York and international club scenes of the early 1980s, highlighted Profile's initial exploration beyond hip-hop but ultimately became peripheral as the label pivoted toward rap. Promotion for these non-hip-hop acts was managed by specialists Manny Bella for urban markets and Claudia Cuseta for , ensuring targeted outreach to club DJs and radio programmers in the competitive early environment. While limited in scope, Profile's electro and output, including instrumental tracks with futuristic beats, contributed to the broader club sound that later informed beat production in adjacent genres.

Notable Releases

Key Singles

Profile Records played a pivotal role in popularizing hip-hop through its breakthrough singles, beginning with its first hip-hop release, "Genius Rap" by Dr. Jeckyll & Mr. Hyde, in 1981. The track sold over 150,000 copies and peaked at number 31 on the Billboard R&B chart. This was followed by Run-D.M.C.'s debut single, the double A-side "It's Like That" b/w "Sucker M.C.'s," produced by Larry Smith and released in 1983. "It's Like That" addressed social issues like unemployment and urban struggles, while "Sucker M.C.'s" served as an anti-commercial anthem that dissed flashy, inauthentic rappers, establishing Run-D.M.C. as pioneers of a more hardcore style. The single peaked at No. 15 on the Billboard Hot R&B/Hip-Hop Songs chart, becoming one of Profile's early major successes and helping to legitimize rap as a serious art form. During the label's peak in the late 1980s, Profile released several crossover hits that brought hip-hop to mainstream audiences, including Rob Base & DJ E-Z Rock's "It Takes Two" in 1988. Built on samples from ' "Think (About It)," the track became a party anthem, propelling the duo to stardom. The single reached No. 36 on the , No. 3 on the chart, and was certified platinum by the RIAA, exemplifying Profile's knack for crafting infectious, sample-heavy tracks that dominated clubs and radio. Other notable singles included Special Ed's "I Got It Made" (1988), which peaked at No. 1 on the chart, and Onyx's "Slam" (1993), a high-energy track that reached No. 1 on the same chart and earned gold certification. Profile's production style, often handled in-house with engineers like Smith and , emphasized innovative sampling and beats—such as the used on Run-D.M.C. tracks—that defined the label's gritty, street-oriented sound. Hits like "Rock Box" by Run-D.M.C. (1984), the first rap video aired on MTV, exemplified how Profile's releases helped transition rap from underground to pop culture staple, with several tracks achieving gold or platinum status and influencing global music trends.

Key Albums

Profile Records' early catalog laid the foundation for hip-hop's mainstream breakthrough with albums that blended raw energy and innovative production. Run-D.M.C.'s self-titled debut album in 1984 marked a pivotal moment, achieving gold certification for over 500,000 units sold and introducing the group's hard-hitting beats and streetwise lyrics produced by Larry Smith. This shifted hip-hop from underground party rap toward a more polished, radio-friendly format while retaining its cultural authenticity. During the label's peak in the late 1980s and early 1990s, releases like Run-D.M.C.'s Raising Hell in 1986 solidified Profile's influence, selling over three million units for 3x platinum certification and reaching No. 6 on the , driven by the crossover hit "Walk This Way" with that bridged hip-hop and rock audiences. DJ Quik's Quik Is the Name in 1991 debuted at No. 29 on the , went platinum, and showcased West Coast production, peaking at No. 10 on the Top R&B/Hip-Hop Albums chart. These works exemplified Profile's role in advancing the genre from simplistic rhymes to conscious, narrative-driven themes, influencing subsequent artists in East and West Coast scenes. Later Profile albums continued this evolution, with Onyx's in 1993 achieving status for over one million units sold and reaching No. 4 on the Top R&B/Hip-Hop Albums chart, known for its aggressive hardcore style and the hit "Slam." These releases highlighted the label's thematic progression toward introspective and high-energy content amid hip-hop's growing commercial success.

Legacy

Cultural Impact

Profile Records significantly shaped the evolution of hip-hop during the 1980s by championing sound, which emphasized harder beats, denser , and broader production values compared to the genre's earlier party-rap style. As an early independent label, it released influential records by artists like Run-D.M.C., whose debut album in 1984 helped define this shift and brought hip-hop into mainstream consciousness through its raw energy and street authenticity. A landmark achievement came with the label's facilitation of the 1986 collaboration between Run-D.M.C. and on "Walk This Way," a that fused rap verses over rock riffs and peaked at number four on the , marking the first rap single to achieve such crossover success and opening doors for hip-hop on and pop radio. This track not only revitalized 's career but also demonstrated hip-hop's potential to blend with established genres, influencing future inter-genre experiments. The label's tracks left an indelible mark on sampling practices, a cornerstone of hip-hop production. Rob Base & DJ E-Z Rock's 1988 hit "It Takes Two," built around a prominent sample from Lyn Collins' "Think (About It)," revolutionized how producers layered breaks into rap beats and has since been sampled in 238 known tracks, from to later rap anthems, while shaping the bouncy, sample-heavy aesthetic that dominated production. Operating out of , Profile reinforced the boroughs' position as hip-hop's epicenter by signing and promoting local acts that captured the city's gritty energy, contributing to the genre's consolidation as a cultural force originating from the Bronx and scenes. Its mentorship of emerging talent elevated standards in lyricism and performance, fostering a generation of artists who prioritized technical skill and narrative depth. Profile's independent model democratized hip-hop by proving that non-major labels could achieve multi-platinum sales and cultural breakthroughs, inspiring a wave of indie ventures that expanded access for underground artists beyond corporate gatekeepers. This legacy was formally recognized in 2012 with the release of Giant Single: The Profile Records Rap Anthology by , a two-disc compilation spanning the label's 15-year run and highlighting its role in hip-hop's formative years.

Catalog Management and Reissues

Following its acquisition by —a subsidiary of (BMG)—in 1996, Profile Records' catalog, including master recordings and artist contracts, was integrated into Arista's operations. This move transferred control of Profile's extensive hip-hop holdings, such as early Run-D.M.C. albums and singles by artists like , to BMG's portfolio. In the years immediately after, Arista issued compilations to capitalize on the catalog, including the 1999 release Profilin' The Hits, a single-disc collection highlighting key tracks from Profile's roster spanning the and early . The 2004 merger between Sony Music Entertainment and BMG formed Sony BMG Music Entertainment, placing Profile's catalog under joint ownership. By 2008, Sony acquired full control of the merged entity, and Profile's assets were subsequently managed by Sony Music's Legacy Recordings division, which specializes in catalog preservation and reissues. Under Legacy, royalties for Profile's recordings are administered through Sony's standard processes, ensuring ongoing payments to rights holders from sales and licensing. Early post-acquisition artist concerns over contracts and payments, stemming from the label's closure, were largely addressed through settlements and renegotiations by the mid-2000s. Reissue efforts intensified in the 2010s, with Legacy Recordings releasing Giant Single: The Profile Records Rap Anthology in 2012—a two-CD box set compiling 31 seminal tracks from 1981 to 1996, featuring artists like Run-D.M.C., Dana Dane, and Audio Two. Digital remastering made much of the catalog available on streaming platforms such as Spotify and Apple Music starting around 2012, broadening access to Profile's foundational hip-hop works. No new original material has been produced since the label's shuttering, but the catalog generates steady revenue through streaming, with occasional physical reissues including vinyl pressings of Run-D.M.C. albums like Tougher Than Leather (2023) and Down with the King (2023 thirtieth-anniversary edition). As of 2025, Profile Records remains an inactive imprint, with its enduring catalog serving as a cornerstone of hip-hop archival collections under Sony Music's stewardship, valued for its role in documenting the genre's early commercial breakthroughs.

References

  1. https://www.legacyrecordings.com/2011/12/09/the-rise-of-profile-records-and-the-dawn-of-hip-hop-culture-in-america/
  2. https://www.discogs.com/label/2739-Profile-Records?srsltid=AfmBOopxB6Lv2l5CfZQwQmx8HzBYV8I1GBjNHpvOlWeFLQbF-wyjsj2t
  3. https://www.thediscoparadise.com/label.php?l=profile
  4. https://www.npr.org/2012/02/21/147206516/a-giant-anthology-of-profile-records-raps-early-champion
  5. https://allhiphop.com/news/profile-records-legacy-chronicled-in-new-anthology/
  6. https://www.discogs.com/label/145495-Profile-Records-Inc
  7. https://www.vice.com/en/article/meet-the-king-of-the-food-bloggers-who-discovered-run-dmc-and-owns-robot-wars/
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  9. https://sleeves.bigboppa.co.uk/USA/profile/prof-us.htm
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  11. https://www.discogs.com/master/192933-Grace-Kennedy-Im-Starting-Again
  12. https://www.discogs.com/release/2211663-Gidea-Park-Seasons-Of-Gold-Lolita
  13. https://www.theguardian.com/music/musicblog/2012/oct/24/jam-master-jay-run-dmc-remembered
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  21. https://wbssmedia.com/artists/detail/3463
  22. https://www.billboard.com/music/rb-hip-hop/dj-e-z-rock-hip-hop-pioneer-who-recorded-it-takes-two-dies-at-46-6070080/
  23. https://www.theguardian.com/music/musicblog/2016/jul/04/walk-this-way-run-dmc-aerosmith
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  27. https://www.discogs.com/release/230970-Various-Profilin-The-Hits
  28. https://pressbooks.pub/electronicmediahistory/chapter/5-4-current-popular-trends-in-the-music-industry/
  29. https://open.spotify.com/album/4s3W1hoyYYY9Bu8uGX0fqS
  30. https://www.discogs.com/release/28565950-Run-DMC-Tougher-Than-Leather
  31. https://www.legacyrecordings.com/2023/06/26/run-d-m-c-down-with-the-king-30th-anniversary-limited-double-colored-vinyl/
  32. https://www.legacyrecordings.com/
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