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Quickstep
Quickstep
from Wikipedia

Quickstep
"Quick Step" dance rhythm figure.[1]

The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing.

History

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The quickstep evolved in the 1920s from a combination of the foxtrot, Charleston, shag, peabody, and one-step. The dance is English in origin and was standardized in 1927. While it evolved from the foxtrot, the quickstep now is quite separate. Unlike the modern foxtrot, the leader often closes his feet, and syncopated steps are regular occurrences (as was the case in early foxtrot). Three characteristic dance figures of the quickstep are the chassés, where the feet are brought together, the quarter turns, and the lock step.[2]p126

This dance gradually evolved into a very dynamic one with much movement on the dance floor, with many advanced patterns including hops, runs, quick steps with much momentum, and rotation. The tempo of quickstep dance is rather brisk, as it was developed to ragtime era jazz music, which is fast-paced when compared to other dance music.

By the end of the 20th century the complexity of quickstep as done by advanced dancers had increased, with the extensive use of syncopated steps with eighth note durations. While in older times quickstep patterns were counted with "quick" (one beat) and "slow" (two beats) steps, many advanced patterns today are cued with split beats, such as "quick-and-quick-and-quick, quick, slow", with there being further steps on the 'and's.

Style

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The quickstep is elegant like the foxtrot and should be smooth and glamorous. The dancers should appear to be very light on their feet. It is very energetic and form-intensive.[citation needed] The quickstep is danced to 4/4 music of 48 to 52 measures per minute.[3]

Syllabus

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The two International Style syllabi of ISTD and IDTA for quickstep differ very little.

The American Style dance competition program does not include quickstep, but a limited version of the dance is taught and danced socially in some American dance venues.

Pre-bronze

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  1. Quarter turn to right
  2. Natural turn
  3. Natural turn with hesitation
  4. Natural pivot turn
  5. Natural spin turn
  6. Progressive chassé
  7. Chassé reverse turn
  8. Forward lock
  9. Heel pivot (quarter turn to left)

Silver

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  1. Quick open reverse
  2. Fishtail
  3. Running right turn
  4. Four quick run
  5. V6
  6. Closed telemark

Gold

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  1. Cross swivel
  2. Six quick run
  3. Rumba cross
  4. Tipsy to right
  5. Tipsy to left
  6. Hover corté
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The quickstep is one of multiple dances performed on the celebrity talent show Dancing with the Stars, as well as Strictly Come Dancing.[4][5]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Quickstep is a lively and elegant performed by couples in closed hold, characterized by its fast-paced, syncopated rhythm, quick steps, and flowing movements that convey lightness and joy, typically danced to music in 4/4 time at a tempo of 48 to 52 measures per minute. Originating in the in New York amid the , the Quickstep evolved from a fusion of the , Charleston, Peabody, and One-Step, initially as a before becoming a partnered style influenced by rhythms and the energetic styles of and African immigrants. By the late , it had been standardized in as the "Quick Time " and renamed Quickstep, gaining popularity in suburban dance halls. Today, it forms one of the five core dances in the category of competitive ballroom dancing, alongside the , , , and , as defined by organizations like the . Key features of the Quickstep include its progressive and rotary figures that travel counterclockwise around the floor, incorporating elements like chassés, , skips, and locks, with pronounced rise and fall, sway, and a distinctive bounce action that adds to its spirited character. The dance demands precise footwork, upright posture, and fluid transitions between slow and quick steps (often in a slow-quick-quick pattern), making it both physically demanding and visually exhilarating in performances. In competitions, it emphasizes elegance and speed, with music selections ranging from classic standards to modern upbeat tracks adapted to the required .

History and Origins

Early Development

The Quickstep emerged in the as a dynamic fusion of established dances, blending the smooth gliding steps of the with the syncopated rhythms of the Charleston and the brisk tempo of the One-Step. This combination reflected the energetic evolution of social dancing during the , where dancers sought faster, more lively movements to match accelerating musical tempos. The dance initially appeared in American ballrooms, particularly in New York, as a variant known as the "Quick Time Foxtrot" or "Quick Foxtrot," which incorporated Charleston's playful kicks and hops while retaining 's elegance. Post-World War I social trends in the United States and significantly influenced the Quickstep's development, as returning soldiers and a burgeoning embraced freer, more exuberant forms of expression through . In the US, the dance gained traction in urban venues amid ' jazz craze, with early variants popularized in New York ballrooms by the early 1920s. Across the Atlantic, British dancers adapted these American imports, leading to the Quickstep's refinement as an English-style by the mid-1920s. The first formal recognition of the Quickstep occurred in British dance literature around 1925-1927, with its inclusion in manuals that codified emerging techniques. , a leading ballroom dancer and instructor, featured the dance in his influential 1927 publication Modern Ballroom Dancing, which helped standardize its steps and contributed to early performances in professional circles. A pivotal competitive debut took place in 1927 at the Star Dance Championships, where the English couple Frank Ford and Molly Spain performed a version of the Quick Time and Charleston—sans the exaggerated knee actions—effectively introducing the nascent Quickstep to international audiences. This event marked the dance's transition from informal social practice to a recognized competitive form.

Standardization and Evolution

The formal standardization of Quickstep occurred through the efforts of the Imperial Society of Teachers of Dancing (ISTD), with its steps codified at the Great Conference in , distinguishing it clearly from its roots and establishing it within the emerging international syllabus. This inclusion in the ISTD framework set the at 48-52 bars per minute in 4/4 time, providing a brisk yet controlled pace that emphasized light, flowing movements suitable for competitive and social settings. The ISTD's Branch, formed in 1924, had laid the groundwork for this technical structure, integrating Quickstep alongside , , and as core elements of modern technique. During the mid-20th century, Quickstep evolved amid broader socio-cultural shifts, including the impact of on dance halls, where live bands often accelerated tempos to energize audiences and adapt to wartime constraints on space and music. Post-war refinements were spearheaded by influential figures like Alex Moore, who, as ISTD Ballroom Branch Chairman from 1947 to 1976, authored key texts such as Ballroom Dancing (1936, with later editions) and led the 1948 Revised Technique of Ballroom Dancing, which refined Quickstep's alignment, sway, and rhythmic phrasing to enhance its elegance and speed. These updates emphasized smoother transitions and greater body control, responding to the dance's growing competitive demands while preserving its joyful character. A pivotal milestone came in 1950 with the formation of the World Dance Council (WDC, then the International Council of Ballroom Dancing), which formally adopted Quickstep as one of the five dances—alongside , , , and —solidifying its global status in professional competitions. By the late , minor syllabus adjustments, such as those in the and culminating in the amendments to The Ballroom Technique, introduced increased through figures like running rights and lefts, allowing for more dynamic off-beat accents while maintaining the core tempo. Regional variations exist between International and American styles, though Quickstep is primarily an dance and absent from American Smooth competitions, where fulfills a similar role. The International variant stresses an upright posture, continuous body contact in closed hold, and precise footwork to convey poise at high speeds, contrasting with the more open, fluid interpretations sometimes seen in American adaptations.

Characteristics and Technique

Music and Rhythm

The Quickstep is danced to music in 4/4 time signature at a tempo of 48 to 52 measures per minute, equivalent to 192 to 208 beats per minute, creating a lively and upbeat feel that emphasizes the slow-quick-quick rhythm as its foundational pulse. This brisk pace demands precise timing from dancers, with the music's energetic drive supporting the dance's fast footwork and buoyant movement across the floor. The rhythm is characterized by quick steps on single beats and slow steps spanning two beats, fostering a sense of forward momentum and syncopation that distinguishes Quickstep from slower ballroom styles. Core patterns in Quickstep revolve around the slow-quick-quick , often executed in figures like the progressive , where a slow step is followed by two quick steps to maintain balance and flow. Syncopations add variety, such as in the hesitation change step, a figure that introduces a brief pause or delayed action on the slow beat to create rhythmic tension and release, enhancing the dance's playful character. Phrasing in Quickstep music typically occurs in 16-bar sections, allowing dancers to align their movements with natural musical builds and resolutions for seamless . Suitable music for Quickstep draws from jazz-influenced standards of the and , capturing the era's swing and optimism through upbeat melodies that match the dance's vivacity. Representative examples include "It Had to Be You" by (1924) and "Cheek to Cheek" by (1935), both evoking the sophisticated yet lighthearted spirit of the period. In modern competitions, adaptations often feature arrangements of these classics or similar tunes, such as "42nd Street" or "American Patrol," ensuring the music remains strictly timed while preserving its historical essence. The in Quickstep prioritizes sections—like trumpets and trombones—for bold, propulsive melodies and harmonies that propel the forward, complemented by percussion elements such as drums and cymbals to underscore the syncopated beats and provide driving energy. This setup avoids overly slow tempos or waltz-like string-dominated arrangements, instead favoring the punchy, rhythmic vitality of swing to sustain the dance's high pace and exuberance.

Movement and Style

In Quickstep, dancers maintain an upright posture with a strong, elongated frame to support the 's rapid pace and directional changes. The body is poised slightly forward, with weight distributed over the balls of the feet for quick responsiveness, while the upper body remains straight and expanded to facilitate smooth partner connection. Partners connect through a closed hold, where the leader's right hand rests on the follower's back at shoulder blade level, the follower's left hand on the leader's upper arm, and their free hands joined at , creating a firm yet flexible structure that allows for compression and release during rises and falls. This hold emphasizes tonal connection without rigidity, enabling the partners to move as a unit across the floor. Key movements in Quickstep feature light, skipping steps executed with quick heel-toe actions, where the heel brushes the floor briefly before rolling onto the ball of the foot for propulsion. Essential elements include chassés, which involve quick side-close-side footwork to maintain momentum while traveling; locks, where one foot crosses behind the other for gliding transitions; and pivots, sharp rotational turns that build speed and direction. Swings are incorporated in figures like the running steps or hesitations to add dynamic sway, with the body swinging from in coordination with the legs. These actions create a of forward drive, often using syncopated rhythms to enhance the 's energetic flow. The style of Quickstep balances bouncy elevation with controlled precision, featuring a subtle rise and fall similar to the but executed more swiftly to match the music's lively tempo. Dancers achieve a floating, airy through soft knee compressions and gradual lowerings, avoiding harsh impacts while sustaining speed. Head movements follow the body's sway, turning with the to convey and without exaggeration, ensuring the overall motion remains smooth and unhurried despite the brisk pace. Foundational figures such as natural turns and reverse turns form the core of Quickstep execution, with the natural turn involving a quarter turn to the right followed by progressive steps, and the reverse turn mirroring it to the left for directional balance. To maintain poise at high speeds, dancers focus on centering the body over the supporting foot during pivots and using extended arms to counterbalance swings, preventing loss of frame or momentum.

Training Syllabus

Beginner Levels

Novice dancers begin Quickstep training with the pre-bronze syllabus figures established by the Imperial Society of Teachers of Dancing (ISTD), which introduce essential elements in the —a standard hold where partners maintain body contact facing one another—and basic promenade position for transitional movements. Key basics include the Quarter Turn to Right, Natural Turn, and Progressive , with a focus on timing through quarter turns and the core rhythm of slow-quick-quick to develop initial balance and forward drive. Footwork emphasizes heel-toe progression for the Natural Turn and ball-of-foot action for the , promoting smooth quarter-note phrasing without premature rise. Progression to early bronze builds on these foundations by incorporating the Reverse Turn and Natural Spin Turn, enhancing rotational control while maintaining simple progressive footwork free of advanced . These figures stress precise alignment in during turns, allowing beginners to execute half-turns and full spins with controlled sway and compression on the slow steps. Effective training emphasizes building endurance for the quick steps via progressive to music at 48-50 bars per minute, starting with slow-motion repetitions to master the lively . Common errors, such as rushing the slow steps, disrupt phrasing and balance, so instructors recommend counting aloud and focusing on even weight transfer to avoid this pitfall. Simple partnering drills, like mirror holds during Turns, foster connection and frame stability without complex leads. Proficiency in these beginner elements typically requires 6-12 months of regular weekly lessons and home practice, with goals centered on achieving basic floor coverage through linked figures and consistent rhythm adherence in social or settings.

Intermediate and Advanced Levels

The intermediate and advanced levels of Quickstep build upon foundational techniques, introducing greater complexity in footwork, directional control, and dynamics as outlined in the Imperial Society of Teachers of Dancing (ISTD) . At the silver level, dancers incorporate figures such as the Quick Open Reverse, Fishtail, Running Right Turn, Four Quick Run, V6, and Closed Telemark, which emphasize smooth directional changes and synchronized partnering. These elements require precise timing to navigate turns and s while maintaining momentum across the floor, with a focus on incorporating cross variations—like the Progressive to Right—for fluid progression and alignment between partners. Hesitation changes, often executed via the Closed Telemark leading into a cross hesitation, further develop control in silver routines by introducing brief pauses that enhance phrasing and partner connection without disrupting the dance's lively rhythm. Dancers at this stage prioritize partnering sync, ensuring that cues remain clear during rapid sequences, which helps in achieving the characteristic springy quality of Quickstep while avoiding loss of contact. This level demands consistent practice to refine these figures, typically advancing after 1-2 years of dedicated training following beginner proficiency, allowing for the integration of musical interpretation through subtle hesitations and accelerations. Progressing to the gold level, which generally requires 3 or more years of cumulative training, introduces advanced elements like Whisks (as variations in open sequences), and Rotating Tipsy Turns (Tipsy to Right or Left), alongside integrations of open work such as the Cross Swivel and Six Quick Run. These figures demand heightened artistry, with rotating tipsy turns adding rotational flair and whisks enabling expansive, flowing transitions that showcase extended lines and aerial-like leg extensions in partnering. Gold routines emphasize stamina for executing full 32-bar choreographies at 48-50 bars per minute, incorporating open positions for dramatic effect while interpreting the music's syncopations through dynamic shaping and momentum. Key challenges in these levels include maintaining a strong, flexible frame under the dance's high speed, where centrifugal forces from turns like the running right turn can test balance and connection. Dancers must avoid common faults such as over-swaying in open positions, which disrupts alignment and partnering sync; instead, controlled sway enhances the dance's without compromising posture or forward drive. Precision in foot placement and rise-fall actions is essential to sustain energy throughout routines, with floorcraft becoming critical to navigate competitive settings seamlessly.

Cultural and Competitive Aspects

Role in Ballroom Dancing

The Quickstep holds a prominent position as one of the five dances in the category—alongside the , , , and —within World Dance Council (WDC) competitive events, where it is performed from novice to professional championship levels. In these competitions, couples execute the dance to showcase precise timing synchronized with the music's quick rhythm, seamless flow across the floor to maintain momentum, and innovative content that incorporates both syllabus figures and original while adhering to stylistic guidelines. Judges evaluate performances based on criteria such as posture, and interpretation, technique, content and manner of performance, and floor craft, emphasizing the dance's energetic yet elegant execution. In social ballroom contexts, the Quickstep is adapted into slower, simplified versions to suit casual s and accommodate varying skill levels, often featuring reduced speed and fewer complex syncopations for easier partner coordination and floor navigation. These adaptations maintain the dance's lively spirit but prioritize enjoyment over competition rigor, making it a favorite in social clubs across the and , where it is commonly taught in group classes and evening socials. The Quickstep is also integral to team matches and formation dancing, where groups of couples synchronize routines to demonstrate collective precision and visual appeal in events organized by bodies like the WDC. variations of the Quickstep have been part of adaptive dancing since the 1960s, originating in , with competitive inclusion under organizations like World Para Dance Sport; in , Para Dance Sport, including wheelchair Quickstep, made its North American competitive debut, expanding the dance's inclusivity. The Quickstep has left a significant mark on film and television, particularly through classic Hollywood depictions that romanticized its energetic elegance. In the 1935 musical Top Hat, Fred Astaire and Ginger Rogers delivered iconic ballroom sequences, such as the "Cheek to Cheek" Foxtrot number, which influenced later dances like the Quickstep through its elegant ballroom style and inspired generations of dancers. These performances elevated the dance's status as a symbol of sophistication and joy, leading to a surge in public interest and enrollment at dance studios following the film's release. In modern television, the Quickstep has become a staple on the BBC's Strictly Come Dancing since its premiere in 2004, where celebrity contestants perform high-energy routines to popular songs, introducing the dance to millions and blending it with contemporary entertainment formats. Music crossovers have further embedded the Quickstep in , with swing-era revivals highlighting its rhythmic vitality. Artists like have contributed through covers of classic tunes suitable for the dance, such as "" from the soundtrack of the same name, which features the upbeat tempo ideal for Quickstep routines and has been performed on shows like . These modern interpretations pay homage to the dance's 1920s jazz roots while appealing to broader audiences, often appearing in live performances and televised competitions. Beyond media, the Quickstep symbolizes glamour, influencing fashion and themed events that evoke the era's exuberance. Its fast-paced, light-footed style is frequently incorporated into parties, where attendees don dresses and tuxedos to mirror the dance's opulent, carefree vibe. Professional troupes like Burn the Floor have amplified this impact since the late 1990s, staging high-voltage shows that fuse traditional Quickstep with dynamic choreography and live music, captivating theater audiences worldwide. Early popularizers such as helped popularize precursor dances like the in acts from 1914 to 1916, influencing the development of the Quickstep.

References

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